It appears Travis and Kylie were headed to another spot, because Travis loaded Stormi into a different vehicle ... apparently sending his daughter home for beddy-bye as they hit the town.
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"Strangers in the Night" is a song composed by Bert Kaempfert with English lyrics by Charles Singleton and Eddie Snyder. Kaempfert originally used it under the title "Beddy Bye" as part of the instrumental score for the movie A Man Could Get Killed. The song was made famous in 1966 by Frank Sinatra, although it was initially given to Melina Mercouri, who thought that a man's vocals would better suit the melody and therefore declined to sing it. Reaching #1 on both the Billboard Hot 100 chart and the Easy Listening chart,Whitburn, Joel (1996).
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One of his biggest writing successes was "Don't Forbid Me" by Pat Boone, a number one pop hit recorded in 1956. In the late 1950s and early 1960s, Singleton largely wrote songs without a writing partner, and also recorded an album, The Big Twist Hits, released in 1962 and credited to the Charlie "Hoss" Singleton Combo. "Charlie "Hoss" Singleton Combo – The Big Twist Hits", MusicVf.com. Retrieved November 8, 2016 "Strangers in the Night" began as an instrumental called "Beddy Bye", by German bandleader and composer Bert Kaempfert, which appeared on the soundtrack of the film A Man Could Get Killed.
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The score for A Man Could Get Killed was composed by the German Bert Kaempfert, partially with the assistance of Herbert Rehbein and recorded under the musical direction of Universal's Joseph Gershenson. It introduced the melody of the song "Strangers in the Night", which was initially designated to be sung by Melina Mercouri but she insisted that her voice would not fit to the melody and it should be given to a man. Eventually, the version by Frank Sinatra became a global number one hit and by now is considered a standard of easy listening music. The tune, listed in the original sound track as "Beddy Bye", permeates the movie throughout and won the Golden Globe Award for "Best Original Song in a Motion Picture" of 1967, beating the other nominated compositions "Un homme et une femme" by French orchestra leader Francis Lai, "Born Free" by John Barry, which won the 1966 Academy Award for Best Original Song, "Alfie" by Burt Bacharach, and "Georgy Girl" by Tom Springfield from the eponymous movies, the latter two also having been Oscar nominees of 1966.
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Syntactic patterns specific to this sub-vocabulary in present-day English include periphrastic constructions for tense, aspect, questioning and negation, and phrasal lexemes functioning as complex predicates, all of which occur also in CDS. As noted above, baby talk often involves shortening and simplifying words, with the possible addition of slurred words and nonverbal utterances, and can invoke a vocabulary of its own. Some utterances are invented by parents within a particular family unit, or are passed down from parent to parent over generations, while others are quite widely known and used within most families, such as wawa for water, num-num for a meal, ba-ba for bottle, or beddy-bye for bedtime, and are considered standard or traditional words, possibly differing in meaning from place to place. Baby talk, language regardless, usually consists of a muddle of words, including names for family members, names for animals, eating and meals, bodily functions and genitals, sleeping, pain, possibly including important objects such as diaper, blanket, pacifier, bottle, etc.
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