Banderole ( a wooden stick having one pointed end covered with metallic shoe) is used in conventional military survey. It's used to depict various stations established during carrying the survey forward. Double banderole are used to erect Survey Beacon.
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A banderole is a small flag or streamer carried on the lance of a knight, or a long narrow flag, with cleft end flying from the mast-head of a ship in battle. Lion rampant holding a banderole In heraldry, a banderole is a streamer hanging from beneath the crook of a bishop's crosier and folding over the staff, and for other small streamers or ribbons.
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A 25c banderole stamp was planned for this purpose, but it was never issued since the tax was repealed by President Sanford B. Dole on April 24, 1893.
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A Banderole (Fr. for a "little banner"), has both a literal descriptive meaning for its use by knights and ships, and is also heraldic device for representing bishops.
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The temple is big and well maintained. Nearly 700 years old, the Gopnath Mahadev Temple is the temple which hoists two flags, where the first flag which is of white color banderole indicating the aristocrat Vishnu Temple while the saffron black banderole symbolizes the temple of God Mahadev. This Shiva temple is where the devotional poet Narsinh Mehta supposedly had his spiritual experience almost 500 years ago. The temple is set on the seashore.
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This flower was chosen for inclusion in the coat of arms as it is found all over Nigeria and also stand for the beauty of the nation. On the banderole around the base is Nigeria's national motto since 1978: "Unity and Faith, Peace and Progress" (formerly "Peace, Unity, Freedom").
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A contemporary illustration of the Breton warship Cordelière and the English warship Regent ablaze at the Battle of St. Mathieu on August 10, 1512. Both are flying banderoles (the Breton Kroaz Du and the English flag of St. George.) A banderole (, "little banner") is a comparatively small but long flag, historically used by knights and on ships, and as a heraldic device for representing bishops. Bannerol, in its main uses is the same as banderole, and is the term especially applied to banners about a yard square carried at the funerals of great men and placed over the tomb. Often it commemorated a particular exploit of the person bearing the coat of arms.
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The three silver balls on blue were taken from the coat of arms of the Freiherrn of Freyberg who ruled the village from 1356 to 1625. The red and silver banderole is a reminder of the Cistercian abbey in Gutenzell with whom the Freiherrn of Freyberg shared authority over the village from 1447 onwards.
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John the Baptist is one of the saints depicted. He carries a lamb in his arms and is dressed in an animal skin. Inside the porch are twelve statues depicting the apostles, each placed in elaborately decorated gothic niches. Each apostle wears a banderole on which is written the part of the credo associated with them.
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Expeditus' typical depiction in artwork is as a young Roman centurion. The soldier is squashing a crow beneath his right foot and bearing a clock in early images. Later depictions have Expeditus holding a cross, inscribed with the Latin word hodie ("today"). A banderole with the word cras ("tomorrow" in Latin) emerges from the crow's mouth.
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A 1506 painting by Bernhard Strigel with banderole. Scenes of the Resurrection, an illuminated manuscript, 1188. In contrast to the abstract nature of Mesoamerican speech scrolls, Medieval European speech scrolls or banderoles appear as actual scrolls, floating in apparent three-dimensional space (or in actual space in sculpture). They first become common at the start of the Gothic period.
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The six tapestries together depicted "the consecutive triumphs of Love, of Chastity over Love, of Death over Chastity, of Fame over Death, of Time over Fame, and of Religion over Time." The banderole over the figure of Fame, who stands victorious over the Fates beneath her, reads "VETER[UM].SIC.ACTA.PER.FAMA[M].FU[ER]UNT.REDACTA" [Thus the deeds of the ancients were immortalized by fame].
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In another example, a miniature from Hildesheim of 1160-80, there is no mechanical press and Christ just treads in a small vat which is, for once, circular. He is flanked by figures with banderoles, perhaps Isaiah and John the Evangelist. Christ's banderole has part of , and those of the flanking figures and .Schiller, 128-129, 228 and figs. 432 (Comburg) and 433 (Hildesheim).
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The inscriptions on the painting read "It is good to await the salvation of God in silence" (top), while the banderole that flows from her mouth reads "I shall be satisfied as long as He is glorified".Zirpolo, Lillian. Madre Jeronima de la Fuente and Lady With A Fan Two Portraits by Velasquez Reexamined, Woman's Art Journal, Vol. 15, No. 1 (Spring - Summer, 1994), pp.
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He carries a small cross on a long staff, and holds a banderole inscribed Ecce Agnus Dei ("Behold the Lamb of God"). However, he is shown as perhaps five or six years old, a much bigger age difference with the newborn Jesus than the church taught.Hartt, 219–220; Solum The signature on the axe handle Above John the Baptist is the praying figure of Saint Romuald (c.951 – c.
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The pennon is a small elongated flag, either pointed or swallow-tailed (when swallow-tailed it may be described as a banderole). It was charged with the heraldic badge or some other armorial ensign of the owner, and displayed on his own lance, as a personal ensign. The pennoncelle was a modification of the pennon. In contemporary Scots usage, the pennon is 120 cm (four feet) in length.
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The commissioning pennant in ships may end in a point, but they can also be forked, in which case it is also called a banderole."1. A long narrow flag, with cleft end, flying from the mast-heads of ships, carried in battle, etc." Pennants are also associated with American sports teams, such as Major League Baseball and college sports teams. In Australian rules football, a pennant is awarded to the winner of major competitions.
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The donor kneels in veneration in the foreground, a Speech scroll or banderole eminitating from his lips. . He is presented in the scene with out an interceptor, usually at the time this would be a patron saint. His placement in front of an empty cross is highly unusual, but may reflect that donor's devotion to the True Cross. He wears a red garment draped over his shoulder, a colour associated with the triumphant risen Christ.
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An elastic band is used to seal, and a ribbon bookmark is included along with an expandable pocket inside the rear cover, which is packed in a paper banderole. Bruce Chatwin's name is used to sell Moleskine notebooks. Chatwin wrote in The Songlines of little black oilskin-covered notebooks that he bought in Paris and called "moleskines". The name Moleskine does not have an official pronunciation in any language other than Italian.
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Balvaird with the motto above the crest as is traditional in Scottish heraldry. In heraldry, a motto is often found below the shield in a banderole; this placement stems from the Middle Ages, in which the vast majority of nobles possessed a coat of arms and a motto. In the case of Scottish heraldry it is mandated to appear above the crest. Spanish coats of arms may display a motto in the bordure of the shield.
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A banderole precised the use of the one penny stamp: "INTERINSULAR POSTAGE". The first package of stamps printed in London were put on sale in the Bahamas the June 10, 1859. Perforations appeared in September 1860 but they were perfectly mastered by Perkins Bacon after 1863 (14 holes for 2 cm). To replace British stamps on the mail sent to North America and the United Kingdom, two new values are issued; 4 pence rose and 6 pence grey.
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There are many ships in the river. In the sky above the city, to the right of St Paul's, are angels holding a banderole with the title "London", to either side appear angels bearing trumpets decorated with the royal coat of arms and the arms of the City of London and then in the upper corners cartouches framed with cherubs. Visscher probably never visited London. There are various theories as to how the image was compiled.
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The coat of arms of the Philippines from 1978 to 1985, during which "Isang Bansa, Isang Diwa" appeared on the banderole. Isang Bansa, Isang Diwa ("One Country, One Spirit" in Filipino) was the national motto of the Philippines from 1978 to 1986, during the rule of President Ferdinand Marcos. It was adopted on June 9, 1978 by virtue of Presidential Decree No. 1413. The motto has been criticized and has been denounced as "the slogan of a fascist regime".
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The red flowers at the base are Costus spectabilis, Nigeria's national flower. This flower was chosen for inclusion in the coat of arms as it is found all over Nigeria and also stands for the beauty of the nation. On the banderole around the base is Nigeria's national motto since 1978: "Unity and Faith, Peace and Progress" (formerly "Peace, Unity, Freedom"). The various states also have public symbols, known as seals, that are independent of those of the Federal Government.
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The medal features a panorama of the city of Nijmegen with various negotiators in the foreground. At the top are the city arms on a banderole, with the words: FIRMATA NEOMAGI PAX 1678 (peace signed in Nijmegen 1678). The replica of this medal is awarded to people of exceptional merit for Europe as the Treaties of Nijmegen Medal. This medal was awarded to Jacques Delors in 2010, to Umberto Eco in 2012 and was presented to Neelie Kroes in 2014.
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One side of the Bois Protat woodcut, . A banderole emanating from the centurion's mouth reads "" ("This was really the son of God"). The woodblock fragment Bois Protat ( ("Protat wood[block]"); also Protat block or Protat woodblock, ) is a fragmentary woodblock for printing, and the images on it are the oldest surviving woodcut images from the Western world. It is cut on both sides, with a scene from Christ's crucifixion on the recto, and a kneeling angel from a presumed Annunciation scene on the verso.
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God the Father turning the press and the Lamb of God at the chalice. Prayer-book of 1515-1520 The image was first used as a typological prefiguration of the Crucifixion of Jesus, and appears from the 11th century as a paired subordinate image for a Crucifixion, as in a painted ceiling of c. 1108 in the "small monastery" ("Klein-Comburg", as opposed to the main one) at Comburg. Here Isaiah stands just outside the winepress with a banderole; Christ stands erect, in front of the press's heavy beam, which is level with his waist.
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A Teotihuacan stick-ball player with a bi-color speech scroll. Note the "tabs" along the outer edge of the speech scroll. In art history, speech scroll (also called a banderole or phylactery) is an illustrative device denoting speech, song, or, in rarer cases, other types of sound. Developed independently on two continents, the device was in use by artists within Mesoamerican cultures from as early as 650 BC until after the Spanish conquest in the 16th century, as well as by European painters during the Medieval and Renaissance periods.
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The content of this box which is similar to the old Sierra boxes is: a box with a banderole, a copy on DVD which is DRM- free, a poster, a card with the serial number, a printed making-of booklet, a printed booklet with concept drawings and a golden-colored coin in the design of Gold Rush! The Special Edition can only be ordered at Sunlight Games' online shop. Adventure Gamers gave the remake 1½ stars out of 5. Just Adventure gave the game B-. 3rd-strike gave the game 7.0.
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After more than 20 years as dragoons the regiment in 1793 was transferred to a hussar regiment only to become dragoons again after just four years. ;Light Life Dragoon Regiment (1797) The jacket was white with pale blue facing with double white buttonholes and a white collar. The hat of black felt had a black brim, a standing white plume in the front, cap plate and cockade. This was already in 1798 changed to a hat of black felt with a yellow wing and black peak, white plume on the front, cap plate, cordon and banderole.
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Tour poster for the first show in Mexico City, below the band's logo the Order of the Garters Late 1993 the band recorded the album 'Sweet X-Rated Nothings', that Nuclear Blast were quite interested in. Both record companies were able to agree on a switch and Pyogenesis signed with Nuclear Blast. But the first joint release was the mini EP 'Waves of Erotasia' with its total playing time of 15 Minutes, which came out on February 25, 1994 on cassette and CD in North America and Europe. Both mini EP releases include the Order of the Garter’s crest with its banderole 'Honi soit qui mal y pense'.
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A 1506 painting by Bernhard Strigel with banderole. The term is also used in art and architecture for a speech scroll or streamer, representing a roll of parchment carried by or surrounding a figure or object, for bearing an inscription, mainly during the medieval and Renaissance periods. In particular banderoles were used as attributes for Old Testament prophets, as may be seen in the Santa Trinita Maestà by Cimabue, (Uffizi, 1280–90), Duccio's Maestà (1308–11), and other works. The convention had a historical appropriateness, as the Old Testament was originally written on scrolls, whereas nearly all surviving New Testament manuscripts are codices (like modern books).
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Over time, the seal was restyled to include a banderole emblazoned with the institution's original motto, "In the Light of the Word", derived from a passage in the Gospel of John. Its latest iteration features a wedge-top escutcheon divided into four quadrants. In addition to the religious symbols, the seal now includes a Tamaraw on the first quarter, a bovine endemic to Mindoro island, and the logo of the Society of the Divine Word below it on the third quadrant. Superimposed in the middle of the shield is the college nickname, DWCSJ, which includes "SJ" as the initials for San Jose to distinguished it from other SVD schools in the province.
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The two much taller inner shutters show the Erythraean Sibyl (on the left) and the Cumaean Sibyl on the right. Each panel includes a text inscribed on a floating ribbon or "banderole", while the identities of the figures are carved on the lower border of each panel. Zechariah's text, taken from Zechariah 9:9, reads ("Rejoice greatly, O daughter of Zion ... behold, your king comes"), while the Erythraean Sibyl's words are ("Sounding nothing mortal you are inspired by power from on high").Virgil, Aeneid, 6:50 "nec mortale sonans, adflata est numine" To the right the Cumaean Sibyl's reads ("The Highest King shall come and shall be in the flesh through the ages").
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The portraits are untraced, but one is preserved in a drawing (Germany, priv. col., see Sterling, fig.), which indicates that Jan used the princess's Portuguese dress for the Erythrean sibyl on the Ghent Altarpiece.The Oxford Art Online – Jan van Eyck In the mid 20th century, art historian Volker Herzner noted the facial similarity between the Cumaean Sibyl and Philip's wife Isabella of Portugal, especially as she is portrayed in van Eyck's lost 1428–29 betrothal portrait. Herzner speculated that the text in the banderole in the sibyl's panel has a double meaning, referring not only to the coming of Christ, but also to the 1432 birth of Philip's first son and heir to survive infancy.
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She has very pale skin, and a fashionably high forehead, with her hair tightly pinned to fit under the head-dress. Her dress is dark purple or black – the colours have darkened from their original blue – with a white collar above a red breastplate or bodice. The lower border of the frame contains a carved banderole with an inscription reading SIBYLLA SAMBETHA QUAE / EST PERSICA; associating the woman with the Persian Sibyl. A painted metal cartouche placed at the top left of the picture is a later addition, and contains the words "SIBYLLA SAMBETHA QVAE ET PERSICA, AN: ANTE CHRIST: NAT: 2040" (The Sibyl Sambetha, the Persian, in the year 2040 BC).
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The crucifixion scene likely consisted of three or more blocks; the surviving block fragment features Longinus the Roman centurion at the Crucifixion, shown speaking with a banderole, a mediaeval precursor to the modern speech balloon containing his words. The Bois Protats name comes from the Mâconnais printer Jules Protat who acquired the block after its discovery in 1898 near La Ferté Abbey in Saône- et-Loire, France, where it was wedged under a stone floor. Because of such poor preservation, only a quarter of the block has survived, and only one side was able to withstand making prints at the time of discovery. It is kept in the Department of Prints and Photographs at the Bibliothèque nationale de France, the National Library of France in Paris.
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The animating principle of the workshop was taken from Psalm 25.8: I have loved, O Lord, the beauty of Thy house; and the place where Thy glory dwelleth. This, coupled with Felix Granda's own aspiration: I am moved by the ideal of employing all my strength to make beautiful Thy temples and Thine altars, became the motto of Talleres de Arte. The emblem of the workshop depicted a man praying at the foot of an olive tree shedding many of its branches. The words that the man speaks are written on a banderole: Vetera novis augere et perficere (a motto of Pope Leo XIII: To augment and perfect the old by way of the new) and Defracti sunt rami ut ego insererer (Romans 11.19: The branches were broken off, that I might be grafted in).
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Starting in the British Army during the French and Indian War (1754-1763), and continuing in use in various armies throughout the later 18th, 19th, and early 20th Centuries, up to and including the Soviet Red Army in their "Great Patriotic War" (1941-1945), the term en banderole referred to soldiers wearing either their greatcoat (heavy overcoat) or blanket, rolled up along its longer edge, draped over one shoulder and across their back and breast, and fastened—sometimes with a small bespoke strap, other times with a short length of simple rope—near their waist. The practice was begun by British light infantrymen fighting in North America during the Seven Years' War, known there as the "French and Indian" war, to make carrying their equipment more convenient to fighting in the heavily-wooded terrain.
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In van Eyck's Marian paintings, he almost always clothes her in red writes Pächt, which makes her seem to dominate the space. The Christ Child is naked and holds towards the donor a banderole adorned with a phrase from the Gospel of Matthew (11:29), DISCITE A ME, QUIA MITIS SUM ET HUMILIS CORDE ("Learn of me, for I am meek and lowly in heart"). Detail showing the Virgin and Child sitting on the canopied throne with multi-coloured marble columns to the left Mary's presence in the church is symbolic; she and the child occupy the area where the altar would normally be situated.Borchert (2008), 56 Like van Eyck's two other late Madonna portraits (Virgin and Child with Canon van der Paele of 1436 and Madonna in the Church of c.
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