"Before I ran for office, I'd watch incidents like this with churches and other things and think, 'What a shame, what a shame,'" Trump said before he left for Indiana.
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Dozens of activists staged a sit-in outside the Rabat court before the first hearing in her trial, chanting: "What a shame freedoms are in danger, what a shame journalism is in danger".
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I look in the mirror and think what a shame!
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What a shame, America you need to do something now!
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Also, what a shame about what happened to Anita Hill.
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For me, as president, to watch any of this go, you know, before I ran for office, I'd watch incidents like this with churches and other things and think, what a shame, what a shame.
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They also sing a whole new song called "What a Shame."
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What a shame, when we know how far he can stretch.
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"What a shame," is a familiar comment on the account's posts.
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What a shame if her ideas were too small to seize it.
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And what a shame to lose them after they've made it back.
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" The two cats sing a completely new track called, "What a Shame.
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What a shame that's the world Betsy DeVos is returning us to.
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"And it started so well, what a shame," he wrote Friday on Facebook.
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What a shame that one must side with Donald Trump on this matter.
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What a shame that the host is vice chairman of the Czech parliament.
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What a shame that we didn&apost think about that at the start.
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What a shame it has arrived 20 years later than it might have done.
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What a shame this kickass heroine is stuck playing second fiddle to Danny Rand.
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"What a shame you can't appreciate the lower leagues of English football," he said.
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"What a shame," people said to Lee's mother when they heard of our engagement.
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"What a shame that a 'representative' of the Mexican people does these antics," @josuemb tweeted.
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Like sis has NO morality whatsoever & her character is poorly written what a shame #13ReasonsWhy.
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People didn't know about it—and what a shame not to bring it to the surface!
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What a shame it would be to hide your creativity away where nobody can see it.
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What a shame that these things had to happen in order for the people to unite.
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But what a shame it would be if that stopped any of us from trying. Lauretta
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Let's talk about what a shame it is to see Ellen Burstyn leaving this show so soon.
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What a shame—for when a man is tired of Kim Kardashian's breasts, he is tired of life.
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Interview Magazine, originally created by Andy Warhol and British journalist John Wilcock, has reportedly folded...what a shame.
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From Vin Petrini, senior vice president of public affairs, Yale New Haven Health: What a shame, Mr. Brill.
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What a shame that "A Day in the Life" is only a coda to an otherwise undistinguished collection of work.
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What a shame, then, that director James Mangold's expertly crafted Ford v Ferrari leaves the automotive design off of the screen.
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What a shame, then, that the film has been almost completely swallowed by a conversation about story elements it barely contains.
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He said, "What a shame" He felt it was hard for me to make a deal because of all of this nonsense.
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What a shame, says Robert Morrison in his superb new book "The Regency Years"—the first on the period in 30 years.
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They were removed, and now Americans and tourists alike have been barred from seeing this history, and what a shame that is.
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What a shame, then, that Erik's attempts to undo that cycle, however belatedly, played a part in his and Lyle's ultimate undoing.
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Just those tousled old sheets on a chair, it made me realize how empty this was and what a shame it was.
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What a shame our leaders did not respond to the futility of that war earlier and spare the lives of thousands of troops.
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And what a shame that we've come so far in so many other departments, but only five women to have been nominated for Best Director.
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The four-minute trailer follows the classic trailer formula of every Hollywood movie ever, minus the omnipresent In a world... (which frankly, what a shame!).
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What a shame that a name as prestigious as Nobel should entrust the cause of peace to its most incompetent and — if heeded — dangerous practitioners.
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BEN BRANTLEY Considering the strong season for plays on Broadway, what a shame that the Tonys once again could not figure out how to represent them.
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What a shame, because we're struggling right now to forge a healthier sexual dynamic between men and women and to stop young men from exploding violently.
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Again, Little St. Don mounted a chair, and began to speak, saying what a shame it was that those two nice people had both engaged in violence.
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To the Editor: What a shame that Nicholas Kristof chose to ask a conservative evangelical who believes assent to specific doctrine is the measure of one's faith.
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"The sold-out media of the right, in their desperation, defend terrorist Oscar Pérez, what a shame and lack of ethics," tweeted Diosdado Cabello, Maduro's right-hand man.
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It was this air of exclusivity that intrigued Chua, who thought to himself, What a shame that no one really knows what these bottles of wine taste like anymore.
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What a shame for Mr. Pence to besmirch himself through dogged fidelity to a candidate whose own notions of loyalty are as one-way as his concept of marriage.
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So what a shame it would be if a lost or broken phone meant the loss of all those conversations, not to mention those photos and videos swapped but never saved.
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And what a shame, because Married was capable of some immensely affecting moments and episodes, including this one, in which two friends of the couple at the show's center break up.
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When the men finished, they told her what a shame it was that she was off the derech, that she seemed nice, that she should try again at a religious life.
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What a shame that both miracles and radio waves are invisible, because it would be quite a sight: ribbons of marvel and sound stretching out straight and true from all over the world.
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"He rested his arm on my door where the window was down, and he kind of said, 'Oh, looky here, what a pretty face' or 'What a shame about that pretty face," Lakshmi said.
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What a shame too since Lulu could be so many things for an East Village parade that would surely land her on NYT's top picks given Lulu's teacup size and abnormal level of cuteness.
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Seeing these items with my very own eyes, I realized what a shame it would have been for these cultural touchstones to have been lost or buried in storage where no one could see them.
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"What a shame I decided to take a vacation out of the city during this period," wrote Dora Kramer, a columnist for the newspaper O Estado de S. Paulo and a self-described Olympic pessimist.
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Like all false friends, it clothes its constant stream of criticism in terms of concern – like a mafia goon telling a store owner what a shame it would be if something happened to his establishment.
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I had always, for example, thought of the death of my grandfather three months before I was born in terms of what a shame it was that he and I so narrowly missed meeting each other.
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Haughty, cold, very good at getting information from drunk men and blackmailing sober ones, we understand how formidable she could be, and what a shame it is that her only chance at scheming is forcing Jamie into bed.
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The chiefs wag their heads and rummage through desks for musty reports and murmur, yes, yes, what a shame … Craig Reedie, the chief of the World Anti-Doping Agency, recently explained his regulatory approach to my colleague Rebecca Ruiz.
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What a shame it would be to revert to the reading habits of the "Twilight" age, if it meant missing out on books as subtle, brilliant and mature as Karen Dionne's newest novel, THE MARSH KING'S DAUGHTER (Putnam, $26).
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The destructive Siamese cats of yore are no longer Asian stereotypes (they're not even Siamese), but they're burdened with a limp new song, "What a Shame" (written and performed by Roman GianArthur and Nate Wonder, two members of Monáe's Wondaland collective).
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It begins, "What a shame we all became such fragile broken things / a memory remains, just a tiny spark," and I'm fairly sure I had a school exercise book with those very words scrawled across the front, bookended by 'LAUREN O'NEILL.
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Instead of the blank, inarticulate silence that should accompany the inevitable news of Jamal's death, "American Son" inspires a response better suited to the kind of true-crime reënactment that it so closely resembles, in tone and sensational intent: What a shame. ♦
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When all this is possible for a beginning student, what a shame it is for them to be pressed into service in an obsolete and inchoate conflict that requires they spend their grade-school years tapping away at Scratch—all while Sputnik, of all things, still haunts lawmakers and motivates them to seek massive investments in a flimsy experiment in pedagogy that no one seems to understand.
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On August 3, 2014, the music video was released for "Supreme". On August 4, 2014, the music video was released for "What a Shame" featuring French Montana. On August 27, 2014, the music video was released for "Drug Dealers Dream".
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Seriously ill, Arcady Ivanovich said that the charges against him that he was invited to Cheboksary Gorky to kill. Arcady is terribly depressing: > You can not imagine how I loved Gorky. And then they tell me ... What a > shame! Then there was a meeting of Communists Bizhbulyak District.
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Every nation is ruled by a man - what a shame! Long hair means short reason!" She listened to their protests and send men to find her a suitable husband, saying, "Find yourself a duke and myself a husband, if you will. But beware, a man will be a stern ruler, harsh upon you, unlike I was.
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The church has always been against the creation, distribution and viewing of pornography. Gordon B. Hinckley had been known to say that pornography is as addictive as the worst drugs.Lynn Arave "LDS urged to boost worthiness" Deseret News May 19, 2004 He often talked of what a shame it is to use such great resources (such as the internet) for such material.
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What a shame." AllAboutJazz reviewer Trevor MacLaren wrote: "This record has always been a thorn in the discography of saxophonist Pharoah Sanders. The playing is solid, but his legendary ripping chops are extremely subdued, making this disc seem out of place. Not to mention the fact that the musicians that Sanders is playing with are bebop players, slapping out bop riffs.
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WLS dumps staffers in cost-cutting 'bloodbath', Chicago Tribune, March 1, 2008. In commenting on his release, Hartford said "I spent nearly 20 years building a brand there, and it was over in a less than a one-minute phone call without even a 'thanks.' And it's not like the ratings weren't good."'What a shame' , Chicago Sun Times, March 6, 2008.
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The Australians Stephen Brooks writes "what a shame the actual Happy Days element of the show doesn't fare as well." Ara Jansen praised the show in The West Australian, "If Happy Days doesn't put a smile on your face, then you're in need of therapy." An Original Cast Recording album was released and was nominated for the 2000 ARIA Award for Best Cast or Show Album.
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"Oh What a Shame" is a 1975 single, which was written and produced by Roy Wood. Wood played all of the musical instruments on the recording, as well as supplying lead and multi-tracked backing vocals. The song was jointly globally published by Carlin Music Corp and Roy Wood Music. One music journalist described the track as "a delightful collision of The Beach Boys and Neil Sedaka".
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Don't you consider how much the country is distressed by the war, and that your officers have not been any better paid than yourselves? But we all expect better times and that the Country will do us ample justice. Let us all stand by one another then and fight it out like brave Soldiers. Think what a shame it would be for Connecticut men to run away from their officers.
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The track he produced for Rick Ross's 2012 album was a soulful, percussion-heavy banger called "Ice Cold" featuring R&B; star Omarion. His contribution to Ross's most recent LP was a gritty, hard-hitting NYC-style track called "What A Shame" featuring French Montana. In 2014, Reefa enjoyed great success on the Billboard top 200 Chart. He notched production credits on two albums that debuted in the Billboard Top 10 in the same week.
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The film was going to feature a new version of "The Siamese Cat Song", performed by Janelle Monáe. The song was to be re-written by Nate "Rocket" Wonder, Roman GianArthur, and Monáe due to both its modern-day perceived racist connotations and to fit the characters' depictions in the film. The song was ultimately reworked as a blues song titled "What a Shame". Monáe also performed two new songs for the film.
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Coach Kyle of GamePro gave the Genesis version a negative review, commenting that both the gameplay design and controls are shallow and rudimentary, the character animations are stiff, and the graphics lack detail. He concluded, "What a shame that such a long-awaited game, with such a famous story as a foundation, should turn out to be so disappointing." GamePro also negatively reviewed the Game Boy version, saying it simply translates the simplistic and easy levels from the Genesis version into portable form.
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She is a genuine artist and has a small shop/workshop in a Madrid neighbourhood where she just about manages to make a living. What a shame that her quiet, ordered world is about to collapse around her ears. Somehow, Sara will have to put up with a fleeing mother (Elvira Mínguez), a depressed father (Jordi Sánchez), a rebellious sister and her eccentric fiancé and, especially, a boyfriend she hasn’t seen in ages who’s about to make her the most absurd proposal in history.
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Snapshot is the debut studio album by Irish rock band The Strypes, released on September 9, 2013. The album was produced by highly acclaimed record producer Chris Thomas at Yellow Fish Studios, England. The title of the album derives from the band's intention while recording the album to create a "snapshot" of their live set that got them noticed in the first place. The album contains singles "Blue Collar Jane", "Hometown Girls", "What a Shame", "Mystery Man" and "You Can't Judge a Book by the Cover".
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There is an early version of "Morning Rain" with the title "Start Again", as recorded in a BBC session on 5 January 1971. "What a Shame" featured saxophone from Christine McVie's brother John Perfect whose son Dan later co-produced and featured as guitarist/co-writer on McVie's 2004 album In the Meantime. The title track, written by then-newcomer Bob Welch, was later re-recorded for his 1979 solo album The Other One and again for His Fleetwood Mac Years & Beyond in 2003. The original version is featured in the 2000 movie Almost Famous.
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The Strypes have stated influences from artists such as The Beatles, The Who, Dr Feelgood, Chuck Berry, The Rolling Stones, Bo Diddley, The Yardbirds, The Jam, Willie Dixon, Little Richard, Elvis Costello, The Ramones, The Undertones, Rockpile, Dave Edmunds, Lew Lewis, The Animals, Nine Below Zero, Jimmy Reed, Little Walter, Them, The Pirates, Elmore James, Muddy Waters, Sonny Boy Williamson II, John Mayall & The Bluesbreakers, Slim Harpo, Robert Johnson, Billy Boy Arnold, Lead Belly, John Lee Hooker and Jerry Lee Lewis. Josh McClorey stated that What A Shame was influenced by the Arctic Monkeys.
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In his later years, Mérimée had very little good to say about other French and European writers, with a few exceptions, such as his friends Stendhal and Turgenev. Most of his criticism was contained in his correspondence with his friends. He described the later works of Victor Hugo as "words without ideas". Describing Les Misérables, Mérimée wrote: "What a shame that this man who has such beautiful images at his disposal lacks even a shadow of good sense or modesty, and is unable to refrain from saying these platitudes not worthy of an honest man".
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" Mark Evanier reminisced: "Some years ago, Paul and I were going to collaborate on a new comic book based on a leftover idea of Jack Kirby's. I was disappointed when the project fell through because I'd been looking forward to working with Paul. I knew from seeing his work he could draw well but when we got into discussions, I discovered what a smart, conscientious artist he was — the kind who not only produces fine work but understands what he's doing and why. What a shame to lose a good man like that.
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CD1 (CDRS6518) #"Pumping on Your Stereo" (3:21) #"You'll Never Walk Again" (2:16) #"Sick" (3:40) CD2 (CDR6518) #"Pumping on Your Stereo" (3:21) #"What a Shame" (2:44) #"Lucky (No Fear)" (3:13) LTD. ED. Green 7" (R6518) / TC (TCR6518) #"Pumping on Your Stereo" (3:21) #"You'll Never Walk Again" (2:16) "That (You'll Never Walk Again) was just a demo we did on our eight track," says Danny. "It's just the three of us around the mic. It's about the riots at France '98, the World Cup.
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Without the 1950s leanings of departed guitarist Jeremy Spencer, the band moved further away from blues and closer to the melodic pop sound that would finally break them into America four years later. After the band completed the album and turned it in, the record label said that it would not release an album with only seven songs, and demanded that they record an eighth. "What a Shame" was recorded hastily as a jam to fulfill this request. Welch's primary guitar at the time was a Gibson ES-335, which he played on the record along with a Fender Stratocaster.
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The Rolling Stones, Now! is the third American studio album by the English rock band the Rolling Stones, released in February 1965 by their initial American distributor, London Records. Although it contains two previously unissued songs and an alternative version, the album mostly consists of songs released earlier in the United Kingdom, plus the group's recent single in the United States, "Heart of Stone" backed with "What a Shame". Mick Jagger and Keith Richards wrote four of the songs on the album (including the US single), with the balance composed by American rhythm and blues and rock and roll artists.
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The album reached number four on the Billboard 200 album chart and was certified "gold" by the Recording Industry Association of America. The liner notes on initial pressings contained producer Andrew Loog Oldham's advice to the record buying public, which was quickly temporarily removed from some subsequent pressings: This quote also appeared on some issues of the UK 'Rolling Stones No. 2' LP. In August 2002, The Rolling Stones, Now! was reissued in a new remastered CD and SACD digipak by ABKCO Records. This version included stereo mixes of "Heart of Stone", "What a Shame", and "Down the Road Apiece".
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Instead of a scalding brew of mirth and malice, served black, Donner settles up a tepid latte, decaf. What a shame—Conspiracy Theory could have been a contender." Todd McCarthy of Variety called the film "a sporadically amusing but listless thriller that wears its humorous, romantic and political components like mismatched articles of clothing ... This is a film in which all things ... are treated lightly, even glibly ... One can readily sympathize with ... the director's desire to inject the picture with as much humor as possible. But he tries to have it every which way in the end, and the conflicting moods and intentions never mesh comfortably.
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The Sound of Madness is the third studio album by American rock band Shinedown, released June 24, 2008. The album's lead single, "Devour", was released to radio on May 5, 2008. It is the first album to feature Eric Bass and Zach Myers and the only album to feature Nick Perri and the band as a five piece. The album's lyrics explore diverse subject matter as opposed to their previous albums; "Devour" ventures into political territory while "What a Shame" tells a story about lead singer Brent Smith's uncle, who died during the recording of the album, and how Brent and his cousin, professional wrestler Olivia Smith, dealt with his death.
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Colloquially, the word haram takes on different meanings and operates more closely as a dichotomy with halal, which denotes the permissible. In Arabic-speaking countries, saying "haram" can mean 'what a shame' or 'what a pity' (this meaning has been adopted by Modern Hebrew slang as well, and is alike to the Italian use of peccato). The term can be used formally as a method for chastising strangers who behave inappropriately, or between friends as a form of teasing. The word is also used to instruct children in how to behave by telling them that harming other children or animals is haram, among other things.
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An example of jumping to conclusions is when one makes assumptions about what someone else is going to say, often by cutting them off with the words "I know what you're going to say". Saying things like "wow, geez, and what a shame" can make one come across as more interested in looking supportive than what the other person is saying. Therefore, assuming that a story-teller wants overly-compassionate responses can have its downsides, especially if they seem non-genuine and only maintained in order to uphold some kind of social expectation. Working out what context a phrase is being used in can help avoid one jumping to conclusions.
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During the early Stones' releases, Richards was typically credited as "Richard". The Rolling Stones' fifth UK single, a cover of Willie Dixon's "Little Red Rooster"—with "Off the Hook", credited to Nanker Phelge, as the B-side—was released in November 1964 and became their second No. 1 hit in the UK. The band's US distributors, London Records, declined to release "Little Red Rooster" as a single. In December 1964, the distributor released the band's first single with Jagger/Richards originals on both sides: "Heart of Stone", with "What a Shame" as the B-side; the single went to No. 19 in the US.
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Curtis sent a copy of the press release which included Eisenhower's veto message to Newman on February 10, regretting the outcome, as did Newman in his reply, speculating that Eisenhower "probably was under the impression that these coins circulate and did not realize that they end up as souvenirs". Wayne Homren, editor of the numismatic publication The E-Sylum, wrote in 2017, "What a shame—so much effort for nought. Yet the commemorative half program by that point was indeed getting bogged down and bloated, and something had to give." After Eisenhower's vetoes, no commemorative coins were authorized until 1981, when a bill for the George Washington 250th Anniversary half dollar was passed with Treasury support, to be issued the following year.
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Devizes White Horse has occasionally fallen into states of disrepair, with the main threat to the site being the growth of weeds. A Beckhampton local, comparing the state of the Devizes horse in 2007 to the then-recently cleaned Westbury White Horse, was quoted by the Gazette and Herald as saying: "What a shame that the civic pride which led to this White Horse being created to celebrate the Millennium does not seem to have lasted longer than the first couple of years of that Millennium." Subsequently, the first major clean-up, or scouring of the horse occurred over a two-day period in April 2007, in which Padwick invited volunteers to join forces and remove weeds, grasses and moss from the horse. By September 2008, the horse had again become barely visible.
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In a review for The New York Times Benjamin Percy writes: "In this way, The Yellow Birds joins the conversation with books like Leslie Marmon Silko’s “Ceremony,” Brian Turner’s Phantom Noise and Tim O’Brien’s classic, The Things They Carried — and wakes the readers of 'the spoiled cities of America' to a reality most would rather not face. Percy quotes the novel, writing: "Here we are, fretting over our Netflix queues while halfway around the world people are being blown to bits. And though we might slap a yellow ribbon magnet to our truck’s tailgate, though we might shake a soldier’s hand in the airport, we ignore the fact that in America an average of 18 veterans are said to commit suicide every day. What a shame, we say, and then move on quickly to whatever other agonies and entertainments occupy the headlines.
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Critical commentary described "Bitches Broken Hearts" as an R&B; track. According to sheet music published at Musicnotes.com, "Bitches Broken Hearts" has a moderately fast tempo of 120 beats per minute (BPM) and is played in the key of A minor. Eilish's vocals span one octave from G3 to G4. Lyrically, the song delves into the aftermath of a breakup, Eilish pretends that she no longer needs or cares about her former lover: “You can pretend you don’t miss me/You can pretend you don’t care/All you wanna do is kiss me/Oh, what a shame, I’m not there.” Eilish continues to her lovers' incompatibility, calling them "suicide and stolen art"; she also knows they'll both eventually move on and start to meet new people: "Somebody new is gonna comfort you/Like you want me to/Somebody new is gonna comfort me/Like you never do".
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In September 2006, it was announced that Godrich, along with producer Dilly Gent, producer James Chads and John Woollcombe, were shooting the music series From the Basement, filmed from London's Maida Vale Studios. Godrich took inspiration from The Old Grey Whistle Test, a BBC music television series that broadcast in the 1970s and 1980s, and the 1996 concert film Rock and Roll Circus, which documents concerts by the Rolling Stones and other acts. He told Pitchfork: "[It was amazing] to see such a snapshot of that time: you get to see [the musicians], warts and all... [We were] just saying what a shame it was that there wasn't anything that really felt as honest as that any more." Godrich conceived From the Basement to capture "the true representation" of the artists' work without the pressure of television promotion or interference from presenters and audiences.
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" Writing for the Chicago Sun-Times, Richard Roeper praised the production design and cast, but said the film was not as scary as the first, specifying, "For all of Muschietti's visual flourishes and with the greatly talented Bill Skarsgård again delivering a madcap, disturbingly effective, all-in performance as the dreaded Pennywise, It Chapter Two had a relatively muted impact on me." Varietys Peter DeBruge wrote, "The clown is back, and the kids have grown up in part two of Stephen King's monster novel, which inspires an overlong, but suitably scary sequel," while Christy Lemire of RogerEbert.com gave the film two-and-a-half out of four stars, stating that "It Chapter Two can be a sprawling, unwieldy mess—overlong, overstuffed and full of frustrating detours—but its casting is so spot-on, its actors have such great chemistry and its monster effects are so deliriously ghoulish that the film keeps you hooked." Katie Rife of The A.V. Club gave the film a grade of "C+," praising Hader's performance but summarizing, "What a shame, then to build this beautiful stage, populate it with talented actors and high-level craftspeople, and then drop them all through the trap door of plodding humor and scattershot plotting.
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