476 Sentences With "beatnik" | Random Sentence Generator

"Everybody licensed the Beatnik engine," Dolby said at the time.

It reads like something a tortured beatnik might dream up.

She read "On the Road" and started calling herself a beatnik.

He was the last Beatnik: a free guy doing his thing.

His twist was repositioning those influences within his own beatnik framework.

Golden State's floor leader, Curry, exudes the vibes of a beatnik, not a brawler.

She moved there in the early 80s to "be a beatnik," my father said.

But that generation-defining gesture isn't just the stale move of a 1950s beatnik.

In fact, all the beatnik boys in his hometown outside London wanted to be Jack.

From 19 to 21 I stayed there, and I was living this weird, beatnik dream.

Hall, 23, a chemical engineering student, dressed like a beatnik, dabbled in philosophy and religion.

He had a fright wig, he had a lab coat, he had a beatnik goatee.

A beatnik that stays at the Four Seasons and has someone else move his luggage around.

In 1961, Mr. Young helped spearhead a protest known in the press as the Beatnik Riot.

The only people allowed in are the extras in beatnik dress and a handful of crew members.

"The Slouch Hat" depicts a man in a quintessentially Beatnik hat, surrounded by a swirl of sketches.

For one performance, there's a Beatnik-esque turtleneck paired with oversized, wide-leg trouser, all courtesy of Chanel.

Between songs, Mr. Amram told of meeting Woody Guthrie, and gave brief philosophical orations in a beatnik patter.

It also was home to the beatnik movement and the late 70s art punk scene in the city.

Overdoses at the Valencia Hotel were rampant and anarchists traumatized from Vietnam had crushed beatnik bohemianism into violent protests.

Springsteen went on spit out a laundry list of causes with a beatnik-type of bounce in his voice.

"In order to function really well, I need medicine" The doctor "was a beatnik in the '60s," Maxwell recalls.

On a switchback-filled hike canonized by Jack Kerouac, daredevils can channel their inner beatnik on Desolation Peak Trail.

Midge's dad, Abe Weissman (Tony Shalhoub), also dabbles in beatnik philosophies after he quits his job at Columbia University.

We'll never know for sure, because the Beatnik artist, avant-garde filmmaker, and pseudo-anthropologist didn't exactly catalog his collection.

In addition to being a Hollywood A-lister, Sharon Stone is also an activist with a penchant for beatnik poetry.

That Nixon-Reagan rightward shift did not repeal the 1960s or push the counterculture back to a beatnik-hippie fringe.

Erica Sarai Oropeza and Dr. Amanda Ruth Davis were married June 16 at Beatnik Studios, an art studio in Sacramento.

Sometimes they put in a sweatshirt with a picture of Jack Kerouac's typewriter on it, because I'm essentially a beatnik.

In the age of the beatnik — this was the late '50s — students couldn't have facial hair, or wear a beret.

If you think you know how to complain about airports, just listen to Benjamin Bratton's beatnik spoken-word fugue of polysyllables.

Any notion of a beatnik-cum-patchouli operation were happily dispelled when I met the congenial Benardo, attired in bright red Nikes.

Maddon meditates, laughs at himself, digs beatnik jive and many days offers a reasonable and entertaining facsimile of Jack Kerouac in cleats.

A performance venue, the Clarion Music Performing Arts Center, recently presented "Sparring With Beatnik Ghosts," a poetry night that included Chinese rap.

Many of these mini-blogs are written in Beatnik style, like cult Russian underground writer Bayan Shiryanov, and describe addiction to cathinones.

Kiyomi Lillian Sakai Burchill and Joseph Daniel Couk were married April 14 at Beatnik Studios, an art gallery and event space in Sacramento.

Some students hold court for hours, smoking outside between rounds of drinks and conjuring, perhaps, the narcotic fumes of the neighborhood's beatnik past.

Waits loved beatnik barflies and Bukowski in particular, but "Christmas Card from a Hooker in Minneapolis" wasn't lifted from a dusty old paperback.

He looks more like a Beatnik poet, staying up until dawn to debate existentialism, than the son of a Nebraska farmer, which he is.

He transformed from this beatnik poet into a kind of political clown, and somehow he avoided the co-optation of all these 1960s ideals.

You've got that right folks, UWS princess Midge Maisel is smoking Mary Jane in Greenwich Village with a bunch of musicians like a regular beatnik.

But they can (and often do) look dreadful and make you look like a first year English lit student/wannabe beatnik/pseudo intellectual/Continental stereotype.

One recurrent form of revolt within Western industrial capitalism, whether bohemian or beatnik, has often taken the form of flouting the urgency of respectable timevalues.

In the MC5, the collective found a bridge between their leftist ideology, Sinclair's Beatnik reefer worship, and the emerging blue-collar rock scene in Detroit.

Rampantly visual and wildly allegorical, "The Salvation Hunters" anticipates beatnik dirges like Christopher MacLaine's "The End" (1953) and Jonas Mekas's "Guns of the Trees" (1961).

The columnist Herb Caen, nonplused, invented the term "Beatnik" in 1958, which made the Beats sound like something you'd want to flick off, like fleas.

The early tracks of the opus spend their time divided between his beatnik mother and her penchant for communes, and Merritt's most obvious soulmate, music.

But some of our favorite style stars are proving that there are countless ways to style the hat, from Beatnik- to military- to hip-hop-inspired.

" Joe Maddon, the Cub manager and a beatnik of a baseball lifer, walked into the pregame conference wearing a T-shirt that read: "Do Simple Better.

A remarkable musical polymath and conservationist of beatnik culture, he has played at the club monthly for 25400 years and has come to epitomize its essence.

There is the hothead, the beatnik, the talented painter, the idealist who defied the rest of her white Texas high school class by staunchly opposing segregation.

There's that millennial sense of haven't-quite-figured-it-out mixed with an almost beatnik embrace of taking life day by day in pursuit of one's passions.

As Dolby noted in a 2005 interview with The A.V. Club, he stumbled into the ringtone space because of a piece of software his company, Beatnik, had created.

A reserved man who rarely smiled, Mr. Glover emerged from the post-beatnik coffeehouse scene in Minneapolis that also helped nurture Bob Dylan, with whom he occasionally played.

After divorcing Mr. Tweedy in 1954, she moved to New York City and joined Lower Manhattan's beatnik scene, befriending people like the poets Allen Ginsberg and Lionel Ziprin.

Biographies of Chuck Berry, Hank Williams and Ray Charles compete for space on his shelves alongside beatnik tomes by Kerouac and Burroughs, and even a copy of Spoken Urdu.

Structurally, "Silk Stockings" is similar to "Funny Face," another musical ode to Paris released earlier in 1957, wherein Mr. Astaire's glib fashion photographer successfully wooed Audrey Hepburn's diffident beatnik.

The result harnesses the determination of Patti Smith, the dark drawl of Cat Power, and the beatnik home-is-where-my-harmonica-holder-is vibe of early Bob Dylan.

Andy Warhol, who first saw the group play at a beatnik club called Café Bizarre, on West Third Street, became their first manager, along with the filmmaker Paul Morrissey.

Shot in and around New York in the early 1960s, the 75-minute, black-and-white movie projects a sense of beatnik doom as evocative as it is dated.

According to Logsdail, and many others, Houédard referred to himself as a "monknik," a title that reconciled his identity as a religious figure with his Beatnik interests and lifestyle.

Why cover your fridge with snippets of terrible beatnik poetry when you can instead turn it into a giant Mario Bros level complete with coin blocks, goombas, pipes, and a plumber?

The Belson drawings date from the 1950s, when beatnik was heading toward hippie, and those cultural impulses would seem to merge in a video by the writer Joanne Kyger (1934-2017).

A friendly, funny face in Gremlins (1&2), Piranha, the original Little Shop Of Horrors, Not Of This Earth, After Hours & my personal beatnik fav, Walter Paisley in 'A Bucket Of Blood'.

After leaving the service, he ended up in California, living what he described as a beatnik life for a time but eventually studying architectural design at the University of California at Berkeley.

He played a nightclub patron who stands up to thugs in "Rock All Night" (1957) and a would-be beatnik artist turned murderer in the horror comedy "A Bucket of Blood" (19703).

"The sub-theme is often young, innocent, small-town girl comes to New York, goes to Greenwich Village and gets caught in the snares of beatnik perverts," Mr. Gewirtz said, with a laugh.

It offers a suave, almost theatrical mood – like I should be a slightly subdued circus ringmaster, or, when it's paired with a black velvet pencil skirt, a sixties secretary with delusions of beatnik grandeur.

Whether you're going for Midge's classic and ladylike late-50s lewk, Susie's rumpled beatnik attire, or Sophie's faux hardworking housewife, there's a piece or two here that will help make your costume — well, marvelous.

"Another Country," James Baldwin Baldwin's grand novel "Another Country" delivers beatnik-era 1950s with characters who are on all sides of black, white, gay and straight, twisting complex lives into a magical taffy of perfection.

I'd been on a Beatnik kick for a while, and then I started reading about all these pseudo-science characters, who'd been big in the northern California scene during the 60's and 70's.

Beatnik poverty, in Kushner's telling, was a kind of gift, helping her develop taste and politics and irony, and leaving her with an open admiration for her parents that you rarely find in adult artists.

She surveyed the group gathered to honor Lolo — some who live around the park, others who live in it — and suggested that it represented the Village's dog-eared, beatnik days, before the neighborhood became glossy.

When discussing the creation of such still-highly-regarded works like the photo series "The Americans" and the beatnik film "Pull My Daisy," Frank is both modest and definite about what he was hoping to capture.

But I laughed at every overwritten faux-beatnik line of dialogue, and at the utter sincerity of Wally's rumination on dharma and Lewis and Clark (the first "caw-cays-ee-uns" to see the American northwest).

On the mantelpiece in the apartment, which has been in Rauzy's family since the 1960s, when his parents were part of the Left Bank beatnik set, sits an assortment of Watson and Rauzy's 18th-century Moustier ceramics.

"When the whole dot-com crash happened, what Beatnik was left with that wasn't a bunch of fluff was a contract with Nokia, who were looking to put polyphonic ringtones into phones," Dolby explained to the news outlet.

The Grand Palais was transformed into a cityscape of quintessential Parisian zinc rooftops, across which models strode in beatnik-inspired outfits such as Breton T-shirts tucked into jeans or blouses and little bloomers worn over black tights.

The show kicks off with a large straightforward illustrative painting by Miloslav Dvořak, "Le Golem et Rabbi Loew près de Prague" (22015) but soon turns weirder with a 713 Dennis Hopper photograph of the great beatnik Wallace Berman.

Here he is teaching Pat Boone (ask your … oh, never mind) how to talk hip, beatnik-style: I did an anagrams +1 puzzle on May 16, 2017, with state names, so I decided to try one with presidents' names.

"Hank," as Mr. Wessel was known to friends, was part of a "post-Beatnik, pre-Hippy 'downtown' group," recalled Susan Kismaric, a former curator of photography at MoMA who attended Penn State at the same time as Mr. Wessel in the mid-1960s.

When Crews begins to pursue his literary ambitions—after a stint in the Marines and a period working at a ketchup factory in San Francisco while hanging around beatnik bars trying to get Kerouac to talk shop—Geltner's portrait of the author gains steam.

The White Horse Tavern has been around since 1880, but the era with which it is most closely associated is the Beatnik fifties, when a bevy of oddball writers swept through Greenwich Village and lent the sleepy taproom a mystique that lingers to this day.

Even in the art world, there were a few famous artists but if you were going to be an artist… I had this picture in my head of a coldwater flat, bricks, candles in Chianti bottles, Beatnik girls in black leotards, and bongo music.

Veronica's on a quest to find out which of Meg's old babysitting clients has been abusing their kids, so she babysits her way through a field of Neptune's most neurotic parents and also does some light breaking and entering while Duncan dresses like a beatnik.

The gringo trail to the spiritual El Dorado took off with the publication in 1963 of "The Yage Letters," in which beatnik poet Allen Ginsberg described feeling like a "snake vomiting out the universe" after trying ayahuasca in the rainforest a short boat ride from Nuevo Egipto.

While trying to explain why he doesn't want to write ad copy, the beatnik sings (to the tune of "Wouldn't It Be Loverly"): All I want is a pad somewhere Way downtown near the Village Square Without a phone or care … Oh, wouldn't it be Kerouac?

During his short career (Thompson died of a heroin overdose in 1967, at the age of 29), Thompson painted more than 1,000 canvases of scenes populated with figures of all hues that were deeply influenced by Renaissance and Baroque painting and the 1950s movement of post-Beatnik and bebop-inflicted Abstract Expressionism.

It tells the story of how he dropped out of the square life in 1963 to become a beatnik—how he took acid in Spain during the psychedelic 60s, before looking for a more profound way to permanently alter his consciousness: auto-trepanation, the act of drilling a hole into your skull.

A sometime actor and musician with a rich social life, Mr. White worked as an assistant director on a Roger Vadim film; appeared (uncredited) as a "beatnik" in "The Sandpiper" (1965), a vehicle for Elizabeth Taylor and Richard Burton partly shot in Paris; and lived a bohemian existence in the city's Montparnasse district.

Offered in a multitude of fabrics and styles (ruched, draped, beatnik black knit), they appeared as trompe l'oeil bustier tops in 1950s frocks paired with those long full skirts, most often fabricated from technical jacquard or taffeta, so while they looked heavy they were light enough to practically float around the body.

In his 1957 essay "The White Negro" for Dissent magazine, Norman Mailer examined beatnik culture, posing the theory that to be a hipster was to be a white American who adopted black culture, worldviews and music as an act of rebellion against capitalist greed, wartime violence and the ever-present specter of nuclear war.

Glinn, who died in 2008, shot the Beats in their natural habitats in New York and San Francisco from 1957 — the year Kerouac published "On the Road" — to 1960, the year after the sitcom "The Many Loves of Dobie Gillis" and its beatnik caricature Maynard G. Krebs put bongo bohemia into suburban living rooms.

Left to their own devices, the performers engage in breathing exercises, dress up in funny hats, play instruments, mill around, stage group hugs, make a mess, cook food, play with candles, stare into one another's eyes, break into primal screams and declaim poetry in beatnik rants that might have been recorded at an open mike at Cafe Wha?

But back in my youth protesting the Iran-contra deal at the Federal Building, riding my bike 13 miles to hear Jesse Jackson speak during the '88 primary, or handing out mimeographs denouncing the Reagan administration's military spending in grocery store parking lots, my fellow ineffective progressives and I did not see ourselves as a bunch of beatnik outliers.

Willy, a local superintendent and central figure in Shopsin's life and this book, has an elegantly crass way of talking and a charisma that organized their block; there's the local who wore a daily uniform of "lots of denim and fur … part of his outfit was a shower cap"; there's "Beatnik Bob from next door," who is questioned by the paper on the arrest of a neighbor discovered to be a Russian spy.

Beatnik Turtle is an indie rock band from Chicago formed in 1998. Beatnik Turtle plays alternative and pop-rock "with a sense of humor." Their sound is rooted in the song-based pop-rock sound of They Might Be Giants, Fountains of Wayne, The Saw Doctors, Barenaked Ladies, Cracker, Cake, and The Beatles. In 2007, Beatnik Turtle began TheSongOfTheDay.

George Cole, September 28, 2012 Cole was lead guitarist in the pop rock band Beatnik Beatch from 1984–1988. In Beatnik Beatch he performed with Warren Zevon and Buster Poindexter. Beatnik Beatch has a music video on VH1 which features Cole. The group won a BAMMY – Bay Area Music Award for Best New Major Label Artist.

Jerry Garcia: The Collected Artwork. pg. xviii. As "a genuine beatnik" Hedrick was employed at a 'beatnik' bohemian sitting at the bar at Vesuvio Cafe, a famous hangout in San Francisco’s North Beach.

"Beatnik" was one of the few tracks from Adventures in Modern Recording that Geoff Downes contributed to. "Beatnik" is a progressive rock-influencedBuggles album reviews. adriandenning.co.uk. Accessed from 1 May 2013. song that is 3 minutes and 36 seconds long, and is played at a BPM of 104.

Beatnik is a simple stack-oriented esoteric programming language, by Cliff L. Biffle. A beatnik program consists of any sequence of English words. Each word is assigned the score you would get for it in a Scrabble game. The value of the score determines what function is performed.

And perhaps most famously, Sammy Davis, Jr. assayed the Cheshire Cat as a groovy, rockin', swingin' feline beatnik.

Over several years, and following related litigation, the technology was licensed to Beatnik (2004), Microsoft (2006) and Yamaha (2007).

It was the first album to have studying from beat culture to science fiction referring to beatnik lounge music.

On "Beatnik", Downes played the Fairlight keyboard. Other instrumentation includes vocals, guitars, percussion and additional keyboards by Anne Dudley.

Bubble canopies are popular on some custom cars, most notably those by Ed Roth, such as the Orbitron, Road Agent and Beatnik Bandit.

Dave meets Mary on the Coney boardwalk on a cold Columbus Day. Mary takes him home and introduces him to her beatnik mother.

Beatnik Bandit at the alt=A white car with brown stripes, with open wheels and a clear bubble canopy over twin seats, and exposed, chromed engine with a blower. The Beatnik Bandit is a custom car created in 1961 by Ed "Big Daddy" Roth. The car featured a clear bubble canopy. Speed and direction were controlled by a central joystick in the cabin.

The game features two player off- and online co-op and versus modes. The versus mode involves a head-to-head match with another opponent. New power-ups appear in the beatnik circles in versus mode that allow the player to attack the opponent. To activate the power-up, the power-up beatnik has to be knocked out of your own circle.

His show was recalled in the lyrics of The Go-Go's song "Beatnik Beach," which appeared on the 1982 album Vacation: "We'll lipsync a go-go / Like on the Lloyd Thaxton Show, yeah ...""Beatnik Beach" lyrics, posted on the "Lyrics 007" website Thaxton was obliquely mentioned in a riff on the Mystery Science Theater 3000 takeoff of the movie Monster A Go-Go.

Lowe then headed west to California. She wanted to be a beatnik. She had her own car and a pack of unfiltered Camel cigarettes.

Beat Cafe was positively welcomed by music critics. They indicated that the album managed to preserve the beatnik atmosphere, Donovan's music was so famous for.

William F. Brown Beatnik was a media stereotype prevalent throughout the late 1940s, 1950s to mid-1960s that displayed the more superficial aspects of the Beat Generation literary movement of the late 1940s and early to mid 1950s. Elements of the beatnik trope included pseudo-intellectualism, drug use, and a cartoonish depiction of real-life people along with the spiritual quest of Jack Kerouac's autobiographical fiction.

Many in the blossoming underground movement were influenced by 1950s Beatnik Beat generation writers such as William Burroughs and Allen Ginsberg, who paved the way for the hippies and the counterculture of the 1960s. During the 1960s, the Beatnik writers engaged in symbiotic evolution with freethinking academics including experimental psychologist Timothy Leary. An example of the cross-over of beatnik poetry and music can be seen when Burroughs appeared at the Phun City festival, organised in 24–26 July 1970 by Mick Farren with underground community bands including The Pretty Things, the Pink Fairies, the Edgar Broughton Band and, from the United States, the MC5.

The band's first US tour was supporting The Flaming Lips after hooking up with US management Hellfire. The next album Phase 3 was to be one of the band's biggest sellers. Released on their own Mobstar label in the UK and the independent No Life Records in the US, reviews commented on the lo-fi recording quality and the pop style songs, with one reviewer calling the band "the English Guided By Voices", and others making similar comparisons.Haag, Stephen (2006) "Beatnik Filmstars: In Great Shape", PopMatters, 23 June 2006, retrieved 27 November 2011Tacopino, Joe (2007) "Beatnik Filmstars: Barking (A Collection of Oddities)", PopMatters, 9 January 2007, retrieved 26 November 2011 The band were also compared to Sebadoh, Pavement, Sonic Youth, and The Fall.Woodlief, Mark "Beatnik Filmstars", Trouser Press, retrieved 26 November 2011Burt, Stephen (1997) "Beatnik Filmstars / Phase 3", CMJ New Music Monthly, April 1997, p.

The Beatnik Termites' version of the album was mentioned in the liner notes of the 2002 remastered edition of the Ramones' Pleasant Dreams published by Rhino Entertainment.

Underhound, vol. 1. no. 4 (1960). One of Chester Anderson's early little magazines, satirizing the beatnik coffee house scene in North Beach. Chester Valentine John Anderson (August 11, 1932 - April 11, 1991) was a novelist, poet, and editor in the underground press. Raised in Florida, he attended the University of Miami from 1952 to 1956, before becoming a beatnik coffee house poet in Greenwich Village and San Francisco's North Beach.

Voiced by Rob Paulsen Stickety Lipid is a sticky and bad cholesterol beatnik who kidnaps a bunch of fat cell kids in an attempt to clog Hector's artery.

A "Hello World" example in the Beatnik language. Soars, larkspurs, rains. Indistinctness. Mario snarl (nurses, natures, rules...) sensuously retries goal. Agribusinesses' costs par lain ropes (mopes) autos' cores.

Some of The Village Thing albums have been reissued as CDs on labels including Scenesof (US); Castle, The Weekend Beatnik, Saydisc and Sunbeam (UK); Riverman (Korea); and Vinyl Japan.

In the opening scene, a "beatnik" named Stan Hess (Ray Danton) sits at a table in a coffee house with a woman who begs him for his affection. He scorns her, then encounters his father at another table, who announces his engagement to a younger woman who had also pursued Stan. He insults his stepmother-to-be and departs. Hess is established as a woman-hating habitué of a stereotyped and sensationalized beatnik scene.

In a 1961 essay, Kenneth Rexroth used both the terms hipster and hippies to refer to young people participating in black American or Beatnik nightlife.Rexroth, Kenneth. (1961). "What's Wrong with the Clubs." Metronome.

She was also influenced by the beatnik movement, stating: "It represented my whole belief ... I'd grow my hair real long so I looked like a beatnik." From ages eight through fifteen, Raitt and her brothers attended a summer camp in the Adirondack Mountains called Camp Regis. It was there where Raitt learned of her musical talents, when camp counselors would ask her to play in front of the campers. Learning how to play songs from folk albums then became a hobby for Raitt.

Voiced by Brad Abelle, Chad Ghostal is Space Ghost's evil twin brother, distinguished from Space Ghost in physical appearance only by a crudely drawn Van Dyke beard. He is a beatnik, with a love for jazz music and outdated beatnik slang, and is both extremely cool and evil. He is also quite the ladies' man. Chad is first mentioned in the episode Jerk where he calls in to the show to tell Space Ghost he has escaped from the asylum and will be there shortly.

Beatnik is no longer in business. While still remaining on the Beatnik board, Dolby stepped down from his position as CEO to pursue other technology interests, such as founding Retro Ringtones LLC in 2002, which produces the RetroFolio ringtone asset management software suite for companies involved in the mobile phone ringtone business. At the second annual Mobile Music Awards, Miami, Florida, in 2004 RetroFolio won "Best of Show" and "Best New Technology" awards. Dolby created hundreds of digital polyphonic ringtones on mobile phones, including the polyphonic version of the Nokia tune.

He later joined Sturmer in the San Francisco band Beatnik Beatch. Sturmer was the group's drummer, singer, and songwriter, while Manning was keyboardist. The duo soon began collaborating with one another, writing compositions that were stylistically different from the songs the band was producing at the time.. In August 1989, a year after Atlantic Records released Beatnik Beatch's eponymous debut album, Manning and Sturmer left the group to continue songwriting with one another and formed the band Jellyfish. Jellyfish released two albums: Bellybutton (1990) and Spilt Milk (1993), whose combined sales totaled over 269,000 copies.

Myron Reed "Slim" Brundage (November 29, 1903 – October 18, 1990) was the "founder and janitor" of the College of Complexes, a radical social center in Chicago during the 1950s. It was known as Chicago's Number One "beatnik bistro".

Lee Quarnstrom is a retired American journalist, former executive editor of Larry Flynt’s Hustler Magazine, and a former Beatnik. He was a core member of the Merry Band of Pranksters, a group loosely led by novelist Ken Kesey.

Beatnik Filmstars were a British Lo-fi pop group formed in Bristol in 1990. After splitting up in 1998, going on to side projects Kyoko and Bluebear, they re-formed in 2004, releasing several more albums before splitting again in 2008.

The Beat Generation is a 1959 American crime film from Metro-Goldwyn-Mayer starring Steve Cochran and Mamie Van Doren, with Ray Danton, Fay Spain, Maggie Hayes, Jackie Coogan, Louis Armstrong, James Mitchum, Vampira, and Ray Anthony. It is a sensationalistic interpretation of the beatnik counterculture of the "Beat Generation" (and is sometimes considered one of the last films noir to be produced.) The movie was also shown under the title This Rebel Age. The movie is about a "beatnik" who is a serial rapist, who is pursued by a police detective. The director was Charles F. Haas.

Fitzhugh was the illustrator of the 1961 children's book Suzuki Beane, a parody of Eloise; while Eloise lived in the Plaza, Suzuki was the daughter of beatnik parents and slept on a mattress on the floor of a Bleecker Street pad in Greenwich Village. Fitzhugh worked closely with author Sandra Scoppettone to produce Suzuki Beane, which incorporated typewriter font and line drawings in an original way. Although a parody of both Eloise and beatnik conceit, the book sprang to life as a genuine work of literature. Today, it is a much sought-after book on used-book websites.

Craig Baldwin was born in Oakland, California. He grew up the youngest child in a middle class family in Carmichael. During high school, he became interested in Beatnik culture. He went to underground film screenings and started filming with a Super 8 camera.

It was re- released with 5 tracks removed and 4 tracks added after the band was signed by Atlantic Records in 1988. Around this time Manning joined the band. After Beatnik Beatch disbanded at the end of 1989, Sturmer and Manning formed Jellyfish.

While Adventures in Modern Recording was mostly a Trevor Horn solo project, Downes was still involved in the project. He has writing and production credits on three tracks from Adventures, "Vermillion Sands", "I Am a Camera" and "Lenny", where he also handled the drum programming, as well as being the keyboardist on a song he didn't co-write with Horn, "Beatnik". Australian producer Julian Mendelsohn and Gary Langan, who also handled the mixing and recording for The Age of Plastic were engineers on the album. Langan, Horn, and Anne Dudley, who is credited as keyboardist on "Beatnik", would later form The Art of Noise.

When the Hot Wheels line was launched in 1968 the Beatnik Bandit was one of the "Sweet 16" original 16 Hot Wheels designs. Mattel issued a 10,000-unit special edition in 2001, just months after Roth's death. They also released a larger 1/18 scale version.

Later versions of RMF permitted artists to place an encrypted watermark in their files that were supposed to prevent unauthorised duplication. In 1999, Headspace, Inc. was renamed Beatnik, Inc., and specialised in software synthesizers for mobile phones, which it licensed to mobile phone manufacturers including Nokia.

Brian Sydney Barritt (1934–2011) was an English author, artist, and counterculture figure. He served in the British army, and was a friend and collaborator to such notables as Timothy Leary, William Burroughs, and Alex Trocchi. He was particularly active in the Beatnik, psychedelic, and Krautrock scenes.

Chelariu, p. 103 In 1959, the authorities clamped down on beatnik lifestyles, including by having Militiamen forcefully shave non- compliant youth. According to historian Matei Cazacu, those beatniks who complained that Voitec was bearded, as an attempt to litigate the issue, "were reserved the harshest punishments".

He worked a number of odd jobs, including a period as a vacuum cleaner salesman. Describing himself as a beatnik, he travelled Northern England in search of work, summarising his life in this period as "cleaning lavatories, cleaning windows, cleaning railways, but very rarely cleaning my face".

The next album Shenaniganism (Tape Hiss & Other Imperfections) was released in 2007,Padilla, Sean (2008) "Beatnik Filmstars: Shenaniganism (Tape Hiss and Other Imperfections", PopMatters, 31 January 2008, retrieved 27 November 2011 with the first 500 CD's each coming with a hand made sleeve. But the band was once again beginning to feel boxed into style and the band's final album The Purple Fez Club 72 saw them breaking away to a more mellow sound, with hints of alt country seeping into their pop songs, the band now being compared with Lambchop."Beatnik Filmstars at Fuel Bar, Manchester", Clash, 5 February 2009, retrieved 26 November 2011 Again reviews were mostly favourable, but the band were finding it hard to connect with any labels or people with clout enough to help them move forward, so after one final download only album, Broken Bones, Jarrett called time for good. Now working under the name Our Arthur, Jarrett continues to write and perform pop songs and includes in live shows, songs from his time with both Beatnik Filmstars and The Groove Farm.

Slumberland Records is an American independent record label, formed in 1989 in Washington, D.C. and based in Oakland, California. The label has released recordings by Velocity Girl, Honeybunch, Lilys, Stereolab, Evans The Death, St. Christopher, Boyracer, Beatnik Filmstars, 14 Iced Bears, and The Pains of Being Pure at Heart.

Janice Rule was married to Robert Thom, who wrote the script.anice Rule Stars in Husband's Play: 'Earthly Paradise' Is Title; Jourdan One of Viertel Three Scheuer, Philip K. Los Angeles Times 25 Sep 1959: A11.McDowall Returns to Play Beatnik Alpert, Don. Los Angeles Times 11 Oct 1959: E2.

If the penalty bar fills before the song is over, the song ends before the player eliminates the Beatniks, or the Beatnik arc gets too long, the player fails the round. The game features 20 licensed songs which fall into the hip-hop, disco, funk and electro categories.

The strip's cast was made up with Roscoe, a beatnik cat. There were no book collections of Kelly and Duke, although a children's book based on the strip, What is God's Area Code?, was published in 1974 as part of the Cartoon Stories for the New Children.Moore, Jack.

"I had learned very early, to write in almost any style. I could write in fluent Hemingway, or in fluent Melville, or Conrad, or Jack Kerouac, and whatever." He says he was also influenced by the oral story telling of surfers at the time, who had a beatnik tradition.

23, 2015. In 1963, Bennett made her Broadway debut (playing Fedra, a Greek beatnik girl) in the original cast of The Irregular Verb To Love, which ran for 115 performances."The Wyckoff Shopper" (interview with mother of Keir Dullea). Stroudsburg (Pennsylvania) Daily Record, Oct. 9, 1963, p. 10.

In San Francisco, Jerry and Estelle Cimino operate their Beat Museum, which began in 2003 in Monterey, California, and moved to San Francisco in 2006. Ed "Big Daddy" Roth used fiberglass to build his Beatnik Bandit in 1960. Today, this car is in the National Automobile Museum in Reno, Nevada.

Most albums were originally issued on the sister Rogue Records label, also created by Anderson. Artists whose albums have been reissued on the Weekend Beatnik label (as at July 2008) include Maggie Holland, Tiger Moth, The English Country Blues Band, Hot Vultures, Dembo Konte and Kausu Kuyateh, Dave Evans, and Abdul Tee-Jay.

In Mr. Moto Returns, a.k.a. The Return of Mr. Moto, Mr. I.A. Moto is a member of Interpol. The very tall Silva conveyed an almost James Bond-like playboy character; in the fight scenes it is clearly obvious that he is not proficient in martial arts. He speaks in a lazy 'Beatnik' manner.

Later in the summer she released the promotional single, "Beatnik Trip" On 16 November, Wigmore released the promotional single "Cabrona", along with the announcement that her fourth album was titled Ivory. Released on April 2018, the album was named after Wigmore's son, even if all the songs were written prior to his birth.

The Congressional Record of February 29, 2000 with a "Tribute To Dr. Lita Hornick" by Representative Benjamin Gilman Dr. Lita Romola Rothbard Hornick (1927–2000) was an American literary researcher, editor, publisher, patron of poets, and art collector, best known for the beatnik magazine Kulchur that she turned into the Kulchur Foundation.

Accessed from 29 April 2013. With limited involvement by Geoff Downes, Adventures in Modern Recording featured much more involvement from Horn. However, Downes contributed to four songs on the album; "Beatnik", "Vermillion Sands", "I Am a Camera" and "Lenny". An original demo recording of the song was originally titled "Walking on Glass".

Maynard G. Krebs (Bob Denver, right), Dobie Gillis (Dwayne Hickman, left), and one of Dobie's "many loves", Yvette LeBlanc (Danielle De Metz), in a still from the Dobie Gillis episode "Parlez-Vous English", originally aired December 27, 1960. Maynard Gwalter Krebs is the "beatnik" sidekick of the title character in the U.S. television sitcom The Many Loves of Dobie Gillis, which aired on CBS from 1959 to 1963. The Krebs character, portrayed by actor Bob Denver, begins the series as a stereotypical beatnik, with a goatee, "hip" (slang) language, and a generally unkempt, bohemian appearance. He is always banging out a modern jazz beat with his hands, to music in his head, and he also plays jazz pianoseason 1 many episodes and bebop trumpet.

Just around the corner from the Circus is Art City, where guests can try their hand at a number of different art techniques, as well as Toddler Town, a section dedicated to children six years of age and under. Beatnik Bob's is directly across from the Circus, which features the "World's Largest Underwear" (a pair of men's briefs that are about seven feet high and seven feet wide), a collection of vintage video and pinball games, and a concessions stand, bar and coffee shop. Outside Beatnik Bob's is a working 1/8-scale model of an Alco Train that children who no taller than 48 inches can ride. Past Architectural Hall, the Museum's largest rental space, is the Architectural Museum.

Three other players tested positive for amphetamines and Meroni was suspended for the first five games of Serie A in 1963. In 1964, despite the discontent of the Genoa fans, Meroni was sold to Torino, a team coached by Nereo Rocco and on the rise after the decline following the tragedy of Superga. The transfer fee was 300 million lira, a record at the time for a player of only 21 years of age. He was nicknamed la farfalla granata the "maroon butterfly", with reference to his style of play and anticonformist outfits (he was notorious for his cohabitation as husband and wife with a young divorcee, Cristiana Uderstadt), and the "beatnik del gol" (the beatnik of goal) for his artistic interests and hippie lifestyle.

Duffy also recorded a non- stop forty-minute early chill-out / house album in 1986 called Designer Beatnik with Roger Freeman of Pigbag, released under the name Dr. Calculus mdma. The cover photo shows the "Spirit of Ecstasy" Rolls Royce car mascot and the album's two singles were "Programme 7" and "Perfume from Spain".

She also incorporated a techno soundtrack to this version of Tetris, having a techno version of the Tetris theme song composed. She also worked with Astralwerks Records who provided a track from Q-Burns Abstract Message called "Feng Shui" for the game. Beatnik, Inc. was the primary music provider for this version of Tetris.

In his survey of New Zealand art, Frizzell described Helmore as someone who "seemed to have already graduated from somewhere else. All that quiet abstract pondering. I [Frizzell] couldn't believe he knew what he was doing, because I certainly didn't." At this time Helmore, through beatnik culture, became interested in Zen Buddhism and Taoism.

He often performed bongo, flute, and poetry gigs at beat coffeehouses in the Los Angeles area. In 1960, he recorded his only solo LP, Eden's Island, for Del-Fi Records. This mixed beatnik poetry with exotica arrangements. Ahbez promoted the album through a coast-to-coast walking tour making personal appearances, but it sold poorly.

Tony loves the atmosphere in the studio. Tony is asked to critique Paul's paintings ... "Your colours are the wrong shape" he says. Paul admires the child-like style of Tony's work: "infantile art". Josey, a red-haired, blue- lipped beatnik visits and invites Tony and Paul to a very large mansion, filled with artwork.

He was expelled from Syracuse after driving a bulldozer through a bed of tulips. Hutton then enrolled at Niagara University, where he began pursuing an acting career. He performed in summer stock in Connecticut and La Jolla, and won state oratory competitions. In 1955 he moved to New York where he became, in his own words, a "beatnik".

He also wrote colorfully about life in New York's Greenwich Village during the emergence of the beatnik scene. His published works included Casualty (1946), Find Me in Fire (1948; cover teaser: "She Was Young But Ripe For Love"), and The Violent Wedding (1953). His short stories appeared in Mademoiselle, New Directions, Collier's, Horizon, The American Mercury, and other periodicals.

The Beatnik Bandit is built on a shortened Oldsmobile chassis. While one source says that it was of 1955 vintage, most believe that the chassis actually dates from 1950. The front suspension is independent with kingpins and A-arms and in the back is a solid axle with trailing arms. Coil springs are used at all four corners.

But it really > evolved. The references were then dispersed to her creative team (hair, > makeup, wardrobe), and they interpreted them on the set in their own special > way. Of course, one of the strongest wardrobe references was Audrey Hepburn > in Funny Face when she does the beatnik dance scene. I think a lot grew from > there.

The band has continued this format, in a modified form, since 2008 with The Song of the Week. In 2006, Beatnik Turtle published an online guide for indie bands called the Indie Band Survival Guide, written by sax player Randy Chertkow. The guide shares the band's experiences running and being in an indie band.Martens, Todd (May 20, 2006).

Two "spirits of progress" are observing the potential inventor of the wheel. These spirits are never seen aside from their auras. One of these spirits is an adult (voiced by Thurl Ravenscroft) and is accompanied by his beatnik-talking son (voiced by Max Smith). The elder is trying to explain the importance of the wheel to his son.

On Sunday afternoon, at 4 pm, it was the turn of beatnik poet Allen Ginsberg to perform. Ginsberg was an old friend of Fiedler's and had written the poem "Uptown" about Fiedler's children after their arrival in New York, coming from Missoula, MT to start a band.Yellen, Tara (April 26, 1995). "Allen Ginsberg in his own words".

Jerry Garcia of The Grateful Dead studied with Wally Hedrick and Elmer Bischoff at San Francisco Art Institute. It was the only school Garcia would ever be proud of attending. Hedrick served Garcia as a model not only as a painter but as an expositor of a way of life. To Garcia, Hedrick was a genuine beatnik.

In April 1961, he was one of the musicians involved in the "Beatnik Riot" in Washington Square Park, protesting against the authorities' refusal to allow musicians permits to play in the park. As a guitarist, who performed regularly in Greenwich Village, he started a folk group, the Lane County Bachelors, with Artie Traum and Eric Nagler.

After attending Towson Jr. High School in Towson, Maryland,Towsontown Jr. High Yearbook, "The Key". Towson, Maryland 1959–1960, p. 33 and Calvert Hall College High School in nearby Towson, he ultimately graduated from Boys' Latin School of Maryland. While still a teenager, Waters made frequent trips into the city to visit Martick's, a beatnik bar in downtown Baltimore.

Beatnik Beatch were an American pop rock band formed in San Francisco in the 1980s. They consisted of Chris Witt Kettner (bass, vocals), Andy Sturmer (drums, vocals), and George Cole (guitar). They also featured keyboardist Se Padilla, later replaced by Roger Manning. In 1986, they released At The Zula Pool, under the San Francisco based indie label Industrial Records.

Sleeve notes for the deluxe reissue of Adventures In Modern Recording, posted on trevorhorn.com. Accessed 30 April 2013. With limited involvement by Buggles member Geoff Downes, the Adventures in Modern Recording album featured much more involvement from Horn. However, Downes contributed to four songs on the album; "Beatnik", "Vermillion Sands", "I Am a Camera" and "Lenny".

"The Oxford English Dictionary says that hippie is a hipster; a person usually exotically dressed; a beatnik. None of this sounds remotely like Boudu. Boudu doesn't reject conventional values: he never had them in the first place: you wouldn't catch him doing anything as pussy-footing as 'rejecting conventional values.' " Rather, Boston argues, Boudu is what the French call a marginal.

In the 1930s, Old Town experienced a renaissance as the artists and writers who had flocked to Tower Town the preceding decade began moving east. This reputation continued over the ensuing decades as it became known as Old Town. It became a beatnik neighborhood in the 1950s, then a hippie neighborhood the next decade. In 1963 the Crilly family sold the house.

In the 1990s he founded Beatnik, a Silicon Valley software company whose technology was used to create the Nokia tune. He was also the music director for the TED Conference. On faculty at the Peabody Institute at Johns Hopkins University since 2014, Dolby leads Peabody’s Music for New Media program, which enrolled its first students in the fall of 2018.

A lyric video premiered on Bublé's YouTube channel on August 18, 2016. The official music video followed afterwards on October 11, 2016. The video takes inspiration from the 1960s show The Dating Game, with Bublé playing all three eligible bachelors: a glasses-wearing nerd, a narcissistic ladies man sporting bell-bottom trousers and sideburns, and a beatnik, beret-wearing French man.

Sarah Gillespie is a British American singer songwriter and writer based in London. She has four albums, known for combining poetic lyrics with folk, blues and elements of jazz. Her debut collection of poetry 'Queen Ithaca Blues' was published by Albion Beatnik Press. Gillespie's 4th album 'Wishbones' is arranged and co-produced by Mercury nominated pianist and composer Kit Downes.

They own what money cannot buy which give them a total freedom of choice. They combine the free-spirited, artistic rebelliousness of the bohemian beatnik or hippie with the worldly ambitions of their bourgeois corporate forefathers and they represent an élite that has been raised to oppose élites. They are anti-establishmentarian by instinct. But somehow they have become a new establishment.

In the 60 years Milan Knížák lived in the street directly in the New World. There was also visited by an American beatnik poet Allen Ginsberg or minimal artist Joseph Kosuth. In October 1966, Milan Knížák organised the first Fluxus concert in Czechoslovakia in Prague. in which he appeared together with Ben Vautier, Jeff Berner, Alison Knowles, Serge Oldenbourg and Dick Higgins.

Peter Gammond, The Oxford Companion to Popular Music, 1991, At times, the terms "bebop" and "rebop" were used interchangeably. By 1945, the use of "bebop"/"rebop" as nonsense syllables was widespread in R&B; music, for instance Lionel Hampton's "Hey! Ba-Ba-Re-Bop". The bebop musician or bopper became a stock character in jokes of the 1950s, overlapping with the beatnik.

The player then uses the Beatniks to eliminate the string of Beatniks arranged in an arc. The player must shoot each colored Beatnik into a string of like-colored Beatniks to eliminate them for points; the arc collapses in the same way as Zuma. An especially long combination "saves" the player by wiping the penalty bar. The round ends when the song ends.

Mary (a recent graduate from University) meets Jack, Maggie and Neal at a party and learns that despite it being The UK of 1995, they yearn for the life of a Beatnik in 1960s America. Fascinated by the group (especially the handsome, if difficult Jack) she embarks on an adventure with them, finding both love and tragedy on the way.

The Compartment is a 1961 British TV drama. Written by Johnny Speight, it was a two-hander starring Michael Caine and Frank Finlay. Caine played a young beatnik musician and Finlay played a middle-aged businessman. The two characters are confined to a train compartment together on a half-hour journey and Caine's musician begins to resent the older man.

In 1994, he organized a charity event of poetry and music in Milwaukee, called Wordstock. During the same year, he also read at The First Underground Press Conference at De Paul University in Chicago. In 1998, he read at a Beatnik festival held near Allen Ginsberg's farm,Sarantakis, Sherri (1998). Beats in Cherry Valley / Cherry Valley Arts Festival August 7–9.

Gibney Beach is a stretch of white sandy beach located on Hawksnest Bay on St John Island in the United States Virgin Islands. There is vibrant wildlife both on the beach and in the bay. The colonial history, the natives, the beatnik and hippie movements, and the locals of the island come together to form the original, bohemian character of the beach.

When Don is at a bar, a beatnik is reading the Frank O'Hara poetry collection Meditations in an Emergency, published in 1957. Don is later seen reading it as well. The episode title, "For Those Who Think Young", is a reference to a Pepsi slogan of the time. Don and Roger commiserate that kids today don't drink coffee, they prefer Pepsi and Frosted Flakes.

But she also chose it because she had a long-standing interest in parapsychology. English actress Claire Bloom was cast as Theo. In part, however, the decision to cast Bloom and Johnson was because of Eady Levy requirements that the cast be partly British. To make Bloom's character appear more bohemian, beatnik clothing designer Mary Quant was hired to design mod clothing specifically for the Theodora character.

During his trips he saw the birth of the Punk subculture in London and became fascinated with the movement. In the 1980s, Bivar started writing books. His favorite genres were biography and memoir and his favorite subjects were theatre, punk culture and the beatnik movement. In 1982, Bivar organized O Começo do Fim do Mundo, Brazil's first punk festival which was held in his native São Paulo.

Hudson's features and co-writes in 2017 include with Vic Mensa "Almost There" for Mensa's Masterpiece EP, "She's on My Mind" by JP Cooper, "Beatnik Trip" by Gin Wigmore and Bearson "Cold War". Hudson also released two of his own tracks late in 2017. "Can't Forget You" released on 29 September and "Coldplay" featuring Vic Mensa, world premiered on 5 December with Zane Lowe on Beats1 Radio.

A man begins to investigate on his own the death of his brother, who died from eating a hamburger laced with ground glass. With the police case stalled because of ineptness, the man's own investigation leads him toward a beatnik hang-out frequented by Nico (Peter Falk), a shady character who supplies drugs to the patrons and philosophizes about the ills of the world.

However, when he was interviewed by Garrison's office on February 27, Russo described a roommate of Ferrie's in New Orleans as having "sort of dirty blond hair and a husky beard … a typical beatnik, extremely dirty." When Russo was shown a picture of Oswald, he said that Oswald was the person whom Ferrie had introduced to him as his roommate sometime between May and October of 1963.

In 2012, BD Hotels in partnership with Sean McPherson purchased the Marlton House with the intention of restoring the historic property and operating it as a mid- range boutique in the spirit of its original beatnik brand. Richard Born, a principal of BD Hotels says the hotel will have a bar and restaurant component and will not be "terribly pricey".Weiss, Lois. "Literary Hotel to Return".

The Sweet Ride is a 1968 American drama film with a few surfer/biker exploitation film elements. It stars Tony Franciosa, Michael Sarrazin and Jacqueline Bisset in an early starring role. The film also features Bob Denver in the role of Choo-Choo, a Beatnik piano-playing draft dodger. Sarrazin and Bisset were nominated for the Golden Globe Award for Most Promising Newcomer, Male and Female respectively.

The film is noted as well in many circles as an honest, undiscriminating portrayal of the many facets of beatnik culture, including art, dance and style of living. The plot has similarities to Mystery of the Wax Museum (1933). However, by setting the story in the Beat milieu of 1950s Southern California, Corman creates an entirely different mood from the earlier film.Wright, Gene (1986). Horrorshow.

Singer Guitarist Andrew Arthur Jarrett started Beatnik Filmstars when the band he was previously in (The Groove Farm) split up.Strong, Martin C. (2003) The Great Indie Discography, Canongate, , p. 617-8 Formed in 1990, the first line up also featured former Groove Farm members Jon Kent (guitar) and Jeremy (Jez) Butler (Drums) along with bass player Andy Henderson. The band's first album Maharishi was released in 1991.

Horn has stated that "Things like 'Beatnik' were me just messing around with gear and just having a silly idea. I was quite fascinated by Fairlight brass and all of those kind of things that Geoffrey and I had started messing around with before he went off to join Asia."Peel, Ian (1 January 2010). From the Art of Plastic to the Age of Noise .

In their later years, the Keeneys are variously reported to have founded and run a cinema club in Washington, D.C. between 1952 and 1958, showing art films, and reportedly opened a beatnik theatre in Greenwich Village called Club Cinema to air mostly foreign-language films with subtitles, with occasional folksingers or poetry readings. Keeney died in 1962 at the age of 71. He was survived by his wife.

Roth sold both the Beatnik Bandit and the Outlaw to Bob Larivee, who continued to show the cars until around 1963. Larivee traded both cars back to Roth in exchange for the Mysterion. Roth then leased the Bandit to Ray Farhner who had the car painted a metallic green. Jim Brucker bought the car from Roth for $50 in 1970 and displayed it in his Movieland Cars of the Stars museum.

Revell signed a contract with Roth to develop kits for them in 1961. Revell issued a 1/25 scale model of the Beatnik Bandit developed by Roth working with Jim Keeler in 1963 and reissued it in 1994. In the late 1960s toy company Mattel contacted Roth about making a small die-cast car based on his design. Designer Harry Bentley Bradley developed a 1/64 scale version of the Bandit.

The only actors who appeared in all seven seasons were Edgar Buchanan, Linda Kaye Henning, and Frank Cady. Buchanan was the only one to appear in every episode. Linda Kaye Henning appeared in all but two episodes: "Bobbie Jo and the Beatnik" (Season 1); and "Have Library, Will Travel" (Season 2). Edgar Buchanan, who portrayed Bea Benaderet's character's uncle, was only three years older than Benaderet in real life.

Farber 1988: 167. A demonstration was held in Lincoln Park led by Rubin and Hoffman, which was peaceful, with the Yippie leaders calling the demonstrators to respect the 11pm curfew. The Beatnik poet Allen Ginsberg ended the demonstration by chanting "Om". The next day was supposed to be the "Festival of Life" in Lincoln Park, but the police confiscated the truck upon which a rock band was to play.

Warwick was founded in New York City and was short-lived, closing after the album by Burns. Best-selling musicians on the label included Johnny and the Hurricanes ("Crossfire", "Red River Rock", "Reveille Rock", and "Beatnik Fly"), the String-A-Longs ("Wheels", "Brass Buttons"), the Raging Storms ("The Dribble Twist"), the Tokens ("Tonight I Fell in Love"), and the Fireballs ("Quite a Party"). Warwick filed for bankruptcy in 1962.

After the show's cancellation, she appeared in the 1959 cult film Plan 9 from Outer Space, directed by Ed Wood. She is also billed as Vampira in the 1959 film The Beat Generation, where she appears out of character and instead plays a beatnik poet. Nurmi also appeared in the 1959 crime film The Big Operator. She was portrayed by Lisa Marie in Tim Burton's 1994 biopic Ed Wood.

Engelbach, Barbara Looking for Mushrooms: Beat Poets, Hippies, Funk, Minimal Art San Francisco 1955-68. Köln König: Museum Ludwig, Köln, 2008. During the 1960s, the Bay Area, specifically San Francisco, was a free and spiritual environment due to its beatnik art culture and the youth political activism reacting against the Vietnam War going on at the time. A variety of different cultures existed in the city, including poetry, jazz, and art.

I had this music inside of me and I wanted to be a pop star. It was like a disease that I had to record and write." Over the years he would describe himself as "a huge record collector and music historian" with interests ranging from beatnik and avant-garde to noise and jazz: "I love attempts at all genres and styles – even if I fail. It doesn’t matter.

The advertisements depicted Charlie (voiced by actor Herschel Bernardi) as a Beatnik wearing a beret and thick glasses who believes that his hip, cultured "good taste" make him a perfect catch for StarKist. But he is always rejected, announcer Danny Dark explaining: "Sorry, Charlie! StarKist don't want tunas with good taste, StarKist wants tunas that taste good!" Some advertisements ended with Charlie encouraging viewers to "Tell 'em, Charlie sent you".

George Cole (born October 10, 1960) is an American music producer, composer, lyricist, vocalist, session musician, and guitarist. He fronts his own Gypsy jazz/Uptown Swing band and since early 2014 has been the guitarist for the David Grisman Quintet. Before his acoustic music endeavors, he played electric guitar for the pop rock band Beatnik Beatch and Big Blue Hearts. He played on Chris Isaak's platinum Forever Blue album.

Then, it seemed, changing public tastes (i.e., the falling out-of-favor of 'beatnik'-style comedy), coupled with Gardner's holding onto his same performing style, resulted in a similar fading of his recording career. After six albums for RCA Victor Records, he made two for Capitol Records, and then others for lesser labels. He had another legal problem over tax-evasion charges in the 1970s, which his son helped clear up.

Some scenes — showing Nord playing bongo drums and Lawrence Lipton as "King of the Beatniks" — were supposedly filmed at Nord's beatnik cafe, The Gas House, in Venice, California. But it was done in a studio. Bergerac was the former husband of Ginger Rogers and Hayes had just starred in Attack of the 50 Foot Woman (1958). The consultant for the hypnosis used in the film was Gil Boyne.

Danny Fitzgerald was born in Kingston, NY in 1933. He was a member of the US Army and stationed in Germany in the 1950s, which began his alternation between traveling around Europe and traveling around the United States. He was associated with the beatnik scene in Greenwich Village— his writing was included in Abbie Hoffman's Steal This Book around the same time Bob Dylan regularly slept on his floor.

A point of interest is that the festival often awarded foreign poets who were considered dissidents in their countries, including for example the Russian exiled poet Joseph Brodsky, the Chilean poet Pablo Neruda, the American beatnik Allen Ginsberg, the Soviet bard Bulat Okudzhava and many others. In memory of the laureates, the Park of Poetry featuring memorial boards dedicated to each of them was established near the Struga Cultural Center.

The World We Live In is the 1982 debut album from the San Francisc-based, new wave group Voice Farm, released on Optional Music. It includes "Beatnik", which AllMusic called catchy, and the album-closing Over and Over, which "masterfully blends a lyrical theme of obsession with relentless, ominous bass tones". Also included is a synthesizer driven cover of The Jaynetts' 1963 hit "Sally Go 'Round the Roses".

In the 1950s, Neel's friendship with Mike Gold and his admiration for her social realist work garnered her a show at the Communist- inspired New Playwrights Theatre. In 1959, Neel even made a film appearance after the director Robert Frank asked her to appear alongside a young Allen Ginsberg in his Beatnik film, Pull My Daisy (1959). The following year, her work was first reproduced in ARTnews magazine.

In 2004 Jarrett brought Beatnik Filmstars back to life with Rippington and Adams back in place along with new members Geoff Gorton (bass) and Maurice Roache (keyboards). The band released their attempt at a pure pop record on the UK's Track & Field Indie label. Jarrett later described it as 'a half successful album'. Another collection album Barking followed on The International Lo-Fi Underground, collecting together various singles and unused tracks.

In 2003, Conti was involved in the re-founding of Lake, went on tour with the band and eventually recorded the album The Blast of Silence with them in 2005. Together with Richie Arndt, Gregor Hilden and Henrik Freischlader Conti was involved in the production of the album Rorymania (2006). In 2009, he recorded the CD Kaleidoscopia with Swiss musician Beatnik. In 2010, he released his first instrumental album Shetar.

"Beatnik" is a synthpop song by the British synthpop group The Buggles released in 1982 as the album's fifth single from their second and final album Adventures in Modern Recording. It was to be both the final single from the album as well as the final single from the group as a whole. The song was written by Trevor Horn and was produced by Horn and John Sinclair.

A live album by Buckley recorded at the Folklore Centre in 1967 was released a few years ago. Patti Smith used to read poetry there and also became friends with Young. Young was also a keen political activist. He famously led a march in 1961, which became known as “the beatnik riot” in protest at a ban on the public performance of music in Greenwich Village’s Washington Square Park.

Harrah's Automobile Collection eventually acquired all of Brucker's Roth cars, including the Bandit. In 1985 the car was restored to its original condition and since then has been on permanent display at the National Automobile Museum in Reno, Nevada. In 1995 Roth unveiled the Beatnik Bandit II. This successor to the 1961 Bandit featured many styling cues from the earlier car but was powered by a fuel injected Chevrolet LT-4 engine.

He is visited by his childhood psychiatrist, Dr. Foster, who recalls Ned's childhood as an out-of-control brat raised by beatnik parents. Ned's treatment involved eight months of continuous spanking by Foster. The treatment left Ned unable to express anger until the losses he suffered from the storm made him erupt in repressed rage. Foster realizes that his earlier approach was flawed and enlists Homer to help Ned express his emotions.

Nanci Lee ends their relationship after Wittman begins imitating the monkey king in front of her. Wittman then goes to a party mainly attended by followers of the Beatnik movement. After overhearing a woman, Taña De Weese, reciting poetry, Wittman composes the basic structure of a play. Only a few of the guests are sober, not under the influence of drugs, and awake the morning after the party, and Wittman briefly performs his play.

In a plush suburb on Sydney's North Shore, Marjorie, a young bride arrives home to find a series of surprises in store for her: her husband Henry, a Sydney businessman, keeps his wives instead of divorcing him, and they live together in a state of bliss; the new bride is his sixth. The household is run by Vera, his first wife. The others are a beatnik, a secretary, a glamour girl and a cook.

Marayat spoke fluent Thai, French, and English. Her hobbies and passions included writing, reading, photography, cinema, and antiques, among others. Louis-Jacques Rollet-Andriane and she had two daughters, Sophie and Danièle. She is known to have had relationships with the French beatnik writer, mime, and photographer, Théo Lesouac’h, and allegedly with the American actor Steve McQueen, during the shooting of The Sand Pebbles, although what really went on between them remains a mystery.

"April", a 17 studio track album, is one of the official Record Store Day releases in April 2017, released by Studio K7 and published by BMG Chrysalis. New Musical Express, Bochum Welt in the List of official Record Store Day releases In addition to releasing his own music, Di Costanzo has worked with Thomas Dolby's Headspace and Beatnik Inc., the Hollywood companies that completed multimedia productions for Steven Spielberg, David Bowie and others.

Her first trumpet belonged to a beatnik, who told her she could have it if she played at one of his parties. “It smelled bad, it had all kinds of green crud inside the tubing, so I took it home, cleaned it, soaked it in hot water, cleaned it all out, and it was mine,” she told Rookie. She was a founding member of Sly and the Family Stone, starting in 1966.

Power-ups include a "hammer" power-up that adds five beatniks to the opponent's puzzle and a spray paint power-up that covers the opponent's target circle with paint making it hard for them to enter inputs with the music. In co-op mode, players play the rhythm portion together with the worst of the two inputs determining the number of earned beatniks for shooting. The players then take turns solving the beatnik puzzle.

He also taught film courses at the School of Visual Arts in New York City, and was a visiting lecturer at many institutions around the country. Adolfas Mekas died in the early morning of 31 May 2011. By his bedside was his treatment for the fantasy docudrama he would make on the life and death by fire of the Neapolitan poet, philosopher, and so-called heretic Giordano Bruno. He called Bruno the first Beatnik.

"The Man Who Sailed Around His Soul" is an existentialist beatnik song that "just says you're born, you live, and you die," Partridge explained. "Why look for the meaning of life when all there is is death and decay." The melody was inspired by the Nat King Cole version of "Nature Boy" (1948). Rundgren's arrangement was based on the music of 1960s spy films, which happened to be in an idiom similar to "Mermaid Smiled".

As well as being home to the world famous Black Dyke Band, Queensbury is also noted for its strong musical heritage. Home to the world- class rehearsal studio Backfeed, notable musical residents Giles Stocks and Joe Irish of Jon Jones and the Beatnik Movement, pop-punk trio State of Error, and the bands of the Sherry family, including the nationally successful Scarlet Heights (named after the hamlet), The Bad Beat Revue and Ti Amo.

Awestruck by Gary Snyder and Allen Ginsberg, among others in the 1950s Bay Area poetry scene, Hass entertained the idea of becoming a beatnik. He graduated from Marin Catholic High School in 1958. When the area became influenced by East Asian literary techniques, such as haiku, Hass took many of these influences up in his poetry. He has been hailed as "a lyrical virtuoso who is able to turn even cooking recipes into poetry".

In 1966, Jacques Wolfsohn of Disques Vogue asked Lanzmann to work with pop composer Jacques Dutronc to create songs for a beatnik singer called Benjamin. Benjamin released an EP in 1966, featuring songs written with Dutronc and a Lanzmann-Dutronc composition, "Cheveux longs" (Long Hair). However, Wolfsohn was disappointed by Benjamin's recording of a song titled "Et moi, et moi, et moi". A second version was recorded, with Dutronc's former bandmate Hadi Kalafate on vocals.

In early 1999, Swatch began a marketing campaign about the launch of their Beatnik satellite, intended to service a set of Internet Time watches. They were criticized for planning to use an amateur radio frequency for broadcasting a commercial message (an act banned by international treaties). The satellite was intended to be deployed by hand from Mir. Swatch reallocated the transmitter batteries to a different function on Mir, thus the satellite never broadcast.

Chuck Barksdale also left to rejoin the revived Dells. In late 1960, Gaye, Chester Simmons and Fuqua recorded (along with, presumably, members of the Spinners) the last New Moonglows recordings, including "Junior" and "Beatnik". Afterwards, Gaye relocated to Detroit and later signed with Tamla, a subsidiary of Motown Records. In February 1961, Fuqua left Chess and worked on his own Detroit labels, Harvey and Tri-Phi, until he joined Motown's production team.

Bonis 2006, p. 61 Not abiding to the traditional University system, RPI gained a reputation as a unique institution in conservative Virginia. This uniqueness found its way into many of the art and literature students during the 1950s and 1960s as they adopted the beatnik look and dress style. When George Oliver took over as President in 1959, he did not believe that RPI still needed the name recognition that William and Mary brought.

Clearly miffed, an offended Dr. Miller leaves. Peggy is lying on her couch when Joyce telephones Peggy to meet her and her beatnik friends in the lobby for lunch. Meanwhile, Pete is waiting in the lobby with Roger and important executives from Vicks Chemicals for a lunch meeting. Peggy, while waiting outside SCDP's glass doors with her young, artsy friends, looks through the glass at Pete, standing with the older men in suits.

Despite his anger, he persists, explaining that he wants her model and is willing to pay her price. At Walter's apartment, Alice strips nude off camera, and poses in a chair. Walter suggests she put back on her scarf and, in a pretense of adjusting it to look right, uses it to strangle her. The latest work is brought to Brock's house, where the gang is gathered for a sumptuous organic breakfast ("Beatnik Breakfast Party").

Kerouac's novel is often described as the defining work of the post-World War II Beat Generation and Kerouac came to be called "the king of the beat generation," a term with which he never felt comfortable. He once observed, "I'm not a beatnik. I'm a Catholic", showing the reporter a painting of Pope Paul VI and saying, "You know who painted that? Me." The success of On the Road brought Kerouac instant fame.

Rouse was an outstanding technical rock climber, one of the best of his generation. His ascents of 'The Beatnik' on Helsby, and his solo ascent of 'The Boldest'Wilson, Ken and Newman, Bernard, Extreme Rock, p134. Diadem 1987 () on Clogwyn Du'r Arddu marked him out as an exceptional talent. He was a member of a group of contemporaries (including Cliff Phillips, Eric Jones, Pete Minks, 'Richard' McHardy) whose competitive spirit pushed them to solo the hardest routes of the day.

Gnecco in November 2014.Since their creation in 1990, the line-up has evolved many times, but Gnecco has always felt that having a rotating group of musicians who could play off each other was important. In high school, Gnecco was in the band Lost Child and later, The Harmony Bandits, which eventually evolved into what is now Ours. In 1994, Ours released their first album titled Sour under their own label entitled "Beatnik Records" owned by Mike Marri.

Ronnie Schell and Goldie Hawn on Good Morning World (1967) Ronald Ralph Schell (born December 23, 1931) is an American actor, stand-up comedian, and voice actor. He appeared on the May 28, 1959, episode of the TV quiz program You Bet Your Life, hosted by Groucho Marx. Schell demonstrated a comic barrage of beatnik jive talk. As a stand-up comedian, he first developed his act at the hungry i nightclub in San Francisco, California.

David Yurman grew up on Long Island, New York. At age 15 he met a Cuban welder and sculptor named Ernesto Gonzalez who taught him welding techniques. After a year at New York University, Yurman left college and spent the next five years hitchhiking between New York's Greenwich Village, Venice, California, and Big Sur, immersing himself in the Beatnik and San Francisco Renaissance cultural movements. In the early 1960s, Yurman apprenticed for several years with modernist sculptor Jacques Lipchitz.

The term kook appears to be much more recent. The adjective kooky was apparently coined as part of American teenager (or beatnik) slang, which derives from the pejorative meaning of the noun cuckoo.kooky (adj.) Online Etymology Dictionary Starting in late 1958, Edd Byrnes first played a hair-combing parking lot attendant called "Kookie" on 77 Sunset Strip. The noun kook was defined in 1960 in Britain's Daily Mail newspaper as "a screwball who is 'gone' farther than most".

Young adults returning to college under the G.I. Bill adopted an unpretentious, functional wardrobe, and continued to wear blue jeans with shirts and pullovers for general informal wear after leaving school.Brockman (1965), p. 76. Jack Kerouac introduced the phrase "Beat Generation" in 1948, generalizing from his social circle to characterize the underground, anti- conformist youth gathering in New York at that time. The term "beatnik" was coined by Herb Caen of the San Francisco Chronicle in 1958,Caen, Herb.

81-82 In this capacity, he co-wrote songs for artists such as ZouZou, Cléo and Françoise Hardy. Wolfsohn asked Dutronc to work with Jacques Lanzmann, a novelist and editor of Lui magazine, to create songs for a beatnik singer called Benjamin. Benjamin released an EP in 1966, featuring songs written with Dutronc and a Lanzmann-Dutronc composition, "Cheveux longs" (Long Hair). However, Wolfsohn was disappointed by Benjamin's recording of a song titled "Et moi, et moi, et moi".

Bohen appeared in season one of Mad Men as the beatnik character of Roy Hazelitt, the man who fell in love with one of Don Draper's many women, Midge Daniels. From 2011–2017, Bohen had a recurring role in MTV's Teen Wolf portraying Peter Hale. The main antagonist of the first season, he appeared in 42 episodes during most of the subsequent seasons until the show's end. Bohen enjoyed the challenge of playing such a morally ambiguous character.

As more and more campuses joined in, the government became uncomfortable and paranoid about the effect the students would have on Mexico's reputation. It began to monitor politically active students, but the more the government monitored students, the more they joined the cause. By late 1968, even some high schools and middle schools had joined the student movement. No longer was the younger generation fighting against conservative family values with rock and roll music, beatnik literature, and daring fashion.

Later Ed felt that the XLCH just did not work and, through a series of trades, ended up with Bob Aquistapase's award-winning Triumph. The Mega Cycle is currently on display at Motorcyclepedia Museum in Newburgh, NY. In 1968 Mattel introduced Hot Wheels and Roth’s Beatnik Bandit was one of the first 16 die-cast toy cars produced by the company. From 1970 to 1975, Roth worked for Brucker's Movie World and their "Cars of the Stars" display.

Kevin J. O'Connor was born in Chicago, Illinois, the son of James O'Connor, a retired Chicago police officer, and Patricia Connelly, a teacher. He has a brother, Christopher O'Connor (a Southside school teacher). In 1988, he was married to Jane Elizabeth Unrue. O'Connor trained for the stage at the DePaul/Goodman School of Drama, before making his big-screen debut as high school rebel and beatnik poet Michael Fitzsimmons in Francis Ford Coppola's Peggy Sue Got Married (1986).

In this version of the famous plot a group of midget circus runaways decide to form their own community to flee the chaos out come under attack from motorcycling ruffians. In response, of course, midgets hire seven tough people to defend them. One of them is a woman driving a car, another a stunt man, another a Mongolian eagle hunter, and a beatnik. The bandits have an easy victory and allow the hired fighters to leave with their weapons.

Photograph of Richard Wagner in his beret The beret is part of the long-standing stereotype of the intellectual, film director, artist, "hipster", poet, bohemian and beatnik. The painter Rembrandt and the composer Richard Wagner, among others, wore berets.Bruyn, J., van de Wetering, Ernst & Rembrandt Harmenszoon van Rijn A Corpus of Rembrandt Paintings IV: Self-Portraits Springer, 18 Oct 2005, p. 290. In the United States and Britain, the middle of the 20th century saw an explosion of berets in women's fashion.

A year passes, and the city of Rubacava has grown. Manny now runs his own nightclub off a converted automat near the edge of the Forest. Manny learns from Olivia Ofrenda, the owner of the beatnik Blue Casket nightclub, that Don has been "sprouted" for letting the scandal be known and that Meche was recently seen with Domino leaving the port. Manny gives chase and a year later tracks them to a coral mining plant on the Edge of the World.

This was confirmed by Jorge Herralde, who explained that Bolaño "abandoned his parsimonious beatnik existence" because the birth of his son in 1990 made him "decide that he was responsible for his family's future and that it would be easier to earn a living by writing fiction." However, he continued to think of himself primarily as a poet, and a collection of his verse, spanning 20 years, was published in 2000 under the title Los perros románticos (The Romantic Dogs).

After the launching of his website and three new releases within two years, Donovan entered the studio with a new band including his longtime friends Danny Thompson on bass and Jim Keltner on drums. The new sessions, produced by John Chelew, mixed rock and roll with a beatnik style. In addition to handling production duties, Chelew contributed keyboards to many of the songs on the finished album. While many of the songs were new compositions, Donovan also revamped a few older compositions.

The Beatnik Termites from Cleveland, Ohio recorded the seventh album in the series with their cover version of 1981's Pleasant Dreams. Like Screeching Weasel had, they recorded their album at Sonic Iguana Studios in Lafayette, Indiana with producer and engineer Mass Giorgini. Ray Ahn of Australian punk band the Hard-Ons played bass guitar on the record as a special guest. The band released a CD version of the album on their own imprint, Insubordination Records, with the catalog number ISR 030.

However, when Elliott invites Sal back to his room, Sal admits he has considered it but is too afraid to follow through on his attraction to men. That night, Don arrives at Midge's apartment, intending to take her on a trip to Paris with his bonus. However, he finds her with an assortment of her beatnik friends, preparing to smoke marijuana. She declines the Paris trip so he agrees to stay with them, despite antagonism from some of Midge's friends.

A bus heading toward Reno, Nevada, is being driven by Doc Bayles, whose passengers include a traveling salesman (Hal Sanders) and a runaway teen (Vangie Harper). Feuding couples begin boarding. A waitress, Evie Simms, wants to go to Reno to divorce her husband Ad, having caught him kissing Lil Lewis, a neighbor. Lil wants a divorce from her own husband, casino boss Nick Lewis, who tries to catch up to the bus in a broken-down car belonging to Pinkie Parker, a beatnik.

In 1976, Kelly sought help from Alcoholics Anonymous. He withdrew from participation in the Neo-Pagan community in 1977 and became a practicing Roman Catholic from 1978 until 1987. However, as Kelly explained in a 2006 interview with Lisa Harris of Widdershins, he "never stopped being a witch; I just stopped practicing for a while." In 1978, Kelly self-published a memoir about the rise of modern American Paganism titled Hippie Commie Beatnik Witches: A History of the Craft in California, 1967-77.

Spook, with olive green fur and a torn black tie, is one of the most streetwise members of the gang. He is a sweet-talking cat whose vernacular is based on that of a beatnik, inasmuch as he breaks up his sentences by interjecting the word "like" frequently. He is similar to Fancy- Fancy in demeanor and appearance and appears more fun-loving than kind- hearted. When the gang need some help with a situation, he usually steps up to the plate.

After his military service, Ferris emigrated to Vancouver, Canada working as an assistant there to master photographer Harry Nygard. From Nygard, Karl learned the skills of composition, form and texture. He also began an involvement in the "Beatnik" lifestyle and began hanging out in coffee bars, listening to poetry readings and the progressive jazz of such artists as Miles Davis, Herbie Hancock, John Coltrane, Eric Dolphy and Ornette Coleman. He photographed his first music subjects at these gatherings for local newspapers and magazines.

Sergio Giral (born 2 January 1937) is a Cuban-American film writer and director. He was raised in New York City, as an aspiring young painter in the days of the Beatnik generation. In 1962, Oscar-winning cinematographer Nestor Almendros invited Giral to work together at the ICAIC (The Cuban Film Institute). It was there, after a series of shorts and documentaries, that Giral filmed a trilogy (The Other Francisco, Rancheador and Maluala) about slavery in 19th Century Cuba and the Caribbean.

Once Mona's gained enough popularity between the gay community and tourists, the club moved to a much larger location at 440 Broadway Street. The club remained Mona's 440 until the mid 1950s. During the 1950s, many of the neighborhood's cafes and bars became the home and epicenter of the Beat Generation and gave rise to the San Francisco Renaissance. The term "beatnik" originated from the scene here and was coined in a derogatory fashion by famed San Francisco Chronicle columnist Herb Caen.

The following year he had a minor role as a poetry- reciting beatnik in The Man from the Diner's Club. Early in his career he took the name Dean Stanton to avoid confusion with the actor Harry Stanton. His breakthrough part came with the lead role in Wim Wenders' Paris, Texas (1984). Playwright Sam Shepard, who wrote the film's script, had spotted Stanton at a bar in Santa Fe, New Mexico in 1983 while both were attending a film festival in that city.

After getting out of Culloran's car, he writes down the name and address, and the word "married", foreshadowing his later rape of Culloran's wife. Coincidentally, the case of 'The Aspirin Kid' is assigned to Culloran and his partner, Baron (Jackie Coogan). Culloran is a twice married man whose first marriage has made him suspicious of women. They have a suspect, a beatnik called Art Jester (James Mitchum) who fits a description of 'The Aspirin Kid' but his alibi checks out.

Allen admitted that he was scorned by the other protesters for being a beatnik. Fleeing the police, they made their way to Deià, Mallorca, where they had lived for a time in 1966 and had met the poet Robert Graves, a friend of Robert Wyatt's family. Returning to Paris in August 1969, they were offered the chance to make an album by the BYG Actuel label and so formed a new Gong band and recorded Magick Brother, released in March 1970.

Sperling was born to a poor sharecropper family in the Missouri Ozarks. His father worked for the railroad and his mother was a fundamentalist Christian. He spent several years as a sailor in the merchant marine, and even as a wandering 1950s beatnik. He received his undergraduate education at Reed College, Portland, Oregon, a master's degree from the University of California, Berkeley under the G.I. Bill, and then went on to read for a Ph.D. in economic history at King's College, Cambridge.

First it had been a protestation of conservative traditions legitimized during the Mexican Revolution. This youth movement questioned authority through the use of rock and roll music, beatnik literature, and daring fashion. Next came the Student Movements that challenged the authoritarian government and fought for the democratization of Mexico. After the Tlatelolco Massacre, a new wave of La Onda emerged ‒ that of the jipitecas, or hippies, who rebelled against the status quo and preached peace and democracy above a strict authoritarianism government.

Bartell is a former US Government agent who was sent to Nazi Germany to recover as much of their scientific data as possible. He was chosen for the job for his scientific skills and knowledge of the German language. Using the methods learned there he hopes to cultivate a group of monstrous "flesh eaters" that can devour the skin off a victim in mere seconds. A beatnik named Omar (Ray Tudor) joins the group after becoming shipwrecked on their shore.

Pete (George Peppard) is a former advertising executive living a Beatnik–Bohemian life, as part of a commune in a New York City loft. Since living in the commune, Pete has turned into a cynical, misanthropic artist. The members of the commune are seemingly aimless, indolent or melancholy while waiting for the world to end; one member (Gillian Spencer) lives her life in a burlap sack, with only her bare feet protruding. One day, a wayward toucan arrives at the loft.

He also drew inspiration from contemporary socio-political issues such as nuclear testing at Woomera ('Rocket Range') and the 1912 Tramway Strike in Brisbane (Billets and Badges). He also took an interest in the Beatnik culture which arose in the USA and which spread to Australia in the sixties as their values reflected some of the socialist values and goals of the local Communist Party. This became the inspiration for 'The Ice Age Delinquents'. Crawford was deeply influenced by the work of William Shakespeare and Christopher Marlowe.

Although Dieng refers to his instrument as chatan (which appears to be an altered spelling of ghatam), it is actually a U.S.-made instrument that is more similar to a Nigerian udu. Soon after, he worked with jazz pianist Masabumi Kikuchi on Susto. Dieng also played on Mick Jagger's solo project, She's the Boss. Other noteworthy credits include work with Yoko Ono (singer/composer/artist), Bill Laswell (producer/bassist/guitarist), William S. Burroughs (beatnik author), Haruomi Hosono, Bob Marley (reggae singer), and Ginger Baker.

Homer invites himself to Ned Flanders's house for breakfast and finds Ned's beatnik parents there. Ned begins to feel uneasy when his parents begin to take a liking to Homer rather than him. After a morning jog, Ned comes home to find Homer and his parents smoking "medicinal" marijuana and watching TV. Ned becomes so enraged he punches Homer in the face, giving him a black eye. Homer is furious at Ned, who does not know what he has to do in order to be excused.

Skullfuck was later cited by Nirvana's Kurt Cobain as an influence. The band worked with Kramer on the second album, Upwind of Disaster, Downwind of Atonement, released on Glass Records in 1989. Sutton departed to join The La's and was replaced by Andy Rowan for the Shaved Beatnik EP. The band drafted in Nick Saloman (aka The Bevis Frond) and brought in Lee Webster as a replacement for Rowan. The Sensory Deprivation Chamber Quartet Dwarf mini-album followed in 1989, and was their last release for Glass.

The Beat Generation, especially those associated with the San Francisco Renaissance, gradually gave way to the 1960s era counterculture, accompanied by a shift in terminology from "beatnik" to "freak" and "hippie". Many of the original Beats remained active participants, notably Allen Ginsberg, who became a fixture of the anti-war movement. On the other hand, Jack Kerouac broke with Ginsberg and criticized the 1960s protest movements as an "excuse for spitefulness". Bob Dylan became close friends with Allen Ginsberg, and Ginsberg became close friends with Timothy Leary.

The trench warfare engaged in from 1914 to 1918 exposed men to flea and lice infestations, which prompted orders by the higher command to cut hair short, establishing a new military tradition. Beat poets during the 1950s wore longer hairstyles. By 1960, a small "beatnik" community in Newquay, Cornwall, England (including a young Wizz Jones) had attracted the attention of their neighbors for growing their hair to a length past the shoulders, resulting in a television interview with Alan Whicker on BBC television's Tonight series.Whicker, Alan.

Carradine in 2006 In addition to his acting career, Carradine was a musician. He sang and played the piano, the guitar, and the flute, among other instruments.Hyatt, Jeff (June 4, 2009) Carradine Leaves Behind a Musical Legacy , Beat Crave In 1970, Carradine played one half of a flower-power beatnik duo in the season 4 Ironside episode, "The Quincunx", performing the songs "I Stepped on a Flower", "Lonesome Stranger", and "Sorrow of the Singing Tree". He recorded an album titled Grasshopper, which was released in 1975.Discogs.

The Mouse and the Monster is a 1996-1997 American animated series created by Jerry Leibowitz for Saban Entertainment. It centered around a mouse named Chesbro, and a beatnik monster named Mo. The show was originally part of the UPN network's 1996 UPN Kids lineup alongside other Saban-produced shows, such as Bureau of Alien Detectors and The Incredible Hulk. Reruns later appeared on the Fox Family Channel. The show subsequently aired on various Disney Channels in Europe following Disney's acquisition of Saban's library of shows.

In other series, such as Father Knows Best and Leave It to Beaver, teenagers were portrayed as supporting characters in a family story. An even earlier 1954 series, Meet Corliss Archer, featured teenagers in leading roles and aired in syndication. Dobie Gillis broke ground by depicting elements of the current counterculture, particularly the Beat Generation, primarily embodied in a stereotypical version of the "beatnik". Series star Dwayne Hickman would later say that Dobie represented “the end of innocence of the 1950s before the oncoming 1960s revolution”.

Envious of his friend's lifestyle, Chris begs Toni to reveal his secret for happiness, and Toni responds that it's doing what you want, not what others want. With his dull and tranquil marriage, Chris increasingly obsesses on the past. He rediscovers naked pictures of his former French girlfriend, Annick (Elsa Zylberstein), and in the coming days he thinks back to 1968 when they were in Paris together. He remembers taking on the persona of a French beatnik with a hatred for all things English.

While a member of the Sports, Armiger produced "Beatnik Twist" as a single for Johnny Topper in 1979. As a session musician, by November 1980, he supplied lead guitar for Marc Hunter's solo album, Big City Talk. In 1981 he produced three tracks, "Promise not to Tell", "Lowdown" and "Want You Back", on former High Rise Bombers bandmates, Paul Kelly and the Dots' debut album, Talk, released on Mushroom Records in March. The other tracks were produced by Joe Camilleri, except one track produced by Trevor Lucas.

Their first reading series was at the Life Cafe in the East Village. David Life, the owner of the Life Cafe, gave them berets and renamed them 'The Unbearable Beatniks of Life.' Shortly after this, they did an event they called 'The Crimes of the Beats,' during which they dropped the word 'Beatnik' from their name, becoming simply 'The Unbearables.' They later read or performed their work at the Poetry Project at St. Mark's Church in the Bowery, Gathering of Tribes and the Bowery Poetry Club.

The Soviet equivalent of the hipster or beatnik, known as Stilyagi, first appeared during the mid 1950s and identified with the modern jazz scene. Their outfits were exaggerated caricatures of the costumes worn by western actors and musicians and typically incorporated bright colors, slim-fit pants, thick-soled shoes, vintage clothing from the 1920s and earlier, brightly colored socks, and plaid sportcoats. Following the release of a cult film in 2008, modern hipsters in Moscow and Saint Petersburg revived some aspects of this subculture.

A curmudgeon old rooster expels a young, pint-sized (bantam, aka "banty") rooster — who fancies himself as a hip beatnik and ladies' man — from the barnyard after repeatedly disturbing the peace with rock music. The banty, after regaining his senses (and shooting his guitar), sees the neighboring barnyard is full of hens and is immediately overcome with lust. But to gain access to the barnyard, he needs to get past its superintendent, Foghorn Leghorn. The young rooster disguises himself as a baby and Foghorn takes the bait.

The OCI produced the Harry Comes Home Tour, bringing Harry Smith films to Bellingham in partnership with Western Washington University on November 5, 2013, to Seattle in partnership with Seattle International Film Festival Cinema on Mar 18, 2014. The Seattle screening of Heaven and Earth Magic featured a live score performed by Lori Goldston, Jessika Kenney and Suzie Kowzowa. Anne Richardson, director of Oregon Cartoon Institute, presented a paper on Harry Smith: Salmon Nation Beatnik at the 2014 Society of Cinema & Media Studies conference.

Chaka Khan was born Yvette Marie Stevens on March 23, 1953 into an artistic, bohemian household in Chicago, Illinois. The eldest of five children born to Charles Stevens and Sandra Coleman, she has described her father as a beatnik and her mother as "able to do anything." She was raised in the Hyde Park area, "an island in the middle of the madness" of Chicago's rough South Side housing projects. Her sister Yvonne later became a successful musician in her own right under the name Taka Boom.

However, Mary left him within a few years. In the early 1950s, Nord sometimes worked at the Co-Existence Bagel Shop (the self-described "Gateway to Beatnik Land"), a popular hangout in North Beach. (in Bagel Shop Jazz, the poet Bob Kaufman called its patrons "...shadow people...mulberry-eyed girls in black stockings, smelling vaguely of mint jelly…turtle neck angel guys..."). In 1950, Nord rented a basement in North beach where he and a growing number of young people, aspiring beatniks, hung out.

Midge Daniels (Rosemarie DeWitt) is an art illustrator engaged in an affair with Don Draper in Season 1. She is involved with beatniks and several proto-hippies, smokes marijuana, and makes several references to Jack Kerouac and Allen Ginsberg. It appears Midge has other lovers besides Don. When Don realizes she's in love with Roy, one of her beatnik friends, through a Polaroid he takes of the two, he ends their affair in "The Hobo Code" and gives her the bonus he received at work.

Moritz (ed.), Current Year Biography 1979, p. 375. Stewart became attracted to beatnik attitudes and left-wing politics, living for a while in a beatnik houseboat at Shoreham-by-Sea. He was an active supporter of the Campaign for Nuclear Disarmament at this time, joining the annual Aldermaston Marches from 1961 to 1963 and being arrested on three occasions when he took part in sit-ins at Trafalgar Square and Whitehall for the cause. He also used the marches as a way to meet and bed girls.Nelson and Bangs, Rod Stewart, p. 57. In 1962 he had his first serious relationship, with London art student Suzannah Boffey (a friend of future model and actress Chrissie Shrimpton); he moved to a bed-sit in Muswell Hill to be near her.Ewbank and Hildred, Rod Stewart: The New Biography, pp. 17–19. She became pregnant, but neither Rod nor his family wanted him to enter marriage; the baby girl was given up for adoption and Rod and Suzannah's relationship ended. In 1962, Stewart began hanging around folk singer Wizz Jones, busking at Leicester Square and other London spots.Ewbank and Hildred, Rod Stewart: The New Biography, pp. 24–28.

Max wants to make up with Daisy but cannot find her anywhere. After recognizing her as the model in Sordi's painting of her, which is now on display at a local beatnik cafe, he goes to see her sister, Donna. Donna tells Max she hasn't seen Daisy for days, and is concerned about the recent rash of disappearances. She reads Max the legend of Sordi's 15th-century ancestor Erno, a painter condemned to be burned at the stake for capturing his subjects' souls on canvas and being a vampire.

Brundage was also a writer and poet closely associated with the Beats. 'little theater' playwright/actor, president emeritus of the Hobo College in the 1930s, housepainter, humorist, and chief architect of the scandalous Beatnik Party during the 1960 elections. He called himself "The Janitor" because of his blue-collar background. In 1997, Franklin Rosemont edited a collection entitled From Bughouse Square to the Beat Generation: Selected Ravings of Slim Brundage - Founder & Janitor of the College of Complexes, published by the Charles H. Kerr Publishing Company as part of its Bughouse Square Series.

In the 1950s and 1960s, the beatnik and later hippie cultures experimented with cannabis, driving increased interest in the drug. In 1964, the first cannabis legalization group was formed in the U.S. when Lowell Eggemeier of San Francisco was arrested, and his attorney established LEMAR (LEgalize MARijuana) shortly afterwards. By the mid-1960s, the Saturday Evening Post was publishing articles estimating that half the college population of California had tried cannabis. One writer commented that usage was: so widespread that pot must be considered an integral part of the generation's life experience.

As a spin-off from his 1980s activities, he founded an independent record label, Rogue Records, which provided a platform for both his own bands and new artists, concentrating on world music. The label was the first to release recordings in the UK by Senegal's Baaba Maal, Madagascar's Tarika, Gambian kora duo Dembo Konte and Kausu Kuyateh, and Tex-Mex accordionist Flaco Jimenez. Rogue Records later turned into a compilation label, The Weekend Beatnik, which specialised in the reissue of folk and world music albums in CD format.

At the time the term "beatnik" was coined, a trend existed among young college students to adopt the stereotype. Men emulated the trademark look of bebop trumpeter Dizzy Gillespie by wearing goatees, horn-rimmed glasses and berets, rolling their own cigarettes, and playing bongos. Fashions for women included black leotards and long, straight, unadorned hair, in a rebellion against the middle-class culture of beauty salons. Marijuana use was associated with the subculture, and during the 1950s, Aldous Huxley's The Doors of Perception further influenced views on drugs.

According to biography author Robert Greenfield, "Jon McIntire [manager of the Grateful Dead from the late sixties to the mid-eighties] points out that the great contribution of the hippie culture was this projection of joy. The beatnik thing was black, cynical, and cold." The Beats tended to be cagey, keeping their lives discreet (save for the few who published, in literary bursts, about their perceptions, enthusiasms, and activities); in a word, they generally “kept cool.” The young hippies were far more numerous, less wary, and had scarcely any inclination to keep their lifestyles concealed.

In 1993, Dolby established the Headspace company. Headspace developed a new downloadable file format designed specifically for Internet usage called Rich Music Format with the RMF file extension.Bruce Orwall, "Sound On; Thomas Dolby Robertson Has A Complaint About The Web: It's Too Quiet", Wall Street Journal, 1997 It had the advantage of small file size like MIDI but allowed recorded sampled sounds to be included at a higher bitrate for better overall reproduction. RMF music files could be played in a browser using the free Beatnik Player plug-in.

Yard Dogs Road Show is a thirteen-member traveling cabaret that features a unique blend of performances, including vaudeville, burlesque, stage magic, sideshow oddities, and beatnik "hobo poetry." Performances include musical interludes, song and dance numbers, and background music from the Yard Dogs cartoon heavy band. Originally from San Francisco, the Yard Dogs made their first full-fledged national tour in the Spring of 2005, playing 25 shows in 35 days with seven sold-out performances. Their show is used as a vehicle to travel and promote an independent lifestyle and spirit.

The Weekend Beatnik is a British independent record label, which specialises in the reissue of albums within the world, folk, blues and acoustic music genres, often issuing albums in CD format for the first time. The company policy is to provide "maxi-length, mid-price CDs with in-depth notes and archive photos". The firm was founded by Ian A. Anderson, editor of fRoots magazine, as a subsidiary of his company, Southern Rag Ltd, originally formed to publish fRoots magazine under its earlier incarnation as Southern Rag. The label's tagline is "Ahead of Their Time".

In the late 1950s in London, England the term "rave" was used to describe the "wild bohemian parties" of the Soho beatnik set. Jazz musician Mick Mulligan, known for indulging in such excesses, had the nickname "king of the ravers". In 1958, Buddy Holly recorded the hit "Rave On", citing the madness and frenzy of a feeling and the desire for it never to end. The word "rave" was later used in the burgeoning mod youth culture of the early 1960s as the way to describe any wild party in general.

Due to the reaction the song was receiving in this market, the label released it as McGuinn's first single, with "That's a Plan" on the B-side. Upon the release of "Mrs. Steven Rudy", McGuinn was considered a "dark horse" on the country music scene, due in part to his jazz background and beatnik image, which were considered outside the norms of country radio. "Mrs. Steven Rudy" was a top ten hit on the Billboard country music charts, and the highest-selling single on the country singles sales charts for five consecutive weeks.

From middle-class bobby-soxer, to counterculture beatnik, to entrepreneurial antiquer... she took risks and lived by her own design. A stay at the Chelsea in 1969 put her in contact with Morrison and Joplin. Her body of work consists of 23 works of fiction, nonfiction and poetry; an Internet search should detail why she was known for her contribution to literature and the arts. These passions intertwined throughout her life… She attended New York University and Columbia, studying social sciences and fine arts for almost a decade, dismissing the option of a degree program.

Two men from New York—Luigi, a hip wanna-be beatnik, and Jerry, who's from Long Island—end up in Army basic training in New Jersey, as does Mike, who's a rancher from Oregon. At a dance, Luigi falls for Marie, a neighbor of Jerry, who in turn develops a romantic interest in Luigi's friend Louise. A WAC named Katie ends up accompanying Mike to the dance. The three G.I.s can sing and end up invited to perform on a New York television program, but Jerry becomes ill and is hospitalized.

The fact that Greyhound appealed to beatniks was actually a sign that the company needed to work on its marketing in the 1950s. The beatnik, bohemian, and "romantic-rebel" market was not a very lucrative one, and Greyhound executives realized that they needed to make an appeal to the middle class, who had more money.Riggs, Thomas, Encyclopedia of Major Marketing Campaigns, Detroit: Gale Publishing, 2000. 695. Ogilvy and Mather, the advertising firm, and Grey Advertising were contacted by the company and tasked with creating an effective slogan that would attract middle-class viewers.

Ultimately it seems that psychedelics would be most warmly embraced by the American counterculture. Beatnik poets Allen Ginsberg and William S. Burroughs became fascinated by psychedelic drugs as early as the 1950s as evidenced by The Yage Letters (1963). The Beatniks recognized the role of psychedelics as sacred inebriants in Native American religious ritual, and also had an understanding of the philosophy of the surrealist and symbolist poets who called for a "complete disorientation of the senses" (to paraphrase Arthur Rimbaud). They knew that altered states of consciousness played a role in Eastern Mysticism.

"Submarinul iertat", in România Liberă, June 2, 2007 She then publicized a Delirionist Manifesto, which was notably read by Romanian American writer Andrei Codrescu. According to Cesereanu, Codrescu welcomed the new trend, and identified himself as a delirionist. In June 2007, Cesereanu and Codrescu published a lengthy experimental poem they authored together, which was completed through the means of e-mail exchanges. Titled Submarinul iertat ("The Forgiven Submarine"), it is structured as a set of poetry lessons, handed down by a beatnik poet and woman pianist to a submarine.

Kirsty McGee (born 1972) is a British singer-songwriter and guitarist from Manchester. She is well known within the British Folk scene although her music references Americana, Blues, Jazz and Rockabilly genres, and is influenced by the style of the Beatnik subculture. Her lyrics are typically deeply personal and introspective, and deal with a variety of subjects from politics to storytelling. She has worked with musicians such as Marc Ribot, Mike West, Danny Schmidt, Karine Polwart and Inge Thomson, and opened for Suzanne Vega, Eddi Reader and Capercaillie.

His personality doesn't really change until he meets the Beret Girl at the disco. After speaking poetically to her (which surprises Max & Bobby) she asks him to dance. After this, he becomes a sort of beatnik, and his casual clothes change from blue T-shirt and green shorts to black turtle neck, black trousers and a beret. He and his team make it to the finals, but P.J can't participate in the final race because Bradley straps rockets to his boots and blasts him out of the arena.

The group made their live debut on 7 March 1986, and later the same year released a flexidisc on Sha La La flexilabel and two singles simultaneously on the Edinburgh-based label 53rd & 3rd, "Beatnik Boy" and "Steaming Train". These singles, especially the former, were unashamedly cutesy, something also reflected in the names the group had adopted for themselves: leader Amelia was "Marigold", while Elizabeth became "Pebbles". Mathew Fletcher was rather less flatteringly nicknamed "Fat Mat". Their appearance led to them being labelled as an "anorak indie" band.

Don drops by Midge's apartment, but they are interrupted by Midge's beatnik friend Roy, who ribs Don for his age and routine suburban life. The three of them go to The Gaslight Cafe to watch Midge's friend perform. Roy continues to antagonize Don, criticizing the emptiness of advertising and mass consumption while Don ridicules Roy for his vanity and flightiness. They are silenced when Midge's friend takes the stage and performs a song about the Jews' mourning their exile from Zion in Babylon (Psalm 137 as arranged by Philip Hayes).

Smith's early efforts in the field of fine art painting were freeform abstractions intended to visually represent notes, measures, beats and riffs of the beatnik era jazz music that inspired him. There is photographic evidence of Smith's large paintings created in the 1940s; however, the works themselves were destroyed by Smith himself. He did not destroy his work on film (although he did misplace a few) and this legacy supplements the nature and design of his paintings. Smith created several later works, some of which have been serially printed in limited editions.

Nick Adams as Johnny Yuma In 1959 Adams starred in the ABC series The Rebel playing the character Johnny Yuma, a wandering, ex-Confederate, journal- keeping, sawed-off shotgun toting "trouble-shooter" in the old American west. He is credited as a co-creator of The Rebel, but he had no role in writing the pilot or any of the series' episodes. Adams had asked his friend Andrew J. Fenady to write the pilot as a starring vehicle for him. The series' only recurring character, publicized as a "Reconstruction beatnik", was played by Adams.

He argued that the youth already understood and rejected society's overorganized and unimportant goals. In Growing Up Absurd: Problems of Youth in the Organized System, Goodman blames American culture and value systems for the rise of juvenile delinquency in the late 1950s. Goodman argues that both urban juvenile delinquency and the beatnik subculture were responses of rebellion against the organized system. Goodman focuses on young men who, he argues, were justified in their rebellion against a society lacking in meaningful vocation, honorable community, sexual freedom, and spiritual sustenance.

The book was a best-seller, with 100,000 copies sold in three years, with wide readership among the New Left and across 1960s college campuses. Goodman's ideas became popular with student activists and it was said that every activist at Berkeley had a copy, even if few read the full text. Americans had seen isolated headlines on juvenile delinquency but had not seen the similarity of pattern between both urban and beatnik revolt against the organized system. To this public, Goodman's literary executor Taylor Stoehr recounted, Growing Up Absurd was "a revelation".

Published by CBS Software in 1984, Halftime Battlin' Bands is a multiplayer game that requires a player to compose a marching tune and then lead a rank of band members in complex formations to outmaneuver the opponent player (Single-play mode means that the opponent was the computer). In order to prevent the other band from accomplishing their goals, a bench of weapons are available for use against the other band. As the two opposing teams compete, The Jazz Scats (a beatnik jazz bandPrince, Suzan D. "Blips: The Sound of Music." Video Games Magazine. Vol.

In addition to displaying her comedic side, the film showcased her musical talents and featured half of the songs from her 1984 album Let's Dance Tonight. In 1988 she appeared as a beatnik in John Waters's film Hairspray, about which the film critic Roger Ebert wrote "If nothing else is worth the price of admission to this movie, perhaps you will be persuaded by the prospect of Zadora reading from Allen Ginsberg’s Howl." In 2000, Zadora was nominated at the 20th Golden Raspberry Awards as Worst Actress of the Century, ultimately losing to Madonna.

Jon McIntire, manager of the Grateful Dead from the late sixties to the mid-eighties, points out that the great contribution of the hippie culture was this projection of joy. "The beatnik thing was black, cynical, and cold." Hippies sought to free themselves from societal restrictions, choose their own way, and find new meaning in life. One expression of hippie independence from societal norms was found in their standard of dress and grooming, which made hippies instantly recognizable to one another, and served as a visual symbol of their respect for individual rights.

Along with his brother Russell, Simmons established Def Poetry Jam, which has enjoyed long-running success on HBO.The Body: Visual AIDS Web Gallery: Danny Simmons - November 2002 In 2004, Simmons published Three Days As the Crow Flies, a fictional account of the 1980s New York art scene. He has also written a book of artwork and poetry called I Dreamed My People Were Calling But I Couldn't Find My Way Home. He has also published " Deep in your best reflection" and "the Brown beatnik tomes", two additional volumes of poetry.

A Blues for Shindig is a gritty crime novel based in 1950s Soho and written by Mo Foster. Foster has said that parts of the novel are autobiographical, as this London-born author spent her early teens in the streets of edgy Soho. Foster was addicted to heroin and ran in beatnik circles, rubbing elbows with William S. Burroughs and Colin MacInnes. Inspired by MacInnes' real life depiction of London in his novel, City of Spades, Foster set out to write a short story that conveyed the same era from the perspective of strong woman.

Huey "Piano" Smith and His Clowns hit the Billboard charts with several follow-up singles in succession. It was "Scarface" John Williams who contributed the trademark "Mardi Gras" sound to Huey Smith's records. He was a member of the Apache Hunters, a Mardi Gras Indian tribe. He sang lead on "Genevieve", "Tu- Ber-Cu-Lucas And The Sinus Blues", "Beatnik Blues", and "Quit My Job", and contributed vocals to "Don't You Just Know It", "Pop-Eye", "Just A Lonely Clown", and others. Williams left the Clowns in 1959 and formed the Tick Tocks.

Beat Happening met while attending The Evergreen State College and began recording in 1983. The band took its name from a student art film, Beatnik Happening, made by Bret's girlfriend. The band's basic line-up was drums, guitar and vocals, though when they formed their only instruments were a pair of maracas and a Sears Silvertone guitar purchased at a thrift shop. Heather once joked in an interview that the history of the band could be told through a list of the various people whose drums they'd borrowed.

While there, Hogarth shows the Giant comic books chronicling the adventures of Superman. The incidents lead a xenophobic U.S. government agent named Kent Mansley to Rockwell. He suspects Hogarth's involvement after talking with him and his widowed mother Annie (Hogarth's father was a U.S. Air Force pilot who died during the Korean War), and rents a room in their house to keep an eye on him. Hogarth evades Mansley and leads the Giant to a junkyard owned by beatnik artist Dean McCoppin, who reluctantly agrees to keep him.

Three of DC's other surviving or revived characters, Green Arrow, the Atom, and Hawkman were added to the roster over the next four years. The Justice League operated from a secret cave outside of the small town of Happy Harbor, Rhode Island. A teenager named Lucas "Snapper" Carr tagged along on missions, becoming both the team's mascot and an official member. Snapper, noted for speaking in beatnik dialect and snapping his fingers, helped the group defeat the giant space starfish Starro the Conqueror in the team's first appearance.

He followed with singing and dancing lessons. In May 1963 he issued another single, "The Love Express", which Baker noted had "a perky girl chorus, train sounds, and the come-hither note in Dig's voice make [it] a train not to be missed, and there's plenty of intimate appeal in the other song ["The Whole Wide World"] – which Dig wrote himself". It was followed in December with "Comin' Down". In December he had a role, Dig the Beatnik, in Once Upon a Surfie, a surf musical farce at the Palace Theatre, Sydney.

Spurred mainly by the need for prompt childbirth assistance and emergency medical response, a field-phone style party line system was installed by The Farm's telephone crew in 1971. Telephone lines were expanded to widely cover even the most remote areas over the following year. Instead of common telephone bell ringers, the first telephones used Morse Code beeps to signal a call. The party line, affectionately known as Beatnik Bell, was eventually enabled in 1974 to route calls via a manual operator interconnect link patch to the outside line.

On New Year's Eve, Amy finds Norville drunk at a beatnik bar. She apologizes, but he storms out and is chased by an angry mob led by Buzz, whom Mussburger had convinced that Norville had stolen the flexi-straw idea after re-hiring him to his elevator job. Norville escapes to the top floor of the Hudsucker skyscraper and changes back into his mailroom uniform. He climbs out on the ledge, where Aloysius locks him out and watches as he slips and falls off the building at the stroke of midnight.

The term lamedvavnik is derived from the Hebrew letters Lamed (L) and Vav (V), whose numerical value (see Gematria) adds up to 36. The "nik" at the end is a Russian or Yiddish suffix indicating "a person who..." (As in "Beatnik"; in English, this would be something like calling them "The Thirty-Sixers".) The number 36 is twice 18. In gematria (a form of Jewish numerology), the number 18 stands for "life", because the Hebrew letters that spell chai, meaning "living", add up to 18. Because 36 = 2×18, it represents "two lives".

A variety of other small businesses also sprang up exploiting (and/or satirizing) the new craze. In 1959, Fred McDarrah started a "Rent-a- Beatnik" service in New York, taking out ads in The Village Voice and sending Ted Joans and friends out on calls to read poetry.Arthur and Kit Knight (ed.), The Beat Vision, New York: Paragon House, 1987, p. 281. "Beatniks" appeared in many cartoons, movies, and TV shows of the time, perhaps the most famous being the character Maynard G. Krebs in The Many Loves of Dobie Gillis (1959–1963).

28, retrieved 27 November 2011Swihart, Stanton "Beezer Review", Allmusic, retrieved 27 November 2011 John Peel was a big supporter of the band on their home turf and between 1994 and 1998 they recorded five Peel sessions,"Beatnik Filmstars", Keeping It Peel, BBC, retrieved 26 November 2011 as well as once being invited to sit in and chat with him during one of his broadcasts. The next album In Hospitalable was released on US label Merge Records. Again reviews were mostly positive, although most referred to the album title as In Hospitable!.

At Smith, she became aware of her talent and interest in understanding cultural difference by taking a course in classical literature. Deciding she wanted to be an anthropologist, Lapovsky enrolled in an Anthropology MA program at the University of New Mexico. After working on archaeological sites at Seattle, Albuquerque, and Jerusalem under the mentorship of professor Harry Basehart, she changed her focus to social anthropology. Basehart was fond of British social anthropology and encouraged Lapovky to study at Cambridge upon completing her MA. Before leaving for Cambridge, Lapovsky married Perry Kennedy, a beatnik and writer.

Lorenzo St. DuBois, also known by his initials "L.S.D.", is a charismatic but only semi-coherent, flower power hippie who can barely remember his own name. L.S.D. is cast as Hitler after he had wandered into the wrong theatre by mistake during the casting call. In the opening performance of Springtime for Hitler, the audience is initially horrified by the tasteless musical play and begins to leave, but L.S.D.'s beatnik-like portrayal of Hitler (and misunderstanding of the story) is found to be hilarious, causing the audience to misinterpret the production as a satire.

Of the similarities between the Scooby-Doo teens and the Dobie Gillis teens, the similarities between Shaggy and Maynard are the most noticeable; both characters share the same beatnik-style goatee, similar hairstyles, and demeanors. The core premise of Scooby-Doo, Where are You! was also similar to Enid Blyton's Famous Five books. Both series featured four youths with a dog, and the Famous Five stories often revolved around a mystery which invariably turned out not to be supernaturally based, but simply a ruse to disguise the villain's true intent.

Christe (2003), p. 10 The word "heavy" in this sense was a basic element of beatnik and later countercultural hippie slang, and references to "heavy music"—typically slower, more amplified variations of standard pop fare—were already common by the mid-1960s, such as in reference to Vanilla Fudge. Iron Butterfly's debut album, released in early 1968, was titled Heavy. The first use of "heavy metal" in a song lyric is in reference to a motorcycle in the Steppenwolf song "Born to Be Wild", also released that year:Walser (1993), p.

It was later seen in the zoot suiter of the 1930s and 1940s, the hipster of the 1940s, the beatnik of the 1950s–1960s, the blue-eyed soul of the 1970s, and the hip hop of the 1980s and 1990s. In 1993, an article in the UK newspaper The Independent described the phenomenon of white, middle-class kids who were "wannabe Blacks". 2005 saw the publication of Why White Kids Love Hip Hop: Wangstas, Wiggers, Wannabes, and the New Reality of Race in America by Bakari Kitwana, "a culture critic who's been tracking American hip hop for years".

Parks made her musical debut when she released the song "Cola" through Beatnik Records in November 2018, and announced the release of her debut EP, Super Sad Generation. She told Line of Best Fit that the song is "a reminder that betrayal is inevitable when it comes to pretty people that think flowers fix everything." Olivia Swash wrote that the vocals on the song "flourish thanks to [Parks'] creative writing background, with her delicate tone taking centre stage against the gently plodding guitars and soft crackle of vinyl." As of November 2019, the song has amassed over three million streams on Spotify.

At first he tries to protect her from his vampiric tendencies, warning her his studio is a cheerless place and at one point breaking a date with her to spend time gaining control of himself after murdering Daisy. But one day at the beach, she reveals her attraction to him and asks him to make love to her. He tries, but panics and runs away. As Dorian leaves the beach, she then is approached by the vampiric Sordi, who chases her back to town, where she is rescued by Max and two of his beatnik friends.

In the series, they work for a company called RetroGrade Interdimensional Couriers, of which a green-colored female alien named Tarara Boomdeyay is the boss. Other characters at their job include a female alien named Valerina and an older orange, male alien named Squish. The brothers, who are couriers, travel through their universe in their spacecraft (called the Hoog) to deliver packages to various planets. Each episode features a different planet with a different characteristic, such as "The Land of Oversized Games", which comprises life-sized game pieces such as a pinball machine, or "Hip City", a planet inhabited by beatnik aliens.

The word "beatnik" was coined by Herb Caen in his column in the San Francisco Chronicle on April 2, 1958. Caen wrote "Look magazine, preparing a picture spread on S.F.'s Beat Generation (oh, no, not AGAIN!), hosted a party in a No. Beach house for 50 Beatniks, and by the time word got around the sour grapevine, over 250 bearded cats and kits were on hand, slopping up Mike Cowles' free booze. They're only Beat, y'know, when it comes to work ..." Caen coined the term by adding the Yiddish suffix -nik to the Beat Generation.

Stone with Éric Charden (2007) Annie Gautrat, better known by her stage name Stone (born in Paris on 31 July 1947) is a French singer and actor, and very notably part of the musical duo Stone et Charden with her then-husband Éric Charden. the duo were successful in the 1970s with some hits in France and internationally. In 1966, Gautrat (Stonebecause Annie's hairstyle looked like Brian Jones (Rolling Stones)'s hairstyle) was taking part in the "Miss Beatnik" competition where Éric Charden was a member of the jury. They were acquainted after the competition and got married the same year.

In one 1967 episode of The Man from U.N.C.L.E., "The Napoleon's Tomb Affair", Feld played a banker, a beatnik, a diplomat and a waiter. The episode also featured Ted Cassidy from The Addams Family. In his later years, Feld appeared in several Walt Disney films and also played an uncharacteristically dramatic role in Barfly. In addition to films, he acted in numerous television series in guest roles, including the recurring role of "Zumdish", the manager of the intergalactic Celestial Department Store on Lost In Space, in two Season 2 episodes, The Android Machine and The Toymaker.

It was a public fight with articles in many of the New York and Philadelphia papers, with one headline declaring "Wilbur Evans Calls Ex-Wife Beatnik." Evans lost the custody suit but was successful in keeping his ex- wife from living further than "100 miles of Columbus Circle" in New York City. Evans would soon withhold payments for rent, alimony and child support, disappearing from the lives of his two boys. Soon, Foster and her two boys Michael and Philip were evicted and lived for a time in several hotels on the upper west side of Manhattan.

Blectum has released many solo albums, and released a CD/DVD Unseen Forces on Matmos's Vague Terrain label as part of multimedia band Sagan with J Lesser, video producer Ryan Junell, and Wobbly. In 1998 she worked at Orban testing radio processing units, in 1999 worked at Thomas Dolby's Headspace and Beatnik Inc. as a beta-tester, and in 2000 to 2004 worked as a sound designer at LeapFrog Enterprises and several smaller sound design companies in the San Francisco Bay Area. She has commonly worked with the software Ableton Live, Pro Tools, Max/MSP/Jitter, Apogee Duet.

Ronald Perry writes that many words and expressions have passed from African-American Vernacular English into Standard English slang including the contemporary meaning of the word "cool." The definition, as something fashionable, is said to have been popularized in jazz circles by tenor saxophonist Lester Young.Cool - Online Etymology Dictionary This predominantly black jazz scene in the U.S. and among expatriate musicians in Paris helped popularize notions of cool in the U.S. in the 1940s, giving birth to "Bohemian", or beatnik, culture. Shortly thereafter, a style of jazz called cool jazz appeared on the music scene, emphasizing a restrained, laid-back solo style.

Peggy then becomes friends with Joyce Ramsay (Zosia Mamet), a photo editor for Life magazine and a lesbian. Peggy develops feelings for one of Joyce's beatnik friends, Abe Drexler (Charlie Hofheimer); their relationship is almost derailed because of his subtle and pernicious sexism and criticisms of advertising, but their relationship eventually develops into a romance. Despite friction over Peggy's work life, she accepts Abe's proposal to live together in her apartment. The relationship causes strain between Peggy and her mother Katherine (Myra Turley), who is concerned that her daughter is "living in sin" with a Jewish man.

Stylistic differences between beatniks, marked by somber colors, dark shades and goatees, gave way to colorful psychedelic clothing and long hair worn by hippies. While the beats were known for "playing it cool" and keeping a low profile, hippies became known for displaying their individuality. One early book hailed as evidencing the transition from "beatnik" to "hippie" culture was Been Down So Long It Looks Like Up to Me by Richard Fariña, brother-in-law of Joan Baez. Written in 1963, it was published April 28, 1966, two days before its author was killed in a motorcycle crash.

Gortner spent the remainder of his teenage years as an itinerant beatnik. Hard pressed for money in his early twenties, he decided to put his old skills to work and re-emerged on the preaching circuit with a charismatic stage show modeled after those of contemporary rock stars, most notably Mick Jagger of the Rolling Stones. He made enough money to take six months off every year, during which he returned to California and lived off his earnings before returning to the circuit. In the late 1960s, Gortner experienced a crisis of conscience about his double life.

He graduated from Yale University in 1955, after studying with novelist and poet Robert Penn Warren and Cleanth Brooks, advocates of New Criticism. After working a teaching job in Vermont, Dickerson read his poems at venues with Beatnik poets such as Gregory Corso, Diane di Prima, and Ted Joans. His poetry was praised by novelist Norman Mailer. He maintained long term friendships with many well-known artists, including songwriter Leonard Cohen, actor Richard Widmark, playwright Arthur Miller, actor Roscoe Lee Browne, opera soprano Leontyne Price, Edna St. Vincent Millay’s sister, Norma Ellis, John Farrar, and ex-Poet Laureate Mark Strand.

Reception on the album is generally mixed, with Richie Unterberger, writing for the Allmusic website, being critical on Bruce-Douglas's lyrics, saying they "are unintentional hippie parodies without any irony or humor, whether solemnly aspiring to a beatnik state or indicting the straight world". Peter Lovell, while reflecting on Ultimate Spinach's role in the Bosstown Sound, writes that despite the album's shortcomings "fans will find plenty to like and Douglas comes off well. He's got the songs and the trippy lyrics and his playing is equal to the first album. His ideas are strewn though the LP".

From a cultural standpoint, coffeehouses largely serve as centers of social interaction: a coffeehouse provides patrons with a place to congregate, talk, read, write, entertain one another, or pass the time, whether individually or in small groups. Since the popularization of Wi-Fi, coffeehouses with this capability have also become places for patrons to access the Internet on their laptops and tablet computers. A coffeehouse can serve as an informal club for its regular members. As early as the 1950s Beatnik era and the 1960s folk music scene, coffeehouses have hosted singer-songwriter performances, typically in the evening.

North Beach is a neighborhood in the northeast of San Francisco adjacent to Chinatown, the Financial District, and Russian Hill. The neighborhood is San Francisco's "Little Italy" and has historically been home to a large Italian American population, largely from Northern Italy. It still has many Italian restaurants, though many other ethnic groups currently live in the neighborhood. It was also the historic center of the beatnik subculture and has become one of San Francisco's main nightlife districts as well as a residential neighborhood populated by a mix of young urban professionals, families, and Chinese immigrants.

Cool Cat was a hep Bengal tiger (whose design was very similar to that of The Pink Panther and Snagglepuss) who wore a stylish green beret and scarf. Unlike most other Looney Tunes characters, Cool Cat was unapologetically a product of his time. He spoke in 1960s-style beatnik slang and acted much like a stereotypical laid-back 1960s teenager — he was often seen strumming a guitar or traveling cross-country in his dune buggy. One cartoon — McKimson's Bugged by a Bee — depicted him as an alumnus of "Disco Tech" playing varsity football against the long-haired team from "Hippie University".

Nunberg was born in 1945 to his mother, a high school teacher, and his father, a commercial real estate worker. He grew up in the suburbs of New York City, and as a teenager he was attracted to the growing beatnik scene in nearby Greenwich Village. He graduated from Scarsdale High School to attend Columbia University for pre-law, but left to pursue an art degree at the Art Students League of New York. While in art school, he began writing as a side project but eventually left art school to re-enrolled at Columbia from where he ultimately received his Bachelor's degree.

From 1963 to 1966, Anderson hosted Shock Theater under the alter ego of Ghoulardi, a hipster that defied the common perception of a horror host. While this version of Shock Theater also featured grade "B" science fiction and horror films, Ghoulardi mocked the films he was hosting, and spoke in an accent-laden beatnik slang. Often, comedic sound effects or music would be inserted in place of the movie's audio track. Occasionally, Ghoulardi would even insert himself into a film and appear to run from the monster, using a chroma key system that WJW normally utilized for art cards.

Small Change received critical reviews equal to or better than Waits's previous albums, and was at first a surprise commercial success, rising to #89 on the Billboard chart within two weeks of its release. Three weeks later, the album fell off the Billboard Top 200, and Waits was not to better its position until 1999's Mule Variations. When asked in interview by Mojo magazine in 1999 if he shared many fans' view that Small Change was the crowning moment of his "beatnik-glory-meets-Hollywood-noir period" (i.e. from 1973 to 1980), Waits replied > Well, gee.

The play starts with the musical number, "Springtime for Hitler". Accompanied by dancing stormtroopers, who at one point form a Busby Berkeley-style swastika, the play immediately horrifies everyone in the audience except the author, and one lone viewer who breaks into applause—only for the latter to get pummeled by other disgusted theatergoers. As the audience begins to storm out of the theater, the first scene starts, with L.S.D. dressed up in full Nazi uniform and talking like a beatnik. The remaining audience starts to laugh, thinking that it is a satire, and those that had left return to the theater.

Attributions to Jack Benny are mistaken; it is uncertain if he ever used the joke. Alternatives to violinist Jascha Heifetz as the second party include an unnamed beatnik, bopper, or "absent-minded maestro", as well as pianist Arthur Rubinstein and trumpeter Dizzy Gillespie. Gino Francesconi, Carnegie Hall archivist, favours a version told by the wife of violinist Mischa Elman, in which her husband makes the quip when approached by tourists while leaving the hall's backstage entrance after an unsatisfactory rehearsal. The joke is so well known it is often reduced to a riddle with no framing story.

A Bucket of Blood is a 1959 American comedy horror film directed by Roger Corman. It starred Dick Miller and was set in beatnik culture. The film, produced on a $50,000 budget, was shot in five days and shares many of the low-budget filmmaking aesthetics commonly associated with Corman's work. Written by Charles B. Griffith, the film is a dark comic satire about a dimwitted, impressionable young busboy at a Bohemian café who is acclaimed as a brilliant sculptor when he accidentally kills his landlady's cat and covers its body in clay to hide the evidence.

In Freberg's version, the lead singer is forced to run down the hall and close the door after him to muffle the sound of his "Day-O!" because the beatnik bongo drummer, voiced by Leeds, complains, "It's too shrill, man. It's too piercing!" When he gets to the lyric about "A beautiful buncha ripe banana/Hide the deadly black tarantula," the drummer protests, "I don't dig spiders!" The flip is "Tele-Vee-Shun", an anti-TV song about what television has done to his family, sung in a heavy faux-Trinidadian accent and set to a Calypso tune.

The 1961 alt=A white car with brown stripes, with open wheels and a clear bubble canopy over twin seats, and exposed, chromed engine with a blower. Beatnik Bandit II and a few of Roth's other cars are also on display in this museum. Roth is best known for his grotesque caricatures — typified by Rat Fink — depicting imaginary, out-sized monsters driving representations of the hot rods that he and his contemporaries built. Roth began airbrushing and selling "Weirdo" T-shirts at car shows and in the pages of Car Craft magazine as early as July 1958.

The lesser-known Rendina Studios of Detroit and Mad Mac of Cleveland also joined in on the monster "weirdo" shirt craze, but Roth was certainly the man who widely popularized the "monsters in hot rods" art form. In 1959 Roth created the Outlaw. This fiberglass Kustom hot rod was featured in the January 1960 issue of Car Craft. The car was covered in Car Craft and Rod and Custom, and appeared at custom car and hot rod shows. Other hot rods include the Beatnik Bandit (1961), the twin Ford engined Mysterion (1963), the Orbitron (1964), and the Road Agent (1965), among others.

The song was recorded in December 1975 at Eastern Sound, a recording studio composed of two Victorian houses at 48 Yorkville Avenue in a then-beatnik district of downtown Toronto. The famous studio, which also recorded Rush, Cat Stevens, Bruce Springsteen and Jimi Hendrix, was later torn down and replaced by a parking lot. The song was the first commercial early digital multi-track recording tracked on the prototype 3M 32-track digital recorder, a novel technology for the time. Pee Wee Charles and Terry Clements came up with "the haunting guitar and steel riffs" on a "second take" during the evening session.

Lee Quarnstrom grew up in Longview, Washington and the Chicago suburb of Wilmette, Illinois where he attended New Trier High School. Lee Quarnstorm's journalism career began with the City News Bureau of Chicago, which soon gave way to his cross-country adventures. As a post-Beat Generation, pre-Hippie beatnik, Quarnstrom lived in San Francisco, Greenwich Village, Seattle, Mexico City, and Ken Kesey’s remote home in the Santa Cruz Mountains above the Bay Area. At a cabin in La Honda, California, where Lee Quarnstrom lived, frequent visitors included the Hells Angels and The Warlocks, precursors to the Grateful Dead.

Fethry Duck is the son of Lulubelle Loon and Eider Duck (a son of Grandma Duck) and is the beatnik cousin of Donald Duck. He was created for the Disney Studio Program by Dick Kinney and Al Hubbard and was first used in the story "The Health Nut", published on August 2, 1964. Fethry has a rather unorthodox way of viewing and reacting to the world around him, as does his backwoods brother, Abner "Whitewater" Duck (from WDC&S; #267). In 1982, the Brazilian Disney market created a young nephew for Fethry named Dugan Duck who tends to be quite a handful.

Kushner was born in Eugene, Oregon, the daughter of two scientists whom she has described as "deeply unconventional people from the beatnik generation." Her mother arranged after-school work for her straightening and alphabetizing books at a feminist bookstore when she was 5 years old, and Kushner says "it was instilled in me that I was going to be a writer of some kind from a young age." Kushner moved with her family to San Francisco in 1979. When she was 16, she began her Bachelor's in Political Economy at UC Berkeley with an emphasis on US foreign policy in Latin America.

The Allmusic site rated the album 3 stars stating "The idea of taking Word Jazz weirdo Ken Nordine and having him perform several romantic jazz standards in a beatnik- esque spoken-word style sounds like it would either be awfully fantastic or fantastically awful. Perhaps the worst thing that can be said about the result is that it's neither. Even though he's not able to pull this off in its entirety, this is the sort of thing that would make you smile if someone dropped one of the tracks onto a mixtape or into an eclectic radio set".

Benzedrine and derived amphetamines were used as a stimulant for armed forces during World War II and the Vietnam War. Benzedrine was extensively referenced in Beatnik culture and writings. It was referenced in the works of famous Beats, including Jack Kerouac's novel On the Road, Sylvia Plath's novel The Bell Jar, William S. Burroughs's novel Junky, and Allen Ginsberg's memoir poem "Howl". Benzedrine is also mentioned in John Rechy's novel City of Night and several novels by Jacqueline Susann, in particular The Love Machine in which main character Robin Stone treats the drug as a staple of "a well balanced diet" inclusive of red meat and cigarettes.

Milstead developed a large coterie of friends, among them David Lochary, who became an actor and costar in several of Divine's later films. In the mid-1960s, Milstead befriended John Waters through their mutual friend Carol Wernig; Waters and Milstead were the same age and from the same neighborhood, and both embraced Baltimore's countercultural and underground elements. Along with friends like Waters and Lochary, Milstead began hanging out at a beatnik bar in downtown Baltimore named Martick's, where they associated with hippies and smoked marijuana, bonding into what Waters described as "a family of sorts". Waters gave his friends new nicknames, and it was he who first called Milstead "Divine".

Introduction at www.ghoulfinger.com, second paragraph The Ghoul returned to Cleveland TV in 1998 on WBNX-TV Channel 55 where he remained for the next six years airing on Friday, then later Sunday nights. He also did a Saturday night request show on classic rock station WNCX FM 98.5 during the same time period. The same year, Sweed co-authored (with Mike Olszewski) ' (), a book collecting memories, on- set photographs, transcripts, correspondence, and memos from his years on the air. Said Robert St Mary, a Detroit journalist and author of The Orbit Magazine Anthology: Re-Entry: “Ron understood that times had changed from the beatnik version of Ernie.

Dolby performing in 2006 Following his involvement in Beatnik Inc, Dolby returned to his musical career in 2006. He performed his first solo public show in 15 years at the Red Devil Lounge in San Francisco, California on 21 January 2006, surprising the crowd who were there to see local band Notorious. He then launched an American tour, the Sole Inhabitant Tour, on 12 April, comprising a string of small dates in California, a science education benefit in Boulder, Colorado, and gigs across America before receptive crowds. The United States leg of the "Sole Inhabitant Tour 2006" was captured on a "live" CD and DVD.

As Yvonne introduces Thomas to the London art underworld of Beatnik basement clubs and galleries the pair fall in love and form a meaningful relationship, whilst Thomas actually leads a double-life. Unknown to Thomas, he is being watched by Harris (Sean Chapman), a ruthless British Secret Intelligence Service officer, with links to Steiner, and answerable to Commander Bothringaye, a senior civil servant who runs an autonomous security department. They decide to apprehend Dennis as the supposed leader not only of the spy-cell but also of a planned coup, in collaboration with local Communist groups. Thomas then receives an order from Tally-Ho to assassinate Dennis.

It was here he renewed his acquaintance with the young Abe Green, a fellow train jumper and much later on in the early beatnik scene, a regular reciter of his own enigmatic brand of spontaneous poetry. Despite his comparative youth, Green was often referred to by Huncke as "Old Faithful". Huncke valued loyalty and it is thought that Abe Green was of "inestimable assistance" to Lucien Carr and Jack Kerouac when it came to the concealment of the weapon used to kill David Kammerer some years later. During the late 1940s, Huncke was recruited to be a subject in Alfred Kinsey's research on the sexual habits of the American male.

1838 Confessions of an English Opium-Eater also served as inspiration to one of Hector Berlioz's most famous pieces, Symphonie fantastique. The play The Opium Eater by Andrew Dallmeyer was also based on Confessions of an English Opium-Eater, and has been published by Capercaillie Books. In 1962, Vincent Price starred in the full-length film Confessions of an Opium Eater which was a reimagining of De Quincey's Confessions by Hollywood producer Albert Zugsmith. In the 1999 documentary Tripping, recounting Ken Kesey's Further bus and its influence, Malcolm McLaren refers to De Quincey's book as the influence for the beatnik generation before Jack Kerouac's popular On the Road was written.

The British Secret Service revives Tont who has only been cryogenically frozen but uses his well publicised death to enable him to infiltrate a criminal scheme to attack an unknown religious centre in a project called "Operazione D.U.E./Operation T.W.O.". The organisation is also attempting to steal components to assemble a powerful weapon called a synchrophasotron. Tont travels to London disguised as a beatnik named "Bingo Kowalski" in order to infiltrate a group of young hipsters suspected in stealing the first component of the weapon. At the Blue Dolphin discotheque Tont successfully seduces Helen, Spring's agent who has used the beatniks to steal the second component of the weapon.

U.S. Route 66, immortalized in song and literature, passes through Arcadia, on Huntington Drive in Downtown Arcadia, before turning off onto Colorado Place and then Colorado Street. After intersecting the 210 freeway, Route 66 runs parallel to and south of the freeway, cutting across the middle section of Arcadia. The city is mentioned by Jack Kerouac in his novel On the Road: Sal, the protagonist, is put off by "preppy" teens when he stops for food at a local drive-in restaurant with a young Mexican woman. The vignette demonstrates the culture clash between the "Beatnik" way of life and that of 1950s conservative America.

Don, meanwhile, has trouble balancing his life as he cheats on his wife, Betty Draper, with a beatnik artist named Midge Daniels. Roger Sterling, the acerbic son of one of Sterling Cooper's founding partners, cheats on his wife, Mona, with Joan, with whom he is enamored. Sterling Cooper begins working for the 1960 Nixon presidential campaign, gratis and unbidden, as they believe Nixon's success will benefit their business. They are also working to reassure their largest client, Lucky Strike, whose account is the firm's bread and butter, in the face of resurgent medical research demonstrating smoking is harmful and related lawsuits and impending legislation harmful to the tobacco industry.

McDonald went on to perform on several classic reggae tracks such as Cherry Oh Baby, Funky Kingston and Rivers of Babylon. He left Jamaica after playing on several crucial Bob Marley cuts and has since backed up American icons, from Taj Mahal, Gil-Scott Heron, Bad Brains and Dave Hahn, earning him the sometime nickname “Original Beatnik”. Blending ska, reggae, jazz and blues, David Hillyard and The Rocksteady 7 has championed the style of mixing Jamaican Rhythms and American Jazz, celebrating commonalities between improvised foundation ska, roots reggae, and Latin jazz played by an accomplished and diverse line-up. "I picked the musicians for their personal style," says Hillyard.

Ocasek wrote a book of poetry in 1993 titled Negative Theatre. It was at one time expected to be incorporated into an album and multimedia incarnation of the same name, but those plans were dropped abruptly. For many years Ocasek had a hobby of making drawings, photo collages, and mixed-media art works which, in 2009, were shown at a gallery in Columbus, Ohio, as an exhibition called "Teahead Scraps". Ocasek had a cameo role as a beatnik painter in the John Waters film Hairspray (1988), and had a small part in the movie Made in Heaven (1987) in which he played a mechanic.

Regina Carrol (May 2, 1943 - November 4, 1992) was an American performer, born as Regina Carol Gelfan, mostly remembered for her roles in films directed by her husband, Al Adamson. After several stage roles she entered film through a family friend, Steve Cochran who gave her a small role as a beatnik in The Beat Generation (1959). She met Al Adamson in a coffee shop in 1968 that led her to appear in several of his films.p. 228 Lisanti, Tom Drive-in Dream Girls: A Galaxy of B-movie Starlets of the Sixties McFarland, 1 Jan 2003 She died of cancer in St. George, Utah, on November 4, 1992.

Wellman was born in Los Angeles, California, and is the son of actress Dorothy Wellman (née Coonan) and director William A. Wellman, about whose life and career he has talked in a number of interviews. His sister is actress Cissy Wellman. Wellman played the main character, David Michaels, in the last two of four Christian movies based on The Book of Revelation, Image of the Best and The Prodigal Planet. He played the beatnik biker, Child, in the first Billy Jack (Tom Laughlin) movie "The Born Losers" and then other characters in followup Billy Jack movies, "Trial of" and "The Return of Billy Jack".

Don Draper met his future wife, Betty Hofstadt, when she was working as a model, later surprising her when he purchased a fur she wore during a photo shoot. With that gesture being the start of their relationship, Betty and Don were soon married. The couple later has their first child, Sally, soon followed by a son, Bobby. In Season 3, the Drapers have another son, Gene, named after Betty's recently deceased father. Don cheats on his wife repeatedly throughout Seasons 1 and 2. In Season 1, he is involved with Midge Daniels (Rosemary DeWitt), a pot-smoking artist and beatnik who works out of a small apartment in Greenwich Village.

He changes his mind after realizing Midge is in love with a fellow beatnik, and instead stuffs the check into her blouse, telling her to 'go buy a car' with it. Don doesn't see her again until Season 4, when Midge pretends to inadvertently run into him with the hope of selling a painting to help fund her heroin addiction. He agrees to visit her apartment but, after learning of her true intentions, somberly purchases a painting and leaves. During and after his affair with Midge, Don pursues Rachel Menken (Maggie Siff), the daughter of Abraham Menken, the elderly Jewish founder of the upscale Menken's Department Store.

Neil Mavers and Cammell briefly reunited once more in 2002, performing with another former La's member, guitarist Barry Sutton in Heavy Lemon. The band played three shows in 18 months before disbanding. Cammell also went on perform with Sutton again in his jam-style project Beatnik Hurricane in 2015, playing dates in Liverpool, including residencies at The Everyman Bistro and a tour of Ireland, most notably a sold-out show in Dublin. In 2015, previous recordings and demos by Cammell's band surfaced online (most notably the song "Make A Chain") which led to Cammell forming a new band named Cami & The Reverbs, managed by La's associate Chris Parkes.

Sutcliffe's first guitar liverpoolmuseums.org.uk. Retrieved 13 May 2007 He started acting as a booking agent for the group, and they often used his Gambier Terrace flat as a rehearsal room. In July 1960, the Sunday newspaper The People ran an article entitled "The Beatnik Horror" that featured a photograph taken in the flat below Sutcliffe's of a teenaged Lennon lying on the floor, with Sutcliffe standing by a window. As they had often visited the Jacaranda club, its owner, Allan Williams, arranged for the photograph to be taken, subsequently taking over from Sutcliffe to book concerts for the group: Lennon, McCartney, Harrison and Sutcliffe.

Bob Denver was not the first choice to play Gilligan; actor Jerry Van Dyke was offered the role, but he turned it down, believing that the show would never be successful. He chose instead to play the lead in My Mother the Car, which premiered the following year and was canceled after one season. The producers looked to Bob Denver, the actor who had played Maynard G. Krebs, the goofy but lovable beatnik in The Many Loves of Dobie Gillis. Natalie Schafer had it written into her contract that no close-ups would be made of her, but after a while in the series it was forgotten.

Fast Speaking Music functions as an imprint and archival repository for works of musical, literary, and pedagogical value. It is at once a poetic document- producing entity, performing institution and pedagogical archive whose creators hold educational programs in the United States and internationally (notably within Naropa University's faculty). Fast Speaking Music releases are collaborative documents between poets, musicians, artists, activists, historians, and visiting and permanent faculty of the internationally renowned Summer Writing Program (SWP) at Naropa University's Jack Kerouac School of Disembodied Poetics (JKS). The school, named after Beat Generation writer Jack Kerouac, was co-founded by his friend, Beatnik poet Allen Ginsberg, and Fast Speaking Music co-founder Anne Waldman.

In RPI's 1953 pamphlet, An Entirely Different College, Hibbs defined a professional institute as a college or university that arranged most of its programs of study around occupations or professions.Bonis 2006: 61 Not abiding to the traditional University system, RPI gained a reputation as a unique institution in conservative Virginia.Bonis 2006: 61 This uniqueness found its way into many of the art and literature students during the 1950s and 1960s as they adopted the beatnik look and dress style. When George Oliver took over as President in 1959, he did not believe that RPI still needed the name recognition that William and Mary brought.

Trynka calls Easton "the forgotten man of the Stones story". Clayson argues that, notwithstanding Easton's own prim dislike of the beatnik culture, it did not "prevent him from turning a hard-nosed penny or two when the opportunity knocked". Wyman, speaking to the Evening Herald's Eamon Carr in 1990, also believed that, while the Stones in their early days were consistently poor—"all the expenses went onto the band", he said—Oldham and Easton, "probably were quite wealthy". This, suggests Wyman, was both on account of the management team earning twice what the group did, and also that, following their departures, both men received large pay-offs.

Nationalteatern were significant because they were not only a musical group, but also theatre performers; and in the talented leftist artist Mikael Wiehe (1946–) of Hoola Bandoola Band, there was a renewal of Swedish ballad writing, in the direction of high quality proletarian lyrics. One of the rebels of the 1970s was Ulf Lundell (1949–) who abandoned the grass root movement for rock 'n roll. In 1976, he broke through in literature with his debut novel Jack, a beatnik novel that came to represent a whole generation. While critics were not impressed, the novel sold in great numbers and is still appreciated by many.

The Beatles began recording "It's All Too Much" on 25 May 1967 at De Lane Lea Studios, located on Kingsway in central London. With producer George Martin not in attendance that day, nor for the subsequent session, on the 26th, the band produced the recording themselves. The song had the working title of "Too Much", a phrase that journalist Robert Fontenot terms "beatnik vernacular for an experience that was exceptionally mindblowing". The group taped four takes of the basic track, the final version of which extended to over eight minutes, with Harrison playing Hammond organ, Lennon on lead guitar, Paul McCartney on bass, and Ringo Starr on drums.

'Lizzy Le Quesne, 'Liz Aggiss: The 3D Queen of Brighton', Ballet Tanz Jahrbuch, 2005, p55 Aggiss and Cowie's final collaboration was Men in the Wall (2003), a 3D film installation piece which premiered at the ICA. It comprised 'four square holes cut into a wall each containing a man – projected life size or a little bigger – of cutely exaggerated different nationalities. In over-the-top German accent Thomas Kampe rants and rails, munches on a sausage and sweetly sings. Sebastian Gonzales recalls beloved Spanish customs with tension and flair, Anglo-Asian Jeddi Bassan wimpers and pompously prattles while American Scott Smith is casual and crumpled – a soft and sensitive post-beatnik.

Simone's mixture of jazz, blues, and classical music in her performances at the bar earned her a small but loyal fan base. In 1958, she befriended and married Don Ross, a beatnik who worked as a fairground barker, but quickly regretted their marriage. Playing in small clubs in the same year, she recorded George Gershwin's "I Loves You, Porgy" (from Porgy and Bess), which she learned from a Billie Holiday album and performed as a favor to a friend. It became her only Billboard top 20 success in the United States, and her debut album Little Girl Blue followed in February 1959 on Bethlehem Records.

His portrayals of jazz musicians were usually stereotypical "beatnik" types, but jazz was always portrayed as preferable to pop, calypso, and particularly the then-new form of music, rock and roll. He whopped doo-wop in his version of "Sh-Boom" and lampooned Elvis Presley with an echo/reverb rendition of "Heartbreak Hotel". The United States of America includes a sketch involving the musicians in the painting The Spirit of '76. The terribly hip fife player ("Bix", played by Freberg) and the younger drummer (played by Walter Tetley) argue with the older, impossibly square drummer ("Doodle", also voiced by Freberg) over how "Yankee Doodle" should be performed.

Joseph Zehrer studied arts from 1982 to 1988 at the Academy of Fine Arts, Munich. His teachers there were, among others, Eduardo Paolozzi (sculpting) and Hans Baschang (drawing and painting). From 1992 until 1994, together with the music journalist Karl Bruckmaier, Zehrer initiated a series of single topic film events (such as "Beatnik") in Munich. In 1993 he received the award for visual arts by the city of Munich (category "New Media"). His works are sculptures, installations, paintings and drawings, und light installations, bearing titles such as "Kunst sieht fern" (Art is watching TV), "Vorhänge - Eingeklemmtes - Melancholiker - Pistolen" (Curtains - Pinched Things - Melancholic - Pistols) and „per plexi“.

Lindi St Clair, aka Miss Whiplash in her prime.Born in Hackney, London, Lindi St Clair's real name was Marian June Akin. She grew up in Swindon, Wiltshire, where she went to school and at 14 years of age became a beatnik, then a mod, then a rocker and a biker, running away from home to London where she associated with the rockers and Hells Angels. She found employment in a few menial jobs before becoming a prostitute on the streets and, not drinking, smoking or taking drugs, was able to save enough money to buy a large freehold Victorian end-of- terrace house in Earls Court.

In 1966, she spent some time at Millbrook with Timothy Leary's psychedelic community and printed the first two editions of "Psychedelic Prayers" by Leary in Spring 1966. In 1969, she wrote a fictionalized, erotic account detailing her experience in the Beat movement titled Memoirs of a Beatnik. From 1974 to 1997, di Prima taught Poetry at the Jack Kerouac School of Disembodied Poetics, of the Naropa Institute in Boulder, Colorado, sharing the program with fellow Beats Allen Ginsberg (Co-founder of the program), William Burroughs, Gregory Corso, and others. In 2001, she published Recollections of My Life as a Woman: The New York Years.

He called the place the "hungry i" nightclub. Enrico Banducci later took over club and it became the cradle of stand-up comedy. In June 1958, on orders from San Francisco mayor George Christopher to crack down on drug use and delinquency in North Beach, San Francisco police raided Nord's Party Pad club and arrested him for operating a public dance without a license. Later that summer, on August 8, in an article titled "Schoolgirl Lost in Beatnik Land", San Francisco Chronicle readers learned that two high school girls in Eric "Big Daddy" Nord's production of Archy and Mehitabel had disappeared after the previous night's performance.

Malati Dasi happened to hear Moby Grape, a relatively unknown group at the time, and she convinced the other team members to invite the band to play at the concert as well.While sources concur on the appearance of the Grateful Dead, Janis Joplin with Big Brother and the Holding Company, and Moby Grape at the Mantra-Rock Dance, some of them also list Jefferson Airplane, Quicksilver Messenger Service, and Grace Slick among the event's performing musicians. (; ; ; and ) Another leading countercultural figure, the beatnik poet Allen Ginsberg, was a supporter of Prabhupada. He had met the swami earlier in New York and assisted him in extending his United States visa.

Cool offers residents and visitors alike the opportunity to enjoy a peaceful rural residential environment, including small restaurants, as well as the Auburn State Recreational Area, which is open to the public for hiking and horsebackriding. There is no clear record of how the town came to be called Cool. Some locals believe that a beatnik named Todd Hausman coined the name in early 1947 on a cross country road trip, and appended it to the town. However, some local historians claim that the town was named during the days of the Gold Rush after a man named Aaron Cool, though no records exist about him.

It starred poets Allen Ginsberg and Gregory Corso, musician David Amram and painter Larry Rivers among others. Originally to be called The Beat Generation, the title was changed at the last moment when MGM released a film by the same name in July 1959 that sensationalized beatnik culture. The television series Route 66 (1960–1964), featuring two untethered young men "on the road" in a Corvette seeking adventure and fueling their travels by apparently plentiful temporary jobs in the various U.S. locales framing the anthology-styled stories, gave the impression of being a commercially sanitized misappropriation of Kerouac's story model for On the Road.

The Last Times was a tabloid underground newspaper published in San Francisco in 1967 by beatnik poet and printer Charles Plymell. It lasted only two issues, but included work by William Burroughs, Claude Pelieu, Allen Ginsberg, and Charles Bukowski. The Last Times featured William Burroughs' text Day the Records Went Up (a version of which later appeared in Evergreen Review, November 1968), Claude Pelieu's Do It Yourself & Dig It, Allen Ginsberg's poem "Television Was A Baby Crawling Toward that Deathchamber" (also published in Ginsberg's book T.V. Baby Poems , London: Cape Goliart Press, 1967), and a Charles Bukowski column, collected in his Notes of a Dirty Old Man, reprinted from the Los Angeles-based underground journal Open City.Open City vol.

The film starred E. G. Marshall, Don Murray and Jack Warden with a notable featured part for actress Carolyn Jones who later portrayed Morticia Addams in the television series The Addams Family. Carolyn Jones played the role of a beatnik at a party and made a considerable impact with viewers. The Bachelor Party won a National Board of Review Award and was nominated for the Palme d'Or Award at the Cannes Film Festival, the BAFTA Award for Best Film from any Source and the Academy Award for Best Actress in a Supporting Role (for Carolyn Jones). One of today's best remembered film from Hecht-Hill-Lancaster Productions is Sweet Smell of Success, released in late 1957.

Stone et Charden is a famous French musical duo made up of Éric Charden (born in Hai Phong, Vietnam on 15 October 1942, died on 29 April 2012) and his then- wife Annie Gautrat known as Stone (born in Paris on 31 July 1947) Éric Charden was born during World War II, to a French father and a Tibetan mother. In 1966, Annie Gautrat (Stone) was taking part in the "Miss Beatnik" competition where Éric Charden was a member of the jury. They were acquainted after the competition and got married the same year. Already having separate musical careers, they decided to form the duo known as Stone et Charden in 1971.

By 1960, a small "beatnik" group in Newquay, Cornwall, England (including a young Wizz Jones) had attracted the attention and abhorrence of their neighbours for growing their hair beyond shoulder length, resulting in a television interview with Alan Whicker on BBC television's Tonight series. The Beat philosophy was generally countercultural and antimaterialistic, and stressed the importance of bettering one's inner self over material possessions. Some Beat writers, such as Alan Watts, began to delve into Eastern religions such as Buddhism and Taoism. Politics tended to be liberal, left-wing and anti-war, with support for causes such as desegregation (although many of the figures associated with the original Beat movement, particularly Kerouac, embraced libertarian and conservative ideas).

His spring 1958 collection almost certainly saved the enterprise from financial ruin; the straight line of his creations, a softer version of Dior's New Look, catapulted him to international stardom with what would later be known as the "trapeze dress". Others included in the collection were dresses with a narrow shoulder and flared gently at the bottom. At this time, he shortened his surname to Saint Laurent because the international press found his hyphenated triple name difficult to spell. His fall 1958 collection was not greeted with the same level of approval as his first collection, and later collections for the House of Dior featuring hobble skirts and beatnik fashions were savaged by the press.

James Lincoln Collier (born June 29, 1928) is an American journalist, professional musician, and author of books, primarily non-fiction for adult readers and fiction for children. His literary works include My Brother Sam Is Dead (1974), a Newbery Honor book that was also named an American Library Association Notable Children's Book and nominated for a National Book Award in 1975. He also wrote a children's book titled The Empty Mirror (2004), The Teddy Bear Habit (1967), about an insecure boy whose beatnik guitar teacher turns out to be a crook, and Rich and Famous (1975), sequel to The Teddy Bear Habit. His list of children's books also includes Chipper (2001), about a young boy in a gang.

We return to the cavemen, where Caveman Whistle is trying to impress his "cavegirl" by blowing through a tube of grass; he further discovers that adding holes to the tube allows him to modify the "whistle" in interesting ways (the more holes Whistle adds the longer the grass tube gets and he invents the first flute). The cavegirl is impressed, but then a rival caveman appears, bonks the cavegirl on the head with his club, and drags her off by the hair (which makes Caveman Whistle angry). Professor Owl explains that this system of holes is the basis for every woodwind instrument, including the clarinet played by Johann Sebastian Bach and the saxophone played by a beatnik.

The combination of the style-conscious Nolan and Thunders with the beatnik Hell and gangly Lure made for a visually arresting and musically powerful group. As Blondie's Clem Burke said, "You could call them the punk rock Beatles. Each person really stood out." Although popular, the early lineup could not get a recording contract, in no small part due to the band's well-known heroin use - as vividly described in their best-known song, "Chinese Rocks" (which was actually written by Dee Dee Ramone with contributions from Hell). Live recordings of the Thunders/Hell/Nolan/Lure lineup were eventually released on the LP Live at Mother's, and studio demos were released in 2019.

Mitchell's fame spread during the British folk music revival in the mid-1960s when a folk club opened in the village. Named called 'The Folk Cottage' The Folk Cottage on Kernow Beat (because it was housed in a semi-derelict farm cottage) it staged both evening concerts and thrice-weekly 'after midnight' sessions. Wizz Jones website; Folk Cottage; retrieved April 2010 The Folk Cottage became known throughout the UK and played a key part in the burgeoning 1960s folk music and beatnik scene in Cornwall. The Folk Cottage provided a springboard for many performers who would later become nationally known including Wizz Jones, Jacqui McShee, Clive Palmer (co-founder of The Incredible String Band), and Ralph McTell.

The neo-bop movement of the 1980s and 1990s revived the influence of bebop, post-bop, and hard bop styles after the free jazz and fusion eras. Bebop style also influenced the Beat Generation whose spoken-word style drew on African-American "jive" dialog, jazz rhythms, and whose poets often employed jazz musicians to accompany them. Jack Kerouac would describe his writing in On the Road as a literary translation of the improvisations of Charlie Parker and Lester Young. The "beatnik" stereotype borrowed heavily from the dress and mannerisms of bebop musicians and followers, in particular the beret and lip beard of Dizzy Gillespie and the patter and bongo drumming of guitarist Slim Gaillard.

Time spent in Los Angeles, San Francisco and New York playing impromptu shows EFJ started experimenting with Folk, storytelling songs coupled with electronica. The story goes "during a late lock-in at The White Horse Tavern, New York City under the watchful eye of Dylan Thomas a friend told him to continue with what he had been doing, and create an album based on the demo's he had loosely recorded." Up to the challenge he returned home to Wales to start work on the proposed concept- album The Golden Beatle. During 2007 he started posting songs on his Myspace, playing solo shows in London and Cardiff and formed the "Harmonious, beatnik supergroup"'Tuborg Loud and Clear'.

Gonzáles entered the movies at the age of 17 in the late 1950s. He appeared in Ulilang Anghel (1958), Tawag Ng Tanghalan (1958), Mga Anghel Sa Lansangan (1959), Handsome (1959) and Baby Face (1959). He became a matinee idol in Sampaguita Pictures in movies such as Beatnik (1960) with Susan Roces, Joey, Eddie, Lito (1961) with Eddie Gutiérrez and Lito Legaspi, Operatang Sampay Bakod (1961) with Amalia Fuentes and Dolphy, Tindahan Ni Aling Epang (1961) with Liberty Ilagan, Kaming Mga Talyada (1962) where he played gay roles together with Juancho Gutiérrez, Dindo Fernando and Barbara Pérez among others. In the 1960s, he was paired with Liberty Ilagan as a "loveteam" in Sampaguita Pictures movies.

Briscoe typically has a wise-crack or joke about the victim or circumstances of death at the close of the opening scene, with the joke usually exhibiting a very deadpan delivery while at the same time being highly "on target". He likes music, but mostly music that was popular in his youth; in one episode, Curtis chides his musical taste for stopping with Bobby Darin. Briscoe used to read Langston Hughes back when he was a beatnik "for about five minutes" because "it used to work pretty good on Jewish girls from Riverdale." Many of Briscoe's former partners and colleagues outside the series (offscreen before Briscoe joined the 27th Precinct) have been or ended up becoming corrupt.

The London Free School was a community action adult education project inspired by American free universities (and the Victorian Jewish Free School in Spitalfields). The organisers have been described as an "anarchic temporary coalition" of the old guard New Left and CND housing activists from the Rachman days and the new beatnik/hippy generation. The former included George Clark of the Notting Hill Community Workshop, Richard Hauser (who ran a community scheme after the 1958 riots), Rhaune and Jim Laslett-O’Brien, Bill Richardson of the Powis and Colville Residents Association, Andre and Barbara Shervington. To varying degrees of involvement, the hippy contingent numbered John Hopkins, Michael X, Courtney Tulloch (IT),Mike Phillips, Guardian obituary - Courtney Tulloch, 13 December 2006.

Poster artist Tom Waller described the club as a "beatnik sort of place at that point, walls all painted black and espresso and cool jazz. The club also featured some classical music, including a recorder trio consisting of Michael Rossman (of FSM fame), Stewart Kiritz, and Phil Nathanson), who played for free meals and passed a hat around for funds. A few years later it became part of the folk scene and then the hippie scene". The venue was open on a daily basis and during Randell and Stauder's tenure of ownership it featured future Joy of Cooking guitarist Terry Garthwaites, Bob Dylan, Jesse Fuller, Bukka White, Ian and Sylvia, and Perry Lederman, among others.

Set during the Cold War in 1957, the film centers on a young boy named Hogarth Hughes, who discovers and befriends a gigantic metallic robot who fell from outer space. With the help of a beatnik artist named Dean McCoppin, Hogarth attempts to prevent the U.S. military and Kent Mansley, a paranoid federal agent, from finding and destroying the Giant. The film's development began in 1994 as a musical with the involvement of The Who's Pete Townshend, though the project took root once Bird signed on as director and hired McCanlies to write the screenplay in 1996. The film was animated using traditional animation, with computer-generated imagery used to animate the titular character and other effects.

Myrna Minkoff, referred to by Ignatius as "that minx", is a Jewish beatnik from New York City, whom Ignatius met while she was in college in New Orleans. Though their political, social, religious, and personal orientations could hardly be more different, Myrna and Ignatius fascinate one another. The novel repeatedly refers to Myrna and Ignatius having engaged in tag-team attacks on the teachings of their college professors. For most of the novel, she is seen only in the regular correspondence which the two sustain since her return to New York, a correspondence heavily weighted with sexual analysis on the part of Myrna and contempt for her apparent sacrilegious activity by Ignatius.

The anthology placed seventh in the 1982 Locus Poll Award for Best Anthology. "Variation on a Theme from Beethoven" placed ninth in the 1981 Locus Poll Award for Best Novelette. "Beatnik Bayou" was nominated for the 1980 Nebula Award for Best Novelette and the 1981 Hugo Award for Best Novelette, and placed second in the 1981 Locus Poll Award for Best Novelette. "The Ugly Chickens" won the 1980 Nebula Award for Best Novelette and the 1981 World Fantasy Award for Best Short Fiction, was nominated for the 1981 Balrog Award for Short Fiction and the 1981 Hugo Award for Best Novelette, and placed fifth in the 1981 Locus Poll Award for Best Novelette.

The Washington Squares are a neo-beatnik folk revival music group. Modeled after early 1960s groups like The Kingston Trio and Peter, Paul and Mary, the group was named after New York City's Washington Square Park, emblematic of Greenwich Village. The group, consisting of Bruce Jay Paskow, Tom Goodkind, and Lauren Agnelli, came up with their name over free drinks provided by Agnelli, who was a waitress at a Mickey Ruskin's Chinese Chance off Washington Square Park where Goodkind and Paskow were regulars. Paskow, Goodkind, and Agnelli dressed, played, and sang in a style evocative of the idealistic, left-leaning folk revival groups of the Kennedy era, but added a layer of post-punk Reagan-era irony.

The album is designed as a satire of language-learning records, where the secret language of the 'hipster' is treated as a foreign language. Part of the joke, however, is that it actually does a good job of describing the Beat Generation/Beatnik sub-culture: Basic concepts such as "cool" and "uncool" are taught, as well as vocabulary building ("dig", "dig it", "dig yourself, baby", "dig the chick", "dig the cat", "What a drag!"). Many of the phrases and expressions survived to become elements of the counterculture vocabulary. Social notes are presented as for many language courses, and later in the album, the teacher (Close) is taken on field trips into the secret life of the hipster (Brent).

At certain other times, as part of a retro movement, designers introduced a revival of 1930s elegance. The unearthing of old military clothing, preferably khaki and from the United States; English-style shoes; Oxford shirts; immaculate T-shirts; tweed jackets with padded shoulders; brightly colored V-neck sweaters; cashmere-printed scarves draped around the neck all imposed a certain uniformity on the casual beatnik look of the male wardrobe at the end of the 1970s. Also significant are the developments in Italian fashion that happened during the period. In the course of the 1970s, as a result of its ready-to-wear industry, Milan confirmed its status as second only to Paris as a center of international fashion.

Fethry Duck Donald's cousin Fethry Duck was created for the Disney Studio Program by Dick Kinney and Al Hubbard and was first used in the story "The Health Nut", published on August 2, 1964. Kinney and Hubbard created Fethry to be a beatnik member of the Duck family; the definition of that term—"a person who rejects or avoids conventional behavior"—is Fethry to a tee. In personality, Fethry is an obsessive New Age thinker, eagerly trying to pursue various new hobbies and lifestyles based on books he has read or TV programs he has seen. Fethry is also quite a blunderer, however, so his new hobbies tend to cause chaos for his friends and family.

Gary Hemming (December 13, 1934 – 1969) was a noted American mountaineer. Together with Royal Robbins he made the first ascent of the American Direct route on the Aiguille du Dru in Chamonix in 1962, and was widely known in France for his role as a rescuer of a party on the same mountain in 1966, earning him the moniker "le beatnik des cimes". Hemming was also part of the group which put up the first ascent of the south face of the Aiguille du Fou (with John Harlin, Tom Frost and Stewart Fulton) a spire of sheer rock long deemed to be unclimbable. Hemming died from a self-inflicted gunshot wound outside the Jenny Lake campground in Grand Teton National Park in 1969.

In an unidentified locale, art student and model Daisy leaves a club alone after having an argument with her beatnik boyfriend Max. Walking through the deserted streets, she stops to admire some gruesome paintings in a gallery window painted by artist Antonio Sordi, who coincidentally also comes by to look in on his "lost children." After a friendly conversation, they return to Sordi's studio in a room beneath an old bell tower, where Sordi convinces the young woman to pose for him. There, however, Sordi is possessed by the spirit of a long-dead ancestor and suddenly transforms into a vampiric monster who hacks the screaming Daisy to death with a cleaver, then lowers her mutilated corpse into a vat of boiling substance.

The solution was placed according to a newspaper article from the 70's attributed to Luis Ernesto Suarez, about the year 1962, claim that we know is false, because the third Huilense Notebook that is the Angel Sierra Basto Dimensions is the year 1963, as Narration of the Living Faces of Julian Polanía Perez. The solution is given almost equal to the group Beat and beatnik, in the sixties, immersed in countercultural movements. It could happen in the year 1964, with the departure of Gustavo Andrade of Colombia to Costa Rica, hoping some of consecrated as playwright abroad (which succeeded being awarded the prize of the Paris Theatre, among others), or the death of Julian Perez Polanía in a car accident in 1965.

Mr. Tucker (Platt), proprietor of a Los Angeles coffee house, hires three down-on-their-luck classic beatnik patrons: out-of-work actor John Mapes (Palmer); struggling writer Ray Miller (Lupton); and George Leland (Sullivan), the wayward son of movie star Rita Leland, to participate in an armored car robbery to take place during a four-hour stopover in Chicago during the trio's train trip from Los Angeles to New York. Mapes' worried wife Jeanne (Crowley) joins him on the train, concerned about his not having had a job in more than a year. Tucker and his henchman Sidney (Glass) fly ahead to set up the robbery, which goes off without a hitch. John, Ray and George take the train to Chicago.

The audience is horrified and rises en masse after the number, but at this point L.S.D. comes on stage as Hitler and they find his beatnik-like portrayal and constant misinterpretations of the story hilarious, misinterpreting the production as a satire. Meanwhile, L.S.D.'s portrayal of Hitler enrages and humiliates Franz, who—after dropping the curtain and rushing out on stage—confronts the audience and rants about the treatment of his beloved play. He is knocked out and removed from the stage, and the audience assumes that his rant was part of the act. To Max and Leo's shock and horror, Springtime For Hitler is declared a smash hit, which means that the investors will be expecting a larger financial return than can be paid out.

Three other singles from The Age of Plastic, "Living in the Plastic Age", "Clean, Clean" and "Elstree", achieved chart success in the UK, Germany and the Netherlands. Music videos were made for "Living in the Plastic Age" and "Elstree" Adventures in Modern Recording, released in 1981, was the second and last album by The Buggles. Five singles from it were released between 1981 and 1982, "I Am a Camera", "Adventures in Modern Recording", "On TV", "Lenny", and "Beatnik". The album and its singles were a commercial failure in the UK, but the album did chart in the United States, peaking at number 161 on the Billboard 200 and at number 7 on the Bubbling Under the Top Rock Albums chart.

The musicians in the band then were Paris on saxophone, Paul Tesluk on a Hammond Chord organ, Dave Yorko on guitar, Lionel "Butch" Mattice on bass, and Bill "Little Bo" Savich on drums. They specialised in versions of old tunes with a rock and roll beat. They chose these songs because they were well recognized and easier to accept with the beat. Tunes were credited to 'King, Mack' and usually one other name: King and Mack were in fact pseudonyms for Harry Balk and Irving Micahnik, the band's managers. In 1960, they recorded the United States Army bugle call, "Reveille", as "Reveille Rock", and turned "Blue Tail Fly" into "Beatnik Fly". Both tunes made the Top 40 achieving number 25 and 15 respectively.

2, 1950, byline Peg White. Over the years, Blanchard had collected a record library of around 3500 disks of bebop, jive/swing and unusual novelty numbers, plus a hundred or so disks of film stars in one-way interviews that were made for syndication so that the DJ or announcer had only to ask the written questions and let the disc give the impression that the stars were being interviewed live. On air, he would mix and match songs, interrupt to add the voice of a celebrity, put in recorded sound effects, and otherwise enhance the experience for his listeners. Blanchard left San Diego for Las Vegas, Nevada, but didn't stay there long before he landed in northern California, in beatnik-populated San Francisco.

One of Gould's pastimes was going to beatnik poetry readings in New York, where he recited absurd poems he made up to mock the serious poetry of other participants. PM news photographer Ray Platnick photographed for a feature on Greenwich Village poets, including Joe Gould along with Diana Barrett Moulton and Maxwell Bodenheim in eccentric poses in front of their verses scrawled on the walls of the Village Arts Center at 1 Charles St.PM, July 28, 1941, pp. 18-19 William Saroyan wrote a short story about Gould in his 1971 book, Letters from 74 rue Taitbout or Don't Go But If You Must Say Hello To Everybody. Ian Holm portrayed Gould in the 2000 film Joe Gould's Secret, an adaptation of Mitchell’s book.

In media depicting members of counter-cultures, goatees have also been used to differentiate between average characters and those belonging to some subgroup. Examples include Bob Denver on The Many Loves of Dobie Gillis, whose goatee serves to identify him as a beatnik; Shaggy Rogers on Scooby Doo, Where Are You?, who is, in part, identified as a hippie by his goatee; and the DC Comics superhero Green Arrow, who was visually redesigned with such a beard in the late 1960s, inspiring writer Dennis O'Neil to re-imagine him as a politically active counter-culture hero. In India, the popularity of keeping a goatee was revived after the movie 'Dil Chahta Hai' released which showed actor Amir Khan supporting a trendy goatee.

In the early 1990s, Smith shifted his creative focus to concentrate his activities in the world of non-profit organizations. Amongst these, he was a board member, and Director of Operations for the Mood Disorders Support Group of New York (MDSG), a New York City organization helping people with depression, manic depression, and their families and friends.MDSG Newsletter Summer 2014, tribute to Howard Smith former Director of Operations for MDSG. His sister, Barbara Tripp, attributed the end of his writing career to his manic depression. He was writing a book about his involvement, as both participant and commentator, in the late 1950s beatnik scene, the explosive hippie 1960s, right through to the brouhaha that was to characterize the Nixonian mid-1970s.

The company creates and assembles each game pack by hand, with most games only being made in runs of up to 5,000 copies. Cheapass Games and James Ernest have won several awards for game design including the 2002 Origins Award for best play-by-mail game (Button Men Web Game), the 2002 Origins Vanguard Award (Diceland), the 1997 Origins Award for best abstract board game (Kill Doctor Lucky), and the 1997 Origins Award for best traditional card game (Give Me the Brain). Cheapass' game Pennywise was awarded the parodic 2003 "Spud des Jahres" award for most overpriced game by the website Spielboy (see Spiel des Jahres). In 2004, the indie band Beatnik Turtle released The Cheapass Album, an album inspired by games from Cheapass Games.

The next day Barnett bitterly attacked Kennedy's version of events: > It ill becomes a man who never tried a lawsuit in his life, but who occupied > the high position of United States attorney general and who was responsible > for using 30,000 troops and spent approximately six million dollars to put > one unqualified student in Ole Miss to return to the scene of this crime and > discuss any phase of this infamous affair. ... I say to you that Bobby > Kennedy is a very sick and dangerous American. We have lots of sick > Americans in this country but most of them have a long beard. Bobby Kennedy > is a hypocritical, left-wing beatnik without a beard who carelessly and > recklessly distorts the facts.

In the summer of 1965 the band auditioned in a talent search for Heigh Ho Records, a label run by Ron Barnett. John Bardi described Barnett as "a beatnik looking character probably in his mid-20s, maybe a few years older". Bardi and his brother applied on behalf of the band and, flowing a successful audition, they landed a contract with Heigh Ho. Barnett had initially wanted the group to change their names to the Howling Wolves and have a trained wolf to appear with the group during their performances. According to Bardi: :We of course mocked the idea, but he had such an air of certainty about him, and he DID have this recording contract, that we went along.

Women wearing bohemian clothing In 2010 the Sunday Times anticipated that the medieval head chain – "a step on from the hippie head band" – would be a feature of that year's festival circuit, "instantly adding summer bohemia to your look". Socialite Nicole Richie's "beatnik/disco-glam mash-up" was cited as an example of this trend, while Peaches Geldof, model and daughter of rock musician Bob Geldof, was identified as another who had adopted the look.Sunday Times Style, 13 June 2010 Later in the year the Sunday Times lauded the "haute hippie, bohemian splendour and punked up classics" that were putting "a modern spin on 1970s style". These included a cream crochet dress by Marc Jacobs ("haute hippie") and a devoré dress and fringed scarf by Pucci ("boho splendour").

Sutcliffe later wrote to his parents that he was engaged to Kirchherr, which they were shocked to learn, as they thought he would give up his career as an artist, although he told Kirchherr that he would like to be an art teacher in London or Germany in the future. Kirchherr and Sutcliffe went to Liverpool in the summer of 1961, as Kirchherr wanted to meet Sutcliffe's family (and to see Liverpool) before their marriage. Everybody was expecting a strange beatnik artist from Hamburg, but Kirchherr turned up at the Sutcliffes' house at 37 Aigburth Drive, Liverpool, bearing a single long-stemmed orchid in her hand as a present, and dressed in a round-necked cashmere sweater and tailored skirt. In February 1962, Sutcliffe collapsed in the middle of an art class in Hamburg.

He made his Broadway debut in the role of Ramses in 1958 in the play The Firstborn, directed by and starring Anthony Quayle as Moses.The Harvard Crimson, theater Review, The Firstborn At the Shubert until April 27 By LARRY HARTMANN, April 17, 1958 He continued to perform on stage, as Jacko in the Beverley Cross play One More River (1960), with George C. Scott in the Warsaw Ghetto play The Wall (1960), as Alfred Drake's son Giorgio in the Italian Renaissance set Lorenzo (1963), as the British beatnik son of Cyril Ritchard in The Irregular Verb to Love (1963), and in And Things That Go Bump in the Night (1965), which he also directed. In 1963 he won a Theatre World Award for his performance in Mrs. Dally Has a Lover (opposite Estelle Parsons).

"Frozen Journey" placed eighth in the 1981 Locus Poll Award for Best Short Story. "The Ugly Chickens" won the 1980 Nebula Award for Best Novelette and the 1981 World Fantasy Award for Best Short Fiction, was nominated for the 1981 Balrog Award for Best Short Fiction and the 1981 Hugo Award for Best Novelette, and placed fifth in the 1981 Locus Poll Award for Best Novelette. "Nightflyers" won the 1980 Analog Award for Best Novella/Novelette, was nominated for the 1981 Hugo Award for Best Novella, and placed first in the 1981 Locus Poll Award for Best Novella. "Beatnik Bayou" was nominated for the 1980 Nebula Award for Best Novelette and the 1981 Hugo Award for Best Novelette, and placed second in the 1981 Locus Poll Award for Best Novelette.

According to Pahls, "For years, [Crumb] had few friends and no sex life; he was forced to spend many hours at school or on the job, and when he came home he 'escaped' by drawing home-made comics. When he suddenly found a group of friends that would accept him for himself, as he did in Cleveland in 1964, the 'compensation' factor went out of his drawing, and this was pretty much the end of Fritz's impetus." An early untitled 10-page story, drawn in 1964 and released in 1969 as part of R. Crumb's Comics and Stories (Rip Off Press), depicts Fritz as a beatnik caricature who has an incestuous tryst with his sister. In "Fred, the Teen-Age Girl Pigeon," Fritz is portrayed as a pop music star.

By the first week of August 2010, Viggo Mortensen and Amy Adams had joined the cast, Mortensen for the role of Old Bull Lee (William S. Burroughs) and Adams as the character's wife, Jane (Joan Vollmer). English actor Tom Sturridge was cast as Carlo Marx (Allen Ginsberg), poet and friend to both Sal Paradise and Dean Moriarty. Salles reunited with some of the crew members whom he worked with on The Motorcycle Diaries, including producer Rebecca Yeldham, screenwriter José Rivera, director of photography Eric Gautier, production designer Carlos Conti, and composer Gustavo Santaolalla. Before filming began on August 2, 2010, in Montreal, Quebec, Canada, the entire cast underwent a three-week "beatnik boot camp," according to Stewart, which involved reading literature pertaining to the Beat Generation and was led by Kerouac biographer Gerald Nicosia.

Dobie Gillis (Dwayne Hickman, left), Maynard G. Krebs (Bob Denver, right) and one of Dobie's "many loves", Yvette LeBlanc (Danielle De Metz), in a still from the Dobie Gillis episode "Parlez-Vous English", originally aired December 27, 1960 The series revolved around teenager Dobie Gillis (Dwayne Hickman), who aspired to have popularity, money, and the attention of beautiful and unattainable girls. He did not have any of these qualities in abundance, and the tiny crises surrounding Dobie's lack of success made the story in each weekly episode. Also constantly in question, by Dobie and others, was Dobie's future, as the boy proved to be a poor student and an aimless drifter. His sidekick and de facto best friend was American television's first beatnik, Maynard G. Krebs (Bob Denver), who became the series' breakout character.

In the field of particle physics, "shmoo" refers to a high energy survey instrument, as used at the Los Alamos National Laboratory to capture subatomic cosmic ray particles emitted from the Cygnus X-3 constellation. Capp also had a knack for popularizing certain uncommon terms, such as druthers, schmooze, and nogoodnik, neatnik, etc. In his book The American Language, H.L. Mencken credits the postwar mania for adding "-nik" to the ends of adjectives to create nouns as beginning—not with beatnik or Sputnik—but earlier, in the pages of Li'l Abner. Al Capp's life and career are the subjects of a new life-sized mural commemorating the 100th anniversary of his birth. Created by resident artist Jon P. Mooers, the mural was unveiled in downtown Amesbury on May 15, 2010.

She was only one of three cast members, along with Edgar Buchanan and Frank Cady, to remain throughout the show's entire run and appeared in all but three of the 222 episodes (the exceptions being the season one episode "Bobbie Jo and The Beatnik", the season two episode "Have Library, Will Travel" and the season five episode "The Power of the Press"). She was billed for the first five seasons of the series as Linda Kaye. From season six (fall 1968) until the show was cancelled, she was billed by her full name. In some episodes in later years, Henning and her television sisters (played by Meredith MacRae and Lori Saunders) sang in a trio, and she often sang duets with co-star Mike Minor, who played Steve Elliott.

On December 8, 1956, two examples on the same broadcast were "Nuttin' for Christmas," which became a vehicle for Rocky Rockwell dressed in a child's outfit, and Elvis Presley's "Don't Be Cruel", which was sung by the violinist Bob Lido, wearing fake Presley-style sideburns. In another episode, the Lennon Sisters and Norma Zimmer performed the Orlons' #2 pop hit "The Wah-Watusi" with the bass singer Larry Hooper wearing a beatnik outfit. This stood in comparison to the contemporary American Bandstand, which catered to a teenager audience and featured the latest acts. In a 1971 episode, Welk infamously billed the Brewer & Shipley single, "One Toke Over the Line" (performed as a duet by Gail Farrell and Dick Dale), as a "modern spiritual"; social conservatives of the era saw it as subversive.

Cramer, Stephen "Beatnik Filmstars Biography", Allmusic, retrieved 26 November 2011 It found them getting lumped into the shoegazing scene, with songs that featured loud/quiet/loud passages, and swirly guitar sounds. But Jarrett was more influenced by US sounding bands and the band soon broke away from their 'shoegaze' phase. Their second and third albums (Laid Back & English and Astronaut House) found them experimenting with more Lo-Fi sounds and guitar noise.Abebe, Nitsuh "Laid Back & English Review", Allmusic, retrieved 27 November 2011 Released on the UK indie label La Di da Records, and newly formed La Di Da/Caroline Records in the USA. The band had now changed line up with John Austin and Tim Rippington (formerly of The Flatmates and 5 Year Plan) both joining as guitarists replacing Kent.

StupidDOPE called "Confe$$ions" "a deep, hard hitting, thoughtful number that finds Lecrae speaking from his heart while he hangs out and shows us the wolves", and AllHipHop explained the song as addressing the hollowness wealth without peace. The BoomBox stated that "The old saying 'money can't buy you happiness' isn't further from the truth for Lecrae, who raps about companions who have the game twisted about what's really important". Allmusic described Lecrae as taking on bling culture with a Christian-based message "in the unexpected, brittle style of a beatnik poet or Saul Williams on Def Poetry Jam." Stylistically, the song features a dramatic, slow-tempo beat, and DaSouth described it as carrying "a burdened aroma of ecclesiastical despondency with an uncredited Bruno Mars-esque chorus (no diss at all)".

Several publications included Madvillainy in their lists of the best albums of the year. Pitchfork ranked it number six on their list of the 50 best albums of 2004, stating that "the collaboration brings out the best in both men, without copying anything in their catalogs". Prefix ranked the album first on its list of the 60 best albums of 2004, stating that "when Doom and Madlib combine, they form like Voltron". PopMatters positioned it at number nine on their list of the 100 best albums of 2004, commending MF Doom's "royal, pop culture-laden flow" and Madlib's "beat-mining expertise". Spin ranked it number 17 on their list of the 40 best albums of 2004, praising Madlib's production, "thick, woozy slabs of beatnik bass", that "keeps things hotter than an underground volcano lair".

London: Verso Jack Kerouac, and other Beatnik authors of the 1950s of romantic racism. They maintain that the dominant mainstream culture of the 1950s in the United States stressed conformity and held up middle-class suburban families as the cultural ideal, and that it was indifferent to art and literature, upheld racial segregation, and despised or ignored black achievements, such as jazz. Those, like the novelist Norman Mailer, who felt limited by or alienated from mainstream culture, sought out influences from other cultures as form of rebellion. Mailer, a great fan of jazz music, created his concept of what it meant to be "hip", or a member of the white urban counterculture, largely on his perception of the culture of urban African-Americans (with whom the expression "hip", meaning "in the know", originated) and articulated his vision in his essay "The White Negro".

Other note-worthy contributors including percussion on "Beatnik" was from Horn's long-time collaborator Luis Jardim, while Yes bassist Chris Squire was brought on board to provide "sound effects" for the title track. Horn said, "There were bits of Geoff on it and bits of Simon Darlow. But I finished it off myself with Gary [Langan]. But really by the time I’d finished it off I’d sort of lost interest in it a little, because I didn’t think there was a single there…" This album also marks the first time in Horn's production career that he had worked with sampling, which the sampling techniques on Adventures would later be used for records Horn produced like Slave To The Rhythm by Grace Jones, Art of Noise's The Seduction of Claude Debussy and Frankie Goes To Hollywood's Welcome to the Pleasuredome.

The PFW was staff-owned and published by a collective that called itself "The Commune." An editorial published in the May 26, 1972 issue under the heading "Our Rap" gives the paper's statement of purpose: The two titles Grok and Fair Witness are both references to the novel Stranger in a Strange Land by Robert A. Heinlein, a popular touchstone of the 1960s hippie counterculture. To "grok" is a form of deep holistic comprehension of any thing or situation (similar to hippie/beatnik slang "dig"); while a "Fair Witness" is a (fictional) service provided by a sort of hired court reporter with an eidetic memory who serves as a totally honest bonded eyewitness at any proceeding. Contents of the Fair Witness were the usual 1960s underground press mix of underground comix (some originating locally in the Fair Witness; others like Crumb, Bode, etc.

As the space race heated up, Marx playsets reflected the obsession with all things extraterrestrial such as "Rex Mars", "Moon Base", "Cape Canaveral", and "IGY International Geophysical Year", among other space themed sets. In a similar theme, Marx also capitalized on the robot craze, producing the Big Loo, "Your friend from the Moon", and the popular Rock'em Sock'em Robots action game. In 1963, Marx began making a series of beatnik style plastic figurines called the Nutty Mads, which included some almost psychedelic creations, such as Donald the Demon — a half-duck, half- madman driving a miniature car. These were similar to the counterculture characters of other companies introduced about a year before, such as Revell's Rat Fink by "Big Daddy" Ed Roth, or Hawk Models' "Weird-Oh's", designed by Bill Campbell (Atomic Home Videos LLC, 2010).

The Sydney Morning Herald summed up Maynard's performing career by saying "the man they call Maynard has been many things in his time, each incarnation usually more wacky and distinctive than the last." Over his career, Maynard has changed the format of his shows often, but the common theme to his performance has always both lampooned and celebrated popular culture in a "quirky, energetic presenting style". His stage name "Maynard F# Crabbes" was first used in the Castanet Club as a tribute to Bob Denver's fictional beatnik character Maynard G. Krebs in the television show The Many Loves of Dobie Gillis. It was progressively shortened, first to "Maynard Crabbes", and then to the mononym "Maynard" Musically, Maynard has made his career out of "guilty pleasures" – songs that are not fashionable, but are nevertheless loved by many people in secret.

The letter admonished Enright for "involv[ing] [himself] in political affairs which are the concern of local people", not "visitors, including mendicant professors", and said that the government "[has] no time for asinine sneers by passing aliens about the futility of 'sarong culture complete with pantun competitions' particularly when it comes from beatnik professors". There was also some criticism that Enright had been insensitive towards Malays and their so-called "sarong culture." With some mediation from the Academic Staff Association of the university, it was agreed that to put the matter to rest, Enright would write a letter of apology and clarification, the government would reply, and both were to be printed in the newspapers. Although the affair was "essentially dead" after that, according to Enright, it would still be brought up periodically in discussions of local culture and academic freedom.

In a 2008 interview with The Advocate, Rado said that he and Ragni had been lovers, and described himself as omnisexual.. In 1965, he performed in the role of Tom in The Knack, the play that opened at the New Theatre, and later appeared in the touring company along with Rado. During the show's Chicago run at the Harper Theater, Rado and Ragni tried to revive Hang Down Your Head and Die with what they could remember from the script. They also planned to introduce new material in collaboration with Corky Siegel and Jim Schwall, of the Siegel- Schwall Band, whom they met playing in a beatnik coffee house off the Harper Street strip. They spent time writing ideas for the production, which was to be performed by Rado, Ragni, Schwall, and Siegel in a house on the South Side of Chicago and an apartment on Stony Island Avenue.

A 1960 film adaptation changed the African American character Mardou Fox, Kerouac's love interest, to a young French girl (played by Leslie Caron) to better fit both contemporary social and Hollywood palates. While it was derided and vehemently criticized by Allen Ginsberg, among others, for its two-dimensional characters, it illustrates the way the film industry attempted to exploit the emerging popularity of this culture as it grew in San Francisco and Greenwich Village, New York. A Greenwich Village beatnik bar setting had been used in Richard Quine's film Bell, Book and Candle (1958), but Ranald MacDougall's adaptation of Kerouac's novel, scripted by Robert Thom, was less successful. The Subterraneans was one of the final MGM films produced by Arthur Freed, and features a score by André Previn and brief appearances by jazz singer Carmen McRae singing "Coffee Time," and saxophonists Gerry Mulligan, as a street priest, and Art Pepper.

She began her working life as a teacher in comprehensive schools and institutes of higher or adult education. While attending St Hilda's College, Rowbotham found the syllabus with its heavy focus on political history to be of no interest to her. She has described herself at the time she started her studies at St Hilda's as "not at all left- wing" and a "mystical beatnik hippie-type", although she soon started to make contact with leftists, including fellow Oxford student Gareth Stedman Jones who became a professional historian. Rowbotham also met E.P. Thompson and Dorothy Thompson at this time, after a tutor recommended that she should visit them due to their interest in Chartism and the history of working class movements: she read the proofs of E.P. Thompson's The Making of the English Working Class, which she has described as "like no other history book I’d read".

Mod hairstyles of the mid to late 1960s In the early 1960s the wings haircut made a comeback among the Beatnik and surfer subcultures who allowed their hair to grow out bushy and unstyled.The Nearest Faraway Place: Brian Wilson, The Beach Boys and the Southern California Experience, Timothy White, c. 1994. Rock bands like the Rolling Stones and the Beatles copied this look, which spread to America during the British Invasion and was worn by bands like the Monkees and the Byrds.Rogan, Johnny, The Byrds Timeless Flight Revisited, Rogan House, 1998, By the mid-1960s the wings haircut was worn by the mod subculture to set them apart from the older generation and from the Rockers who favored Brylcreemed hair like the pompadour. In the late 1960s hippies grew their hair shoulder- length in protest against the Vietnam War.Pendergast, Tom; Pendergast, Sara (2004), "Hippies".

The phenomenon of white people adopting stereotypical black mannerisms, speech, and apparel–which in the general case is called allophilia–has appeared in several generations since slavery was abolished in the Western world. The concept has been documented in the United States, Canada, United Kingdom, Australia and other white-majority countries. An early form of this was the white negro in the jazz and swing music scenes of the 1920s and 1930s; as examined in the 1957 Norman Mailer essay "The White Negro". It was later seen in the zoot suiter of the 1930s and 1940s, the hipster of the 1940s, the beatnik of the 1950s-1960s, the fascination with Jamaican ska and rude boy culture in Britain's 1960s mod subculture, the blue- eyed soul of the 1970s (soul music sung by white singers), and the hip hop done by white rappers in the 1980s and 1990s.

Model companies hired big name customizers to create new and striking designs. Just as AMT had hired George Barris and Darryl Starbird, Revell hired Ed "Big Daddy" Roth about 1962 as their new stylist (Funding Universe Web page). Hawk Models would use Bill Campbell's "'Weird-Ohs" like "Davey" the wild motor-bike rider and "Digger" the dragster, and later, Monogram would hire designer Tom Daniel. At this time, Roth created the bubble-glassed "Beatnik Bandit" (later made even more famous when produced by Hot Wheels), the double engined "Mysterion", the asymmetrical "Orbitron", the "Outlaw" (a highly styled T bucket), and the "Road Agent". Apart from wheeled wonders, arguably his most famous creation was the "Rat Fink", an anti-Mickey Mouse figure (Ed Roth Cars 2008–2011). Roth's Web site reports that in 1963 Revell paid Roth 1 cent for every one of his model kits sold, totaling $32,000 (Biography 2008–2011).

Having become one of Hollywood's most popular box-office attractions, she starred in a series of successful films during the remainder of the decade, including her BAFTA- and Golden Globe-nominated role as Natasha Rostova in War and Peace (1956), an adaptation of the Tolstoy novel set during the Napoleonic wars, starring Henry Fonda and her husband Mel Ferrer. She exhibited her dancing abilities in her debut musical film, Funny Face (1957), wherein Fred Astaire, a fashion photographer, discovers a beatnik bookstore clerk (Hepburn) who, lured by a free trip to Paris, becomes a beautiful model. Hepburn starred in another romantic comedy, Love in the Afternoon (also 1957), alongside Gary Cooper and Maurice Chevalier. Hepburn with Anthony Perkins in the film Green Mansions (1959) Hepburn played Sister Luke in The Nun's Story (1959), which focuses on the character's struggle to succeed as a nun, alongside co-star Peter Finch.

Routes of the Hippie Trail VW Kombi bus decorated with hand-painting of the hippie style Musician Goa Gil in the 2001 film Last Hippie Standing The hippie trail (also the overland) is the name given to the overland journey taken by members of the hippie subculture and others from the mid-1950s to the late 1970s between Europe and South Asia, mainly through Iran, Afghanistan, Pakistan, India, and Nepal. The hippie trail was a form of alternative tourism, and one of the key elements was travelling as cheaply as possible, mainly to extend the length of time away from home. The term "hippie" became current in the mid-to-late 1960s; "beatnik" was the previous term from the later 1950s. In every major stop of the hippie trail, there were hotels, restaurants and cafés for Westerners, who networked with each other as they travelled east and west.

In a contemporary review for The Village Voice, Janet Maslin regarded the songs as tawdry affectations of "a boozy vertigo" marred by Waits' vague lyrics and ill-advised puns on an album that is "too self-consciously limited" in mood. "It demands to be listened to after hours", Maslin wrote, "when that cloud of self-pitying gloom has descended and the vino is close at hand". Fellow Village Voice critic Robert Christgau was also critical of Waits' compositions, writing that "there might be as many coverable songs here as there were on his first album if mournful melodies didn't merge into neo imagery in the spindrift dirge of the honky-tonk beatnik night. Dig?" In a retrospective review for the Los Angeles Times, Buddy Seigal was more impressed by Waits' "touchingly, unashamedly sentimental" songs, calling The Heart of Saturday Night perhaps the singer's most "mature, ingenuous and fully realized" album.

Production on what would eventually be entitled The Boop-A-Doo began in Spring 2015 in Eugene, utilizing vintage recording techniques as well as the use of pre-1940s instruments to achieve an authentic jazz-era sound. The Boop- A-Doo was released on January 22, 2016, promoted by a music video for the 1930 Eubie Blake/Andy Razaf song "That Lindy Hop", directed by Perry. Initially, the Daddies announced that Please Return the Evening and The Boop-A-Doo would comprise two parts of a planned trilogy of cover albums designed to showcase the band's swing and jazz influences. Although Perry revealed in a November 2016 interview that the Daddies' third volume of cover songs would focus on either western swing or a Babs Gonzales/"beatnik"-style bebop, as of March 2019, there have been no further updates on the status of this album.

The Biography Channel – Yves Saint Laurent Biography Saint Laurent himself traced the origin of both his mental problems and his drug addictions to this time in hospital. After his release from the hospital in November 1960, Saint Laurent sued Dior for breach of contract and won. After a period of convalescence, he and his partner, industrialist Pierre Bergé, started their own fashion house Yves Saint Laurent YSL with funds from American millionaire J. Mack Robinson. The couple split romantically in 1976 but remained business partners. In the 1960s and 1970s, the firm popularised fashion trends such as the beatnik look; safari jackets for men and women; tight trousers; tall, thigh-high boots; and arguably the most famous classic tuxedo suit for women in 1966, Le Smoking. The 1965 Mondrian collection was particularly renowned. Saint Laurent also started mainstreaming the idea of wearing silhouettes from the 1920s, 1930s and 1940s. Yves Saint Laurent brought in new changes to the fashion industry in the 60s and the 70s.

Between 1993 and 2000, a series of Ramones covers albums were released by Selfless Records (later Clearview Records), an independent record label based in Garland, Texas specializing in punk rock, on which bands influenced by seminal punk group the Ramones performed cover versions of entire Ramones albums. Under the Selfless label, Screeching Weasel, the Queers, and the Vindictives respectively covered the first three Ramones albums: Ramones (1976), Rocket to Russia (1977), and Leave Home (1977). Selfless then became Clearview Records and continued the series, with Boris the Sprinkler, the Parasites, the Mr. T Experience, the Beatnik Termites, and the McRackins respectively covering End of the Century (1980), It's Alive (1979), Road to Ruin (1978), Pleasant Dreams (1981), and Too Tough to Die (1984). Each entry in the series was issued as a limited edition LP record, with 1,400 copies pressed in the standard black, 300 on colored discs, and an additional 300 with an alternate screen printed cover intended for the band to sell on tour.

Their habitués usually wore polo necks; in the words of one social historian, "thousands of pale, duffel-coat- clad students were hunched in coffee bars over their copies of Jean-Paul Sartre and Jack Kerouac".Dominic Sandbrook (2005) Never Had It So Good Various public houses and clubs also catered for Bohemian tastes, notably the Colony Room Club in Soho, opened in 1948 by Muriel Belcher, a lesbian from Birmingham.Sophie Parkin (2012) Colony Room Club 1948–2008: A History of Bohemian Soho As with the literary phenomenon of the so-called "Angry Young Men" from 1956 onwards, the image was more a male, than a female, one. However, when the singer Alma Cogan wished to mark her success by buying mink coats for her mother and sister, the actress Sandra Caron, the latter asked for a duffel-coat instead because she wanted to be regarded as a serious actress and "a sort of a beatnik".

Panchito's film career began when he, along with Dolphy, were cast by Sampaguita Pictures in the Tita Duran-Pancho Magalona musical Sa Isang Sulyap Mo, Tita. It was a career that lasted until his death. In 1955, Panchito was awarded the FAMAS Best Supporting Actor award for his role in Lupang Kayumanggi. His film career thrived despite his involvement in a 1964 mauling incident in Quezon City that led to the filing of a criminal information against him and several others for frustrated murder, though the case against him would be later dismissed. Panchito is perhaps best known for his over 50-plus film team-ups with Dolphy in such movies as Kalabog en Bosyo (1959); Beatnik (1960); Si Lucio at Miguel (1962); Pepe and Pilar (1966); Pacifica Falayfay (1969); Fefita Fofongay (1973); Bugoy (1979); and Bakit Kinagat ni Adan ang Mansanas ni Eba? (1989). The partnership likewise extended to television, where the duo would co-star in an ABS-CBN variety show, Buhay Artista (1965–1972).

Born in Paris and raised in an italian family of musicians, Albert Verrecchia started very young with his sister Evy (Évelyne) who was already recording. He got a band together for her in Paris, Les Problèmes and then joined Vigon et les Lemons, a R&B; ensemble with an awesome horn section, that eventually became Evy's backing group. Then Evy had them all move to Italy, where she got some popularity with the single "L'Abito Non Fa il Beatnik" (1966) – an Italian cover of Jackie Edwards' and Spencer Davis Group's 1965 UK number one hit, "Keep on Running" – and they started playing live in most of night clubs, both in Italy and in France as well as in North Africa, especially at the 'Titan Club' in Rome and at 'Bus Palladium' in Paris. As The Lemons, furthermore, Evy's backing group featuring Albert backed Chuck Berry in his French concerts and got credits on Evy's third Italian single "Domani il Mondo Sarà nelle Nostre Mani".

Widely known as Čičak (burdock) for his curly hair, Altarac attended the First Sarajevo Gymnasium from 1961 until 1965, a period during which he grew increasingly infatuated with Western pop culture, specifically rock music coming from the United States and United Kingdom that had already been gaining a devoted audience among the youth of communist Yugoslavia. Teenage Čičak thus often found himself skipping gymnasium classes in pursuit of activities he was more interested in – organizing local rock gigs, writing and reciting poetry, moderating music events, and editing the gymnasium newsletter Polet. He developed a particular interest in the crossover between poetry and rock music, reciting his own poetry at different student manifestations over the coming years. Among the more memorable such events from this period was a beatnik-like stage setup where upstart actors Etela Pardo and Branko Ličen were reciting Čičak's verses while budding musician Ranko Rihtman provided musical cover on keyboards.

Quarnstrom describes rubbing shoulders and making friends with a wide spectrum of well-known writers and artists – such as Paul Krassner, founder and editor of The Realist, the late Gonzo journalist Hunter S. Thompson, poet Allen Ginsberg, death-and-dying spiritual counselor Stephen Levine, musicians such as Janis Joplin and the Grateful Dead's Jerry Garcia, and Neal Cassady, hero of several Jack Kerouac novels and driver of Further, Kesey's psychedelically painted old school bus. When I Was a Dynamiter! also recounts his ongoing sorrow since the 1982 fatal shooting of his 18-year-old son, Eric, near some of the San Francisco beatnik bars where Quarnstrom had hung out with other writers and artists and musicians. In 2015, Lee Quarnstrom appeared at Beyond Baroque Literary Arts Center in Venice, CA to read from his memoir and at the Bookshop Santa Cruz as part of a 50th anniversary celebration of the Prankster's first Acid Test.

A "catwalk", a refinement in 2006, of which actresses Kate Bosworth and Thandie Newton were said to be exponents, was referred to as "cocktail grunge" – "looking done-undone ... it's what Marianne Faithfull and Blondie would be wearing if they were young now".Jessica Paster, Style, 24 September 2006 – while a journalist who interviewed supermodel Helena Christensen in 2011 observed that, fresh from a photoshoot, she "flopped in a leather armchair like a sexy, ageing beatnik" and that, while "not a hippie, exactly", she lived in "groovy bohemia in Manhattan, where you can spot [her] moseying around the flea markets on the weekends".Giles Hattersley in Sunday Times Style, 17 July 2011 At the end of the 2000s (decade), this combination of apparently conflicting features was adopted by teenaged actress Taylor Momsen, who, in 2010, became the "face" of the British retailing chain New Look. Momsen described her style as "sweet and tough, grunge meets Chanel – a giant oxymoron" and claimed that she chose her outfits from "whatever clean clothes she finds on her floor" ("although no one ever believes me").

In Iris Murdoch's novel, The Bell (1958), an art student named Dora Greenfield bought "big multi-coloured skirts and jazz records and sandals". However, as Britain emerged from post-war austerity, some Bohemian women found influences from continental Europe, adopting, for example, the "gamine look", with its black jerseys and short, almost boyish hairstyles associated with film actresses Audrey Hepburn (Sabrina, 1954, and as a "Gréco beatnik"Times Saturday Review, 6 November 2010 in Funny Face, 1957) and Jean Seberg (Bonjour Tristesse, 1957 and A bout de souffle, 1960), as well as the French novelist Françoise Sagan, who, as one critic put it, "was celebrated for the variety of her partners and for driving fast sports cars in bare feet as an example of the free life".Peter Lewis (1978) The 50s In 1961 Fenella Fielding played "a mascara- clad Gréco-alike" in The Rebel with comedian Tony Hancock, while, more recently, Talulah Riley replicated the look for scenes in ITV's 2006 adaptation of Agatha Christie's The Moving Finger,Part of the Marple series, with Riley as Megan Symington. set in 1951.

The roots of the New Riders can be traced back to the early 1960s Peninsula folk/beatnik scene centered on Stanford University's now-defunct Perry Lane housing complex in Menlo Park, California, where future Grateful Dead guitarist Jerry Garcia often played gigs with like- minded guitarist David Nelson. The young John Dawson (also known as "Marmaduke") also played some concerts with Garcia, Nelson, and their compatriots while visiting relatives on summer vacation. Enamored of the sounds of Bakersfield-style country music, Dawson would turn his older friends on to the work of Merle Haggard and Buck Owens and provided a vital link between Timothy Leary's International Federation for Internal Freedom in Millbrook, New York (having boarded at the Millbrook School) and the Menlo Park bohemian coterie nurtured by Ken Kesey. Inspired by American folk music, rock and roll, and blues, Garcia formed the Grateful Dead (initially known as The Warlocks) with blues singer Ron "Pigpen" McKernan, while Nelson joined the similarly inclined New Delhi River Band (which would eventually come to include bassist Dave Torbert) shortly thereafter.

They both were in the location that formerly housed "Unicorn Books", a beatnik coffee house directly west of the Whisky a Go Go. In 1966, from west to east, between Hilldale Avenue and North Clark Street, the businesses on that block were The Hamburger Hamlet, Cavalier, The London Fog, The Galaxy, The Galaxy Overflow, Sneaky Pete's and the Whisky a Go Go.The Doors at The London Fog"L.A. Rock" by Michael R. Nejman, published in the Chicago Sun-Times"Sunset Strip As Memory Lane" by S.L. Duff, published in Music Connection, 1988 Today the location is occupied by a barber shop. In Oliver Stone's 1991 film The Doors, the scenes depicting the London Fog were shot at the location that became the Viper Room in 1993.Filming Locations for The Doors It is located one block east on the opposite side of the street. In the Tarantino Universe, London Fog is still open in 1969, as mentioned by actor/director Sam Wanamaker (played by Nicholas Hammond) in “Once Upon A Time ... In Hollywood”.

" As Cobra Verde begins performing "Waiting for a Girl Like You," Seth admits that he knows the band on stage is a Foreigner tribute – but that he got them, because "Journey sucks." In a diary chronicling the event for Cleveland daily newspaper The Plain Dealer, Petkovic recalled going to wardrobe the day before the taping: True Blood Cobra Verde's version of "Play With Fire" (Copycat Killers, 2005) was featured on the HBO vampire drama True Blood ("Burning House of Love", which aired October 19, 2008.) The song became a favorite among True Blood fans and spawned a number of home-made vampire- and sex-themed videos on YouTube. It also appeared on the 2009 album True Blood – Music from the HBO Original Series. Pitchfork called the song "a stunning surprise, transformed into a beatnik drum circle and injected with Nick Cave-level creepiness"Pitchfork Media, May 2, 2005; Jason Crock The Houston Press called it "sinister, there can be no doubt, never quite delivering on a horrifying end, but leaving you certain that somewhere past the end of the song someone is going to end up in a ditch.

Haslam, Dave, Manchester, England, chapter six, p. 147 Notable examples include Tony Clarke's "Landslide" (popularised by Ian Levine at Blackpool Mecca)Sleeve notes written by Ian Levine accompanying the CD Reachin’ For the Best: The Northern Soul of the Blackpool Mecca on Sanctuary records and Gloria Jones’ "Tainted Love" (purchased by Richard Searling on a trip to the United States in 1973 and popularised at Va Va’s in Bolton, and later, Wigan Casino).Haslam, Dave, Manchester, England, chapter six, p. 172 According to northern soul DJ Ady Croadsell, viewed retrospectively, the earliest recording to possess this style was the 1965 single "I Can't Help Myself (Sugar Pie Honey Bunch)" by the Four Tops, although that record was never popular in the northern soul scene because it was too mainstream.Paolo Hewitt. The Soul Stylists. p. 111, quote from Ady Croadsell The venue most commonly associated with the early development of the northern soul scene was the Twisted Wheel in Manchester. The club began in the early 1950s as a beatnik coffee bar called The Left Wing, but in early 1963, the run-down premises were leased by two Manchester businessmen (Ivor and Phil Abadi) and turned into a music venue.

A lineage group of the Moorish Science Temple of America, the Moorish Orthodox Church was founded in New York City in 1962 primarily by Warren Tartaglia, beatniks, spiritual seekers, anarchists and members of the Noble Order of Moorish Sufis (a group that grew out of the Moorish Science Temple #13 in Baltimore on July 7, 1957). The Moorish Orthodox Church of America published a journal entitled the Moorish Science Monitor from 1965-1967, which has been revived at times over the next few decades. Moorish Orthodoxy was founded to explore the more esoteric dimensions of Noble Drew Ali's Moorish Science teachings, but quickly developed into a movement of spiritual exploration beyond its intended purpose, though it maintains Moorish Science as its core. After a long period of quiescence, the Moorish Orthodox Church of America experienced a small renaissance in the mid-1980s owing to the involvement of former members of the beat/beatnik movement, the counter- cultural hippie community, and the gay liberation movement, along with the continued involvement of Sultan Rafi Sharif Bey (who founded the Moorish League) and the prolific writings of Hakim Bey.

Anything and everything, wherever he went, he collected stuff. His obsession with collecting sprang from his belief that all objects were art, all objects have beauty and were worthy of standing alone as art or of disassembling and re-working to enhance the art inherent within. He had been inspired and influenced by his beatnik artist friends, and by the revolution in the art world earlier last century that produced the Dada/Anti- Art movement and the found object philosophy of Marcel Duchamp. The family lived for a while in Topanga Canyon, and at the top of their driveway was a large garage, used by Frank Stewart as an art studio for his paintings, later becoming the site of a 1962 'Tap City Circus' art/ music party/happening, hosting a number of bluegrass and other musicians, who showed up, looked at the paintings and George Herms's junk art sculptures, drank wine and jammed all day. J.P. also had a passion for the written word, and in 1958 he owned a bookstore in Portland, Oregon, “Days and Nights,” and carried many titles from Grove Press, which was at that time embattled in court for distributing Henry Miller's works, among others.

The music scene in Soho can be traced back to 1948 and Club Eleven, generally regarded as the first venue where modern jazz, or bebop, was performed in the UK. It closed in 1950 following a drugs raid. The Harmony Inn was a hang-out for musicians on Archer Street operating during the 1940s and 1950s. A blue plaque at the site of the Marquee Club on Wardour Street, Soho, commemorating Keith Moon's performances there with The Who The Ken Colyer Band's 51 Club, a venue for traditional jazz, opened on Great Newport Street in 1951. Blues guitarist and harmonica player Cyril Davies and guitarist Bob Watson launched the London Skiffle Centre, London's first skiffle club, on the first floor of the Roundhouse pub on Wardour Street in 1952. It was renamed the London Blues and Barrelhouse Club in the late 1950s, and closed in 1964. In the early 1950s, Soho became the centre of the beatnik culture in London. The first coffee bar to open was Moka at No. 29 Frith Street. It was formally opened in 1953 by the film star Gina Lollobrigida, and the frothed coffee produced from stainless steel machines was pioneering in British culture.