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"castle in the air" Definitions
  1. an impracticable project : DAYDREAM
"castle in the air" Antonyms

28 Sentences With "castle in the air"

How to use castle in the air in a sentence? Find typical usage patterns (collocations)/phrases/context for "castle in the air" and check conjugation/comparative form for "castle in the air". Mastering all the usages of "castle in the air" from sentence examples published by news publications.

This isn't a castle in the air; academic studies of Prison Fellowship's intensive, values-based reentry programs have shown that they dramatically reduce both recidivism and re-incarceration among its graduates.
That's why there are mirages in one of the scenarios — a Fata Morgana, specifically, or a "castle in the air," which is actually the image of the distant shoreline seen under specific conditions.
This series also includes Castle in the Air, published in 1990, and House of Many Ways, published in 2008. WorldCat reports that Howl's Moving Castle is the author's work most widely held in participating libraries, followed by its first sequel Castle in the Air."Jones, Diana Wynne". WorldCat. Retrieved 4 March 2013.
House of Many Ways is a young adult fantasy novel written by Diana Wynne Jones. The story is set in the same world as Howl's Moving Castle and Castle in the Air.
Castle in the Air is a 1952 British comedy film directed by Henry Cass and starring David Tomlinson, Helen Cherry and Margaret Rutherford. It was based on the stage play of the same title by Alan Melville.
This was followed by several other novels reworking Arabian legend: the metafictional The Arabian Nightmare (1983) by Robert Irwin, Diana Wynne Jones' children's novel Castle in the Air (1990), Tom Holt's humorous Djinn Rummy (1995) and Hilari Bell's Fall of a Kingdom.
The Australian band King Gizzard and the Lizard Wizard mention "men whose heads do grow beneath their shoulders" in the track "Castle in the Air", on the album Polygondwanaland. This is a reference to Othello [I.iii.143-144]. Blemmyes also appear on the left of the album's cover art.
The song describes a man who is unsatisfied with and weary of an urban lifestyle. Although native to the city, he decides to forsake not only his urban 'castle in the air' but also his love interest there. Because of his desire for and love of a country life, he decides to seek romance with a like-minded woman.
He lived like a pauper, and every penny left over was donated to the poor.1864 introduction to Meslier's Testament When Meslier died in Étrépigny, there were found in his house three copies of a 633-page octavo manuscript in which the village curate denounces organised religion as "but a castle in the air" and theology as "but ignorance of natural causes reduced to a system".
When the queen demanded a castle in the air, the wise old man told the men that they should ask her to lay the foundations. She had to do this on the ground and so a conventional house could then be built. She ruled for about seven years, continuing to oppress the men. She finally demanded a fast steed to carry her throughout the realm and into battle.
Castle in the Air is a young adult fantasy novel written by Diana Wynne Jones, and first published in 1990. The novel is a sequel to Howl's Moving Castle and is set in the same fantasy world, though it follows the adventures of Abdullah rather than Sophie Hatter. The plot is based on stories from the Arabian Nights. The book features many of the characters from Howl's Moving Castle as supporting characters, often under some sort of disguise.
The carpet does so, taking them far into the sky, to the castle in the air, which is merely Wizard Howl's castle, having been greatly enlarged. There they meet the abducted princesses and plot with them to escape the flying moving castle. Led by Abdullah, they overpower the two Djinn, freeing Hasruel who banishes his brother. Flower-of-the-Night had by then wished the Genie free, who turned out to be Sophie's husband, the top-level sorcerer Howl.
Together they must rescue the Princesses of Sweet Rhyme and Pure Reason, who are being held captive in the Castle in the Air, and restore order to the Kingdom of Wisdom. The many eccentric characters they meet include the Whether Man, the Humbug, the Spelling Bee, the noisy Dr. Kakofonous A. Dischord, King Azaz the Unabridged, the Mathemagician and Officer Short Shrift as well as demons like the Senses Taker, the Terrible Trivium, the Demon of Insincerity, and the Gelatinous Giant.
Among the pieces which she published about this time was "Another Castle in the Air"; "Stanzas commemorative of Charles Brockden Brown"; "Lines on the Burning of the Richmond Theatre"; and a poem to Robert Southey, upon the appearance of his "Curse of Kehama". At a later period, she published several poems of a more religious nature. These were elevated in tone, and were written in an animated and harmonious style. They were not numerous, and all were of moderate length.
Castle In The Air by Karen Smbatyan, 1994 Throughout his earthly life the diverse and multidimensional artist Karen Smbatyan had to struggle and fight for his internal freedom and external liberty. As a person and citizen he intrinsically chose the path of veracity and truth. He acted with infinite honesty and stepped through life with pride and honour. The destiny of the Armenian people and his national identity have always been equally dominant and imperative as his quest for the hidden mystery of artistic creativity.
Castle in the Air follows the adventures of Abdullah, a handsome young carpet salesman from Zanzib, who daydreams constantly about being a stolen prince. One day a strange traveler comes to his stand to sell a magic carpet. During the night, Abdullah goes to sleep on the carpet but wakes up to find himself in a beautiful garden with a young woman. He tells the woman, Flower-in-the- Night, that he is the stolen prince of his daydreams, believing that he is in fact dreaming.
Kelly made regular appearances on her husband's show, Bedtime with Braden, in 1950. The next year (1951) she got equal billing with Braden in An Evening at Home with Bernard Braden and Barbara Kelly. She continued to star in her husband's shows throughout the 1950s and 1960s, and in 1968 appeared in the sitcom B-And-B, along with her husband and daughter. In the early 1950s, Kelly appeared in a few films including The Desert Hawk, A Tale of Five Cities, Castle in the Air, and Love in Pawn.
Seven victories were obtained with one goal difference and seven matches were drawn. Toshack received a financial punishment by the Spanish FA for remarks he made about the referee of the match against Real Madrid. The Welsh coach also criticized his own club in an interview with Don Balón. He called Deportivo “a club without a solid base, something like a castle in the air. To reach the level of the big clubs, there’s still a mountain of work to do. Deportivo is under construction and it’s important that this is made clear”.
They cough, have difficulty breathing, and are on the verge of death. Immigrant workers seek help from the government, but their passive hard-working lives are destined to end in nearby graveyards. Sheep no longer roam there, replaced by statues in memory of the past herding lifestyle. All mining and smelting activities produce steel, which seems to be the building block of desire of a kind of paradise – the modern city. But the “paradise” is more like a castle in the air with few people actually living inside.
Buchanan's British stage appearances included A to Z, Battling Butler, Toni, Sunny, That's a Good Girl, Stand up and Sing, Mr Whittington, This'll Make You Whistle, Top Hat and Tails, The Last of Mrs Cheyney, Fine Feathers, Canaries Sometimes Sing, Don't Listen, Ladies!, Castle in the Air, King's Rhapsody and As Long as They're Happy. His first pantomime appearance (Christmas, 1940) was as "Buttons" in Cinderella. His productions included The Women, The Body was Well Nourished, Waltz Without End, It's Time to Dance, A Murder for a Valentine, Treble Trouble and The Lady Asks for Help.
She became a vocalist and was a successful performer with many big bands. Linn performed as part of "The Champagne Ladies" of Lawrence Welk from 1949 to 1954, replacing Helen Ramsay, and performing with Lois Best, Norma Zimmer and Jayne Walton. She often appeared in the early 1950s at the Aragon Ballroom of Santa Monica, and had her own Emmy-winning show on KTLA called "Cafe Continental" or "The Gypsy", which she left in 1954. In 1951, Linn was hired by Columbia Pictures to dub for songs such sung by Charlotte Austin in the film Castle in the Air (1952), originally titled Rainbow 'Round My Shoulder.
Barton Aqueduct's fate was sealed with the passage of the Manchester Ship Canal Act 1885, which allowed for the construction of a navigable waterway large enough to accommodate ocean-going vessels from the estuary of the River Mersey the into Manchester, partly along the Irwell. As the arches of the aqueduct were too small to allow large ships to pass through it was demolished in 1893, and replaced by the Barton Swing Aqueduct still in use today. So solidly built was the old aqueduct that dynamite had to be used to expedite its demolition. Some of the stonework of Brindley's aqueduct has been preserved in the nearby Barton Memorial Arch, a monument to his "castle in the air".
"Vy från ett luftslott" (Swedish for "View from a Castle in the Air") is the fourth and final single released from the album Tillbaka till samtiden, by the Swedish alternative rock band Kent. This is a one-track single featuring a remix of "Vy från ett luftslott" by Punks Jump Up. It was first released as a free download on Kent's website on 15 June 2008, then on CD on 2 July 2008. The remix is also used in the official music video, where Kent held a contest and asked fans to submit their own music videos. The band choose five finalist out of 65 entries, and the winner was selected in a poll on the band's forum.
Milo, a bored boy who lives in a San Francisco apartment block, is surprised by a large, gift-wrapped package that has appeared in his room. The package turns out to be a tollbooth which is a gateway into a magical parallel universe. As Milo uses the tollbooth's toy car to pass through the tollbooth, the character moves from live action to animation, and after getting accustomed to this he drives further, and is transported to the enchanted Kingdom of Wisdom in the Lands Beyond and the states of Dictionopolis (Kingdom of Words) and Digitopolis (Kingdom of Mathematics). Accompanied by Tock, a "watchdog" who actually has a large pocketwatch in his body, Milo has a series of adventures in places like the Doldrums, Dictionopolis, Digitopolis, the Mountains of Ignorance and the Castle in the Air.
The album itself is a journey, like snapshots of my life; "Berlin", composed in this thrilling city, one of my favourites in Europe and "City Lights" inspired by the urban pulse and uplifting energy of big capital cities. “Castle in the Air”, is written to Andreas Ulvo, my musical soul mate over the last 10 years, and was a tune that created spontaneous energetic moments in the recording studio. “Birds, Bees and Forest Trees” is inspired by a particularly beautiful walk in the woods, "Entanglement" is about the close relationships in life and the playful "African Wig", with African music influences recalls moments from my African tour. The album ends in quiet contemplation with three duo pieces, of which Youth and Loss 77 is heavily influenced in the aftermath of the national tragedy of 22 July 2011.
During the war years he wrote revues, Sweet and Low, Sweeter and Lower and Sweetest and Lowest, which ran in all for five years at the Ambassadors Theatre. After its success, he was signed up on a five-year contract for London Films by Alexander Korda.IMDB Melville's collaboration with composer Charles Zwar began in 1942 when they wrote Which Witch?" for "Sky High; they continued to work together for some of the numbers in Sweeter and Lower and for all of Sweetest and Lowest. After the war he wrote plays including Castle in the Air (1949; filmed in 1952), Full Circle (1952, previously Dear Charles and adapted from Les Enfants d'Edouard by Marc-Gilbert Sauvajon and Frederick J. Jackson), Simon and Laura 1954, which was later made into a film in 1955, and the book and lyrics for the musical Gay's the Word (1950, music by Ivor Novello).
Although she made her film debut in 1936, it was Rutherford's turn as Madame Arcati in David Lean's film of Blithe Spirit (1945) that established her screen success. Her jaunty performance, cycling about the Kent countryside, head held high, back straight, and cape fluttering behind her, established the model for portraying that role thereafter. She was Nurse Carey in Miranda (1948) and the sprightly Medieval expert Professor Hatton Jones in Passport to Pimlico (1949), one of the Ealing Comedies. She reprised her stage roles of the headmistress alongside Alastair Sim in The Happiest Days of Your Life (1950) and Miss Prism in Anthony Asquith's film adaptation of The Importance of Being Earnest (1952). More comedies followed, including Castle in the Air (1952) with David Tomlinson, Trouble in Store (1953), with Norman Wisdom, The Runaway Bus (1954) with Frankie Howerd and An Alligator Named Daisy (1955) with Donald Sinden and Diana Dors.
Russian composer Dmitri Shostakovich was one of the first to incorporate parts for the theremin in orchestral pieces, including a use in his score for the film Odna ( — 1931, Leonid Trauberg and Grigori Kozintsev). While the theremin was not widely used in classical music performances, the instrument found great success in many motion pictures, notably, Spellbound, The Red House, The Lost Weekend (all three of which were written by Miklós Rózsa, the composer who pioneered the use of the instrument in Hollywood scores), The Spiral Staircase, Rocketship X-M, The Day the Earth Stood Still, The Thing from Another World, Castle In the Air, and The Ten Commandments (the 1956 DeMille film). The theremin is played and identified as such in use in the Jerry Lewis movie The Delicate Delinquent. The theremin is prominent in the score for the 1956 short film A Short Vision, which was aired on The Ed Sullivan Show the same year that it was used by the Hungarian composer Mátyás Seiber.

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