160 Sentences With "addio" | Random Sentence Generator

But Mr. Ferragamo, who is the youngest son of Savatore Ferragamo, is ready to bid the place addio.

Critic's Notebook "O terra, addio," the doomed lovers sing at the end of Verdi's "Aida," bidding the earth adieu.

He introduced a final-act aria for Pinkerton, "Addio, fiorito asil," a remorseful lament meant to make his character more sympathetic.

And in Violetta's great aria in the final act, "Addio del passato," Ms. Oropesa poignantly balanced bleak expressivity with arching lyricism.

Addio, we said in March, to Sonja Frisell's eye-wideningly gargantuan, lovably hoary, undeniably dramatic Met staging of Verdi's Egyptian classic.

New strength in the lower reaches of her voice anchored "Addio del passato," the final-act lament of the doomed courtesan Violetta.

Nadia Terranova's novel "Addio Fantasmi" ("Goodbye Ghosts") tells the story of a 30-something woman facing her painful past on a trip home to see her mother.

But that growth is not just in volume, it's in depth, and I keep returning to her lament near the end, "Addio del passato," when her low range anchored some fearless vocalism.

Jonas Kaufmann, who took on the role for the first time last week in London, is assuredly the latter, with a hooded tone that brought particular mournfulness to "Ora e per sempre addio," a ferocious cry of despair.

The winners of the Festival were Domenico Modugno and Claudio Villa with the song "Addio, addio".

"Addio Rava, Mondiale nel 1938" - www.gazzetta.it - La Gazzetta dello Sport - retrieved 5 Nov 2006.

The title song, "Because You're Mine", earned an Academy Award nomination for Best Original Song. Written by Sammy Cahn and Nicholas Brodszky, it became Lanza's third and final million-selling effort. Musical highlights in the film included "Granada", "The Lord's Prayer", and "Addio, Addio" from Rigoletto.

Anna Anni (1926 in Marradi1 January 2011 in Florence)Corriere della Sera. Addio a Anna Anni, una vita nei costumi Quotidiano.net. Addio Anna Anni, costumista toscana da premio Oscar was an Italian costume designer. She was co-nominated with Maurizio Millenotti for the Academy Award for Best Costume Design for their work in the film Otello (1986).

Addio, figlio mio! ("Farewell, my son!") is a 1953 Italian melodrama film written and directed by Giuseppe Guarino.A. Albertazzi (31 May 1954).

The song was performed sixteenth on the night, following Italy's Claudio Villa with "Addio, addio". At the close of voting, it had received 13 points, placing 2nd in a field of 16 - only half the total of Isabelle Aubret's "Un premier amour" for France. It was succeeded as Monegasque representative at the 1963 Contest by Françoise Hardy with "L'amour s'en va".

Giuseppe Casari (; 10 April 1922 − 12 November 2013)Addio “gigante buono”: è morto Bepi Casari was an Italian footballer who played as a goalkeeper.

Sergio Toppi (11 October 1932 - 21 August 2012)Addio a Sergio Toppi, maestro del fumetto italiano Ilmessaggero.it was an Italian illustrator and comics author.

Isabella Biagini, born Concetta Biagini, (8 December 1940 – 14 April 2018)Addio a Isabella Biagini, da Antonioni al varietà was an Italian actress and showgirl.

Scheda di attività Carlo DELL'ARINGA He died on 18 September 2018, aged 77, while he was in Corsica due to a heart attack.Lutto. Addio all'economista del lavoro Carlo Dell'Aringa Morto in Corsica il docente della Cattolica Carlo Dell'Aringa, ex deputato Lutto nel mondo accademico e politico: addio a Carlo Dell’Aringa Morto l'economista Carlo Dell'Aringa He rests at the Cimitero Maggiore di Milano, in a permanent tomb.

Giancarlo Astrua (11 August 1927 in Graglia – 29 July 2010)Addio a Giancarlo Astrua (Italian). Gazzetta.it. 30 July 2010 was an Italian professional road bicycle racer.

Anna Campori (22 September 1917 – 19 January 2018)Addio ad Anna Campori del Corsaro Nero was an Italian actress. Since 1951, she appeared in 70 films.

The song "Strah me da te Volim" plagiarises Ennio Morricone's soundtrack from Sergio Leone's For a Few Dollars More, tracks "La Resa Dei Conti" and "Addio Colonnello".

Santana Motors chiude, addio anche ai fuoristrada Iveco From 6,692 cars made in 2007, the company manufactured 1,197 in 2009 and as few as 769 in 2010.

He was survived by his daughters Teresa and Laura.Franchini Vittorio, Grasso Aldo, Manin Giuseppina (27 October 1995) Addio Kramer, con lui l' Italia ando' a swing. archiviostorico.corriere.it.

The short story "Addio San Francisco", which appears in the anthology Murder at the Opera (Mysterious Press, 1989), was written by Simmons with editor Thomas Godfrey, under a pseudonym.

The songs and musical score used in the film were composed and written by Carlo Savina and Gilbert Kaplan. The songs were sung by Kaplan and Ann Collin. The music resembles Riz Ortolani's score from Africa addio, as most tracks are of a light and upbeat nature, particularly during the opening and closing credits. The arrangement of music to enhance atmosphere and create comic effect also mimics the compositions in Africa addio.

Subsequent important events have been the premiere of Sind Blitze, sind Donner in Lille, and the enormous success of the premiere at the Amsterdam Muziekgebouw of his second cello octet, Addio.

Italy was represented by Claudio Villa, with the song '"Addio, addio", at the 1962 Eurovision Song Contest, which took place on 18 March in Luxembourg City. Broadcaster RAI chose the winning song from the 1962 Sanremo Music Festival as their Eurovision entry: the song had been performed twice at Sanremo and Villa was chosen over former two-time Italian representative Domenico Modugno as the performer, even though Modugno was the composer of the music for the song.

Gilda, alarmed, calls for Giovanna, unaware that the Duke had given her money to go away. Pretending to be a student, the Duke convinces Gilda of his love: "È il sol dell'anima" ("Love is the sunshine of the soul"). When she asks for his name, he hesitantly calls himself Gualtier Maldè. Hearing sounds and fearing that her father has returned, Gilda sends the Duke away after they quickly trade vows of love: "Addio, addio" ("Farewell, farewell").

Felgen also recorded his entry in a German language version, as "Du kleiner Mann" ("You, Little Man"). The song was performed fourteenth on the night (following the United Kingdom's Ronnie Carroll with "Ring-A-Ding Girl" and preceding Italy's Claudio Villa with "Addio, addio"). At the close of voting, it had received 11 points, placing 3rd in a field of 16. It was succeeded as Luxembourgish representative at the 1963 Contest by Nana Mouskouri with "À force de prier".

Also critically acclaimed was the verse novel, Addio Lenin (Goodbye Lenin), published 1981. In 1999, he was nominated for the Academy Award for Best Original Screenplay for the film Life Is Beautiful.

Yangpa debuted in 1996 with the album Novice's Love, which was the most successful album of her career. Her second album, I Want to Know, was moderately successful, as was her third album, Addio.

Mondo Cane was an international box-office success and inspired the production of numerous, similar exploitation documentaries, many of which also include the word "Mondo" in their title. These films collectively came to be recognized as a distinct genre known as mondo films. In addition, the film's success led Jacopetti and Prosperi to produce several additional documentaries, including Mondo Cane 2, Africa addio and Addio zio Tom, while Cavara directed La donna nel mondo, Malamondo, as well as the anti- Mondo drama Wild Eye (Occhio selvaggio).

The > advertising spells it out for us: "Raw, wild, brutal, modern-day > savages!"Africa Addio review, Roger Ebert, April 25, 1967 US Ambassador to the United Nations Arthur Goldberg condemned the film as "grossly distorted" and "socially irresponsible," noting the protests of five African UN delegates. In West Germany, a protest movement against the film emerged after Africa Addio was awarded by the state-controlled movie rating board. The protest was chiefly organized by the Socialist German Student Union (SDS) and groups of African students.

Cagnoni in his studio in Pietrasanta, 2015 Romano Cagnoni (Pietrasanta, Italy, 9 November 1935 – 30 January 2018)Addio al fotografo versiliese Romano Cagnoni was an Italian photographer who spent most of his professional life based in London.

As their former cinematographer, Climati drew influence from the Mondo films of Gualtiero Jacopetti and Franco Prosperi. The cinéma vérité styled camera work used in Ultime grida dalla savana was previously used in Africa addio in a scene in which the film crew is nearly killed during an uprising in newly independent Ethiopia. The inclusion of lingering Technicolor shots and violence towards animals is also a feature of Jacopetti's Mondo cane series. Some scenes were also directly lifted from Africa addio and reused in Ultime grida dalla savana.

Ingrao was an atheist. He married , who died in 2003. Ingrao died on September 27, 2015 at the age of 100.Addio a Pietro Ingrao, morto a Roma lo storico dirigente del Pci, La Repubblica, 27 September 2015.

In 2012, after the death of Benito Paolone (one of the founding fathers of Amatori Catania),Desirée Miranda "Rugby, botte e sentimento. Addio a Paolone, figura storica dell’Msi" "ctzen.it" (2014-05-01). the stadium has been renamed Stadio Benito Paolone.

Francesco La Rosa (; 9 December 1926 - 8 April 2020)Dalla serie A alla morte al Pat: addio a Francesco La Rosa was an Italian footballer who played as a forward. He competed in the men's tournament at the 1952 Summer Olympics.

Goodbye Naples (Italian: Addio, Napoli!) is a 1955 Italian melodrama film directed by Roberto Bianchi Montero and starring Tamara Lees, Andrea Checchi and Giorgio De Lullo.Chiti & Poppi p.19 The film's sets were designed by the art director Ivo Battelli and Alfredo Montori.

Farewell, My Beautiful Naples (Italian: Addio, mia bella Napoli!) is a 1917 Italian silent romance film directed by Giuseppe de Liguoro.Goble p.339 It is based on a 1910 play, which was later turned into a 1946 sound film of the same name.

Andrew Davis, in his book on Puccini's late style, notes that Lauretta's aria, and the two interruptions by the young lovers ("Addio, speranza bella") as Schicchi mulls over the will, constitute interruptions in the Romantic style, delivered during a lengthy sequence of non-Romantic music.

Addio Alexandra is an Italian romantic drama film, released in 1969. It stars Pier Angeli, Glenn Saxson and Colette Descombes. The film premiered out of competition at the 30th Venice International Film Festival."Cosi i film a Venezia", L'Unità, 29 August 1969, p.7.

Operas: A Lovers Knot, Sakahra, Jewel, Addio, Wastrel, (received David Bispham Medal for A Lovers Knot and Sakahra). Chorus and Orch.: Salute to a Free World; Freedom on the March; Hear My Voice, O Lord; Jerusalem. Orch.: Four Tone Poems; The Wanderers Song; The Trumpeters Death (Pf.

In 1962 she began acting in films. She worked with such stars as Totò, Ugo Tognazzi, Johnny Dorelli, Raimondo Vianello and Oreste Lionello. She portrayed the protagonist in the television series, The Adventures of Storm Laura."Addio a Lauretta Masiero, la regina del teatro brillante". roma.corriere.it.

On 21 January 2004, professor Dinu Adameșteanu died at his home in Policoro.Fonseca Addio ad Adameșteanu. Fece rinascere Heraclea on La Repubblica (22 January 2004), p. 11 On 20 May 2005, the in the in Potenza, was officially opened and named "Dinu Adameșteanu" in his honour.

The group's 1969 hit "Let's Dance", a cover of the Chris Montez song, reached #92 on the Billboard Hot 100.Charts. Billboard.com Ola & the Janglers recorded many singles only for Italy including "Questo è un addio", "Le mele verdi" (for Adriano Celentano's label Clan Celentano) and "Bella Albarosa".

Dissimulate is the second album, released in 2002, by the death metal band The Berzerker. This is the only full-length album the band has released that features an actual drummer instead of a drum machine. The album is characterized by some quotes from the Italian film "Africa Addio".

Virgilio Savona in the 1950s Antonio Virgilio Savona (21 December 1919 – 27 August 2009) was an Italian composer, arranger, and singer in the Italian vocal group, the Quartetto Cetra.Mario Luzzatto Fegiz, Corriere della Sera (29 August 2009). Addio a Virgilio Savona, ideologo del Quartetto Cetra. Retrieved 13 December 2012.

As an author, he published seven writings on issues related to television, with a particular focus on the topic of the Information Society. In 1984, he was co-director of the documentary film Addio a Enrico Berlinguer (Farewell to Enrico Berlinguer).Roberto Poppi: Dizionario del cinema italiano. I registi.

Africa Addio (also known as Africa: Blood and Guts in the United States and Farewell Africa in the United Kingdom) is a 1966 Italian mondo documentary film co-directed, co-edited and co-written by Gualtiero Jacopetti and Franco Prosperi with music by Riz Ortolani. The film is about the end of the colonial era in Africa. The film was shot over a period of three years by Jacopetti and Prosperi, who had gained fame (along with co-director Paolo Cavara) as the directors of Mondo Cane in 1962. This film ensured the viability of the so- called Mondo film genre, a cycle of "shockumentaries"- documentaries featuring sensational topics, a description which largely characterizes Africa Addio.

Sergio Andreoli (born 3 May 1922 in Capranica; died 18 May 2002 in ViterboRoma: addio Andreoli Fu campione nel '42) was an Italian footballer who played as a defender. He played for 6 seasons (179 games, 9 games) in the Serie A for A.S. Roma. He was Roma's captain from 1948 to 1950.

Desdemona asks for Otello's forgiveness. Aside, Iago demands that Emilia give him the handkerchief. When she refuses, Iago forcibly takes it from her. Otello dismisses the others, and declares that he now believes that Desdemona may be deceiving him (Otello: Ora e per sempre addio sante memorie / "Now and forever farewell, holy memories").

Carla Bartheel was born Charlotte Franziska Johanna Barthel on 5 July 1902. She took acting and singing lessons and planned to train as a dancer, but a cardiac defect prevented this, and led her to acting. She made her film debut in Addio giovinezza! (1927), starring Walter Slezak, Elena Sangro, and Carmen Boni.

The film was scored by Italian composer Riz Ortolani and is notable for the theme "Oh My Love" sung by Katyna Ranieri, which would later be used in the soundtrack to the film Drive (2011). Ortolani also collaborated with directors Jacopetti and Prosperi on their previous films, Mondo Cane, and Africa Addio.

After his retirement from the playing career in 1992,Addio gigante buono Lupini started his coaching career, coaching Rovigo, leading the team to the final for the national championship (then lost) against Benetton Treviso in 1992. He also coached the forwards for the Namibia national team and, more recently, the same role for Rovigo.

Ferdinando Teruzzi (17 February 1924 - 9 April 2014)Addio a Ferdinando Terruzzi, «il Re delle Seigiorni» Corriere.it was an Italian racing cyclist and Olympic champion in track cycling. He won a gold medal in the tandem event (with Renato Perona) at the 1948 Summer Olympics in London."1948 Summer Olympics - London, United Kingdom - Cycling" databaseOlympics.

Carlo Rambaldi was born September 15, 1925 in Vigarano Mainarda, Emilia-Romagna. Assante, Ernesto (August 10, 2012). "Addio a Carlo Rambaldi il creatore di E.T. e Alien". la Repubblica He studied painting at the Accademia di Belle Arti di Bologna, where he developed a passion for electromechanics and the skeleton and musculature of the human body.

Texas, Adios (Italian: Texas, addio) is a 1966 Spaghetti Western film directed by Ferdinando Baldi and starring Franco Nero. It is often referenced in connection with Django, also starring Nero, and although was referred to as Django 2 in some countries, it is not considered a sequel. The film is mostly remembered as a lesser known Spaghetti Western.

127 and Goodall labels the same scene as "ludicrous". The staged scenes of human death have also been criticized for being more exploitative than educational. Aside from his criticism of the film's staged footage, Goodall also points out the reuse of sequences of African tribal hunting and poaching from Africa addio as a flaw of the film.

For the farewell, the Alouette III with the tailnumber V-203 was given a special silver lacquer with the coat of arms of the LT St 2 painted as well as the blue inscription "finito addio" on both sides. This machine was presented to the audience by Major Markus Just, the last commander of the LT St 2.

"'" (Ah! Deceiver), Op. 65, is a concert aria for soprano and orchestra by Ludwig van Beethoven. The dramatic scena begins with a recitative in C major, taken from Pietro Metastasio's Achille in Sciro. The aria "Per pietà, non dirmi addio" (For pity's sake, do not bid me farewell) is set in the key of E-flat major.

Retrieved December 11, 2007. today, goodbye has a less obviously religious meaning. Also similar to the Catalan formal expression adéu-siau ("be with God", in archaic Catalan). A religious origin is still obvious in French adieu, Spanish adiós, Italian addio, Portuguese adeus, and Catalan adéu ("to God", probably a contraction of "I entrust you to God").

Curiously, one of Meili's rare appearances in opera involved music at an extreme remove from his usual repertory; in May 1931 he participated in the premiere of Alois Hába's opera Die Mutter at the Gärtnerplatztheater in Munich, Germany. Ten years later, on 15 January 1941, Meili sang Addio terra, addio cielo from Monteverdi's L'Orfeo at the funeral service of James Joyce at Zürich's Fluntern Cemetery. Meili's recordings from the 78 RPM era included Renaissance lute songs recorded for HMV (issued in the United States by Victor) and early music released on L'Anthologie Sonore. He continued to record into the LP era, among other things appearing in the title role in the first post-World War II recording of Monteverdi’s L'Orfeo, taped by the Berlin Radio in the late 1940s and released by American Vox.

Critic Pauline Kael called the film "the most specific and rabid incitement to race war",Pauline Kael, "The Current Cinema: Notes on Black Movies", New Yorker, December 2, 1972, 163. a view shared by white nationalist and former Ku Klux Klan leader David Duke, who claimed the film was a Jewish conspiracy to incite blacks to violence against whites.David Duke, My Awakening: A Path to Racial Understanding (Mandeville: Free Spech Press, 1999), 311. The directors denied charges of racism; in the 2003 documentary Godfathers of Mondo they specifically note that one of their intentions in making Addio Zio Tom was to "make a new film that would be clearly anti-racist" in response to criticism by Ebert and others over perceived racism in their previous film Africa Addio.

Emilio Giletti (20 April 1929 – 4 January 2020)Addio a Emilio Giletti. Fu pilota della Maserati e amico di Fangio was an Italian racing driver. He made a name for himself in the early 1950s, after the racing experience took possession of the family factory, and was later the owner of Giletti S.p.A. His son Massimo Giletti is an Italian television host.

The bodies of Arabs killed in the violence following the Zanzibar Revolution as photographed by the Africa Addio film crew The film includes footage of the Zanzibar revolution, which included the massacre of 1964, which claimed the lives of approximately 5,000 Arabs (estimates range up to 20,000 in the aftermath), as well as of the aftermath of the Mau Mau Uprising in Kenya.

Ma già dall'orizzonte accenni addio, for soprano, piano, double quartet and chamber orchestra. Intended for the Teatro La Fenice in Venice in the Cloister of San Niccolo at Lido sung by Maria Alide Salvetta . ;1986 Venere e il Leone, one-act opera on a libretto by Nicola Badalucco, version for soprano, piano and 14 instruments. Sura per García, for soprano and string quartet.

These include: Violetta's death aria from La traviata, reflected in Addio Del Passato; the funeral pyre from the final scene of Norma, reflected in The Flame Duet; and both Countess Almaviva's forgiveness aria in The Marriage of Figaro and the off-stage voice of the imprisoned Manrico in Il trovatore, reflected in Jack's Song.Wayne Koestenbaum, "Artistic Statement" for the Banff Centre.

Callas realizes that Onassis is going to leave her for Jackie and sings Addio Del Passato (Goodbye to the past). Onassis and Jackie escape from the party to see a new art movie, I Am Curious (Yellow). Act II is set on Onassis' yacht, Christina, and on his private island, Skorpios. Jackie and Onassis have now been married for a year.

Pietro Gori (1865-1911) was an Italian lawyer, journalist, intellectual and anarchist poet. He is known for his political activities, and as author of some of the most famous anarchist songs of the late 19th century, including Addio a Lugano ("Farewell to Lugano"), Stornelli d'esilio ("Exile Songs"), Ballata per Sante Caserio ("Ballad for Sante Geronimo Caserio"), Inno del Primo Maggio ("May, 1 Anthem").

Coat of arms of Salvatore Angerami. Salvatore Angerami (26 November 1956 – 7 July 2019)Morto monsignor Angerami, addio al vescovo ausiliare di Napoli was an Italian Roman Catholic prelate, who served as an auxiliary bishop of Roman Catholic Archdiocese of Naples, Salvatore Angerami at catholic-hierarchy.org. and titular bishop of Turres Concordiae, North Africa. He was ordained on 22 June 1997.

"Addio, addio" (English translation: "Goodbye, Goodbye") was the Italian entry in the Eurovision Song Contest 1962, performed in Italian by Claudio Villa. With music by Domenico Modugno and lyrics by Franco Migliacci (the same duo had collaborated on Modugno's previous entry Nel blu dipinto di blu (Volare)), the song is a ballad, in which Villa attempts to deal with the end of a relationship. He sings that "Our love has become salt like sea water/Our parched lips don't have words any longer", but clings to the hope that "It isn't true that our love has ended", indeed even as he farewells his former lover for the last time he sings "we love each other and that we're breaking up". The song was performed fifteenth on the night (following Luxembourg's Camillo Felgen with "Petit bonhomme" and preceding Monaco's François Deguelt with "Dis rien").

Bassett, Peter. "Melba and La bohème – Addio, senza rancore". Peterbassett.com, accessed 19 May 2011 The Australian baritone John Brownlee and tenor Browning Mummery were both protégés: both sang with her in her 1926 Covent Garden farewell (recorded by HMV), and Brownlee sang with her on two of her last commercial recordings later that year (a session arranged by her in part to promote Brownlee).

Farewell, My Beautiful Naples (Italian: Addio, mia bella Napoli!) is a 1946 Italian musical melodrama film directed by Mario Bonnard and starring Fosco Giachetti, Vera Carmi and Clelia Matania.Brunetta p.111 It is based on a 1910 play which had previously been made into a 1917 silent film of the same title. Location shooting took place around Naples, including at Pompeii, Amalfi and Capri.

Mondo films began to soar in popularity in the 1960s with the release of Mondo Cane (1962), Women of the World (1963) and Africa Addio (1966). The genre arguably reached its peak with Faces of Death in 1978, a film that inspired a myriad of imitators, such as the Traces of Death series, Banned from Television, Death Scenes and The Faces of Gore series.

Various cuts of the film have appeared over the years. IMDb lists the total runtime as 140 minutes, and a 'complete' version on YouTube runs closest to that at 138 minutes, 35 seconds.YouTube, Africa Addio This is an Italian language version, with a clear soundtrack and legible English subtitling. IMDb lists the different runtimes for previously released versions: USA- 122'; Norway- 124'; and Sweden- 116'.

Buscetta: 'Cosa nostra uccise Enrico Mattei', La Repubblica, May 23, 1994 The American Mafia in turn was possibly doing a favour to the large oil companies.Woodhull & Snyder, Journalists in peril, p. 101 Buscetta claimed that Mattei's death was organized by Mafia bosses "Ciaschiteddu" Greco, Stefano Bontade and Giuseppe Di Cristina on the request of Angelo Bruno, a Sicilian born Mafia boss from Philadelphia.Arlacchi, Addio Cosa Nostra, pp.

Enrico Nigiotti (born 11 June 1987) is an Italian singer-songwriter. After signing a recording deal with Sugar Music, he released his debut single, "Addio", in 2008. Between 2009 and 2010, he was a contestant in the ninth series of Italian talent show Amici di Maria De Filippi. He decided to leave the competition to avoid an elimination round against his then-girlfriend, dancer Elena D'Amario.

The song entered the top ten on the Italian hit parade, while an English-language version, "Brother in Love", performed by the same Sandrelli, was released one year later and reached the 21st place. In 1976 Sandrelli entered the competition at the 26th edition of the Sanremo Music Festival with the song "Piccola donna addio". In 1978, after the minor hit "Lisa", he left the showbusiness.

A season with the Catalan sides CF Barcelona, Terrassa FC and CD Sabadell followed before he played out the remainder of his career with minor league Italian clubs. Nyers retired from the professional game in 1961. During his retirement he lived for several years in Milan before settling in Subotica, Serbia until his death in 2005 at the age of 80.Addio Nyers at gradsubotica.co.

In the Sicilian Mafia the position does not exist. For instance, the old-style Mafia boss Calogero Vizzini was often portrayed in the media as the "boss of bosses" – although such a position does not exist according to later Mafia pentiti, such as Tommaso Buscetta.Arlacchi, Addio Cosa nostra, p. 106 They also denied Vizzini ever was the ruling boss of the Mafia in Sicily.

Arlacchi, Addio Cosa nostra, p. 106 According to author John Dickie, "the question is if Vizzini was as dominant in the Mafia as he was famous outside it."Dickie, Cosa Nostra, p. 248-53 In the matter of Mafia support for the separatist movement, other Cosa Nostra bosses sidelined Vizzini, who was considered to be tainted by his association with radical separatist leaders Andrea Finocchiaro Aprile and Lucio Tasca.

She settled in Karmei Yosef, an agricultural community in the Judean foothills. She wrote an autobiography: "A Hand in the Darkness". The movie Mosca Addio (Farewell Moscow) by Mauro Bolognini, starring Liv Ullmann, was a dramatized version of her ordeal. In 1991, Nudel established "Mother to Mother," a nonprofit organization funded by donations from abroad, seeking to take the children of Russian immigrants off the streets and into after-school activities.

During the 1787 visit, Mozart wrote the concert aria "Bella mia fiamma, addio," K. 528 (it is dated 3 November 1787). The composition of this aria was somewhat unusual; the following tale is attributed to Mozart's son Karl Thomas:The story was published in 1856 in the Berliner Musik-Zeitung Echo vol. 4, 198–199. The journal attributed the story to "Mozart's son"; of Mozart's two sons, only Karl Thomas was alive at the time.

In this final form the opera had even less success than in its original four-act structure. Some of the music that was cut in 1891 was reused in Tosca and became the beautiful act 3 duet, "Amaro sol per te m'era il morire!". The funeral march from act 3 was played at Puccini's funeral, conducted by Arturo Toscanini and the aria "Addio, mio dolce amor" (Farewell, my sweet love) from act 4 was sung.

Within the disc, De Palma participated in four tracks, including "Lettera al successo", which gave the title to his second studio album released on June 2014.Matteo Politanò, La lettera al successo di Fred De Palma, Panorama, 10 June 2014. On 17 December 2014, he announced his resignation from the Roccia Music collective due to reasons he defined as private.Oriana Meo, FRED DE PALMA Dice Addio A Roccia Music, aLLMusicItalia, 17 December 2014.

174 The French organist Joseph Bonnet wrote "In Memoriam – Titanic", the first of his Douze Pièces, Op. 10, based on the tune Horbury. It was published the year after the Titanic sank. The hymn even made its way briefly onto the operatic stage. The singer Emma Abbott, prompted by "her uncompromising and grotesque puritanism" rewrote La traviata so that Violetta expired singing not Verdi's Addio del passato, but "Nearer My God to Thee".

Mondo films, often called shockumentaries, are quasi-documentary films about sensationalized topics like exotic customs from around the world or gruesome death footage. The goal of mondo films, as of shock exploitation, is to shock the audience by dealing with taboo subject matter. The first mondo film is Mondo Cane (A Dog's World). Others include Shocking Asia, Africa Addio (aka Africa Blood and Guts and Farewell Africa), Goodbye Uncle Tom, and Faces of Death.

In 1989, he found success in the United Kingdom when he played a series of concerts at the London Palladium. During the 1990s, he also headlined various shows at Trump Plaza Hotel and Casino in Atlantic City. He sang the title song "Who Can Say?" for the 1966 Italian documentary film Africa Addio. A book in the late 1990s entitled Making The Wiseguys Weep: The Jimmy Roselli Story was published by David Evanier.

Woodhull & Snyder, Journalists in peril, p. 101 Buscetta claimed that Mattei's death was organized by Mafia bosses Di Cristina, Salvatore Greco "Ciaschiteddu", and Stefano Bontade at the request of Angelo Bruno, a Sicilian born Mafia boss from Philadelphia.Arlacchi, Addio Cosa Nostra, pp. 79-83 Gaetano Iannì, another pentito, declared that a special agreement had been reached between the Sicilian Mafia and "some foreigners" for the elimination of Mattei, which was organized by Di Cristina.

Lando Fiorini (born Leopoldo Fiorini; 27 January 1938 – 9 December 2017Musica, è morto Lando Fiorini, Rai News24. Retrieved 10 December 2017.) was an Italian actor and singer, known primarily for having sung folk songs from Rome in Italian and Romanesco."Addio al cantante e attore Lando Fiorini", La Stampa, 9 December 2017.Sabrina Ramacci, "Lando Fiorini, il re del cabaret", in 101 personaggi che hanno fatto grande Roma, Newton Compton Editori, 2011.

There are no first-hand accounts of the meeting, except for the version of Mafia turncoat Tommaso Buscetta, who denied a summit ever took place at all. According to Buscetta, Bonanno did stay at the Grand Hotel des Palmes and received many guests all the time, but there was no summit as such.Arlacchi, Addio Cosa nostra, p. 60-63 In his memoirs, Joe Bonanno mentions his trip to Palermo, but says nothing about a summit.

Orontea is an opera in a prologue and three acts by the Italian composer Antonio Cesti with a libretto by Giacinto Andrea Cicognini (revised by Giovanni Filippo Apolloni). The first performance took place in Innsbruck on 19 February 1656. Orontea was one of the most popular Italian operas of the 17th century. It includes well-known soprano arias such as "Intorno all'idol mio" (English: "Around my idol"), "Addio Corindo" and "Il mio ben dice ch'io speri".

In addition to performances with Eyk performed a lot of solo work. He did gigs in nightclubs and worked as a pianist in the orchestra of the then-popular singer . From 1958 to 1965 he studied trombone at the Royal Conservatory of The Hague with Anner Bylsma sr. and played in the orchestra class conducted by with whom he privately studied conducting. In 1960 in Italy, Eyk scored a hit with the song “Addio Piccolina” (sung by ).

In May 2014 she worked as an author of the song "Siamo amore" for the competitor of the thirteenth edition of the talent show Amici, Giada Agasucci. She and Marco Ciappelli wrote the lyrics of the song, while the music was written by Francesco Sighieri and Diego Calvetti. "Siamo amore" was added to Giada album called Da Capo and was released as a single on 20 June 2014. In September 2014 she released the single "L'ultimo addio".

In 1964 Rizzoli opened the original Rizzoli International Bookstore in New York City at 712 Fifth Avenue, designed by architect Ferdinand Gottlieb. The bookstore was featured in various Hollywood films, most notably, Woody Allen's Manhattan and Falling in Love with Robert De Niro and Meryl Streep. He also produced the controversial documentary film Africa Addio. A museum about Rizzoli's life and career is located at Villa Arbusto within the guest house of that place, at Lacco Ameno.

Sheikh Abeid Amani Karume was named president of the newly created People's Republic of Zanzibar and Pemba. Several thousand ethnic Arab (5,000-12,000 Zanzibaris of Arabic descent) and Indian civilians were murdered and thousands more detained or expelled, their property either confiscated or destroyed. The film Africa Addio documents the violence and massacre of unarmed ethnic Arab civilians. The revolutionary government nationalized the local operations of the two foreign banks in Zanzibar, Standard Bank and National and Grindlays Bank.

The station is served only by historic trains, in the service of tourism, in planned dates.LA STAMPA - La Novara-Varallo riapre ma sulla linea: viaggeranno soltanto i treni dei turisti The service ordinary passengers has been suspended from 15 September 2014, by decision of the Piedmont Region.LA STAMPA - Addio alla linea Novara-Varallo Train services are operated by Fondazione FS and Trenitalia. Each of these companies is a subsidiary of Ferrovie dello Stato (FS), Italy's state-owned rail company.

Some Western newspapers give figures of 2,000-4,000;. the higher numbers may be inflated by Okello's own broadcasts and exaggerated reports in some Western and Arab news media. The killing of Arab prisoners and their burial in mass graves was documented by an Italian film crew, filming from a helicopter, for Africa Addio and this sequence of film comprises the only known visual document of the killings. Many Arabs fled to safety in Oman, although by Okello's order no Europeans were harmed.

In 2001 he presented the cookery broadcast of Mezzogiorno cooking, with ; in the same period he collaborated with the editorial staff of TG5.Addio Cesare Cadeo, il ricordo del fratello: "Una persona straordinaria" It then passed to RAI. In the spring of 2007 he conducted the Rai 2 reality show La sposa perfetto with , in which he also conducted a special episode of Furore on the tenth anniversary. In 2008 he was a guest of in the Miss Muretto beauty contest.

Rosario Parmegiani (March 12, 1937 – June 13, 2019)Addio a Rosario Parmegiani, oro olimpico a Roma '60 was an Italian water polo player who competed in the 1960 Summer Olympics and in the 1964 Summer Olympics. Parmegiani was a squad member of the Italian Olympic team in the 1956 tournament but did not play in a match. Four years later he won the gold medal with the Italian team in the Olympic tournament. He played six matches and scored seven goals.

Without Rand's permission, We the Living was made into a pair of films, Noi vivi and Addio, Kira in 1942, by Scalara Films, Rome. This was despite resistance from the Italian government under Mussolini. These films were eventually pulled from theatres as the Italian and German governments, which abhorred Communism, discovered that the stories also contained an anti-Fascist message. These films were re-edited into a new version which was approved by Rand and re- released as We the Living in 1986.

Despite their early success with Mondo Cane, controversy followed Jacopetti and Prosperi's careers. New York Times reviewer Pauline Kael dismissed Mondo Cane, claiming that its advocates were, "too restless and apathetic to pay attention to motivations and complications, cause and effect." Criticism became even more pronounced with Africa Addio, which Roger Ebert called "brutal, dishonest, and racist" and claims that it "slanders a continent". Ebert's review was not based on the original film but on an edited version for US audiences.

Ute Lubosch studied acting at the Theaterhochschule Leipzig and in the drama studio of the Dresden State Theatre in Dresden. While in Dresden, she had her first commitment for longer engagements at the State Theatre Nordhausen and the Rostock People's Theatre. Since the early 1970s she starred in many DEFA films. Her first starring role was in 1979, as Louise Wilhelmine "Minna" Jägle, the fiancée of playwright Georg Buchner (as played by Hilmar Eichhorn) in Lothar Warneke s Addio, piccola mia.

Born in Trivero, Vergnaghi started his career as lead singer of a number of groups, including Il segno dello zodiaco and Bora Bora. In 1978 he started a solo career under the production of Iva Zanicchi and Maestro Ezio Leoni, debuting with the single "Parigi addio". One year later he was the winner of the 29th edition of the Sanremo Music Festival with "Amare". In 1980, Vergnaghi temporarily left the music industry and moved to England, returning to Italy in the late 1980s.

Stagioni was Guccini's first album of the 2000s. The key theme is the passage of time and the different temporal cycles connected to it. Songs included are "Autunno", "Ho ancora la forza" (with Ligabue), "Don Chisciotte", in which Guccini takes the role of Don Quixote, and his guitarist that of Sancho Panza), and "Addio", a song akin to "L'avvelenata". The album and its tour were successful, with the unexpected presence of many young people among the audience, establishing Guccini as an iconic artist for three generations.

Fosco Giachetti (28 March 1900, in Sesto Fiorentino – 22 December 1974, in Rome) was an Italian actor. Fosco Giachetti was the protagonist of Lo squadrone bianco (1936), directed by Augusto Genina. He became the leading man in Fascist propaganda films such as Tredici uomini e un cannone (1936), Sentinelle di bronzo (1937), Scipione l'Africano, Edgar Neville's Italian Carmen fra i rossi (1939), L'assedio dell'Alcazar (1940) and Bengasi (1942). In 1942, he also co-starred in Goffredo Alessandrini's two part Noi Vivi and Addio Kira!.

Shortly thereafter, Duncan Scott began working with Ayn Rand on re-editing the films Noi Vivi and Addio Kira. At this time, the two Italian films were combined into a single film with English subtitles. Certain subplots were cut to get the films down from four hours to a more manageable three-hour run-time. The film was edited to be more faithful to Rand's original novel, and during this time, they also rid the films of Fascist propaganda, which was a distortion of Rand's message.

The release of Ultime grida dalla savana initiated a rivalry between Climati and Morra and two other Italian Mondo film makers, Angelo and Alfredo Castiglioni. These two filmmaking teams became the frontrunners of the Mondo genre in the late seventies and early eighties.Kerekes p. 134 The Castiglionis had made two previous Mondo films, Africa segreta and Africa ama, before the release of Ultime grida dalla savana. They later released three additional films: Magia nuda in 1975, Addio ultimo uomo in 1978, Africa dolce e selvaggio in 1982.

A soundtrack of the music used in the film was later released. The composer was Riz Ortolani (who had scored Mondo Cane that featured the tune later used for the hit single More). When making Africa Addio, lyrics were added to Ortolani's title theme, making a song called "Who Can Say?" that was sung by Jimmy Roselli. The song did not appear in the film, but (unlike the successful song More spawned by Mondo Cane) did appear on the United Artists Records soundtrack album.

After their concert, Jenia passed a CD of her songs to Collin, the producer, composer and recording artiste (Nouvelle Vague, Air, Tuxedomoon, Café del Mar). He liked her voice and invited Jenia to Paris to record. As a result, the third Nouvelle Vague album NV3 features 2 songs, Marooned and Aussi Belle Qu'une Balle.Radio Neo Article In October 2008, Jenia recorded an aria of Violetta Addio Del Passato Bei Sogni Ridenti from Verdi's Traviata for the Private Domain project by Iko & Marc Collin, commissioned by Naïve Music.

In 2005/2006, the team ended second, gaining a spot in the promotion play-offs. The final phase of the Serie C2/C league ended in a triumph for Taranto Sport, which won the playoff finals against Rende and returned to Serie C1/B. On 29 June 2012 it was excluded from Italian professional football and did not take its place in the 2012–13 championship of Lega Pro Prima Divisione.Dramma Taranto, Lega Pro addio L'unica chance resta la serie D – Corriere del Mezzogiorno. Corrieredelmezzogiorno.corriere.it.

Bob Lienhard (April 2, 1948 – September 22, 2018)Basket, addio a Bob Lienhard: stella con Cantù, giocò a Monza nella Forti e liberi was an American basketball player for University of Georgia. He became the school's all-time leading rebounder with 1,116 career rebounds. He also holds the single season record with 396 rebounds, as well as the single game record with 32 rebounds. Lienhard was drafted by the National Basketball Association's Phoenix Suns in the 1970 NBA draft (10th pick of the 4th round, 61st overall).

Alfio Contini (19 September 1927 – 23 March 2020)Addio ad Alfio Contini, direttore della fotografia per Risi, Antonioni, Cavani, Fulci, Celentano was an Italian cinematographer who collaborated with film directors such as Dino Risi (Il sorpasso, 1962; La marcia su Roma, 1963), Pasquale Festa Campanile (La matriarca, 1968), Lucio Fulci, Liliana Cavani (Galileo, 1968; The Night Porter 1974; Ripley's Game, 2002), and Michelangelo Antonioni (Zabriskie Point, 1970; Beyond the Clouds, 1995). In 1996, he won the David di Donatello for Best Cinematography award for his work on Beyond the Clouds.

Like Mozart, Beethoven traveled (in 1796) to Prague, Dresden, Leipzig, and Berlin in the company of Prince Lichnowsky. On the Prague phase of his journey, Beethoven composed an extended concert aria for the noted soprano Josepha Duschek, as Mozart had done on his visit in 1789.Mozart's aria was "Bella mia fiamma, addio," K. 528, Beethoven's ', Op. 65. By the early 19th century Beethoven was a focus of Emanuel Schikaneder's attention; the impresario sponsored the sketch phases of Beethoven's intended opera Vestas Feuer, just as he had been the impetus for Mozart's The Magic Flute.

We the Living (originally as two films, Noi vivi and Addio Kira) is a two-part 1942 Italian romantic war film directed by Goffredo Alessandrini and stars Alida Valli, Rossano Brazzi and Fosco Giachetti. It is a film adaptation of Ayn Rand's 1936 novel We the Living. The nominally anti-communist, but de facto anti-authoritarian film was made and released in Italy during World War II, then subsequently banned by the Fascist government and pulled from theaters. The film was lost and forgotten for decades, then found and restored with Rand's involvement.

He and his assistant decided to make the picture without a finished script. The script was often written the day before filming or pulled directly from the novel, resulting in an adaptation that was more faithful to the novel than is typical in film adaptations. Working without a complete script, they were inadvertently shooting more material than could be edited down to one film, so it was decided that the film would be released as two separate movies entitled, Noi Vivi (We the Living) and Addio Kira (Goodbye Kira).

The scenes of human death, which were shot in a manner that resembled an observational documentary, became influential in exploitation cinema, as several subsequent films would use similar filming techniques to lend certain scenes a sense of increased realism. The Mondo film Addio ultimo uomo, directed by the brothers Angelo and Alfredo Castiglioni, includes a scene of "amateur footage" that mimics the scene in which mercenaries hunt natives in Ultime grida dalla savana. This scene, in which an African bushman is captured, tortured, and castrated by a rival tribe, has also been proven staged.Kerekes p.

Since 1968 numerous arrangements of "What Is a Youth" have been released, most notably "A Time for Us" and "Ai Giochi Addio", both performed by various artists. The soundtrack's original label Capitol Records subsequently released three other soundtrack albums inspired by the original score. The popularity of the first of them led Capitol Records to release a four-record set of the film's entire vocal and music tracks. On June 25, 2002 the City of Prague Philharmonic Orchestra released their own arrangement of the soundtrack on the Silva America label.

The origins of "Quarto Cagnino" date back at least to Roman times, as the very toponymy proves (the name "quarto", i.e., "fourt", being a reference to Quarto being four Roman miles from Milan). In the Middle Ages, a rural borgo developed, which had an important role in the Milanese country as it was crossed by both a pilgrimage route to the Holy Land and the road towards Santiago de Compostela.Quarto Cagnino, addio a un pezzo di storia (in Italian) In the 18th and 19th, a number of cascine (farms) were established nearby the borgo.

Another two books followed - the first was Cronaca del Golpe Rosso (Chronicle of the Red Coup, 1991) and the other one was Da Mosca, Cronaca di un colpo di stato annunciato (From Moscow. Chronicle of a Coup Foretold 1995). Another two books about Russian events were published: Russia Addio ( Goodbye Russia, 1997) whose Russian edition Proschaj Rossija was hugely successful - over 80,000 copies sold - and which was also translated into Chinese and into Greek; and Russian Roulette which, with the same title - Russkaja Ruletka – was published in Russia in July 2000.

He started in films collaborating with Alessandro Blasetti and was one of the most important film directors under Italian fascism. His films received several awards at the Venice Film Festival during the Fascist era: the Mussolini Cup for Best Italian film in 1938, for Luciano Serra pilota, and in 1939 for Abuna Messias. He received the Biennale Award in 1942, for Noi Vivi and Addio Kira! His most remembered and important works are two anti-Communist films (combined to comprise 4 hours), both based on Ayn Rand's We the Living.

In 1826, Felix Mendelssohn wrote his well-known overture to Shakespeare's A Midsummer Night's Dream, and later supplied the play with incidental music. In Verdi's La Traviata, Violetta receives a letter from Alfredo's father where he writes that Alfredo now knows why she parted from him and that he forgives her ("Teneste la promessa..."). In her speaking voice, she intones the words of what is written, while the orchestra recapitulates the music of their first love from Act I: this is technically melodrama. In a few moments Violetta bursts into a passionate despairing aria ("Addio, del passato"): this is opera again.

Storia del sommergibilismo italiano dalle origini a oggi, p. 672-673.Orazio Ferrara, "Carlo Fecia di Cossato", on Eserciti nella storia n° 64, September-October 2011, page 46 On 21 August 1944, as his mandatory leave was nearing its end, Fecia di Cossato wrote a last letter to his mother, where he explained the reasons for his extreme gesture; on 27 August 1944 he committed suicide by shooting himself in his friend's house in Naples.Giorgio Giorgerini, Uomini sul fondo. Storia del sommergibilismo italiano dalle origini a oggi, p. 672-673.La lettera di addio alla madre He is buried in Bologna.

The challenge of Pope Francis, Roma 2014, Lateran University Press in Rome in 2008 after Wallbrecher's initiative of the "Academy for the Theology of the People of God" in the Villa Cavalletti near Frascati; since September 2016 the chair offers the post-graduate distance learning module "The Profile of the Jewish Christian", from September 2017 on also in English. On July 29, 2016, Gertraud Wallbrecher died in Munich at the age of 93 after a long illness. The Italian newspaper "Avennire" (August 9, 2016) captioned its obituary "Addio a Gertrude Wallbrecher, 'teologa' del popolo di Dio".

These extra-vocal qualities come through on the many records that she made. She recorded extensively for the Victor Talking Machine Company and the Gramophone Company/HMV. Her best recordings include a spectacular rendition of "Io son Titania" from Ambroise Thomas' Mignon and "Saper vorreste" from Verdi's Un ballo in maschera, in which Tetrazzini's personality virtually jumps out of the grooves at the listener. On a different note, her recording of "Addio del passato" from La traviata is very moving and also demonstrates her fine legato, as is her "Ah non credea mirarti" from La sonnambula.

A company of actors under the direction of Doctor Hinkfuss is to present an improvisation on Pirandello's novella Leonora, Addio! Hinkfuss explains that his plan for having the actors improvise, as the spirit moves them, is an attempt to allow the work to stage itself, with characters rather than actors. However, his actors are frustrated at the conflict inherent in Hinkfuss's instructions: to completely become their characters, but also to come when they are called and adapt themselves to Hinkfuss's decisions about what should happen when. After some argument between the actors and Hinkfuss, the play begins.

We the Living was published in an Italian translation in 1937. Without Rand's permission, it was adapted in 1942 as an Italian film, released in two parts, titled Noi Vivi (We the Living) and Addio Kira (Goodbye Kira). The films were directed by Goffredo Alessandrini for Scalera Films of Rome, and starred Alida Valli as Kira, Fosco Giachetti as Andrei, and Rossano Brazzi as Leo. Prior to their release, the films were nearly censored by Mussolini's government, but they were permitted because the story itself was set in Soviet Russia and was directly critical of that regime.

The company garnered a reputation among the public for quality productions and was quite successful. Among the notable roles that Abbott sang with the company are Juliette in Gounod's Roméo et Juliette, Virginia in Paul et Virginie, Josephine in H.M.S. Pinafore, the title role in Flotow's Martha, Amina in Bellini's La Sonnambula, and Violetta in La Traviata, a role to which she apparently no longer objected, however, instead of singing Addio del passato, she made Violetta expire with Nearer, my God, to Thee.The Musical Times, May 1891, p. 274. Throughout her career, she retained artistic control over her troupe, which sometimes numbered 60.

José Suárez in the Spaghetti-western Texas, addio (1966). Despite appearing too in two successful mainstream Italian films: Scano Boa (1961) and Sette uomini d'oro (1965), eventually he was almost confined to the Spanish-Italian sword and sandal and spaghetti westerns movies, the most interesting of all them being The Price of Power (1969), also known as Il Prezzo del potere or La Muerte de un Presidente. And he even played the lead in El Llanero (1964), one of the first films directed by the (in)famous master of the sexually charged horror films, Jesús Franco.

Italian women writers: a bio-bibliographical sourcebook By Rinaldina Russell, pg 35 She did several stories and works over the next decades, but she would become best known for a historical novel concerning artist Artemisia Gentileschi. One newspaper even headlined their report of Banti's death by saying Addio, Artemisia.Contemporary women writers in Italy: a modern renaissance By Santo L. Aricò, pg 45 This work revived interest in Artemisia's work and life.Anna Banti's Artemisia: Reinscribing the female gaze in Italian literature Banti's autobiographical work, Un Grido Lacerante, was published in 1981 and won the Antonio Feltrinelli prize.

He was Italian minister for European Union Affairs from April 2005 until the elections of April 2006, when the centre-right coalition lost its majority; La Malfa was nonetheless elected to Parliament. La Malfa was re-elected to the Chamber in the 2008 Italian general election with The People of Freedom, but on 24 September 2009 he announced his detachment from the Berlusconi IV Cabinet through a letter published by Corriere della Sera.La Malfa: Berlusconi addio Sono deluso da questo governo On 8 June 2011 he was expelled from PRI by the party's college of arbitrators, for having voted against the Berlusconi Cabinet on 14 December 2010.

In 1892 she co-founded Il Mattino with her husband, which became the most important and most widely read daily paper of southern Italy. She established and ran her own newspaper, "Il Giorno" in 1904 until her death. The stress of a journalistic career in no way limited her literary activity; between 1890 and 1902 she produced Il paese di cuccagna, Il ventre di Napoli, Addio amore, All'erta sentinella, Castigo, La ballerina, Suor Giovanna della Croce, Paese di Gesù, novels in which the character of the people is rendered with sensitive power and sympathetic breadth of spirit. Most of these have been translated into English.

Guccini said the first attempt at writing it was in 1968, but he stopped at half a verse; he was encouraged in finishing the song by the good reception those few lines received at one of his concerts. "Addio" was a bitter song, attacking the "horizon full of dwarfs and dancers"; it was seen by some as akin to "L'avvelenata", one of his most famous songs. In "Don Chisciotte" Guccini was the voice of Don Quixote, in a duet with Juan Carlos Biondini as Sancho Panza. The song "E un giorno..." was dedicated to his daughter, the second one after "Culodritto" (from his 1987 album Signora Bovary).

Violetta's bedroom Cover of a circa 1855 vocal score with an engraving by Leopoldo Ratti Dr. Grenvil tells Annina that Violetta will not live long since her tuberculosis has worsened. Alone in her room, Violetta reads a letter from Alfredo's father telling her that the Baron was only wounded in his duel with Alfredo. He has informed Alfredo of the sacrifice she has made for him and his sister; and he is sending his son to see her as quickly as possible to ask for her forgiveness. But Violetta senses it is too late (Violetta: Addio, del passato bei sogni ridenti – "Farewell, lovely, happy dreams of the past").

Domenico Modugno performing "Volare" at the 1958 Sanremo Music Festival The music of Francesco Tosti was popular at the turn of the 20th century, and is remembered for his light, expressive songs. His style became very popular during the Belle Époque and is often known as salon music. His most famous works are Serenata, Addio and the popular Neapolitan song, Marechiaro, the lyrics of which are by the prominent Neapolitan dialect poet, Salvatore di Giacomo. Recorded popular music began in the late 19th century, with international styles influencing Italian music by the late 1910s; however, the rise of autarchia, the Fascist policy of cultural isolationism in 1922 led to a retreat from international popular music.

Andrea Parodi (Porto Torres, July 18, 1955 – Quartu Sant'Elena, October 17, 2006) was an Italian singer from Sardinia. He is known for his vocals with several groups, including Coro degli Angeli from 1978 to 1987, and Tazenda from 1988 to 1997 and again 2005–2006, as well as his solo career.Addio a Andrea Parodi, ex cantante dei TazendaAndrea Parodi, cala il sipario. L'Unione Sarda. Oct 18, 2006 His work, including that with Tazenda, blended folk roots of Sardinia with rock and Italian pop, bringing international attention to the island's culture, including the Sardinian language.Fegiz ML. Addio ad Andrea Parodi l' «indiano» dei Tazenda: Amico di De Andrè, spaziava tra folk e jazz.

The well-known face of TV, called the "gentleman of the small screen", was an emblem of television in the 1980s.Cesare Cadeo è morto. Addio allo storico conduttore tv e grande tifoso del Milan In 1984 he debuted as a conductor of Record, Super Record and Super Record Sport sports broadcasts on Channel 5, continuing to collaborate in the programs of Mike Bongiorno Superflash and Pentatlon. His experience as a sports journalist continued for the programs A year of sport and Cadillac and some sports sections for Buongiorno Italia and Studio 5. Also in this area, from 1989 to 1992 he conducted the second evening broadcast of Italia 1 Calciomania, alongside by Paola Perego and Maurizio Mosca.

Kina died in 1990, but Neta continued to sing solo, or with other populars groups. In 2001, for the 90th birthday of China an artistic book about their work was published, with compliments by Renzo Arbore, Aldo Grasso, Michele Serra and many others. Tace la chitarra dell'ultima gemella Neta Neta is died in 2002.Addio a Anna Costamagna, la sopravvissuta delle Gemelle Nete From the summer of 2011, the Municipality of Trinità has organised, every 2–3 years, the Nete Pride,Un successo strepitoso quello di ieri sera a Trinità per il "Gemelle Nete Pride" with the co- operation of the most popular Italian groups, that sing again the Nete Twins' songs.

He claimed in radio speeches to have killed or imprisoned tens of thousands of his "enemies and stooges", but actual estimates of the number of deaths vary greatly, from "hundreds" to 20,000. Some Western newspapers give figures of 2,000–4,000; but the higher numbers may be inflated by Okello's own broadcasts and exaggerated reports in some Western and Arab news media. The killing of Arab prisoners and their burial in mass graves was documented by an Italian film crew, filming from a helicopter, for Africa Addio and this sequence of film comprises the only known visual document of the killings. Many Arabs fled to safety in Oman, although by Okello's order no Europeans were harmed.

"Addio alle crode"; Editor I. Zandonella Callegher; CDA & VIVALDA (2004) () He earned doctoral degrees in both civil engineering and mathematics from the University of Rome in 1930 and 1933, respectively. Then he served as an instructor at Engineering department of the University of Rome and as consultant for Istituto Nazionale per le Applicazioni del Calcolo (INAC), directed by Mauro Picone, his mathematics teacher. Thanks to a grant, he went to London and in the next two years he did graduate research in photoelasticity at University College London, where he was in contact with Jews escaping from Nazi persecutions. Subsequently, when he returned to Rome, Salvadori was a convinced critic of the regime of Benito Mussolini, and was aware of the risks for his mother's family.

Jacopetti and Prosperi responded to the criticism by defending their intentions. In the 2003 documentary The Godfathers of Mondo, Prosperi argues that the criticism was due to the fact that, "The public was not ready for this kind of truth," and Jacopetti explicitly states that the film “was not a justification of colonialism, but a condemnation for leaving the continent in a miserable condition.”Provocateur Gualtiero Jacopetti Dead at 91: Honoring the Man Behind the Mondo Movies Richard Corliss, August 21, 2011 The subsequent film collaboration between the two men, Addio Zio Tom, explored the horrors of American racial slavery and was intended (in part) to combat the charges of racism leveled against them following the release of Africa AddioThe Godfathers of Mondo. Dir. David Gregory.

Baldini & Castoldi stand, 2016 Turin International Book Fair In 1940 the management was renewed with the arrival of Enrico Castoldi that opened more to the presence in the catalog of foreign authors (especially Hungarian), but begin a descent of sales that took it to suspend its activities in 1970. In 1991 the publishing house was taken by Alessandro Dalai (that bought the shares owned by the publishing group Elemond) and Oreste del Buono. The house was so raised offering numerous book series focused on fiction, nonfiction, history, economy, humor and satire (with the series Le formiche). An important part of their publications was reserved to debuts and emerging writers."Baldini & Castoldi, nuovi talenti addio (forse resta la Tamaro)", La Stampa, 4 December 1999, p.11.

Milner, Greg, Perfecting Sound Forever: An Aural History of Recorded Music, New York: Faber and Faber, 2009 So it proved, and Verlet continued to be involved. For instance, together with violinist Arthur L. Walsh, who had also performed at the convention, and members of the New York Philharmonic, on November 30, 1915, she repeated her performance of "Caro nome" before a capacity audience at Orchestra Hall in Chicago. She also sang with her records of Johann Strauss's Voices of Spring; the "Jewel Song" from Gounod's Faust; "Parigi o cara" and "Addio del passato" from Verdi's La traviata; and "Belle nuit" from Offenbach's The Tales of Hoffmann, the last a duet recording with Margaret Matzenauer, in whose absence Walsh played a violin obbligato.

Almanacco Ufficiale del campionato italiano di basket, Libreria dello Sport, 2006 The team also reached the semifinals of the Cup Winners' Cup, where it was eliminated for only one point by the Dutch EBBC. In the following season, Porelli signed Jim McMillian, a 1972 NBA champion with the Los Angeles Lakers. McMillian, who was immediately nicknamed by Virtus fans as Il Duca Nero ("The Black Duke"),Basket: addio al Duca Nero Mc Millian: dai Lakers al tricolore con la Virtus, Gazzetta dello Sport led the team achieving a back-to-back, winning its ninth titles against Cantù.Il mito delle Vu Nere The team took part also in the European Champions Cup, where it was eliminated in the semifinals group stage.

Iconic Rome bar 'bought' by Calabrian Mafia, ADN Kronos, November 26, 2008 La 'ndrangheta al "Cafè de Paris", addio al simbolo della Dolce Vita, La Repubblica, November 26, 2008 The bar was in the hands of the Alvaro 'Ndrangheta clan. Antimafia judges from Reggio Calabria seized the premises in July 2009. La 'ndrangheta al Café de Paris, La Repubblica, July 22, 2009 The bar re-opened in November 2011 and was managed by the National Agency for the Administration and Allocation of Confiscated Properties (Agenzia nazionale per l'amministrazione e la destinazione dei beni confiscati). It sold products produced by one of Italy's leading anti-Mafia groups Libera, which ran cooperative farms on lands confiscated from the Mafia and other Italian organized crime groups.

Gian Luca Galletti was born in Bologna in 1961; he attended the University of Bologna and graduated in Economy and Commerce. In 1969 he started working as tax advisor and auditor.Gian Luca Galletti – Biografia In 1999 he was elected in the city council of Bologna, as a member of the Christian democratic Union of the Centre; from 1999 to 2004 he served as assessor of budget in the cabinet of Giorgio Guazzaloca, the sole centre- right mayor that ruled Bologna since the Second World War.«Se ne va una parte di Bologna» Addio a Guazzaloca, la politica in lutto In 2005 he was elected in the Legislative Assembly of Emilia-Romagna; in 2006 he was elected for the first time at the Italian Chamber of Deputies, in the centre-right coalition.

In . After the success of her later novels, Rand was able to release a revised version in 1959 that has since sold over three million copies.Ralston, Richard E. "Publishing We the Living". In . In 1942, without Rand's knowledge or permission, the novel was made into a pair of Italian films, Noi vivi and Addio, Kira. Rediscovered in the 1960s, these films were re-edited into a new version which was approved by Rand and re-released as We the Living in 1986.. Her novella Anthem was written during a break from the writing of her next major novel, The Fountainhead. It presents a vision of a dystopian future world in which totalitarian collectivism has triumphed to such an extent that even the word 'I' has been forgotten and replaced with 'we'.

The directors' cut of Addio Zio Tom draws parallels between the horrors of slavery and the rise of the Black Power Movement, represented by Eldridge Cleaver, LeRoi Jones, Stokely Carmichael, and a few others. The film ends with an unidentified man’s fantasy re-enactment of William Styron's The Confessions of Nat Turner. This man imagines Nat Turner's revolt in the present, including the brutal murder of the whites around him, who replace the figures Turner talks about in Styron's novel as the unidentified reader speculates about Turner's motivations and ultimate efficacy in changing the conditions he rebelled against. American distributors felt that such scenes were too incendiary, and forced Jacopetti and Prosperi to remove more than thirteen minutes of footage explicitly concerned with racial politics for American and other Anglophone audiences.

The bodies of Arabs killed in the post-revolution violence as photographed by the Africa Addio film crew Paper shows photos of ex-government officials defaced after the revolution A Revolutionary Council was established by the ASP and Umma parties to act as an interim government, with Karume heading the council as President and Babu serving as the Minister of External Affairs. The country was renamed the People's Republic of Zanzibar and Pemba; the new government's first acts were to permanently banish the Sultan and to ban the ZNP and ZPPP. Seeking to distance himself from the volatile Okello, Karume quietly sidelined him from the political scene, although he was allowed to retain his self-bestowed title of field marshal. However, Okello's revolutionaries soon began reprisals against the Arab and Asian population of Unguja, carrying out beatings, rapes, murders, and attacks on property.

Other activities apparently beyond the pale for Mafiosi are being friends with the police, being late for appointments and "appropriating money if it belongs to other Mafia members or to other families".Mafia's 'Ten Commandments' found, BBC News, November 9, 2007 When father and son Lo Piccolo – incarcerated under the strict 41-bis prison regime in the Opera prison in Milan – appeared on a videoscreen at the trial in Palermo against some of their henchmen, they rose to their feet as a sign of respect for the arrested bosses. L'omaggio mafioso ai boss: rito in aula, La Sicilia, November 16, 2007 Lo Piccolo's other son Calogero Lo Piccolo succeeded his father and his brother, according to several pentiti. However, he was arrested on 16 January 2008, during Operation Addio Pizzo against Lo Piccolo's operators who were in charge of collecting the pizzo – protection money from local businesses – in Palermo.

Originally named 'Erminio',Adriana Nelli, 1954, Addio Trieste...The Triestine Community of Melbourne Doctor of Philosophy Victoria University 2000 Ermin Smrekar was born in 1931 in the Italian city of Trieste, near the border of Slovenia, the unusual surname hinting at a Slovenian background. He undertook his initial training at the Leonardo da Vinci State Technical Institute, and then studied architecture at the University of Trieste. This was in the early post WWII period, when Trieste, a city with a very long multicultural history, was controlled by joint US-UK military administration and claimed by both Italy and Yugoslavia. In 1954 when it was returned to Italian control, life for many Triestini became suddenly difficult, and within a few years thousands emigrated, many to Australia. In 1956 Ermin joined the exodus, along with his parents, father Carlo (died 1980) and mother Bruna (1913-2015), arriving on the Aurelia.

She internalized every emotion of the > role with her usual intensity and conviction, from desperate gaiety to > startled joy at her first stirrings of love for Alfredo, right on through to > her deathbed scene, which tugged mightily at the heartstrings of even the > most jaded opera-goers Every dramatic gesture seemed careful thought out, > yet nothing appeared mannered or merely gratuitous. . . .[H]er fiorature > were uniformly true, she was able to project easily throughout the theater > even when singing softly (how beautifully she floated the bel canto line of > "Addio, del passato", giving us both verses of the aria), and she commanded > the audience's sympathy like the canny singing actress she is. Anderson's > Violetta lives up to the great Lyric tradition.John von Rhein, Chicago > Tribune, September 20, 1993 Anderson began 1995 by appearing in Paris with Roberto Alagna in another controversial production of Lucia di Lammermoor, staged by Andrei Şerban and designed by William Dudley.

10 on the Billboard Hot 100 in early 1962. Freeman also performed with and arranged for the Routers and their parallel group the Marketts. He continued a successful session career in the 1960s, arranging and appearing on material by Frank Sinatra ("That's Life", "Strangers in the Night"), Connie Francis ("Jealous Heart", "Addio, mi' amore"), Dean Martin ("Everybody Loves Somebody", "Somewhere There's a Someone"), Johnny Mathis, and Petula Clark ("This Is My Song", "For Love"), and becoming musical director with Reprise Records. From 1960 to 1969 he arranged virtually every session for Snuff Garrett at Liberty Records including artists Julie London, Bobby Vee, Johnny Burnette, Gene McDaniels, Timi Yuro, and Walter Brennan, as well as a series of over 25 instrumental albums with the title "The 50 Guitars of Tommy Garrett" that featured a who's who of Los Angeles session musicians, Tommy Tedesco, Laurindo Almeida, Howard Roberts, Bob Bain, and Barney Kessel, among many, many others.

Striking architecture of the Veneto Club The Veneto Club is an Italian social club in Bulleen, Victoria, Australia. It was established in the late 1960s on a site in the eastern suburbs, which had become an attractive area for Italian migrants to move to from the working class inner suburbs, where they had established themselves.Bulleen Demographics (VIC) Local Stats A substantial Brutalist style building was erected in 1972-73, to the design of the Italian émigré architect Ermin Smrekar.Adriana Nelli, 1954, Addio Trieste...The Triestine Community of Melbourne Doctor of Philosophy Victoria University 2000 Located at 191 Bulleen Road Bulleen, the Veneto Club has its origins in the 1960s during informal gatherings of some Melbourne-based ‘Veneti’ gathered for social activities including Bocce games. In 1969 a group of Italian businessmen purchased 16 acres of land in Bulleen and erected a small shed, known as ‘la Baracca’, as a shelter and informal ‘clubhouse’.

His works of nonfiction include works on idleness (L'ozio), seduction (Elogio del libertino), Oscar Wilde Victorian decadence (Chi ha guardato negli occhi la bellezza), the tragedy of Beatrice Cenci and historical themes concerning the formation and influence of the collective imagination, such as Le grandi profezie (on prophecies from the dawn of human civilization to the modern age) and on knighthood (Gli ordini cavallereschi nel mito e nella storia). He was the author of a vast theatrical body of works, staged in Italy and abroad by such directors as Carmelo Bene, Maurizio Scaparro, Sergio Fantoni, and Françoise Petite. They include Faust o Margherita (with Carmelo Bene), Romeo e Giulietta (with Carmelo Bene and Roberto Lerici), Compagno Gramsci, Il caso Matteotti, Caterina delle misericordie (Premio Riccione), Nerone (Premio Idi), Giovanna d'Arco e Gilles de Rais (Premio Vallecorsi), Addio amore (Beatrice Cenci) (Premio Fondi), Una notte di Casanova (Premio Flaiano) and the recent Gladiator. Among his awards were the Fregene Prize for journalism (1984), the Premio per la Cultura della Presidenza del Consiglio (1989), the Ravello (1990), the Vanvitelli (1995), and the Blow In (1997).

Alida Valli with Farley Granger, scene from the film Senso, 1954 At fifteen, she went to Rome, where she attended the Centro Sperimentale di Cinematografia, a school for film actors and directors. At that time, she lived with her uncle Ettore Tolomei. Valli started her movie career in 1934, in Il cappello a tre punte (The Three Cornered Hat) during the so-called Telefoni Bianchi cinema era. Her first big success came with the movie Mille lire al mese (1939). After many roles in a large number of comedies, she earned her success as a dramatic actress in Piccolo mondo antico (1941), directed by Mario Soldati, for which she won a special Best Actress award at Venice Film Festival. During the Second World War, she starred in many movies, including Stasera niente di nuovo (1942) (whose song "Ma l'amore no" became the leitmotif of the Italian forties) and the diptych Noi Vivi / Addio Kira! (1943) (based on Ayn Rand's novel We the Living). These latter two movies were nearly censored by the Italian government under Benito Mussolini, but they were finally permitted because the novel upon which they were based was anti-Soviet.

Ravaglia visiting Buenos Aires, Luciano Ravaglia (13 December 1923, in Forlimpopoli – 26 January 2017, in Dovadola)Addio a Luciano Ravaglia, pioniere della lotta alla poliomelite nel mondo was an Italian engineer and member of the Rotary Club of Forlì, D 2072, Italy. In 1979, when the United States saw its last case of polio, Sergio Mulitsch di Palmenberg, the celebrated Rotarian from the Treviglio Club, joined the Rotary 3-H (Hunger, Health and Humanity) project and volunteered to try out a vaccination campaign which, starting from Italy, took the first doses of polio vaccine to the Philippines, a country which was then badly affected by the disease. This marked the beginning of a Rotary project known as Polio2005, and later renamed PolioPlus, resulting in the vaccination of more than 6 million children in that country. A director of Rotary International from the Philippines, Sabino “Benny” Santos, loved to recall how, when it came to polio immunization in his country “Even before we received the first shipment of oral polio vaccine purchased with money authorized by the Rotary International board, we received 500,000 doses in a shipment as a gift from Italian schoolchildren to the schoolchildren of the Philippines.

The text of the song was written by Annalisa and Marco Ciappelli, while the music was written by Francesco Sighieri. Annalisa collaborated with Italian rapper Raige, on the single "Dimenticare", released on 9 December 2014. On 14 December 2014, is announced as a competitor of Sanremo Music Festival 2015 with the song, "Una finestra tra le stelle" and finished fourth. Along with the songs "Sento solo il presente" and "L'ultimo addio, Una finestra tra le stelle", anticipates the release of the fourth album. On 23 January 2015, through the official page of Facebook of the singer, is also announced the title of the new album, Splende, available from 12 February. Were announced the first two dates of the tour, on 1 April, at the Teatro Nuovo of Milan and 3 to Auditorium Parco della Musica of Rome, with pre-sales open from 26 January. On 8 March 2015, Una finestra tra le stelle is certified gold for sales over 25,000 in digital and on 8 May 2015 is certified platinum for sales over 50,000 in digital. Her fourth single from Splende, called Vincerò was published on 15 May 2015 and on 7 September 2015 was certified gold is certified gold for sales over 25,000 in digital.