How to use wrathfulness in a sentence? Find typical usage patterns (collocations)/phrases/context for "wrathfulness" and check conjugation/comparative form for "wrathfulness". Mastering all the usages of "wrathfulness" from sentence examples published by news publications.
The original Wrathfulness subscale by Gorsuch reported a reliability coefficient of.
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Consequently, wrathfulness, horror, and repugnance as such are elicited by the events of the film.
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I am writing to you anyway, despite your having a reputation for a certain flavour of wrathfulness.
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Their aspect of wrathfulness is often interpreted as a form of great energy usable for many purposes.
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The scene in which Matt and Ruth blame each other for Frank's death releases the wrathfulness the movie has been holding in reserve.
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Nonetheless, at least one writer commented that the late magnate was, in fact, unpopular among the general populace due to his "conceit, wrathfulness and twisted character". Six of the 's sons later served as Chinese officers in the colonial bureaucracy, most notably Khouw Kim An, the fifth and last Majoor der Chinezen of Batavia.
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A protector of Buddhist dharma is called a dharmapala. They are typically wrathful deities, depicted with terrifying iconography in the Mahayana and tantric traditions of Buddhism. The wrathfulness is intended to depict their willingness to defend and guard Buddhist followers from dangers and enemies. The Aṣṭagatyaḥ (the eight kinds of nonhuman beings) is one category of dharmapālas, which includes the Garuda, Deva, Naga, Yaksha, Gandharva, Asura, Kinnara and Mahoraga.
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Gary Arnold of The Washington Times wrote that a number of factors "fail to prevent the finished product from jamming and misfiring with disillusioning frequency". Arnold opined that "demanding that he [Dalton] play Bond's wrathfulness in a transparently seething and hotheaded manner" means that Dalton "seems to waste away on this second outing as Bond." Overall Arnold sees that there is a "failure to recognize that Bond productions are simply too extravagant to permit an uncompromised return to first principles." The critic for The New York Times, Caryn James, thought Dalton was "the first James Bond with angst, a moody spy for the fin de siecle", and that Licence to Kill "retains its familiar, effective mix of despicably powerful villains, suspiciously tantalizing women and ever-wilder special effects", but was impressed that "Dalton's glowering presence adds a darker tone".
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