All anyone hears is a yawp truer to the idealized New York street than Trump's.
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It's a tune of stoical yearning, the yawp of a dude bemoaning the end of a seasonal romance.
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His affinity tells, and he conducted a white-hot performance here, with every yawp and shriek given its due.
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I would have stood up and given the technobarbaric yawp of a child whose voice has yet to change.
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"Eh, whatever," was the call of my athletic career, my demon's yawp, deep from the bottom of my lungs.
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Next to the quietly impersonal sans-serif branding of most personal care products, the Dr. Bronner's label is a barbaric yawp.
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His voice is a mellifluous yawp, at once abrasive and mesmerizing, with the dynamic range of a slain-in-the-Spirit preacher.
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Even more than Trump's ascension, it seems to perfectly capture a moment in time, an inarticulate yawp of protest from angry white men.
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You open the door, and there she is canvassing, clipboard in hand, and maybe you give a wild yawp of recognition and excitement.
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Suzuki's barbaric yawp is as satisfying as ever, but Churchburn's rouling tar pit of bleak, paranoid riffage is the star of the show here.
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Where "Ugly Cherries" could be lonesome and searching, "Pageant" is fabulously defiant, a barbaric yawp sounded from the borderlands of gender expression and evolving sexuality.
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Many organizers have vowed that this yawp of dissent represents a beginning rather than an end — and history suggests that they may well be right.
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Aside from the reaction, which is top-notch, my favorite part of this dunk might actually be the guttural yawp Ojeleye unleashes as he does it.
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I'm not exactly sure why, but I've found that an approach of quiet observation better captures the barbaric yawp and roar of the pit than if I worked fast and tossed paint around.
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Given the political tensions that have sent spasms through the nation over the past two years, you might have expected — hoped — that this year's biennial would be one big, sharp Occupy-style yawp.
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Given the political tensions that have sent spasms through the nation over the past two years, you might have expected — hoped — that the 1970 Whitney Biennial would be one big, sharp Occupy-style yawp.
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Her speech in public, described as everything from a "raspy yawp" to a foghorn, was deceptive, friends said: When alone with them, she was perfectly capable of less stylized enunciation and enjoyed serious conversation.
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Higher-pitched sounds, from animals like bats and insects, appeared at the top of the screen, then below them frogs and other amphibians, and finally lower-pitched mammals toward the bottom, each with a distinctive yawp.
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Boston University women's hockey beat Minnesota 6-5 in overtime on Saturday and play-by-play man Max Walpoff decided the best way to celebrate was to sound his barbaric yawp over the rinks of the world.
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If it ends with a yawp of tragicomedy in the Elvis Presley story, "Doppelgänger, Poltergeist," it's only to remind us that Dante, too, was a toiler in the comedic fields, no matter how brutal and austere his triune cosmogony.
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"Funk the Fear," a syncopated yawp of defiance, represents the far end of this shift from lissome chamber-jazz to a muscular hybrid steeped in mid-1970s R&B, prog-rock and fusion (and, skipping ahead a bit, vintage Prince).
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I hear a ton of Penis Envy in Black Haze, from its political bite and dark punk riffs right down to the song "The Fuck" (a reference to Crass' "What the Fuck," perhaps?) and the pseudo-British tinge in vocalist/guitarist Jai Milx's barbaric yawp on tracks like "Cowschwitz".
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First off, the onstage "mosh pit" was so cringe-worthy I could barely stand to watch her emerge from the small sea of flannel-clad, off-kilter, gyrating extras, and the "stage dive" into a puddle of seat fillers reeked of choreographed desperation—an unspoken barbaric yawp of "Am I cool yet?" echoing silently between the notes.
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The building loses its fucking mind, signs are waived, a timeout is called, Kyrie marches through the center of the court and lets out a yawp, while poor DeMar DeRozan and Kyle Lowry, shit-sticked with the responsibility to cover that nonsense, slink off to the bench with their heads hung low, struck in that moment with the thunderbolt of realization that they might not be ready for this.
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In September 2018, Dawg Yawp released two singles released together called “Tearin’ Up” and “Why I’m Here” entitled ‘Dawg Yawp Doubles, Vol. 1’.
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GrubStreet’s Young Adult Writing Program (YAWP) offers free writing workshops for all Boston-area teenagers. The program consists of monthly, 4-hour workshops during a Saturday at the downtown offices. Workshops range from poetry and fiction to graphic novel and are taught by Grub Street instructors. YAWP has been recognized as the hub for creative writing teenagers in the Boston area.
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YAWP programs can be particularly effective for at-risk students, or for those who find writing and communications skills challenging in the traditional academic environment.
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GrubStreet runs the YAWP Teen Writing Fellowship, an intensive three-week creative writing program during the summer. Accepted teens are immersed in the writers’ life of craft and publishing: they work with published authors, meet with agents and editors, and receive a stipend for their commitment. GrubStreet aims to mimic writers’ residencies, thus the YAWP Fellowship is by application only. About 20 students are accepted each summer.
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The two eventually found their way back to Newport, KY, located directly across the river from their native Cincinnati, OH. During this time the members would conceive Dawg Yawp.
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The Young Artists and Writers Project (or YAWP, formerly the Young American Writers Project) created by Stony Brook Southampton's MFA in Creative Writing and Literature Program, is dedicated to mentoring middle and high school students in the development of creative expression and critical thinking through writing. The YAWP curriculum sends professional writers and writing teachers into Long Island schools with a variety of innovative, inter-disciplinary writing workshops, including Playwriting, Screenwriting, Poetry, Personal Essay, Fiction, and Visual Arts. YAWP Programs are offered throughout the school year, and can be custom designed to fit the needs of an individual school. They can be offered in "push-in" format, as enrichment to Creative Writing, English, Theatre or other academic classes, as extra-curricular programs or in retreat format.
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Dawg Yawp recorded a World Cafe Live session in December 2016, which was released on January 9, 2017. NPR has featured the band in their Heavy Rotation: 10 Songs Public Radio Can’t Stop Playing.
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He was set for the afterlife. To the whine of bagpipes, the Packard, steered by his widow Nancy Reddin Kienholz, rolled like a funeral barge into the big hole."Hughes, Robert. "All-American Barbaric Yawp.
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NPR featured Dawg Yawp’s track “I’ll Quit Tomorrow” on “The Austin 100” playlist ahead of SXSW 2017. After catching a set at the festival, Bob Boilen invited Dawg Yawp to record a Tiny Desk Concert. The session was recorded on June 28, 2017 and was released on September 29, 2017. Dawg Yawp have performed at Midpoint Music Festival (2015), Bunbury Music Festival (2016), Whispering Beard Folk Festival (2016), Moonshiner’s Ball (2015 & 16), River Roots Festival (2016), South By Southwest (2017) and the Des Moines Arts Festival (2017).
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He is also a contributor to the multilingual Armenian Poetry Project, curated and produced in New York by Lola Koundakjian. In 2003, he launched an open online literary dialogue, "The Conversation Continues", with John Berbrich, publisher and editor of the small press literary quarterly, Barbaric Yawp (Russell, New York).
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Dawg Yawp is an American indie folk band based in Cincinnati, OH. The group consists of members Tyler Randall and Rob Keenan. Dawg Yawp’s music is known for melding intricate harmonies and unique instrumentation, including Randall’s sitar, which is amplified and played while standing, and the use of electronic synthesis, samples and drum beats.
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It was a multi- ethnic, multi-lingual, and multi-disciplinary ensemble with 22 APIA women from Chicago, New York City, Los Angeles, and Minneapolis. Kitchen Poems was a writing circle inspired by workshops, founded by Filipina-American author M. Evelina Galang, a Filipina American author. Young Asians With Power! (YAWP!) was created as a safe space for Asian American Pacific Islander youth writers.
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In Cincinnati, Randall and Keenan worked together at a local waffle restaurant, Taste of Belgium. While employed, the two played their first show as Dawg Yawp, covering The Beatles and performing acoustically on the floor of the restaurant. After hearing the duo perform, Rob Fetters offered to produce their debut album. Fetters became a mentor to the band during their recording process.
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Emma Katherine Walton Hamilton (née Walton; 27 November 1962) is an English children's book author, theatrical director and actress. She is an instructor in the MFA program at Stony Brook Southampton, where she serves as Director of the Southampton Children's Literature Fellows program and the Young Artists and Writers Project (YAWP). She is the daughter of singer and actress Dame Julie Andrews.
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The Yawpers are a three-piece rock and roll band from Denver, Colorado. Their name is derived from a Walt Whitman poem, entitled "Song of Myself" from Leaves of Grass: "I sound my barbaric yawp over the roofs of the world." The Yawpers play in a unique setting of two acoustic guitar players and drummer, yet their music is played with "raucous glee comparable to seeing a metal band".
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" The review from Time exhibited a similar sentiment. "The post-World War II generation—beat or beatific—has not found symbolic spokesmen with anywhere near the talents of Fitzgerald, Hemingway, or Nathanael West. In this novel, talented Author Kerouac, 35, does not join that literary league, either, but at least suggests that his generation is not silent. With his barbaric yawp of a book, Kerouac commands attention as a kind of literary James Dean.
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After receiving local praise for the Two Hearted EP, described as “one of the most original and intricately considered bands in Cincinnati’s musical history,” Dawg Yawp began to tour the Midwest and gain support. The band went back into the studio with Fetters to record new material over the course of several sessions. Two of these tracks were released as standalone singles, including “East Virginia Blues” on April 12, 2016 via NPR’s All Songs Considered. A second single, “Can’t Think” premiered via Consequence of Sound on April 28, 2016, describing the band as “completely original” and dubbing them “sitar rock”. Both tracks, along with four tracks from the Two Hearted EP (“I Wanna Be A Dawg,” “Not So Sure,” “Need You to Know,” and “Dawg”) were combined with several unreleased tracks for the self-titled LP Dawg Yawp, which was released on October 14, 2016 via Old Flame Records, with a premiere from PopMatters. A music video for “Can’t Think” was directed by Dave Morrison and released on Team Coco on February 08, 2017 as a part of their “Fresh Noise” series.
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Gilsdorf is co-founder of GrubStreet's Young Adult Writers Program (YAWP), where he also leads creative writing workshops for adults in journalism, travel writing and essay writing, and poetry, as well as book promotion and writing career planning. He has also taught creative writing and journalism at Louisiana State University, Emerson College, and Mediabistro.com. He was the Dale Rogers Marshall Visiting Artist at Wheaton College (Norton, Mass.). He teaches writing in public schools and community centers in the Boston and Providence area.
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For many years, David Ferry has been admired in the US for his translations of Gilgamesh, Horace and Virgil. His original poetry has flourished in the shadow of this other work and he likes to juxtapose translations with his own poems in an acknowledgement of influence and tradition. Elegance, clarity, an avoidance of frills – the Horatian virtues – are important to him. He has written critically about Wordsworth and always intends to communicate with readers, approaching both translation and original work with a wise passivity, even humility, in pursuit of “the heartbeat easy governance / Of long continued metrical discipline” (‘A Thank-You Note’). This selection draws from his whole oeuvre, including ‘Poem’ (1960) which shows a young poet not wanting to howl or essay a barbaric yawp, but rather stiffly confined to New Formalist and Classical models, to inversion and Romantic lexis.
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