The shamadan from Egypt incorporates a large candelabrum for wedding celebrations.
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To set the séance mood, a grapefruit-and-cucumber Tocca candle scented the air, as a candelabrum flickered dramatically on the piano.
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But it also radiated opulence, with furnishings including a vintage Gothic armoire with tall mirrors and a giant silver candelabrum (sans candles).
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All around were go-go girls in playing-card tutus, and a hostess worked the room with a lit candelabrum balanced on her head.
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The only light onstage would be provided by the candelabrum, and the two would huddle over it, warmly illuminated, wet concrete glinting all around them.
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It is quite the enigmatic opener, a variant on those puzzlers that begin with a body sprawled on the parlor floor next to a bloody candelabrum.
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Ferris repeated the movement again and again, trying different ways to maneuver her body toward Jim and the candelabrum: walking on hands and feet, crouching and sliding.
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That day, Gold was staging the beginning of their meeting, when Jim approaches Laura holding a lit candelabrum and wine and looks around for a place to sit.
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"I found the Menorah you were looking for," one correspondent offered with a Trump-triumphant backdrop on his Twitter profile; it was a candelabrum made of the number six million.
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A room dedicated to artifacts from Tiffany's exhibit at Chicago's 1893 World's Columbian Exhibition includes devotional objects such as a gilt brass, glass, a jeweled altar cross, and a 12-armed bronze candelabrum adorned with glass cabochons.
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He also made dozens of other objects, including a one-off, spectacularly refined silver candelabrum and tubular steel chairs now in the permanent collection of the Design Museum of London, and in so doing, helped define his country's specific Modernist aesthetic.
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CreditCreditSusan Wright for The New York Times Even without a book or a guide, even after two millenniums of crumbling, the image of the seven-branched candelabrum — the Jewish menorah — is unmistakable on the inner wall of the Arch of Titus in the Roman Forum.
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Past studies conducted near the city of Manaus, in the heart of the Amazon, have demonstrated that when some areas are chopped down but not burned, then fast-growing trees with large leaves that branch out like a candelabrum start appearing, providing shade and cooling the air.
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Symplocos candelabrum is a flowering plant in the sapphireberry family. The specific epithet may refer to the candelabrum-like display of stamens in the flower.
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Fresh, young E. candelabrum branches are broken off by climbing baboons which results in uneven growth. In addition to this, baboon feeding patterns affect the life cycle of E. candelabrum flowers and often causes sterility in many of the young stems.
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This plant may hybridize with some of its relatives, including D. greenei and D. candelabrum.
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Also in the nave is a cast iron candelabrum dating from the late 17th century.
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When structural damage occurs, Euphorbia candelabrum trees release an abundant amount of milky-white latex, which has a rubber content of 12.5%. This latex is extremely toxic due to its skin irritant and carcinogenic diterpene derivatives, mainly phorbol esters. In addition to irritation of the skin and mucous membranes, E. candelabrum latex may cause blindness if brought into contact with the eyes. Various components of E. candelabrum plants can be utilized as poisons.
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The root bark afforded 7α-acetoxyroyleanone, 12-O-methypisiferic acid and sugol.Mendes, et al. "DITERPENOIDS FROM Salvia candelabrum".
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The Ovaherero people of Namibia use its latex as an ingredient in arrow poison to increase lethality, while the Damara people will often use E. candelabrum latex extract or freshly pounded branches to poison water holes and streams. Its flowers produce nectar but ingestion of E. candelabrum honey can cause a burning sensation in the mouth and drinking water only intensifies it. Despite documentation stating that E. candelabrum latex is extremely toxic and irritating, baboons seem to be unaffected and frequently consume it. A study done in Queen Elizabeth Park in West Uganda found that much of the damage done to E. candelabrum trees can be attributed to the feeding patterns of baboons.
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A candelabrum with three branches, empty of candles. Candelabra used for state occasions at the Belgian court (1960) A candelabrum (plural candelabrums, candelabra, candelabras), sometimes called a candle tree, is a candle holder with multiple arms. The word comes from Latin. In modern usage the plural form "candelabra" is frequently used in the singular sense.
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Clavicorona is a fungal genus in the family Auriscalpiaceae. The genus was first described by Maxwell Stanford Doty in 1947, who included the species C. pyxidata, C. cristata, C. taxophila, and C. candelabrum. E.J.H.Corner added another five species in 1950: C. candelabrum, C. colensoi, C. javanica, C. mairei, and C. tuba. He included C. dichotoma in 1970.
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Boreotrophon candelabrum is a species of sea snail, a marine gastropod mollusk in the family Muricidae, the murex snails or rock snails.
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Ceropegia candelabrum is a plant species from the subfamily Asclepiadoideae. The specific epithet is derived from the candelabra-like appearance of the inflorescences.
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Candles and candlesticks are also used frequently in religious rituals and for spiritual means as both functional and symbolic lights. In Jewish homes, two candles are lit to mark the beginning of the Sabbath at sundown every Friday, hence, candlesticks are often on display. A seven-branched candelabrum, known as the Menorah, is the national symbol of the State of Israel, based on the candelabrum that was used in the Temple in Jerusalem in ancient times. Another special candelabrum found in many Jewish homes is the Hanukiah, the Hanukkah menorah that holds eight candles, plus an extra one for lighting the others.
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The species was first described in 1753 by Carl Linnaeus. He referred to table 16 of Hortus Indicus Malabaricus published in 1689 by Henricus van Rhede. In 1795 the species was described again by William Roxburgh as Ceropegia tuberosa, making C. tuberosa a junior synonym of C. candelabrum. Ceropegia candelabrum is the type species of the genus Ceropegia L. Japtap et al.
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Seven-armed candelabrum which Mathilde donated for the maintenance of her memory. This picture, taken in 2010, shows the candelabrum lit up in her memory on the 999th anniversary of her death. The death of Otto III, who had strongly supported Essen Abbey, was probably a watershed for Mathilde. Otto's successor was the Henry II, the son of Henry the Wrangler.
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Latirus candelabrum is a species of sea snail, a marine gastropod mollusk in the family Fasciolariidae, the spindle snails, the tulip snails and their allies.
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Dudleya candelabrum is a succulent plant endemic to California, where it grows wild only on the northern Channel Islands. Dudleya candelabrum grows from a basal rosette of leaves up to half a meter wide atop a thick, hardy caudex. Each leaf is a pale green to pinkish-green spade shape with a sharp point. The unbranched stem is generally erect but often bending under the weight of the inflorescence it holds.
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It differs from S. lavandulifolia and S. candelabrum in being prostrate, as opposed to merely low-growing. It also has whorls of 2–6, compared to 6–9 in S. lavandulifolia.
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Candelabrum capensis, or gnome's hat hydroid, is a species of sessile hydroid cnidarian. It is a member of the family Candelabridae.Millard, N.A.H. 1975. Monograph on the Hydroida of Southern Africa. Ann.
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The figure, which was originally carried in processions, was probably placed in Essen because of Mathilde's relationship to the Ottonian dynasty. The figure, which is more than a thousand years old, was comprehensively restored in 2004. In the centre of the westwork the monumental Seven-arm candelabrum now stands, which the Abbess Mathilde had made between 973 and 1011. The candelabrum, 2.26 metres high with a span of 1.88 metres is composed of 46 individual cast bronze pieces.
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Pandanus candelabrum, the chandelier tree, is a species of screw palm found in tropical Africa, notably Liberia. It only grows on kimberlite outcroppings, making it a potentially useful indicator for diamond prospecting.
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Some of the plants that inhabit the river and its banks are sedges (such as Cyperus articulatus, Cyperus papyrus, and Paspalum vaginatum) and palms (such as Pandanus candelabrum, Raphia hookeri, and Phoenix reclinata).
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A view of Peki'in village, researched by Ben-Zvi, including the synagogue, a carob tree and a cave; an ancient stone candelabrum, the denomination "100 New Sheqalim" and "Bank of Israel" in Arabic and English.
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Six-branch candelabrum by Zahara Schatz, Yad Vashem, Jerusalem, Israel Zahara Schatz ( (1916-1999), was an Israeli artist. She was the daughter of Boris Schatz, who founded the Bezalel Academy of Art and Design in Jerusalem.
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Neoclassical candlestick, 1774-1775, silver, overall: 29.5 x 15.6 x 15.6 cm; Metropolitan Museum of Art (New York City) A candlestick, chamberstick, or candelabrum (plural: candelabra) is a device used to hold a candle in place.
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On the walls are wall memorials. The brass candelabrum, dated 1708, is the oldest in any church in Cheshire. The stained glass in the east window dates from 1921, and was designed by Horatio Walter Lonsdale.
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Corticium candelabrum is a species of sponge in the order Homosclerophorida. It is native to the eastern Atlantic Ocean and the Mediterranean Sea where it inhabits the shallow sublittoral zone. The type locality is the Adriatic Sea.
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Janicsak, G., et al. (2003). Diterpenes from the aerial parts of Salvia candelabrum and their protective effects against lipid peroxidation. Planta medica. 69:12 p. 1156-1159 From the aerial parts of Salvia candelabrum have been isolated β-sitosterol, nepeticin (lup-20(29)-ene-3j,lla-diol), candelabrone (11,12,14-trihydroxy-8,11,13-abietatriene-3,7-dione), the rearranged abietane diterpenoids candesalvone A (11,12,14-trihydroxy-19(4→3)-abeo-3,8,11,13-abietatetraen-7-one) and candesalvone B (11,12,14-trihydroxy-7-oxo-3,4-seco-4(18),8,11,13-abietatetraen-3-oic acid), and large amounts of ursolic and oleanolic acids.
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The three columns were probably made in Lübeck or Hamburg. Presently located in the south transept is also the tall seven-branched candelabrum or candle holder from the late 15th century, manufactured by Harmen Bonstede in Hamburg. It was supplied to the cathedral in a dismantled state, and traces of its assembly instruction are still discernible on the candelabrum. Similar candelabra were installed in a number of Scandinavian cathedrals at approximately the same time; although the one in Lund is larger than those in the cathedrals of Aarhus, Ribe, Viborg and Stockholm.
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Candelabrum tentaculatum, also called the dreadlocks hydroid or calamari hydroid, is a sessile marine hydroid, that is found off the Cape Peninsula of South Africa.Millard, N.A.H. 1975. Monograph on the Hydroida of Southern Africa. Ann. S. Afr. Mus.
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Ceropegia candelabrum is a perennial, succulent, twining plant with a roundish tuber. The strong, bare shoots have a diameter of 3 to 4 mm. The leaves are stalked. The slightly fleshy leaf blades are linear, elliptical to rounded tip sharpened.
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Euphorbia candelabrum is a succulent species of plant in the family Euphorbiaceae, one of several plants commonly known as candelabra tree. It is closely related to 3 other species of Euphorbia in particular; Euphorbia ingens in the dry regions of South Africa, Euphorbia conspicua from western Angola, and Euphorbia abyssinica which is native to a number of countries including Sudan, Eritrea, Djibouti, Ethiopia and Somalia. Its Latin name derives from its growth habit, often considered to resemble the branching of a candelabrum. Candelabra trees can be found in dry deciduous and evergreen open wooded grasslands, on rocky slopes and on the rare occasion, termite mounds.
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There are also scattered yellow-barked Acacia xanthophloea. There is a riverine forest along the permanent river in the south of the park. There are areas of broken bush and deep rocky valleys and gorges within the park. The species in the valleys are predominantly Acacia and Euphorbia candelabrum.
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Curriculum vitae of selected projects completed by Studio du Verre for religious and public buildings 2005, Studio du Verre website. Retrieved January 26, 2011. The stained glass windows are heavily oriented towards abstract forms. Together with the Torah ark, they form the figure of a geometrical seven-branched candelabrum or menorah.
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The central medallion enclosed a menorah (candelabrum) beneath the word shalom (peace). Mosaic of Menorah from Hammam Lif synagogue, Tunisia, 6th c. Brooklyn Museum A 5th-century building in Huldah may be a Samaritan synagogue. Its mosaic floor contains typical Jewish symbols (menorah, lulav, etrog) but the inscriptions are Greek.
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This motif has been regarded as symbolic of the love of Christ. The church has received a number of gifts from both private people and societies. The seven branch silver candelabrum on the altar is a gift from Martin's church choir and was made by a member of the choir, silversmith Emil Sivonen.
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Stylidium candelabrum is a dicotyledonous plant that belongs to the genus Stylidium (family Stylidiaceae). It is an erect annual plant that grows from 6 to 20 cm tall. Elliptical leaves, about 11-100 per plant, are scattered along the stem. The leaves are generally 2.5–18 mm long and 1.5–9 mm wide.
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He lived in 1443–1445 (Hijri 847–849). Inside the grave, glazed ceramics and candelabrum parts. The fifth tomb belongs to Ibrahim II (1432), who died at the age of 19. Silk remnants, blue beads, and a golden pin with a needle with length of 36 cm were found in the grave.
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Species such as Grewia and Euphorbiaceae are considered to be fire-sensitive and typically restricted to termite mounds instead of dominating the open savanna However, Euphorbia candelabrum has been found to be quite widespread throughout the savanna and short-grass areas of the Queen Elizabeth National Park in Uganda. This is an unusual habitat for tall succulents, as they have been proven to typically be poor invaders of frequently burned stands of land. Euphorbia candelabrum's success as a tall succulent seems to be a result of over-grazing by African mammals such as the Ugandan kob (Kobus kob Erxleben) and waterbuck (Kobus ellipsiprymnus defassa Ogilby) and an overall decrease in intense wildfires. Some authorities further divide this species into two varieties, Euphorbia candelabrum var.
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On top of a candelabrum, rising from the cyma, stands the impressive statue of the Eternal Father. The candelabrum is held by two putti, symbols of the sky, and four dolphins, symbols of the sea, all covered with festoons with fruit, symbols of the earth. On the cornice at its base is in the middle a small Pietà, flanked by two winged angels (the Angel of the Annunciation and the Angel of the Passion), while on the four corners stand the four Evangelists in oriental robes. The lower part of the cyma is surrounded by several free-standing figures, the Patron Saints of Bologna: Saint Francis of Assisi, St. Petronius (began by Niccolò but finished by young Michelangelo in 1494), Saint Dominic and Saint Florian.
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The tuberous roots are edible and are eaten especially by the poorest raw or cooked. The plant is also used for various medicinal purposes, so for hemorrhoids, indigestion, headaches and against bites of poisonous animals . Ceropegia candelabrum is now in the original area has become quite rare. There are already projects for artificial propagation.
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Monocot plant families that include monocarpic species include Agavaceae, Araceae, Arecaceae, Bromeliaceae, Musaceae, and Poaceae. Dicot plant families that include monocarpic species include Acanthaceae, Apocynaceae, Asteraceae, and Fabaceae. Few dicot shrubs with multiple branching and secondary growth species have been described. Those that have include Strobilanthes species, Cerberiopsis candelabrum, Tachigali versicolor and other Tachigali species.
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This central candelabrum was donated by the community of the Great Synagogue of Amsterdam. The candles are still lit today for weddings and the Jewish Festivals. The rest of the year the Synagogue is lit by the electric lights added in 1928. The ner tamid (sanctuary lamp) is of silver and dates from 1876.
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The candelabrum was presented to the Chief Justice of New South Wales by the colonists. One side of the base is engraved as follows: 'To the Honorable the Chief Justice Forbes in token of respect and esteem for his public and private virtues. The colonists of New South Wales 1836.' Below this is engraved the silversmith's name 'B.
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Paintings from the 8th-12th centuries, in three layers, are preserved in the upper part of the nave and in the triumphal arch. The church has a very fine Cosmatesque pavement. The schola cantorum is from the 13th century, while the main altar is a red granite piece from 1123. The Easter candelabrum is also from the 13th century.
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Erythranthe pulsiferae is a species of monkeyflower known by the common names candelabrum monkeyflower and Pulsifer's monkeyflower. It was formerly known as Mimulus pulsiferae. It is native to the western United States from Washington to northern California, where it grows in wet habitat such as streambanks. It is an annual herb growing 2 to 21 centimeters tall.
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A crucifix is placed atop a platform outside the sanctuary and adorned with a fifteen-branch candelabrum, which is systematically gestured at after every meditation, to turn one candle off, as is done in the office of Tenebrae. After every meditation, the faithful answer by saying one Our Father, seven Hail Marys, and one Glory Be.
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Some painted cubicles depict flower motifs and animals but also subjects typical of the Jewish faith such as the seven-branch candelabrum. They have an irregular plan and, although joined together, are divided into separate areas. This suggests new land acquisitions and catacomb developments as more and more space was required. The catacombs are unique for the extent of the decoration.
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They said, "Has not the king ordered us to put to death anyone who attempts to enter the palace, though he claims to be the king himself?" Suiting the action to the word, Cyrus and Darius grasped a heavy ornament forming part of a candelabrum, and with it shattered the skull of their royal master (Shir ha-Shirim Rabbah 3:4).
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The front side of the altar is decorated with carvings of six figures from the Czech history - Forefather Čech, princess Ludmila with prince Wenceslas, John Hus, John Žižka and John Amos Comenius. Worth noticing is the candelabrum shaped as human hands. The benches were designed by František Bílek and made by František Kotyza. Each bench has its own animal motif.
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The large west window in the tower is plain glass, as is the clerestory. The organ The rare finger pillory at the west end immobilised offenders without exposing them to the public degradation associated with the stocks.Scott (1907) pp. 347–348. In the centre aisle hangs a large brass candelabrum donated by Leonard Piddocke, High Bailiff of Leicester, in 1733.
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In her series Melting Silver, silver objects appear to be caught mid-transformation: highly decorated traditional objects drip and melt into reflective silver puddles. In part, this transformation is anthropomorphic; Mimlitsch-Gray describes them as "contingent, reflecting the anxiety of service", but these objects also highlight the very nature of the material itself as one that is easily recyclable through melting and re-rendering. Candelabrum: Seven Fragments from this series is held in the permanent collection of Cranbrook Art Museum, Melting Candelabrum is held in the permanent collection of Rotasa Trust Collection, Melting Teapot is held in the permanent collection of the Museum of Arts and Design, Melting Sticks is held in the permanent collection of the National Museums of Scotland, and RCA Study Piece is held in the permanent collection of the Victoria and Albert Museum.
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Salvia candelabrum is a species of flowering plant in the family Lamiaceae, native to Spain. It is a woody-based perennial growing to , with woolly grey- green leaves that resemble those of the common sage, S. officinalis, and emit a similar scent when crushed. In summer it bears violet-blue flowers on branching stems held high above the foliage. Diterpenes have been isolated from its green tissues.
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The latter also received the red dot design award of that year. In 2004, the vase ICE AZURE also received the red dot design award. Design award winners of recent years are the candelabrum LICHTSTRECKE (2005), the massage device Dr. FEEL GOOD (2006) as well as the decanter VINO and the combined salt and pepper mill SIEGER (2007). They all received the iF Design Awards.
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As rates of rainfall decrease, so does Euphorbia candelabrum's habitat range. Trees typically grow to be 12 metres in height however some specimens have been recorded to grow up to 20 metres tall. E. candelabrum is endemic to the Horn of Africa and eastern Africa along the East African Rift system. It is known in Ethiopia by its Amharic name, qwolqwal, or its Oromo name, '.
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139-172, especially 161-169. In 1553 this fountain was finished, and he was commissioned for another fountain - the Fountain of Neptune. Neptune This was a complete break with tradition with regards to fountain design. Previously fountains had mainly been either a basin with a small figure, such as Donatello's winged infant and Rustici's Mercury of 1515, or a wall fountain, or a candelabrum type.
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A large seven-armed gilt-bronze candelabrum, over seven feet high, records Mathilde's commissioning of it in an inscription.Lasko, 115-117 All these works remain at Essen. Mathilde had an expensive chasse made as a memorial of Empress Theophanu for her son Otto II, which would have exceeded the splendour of the treasures of the churches of Cologne on its own.Beuckers, Marsusschrein, p. 1f.
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All walls were plastered with rough black sand. The north wall above the west to east facing steps leading to the upper floor was plastered in a fine pale pink mixture. This room is thought to have been the bedroom of the ostiarius (doorman) and, perhaps, his family. The room contained a bronze candelabrum in the shape of a three-footed tree supported by three twigs.
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A basalt lintel decorated with a menorah bas-relief, dated to the 5th-6th century[Rachel Hachlili, The Menorah, the Ancient Seven-armed Candelabrum, Brill 2001] and discovered at Kafr Danna, is possibly the only remaining element of a Byzantine synagogue once standing there.Dr. Chaim Ben David, The Jewish Settlements in the Districts of Scythopolis, Hippos and Gadara, p. 314 note 34. In ARAM, 23 (2011) 309-323.
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Most of the furniture and fittings were removed during restorations, but the two-tier brass candelabrum dating from the 18th century is still present. In the chancel is a Flemish reredos from around 1500 and a copper memorial tablet to Henry Hardware who died in 1584. The east window of 1892 is by Kempe. The west window was donated in 2006 and was designed by Fiona Banner and Roy Coomber.
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The AZA logo is a menorah, a seven-branched candelabrum, which is one of the central symbols of Judaism. The menorah has a hexagonal shape in its center, with each side of the hexagon and the base of the menorah containing one of the 7 Cardinal Principles. In the center of the hexagon is a Magen david (Star of David), and inside it are the Hebrew letters Aleph Zadik Aleph.
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The font dates from the 13th or 14th century and consists of a heptagonal gritstone bowl on a heptagonal shaft. On the walls of the church are slate memorial tablets. The bell is dated 1790, and was re-fitted in 2003. An early 19th-century brass candelabrum, a chalice dated 1723, and a silver salver of 1752 which were formerly in the church are now in the care of Bangor Cathedral.
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It dates from the time of building of the church but spent some time in the garden of a private house. The other dates from 1865 and is in High Victorian style. An old parish chest is in the tower and in the church is a two-tier brass candelabrum donated in 1768. On the north wall is a pyramidal memorial to Ralph Leycester of Toft who died in 1776.
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Andersonia is a subgenus of Stylidium that is characterized by a linear hypanthium, recurved mature capsule walls, an erect and persistent septum, and many seeds. This subgenus occurs in areas of tropical northern Australia and into Southeast Asia and was named in honour of William Anderson, the surgeon and naturalist who sailed with James Cook.Lowrie, A. and Kenneally, K.F. (1999). Stylidium candelabrum (Stylidiaceae), a new species from the Northern Territory, Australia.
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Two ibises perch at the corners of the central aedicula. In the upper portion of the northern fresco, various plants, including ivy and oleander shrubs sprout from thin shafts sitting on the entablatures, and a flower candelabrum and its shafts fall in organized and symmetrical curves. The upper right- and left-hand corners of the fresco include two lectern boxes. On the black dado, figs lie beneath the sacro-idyllic landscapes.
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Decorative candleholders, especially those shaped as a pedestal, are called candlesticks; if multiple candle tapers are held, the term candelabrum is also used. The root form of chandelier is from the word for candle, but now usually refers to an electric fixture. The word chandelier is sometimes now used to describe a hanging fixture designed to hold multiple tapers. Many candle holders use a friction-tight socket to keep the candle upright.
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Salvia blancoana is a prostrate perennial that is native to Spain and northwest Africa. It has narrow blue-green leaves and pale violet-blue flowers. Due to its being highly variable in the wild, and because of similarities to Salvia candelabrum and Salvia lavandulifolia, it has often been confused with those two. Current opinion gives S. blancoana distinct species status, even while some botanists consider it a subspecies of its two close relatives.
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Ridley died on 25 November 1887 in London and was survived by two daughters. A silver candelabrum, presented to him by old South Australian colonists in 1861, is now at the Waite Agricultural Research Institute. He was commemorated in 1933 by the erection of the Ridley Gates at the Adelaide Showgrounds, Wayville. The Adelaide suburb of Ridleyton and Ridley Grove, a thoroughfare in the suburbs of Ferryden Park and Woodville Gardens, were named for him.
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When erected, the Orion Fountain was the tallest and largest of its day and was much admired by Vasari. It is a candelabrum type, like the fountains at the Medici villa at Castello by Tribolo, but it has evolved. The receiving basin is polygonal, contrasting with the circular basins above. The sculpted creatures supporting the second basin are carved in deep relief, but the female nudes above them appear to be carved in the round.
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187–196, Developing perspectives upon the areal extent of Israel: A reply, S. M. Berkowicz Rowley then responded that the coin might have been chosen because of its map-like shape. Arafat's claims in Geneva generated widespread global media coverage. The Bank of Israel maintains that the 10 agorot design was selected for its historical value, and is a "replica of a coin issued by Mattathias Antigonus (40 – 37 B.C.E.) with the seven- branched candelabrum".
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On the monument in the form of a seven-branched candelabrum (menorah) 50 names were inscribed. In 2009, were added another 14 names. On the stone is engraved with the following text: A reminder to the Jewish victims of Salzuflen and Schötmar that the suffering and injury to you under the National Socialist dictatorship between 1933 and 1945 were wrong and should not be forgot. and in Hebrew ת. נ. צ. ב.
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Between 1841 and 1844, he worked on three major projects in Malta: the No. 1 Dock in Cospicua, the Royal Naval Bakery in Birgu and St Paul's Pro-Cathedral in Valletta. Queen Adelaide, who had commissioned the cathedral, presented Scamp with a silver candelabrum as a gratitude for his work upon his return to England. During his stay in Malta, he had a daughter named Adelaide Frances Melita (born 1844) with his partner Harriet Wynder.
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The word pattée is a French adjective in the feminine form used in its full context as la croix pattée, meaning literally "footed cross", from the noun patte, meaning foot, generally that of an animal.Larousse Dictionnaire de la Langue Francaise Lexis, Paris, 1993, p.1356 The cross has 4 splayed feet, each akin to the foot, for example, of a chalice or candelabrum. In German it is called Tatzenkreuz from Tatze, foot, paw.
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Note also the early Tudor terracotta sedilia (see above), the Georgian candelabrum and Royal Arms of George II, the carved medieval font with modern gilded font cover, and many smaller features such as angels, musicians and figures carved on the roof timbers and corbels. The west tower houses a peal of 10 bells, re-cast and re- hung in 1967. Hung in the bell tower are six well-preserved 18th-century hatchments.
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This species generally has 1-13 scapes and cymose inflorescences that are 3–16 cm long. Flowers are white. S. candelabrum is endemic to the northernmost area of the Northern Territory in Australia and much of its range is within a national park and therefore has been evaluated to be neither rare nor threatened. Its typical habitat is shallow sand associated with sandstone pavements and it appears to prefer areas with higher rainfall.
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Within the triangle are three small right triangles of the same proportion, outlined in gold on a black enamel background. The badge of Acacia as it appears today was adopted at the second Grand Council of Acacia, which was held on December 6, 1913. The crest of Acacia depicts a three taper candelabrum surrounded by a wreath of Acacia. Below a shield of old gold, on fess cottised sable three 3-4-5 right triangles.
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The plant grows tall, with an upright habit and many square stems growing from basal roots. The mid-green rugose leaves vary in shape and size, with light hairs on both sides, and glands that release a scent when rubbed or crushed. The inflorescences grow candelabrum-like at the top of the stems, with 4–6 flowers per whorl. The flowers are straight and tubular, ranging in color from white to pale lilac.
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Described by Oleg Polunin as "a striking plant", it has a tuft of bright blue to violet-blue sterile flowers above brownish-green fertile flowers, which open from dark blue buds, reminiscent of a menorah candelabrum. This tuft gives rise to the name "tassel hyacinth"., p. 130 (under the name M. comosum) The flower stem is 20–60 cm tall; individual flowers are borne on long stalks, purple in the case of the sterile upper flowers.
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Bar- Adon, Beth Yerah (News and Notes), IEJ, vol. 5, pp. 273, 1955 P.L.O. Guy and Pesach Bar-Adon, two Israeli archaeologists excavated the compound, falsely identifying a building there as a 5th-6th century Palestinian synagogue, because of the presence of a column base engraved with a seven-branched candelabrum. The "synagogue" was incorporated into the Beth Yerah National Park which served as a popular tourist destination during the 1950s and 1960s, but has since been closed.
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It is an erect shrub growing up to tall, with succulent branches diameter, ridged, with a triangular or rhombic cross- section; the ridges are spiny, with short spines up to long. The leaves are minute, and soon deciduous. All parts of the plant contain a poisonous milky latex.Poisonous plants: Euphorbia lactea Common names include mottled spurge, frilled fan, elkhorn, candelabra spurge, candelabrum tree, candelabra cactus, candelabra plant, dragon bones, false cactus, hatrack cactus, milkstripe euphorbia, mottled candlestick.
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Right pilaster with symbols and candelabrum The relief is carved in the living rock at a height of some 1.5 metres above the ground. It has a total height of 1.3 metres. In a niche finished with a conch- shaped top, the image of a woman is found, who can be identified as the goddess Athena thanks to the inscription, among other things. On both sides the niche is formed from blocky pilasters, topped by wide capitals.
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Freedom Monument in Rokiškis The first arms for the city were designed in 1970 but were abolished the same year. The current coat of arms was approved in 1993. The shield is divided into 4 quarters. 3 of the quarters depict 3 families that ruled the city: the candelabrum represents the Kroszinski family; the bull is a symbol of the Tyzenhaus family, and three bars and a fleur-de-lis are taken from the arms of the Przezdziecki family.
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The center is built in the shape of a seven-branched synagogue candelabrum (menorah). It consists of seven made of precious marble towers, highest one of which is 20 stories (77 m.) tall. The construction has total floor area of about 50,000 sq.m. There are synagogue, museums, office premises, shopping spaces, publishing house, art galleries, kosher restaurants and cafes, conference halls, banquet halls, a luxury hotel, youth hostel, classrooms, tourist information center, visa center of Israel.
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A rare treasure, a unique survival in Scotland, is a 15th-century brass candelabrum, imported from the Low Countries. The survival of this object is all the more remarkable as it includes a statuette of the Virgin Mary. St John's Kirk also had the finest collection of post-Reformation church plate in Scotland (now housed permanently in Perth Museum and Art Gallery). Equally remarkably, the collection of medieval bells is the largest to have survived in Great Britain.
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It has an octagonal base, a richly carved circular bowl, and a dome-shaped cover. From the roof hangs an eight-branch candelabrum. In the chapel is a wall tomb to Sir James Altham, who died in 1616, and his last wife Helen, who died in 1638. It consists of two praying figures facing each other in an alabaster and marble frame, consisting of Corinthian columns and an open segmental pediment containing a cartouche flanked by obelisks.
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An example of his work is a salver featuring signs of the Zodiac, a border cast chased with rococo scrolls, rococo decoration of the surface, and feet in rococo-cartouche form. One of the most monumental works created in rococo expression was Storr’s large candelabrum, created during the reign of William IV. The piece featured flowing branches and rolling, curved surfaces. During the late 1820s, the aristocracy commissioned anti-classical styles, producing a much different expression of rococo in England.Coffin (2008), p.
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The stalks are square when young, becoming round when mature, with two distinct dark purple-brown lines running up the length of the stalk. The plant is sometimes confused with Salvia candelabrum, which has undivided leaves as compared to S. interrupta, due to the similarity of the flower stalks. Salvia ringens also looks similar to S. interrupta— it has longer petioles and repeat blooms more frequently. In cultivation, flowering usually begins in late spring or early summer and repeats heavily in October.
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Báthory is featured in McFarlane Toys' 6 Faces of Madness series, a collection of action figures which also includes Jack the Ripper, Rasputin and Vlad the Impaler. Báthory is depicted bathing in blood while the heads of some of her victims are impaled in a candelabrum. Bathory was also made as a doll in the Living Dead Dolls series. The card game Evil Baby Orphanage includes Lady Báthory as a character; she is shown in a bathtub with pink water.
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The city name Adama may have been derived from the Oromo word ', which means a cactus or a cactus-like tree. More specifically, ' means Euphorbia candelabrum, a tree of the spurge family, while ' would mean Indian fig. Following World War II, Emperor Haile Selassie renamed the town after Biblical Nazareth, and this name was used for the remainder of the twentieth century. In 2000, the city officially reverted to its original Oromo language name, Adama, though "Nazareth" is still widely used.
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Like other sponges, C. candelabrum draws water into its body through the small pores, filters out and ingests the nutritional particles, and expels the water through the oscula. It feeds on small particles under three micrometres in diameter, such as bacteria, unicellular algae and organic debris. The sea slug Berthella ocellata sometimes feeds on the sponge, rasping off fragments with its radula. This sponge is a hermaphrodite, but the male and female gametes mature at different times, so it does not self-fertilise.
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A single panel painting by the Master of Schloss Lichtenstein, "Presentation of Christ in the Temple" (1430-1440) and several medieval woodcarvings by Henning von der Heide (depicting St. Nicholas, Virgin Mary and John the Evangelist) (1510-1520) are also on display. There is a four-metre high, seven-branched, brass candelabrum from 1519, one of the largest in Europe. On top of the middle branch stands a double-sided figure of the Virgin Mary with Child on a throne.
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There are ambones resting on columns supported by lions, and decorated with reliefs and coloured marble mosaic, and a candelabrum of 1311. A marble statue of the apostle San Bartolomeo, by Nicola da Monteforte, is also from the 14th century. The cathedral also contains a statue of St. Giuseppe Moscati, a native of the area. The cathedral was completely destroyed in 1943 because of bombardments: what remained of the cathedral were just the bell tower, the façade and the crypt.
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Scarpia's apartments in the Castel Sant'Angelo in the hours of darkness before the dawn of 18 June 1800 Scarpia is eating supper in a room lit only by two candles and a candelabrum on his table. There is a prayer stool and a crucifix in an alcove near his bed. He orders Tosca, who has been locked in another room of the castle, to be brought to him. When she arrives, he tells her that Cavaradossi is to be hanged at dawn.
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Image In one special case, at Cervon (Nièvre), Christ is seated surrounded by eight stars, resembling blossoming flowers. At Conques the flowers are six-petalled. At Cervon, where the almond motif is repeated in the rim of the mandorla, they are five-petalled, as are almond flowers -the first flowers to appear at the end of winter, even before the leaves of the almond tree. Here one is tempted to seek for reference in the symbolism of the nine branched Chanukkiyah candelabrum.
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These issues required external intervention to mediate between the parties, calm things down, and attempt to address these questions. The negotiators were Eliyahu Eilat, Israel's Ambassador to the UK; Yosef Shprinzak, Speaker of the Knesset; Mordechai Ish-Shalom, deputy mayor of Jerusalem, and many others. Finally, it was decided that the chief rabbi Yitzhak Izaich Halevi Herzog will decide on the Jewish law questions. Rabbi Herzog lingered with his response, but ultimately ruled the candelabrum and relief acceptable by Jewish law.
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The "fortress" (ὀχύρωμα) of the temple of Bubastis may be explained by the statement, which seems credible, that Onias built a fortress (θρωύριον) around the temple in order to protect the surrounding territory, which now received the designation "Oneion".Wars of the Jews vii. 10, § 3. The Onias temple was not exactly similar to the Temple at Jerusalem, being more in the form of a high tower; and as regards the interior arrangement, it had not a menorah-type candelabrum, but a hanging lamp.
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The trove contains plates, tureens, cups, goblets, trays, scoops, egg-holders, saltcellars, a small folding three-legged table, a candelabrum and a three- legged pedestal. One of the finest items is the so-called Minerva Bowl (or Athena Bowl). It features a detailed image of Minerva, who sits on a rock throne and holds a cane in her right hand and a shield in the left hand. The goddess is wearing her battle headgear and flowing robe, further from Minerva's right hand is her symbol, the owl.
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By the Crusader period, the qasr of al-Sinnabra was in ruins. Though the date of destruction for the village itself is unknown, by the Ayyubid period descriptions of the area mention only the "Crusader Bridge of Sennabris", constructed over the Jordan river which at the time ran to the immediate north of the village. For decades, part of the palatial complex of al-Sinnabra was misidentified as a Byzantine era (c. 330-620 CE) synagogue because of a column base engraved with a seven-branched candelabrum.
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This vegetation gives way to a combination of low bushes and grass clumps in the highly arid areas of the northeast and along the Gulf of Aden. As elevations and rainfall increase in the maritime ranges of the north, the vegetation becomes denser. Aloes are common, and on the higher plateau areas of the Ogo are woodlands. At a few places above 1,500 meters, the remnants of juniper forests (protected by the state) and areas of Euphorbia candelabrum (a chandelier-type spiny plant) occur.
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76, 91 This plant currently has negligible commercial value, although Richard Pankhurst documents two different attempts near Keren in Eritrea to collect its gum before 1935, but neither attempt proved commercially viable.Richard Pankhurst, Economic History of Ethiopia (Addis Ababa: Haile Selassie I University, 1968), p. 206 In terms of agro-forestry purposes, Euphorbia candelabrum has been used in firewood, timber, and fencing. Its wood is light and durable with a number of purposes including roofing, tables, doors, matches, boxes, mortars, musical instruments and saddles.
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Corticium candelabrum is sometimes thinly encrusting, or may form small solid cushions some across and high which are connected to the substrate by a narrow solid stalk. The surface is sometimes irregularly lobed and is smooth and shiny, and covered by a translucent envelope. The oscula (exhalant openings) are slightly raised and the pores (inhalant openings) are few in number but quite noticeable. The colour is some shade of pale to mid- brown, sometimes tinged with red, and its consistency varies from firm to cartilaginous.
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Candles crossed in a special candelabrum used to bless throats. The Blessing of the Throats is a sacramental of the Roman Catholic Church, ordinarily celebrated on February 3, the feast day of Saint Blaise of Sebaste (modern Sivas, Turkey). It also celebrated in some of the Eastern Catholic Churches, and in parishes of the Anglican Communion on the same day as a commemoration. The Order of the Blessing of Throats on the Feast of Saint Blaise is in the Book of Blessings (de Benedictionibus).
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Ben Jonson, Spenser's killer. In December 1596, while still a member of Langley's company, Spenser got into an argument with James Feake, the son of a goldsmith, at the house of a Shoreditch barber. It culminated with Spenser stabbing Feake with his sword, mortally wounding him. According to the inquest, the argument had escalated to the point that Feake attempted to throw a copper candelabrum at Spenser, who responded by attacking him with his still-sheathed sword, which penetrated his eye and entered his brain.
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There is a parlour for the Lord Mayor at the East end and one for the Lady Mayoress at the West end. The Council Chamber is sunk in three tiers below entrance level, with an elliptical seating arrangement and public galleries at either end of the chamber. To the height of the doors it is panelled in English walnut, and acoustic tiles of artificial stone above. One of the most original features of the building hangs above the Council Chamber: a huge elliptical candelabrum hung by 8 rods and containing 99 electric bulbs.
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Because of political turmoil and violence, most diamond mining is limited to alluvial digging near the border with Sierra Leone and to date, there has not been extensive exploration for offshore placer deposits. Mercury used to separate gold in artisanal mining has contaminated the surface and groundwater in parts of Liberia. Geophysicist Stephen E. Haggerty, researching small, one hectare kimberlite pipes in Liberia found that Pandanus candelabrum, better known as the chandelier tree, is a kimberlite botanical indicator, growing selectively atop the pipes. Bauxite, kyanite and barite may also be mineable.
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The base is decorated with sphinxes. The parapet has reliefs by Antonio Rossellino, portraying the Assumption and the Stories of St. Stephen, and by Mino da Fiesole portraying the Stories of St. John the Baptist. It is faced, in the opposite aisle, by a great bronze candelabrum by Maso di Bartolomeo (1440), having an elongated vase-shape from which seven branches protrude. Maso also executed the balcony of the inner west wall, which in addition is decorated with a fresco of the Assumption by David and Ridolfo del Ghirlandaio.
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Serra Durugönül, who investigated the Cilician rock reliefs in the 1980s, thought this was a candelabrum, that is a cult object, to be interpreted as a simplified depiction of a Jewish menorah. Between the lance on the left and the female figure an inscription of 13 lines is engraved in a narrow field. In it the goddess is referred to as ΑΘΗΝΑ ΚΡΙΣΟΑ (Athena Krisoa);. The epithet ΚΡΙΣΟΑ, derived from a place name, indicates a local variant of the divinity, but the place connected with the epithet cannot yet be located.
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Some Venetian glass chandeliers have little finials hanging from glass rings on the arms. Hoop A circular metal support for arms, usually on a regency-styles or other chandelier with glass pieces. Also known as a ring Montgolfière chandelier Chandelier with shape of "montgolfière", the early French hot air balloon Moulded The process by which a glass piece is shaped by being blown into a mould Neoclassical Style chandelier Glass chandelier featuring many delicate arms, spires and strings of ovals rhomboids or octagons. Panikadilo Gothic candelabrum chandelier hung from centres of Orthodox cathedrals' domes.
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Internally there are galleries on the north, south and west sides, and Georgian box pews. The pulpit dates from the 17th century and, at the time Richards was writing, it was the only pulpit in Cheshire to be placed in front of the sanctuary in the middle of the nave. Between the nave and the aisles are square piers supporting Tuscan columns. The marble font dates from 1742 and a brass candelabrum from 1748. The reredos is dated 1743 and its panels contain the Lord's Prayer, the Ten Commandments and the Apostles' Creed.
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The cathedral also owns three High Gothic bronze columns carrying statuettes, the oldest remaining furnishings in the cathedral, and a seven-branched candelabrum from the end of the Middle Ages. Two of the bronze columns are crowned by angels, and the third one by a statuette of Saint Lawrence, holding a gridiron, the symbol of his martyrdom. It probably dates from the middle of the 14th century, while the two angel- bearing columns may be somewhat later. Saint Lawrence's column is approximately tall (and the saint ), while the columns with angels are slightly smaller.
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Salerno di Coppo executed the fresco of the Madonna and Child on the pilaster in the nave (1475). On the right is a bronze candelabrum by Maso di Bartolomeo (1442), while in the left aisle is the cenotaph of bishop Gherardo Gherardi (1703) and, in the right one, the tomb of bishop Alessandro Del Caccia (1650), and the funerary monument of bishop Leone Strozzi (1695), both by unknown sculptors. The pulpit was designed by Giorgio Vasari (1560). Next to the right entrance is a sculpted stoup attributed to Nicola Pisano's workshop.
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The first is an arid desert absolutely barren along part of the coast, between Arica and Copiapó, but with a coarse scanty vegetation near the Cordilleras along watercourses and on the slopes where moisture from the melting snows above percolates through the sand. The altiplano of the northernmost portion of the Chilean territory is home to the Browningia candelaris, a candelabrum- shaped cactus. Another cactus species, the Echinopsis atacamensis, grows in the pre-Andean area. The high Andean region is also characterized by the presence of species of the genus Polylepis and the Azorella compacta.
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210 documented pieces have been added to the treasury since its inception, typically to receive in return legitimisation of linkage to the heritage of Charlemagne. The Lothar Cross, the Gospels of Otto III and multiple additional Byzantine silks were donated by Otto III. Part of the Pala d'Oro and a covering for the Aachen Gospels were made of gold donated by Henry II. Frederick Barbarossa donated the candelabrum that adorns the dome and also once "crowned" the Shrine of Charlemagne, which was placed underneath in 1215. Charles IV donated a pair of reliquaries.
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One of his significant acts was to have the law that forbade marriage between a woman and her brother-in-law repealed. His explicit intent was to allow a man to fulfil his responsibility under the Judaic Biblical law of levirate marriage, as described in the Book of Deuteronomy, whereby the brother of a man who dies childless must marry the widow. Lord Samuel was the initiator of the Knesset Menorah project which eventually led to the huge bronze candelabrum presented by the British parliament to the State of Israel in 1956.
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Dance of Shamadan Shamadan () is a large candelabrum balanced on top of a dancer's head, in a tradition unique to Egyptian dance. This dance prop is historically used in the Egyptian wedding procession, or zeffah. The wedding procession traditionally occurs at night, winding its way through the streets of the neighborhood from the home of the bride's parents to her new home at the groom's house. This is the official moving of the bride and is led by a dancer, musicians and singers, followed by the wedding party and their friends and family.
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The present Gothic building contains monuments of the former counts of Zutphen, a fourteenth-century candelabrum, an elaborate copper font (1527), and a monument to the Van Heeckeren family (1700). The chapter-house's library () contains a pre-Reformation collection, including some valuable manuscripts and incunabula. It is considered one of only five remaining medieval libraries in Europe (the others being in England and Italy). This chained library's books are still chained to their ancient wooden desk – a custom from centuries ago, when the "public library" used chains to prevent theft.
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The candelabrum symbolises the unity of the Trinity and the Earth with its four cardinal points and the idea of Christ as the light of the World, which will lead the believers home at the Last Judgement (Book of Revelation). Other remarkable items in the Cathedral treasury include the so-called Childhood Crown of Otto III, four Ottonian processional crosses, the long-revered Sword of Saints Cosmas and Damian, the cover of the Theophanu Gospels, several gothic arm- reliquaries, the largest surviving collection of Burgundian fibulae in the world and the Great Carolingian Gospels.
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Abruka Lighthouse (Estonian: Abruka tagumine tuletorn) is a lighthouse located on the island of Abruka, in the region of Saaremaa in western Estonia. The first lighthouse in Abruka was built in 1897, a wooden structure, which had a form of a trellised wooden candelabrum. The current lighthouse was built in 1931, replacing the former wooden structure; the current lighthouse was designed by engineer Ferdinand Adoff, and constructed by Arronet and Boustedt. The lighthouse is 36 metres high, but only 2 metres in diameter, with its cylindrical reinforced concrete structure painted white with three black bands.
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Two strips in particular were controversial. The B.C. strip for April 15, 2001, which was Easter, portrayed a Jewish menorah with seven candles progressively burning out as the strip captions ran the words of Jesus Christ. At the end, the outer arms of the candelabrum broke away, leaving a Christian cross, with the final panel portraying the opened and empty tomb of Christ. Critics including the Anti-Defamation League and the American Jewish Committee argued that Hart's strip portrayed replacement theology, that is, the conception of Christianity as supplanting Judaism.
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When the group uses a Ouija board to contact Dean, only Jimmy J. and Billie Jean feel his presence. That night, the group wreaks havoc at the local cemetery, but when the police arrive, Billie Jean drops a candelabrum and her cape catches on fire, leaving her badly burned. Jumping forward three weeks later at the homecoming parade, Jimmy J. arrives on a motorcycle, sees Charlotte riding a float, and climbs aboard to speak with her. He confronts her for breaking up with him, kisses her, and climbs down.
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On either side of the pavilion are two candelabras. In the middle of each candelabra, two swans, symbols of Apollo, Augustus’s patron god, hold fillets in their beaks while perching on protruding spirals. At the top of each candelabra is a yellow framed picture, or pinakes, of Egyptian deities, such as Isis, and symbols of the crocodile god Sobek, Hathor, or Apis, with leaders worshipping them. The pinakes on the right candelabrum show a ruler kneeling and offering an olive branch, a symbol of peace, to the shrine of Amubis.
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The stairs leading to the first floor are decorated by Sodoma's fresco depicting the Coronation of Mary and one by an unknown artist of the Deposition. Antonio Muller (an artist from Danzig) executed in 1631 a Characters and Events of the Olivetani, while by Giovanni da Verona is a wooden candelabrum (1502). The latter artist was also author of the library, which has a basilica plan with a nave and two aisles divided by columns with Corinthian capitals (1518). Nearby is the Monastic Library, housing some 40,000 volumes and incunabula.
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Some common trees and shrubs include Bondo (Euphorbia candelabrum), Ochwoga (Carissa edulis), Mukinduri (Croton megalocarpus), Ngow (fig), Bong'u (Ficus spp.), Onera (Terminalia brownii), Toona ciliata, Ochond rateng'/Musaja (Sapium spp.), Oncoba spinosa, Terminalia catappa, and cypress. The birds here are varied with many records of blue flycatcher, blue-spotted wood dove, harrier hawk, bat hawk, baglafecht weaver, tawny eagle, purple grenadier, sunbird, yellow- billed stork, hadada ibis, African citril, cape turtle dove, paradise flycatcher, yellow white eye, white-browed robinchat, black-headed gonolek, and black kite among others.
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The Knesset Menorah was modelled after the golden candelabrum that stood in the Temple in Jerusalem. A series of bronze reliefs on the Menorah depict the struggles to survive of the Jewish people, depicting formative events, images and concepts from the Hebrew Bible and Jewish history. The engravings on the six branches of the Menorah portray episodes since the Jewish exile from the Land of Israel. Those on the central branch portray the fate of the Jews from the biblical return to the Land to the establishment of the modern State of Israel.
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As an architect, he is known for the church of Santa Giustina in his native city. His masterpieces are the bronze Paschal candelabrum in the choir in Basilica of Sant'Antonio at Padua (1515), and the two bronze reliefs (1507) of David dancing before the Ark and Judith and Holofernes in the same church. His bronze and marble tomb of the physician Girolamo della Torre in the church of San Fermo at Verona was beautifully decorated with reliefs, which were taken away by the French and are now in the Louvre. His smaller, easily transportable, works appealed to collectors across Europe.
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The mines in a group were generally laid about apart, in lines running across the channel being protected, with or less on either end of the line. This meant that one group of mines could protect a total distance of about . About of cable were required to connect one group of 19 mines to its distribution box, with the connecting cables radiating out from the box in a hub-and-spoke fashion. Actually, the distribution box was usually located well behind the line of mines, so the pattern looked more like a 19-armed candelabrum with the box at its base.
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Shilo is a replica of the Jewish Temple Synagogue construction over the last two thousand years has followed the outlines of the original tabernacle.Judaism 101: Synagogues, Shuls and Temples Every synagogue has at its front an ark, aron kodesh, containing the Torah scrolls, comparable to the Ark of the Covenant which contained the tablets with Ten Commandments. This is the holiest spot in a synagogue, equivalent to the Holy of Holies. There is also usually a constantly lighted lamp, Ner tamid, or a candelabrum, lighted during services, near a spot similar to the position of the original Menorah.
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In these grotesque decorations a tablet or candelabrum might provide a focus; frames were extended into scrolls that formed part of the surrounding designs as a kind of scaffold, as Peter Ward-Jackson noted. Light scrolling grotesques could be ordered by confining them within the framing of a pilaster to give them more structure. Giovanni da Udine took up the theme of grotesques in decorating the Villa Madama, the most influential of the new Roman villas. Maiolica pilgrim bottle with grottesche decor, Fontana workshop, Urbino, c 1560-70 In the 16th century, such artistic license and irrationality was controversial matter.
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As Carandell and co-authors (2006, 20) have pointed out, in the Palau "the house as a defense and protected inner space has ceased to exist." Two colonnades enjoy a commanding position on the second-level balcony of the main façade. Each column is covered uniquely with multicolored glazed tile pieces in mostly floral designs and is capped with a candelabrum that at night blazes with light (see photograph). Above the columns are large busts of Giovanni Pierluigi da Palestrina, Johann Sebastian Bach, and Ludwig van Beethoven on the main façade and Richard Wagner on the side.
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The genus is easily identified by its large, circular, palmately lobed leaves, about 30–40 cm in diameter and deeply divided into 7–11 lobes. The trees consist of very few branches, usually with candelabrum-like branching system. In Costa Rica, three-toed sloths are often spotted easily in Cecropia trees because of their open, leafless branches compared to other trees. Berg and Roselli state, “Branch development is often initiated in seedlings, even in the axils of the first formed (opposite) leaves; prophylls are formed, and often the development of the first leaf begins but is arrested (if the seedling is not decapitated).
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Branch Another name for the light-bearing part of a chandelier, also known as an arm. Candelabrum Not to be confused with chandeliers, candelabra are candlesticks, usually branched, designed to stand on tables, or if large, the floor. Candlebeam A cross made from two wooden beams with one or more cups and prickets at each end for securing candles. Candle nozzle The small cup into which the end of the candle is slotted Canopy An inverted shallow dish at the top of a chandelier from which festoons of beads are often suspended, lending a flourish to the top of the fitting.
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A decorated parochet or mizrach tapestry, or a special illustrated page in the siddur with similar imagery may also serve the same function. The Shiviti displays the Divine Name of God (the Tetragrammaton) followed by a representation of the Temple seven-branched candelabrum, or more accurately, lamp-stand (since oil rather than wax was used) as described in . Shiviti is the first word in the Hebrew text of meaning “I have placed” and the next word is the Tetragrammaton aforementioned, which is writ large. The complete verse means “I have placed the Lord always before me”, and is written at the top.
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They have become sculptures in their own right, and are not just there to decorate the shaft, or to draw the eye upwards to the figure at the summit. This is the candelabrum type at its pinnacle. On polygonal basin's rim are the statues of four river gods (Tiber, Nile, Camaro and Ebro) with Latin inscriptions by the scientist-humanist Francesco Maurolico who, probably, was also the creator of most of the Neoplatonic-alchemical program for the fountain.Russo, Attilio (2001). La fontana del Sirio d’Orione, o delle metamorfosi, in "Città & Territorio", II/2001, Messina 2001, pp. 30-41.
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On July 21, 1997, McCarthy reportedly called her neighbor, former El Centro College psychology professor Dorothy Booth (May 14, 1926 - July 21, 1997), saying that she was on her way over to borrow some sugar. Prosecutors later alleged that McCarthy's true intent was to rob Booth. After McCarthy arrived at Booth's home, she stabbed Booth five times with a butcher knife, beat her with a candelabrum, and cut off her finger to steal her diamond wedding ring. McCarthy then stole Booth's purse and Mercedes-Benz and pawned the diamond ring in order to buy crack cocaine.
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Bland challenged Lowe to a duel but Lowe avoided it. When the bill was re-introduced Bland's name had been omitted, and the bill was passed, but without the list of nominees, and the proclamation appointing the Senate on 24 December 1850 did not include Bland. A banquet was held in July 1856 to celebrate the grant of a new Constitution by the British government. Bland accepted an invitation to preside and received a deserved ovation. On 5 November 1858 he was given a sum of money and a candelabrum for his services to the community.
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The basement contains a hall which has steel portal frames supporting the columns and floor above, and also contains the A M Rosenblum Museum and Rabbi Falk Library. The modern section, constructed of reinforced concrete, contains offices, classrooms and meeting rooms, together with a lift and fire stairs, and has a top floor with an openable roof. The modern stained glass windows in the Castlereagh Street facade were designed by Louis Kahan of Melbourne. The building contains notable examples of venerable sacred scrolls and religious artefacts, including a menorah (nine-branched candelabrum) made by Rabbi L. A. Falk.
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During Joker's verse, he sings flanked on both sides by a candelabrum, with Linn's face and different ancient symbols and pictures moving in the background. These images include the peace symbol, runic inscriptions, Egyptian hieroglyphs, Indigenous Australian art, the Buddha, the Zodiac signs, the yin yang symbol, the Crucifixion of Jesus, Al- Fatiha, and the book The Origin of Species by Charles Darwin. After Joker's verse, the rest of the video focuses on Linn singing. She is mostly seen standing, but at one point she is seen sitting at a long wooden table, appearing to be deep in thought.
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After making several art crime arrests, in 1971 he was appointed the sole member of the New York City Police Department's bureau for art crime, the only bureau of its kind in the nation. His work was varied, including art theft, vandalism, and forgeries, and he took as many as 40-50 calls per day from around the world. In 1981, he recovered an 1858 candelabrum once owned by the king of Egypt only 11 days after being notified of the theft by British authorities. Over his desk hung a congratulatory photograph from the foreign minister of Italy for recovering two ivories worth $1.5 million stolen from a museum in Pesaro.
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Unlike the menorah, the Lion of Judah, the shofar and the lulav, the Star of David was never a uniquely Jewish symbol."The Flag and the Emblem", Israeli Ministry of Foreign Affairs, "Unlike the menora (candelabrum), the Lion of Judah, the shofar (ram's horn) and the lulav (palm frond), the Star of David was never a uniquely Jewish symbol." The hexagram, being an inherently simple geometric construction, has been used in various motifs throughout human history, which were not exclusively religious. The symbol was also used in Christian churches as a decorative motif many centuries before its first known use in a Jewish synagogue.
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He ensured that only the finest materials were used with seasoned oak, Ham Hill stone, Maws encaustic floor tiles, and stained glass by Wailes. As part of the work, the churchyard was also enlarged and a lychgate built. Troyte also undertook to pay for the work personally, raising £500 for the project by selling 1,000 oak trees to the Royal Navy in Plymouth. When Arthur's wife Fanny died only two months before the restoration was completed in November 1856, the parishioners gave a richly decorated octagonal font of Caen stone in her memory; similarly, the candelabrum which hangs in the nave was given in Arthur's memory when he died in 1857.
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Hanukkah table Hanukkah ( ; ', Tiberian: ', usually spelled , pronounced in Modern Hebrew, or in Yiddish; a transliteration also romanized as Chanukah or Ḥanukah) is a Jewish festival commemorating the rededication of the Second Temple in Jerusalem at the time of the Maccabean Revolt against the Seleucid Empire. It is also known as the Festival of Lights (, '). Hanukkah is observed for eight nights and days, starting on the 25th day of Kislev according to the Hebrew calendar, which may occur at any time from late November to late December in the Gregorian calendar. The festival is observed by lighting the candles of a candelabrum with nine branches, called a menorah (or hanukkiah).
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He was the first man to attempt to build a road across the Limiet Mountains into the interior for which feat he was presented with table silver and a candelabrum by grateful colonists. Returning to the Eastern Cape in 1854, he built numerous roads and passes including the Katberg Pass near Fort Beaufort. This occupation created an interest in geology, inspired in 1837 by a copy of Lyell's Elements of Geology. He was friendly with William Guybon Atherstone, who was also a keen geologist and fossil collector and who happened to be present at the discovery of Paranthodon africanus Broom at the farm Dassieklip on the Bushmans River, being about half-way between Grahamstown and Port Elizabeth.
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The building is crowned, above the quotations on each facade, by three steep gables each surmounted by a three-sided obelisk at the apex. Among the emblems carved on the gables are, on the southeast side, the highly symbolic seven- branched candelabrum within an octagonal plaque, and a heptagonal plaque depicting the seven eyes of God. On the north side are a Pelican in her piety, a symbol of Christ and the Eucharist, and a Hen and Chickens; on the southwest gable are a Dove and Serpent; and the Hand of God touching a globe. The triangular chimney is adorned with the holy monogram "IHS", a lamb and cross, and a chalice.
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She was to become the most important of all abbesses in the history of Essen. She reigned for over 40 years, and endowed the abbey's treasury with invaluable objects such as the oldest preserved seven branched candelabrum, and the Golden Madonna of Essen, the oldest known sculpture of the Virgin Mary in the western world. Mathilde was succeeded by other women related to the Ottonian emperors: Sophia, daughter of Otto II and sister of Otto III, and Teophanu, granddaughter of Otto II. It was under the reign of Teophanu that Essen, which had been called a city since 1003, received the right to hold markets in 1041. Ten years later, Teophanu had the eastern part of Essen Abbey constructed.
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The blandness of the outside walls is relieved by two types of emblematic window openings: hexagonal windows enclosing the shape of the Star of David; and windows with an inverted arch form that includes a stylistic echo of the form of the traditional Jewish seven-branched candelabrum (the "menorah") from the ancient Temple in Jerusalem. These windows run in horizontal rows around the building. The hexagonal windows are of stained glass and are themed around the months and festivals of the Jewish year and the Twelve Tribes of Israel. Although all the designs are different, these windows have colours and other stylistic elements in common that give coherence and a sense of unity to the collection.
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The Madonna del Pilastro is a mid-14th-century fresco by Stefano da Ferrara, located on the pier adjacent the left aisle. Among other sculptural work is the Easter candelabrum in the apse, finished in 1515 by Andrea Briosco and considered his masterwork. The high altar area features the bronze Madonna with Child and six statues of Saints by Donatello, who also executed four reliefs with episodes of life of St. Anthony. To the right hand side of the nave, opposite the tomb of the Saint is the large Chapel of St. James, commissioned by Bonifacio Lupi in the 1370s in Gothic style, with frescoed walls depicting the Stories of St. James and the Crucifixion by Altichiero da Zevio.
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The lights can be candles or oil lamps. Electric lights are sometimes used and are acceptable in places where open flame is not permitted, such as a hospital room, or for the very elderly and infirm; however, those who permit reciting a blessing over electric lamps only allow it if it is incandescent and battery operated (an incandescent flashlight would be acceptable for this purpose), while a blessing may not be recited over a plug-in menorah or lamp. Most Jewish homes have a special candelabrum referred to as either a Chanukiah (the modern Israeli term) or a menorah (the traditional name, simply Hebrew for 'lamp'). Many families use an oil lamp (traditionally filled with olive oil) for Hanukkah.
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El Greco painted his Dormition of the Virgin near the end of his Cretan period, probably before 1567. El Greco's signature on the base of the central candelabrum was discovered in 1983. The discovery of the Dormition led to the attribution of three other signed works of "Doménicos" to El Greco (Modena Triptych, St. Luke Painting the Virgin and Child, and The Adoration of the Magi) and then to the acceptance as authentic of more works, signed or not (such as The Passion of Christ (Pietà with Angels), painted in 1566).D. Alberge, Collector Is Vindicated as Icon is Hailed as El Greco This discovery constituted a significant advance in the understanding of El Greco's formation and early career.
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Touchstone won six of eight starts as a four-year-old, including a walk over in the Stand Cup at Chester, a Gold Candelabrum worth 300 sovereigns at Doncaster, a Gold Plate and Gold Cup at Heaton, and two races on the same day at the Holywell Hunt in October. He also finished sixth in the Trademen's Cup at Liverpool. As a five-year-old Touchstone was undefeated, and counted the Ascot Gold Cup, Doncaster Cup and Heaton Park Gold Cup among his wins. In the Ascot Gold Cup, he was ridden by John Day to beat 1833 St Leger winner Rockingham, and in the Doncaster Cup he defeated the great mare, Beeswing.
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Formerly there was a seven-branched brass candelabrum in front of the Ark, but on the eve of the German invasion of the city during World War I, it was sent off to Moscow. There also once was a "Chair of Elijah" in the northwest corner on which the rite of brit milah was performed. On both sides of the Holy Ark there were two-story structures, serving as the women's sections, connected to the prayer hall by little windows. Another gallery for women was situated along the north side, also consisting of two floors built by Noah Feibusch Bloch, a community elder who advanced the money and when the community was unable to return the 14,000 gulden due, he made a present of the structure.
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Design for a Candelabrum, circa 1826–37, by Edgar George Papworth Snr He was born on 20 or 21 August 1809, the only son of Thomas Papworth (1773–1814), "builder, plasterer, and architect", who conducted the last stucco and plastering works carried on in London on a large scale. These works were founded by Thomas's father, John Papworth (1750–1799), and were situated in Great Portland Street and Newman Street. John Papworth was "master-plaisterer" at St James's Palace and Kensington Palace from 1780, and executed much stucco and plastering at the palaces, at Somerset House, and at Greenwich Hospital Chapel. Edgar early exhibited talents for drawing, modelling, and design in sculpture, and at an early age was placed as a pupil with Edward Hodges Baily.
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A scroll fragment in the rear case replicates the Dead Sea Isaiah Scroll segment which contains the prophecy "They shall beat their swords into plowshares and their spears into pruning hooks..." Ancient wine jars flank the scroll. The professor's table, based on one found in Jerusalem's 1st-century burnt house, stands before a copy of the only existing stone Menorah which served as a functional candelabrum. The quotation on the chair reads: "I learned much from my teachers, more from my colleagues, and most of all from my pupils." Three segments from the 6th-century Dura Europos murals grace the chalkboard doors, Ezra the Scribe, reads the law; Moses brings forth water for the 12 tribes; and the sons of Aaron consecrate the Temple.
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Page 2 In 2014 a silver statuette measuring 44cm in height representing a knight in full armour with a jousting lance and a horse bearing the Earl of Eglinton's coat of arms was acquired by the East Ayrshire Leisure Trust on behalf of East Ayrshire Council. It is believed this is the only surviving part of the "second silver trophy" and that the rest of the candelabrum was melted down for its silver content after it was sold by the Earl of Eglinton in the 1920s.Kilmarnock Standard, 29-08-2014, Page 17 The silver hallmark shows that the statuette dates to 1840, three years before the Eglinton Trophy was completed. The silversmiths were Benjamin Smith III of London and D.C.Rait of Glasgow.
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On the evening of December 15, 1966, Wilson was filmed at Columbia Studio singing and performing "Surf's Up" on piano for use in David Oppenheim's CBS-commissioned documentary Inside Pop: The Rock Revolution. Wilson and Oppenheim were dissatisfied with the footage, and decided to reshoot the sequence at Wilson's home on December 17. His performance that day, executed in one take with a candelabrum placed on his grand piano, was captured by three film cameras and deemed satisfactory for use in the documentary. On May 6, 1967, days after stating that Smile was finished and ready to be released, band publicist Derek Taylor announced in his weekly column for Disc & Music Echo that the album had been "scrapped" by Wilson.
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Model of the Templum Pacis The menorah from the Second Temple was carried to Rome after the Roman conquest of Jerusalem in 70 AD during the First Jewish–Roman War. The fate of the menorah used in the Second Temple is recorded by Josephus, who states that it was brought to Rome and carried along during the triumph of Vespasian and Titus. The bas relief on the Arch of Titus in Rome depicts a scene of Roman soldiers carrying away the spoils of the Second Temple, in particular, the seven-branched menorah, or candelabrum. For centuries, the Menorah was displayed as a war trophy at the Temple of Peace in Rome, a Roman temple paid for with spoils taken from the conquered city of Jerusalem.
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The Byzantine Christian observance of Holy and Great Friday, which is formally known as The Order of Holy and Saving Passion of our Lord Jesus Christ, begins on Thursday night with the Matins of the Twelve Passion Gospels. Scattered throughout this Matins service are twelve readings from all four of the Gospels which recount the events of the Passion from the Last Supper through the Crucifixion and burial of Jesus. Some churches have a candelabrum with twelve candles on it, and after each Gospel reading one of the candles is extinguished. Catholicon at Holy Trinity Monastery, Meteora, Greece The first of these twelve readings is the longest Gospel reading of the liturgical year, and is a concatenation from all four Gospels.
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Inside the church, showing the massive seven-armed candelabrum The church was founded and built around 1230-1275 by Westphalian merchants, who came from Gotland in the 13th century. While the city was still unfortified, the church had heavy bars for closing the entrances, loopholes and hiding places for refugees. When the fortifications around Tallinn were finished in the 14th century (the town wall enclosed the church and the settlement in 1310), St. Nicholas Church lost its defensive function and became a typical medieval parish church. There are only a few parts of the original church that have been preserved through the present. In 1405-1420, St. Nicholas Church obtained its current appearance, when the central aisle received a clerestory above the side aisles in the form known in architecture as a basilica.
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An affinity between these figures and those of the faces of some of the Apostles along the nave of the church of San Pietro in Oliveto has also been noted. The cycle of twelve statues, likely completed by 1507, is attributed to Gasparo Cairano and company, implying the existence of a subcontract to the Sanmicheli. Matteo Sanmicheli's Piedmontese career began with a statuette in the lost tomb of Maria di Serbia in Casale Monferrato, dated to 1510; this has clear references to figures in the candelabrum of the pilasters in the Cavalli chapel of the San Pietro church, Oliveto, completed in 1508. That chapel, in turn, is informed by the technical and compositional detail of the Sanctuary of the Miracles, detail that continued to be reiterated in Sanmicheli's Piedmontese oeuvre.
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To impress the Roman Senate, the queen endowed her children with sufficient assets, which included a jewelled candelabrum that was dedicated to the temple of Jupiter Capitolinus. The Senate refused to hear their petition for the Egyptian throne, but, according to Cicero, their de jure right to the Syrian throne which they had inherited from their ancestors was already acknowledged. The statement of Cicero indicates that in 75 BC, Tigranes II was still not in control of Syria, for if he were, Antiochus XIII would have asked the Roman Senate for support to regain Syria, since Tigranes II was the son-in-law of Rome's enemy, Mithridates VI of Pontus. Likewise, Philip I could not have been alive since Antiochus XIII went to Rome without having to assert his right to Syria.
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Cultural Centre attached to St Lazar, Bournville The Church of the Holy Prince Lazar, also known as Lazarica Church, is a Serbian Orthodox church located at Cob Lane in Bournville, Birmingham, England, and was built for political refugees from Yugoslavia after World War II, with the support of the exiled Prince Tomislav of Yugoslavia. Serbs have been associated with Bournville since Dame Elizabeth Cadbury sponsored thirteen Serbian refugee children of World War I. Built in traditional 14th-century Byzantine form by Yugoslavian architect Dr Dragomir Tadic and Bournville Village Trust, it is a replica of a church in Serbia using stone from the same quarries. Completed in 1968, it is of brick and stone with three sets of bronze doors and a candelabrum from Serbia. It has no seats, which is the usual thing for traditional Orthodox churches.
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The façade is preceded by a portico with columns and capitals; under it are three portals, the middle and larger one having a lintel and a tympanum with sculpted stories of St. Clement and of the abbey's history. In the center of the tympanum is the figure of San Clemente in his Papal clothing, with Saints Fabio and Cornelius at his right side and Abbot Leonate, to his left, presenting a model of the rebuilt abbey to its patron. The bronze doors were made (in 1191) when Abbot Iole was in charge and are divided into 72 rectangular panels depicting various images such as crosses, abbots, rose patterns and 14 castles (and their estates) that were subjects of the Abbey. Inside the (now deconsecrated) church there are a beautiful paschal candelabrum and a massive ambo dating from the 11 hundreds.
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Cadell had carried a considerable quantity of wool and much trade was expected with the Riverina squatters. A gold and silver candelabrum was presented by the settlers to Cadell, with an inscription that it had been presented to him "in commemoration of his first having opened the steam navigation and commerce of the River Murray 1853". Cadell was also presented with a gold medal struck by the Legislative Council, and he joined with William Younghusband, George Young and others in forming the River Murray Steam Navigation Company, whose charter received royal assent in 1854. He purchased Lioness, a small River Mersey steamer of only 70 tons register in Scotland in 1853, had her rigged her as a three-masted schooner, and was sailed to Melbourne by James Ritchie, George and Thomas Johnston (cousins), John Barclay, John McDonald, William Barker, and John Ritchie.
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In his 1992 documentary series Legacy, historian Michael Wood walked down a small lane in Kaifeng that he said is known as the "alley of the sect who teach the Scriptures", that is, of the Jews. He mentioned that there are still Jews in Kaifeng today, but that they are reluctant to reveal themselves "in the current political climate". The documentary's companion book further states that one can still see a "mezuzah on the door frame, and the candelabrum in the living room". Similarly, in the documentary Quest for the Lost Tribes, by Canadian filmmaker Simcha Jacobovici, the film crew visits the home of an elderly Kaifeng Jew who explains the recent history of the Kaifeng Jews, shows some old photographs, and his identity papers that identify him as a member of the Jewish ethnic group.
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Under Louis the Pious in the 9th century, a stone column was dug up at ObermarsbergAccording to the Royal Frankish Annals (Anonymus ([790]): chapter 772): > Et inde perrexit partibus Saxoniae prima vice, Eresburgum castrum coepit, ad > Ermensul usque pervenit et ipsum fanum destruxit et aurum vel argentum, quod > ibi repperit, abstulit. Et fuit siccitas magna, ita ut aqua deficeret in > supradicto loco, ubi Ermensul stabat; et dum voluit ibi duos aut tres > praedictus gloriosus rex stare dies fanum ipsum ad perdestruendum et aquam > non haberent, tunc subito divina largiente gratia media die cuncto exercitu > quiescente in quodam torrente omnibus hominibus ignorantibus aquae effusae > sunt largissimae, ita ut cunctus exercitus sufficienter haberet. in Westphalia, Germany and relocated to the Hildesheim cathedral in Hildesheim, Lower Saxony, Germany. The column was reportedly then used as a candelabrum until at least the late 19th century.
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Interior view towards the High altar Seven-arm candelabrum The modern building complex with the church of St. Johann Baptist, atrium and complete cloisters In 1275, the Ottonian church burnt down, with only the westwork and the crypt surviving. In the rebuild, which occurred in the time of the Abbesses Berta von Arnsberg and Beatrix von Holte, the architect combined aspects of the old church with the new Gothic style. The form of the hall church was chosen, in complete contrast with Cologne Cathedral - the Essen order had to ward off the Archbishop of Cologne's claims to authority and the nuns wished to express their integrity and independence through the form of their building. Two architects worked alongside each other on the rebuild, of which the first, a Master Martin, quit in 1305 because of disputes with Abbess Beatrix von Holte.
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Lectotypifications, neotypifications, and epitypification in the genus Aegiphila Jacq. Neodiversity 6 1-14.Biota of North America Program, 2013 county distribution maps Species: #Aegiphila aculeifera Moldenke \- Colombia #Aegiphila alba Moldenke \- Colombia, Ecuador, Peru #Aegiphila anomala Pittier \- Colombia, Panama, Costa Rica #Aegiphila aracaensis Aymard & Cuello \- Serra do Aracá in the State of Amazonas in Brazil #Aegiphila arcta Moldenke \- Yaracuy State in Venezuela # Aegiphila australis Moldenke \- Santa Catarina in Brazil #Aegiphila bogotensis (Spreng.) Moldenke - Colombia, Ecuador, Venezuela #Aegiphila boliviana Moldenke \- Ecuador, Peru, Bolivia # Aegiphila brachiata Vell. \- Brazil, Argentina, Bolivia, Paraguay, Uruguay # Aegiphila bracteolosa Moldenke \- Guyana, Venezuela, Bolivia, Colombia, Peru, northwestern Brazil #Aegiphila brenesii Hammel \- Costa Rica #Aegiphila breviflora (Rusby) Moldenke \- Bolivia #Aegiphila buchtienii Moldenke \- Bolivia #Aegiphila candelabrum Briq \- Brazil, Argentina, Paraguay #Aegiphila capitata Moldenke \- São Paulo #Aegiphila casseliiformis Schauer \- southeastern Brazil #Aegiphila catatumbensis Moldenke \- Venezuela #Aegiphila caucensis Moldenke \- Colombia, Peru # Aegiphila caymanensis Moldenke \- Grand Cayman Island #Aegiphila cephalophora Standl.
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In 358/2 Days, he and Cogsworth serve as the castle's patrol guards, forcing Roxas, Xion and Xaldin to evade their sight during missions in that world, and in Kingdom Hearts II, he is locked in the dungeon by the Beast along with the other servants in an attempt to protect him by the Beast's rage, fueled by Xaldin, but he is freed by Sora, whom he helps by opening a secret passage out of the under-croft. He later plays a small role in the final battle against Xaldin. Lumière is played by Scottish actor, Ewan McGregor in the live-action version of Beauty and the Beast. This depiction of Lumiere has him as a charismatic footman who has been transformed into a human-shaped candelabrum with a bronze human-like face, arms tipped with candles and legs to walk with as well.
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In the 1950s and 1960s, the entire area around Rennes-le-Château became the focus of sensational claims involving Blanche of Castile, the Merovingians, the Knights Templar, the Cathars, and the treasures of the Temple of Solomon (booty of the Visigoths) that included the Ark of the Covenant and the Menorah (the Jerusalem Temple's seven-branched candelabrum). Since the 1970s, the area's associations have extended to the Prieuré de Sion, the Rex Deus, the Holy Grail, ley lines, sacred geometry, the remains of Jesus Christ, including references to Mary Magdalene settling in the south of France, and even flying saucers. Well-known French authors like Jules VerneMichel Lamy, Jules Verne, initié et initiateur: la clé du secret de Rennes-le-Château et le trésor des rois de France (Paris: Payot, 1984). . and Maurice LeblancPatrick Ferté, Arsène Lupin, supérieur inconnu: arcanes, filigranes et cryptogrammes, la clé de l'oeuvre codée de Maurice Leblanc (Paris: Éditions Guy Trédaniel, 1992).
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1972 P. 96 His first work was a story book titled "A vigil for the last trip" (Vigilia para el último viaje), from which "Illuminated" (Iluminado) was extracted to be included in several anthologies of Latin American writers, as a remarkable example of brief narration. thumb Amongst his works also stands out "The Gesture" (El Gesto) another book of short stories from which "The stranger and the silver candelabrum (El forastero y el candelabro de plata)" and "The diary of Mafalda" (El diario de Mafalda) are the most outstanding. In 1967, Suárez published his first piece for theatre, Vértigo, a drama of social and philosophical depth that depicts the life of a man being freed after twenty years in prison and his efforts to gather his seven children who have all taken different paths in life. Vertigo was screenplayed and presented in Jornadas Julianas de la Juventud in 1967, winning the first prize.
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Authorship of the text is unclear. It was possibly originally composed in Latin as Lucerna Super Candelabrum by Adam Boreel, translated into Low-Dutch by Peter Balling in 1662William Sewel, The history of the rise, increase, and progress of the Christian people called Quakers, Third Edition, Philadelphia: Samuel Keimer, 1728 p. 16 and into English by B.F. (Benjamin Furly) in 1663. The English title page reads, This has led to the supposition that William Ames was the author of The Light upon the Candlestick, but the wording means that The Light upon the Candlestick agrees in principal with the work The Mysteries of the Kingdom of God by William Ames. As the title page says it was printed for the Author, it is likely that the tract was printed for the Author of The Mysteries of the Kingdom of God, William Ames, to support his position “against several Professors” of the Collegiants with whom he was in disagreement.
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The gueridon, a tall stand for a candelabrum, offered Brustolon unhampered possibilities for variations of the idea of a caryatid or atlas: the familiar Baroque painted and ebonized blackamoor gueridons, endlessly reproduced since the eighteenth century, found their models in Brustolon's work. His secular commissions from Pietro Venier, of the Venier di San Vio family (a suite of forty sculptural pieces that can be seen in the Sala di Brustolon of the Ca' Rezzonico, Venice), from the Pisani of Strà, and from the Correr di San Simeone families encourage the attribution to him of some extravagantly rich undocumented moveable furniture. Andrea Brustolon's elaborate carved furniture aspired towards the condition of sculpture, such as the Dutch bases for console tables which look like enlargements of the work of the two Van Vianens, Paulus and Adam, perhaps the greatest Dutch silversmiths of the period. These carved pieces display the baroque tendency to develop a form three-dimensionally in space.
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Domenico Ghirlandaio, Confirmation of the Rule (detail) - the original Marzocco can be seen on the corner of the palazzo in the background at left, 1480s. The original that had stood since (perhaps) 1377, and is now lost, appears to have been similar to Donatello's in design, though it was fully gilded and may have crouched over a submissive wolf representing Florence's great rival Siena.Victoria and Albert Museum, page on their replica of the Donatello It can be seen in the background of several paintings and prints, though by the time it was replaced it was so worn that (being only medieval, not classical) it was not considered worth keeping, and disappeared. About 1460 it was given a richly sculptural socle with double baluster-like motifs"Resembling pairs of handleless all'antica urns arranged like the bulbs of a Roman candelabrum", according to Paul Davies and David Hemsoll, "Renaissance Balusters and the Antique" Architectural History 26 (1983:1-122) p. 4.
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WQED Multimedia's antenna tower is located in Pittsburgh's Oakland neighborhood, bordering the University of Pittsburgh's upper campus (coordinates ). It supports not only WQED Multimedia's own full- power stations WQED (TV) (on VHF channel 13) and WQED-FM (89.3 MHz), but also full-power Ion Television station WINP-TV (on UHF channel 38), a broadcast translator of ABC affiliate WTAE-TV (on UHF channel 22), and most of Pittsburgh's low-power stations, including WEPA-CD, WPDN-LD, WOSC-CD, WNNB-CD, WIIC-LD, WBYD-CD and WPTG-CD (respectively on UHF channels 16, 24, 26, 30, 31, 39 and 49). The central location of the antenna tower facilitates antenna aiming, which is often critical especially for reception of low-power stations in Pittsburgh's hilly terrain. The antenna tower has a distinctive "candelabrum" shape above the Oakland skyline, with the two "candles" supporting respectively the WQED (TV) and WINP-TV antennas, and the remaining antennas mounted lower on the structure. Because of the FCC broadcast incentive auction, WEPA-CD and WNNB-CD closed on 10/25/2017; WINP-TV will move to WEPA-CD's UHF channel 16 and WBYD-CD to WNNB-CD's UHF channel 30 in Phase 4 of the spectrum repack (ending 8/2/2019).
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