The character may tend toward wishy-washiness, but there is nothing vague about her performance.
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Others took her apparent wishy-washiness as an opportunity to ask her a few demeaning questions.
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"I knew strong presidential leadership, unlike the wishy-washiness we've seen in the past, would impact the flow," Sessions said.
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Further, his wishy-washiness allows leaders of other nations to cut favorable deals with him that undermine the very policies he says he is trying to advance.
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The center-left Liberal Democrats — a moribund force in UK politics until last year — has remade itself into the main pro-EU party in the wake of Labour's wishy-washiness under Corbyn.
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This is post-hardcore without all the emotional wishy-washiness or technical wankery that that phrase has grown to exemplify; as with their like-minded peers in Ancst or Wildspeaker, this is the kind of hardcore you'd want to blast while watching the old world burn.
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Everyone understood that Corbyn's wishy-washiness on the Brexit question derived from his cynical calculation that he might capture some voters who opposed a break with the EU but had little faith in the solidly pro-Europe Liberal Democrats having any real influence in a post-election Westminster.
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I think the thing that's really interesting and different, and creates a different starting point for Eliza and Arizona, is that when Callie and Arizona met, Callie wasn't even actually completely knowing that she was interested in being in a relationship like that... I think there's something kind of different and exciting about that, because they're starting from a point that there's no deficit, there's no wishy-washiness.
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The song is about the wishy-washiness of politicians. Lauper refers to the arrogance of the media in this song, as well as in other songs on the Sisters of Avalon album. This song contains the word "bullshit" and was not edited out of the UK singles as is typical. While performing on several UK shows, such as Noel's House Party, she skipped the word.
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Commenting on the tendency of these conclusions being drawn, Schulz said in a 1968 interview that "I think of myself as Charles Schulz. But if someone wants to believe I'm really Charlie Brown, well, it makes a good story." He explained in another interview that the comic strip as a whole is a personal expression, and so it is impossible to avoid all the characters presenting aspects of his personality. Biographer David Michaelis made a similar conclusion, describing Charlie Brown as simply representing Schulz's "wishy-washiness and determination".
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" However, Slant Magazines Jesse Cataldo accused Springsteen of being "borderline jingoistic" and called his perspective "rose-colored", writing that he "seems more concerned with overtures toward harmony than actual dissent, a newfound wishy-washiness that leaves him sounding entirely defanged." Stephen Thomas Erlewine of AllMusic found the album "cumbersome and top heavy" and stated, "Springsteen sacrific[es] impassioned rage in favor of explaining his intentions too clearly." Although he commended the album's themes, Chicago Tribune writer Greg Kot criticized its music as "sterile" and commented that Springsteen "lost his nerve as a coproducer, going for stadium bombast instead of the unadorned grit these stories of hard times demand." Despite commending Springsteen's energy with the songs' "ambitious arrangements", Jon Caramanica of The New York Times found the "energy [to be] in service of deeply nebulous ideas" and stated, "the text is far more ambiguous, and in plenty of places on this album, just outright flat.
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