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It is thought to have Turkic pedigree. The less used term kobza- bandura refers to the dual origins of the instrument. However, it is cumbersome and is rarely used in spoken language. The term bandore or bandora can also be found when referring to this instrument.
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The mythical Cossack Mamay playing a kobza-bandura. Up until the mid 18th century, the instrument known as the bandura had frets and was played in a manner similar to the lute or guitar. The instrument was similar to the German bandore with usually 5 single courses strung along the neck. In the mid 18th century additional strings known as "prystrunky" began to appear.
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Several claims as to the etymology of the name "banjo" have been made. It may derive from the Kimbundu word mbanza, which is an African string instrument modeled after the Portuguese banza: a vihuela with five two-string courses and a further two short strings. The Oxford English Dictionary states that it comes from a dialectal pronunciation of Portuguese bandore or from an early anglicisation of Spanish bandurria. The Portuguese banza: a possible ancestor of the modern banjo Various instruments in Africa, chief among them the kora, feature a skin head and gourd (or similar shell) body.
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The term bandore and bandora were occasionally incorrectly applied to a Ukrainian folk instrument now more commonly known as the bandura, an instrument with up to 68 strings that differs considerably from the bandora. During the Renaissance there were no naming conventions and terms were used loosely. The Spanish bandurria, though this term was once also interchangeable, now applies to a treble instrument like a mandolin - a similar confusion as has occurred with mandore, mandora, mandola (q.v.). All these instruments are thought to derive their names originally from the ancient Greek pandura (which term, once again, is found applied to a variety of stringed instruments in different regions at an early date).
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