The whole effect makes it seem as if you're using one giant curved display.
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The glass sandwich works for me, and the whole effect is to create a handsome phone.
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But if we can figure out how to jump-start these damaged brain circuits, we can change the whole effect.
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"The surrounding garden is landscaped with monumental stone walls and pathways ... The whole effect is one of simplicity and understatement."
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The whole effect is that of a professionally nuanced presentation executed in a formalistic theme-and-variation mode that packages the work neatly.
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The whole effect of the lab would be menacing, a la Skynet, if it weren't for the palpable nerdiness and enthusiasm of its engineers.
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The multiplying colors have been pared down to four (light blue, magenta, green and yellow) and the whole effect is reminiscent of a video game console or hospital.
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Her white satin dress was eye-catching but restrained, so that the whole effect was pointedly adult; but adult in a mature way, not in a provocative way.
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The whole effect is very Rihanna, but Palmer wasn't just channeling general Bad Gal vibes with the look: Remember RiRi's Adam Selman outfit at the CFDA Awards back in 2014?
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For example, Mr Thaler developed a theory of mental accounting, which explains how people making financial decisions look only at the narrow effect of individual decisions rather than the whole effect.
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The robot's whole effect is designed to make you want to root for it, even though you know deep down that you could get the answer faster by just pulling out your phone.
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The whole effect was surprisingly low-key for the typically whiplash-inducing singer — it's not backless, plunging or ultra-short, doesn't show off her torso tattoos and isn't even accented with oodles of bling.
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The whole effect is calculated to both offend and make viewers sit up straighter, knowing that Lanthimos has some idea bubbling beneath the surface — usually a criticism of the norms that govern ostensibly polite societies.
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"Her look gives the impression that someone has neatened you up with a sharp razor blade and finished off the whole effect with a small mathematical bow," Siriol Hugh-Jones, a Briton, wrote in a 1962 article in Town & Country.
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Lee's aim with Billy Lynn is to put viewers inside the mind of someone experiencing PTSD, and in this sequence he achieves it — and in a way that made me wonder if the whole effect would be as visceral at a more traditional frame rate.
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The whole effect is similar to what developers can do with an Xbox Kinect, though just like the Kinect, there aren't a lot of titles that can actually take advantage of the feature, and to even use it, you kind of need a stand to prop up the View 20 just right.
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On a bold square base, , is imposed an octagon. On the octagon, there is a circle of deeply cut classicizing mouldings from which rise columns circular in plan. These columns are finely moulded; four bold circular rolls at the cardinal sides; between each are three fluted members. The whole effect combines the Corinthian and Pointed.
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New music was also composed featuring deep basses. The whole effect was to make Border have an authoritative and broadcaster tone. This package remained for four years until 7 November 1999. On 8 November 1999, Border adopted the second generic look along with the rest of the regions, but did not use their logo in this look.
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A painted figure of out Lord on the Cross hangs from the roof and the Altar is backed by dorsals and flanked by riddels of blue material. The cross and candlesticks are of silver. The whole effect is beautiful and devotional, and shows how even a little plain wooden Church can be transformed into a thing of beauty and joy.
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The dining table is circular, the room lit by a large round electric lamp with deep crimson shade. The whole effect of this room is quaint early English. Out of the vestibule the smaller hall leads to the main bedrooms, etc. Special features in connection with the arrangement of these rooms are that there are no wardrobes, all being let in the walls and fitted as cupboards etc.
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Beyond this and the giant Doric pilasters at the end of each terrace there was no other decoration so that the whole effect was very simple and clean. The terraces were faced with finely cut ashlar, which was a marked improvement on the stucco used extensively in London architecture of the time. Only the east terrace survives, as the other two were demolished in the 1960s to make room for Eldon Square Shopping Centre.
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A vital aspect of economies at this time was that they were transforming from barter economies to money economies. Linked to this, and aware of the scarcity of money, Petty recommends that taxes be payable in forms other than gold or silver, which he estimated to be less than 1% of national wealth. To him, too much importance was placed on money, "which is to the whole effect of the Kingdom… not [even] one to 100".
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There was a style of design admirably suited to the decoration of furniture when made of softwood such as pine. It somewhat resembled the excellent Scandinavian treatment of the 10th–12th centuries already referred to. A pattern of Gothic foliage, often of beautiful outline, would be simply grounded out to a shallow depth. The shadows, curves and twists only being emphasized by a few well- disposed cuts with a V tool; and of course the whole effect greatly improved by colour.
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Mount Pleasant Square is an example of rus in urbe, 'a countryside in the city'. The overall composition is more impressive than any one house. With its bucolic curtain of trees and handsome terraced Georgian houses, the atmosphere on this well-preserved square is often described as Dickensian, as if residents step into a period drama every time they leave the house. There is something elegant, if slightly bashful, about the whole effect: drooping trees, little traffic, gentle plop of tennis balls.
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His task permits of little originality beyond that exhibited in new words composed, or derived, according to familiar types (auricolor, flammiuomus, flammicomans, sinuamen), elegant synonyms to express the Christian realities (tonans for "God", genitor for the Father, spiramen for the Holy Ghost, uersutia for the Devil), or, lastly, archaic expressions. The language is correct and the verses well constructed, but there is little colour or movement. A few obscurities of prosody betray the period in which the work was written. The whole effect is carefully wrought out.
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The whole effect is beautiful and devotional, and shows how even a little plain wooden church can be transformed into a thing of beauty and joy. Local parishioners were encouraged to attend the chapel services, and a call was made for funds to restore the building and cemetery. Early in 1927 Bishop Halford left the Diocese of Brisbane, where he had been working in the Eidsvold and Burnett River districts, to carry out similar missionary work in the Diocese of Rockhampton. It appears that the Tingalpa priory closed soon after.
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The cinematographer was Arthur Edeson, a veteran who had previously shot The Maltese Falcon and Frankenstein. Particular attention was paid to photographing Bergman. She was shot mainly from her preferred left side, often with a softening gauze filter and with catch lights to make her eyes sparkle; the whole effect was designed to make her face seem "ineffably sad and tender and nostalgic". Bars of shadow across the characters and in the background variously imply imprisonment, the crucifix, the symbol of the Free French Forces and emotional turmoil.
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Laplace's initial computation accounted for the whole effect, thus seeming to tie up the theory neatly with both modern and ancient observations. However, in 1854, John Couch Adams caused the question to be re-opened by finding an error in Laplace's computations: it turned out that only about half of the Moon's apparent acceleration could be accounted for on Laplace's basis by the change in Earth's orbital eccentricity. Adams' finding provoked a sharp astronomical controversy that lasted some years, but the correctness of his result, agreed upon by other mathematical astronomers including C. E. Delaunay, was eventually accepted.
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Unfortunately Nur-ud-din arrived while these measures were being expedited and he was able to destroy the whole effect of Sheikh Bhul's mission, and Hindal was persuaded once more to accept the support of the rebel nobles, for which they demanded the sacrifice of Sheikh Bhul as he had caused Hindal to break his former promises to them.Wheeler, 1953, p. 32 They hoped that Hindal, involved in such a disgraceful crime, would irretrievably be separated from Humayun, whom they hated and despised. A frivolous charge of conspiracy with Sher Khan was laid and the Sheikh was executed under the orders of Nur-ud-din.
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The first monumental statue in what was to become the United States of America was an equestrian statue of King George III. It was executed by the British sculptor Joseph Wilton.Post, Chandler Rathfon, A History of European and American Sculpture: From the Early Christian Period to the Present Day, Volume ll, Harvard University Press, London, 1921 Commissioned in 1764 and cast in lead covered with gold leaf, the Neoclassical statue showed King George dressed in Roman garb astride a horse, the whole effect being reminiscent of the Marcus Aurelius statue in Rome. It was set up on a tall pedestal in Bowling Green Park in New York City and dedicated in August 1770.
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Pulcher arrived in Sicily first with part of the fleet and took charge of the operations, while Junius stayed back in Italy to organize supplies and ready the remainder of the fleet. Carthage managed to resupply Lilybaeum through the exploits of a small squadron led by a commander named Hannibal, son of Hamilcar, who managed to break the siege in broad daylight and deliver supplies to the garrison of Lilybaeum. Hannibal left the city carrying the useless cavalry horses and sailed to the harbour of Drepana at night, before the Romans knew what was happening and could respond. This supply operation was repeated several times, which negated the whole effect of the blockade, since the Punic garrison was being fed and kept in contact with Carthage.
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Writing in the NME in July 1967, Derek Johnson commented on the song's modern qualities relative to the sing-along style of the A-side. He highlighted Lennon's falsetto singing, the recording's "Oriental instrumentation and … unusual shuffle beat, emphasised by handclaps", and concluded: "The whole effect is startling and packed with interest from the word go." Billboards reviewer described it as "an Eastern-flavored rocker with an infectious beat and an intricate lyric". In one of the first cultural essays to acknowledge the Beatles' impact on American culture in a meaningful way, for the journal Partisan Review, Richard Poirier cited both sides of the single as a "particularly brilliant example" of how contemporary British rock bands had "restor[ed] to good standing ... the simplicities that have frightened us into irony and the search for irony".
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Sportswriter John B. Sheridan was among the critics of the system, saying, "The specialist in baseball is no good and won't go very far... The whole effect of the system will be to make the players affected half men... It is farewell, a long farewell to all that player's chance of greatness... It destroys young ball players by destroying their most precious quality – confidence in their ability to hit any pitcher, left or right, alive, dead, or waiting to be born." Baseball Magazine was supportive, pointing out that Speaker had results that backed up his system. via HighBeam Research. Lou Gehrig, Speaker, Ty Cobb, and Babe Ruth, 1928 The 1921 Indians remained in a tight pennant race all year, finishing games behind the Yankees. The Indians did not seriously contend for the pennant from 1922 through 1925.
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His pallid face, > surmounted by a dome-like brow, with his large spectacles and a peculiar > spiritual expression, gave me the impression, to a degree I never got from > any other man, that what I saw was not the man, but that his real self was > out of sight, behind those glasses, and that white, placid face, and that > great coat and muffler which he wore. He had a club-foot also, which struck > the sidewalk with a thud at every step, and alternately raised and depressed > his form as he walked. The tout ensemble made a great impression on my > boyish imagination. His infirmities added to his dignity, and the whole > effect of his appearance was to inspire the idea that some supernatural > being had been born lame, like Vulcan, and unjustly cast down from Olympus.
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