The walk outwards from both cities' centres adumbrates the difference.
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She stains, brushes, overlays, etches, graphs, and adumbrates with light pencil stencils.
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More than any juice cleanse or lottery win or career switch, a foreign language adumbrates a vision of a parallel life.
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Luce adumbrates some solutions himself, in a thin last chapter, and they are familiar variants of the center-left agenda (ones that, I have to say, sound a lot like those proposed by Hillary Clinton) — smarter redistribution, better retraining, etc.
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Chapter Two is a surge toward Pushkin > in Fyodor's literary progress and contains his attempt to describe his > father's zoological explorations. Chapter Three shifts to Gogol, but its > real hub is the love poem dedicated to Zina. Fyodor's book on Chernyshevski, > a spiral within a sonnet, takes care of Chapter Four. The last chapter > combines all the preceding themes and adumbrates the book Fyodor dreams of > writing someday: The Gift.
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In the second half of the 17th century, a big fortress with 6 towers, belonging to an administrative and military unit of the Ukrainian Cossack state named Bratslav regiment, was built in the centre of the village. During the Crossack-Polish War (1648-1657) the castle was attacked several times by the Polish army. In 1654 the castle couldn’t hold its ground anymore and was destroyed completely. The only thing left is one tower that adumbrates the strengths which the city had once.
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Anna Akhmatova became an important leader for Russian poetry. Her poem Requiem adumbrates the perils encountered during the Stalinist era. Another notable 20th-century writer from Saint Petersburg is Joseph Brodsky, recipient of the Nobel Prize in Literature (1987). While living in the United States, his writings in English reflected on life in Saint Petersburg from the unique perspective of being both an insider and an outsider to the city in essays such as, "A Guide to a Renamed City" and the nostalgic "In a Room and a Half".
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This work examines the dichotomy between freedom and reason, and argues that reason be rejected in the discipline of philosophy. Furthermore, it adumbrates the means by which the scientific method has made philosophy and science irreconcilable, since science concerns itself with empirical observation, whereas (so Shestov argues) philosophy must be concerned with freedom, God and immortality, issues that cannot be solved by science. In 1938, Shestov contracted a serious illness whilst at his vacation home. During this final period, he continued his studies, concentrating in particular on Indian philosophy as well as the works of his contemporary and friend Edmund Husserl, who had died recently.
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Hermes has become known, above all, for his novels "Geschichte der Miss Fanny Wilkes" ("The Story of Miss Fanny Wilkes" 1766) and "Sophiens Reise von Memel nach Sachsen" ("Sophie's Journey from Memel to Saxony" 1769-1773 in five volumes) which were very successful at the time, and translated into several languages. The second of these became one of the most read novel in German during the eighteenth century. The author gained the popular soubriquet "Sophien-Hermes" from it: its continuing importance two centuries later is based on its real- life descriptions concerning the cultural history of its time. The book also adumbrates aspects of the psychological novels which would flourish in the nineteenth century.
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Schopenhauer subsequently elucidated his ethical philosophy in his two prize essays: On the Freedom of the Will (1839) and On the Basis of Morality (1840). According to Schopenhauer, the will conflicts with itself through the egoism that every human and animal is endowed with. Compassion arises from a transcendence of this egoism (the penetration of the illusory perception of individuality, so that one can empathise with the suffering of another) and can serve as a clue to the possibility of going beyond desire and the will. Schopenhauer categorically denies the existence of the "freedom of the will" in the conventional sense, and only adumbrates how the will can be affirmed or negated, but is not subject to change, and serves as the root of the chain of causal determinism.
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Methodologically, social order is made available for description in any specific social setting as an accounting of specific social orders: the sensible coherencies of accounts that order a specific social setting for the participants relative to a specific social project to be realised in that setting. Social orders themselves are made available for both participants and researchers through phenomena of order: the actual accounting of the partial (adumbrated) appearances of these sensibly coherent social orders. These appearances (parts, adumbrates) of social orders are embodied in specific accounts, and employed in a particular social setting by the members of the particular group of individuals party to that setting. Specific social orders have the same formal properties as identified by A. Gurwitsch in his discussion of the constituent features of perceptual noema, and, by extension, the same relationships of meaning described in his account of Gestalt Contextures (see Gurwitsch 1964:228–279).
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In the story the narrator recounts to a friend his visit to the Berlin zoo. In the short sections--"The Pipes," "The Streetcar," "Work," "Eden," and "The Pub"—he describes everyday aspects of life in the city in vivid, typically Nabokovian, detail. In "The Streetcar," he adumbrates his vision of the purpose of "literary creation": "To portray ordinary objects as they will be reflected in the kindly mirrors of future times; to find in the objects around us the fragrant tenderness that only posterity will discern and appreciate in the far-off times when every trifle of our plain everyday life will become exquisite and festive in its own right: the times when a man who might put on the most ordinary jacket of today will be dressed up for an elegant masquerade." His "pot companion" (drinking buddy) in the pub pronounces the guide to be poor one of a "boring, expensive city," and does not understand the narrator’s preoccupation with streetcars, tortoises, or the publican's young son’s view from the rear annex.
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