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25 Sentences With "without variation"

How to use without variation in a sentence? Find typical usage patterns (collocations)/phrases/context for "without variation" and check conjugation/comparative form for "without variation". Mastering all the usages of "without variation" from sentence examples published by news publications.

"Doing the same thing over and over again without variation will not work," he said.
Seeing repetitive work without variation as negative, he saw the solution as lying in automation.
151, and "Chronique Samaritaine," ed. Neubauer, p. 21, Paris, 1873, "Dosthis". says of the Dostan, the Samaritan Dositheans, that they abolished the festivals instituted by the Mosaic law, as well as the astronomical tables, counting thirty days in every month, without variation.
The spontaneity of these performances should not be confused with an improvisation that emphasizes the individual ego. The drummer's primary duty is to preserve the community. Master dancers and drummers are particular about the learning of the dance exactly as taught. Children must learn the dance exactly as taught without variation.
In sociolinguistics, a style is a set of linguistic variants with specific social meanings. In this context, social meanings can include group membership, personal attributes, or beliefs. Linguistic variation is at the heart of the concept of linguistic style—without variation there is no basis for distinguishing social meanings. Variation can occur syntactically, lexically, and phonologically.
Acute accent in multiple fonts. Grey letters indicate o kreska in the provided font. Notice that kreska in grey letters are more steep than acute accent in black letters. Also in Adobe HeiTi Std and SimSun, the stroke goes from bottom-left (thicker) to top-right (thinner), showing the raising nature of the tone, however the acute accent in SimHei is made without variation in thickness.
The composer stressed that the receiter should pronounce it praying to God. Ustvolskaya gave specific instructions in the score that the reciter, a man, should be dressed in black and not wearing jewelry. Like the fourth symphony, this symphony consists of blocks of musical material, in this case four, which unfold one after the other without variation. The four blocks are unified by having their tonal focus on D-flat.
The building has black windows on black Brazilian tijuca granite. It has a square footprint and all sides rise vertically without variation. Members of the BNZ development team travelled with Stephenson & Turner Architects to view architecture in the USA, Europe and Australia. The building draws inspiration from Mies Van de Rohe’s Tower Buildings (Lakeshore Drive Apartment Buildings in Chicago and Seagram Tower in New York) and Yuncken Freeman's BHP Building in Melbourne.
In 1969, γ Coronae Borealis was confirmed to be variable with an amplitude of 0.05 magnitudes. A year later, it was "confirmed" to be a δ Scuti variable with the earliest known spectral type in the class. The observed variations were not strictly periodic, but showed a characteristic timescale of 0.03 days (43 minutes). γ Coronae Borealis also showed anomalous behaviour not seen in other δ Scuti stars, such as periods without variation.
Young girls of the Lunda of Zambia spend months practicing in seclusion for their coming of age ritual. Boys show off their stamina in highly energetic dances, providing a means of judging physical health. Master dancers and drummers instruct children to learn dances exactly as taught without variation. Improvisation or a new variation comes only after one has mastered the dance, performed, and has received the appreciation of spectators and the sanction of village elders.
However, rather than the usual low-life figures it depicts groups of finely dressed men and women. These include the artist himself, his doctor Vincenzo Neri and other friends engaged in conversation and games. The traditional art historical view was that the Bamboccianti style practised by the Bamboccianti offered a realist "true portrait of Rome and its popular life without variation or alteration" of what the artist sees. However, their contemporaries did not generally regard the Bamboccianti as realists.
The story begins on Christmas Eve, at the Stahlbaum house. Marie, seven, and her brother, Fritz, sit outside the parlour speculating about what kind of present their godfather, Drosselmeyer, who is a clockmaker and inventor, has made for them. They are at last allowed in, where they receive many splendid gifts, including Drosselmeyer's, which turns out to be a clockwork castle with mechanical people moving about inside it. However, as they can only do the same thing over and over without variation, the children quickly tire of it.
The three aisled late Gothic nave has a square choir at one end, flanked by a southern side choir and a northern passageway containing the organ loft. The three bays of the west end of the nave are of equal size. A trapezoidal crossing space permits a wider choir bay at the east end. The central bay at the west end supports the tower, which is not visible from inside the church, since the mass of enormous, high-spired tower is distributed onto the pillars without variation in the height of the roof vaults.
Sonnet 73 is an English or Shakespearean sonnet. The English sonnet has three quatrains, followed by a final rhyming couplet. It follows the rhyme scheme of the English sonnet form, ABAB CDCD EFEF GG. It is composed in iambic pentameter, a poetic metre that has five feet per line, and each foot has two syllables accented weak then strong. Almost all of the lines follow this without variation, including the second line: × / × / × / × / × / When yellow leaves, or none, or few, do hang (73.2) :/ = ictus, a metrically strong syllabic position.
The mechanism to produce the cuckoo call has been in use since the middle of the 18th century and has remained almost without variation. It is unknown who invented the cuckoo clock and where the first one was made. It is thought that much of its development and evolution was made in the Black Forest area in southwestern Germany (in the modern state of Baden-Württemberg), the region where the cuckoo clock was popularized. These clocks were exported to the rest of the world from the mid-1850s on.
The bundle architecture therefore operates as an overlay network, providing a new naming architecture based on Endpoint Identifiers (EIDs) and coarse-grained class of service offerings. Protocols using bundling must leverage application-level preferences for sending bundles across a network. Due to the store and forward nature of delay-tolerant protocols, routing solutions for delay-tolerant networks can benefit from exposure to application-layer information. For example, network scheduling can be influenced if application data must be received in its entirety, quickly, or without variation in packet delay.
The original hand, now partly erased, begins with part of the first clause of the Canon, tuum dominum nostrum supplices te rogamus, and contained all but the first line of the Te igitur and Memento clauses, without the long intercessory passage, the nomina vivorum direction, or the variants. #The original hand begins, Et memoriam venerantes, continuing as in the present Roman Canon without variation until the next clause. The Bobbio Canon includes saints Hilary, Martin, Ambrose, Augustine, Gregory, Jerome, and Benedict. #Hanc igitur oblationem contains an interpolation referring to a church quam famulus tuus. . .
Roman fresco depicting Bacchus with red hair, Boscoreale, c. 30 BC In Italy, red hair is found at a frequency of 0.57% of the total population, without variation in frequency across the different regions of the country.Consanguinity, Inbreeding, and Genetic Drift in Italy, Princeton University Press, 15 Feb 2013, Luigi Luca Cavalli-Sforza, Antonio Moroni, Gianna Zei, page 270 In Sardinia, red hair is found at a frequency of 0.24% of the population. Victorian era ethnographers considered the Udmurt people of the Volga Region in Russia to be "the most red-headed men in the world".
The delegation's leader, Governor William W. Brandon, reported the state's unanimous vote tally each time without variation: "Alabama casts 24 votes for Oscar W. Underwood." Underwood became a symbol of the Convention's deadlock. His vote totals were meager, fewer than 50, until the deadlock broke and on the 101st ballot he won 229.5, but his anti-prohibition, anti-Klan stances made him a most unlikely compromise candidate and the Convention turned to John W. Davis of West Virginia, whose work as a Wall Street lawyer proved less of a political hurdle for the delegates. Underwood declined to run for reelection to the Senate in 1926.
Despite their lowly subject matter, van Laer's works themselves sold for high prices and were held in some of the most prestigious collections of his time. Carnival revellers in a tavern The traditional art historical view was that the Bamboccianti style practised by Pieter van Laer offered a realist "true portrait of Rome and its popular life without variation or alteration" of what the artist sees. However, their contemporaries did not generally regard the Bamboccianti as realists. An alternative view of the art of the Bamboccianti is that their works constitute complex allegories that provide a commentary on classical art with a view to bringing the observer to contemplate elevated ideas.
A relative chronology might be determined on the basis of comparison of motifs and styles. Iconographic research is unhelpful for this purpose because the motifs derive from a traditional repertoire, which was used largely without variation over a long period of time. Motifs from daily life are more helpful, however, since some of them depict datable building work such as the Capitoline Temple, which was built in AD 82 and is depicted on a relief from the Louvre Museum,Inventory number 3839 providing a terminus ante quem for that tile. Curetes dancing around baby Zeus in Roscher's Ausführliches Lexikon der griechischen und römischen Mythologie A better aid to dating is the quality of the clay.
It was Tendulkar's first match as captain – he started with a victory, despite a modest match personally with the bat – and McIntyre had him caught for 10 by Mark Waugh with the second ball he bowled to him. McIntyre went on to take 3 for 103 but, according to Wisden, "bowled steadily but without variation or much imagination". This was his second Test – and he did not play another one, once Warne returned. In the 1995–96 Sheffield Shield final, he and Shane George, South Australia's last two batsmen, held out the Western Australian bowlers for 40 minutes to ensure a draw and, as a result, victory for South Australia in the season's Shield competition.
Thomas Sternhold (d. 1549), Groom of the Royal Wardrobe at the end of Henry VIII's reign and during Edward VI's, "...began metricizing psalms for the edification of the young new king (ten years old when he came to the throne in 1547: sixteen when he died in 1553)." Sternhold's work paralleled Marot's efforts in the French Court; Sternhold's "...strong puritan strain moved him to replace with sacred songs the trivial secular music that was the Court's normal entertainment; this led him to versify certain Psalms in the ballad metre that would enable them to be sung to tunes already known." (Forest Green, Kingsfold, etc.). The ballad meter, "which Sternhold used very nearly without variation," had 4 iambic lines of 14 syllables, which breaks down to 8686 8686 (our Double Common Meter DCM or CMD).
Giovanni Battista Passeri, a seventeenth- century chronicler of art, described van Laer's work as an "open window" that provides an accurate representation of the world around him, characteristics applied to the Bamboccianti in general:Briganti, pp. 6–12.Haskell, p. 132. > "era singular nel represetar la veritá schietta, e pura nell'esser suo, che > li suoi quadri parevano una finestra aperta pe le quale fussero veduti > quelli suoi successi; senza alcun divario, et alterazione." The Small Limekiln (Landscape with Morra Players) attributed to Jan Both > "[he] was unique in representing the truth, in its pure essence, such that > his paintings appear to us like an open window through which we can see all > that happens, without difference or alteration" Passeri expressed here the traditional art historical view that the Bamboccianti paintings offered a realist "true portrait of Rome and its popular life" "without variation or alteration" of what the artist sees.
The night bombing pattern was maintained, almost without variation, for the next six months. On 2 March 1943 there was a switch back to daylight operations when Lieutenant Commander Takahide Aioi's force of sixteen Zeros (202nd Kōkūtai) escorted nine Betty bombers (753rd Kōkūtai) on a raid against the satellite airfield at Coomalie.This was the first time that Spitfires were used in combat, in the North Western Area. A detailed description of this, the 52nd raid against Darwin, is available in Andrew Thomas's Spitfire Aces of Burma and the Pacific (Osprey Publishing, 2009, p.9). No 1 (Fighter) Wing radar tracks for the 2 March 1943 raid against Coomalie, N.T. (From Australian Archives File A11231, 5/70/INT)The 23rd Air Flotilla, with headquarters at Kendari in the Celebes, was then under orders to make monthly attacks against Darwin and Merauke. These monthly attacks continued through to 13 August when the procedure underwent one final change. The army's 7th Air Division had by this stage withdrawn from Ambon to Wewak, leaving the 23rd Air Flotilla to carry on the campaign. The bombers continued to come over at night until 12 November 1943 when Darwin was attacked for the very last time.

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