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"candleholder" Definitions
  1. CANDLESTICK

17 Sentences With "candleholder"

How to use candleholder in a sentence? Find typical usage patterns (collocations)/phrases/context for "candleholder" and check conjugation/comparative form for "candleholder". Mastering all the usages of "candleholder" from sentence examples published by news publications.

He doesn't hear it, but I do, and I say, 'Pull that one back out'—and there's a brass candleholder.
Upon entering the space, the viewer is immediately met with a "Candleholder," a blackened-bronze casting of a rubber chicken, bearing a buboes-like extension that holds a candle.
Using the hashtag #Kwanzaa on Twitter displays an emoji of a candleholder with five candles, but the traditional piece used — called a kinara — actually has seven candles, marking the festival&aposs seven principles.
You could be in Europe (fitting, given that Gerald's Bar has an outpost in San Sebastián, Spain), but there are strong hints of Australiana, including an art deco brass kangaroo candleholder on the bar.
The issue was that it also recognized a lot of other things as "people," including my dog (it's supposed to be able to distinguish pets from humans) and light reflections in both an interior door window, and a shiny brass candleholder on a coffee table.
A woman lights kinara candles on a table decorated with the symbols of Kwanzaa. The kinara is a seven-branched candleholder used in Kwanzaa celebrations in the United States.
Karen breaks loose the door's slide lock with a candleholder and discovers Martha has hanged herself in her room. After Martha's funeral, Karen walks away alone, while Joe watches her from the distance.
With Fujiwo Ishimoto he designed the Illusia tableware for Arabia (brand) Ceramics Factory. In the 1980s, Orvola designed for Marimekko. In 1987, he designed the candleholder Kivi, which is still in production today at Iittala. In 1998, he designed the Verna goblet, as well as a set of glasses called Palazzo for Iittala.
A simple, narrow icon table is in the rear wall of the tsässon, covered by a dark red knitted icon scarf (pühaserätt). Newer printed icons are placed on the icon table and on the rear wall. A painted icon scarf is hung above the icon in the middle of the wall. There is also a turned wooden candleholder and an analoi.
Sometimes, among the Greeks, the priest simply holds a large single candle. Another form, more commonly seen in the Slavic churches, has the three candleholders attached to a large blessing crucifix with a vertical handle. This form cannot stand upright while the candles are lit. The candles may be white or each candle may be a different color and fresh flowers often decorate the candleholder.
Some parts of the building were converted to the state of the 1950s, for example the entrance and the lobby (Wandelhalle). At the main entrance are some small cash boxes, at the top are some historical candleholder. The cash boxes have been used only for short time, as they are too small and have no IT connection. The wardrobe site of the lobby is made from marble, the other sides are made from beton.
One night, after eating dinner with a group of other officers at Silvio's house, the group decided to play cards. He absentmindedly bent the corner of a card, and when Silvio (correctly) changed the score, he began to argue with Silvio. He grew extremely angry at this, and due to his alcohol consumption and embarrassment at his colleagues’ laughter, he threw a brass candleholder at Silvio. The object barely missed Silvio, who stood up and threw the officer out of his house.
The vestry contains framed photographs of the past priests of Christ Church and other pieces of memorabilia. The baptistry is separated from the nave by a lancet arched opening flanked by timber posts with moulded capitals and the floor is raised two steps above the nave floor. The baptistry is a small, five-sided space that contains a sandstone font, a tall timber candleholder and a small shelf with anointing oil. To either side of the baptistry are lancet arched door openings leading to the entry porches.
The Menorah has also become a symbol for the Iglesia ni Cristo since the 20th century. The kinara is also, like the menorah, a seven candleholder which is associated with the African American festival of Kwanzaa. One candle is lit on each day of the week-long celebration, in a similar manner as the Hanukiah (which was modeled after the menorah) during Hanukkah. In Taoism, the Seven-Star Lamp qi xing deng 七星燈 is a seven-lamp oil lamp lit to represent the seven stars of the Northern Dipper.
A huge wheel- shaped chandelier spreads over the pews and the chancel. The ornamentation has been consciously reduced to a few very valuable, restored images and figures from the old, and now demolished, parish church, and to conservatively wrought artworks by contemporary artists: foundation stone and keystone in the crypt's barrel vaulting by Jochem Pechau, the tabernacle in the crypt by Klaus Balke, the forged grille by Paul Nagel, the lead glass window in the apse by Jakob Schwarzkopf and the ambo, the eternal flame and the altar candleholder by Christoph Anders. The church is opened at all service times.
Light represented by candles was then often used to symbolise the Virgin and Christ; both Campin and van Eyck placed hearths or candles in their annunciation scenes.Meiss (1945), 175 The candleholder without a candle and the ropewick without flame symbolize the world before Christ's Nativity and the presence of his divine light, according to Ainsworth. The challenge for painters of the Annunciation was how to visually represent the Incarnation, the Word made flesh, or Logos.Koslow (1989), 10 They often showed rays of light emanating from Gabriel or a nearby window entering Mary's body to depict the concept of Christ "who inhabited and passed through her body".
Detail showing the light shining on the sideboard, a flask of clear water, a ropewick light, a candlestick, and a curtain-sack From the 9th century Light became associated with Mary and the Incarnation. Millard Meiss notes that, from the 12th century a common way to convey the conception was to compare light passing through glass to the passage of the Holy Spirit through the body of the Virgin.Meiss (1945), 177 St. Bernard likened it to sunshine explaining in this passage: "Just as the brilliance of the sun fills and penetrates a glass window without damaging it, and pierces its solid form with imperceptible subtlety, neither hurting when entering nor destroying when emerging; thus the word of God, the splendor of the Father, entered the virgin chamber and then came forth from the closed womb."Meiss (1945), 176 Three objects on the bedside cabinet represent the Virgin's purity: the water flask, the candleholder, and the ropewick light.

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