Some artists work in watercolours, some in clay, others in sausage meat.
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Printed in silver type, the "Ideas" are interspersed with watercolours by J.M.W. Turner.
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His watercolours went far beyond accuracy, Ms Uglow says, displaying "intimate perception" and great feeling.
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"They are watercolours by Adolf Hitler," said Heinz-Joachim Maeder, a spokesman for Kloss auctioneers.
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She uses different types of paint, including watercolours and tempera paint in various colours to create the paintings on women's bodies.
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A side-room is devoted largely to Krasner's watercolours, calligraphic works of bright hues that are also explorations of negative space.
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It's rich in watercolours inspired by the illustrations in nature-centric Australian children's books like Blinky Bill, Diary of a Wombat and Possum Magic.
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As early as 1929, under Belgian colonialism, an exhibition of watercolours by Albert Lubaki, a painter, caused a sensation at the Palais des Beaux-Arts in Brussels.
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The video clip accompanying the announcement shows the Watercolours in action, flowing like a waterfall, drizzling like rain, and what looks a lot like boiling on the stovetop.
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BERLIN (Reuters) - The pictures - three anemic watercolours showing a mountain scene, a river and a distant figure sat beneath a tree - are little different from wares on sale at flea markets the world over, except for the autograph scratched in the corner: "A.Hitler".
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His book of drawings and watercolours of African chalcid wasps was published in 1996.Anthony Watsham. Ink Drawings and Watercolours of African Chalcid Wasps (1995). Accessed 5 July 2016.
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The majority of her watercolours are held in private collections.
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His last painting was done in 1970; after that he produced only drawings, watercolours and lithographs. A retrospective took place at the Kunsthalle in Darmstadt in 1972, with 90 oil paintings and 60 watercolours.
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He first worked as an illustrator, contributing works to The Illustrated London News between 1897 and 1900 and the English Illustrated Magazine from 1899 to 1900. He then exhibited oil paintings and watercolours at the British Institution and the Royal Institute of Painters in Watercolours between 1911 and 1918. G.D.Rowlandson painted figure scenes, sporting subjects, landscapes and animals in both oils and watercolours.
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Blake's original watercolours were believed lost, until they were rediscovered in 2003.
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Gordon usually painting landscapes in watercolours. 52 of his watercolours were exhibited in a solo show at the Scottish Gallery in 1988; he also frequently exhibited at the Royal Scottish Academy and Royal Scottish Society of Painters in Watercolour.
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"I work in different techniques but watercolours seem to be the most sympathetic and sensitive to the motions of human heart. I believe that just watercolours will help me to express what i appreciate in art - truth and beauty".
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Watercolours (also involving ink draughtsmanship) constituted an important second sphere of activity which, while present since the fifties, intensified after 1970. The watercolours are chiefly depicting landscapes, but run the gamut from “real” landscape drawing to imaginative scenarios exploiting surreal figurations.
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Their collection was bequeathed to the Courtauld Institute of Art upon his death,Lewis, C. (22 December 2005)"Gainsborough to Turner - Watercolours At The Hermitage Rooms" Culture24 and was published in the book The Spooner Collection of British Watercolours in 2006.
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Edmund George WarrenScott Wilcox, Christopher Newall. Victorian landscape watercolours, p42 (Hudson Hills Press, 1992). (1834–1909) was a British landscapist who worked in both watercolours and oils. Warren lived first in London, then later in Chudleigh Devon, South-West England.
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Braikenridge commissioned him to produce less than 30 watercolours, but collected many more of Jackson's Bristol scenes. His Bristol watercolours of the mid 1820s were his most highly regarded work, and have been called the most important part of the work of the Bristol School. John Lewis Roget called him "the father of the school". Jackson was a lifelong friend of Francis Danby, whose influence is present in his watercolours.
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By 1930, there was concern that both his oils and his watercolours were fading.
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More recently her metallic works have drawn on his recently rediscovered watercolours of women.
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Marguerite Primrose Gerrard worked in techniques of botanical watercolour, tempera, and gouache. Her botanical watercolours and drawings are included to the Catalogue of the Botanical Art Collection at the Hunt Institute. Selected watercolours are offered and sold at auction, including Ashcroft and Moore.
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Charles James Lewis (1830 – 28 January 1892) was an English painter in oils and watercolours.
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Dunn's watercolours and his other paintings are in collections in Cornwall and other British galleries.
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The watercolours depict Guiana's indigenous peoples, some of whom are now extinct, and as such are an important ethnographical record. The paintings also feature topographical and botanical subjects. Some of Goodall's watercolours have been published.Edward A. Goodall, Sketches of Amerindian Tribes 1841-1843 (London, 1977).
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In later life Colling devoted more time to producing watercolours of London buildings and street scenes.
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Thomas Brown Clark (1895–1983) was a Scottish painter who worked in oils, pastels and watercolours.
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Fermin Rocker trained as a lithographer. His early works consisted of sketches, watercolours, and graphic work.
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Heriot was probably introduced to the picturesque style at Woolwich, and it can be found in his drawings and watercolours throughout the 1780s.Finley, 2000. During his 1796 return to Britain, he submitted three watercolours to the Royal Academy of Arts, which were exhibited the following spring.Finley, 2000.
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The museum's extensive collection of drawings, watercolours and particularly graphic works are mainly from the 20th century.
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Festing also paints landscapes, still lifes and watercolours. He has studios in central London and in Northumberland.
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Yehiel Segal (1924 -1996) () was an Israeli painter. He is mostly known for his watercolours and sketches.
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Accessed September 2007 and a further 886 watercolours, in seven volumes, dedicated to the county of Sussex.
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In 1980, watercolours, drawings and sketches, together with notes, letters and diaries were sold as part of the artist's studio sale. Some were sold in Ireland and others at a studio sale at Christie's in London. The National Gallery of Ireland purchased seven fine watercolours for its permanent collection.
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The V&A; has a book of the illustrations used in his first book, and two additional watercolours.
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William Kay Blacklock (1872 - 11 August 1924) was a British artist in the mediums of watercolours and oils.
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Violet McNeish Kay (18 June 1914–1971) was a Scottish artist who painted landscapes in oils and watercolours.
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Elsie E. Stevens (born 1907) was a British artist, known for her landscape paintings in both oil and watercolours.
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Neil Faulkner (born 1962) is a British realist painter. He lives and works in the United Kingdom, and exhibits his paintings at many galleries throughout the UK and Ireland. The majority of Faulkner's paintings are watercolours, although he also produces oil paintings. His watercolours fall into the categories figurative and still life.
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In 2001, he became a full-time wildlife artist and illustrator. He has no formal art training. He worked with acrylics in the early years, but around 2005 he changed to watercolours, gouache and oils. He uses watercolours for looser styled paintings, for field studies and combined with gouache for illustration work.
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During the 2 years of his apprenticeship he continued to paint in his spare time, in both oils and watercolours.
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Forshaw Day's body of work includes oils on canvas, watercolours and etchings. His preferred subjects were landscapes and marine seascapes.
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Millicent Mary Chaplin (1790 - 1858) was an English-born amateur artist mainly known for her watercolours depicting 19th century Canada.
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Margaret Gillies (7 August 1803– 20 July 1887) was a London-born Scottish painter, known for painting miniatures and watercolours.
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Elias Childe (1778–1849) was a British landscape painter. He was a prolific artist, working both in oils and watercolours.
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Violet Banks (3 March 1896 – 1985) was a Scottish artist who painted in oils and watercolours and also decorated pottery.
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Frances Crawshaw ( Frances Fisher; September 1876–1968) was a British painter in oils and watercolours and also a botanical artist.
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R. Hewitt, Map Of A Nation: A Biography Of The Ordnance Survey (Granta Books, 2011), . His abandonment of traditional pen and ink drawing, using washes of colour in order to paint directly in watercolours without pen outlines, opened the way for the creation of powerful Romantic landscapes.A. Wilton, The Great Age of British Watercolours: 1750–1880 (Prestel Verlag GmbH & Company KG., 1997), . Alexander Runciman (1736–1785) was probably the first artist to paint Scottish landscapes in watercolours in the more romantic style that was emerging towards the end of the eighteenth century.
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In addition to his large-scale oil paintings depicting naval battles, Pocock also produced many watercolours of coastal and ship scenes.
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Violet Fuller (26 July 1920 – 2006) was a British artist who painted in oils and watercolours and was a prolific exhibitor.
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Henry Robinson Hall (1859–1927) was a Victorian and Edwardian landscape painter in oils and watercolours noted for his Highland cattle.
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Valma Ondine Howell (15 June 1896 - 16 December 1979), was an Australian artist of pastoral watercolours of western Victoria and actor.
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Although the majority of his work is in oil colours, he has also worked in gouache, watercolours, charcoal and mixed media.
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In his watercolours he managed to capture the overall impression; the characteristic "wet style" seen in the watercolours of Aage Rafn, Steen Eiler Rasmussen and Aarne Jacobsen goes back to Kampmann. Kampmann is one of the most influential architects in Danish architectural history.Entry "Hack Kampmann", in Simo Paavilainen (ed.), Nordic Classicism 1910–1930, Helsinki: Museum of Finnish Architecture, 1982.
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Coles was also an artist. The National Maritime Museum has a number of his watercolours, and sell prints of some of them.
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Luke Piper (born 1966) is an English landscape painter, especially in watercolours. The Guardian newspaper has described him as "arts establishment aristocracy".
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He made a living by painting and selling watercolours to tourists and, in 1906, acting as a freelance draughtsman for Theodore Davis.
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Lady Caroline Kininmonth (1907-1978) was a British artist, known for her paintings of flowers and landscapes in both oil and watercolours.
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Janet Mitchell (1912February 26, 1998) was a Canadian modernist painter from Alberta, known for her fantasies of Calgary in watercolours and oils.
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Edwin Hayes,See links for references. R.I. (1819-1904) was an English and Irish marine artist who painted in oil and watercolours.
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Evelyn Cheston née Davy (8 September 1875 – 31 October 1929) was a British painter in oils and watercolours of landscapes and outdoor scenes.
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Kate Dobbin RHA (1868–1955) was a British watercolourist who specialised in impressionistic watercolours of Irish country scenes and still-lives of flowers.
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Angelo published one original work on fencing, Hungarian and Highland Broadsword (1798), illustrated with 24 watercolours by Rowlandson, many depicting Angelo on horseback.
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Huth was an art collector, especially of British watercolours, including JMW Turner, and his collection was sold at Christie's on 19 March 1904.
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The different colours and moods of Turner's Rigi series draws parallels that of Hokusai's prints of Mount Fuji, Cézanne's paintings of Mont Sainte-Victoire, and Monet's series of Rouen Cathedral. Turner painted the watercolours as part of a commercial series of ten watercolours. He worked up 15 sample studies (sketches) to show potential patrons his intentions, with the hope of securing commissions for fully worked up watercolours to be sold for 80 guineas each. He also completed The Blue Rigi and The Red Rigi, and two others, as examples of how the finished paintings would look.
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She was the daughter of Sir Henry Pering Pellew Crease and Lady Sarah Lindley Crease. She was born in New Westminster and moved to Victoria with her family in 1869. She attended art classes at King's College in London with her sister Susan. One of her watercolours Crease took sketching trips around Vancouver Island and painted watercolours of local landscapes.
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In 1987, she was made a member of the European Institute of Watercolours. She has represented Ireland at the Festival International Paris-Osaka Exhibition.
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He painted portraits, genre pictures, landscapes, still lifes. He worked in oils, watercolours, and pencil drawing. His personal exhibition was in Leningrad in 1967.
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Starting with watercolours and acrylic paint she now works with oil on canvas paintings and Digital Paintings. She lives and works in Brühl Germany.
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Annabel A Kidston (1896–1981) was a Scottish artist who painted in both oil and watercolours and was also an etcher, engraver and illustrator.
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Edward Brian (Ted) Seago RBA ARWS RWS (31 March 1910 – 19 January 1974) was an English artist who painted in both oils and watercolours.
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Mathieu, Pierre-Louis. (1977) Gustave Moreau: Complete Edition of the Finished Paintings, Watercolours and Drawings. Translated by James Emmons. Oxford: Phaidon. pp. 83-84.
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Brady was also an artist, with a number of watercolours attributed to him including a fine rendering of the first Princes Bridge in Melbourne.
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Paintings belonging to the series of 20 watercolours, where are depicted different places of Vegueta and Triana districts in Las Palmas de Gran Canaria.
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Nora Lucy Mowbray Cundell (20 May 1889 – 3 August 1948) was an English painter of figure subjects, flowers and landscapes in oil and watercolours.
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J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate. Retrieved 20 March 2016. The number of visitors increased, including Queen Victoria and Charles Dickens.Morris 2010, p.52.
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He also produced miniatures and sensitive watercolours. Influenced by the early aesthetic movement, his style relates to both Victorian academic painting and the Pre-Raphaelites.
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A large number of watercolours and drawings from Earle's New Zealand sojourn remain, covering subjects such as romantic landscapes, Māori culture and daily village life, the effects of warfare, portrait studies. He also produced a number of oil painting portraits, along with watercolours, lithographs and pencil sketches. Returning to Hokianga Harbour, he departed from New Zealand for Sydney in April 1828 aboard Governor Macquarie.
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The other consists of 34 engravings entitled Chester and its Environs Illustrated which was produced between 1846 and 1855. Romney's output was not limited to engravings and etchings. In 1845 he exhibited four watercolours and a pencil drawing at the Liverpool Academy; in 1846 and 1847 he exhibited five more watercolours. During this time he was also producing drawings to be reproduced as lithographs.
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Stackhouse painted more than 620 watercolours of plants from nature and assembled collections of mosses, flowers, and grasses, traveling all over the British isles to do so. Her paintings are noted for their precision of detail and accuracy of colour. Each is inscribed with both the English and Latin names of the plant and usually the location and date. Many of her watercolours show that she had collected and depicted specific plants years earlier than their accredited discovery in Cornwall. In 1846 and again in 1853, her botanical watercolours won a bronze medal in the natural history competition of the Royal Cornwall Polytechnic Society's annual exhibition.
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James Crowe Richmond (22 September 1822 – 19 January 1898) was a New Zealand politician, engineer, and an early painter in watercolours of the New Zealand landscape.
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Leonard Russell Squirrell (30 October 1893 – 10 July 1979) was an English artist. He produced watercolours and etches, and his work included images for commercial companies.
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George Samuel (died c. 1823) was an English landscape-painter, working in both in oils and watercolours. He was a noted topographical draughtsman of his day.
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Fleming bequeathed much of his estate to Christian charities, especially those for the poor. He was a noted photographer, painted watercolours, and enjoyed climbing the Alps.
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She has regularly exhibited at the Royal Academy Summer Exhibition. In 2013, her exhibition "Still Life: Prints and Watercolours" was held at the University of Aberystwyth.
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The Duet Fisherman Repairing Nets Mariquita Jenny Moberly , née Phillips, (2 November 1855–1 November 1937) was an English artist, working in oil paints and watercolours.
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Edith Lilian Edmonds, née Barnish, (1874-1951) was an English artist who, working in oils and watercolours, was known for her still-life and landscape paintings.
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Heraldry Online Blog: St George and Scudamore Armorial Watercolours, authored by Stephen J F Plowman at 14:04 on 19 January 2011. Accessed 31 July 2020.
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Ribeira Velho Tagus fishing boat, bad weather Whether his Portuguese watercolours were affected by his near-fatal wound has not yet been discussed in the literature.
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The same year, her watercolours were included in the exhibition Neolithic Childhood: Art in a False Present, c. 1930 at the Haus der Kulturen der Welt.
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It also includes medieval is faher objects of Medieval religious sculptures as well as watercolours, coins and medals by Carol Szathmari."Muzeul 'Frederic si Cecilia Storck' ", Museum.ici.RO.
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'Rezzonico and the Splügen Range, Lake Como 1867 Charles Vacher (1818–1883) was a British painter in watercolours. The statues of the Memnons. Watercolour by Charles Vacher.
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Unhappily, the quality of several of his watercolours has deteriorated, due to the fading of a particular indigo pigment that he used extensively and to great effect.
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343 three of her watercolours and a drawing were confiscated from Breslau museums in September 1937.; She left Berlin shortly before the outbreak of World War II.
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Pastels, or watercolours, is also the medium of studies for his more important paintings. His work includes relief printing, and dry-point, and soft ground acid etchings.
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Sasse had some repute as a landscape-painter, especially in watercolours. In 1810 he published a series of etchings from picturesque scenery in Ireland, Scotland, and elsewhere.
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Bakers Pink - Watercolours. Retrieved January 6, 2012. was released to promote the record. The band toured the U.S. opening for Great White in support of the record.
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William Knight Keeling, Melon Seller (1870s) In the 1850s, following the notion of the day, he travelled to Spain. This journey gave him new ideas, subjects, and motifs. Delicate details and a clear and bright palette, inspired by the hot colours of the South, are distinctive features of his paintings and watercolours. In 1873 a Manchester newspaper praised one of his watercolours as "an exquisite work, perfectly Spanish".
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The Hall became especially associated with watercolours. The old Water-Colour Society exhibited there in 1821–22, and it was hired by Charles Heath to display the watercolours commissioned by from Joseph Mallord William Turner forming Picturesque Views in England and Wales. Turner exhibited at the Hall for a number of years and it was also used as a venue for exhibitions by the Society of Painters in Water Colours.
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Some of Millington-Drake's art is in public collections, such as the Victoria and Albert Museum. His range of subject matter was as eclectic as his choice of materials. Although he worked in various paint mediums, including acrylics, his watercolours are particularly notable and were exhibited in Bombay and New York, as well as London. There was a particularly successful London exhibition comprising watercolours of India and Ladakh held in 1982.
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Yarmouth Herring Boat by Edward Duncan, Watercolour and Pencil, 1849 A Shipwreck by Edward Duncan, Watercolour and Pencil, 1865 Shipping off the Coast by Edward Duncan, Watercolour over pencil junks, 1843 Edward Duncan (21 October 1803 – 11 April 1882) was an English master painter, known for his watercolours of coastal views and shipping. He was a member of the Royal Society of Watercolours and received Royal patronage from Queen Victoria.
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From January 2016, the British Museum held an exhibition of the watercolours he painted in Rome, and art critic Jonathan Jones commented: :Francis Towne, who failed 11 times to get elected to the Royal Academy but had the foresight to leave these watercolours to the British Museum when he died in 1816, may not be a famous British artist. He is, however, as this entrancing exhibition reveals, a great one.
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Dyes and watercolours require similar preservation measures when applied to hand-coloured photographs. Like the photographs themselves, watercolours and dyes applied by hand to photographs are susceptible to light damage and must be housed in dark storage or displayed under dim, indirect light. Common particulate pollutants can cause watercolour pigments to fade, but the paint surface can be cleaned by lightly dusting with a soft brush to remove dirt.Fahey, M. (2002).
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A number of his watercolours of South Australian Lepidoptera are in the Art Gallery of South Australia. In 1847 his address was 17, Priory Road, South Lambeth, London.
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The Belfast Museum and Art Gallery has a collection of twenty-two miniatures, presented by her brother, as well as sculptures, watercolours and a self-portrait in oil.
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He has had two books published, Mike Chaplin's Expressive Watercolours, and The Complete Book of Drawing and Painting. In 2010, he presented a DVD, The Challenge of Watercolour.
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Ishikawa had studied in England, and taught his students to paint in watercolours in the Western style, which was seen as very important in Japan at that time.
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Amedeo Preziosi, photograph Amedeo Preziosi (2 December 1816 – 27 September 1882) was a Maltese painter known for his watercolours and prints of the Balkans, Ottoman Empire and Romania.
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Usually, oil colours were used for such slides, though in the collodion era – from 1848 to the end of the 19th century – sometimes watercolours were used as well.
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Hercules Brabazon Brabazon, John Singer Sargent, 1893 Hercules Brabazon Brabazon (born Hercules Brabazon Sharpe; 27 November 1821 - 14 May 1906) was an English artist, accomplished in Turner-manner watercolours.
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Charles Frederick de Brocktorff ( 1775/1785 – 1850) was a German-Danish artist who is best-known for painting watercolours of Malta in the first half of the 19th century.
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Margaret Grace Beale (30 June 1886 – 17 January 1969) was a British artist, notable as a painter of seascapes and marine craft, who worked in both oils and watercolours.
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The watercolours are detailed portraits of trees, including old-growth pines in Temagami, Ontario, and deciduous trees found in his local area.Blendell, Peter. Robert Wiens. Canadian Art, Fall 2006.
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Joy Claire Allison Dalby (born 20 November 1944) is a British artist and book illustrator who mainly depicts botanical subjects and who works in watercolours, gouache and wood engraving.
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John Dugmore of Swaffham (1793-1871) was a British draughtsman and grand- tourist. He realized at least 130 drawings and watercolours, most of them in Germany, France and Italy.
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The Royal Academy of Arts accepted one of his Scottish watercolours for their 1889 exhibition. Fraser and his wife then settled in New York City, and in 1890 he began to exhibit at the Society of American Artists, the New York Watercolor Club and the National Academy of Design. He mostly showed his British watercolours but included a few American subjects. He also exhibited in Boston and Canada, and in 1891 at the Paris Salon.
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Yew was an accomplished artist, and painted many local scenes of North Borneo life, in watercolours and from 1957 he used oils as well. He signed his paintings “Simon C. Yew”, and some of his works are in the collection of the Sabah Art Gallery, the national art collection of Sabah, housed in Sabah Museum. Yew’s watercolours were used to illustrate the front covers of Maxwell Hall’s books Kinabalu Guerillas and Labuan Story.
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Dante, W. H. Allen Many of his paintings were produced "in the field" and are bold in their depiction of light and shadows, or of changing weather conditions. His studio works are generally larger and of greater detail. Very few were sold on the open market, but he did exhibit regularly at the major galleries and annual exhibitions. Allen embraced many styles and techniques from vivid, almost abstract, watercolours to more traditional oils and watercolours.
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The collection of more than 17,000 drawings, watercolours and prints is particularly strong in views of York with more than 4,000 examples, largely watercolours and drawings, some by local artists such as Henry Cave, John Harper, John Browne and Patrick Hall. Watercolour artists represented include Thomas Rowlandson, John Varley, Thomas Girtin, J. M. W. Turner, and 20th century painters Edward Burra, John Piper and Julian Trevelyan. The gallery holds the William Etty archive.
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John studied art in London and began exhibiting in 1865. He exhibited pen and ink drawings, paintings, and watercolours at the Society of British Artists and the Royal Academy.It is not clear if the Royal Academy, which had originally refused to exhibit Watercolours had changed its policy by this time. Jellicoe was regarded as an exceptionally fine figure artist and often collaborated with other illustrators by drawing figures into their illustrations of buildings and places.
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This collection is in the Bristol Museum. In addition to the collection organised around Barrett's book, Braikenridge obtained more watercolours by Samuel Jackson, oil paintings and watercolours by Francis Danby and drawings by Samuel Hieronymus Grimm. The paintings by Danby were atmospheric rather than topographical. Braikenridge had a similar but smaller collection for Somerset, created in the 1830s and based around his extra-illustration of John Collinson's History and Antiquities of the County of Somerset.
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There are watercolours by Sir William Russell Flint on the walls. There are also antique sideboards holding Christofle silver and trolleys for carving or making crepes suzettes at the table.
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During the 1990s, Blair settled in London and continued to paint, mostly working in acrylics. In 1982 the Ulster Museum acquired a collection of her watercolours from World War II.
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He completed forty illustrations for the poem, twenty of which were printed in Cromek's edition. Blake's original watercolours for the prints were believed lost, until they were rediscovered in 2003.
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Arntzenius was an accomplished artist in several mediums, but especially his watercolours gained high praise."München und die Haager Schule": John Sillevis et al., p.82"De Haagse School": Jos.
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Chart Attack - Dec 20, 2007 Five O'Clock Charlie disbanded in 2007 shortly after the release of their EP. 'Watercolours'."Five O’Clock Charlie makes one last fly- by". Vue Weekly, Dec.
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Fay Pomerance née Levy (12 July 1912 - 2001) was a British artist known for her paintings in pastel, tempera and in watercolours which were often on religious and spiritual subjects.
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Apart from sketches, Nixon also worked with oil, gouache, charcoal and watercolours. She won several awards for her work and was an elected member of the Society of Women Artists.
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Charles Edward Hern (1848–1894) was an English painter who worked with watercolours. He moved to Australia in 1873 for about ten years but returned to England before his death.
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Canterbury Cathedral by Thomas Mann Baynes Thomas Mann Baynes (1794–1876) was an English artist and lithographer. He is known for his drawings and watercolours of landscapes, buildings and outdoor events.
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Palle Louis Nielsen 8 August 1920 – is a Danish illustrator and graphic artist. Considered to be one of the masters of his times, his works include drawings, watercolours, woodcuts and linocuts.
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A stained glass window in St. Mary's Church, Christchurch, commemorates Gibson's life and work. Rangi Ruru School holds 15 paintings by Gibson in its art collection: landscapes in oils and watercolours.
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In 1765 he exhibited 2 watercolours at the Society of Artists of Great Britain and was elected a fellow although he appears as a non-exhibitor for the next several years.
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Christian Frederik Bayer (6 July 1841 -22 November 1933) was a Danish illustrator. He is remembered for his topographical drawings and watercolours from Copenhagen, many of which were featured on postcards.
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These works consisted of three large oil paintings, Communicating with Prisoners, The Funeral of Harry Boland, and The Island Funeral, along with two smaller watercolours, Market Day and The Star Gazer.
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The younger, Thomas Danby (1817–86), specialised in watercolours of Welsh scenes. In 1866, the latter was nominated as an Associate of the Royal Academy, but missed election by one vote.
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Elizabeth Jane Lloyd (14 July 1928-20 October 1995) was a British artist and teacher. As an artist she worked in oils and watercolours, produced murals and also painted film sets.
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Ann Dunlop Alexander (16 March 1896 – 1969) was a Scottish artist, active during the first half of the 20th-century, who painted in oils and watercolours, designed ceramics and illustrated books.
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His drawings and watercolours have been reproduced on textiles and wallpapers, dinner plates for Wedgwood and on a Covent Garden mug for David Mellor. His architectural drawings have appeared in House & Garden, The Sunday Times, New York Magazine, and on the RIBA's series of Everyday Architecture wallcharts. His most recently published watercolours were made as illustrations for In the Country, 2014. In 2010, Gentleman was commissioned by Dulwich Picture Gallery to create a design for its Christmas Card.
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Llanllwchaiarn Church by John Ingleby 1796 In the 1790s Thomas Pennant commissioned John Ingleby to produce a series of watercolours for a revised version of his Tour in Wales. The watercolours are now in the collections of the National Library of Wales. Llanllwchaiarn Church In 1795 Pennant commissioned two watercolors from John Ingelby of Llanllwchaiarn Church. These two illustrations of the parish church, before it was re-built in 1815 appear to be the only ones in existence.
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One of the founding partners, Mikkel Frost, often paints in watercolours cartoonish concepts of some of CEBRA's projects and the whole collection is named "Toons". In autumn 2016 two of these watercolours have been acquired by the Museum for Architectural Drawing in Berlin, Germany. They are now part of the collection among works by Zaha Hadid, Frank Lloyd Wright, Aldo Rossi, Frank Gehry. Most of CEBRA's projects are within the fields of education, culture and housing.
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In London, Bostock joined the Royal Photographic Society and socialized in photography circles. He also held a one-man show of his watercolours of war scenes at the Adelphi Gallery in 1920.
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Alexander Runciman was probably the first artist to paint Scottish landscapes in watercolours in the more romantic style that was emerging towards the end of the century.Waterhouse, Painting in Britain, p. 293.
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Zorn spent some time in 1887 and 1888 painting watercolours of naked people enjoying the water at the seaside resort of Dalarö, before moving to Paris to exhibit works there in 1889.
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Lady Macbeth George Cattermole (10 August 180024 July 1868) was a British painter and illustrator, chiefly in watercolours. He was a friend of Charles Dickens and many other literary and artistic figures.
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After her death, several fine watercolours by Dick were saved by a neighbour when about to be thrown away. The McLean Museum and Art Gallery in Greenock holds examples of her work.
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In 2015, Magrs began producing drawings and watercolours every day. There followed exhibitions in Levenshulme and elsewhere in Manchester, as well as a series of prints which Magrs made available to buy.
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His watercolours and paintings of Australian landscapes and scenery were particularly admired, as they conveyed "a more pleasing and favourable impression of the Australian bush and scenery than had hitherto been entertained".
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Annie Dorrington (19 March 1866 — 21 April 1926) was an Australian artist who was known for her wildflower paintings and watercolours. She is also one of the designers of the Australian flag.
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His compositions assumed an expressionistic look as red, blue and other bold colours began dominating his canvas. He produced many paintings, watercolours and sketches in the course of his short career span.
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The wedding was held privately, and confirmed by Buckingham Palace after the nuptials. Watercolours of the chapel were painted in the 1830s by Henry Bryan Ziegler, and by Hugh Casson in 1990.
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The museum also held a large collection of fine art, including oil paintings, watercolours, and prints, which were rotated in and out of display. Among these were works by local artist Percy Shakespeare.
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In 2000, Aberystwyth University purchased a collection comprising 98 prints, drawings and watercolours from throughout her career from her husband's estate. This collection formed the basis of a retrospective exhibition held in 2001.
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In 2012-3 there was an exhibition of her watercolours and engravings at the William Morris Society in Hammersmith. In 2016 she was the subject of an exhibition at Leicester's New Walk Museum.
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Tomb of the Reliefs by Ainsley. Samuel James Ainsley (1806–1874) was a British sketch artist, watercolourist, and printmaker, known for his Romantic sketches and watercolours of tombs, monuments, and landscapes in Italy.
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He created colour posters for Northern Ireland Railways and exhibited his watercolours and black and white drawings. He died on 25 August 1973 after a three-year illness. He was a lifelong bachelor.
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A Brussels school bears his name: the Institut Redouté-Peiffer in Anderlecht. Most of the Les Liliacées watercolours went from the Empress Joséphine to her son from her first marriage Eugène de Beauharnais. Most of the watercolours of her Jardin de la Malmaison (gardens of Château de Malmaison) were acquired by the Fitzwilliam Museum in Cambridge. Redouté's paintings for Les Roses were bought by Charles X of France for his widowed daughter-in-law, Marie-Caroline of Bourbon-Two Sicilies, Duchess of Berry.
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Gwen Barringer (29 July 1882 - 26 August 1960) was a South Australian artist, known for her watercolours. Barringer was noted for watercolours of flowers and landscapes, to which she invested a fairyland-like glamour and remained immune to trends and changing fashions. In 1928 following an extensive sketching tour of Europe she held a solo exhibition in Adelaide which achieved a near record sale (over £1000) for an Australian woman. She died in Adelaide on 26 August 1960 after a long illness.
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This was especially important in terms of experimenting with and documenting different varieties of fruit, vegetation and seeds. Her watercolours illustrate publications such as Cultivation of the Apple in Canada and The Raspberry and its Cultivation in Canada. In 1931, poor health forced her retirement, but she continued painting in oils, pastels and watercolours. For two decades she had entered her work in Royal Canadian Academy of Arts exhibitions that expressed an appreciation of nature’s beauty, especially that of plants and flowers.
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Art works and photographs are acquired primarily for their informational value, and for their importance as historical documents. Media represented in the collection include photographs, drawings, watercolours, oils, lithographs, engravings, etchings and sculpture/busts.
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Moments of Light was Ong's second solo exhibition, and showcased his works in monotypes, lithographs, paper pulp paintings and watercolours. It took from 29 September – 14 November 2004 at the Singapore Tyler Print Institute.
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Petit unites these two traditions. Completing approximately 12–15,000 watercolours across Europe, he recorded subjects faithfully, but at the same time conveys the emotional impact of the architecture or scene in his unique way.
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His longest-running strip work was for 'Katie Country Mouse' in Jack and Jill which he took over from Philip Mendoza in 1964. Tamblyn-Watts also illustrated a number of books and exhibited watercolours.
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Broughton, M, et al. (2005).The Spooner Collection of British Watercolours. Great Britain: The Courtauld Institute. Initially, the company focused on improving the textile industry drying processes; and later turned to the paper trade.
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Perpetua (Pip) Pope (29 May 1916-31 May 2013) was a Scottish painter of landscapes, flower pieces and still-life compositions in both oil and watercolours, and was also an art teacher in Edinburgh.
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In 1851 Van de Velde visited Palestine, where he carried out various surveys, drawings, paintings and around one hundred watercolours for postcards. After his trip, he held lectures on Palestine in Geneva and Lausanne.
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Margaret Coen (4 April 1909 – 27 August 1993) was an Australian artist, known for her watercolours, paintings of flowers, landscapes and still life works. Her paintings and personal papers are held in national collections.
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He later joined Sir William Arrol & Co. He joined the RNVR as a 20-year-old midshipman, and took up painting watercolours of warships. He became a docks engineer at North Shields in 1938.
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Using colour minimally, her primary media is etching, drawing, watercolours, pen, pencil, pastels and pencil crayons. She lives and works in Falkland, BC, a location which serves as a focus for her recent landscapes.
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Alongside his watercolours, Aïchele has also created different types of collage from paper that he has painted and then torn. These collages have a tactile quality that is enhanced by the intensity of the colour.
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Watercolours, Pictures and Prints of Birds [Auction Catalogue], Christie, Manson & Woods, 1989, pp 18-19 His pictures can be found in Dresden, Braunschweig, Vienna, Florence, Naples and many other towns of both Germany and Italy.
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Two watercolours by Edward Walker, made in 1942, showing nos 10, 11 and 12 Richmond Green and the south side of the Green, are in the Recording Britain collection at the Victoria and Albert Museum.
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Beginning with many solos, Madhvi participated in notable group shows such as, Play Turkey and Yugoslavia in 1985, Watercolours by Four Women Artists, Bharat Bhavan, Bhopal in 1987 and Jahangir Art Gallery, Mumbai in 1987.
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Bilingual edition of selection of work of Salah Stétié: translations and critical introduction. 220 pages. · Six Hands Amongst the Clouds, Ottawa: Lyric Editions, 2000. Translations of poems by Yves Leclair, watercolours by Chan Ky-Yut.
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Jessie Alexandra Dick, known as J Alix Dick, (13 July 1896 – 1976) was a Scottish artist and teacher. She was known as a painter of portraits and still-life pieces in both oils and watercolours.
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George H. Hay RSA RSW (1831-1912) was a Scottish artist. His narrative paintingsare often inspired by the works of Sir Walter Scott. In 1878 he founded the Royal Scottish Society of Painters in Watercolours.
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Gentleman paints and draws landscapes, buildings and people, and uses drawing in his design work. Many of his watercolours have been made in London and Suffolk and around Britain, on extended travels in France, Italy and India, and during briefer spells in South Carolina, East Africa, the Pacific and Brazil. He has held many exhibitions of these works. Commissioned series of watercolours have included landscapes for Shell, several Oxford Almanacks for the Oxford University Press, and interiors of the Foreign and Commonwealth Office for the FCO.
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In that year he exhibited works both at the Royal Academy and in Dublin. He was elected a member of the Royal Society of British Artists (RBA) in 1882 of the Royal Institute of Painters in Watercolours (RI) in 1885. He painted landscapes, religious scenes and genre works in oil and watercolour, exhibiting at the Royal Academy and the Royal Institute of Oil Painters (R.O.I.). Scott's watercolours range from rapid sketches to the highly finished works such as "The Convent Garden" 1911, and "Loves Young Dream".
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Spigel considered himself a Jewish painter, and his painting reflected this focus, depicting scenes of Jewish life in Poland, as well as portraits and still-life, in both watercolours and oils. A particularly distinctive feature of some of his watercolours was his use of varnish to give age and contrast. Spigel was a key member of the Expressionist group Jung Idysz. He was also a member of ‘Start’, a group of mainly Jewish, Lodz artists, who exhibited across Poland throughout the 1920s and '30s.
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He was a popular artist during his lifetime and is now regarded as one of New Zealand's foremost landscape painters. Painting almost entirely in watercolour, Gully often went on sketching trips and filled sketch-books with careful pencil studies and numerous quick-wash drawings both in colour and sepia. Gully's large watercolours became immensely popular at Art Society shows. He sold all of the watercolours he submitted to the 'New Zealand Exhibition' in Dunedin in 1865 before the exhibition even opened and won a silver medal.
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Charles James Adams (1859–1931) was an English landscape artist. From Gravesend, Adams studied at Leicester Art School, and was a pupil of Wilmot Pilsbury. He painted mostly in oils, though also using lithography and watercolours.
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When the latter was paid off in 1866, he retired as a captain on half-pay. Throughout his service on naval stations all over the world, he painted watercolours which typically showed ships and nautical landscapes.
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Louis-Maurice Boutet de Monvel (18 October 1850 - 16 March 1913) was a French painter and illustrator best known for his watercolours for children's books. He was a major figure in nineteenth-century children's book illustration.
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While in Burma she produced The Burma alphabet, a book illustrated by her watercolours. This was sold at five rupees a copy to raise funds for a new hospital, the Queen Alexandra's Children's Hospital, in Mandalay.
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Although a number of his watercolours have been published as hand-coloured aquatints, or by modern printing methods, or sold at auction, it is plausible that most have been lost or await rediscovery in private collections.
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12; Issue 45781; col B Art Exhibitions Painters In Watercolours he wrote widely on church treasures.“Decoration and enrichment in cathedrals”Norris,W.F: London, SPCK, 1927 A much respected cleric,The Times, Wednesday, 29 September 1937; p.
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Walter Frederick Roope Tyndale (1855–1943) was a British watercolourist of landscapes, architecture and street scenes, book illustrator and travel writer.Biography (Brian Sewell Art Directory).Scott Wilcox & Christopher Newall. Victorian landscape watercolours (Hudson Hills Press, 1992) p188.
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Pappworth's interests outside medicine included photography, fine art and watercolours, philosophy, religion, and politics. He died on 12 October 1994 of coronary heart disease at his London home; he was survived by his wife and three daughters.
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He left his collection of paintings to the National Trust and they are displayed at Fenton House in Hampstead. The works include two small Constables, several paintings by artists from the Camden Town Group, and many watercolours.
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This painting has been reproduced as the cover of the book. In 1999 Tomlin received another commission, this time from the Military Museum, Hobart, for twelve sketches and six watercolours of Anglesea Barracks buildings and related features.
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Brandt held solo exhibitions at the Lincoln Gallery, Dublin in 1982, and at the James Gallery, Dalkey in 1985. She was awarded prizes by the Royal Hibernian Academy, for her graphics in 1986, and watercolours in 1989.
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Jean Mildred Hunter Cowan née Hore, (1882-1967) was a Scottish artist who painted in oils and watercolours and was a portrait sculptor. She was also a keen sportswomen, a gifted amateur violinist and an early aviator.
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This account is certified in a letter by the , dated June 27, 1938. In 1876 he moved to Paris. In 1881 he returned permanently to Krakow. The subject matter of his watercolours and oil paintings is diverse.
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Paintings of Great Malvern include Joseph Powell's Great Malvern Priory ... from the North East (1797), now in the British Watercolours collection of the Victoria and Albert Museum and J. M. W. Turner's Porch of Great Malvern Abbey.
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Dionysios Vegias was born in Cephalonia in 1819, considered to be one of the first to practice the art of engraving in Greece. Charalambos Pachis founded in 1870 a private school of painting in Corfu and is considered as the most important landscape painter of the Heptanese School along with Angelos Giallinas that specialised in watercolours. Another well-known painter is Georgios Samartzis, who was almost restricted to portraiture. Spyridon Skarrellis is best known for his watercolours and Markos Zavitsianos excelled in portrait painting and is considered an outstanding exponent of pictorial art in Greece.
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View at Gunton (undated etching), Norfolk Museums Collections Middleton's etchings required a different technique from his watercolours: their delicacy and intricacy are said by the author Geoffrey Searle to resemble the work of John Crome. In contrast to his watercolours, his etchings are mostly depictions of wooded landscapes, ranging in tone from those that are heavily inked, to others with a light, silvery touch and delicate lines. None of them depict human figures. A set was published separately in 1852 as Nine Etchings by John Middleton, now held at the British Museum and Norwich Castle.
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She exhibited extensively including in London at the Royal Academy; London Salon; Royal Society of British Artists; Society of Women Artists; Royal Institute of Painters in Watercolours; Women's International Art Club; Dudley Gallery and New Dudley Gallery; Goupil Gallery; Walker Gallery. Elsewhere her work was exhibited at the Royal Scottish Academy; Royal Hibernian Academy; Royal Cambrian Academy; Royal Scottish Society of Painters in Watercolours; Glasgow Institute of the Fine Arts; Abbey Gallery, Stoke-on-Trent; Royal Society of Artists Birmingham; Walker Art Gallery Liverpool; and at Bristol, Derby, Oldham, Hull, Newlyn, Southport, and Aberdeen.
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Pulford joined the RCAF in 1940, serving in North Africa, India and Ceylon, before returning to Canada, in 1945. He enrolled at Mount Allison University where he studied fine arts under Stanley Royle and Christian McKiel, followed by Lawren P. Harris and Alex Colville. He graduated with a B.F.A. degree in 1949 and was immediately offered a position on the teaching staff of the Department of Fine Arts. Although Pulford received honours for his works in both oils and watercolours in the 1950s, from 1960 until his retirement he turned exclusively to watercolours.
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William Marlow (Dictionary of National Biography) Another writer commented, "his watercolours are rather feeble in the stained manner, but his views of the Thames are truthful and delicate in colour". His subjects were generally British country scenes, but he painted some pictures from his Italian sketches, and etched some of the latter, as well as some views on the Thames. His views of the bridges at Westminster and Blackfriars in London were engraved. Marlow contributed to an album of watercolours illustrating William Chambers's designs for buildings and improvements at Kew Gardens.
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From July 1790 to October 1793, his name appears in the registry of the academy over a hundred times. In June 1792, he was admitted to the life class to learn to draw the human body from nude models. Turner exhibited watercolours each year at the academy while painting in the winter and travelling in the summer widely throughout Britain, particularly to Wales, where he produced a wide range of sketches for working up into studies and watercolours. These particularly focused on architectural work, which used his skills as a draughtsman.
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As one of the first artists in Quebec to adopt lyrical abstraction,Beaux-arts des Amériques Nancy Petry - 'Voyages' Petry's 1959 solo exhibition at Galerie Agnès Lefort (Montreal) drew attention for “simplicity and economy of harmonious line, form and color”.Pfiffer, Dorothy. "Nancy Petry Wargin" The Montreal Gazette, 17 Oct 1959. Web In 1962 the National Gallery of Canada organized a solo exhibition of her work, Paintings and Watercolours which toured Western Canada from September 1962 to May 1963.Exhibition Schedule: Nancy Petry: Paintings and Watercolours September 23, 1962 to May 30, 1963.
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In 1906 Holiday gave Mothersole a drawing of his daughter Winifred, which later was acquired by the British Museum. In 1907, Holiday went to Egypt, painting a series of watercolours and illustrations on ancient Egyptian themes. These were exhibited at Walker's Gallery, London, in March 1908 jointly with Mothersole who had been working on Egyptian archaeological drawings and watercolours since 1903/4. In 1907–08, he commissioned the building of a holiday home, Betty Fold,Betty Fold, retrieved 22 September 2014 in his favourite part of the Lake District.
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Painter Malva Schalek (Malvina Schalkova) was deported to Theresienstadt in February 1942. She produced more than 100 drawings and watercolours portraying life in the camp. On 18 May 1944, due to her refusal to paint the portrait of a collaborationist doctor, she was deported to Auschwitz, where she was murdered. Artist and architect Norbert Troller produced drawings and watercolours of life inside Theresienstadt, to be smuggled to the outside world. When the Gestapo found out, he was arrested and deported to Auschwitz, where he was liberated by the Russians in 1945.
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Between 1888–89 he was commissioned by the Dutch ambassador in Sri Lanka to paint all remains of Dutch forts, canals and inscriptions. Forty-nine of these watercolours are now housed in a portfolio at Leiden University Library. In 1890 he painted a series of watercolours of the Costumes of the Natives of Ceylon, the majority now reside at the National Museum of Colombo. In 1893 he supplied eight large panels to decorate the Ceylon Building at the Chicago World's Fair and in 1900 some of his paintings were exhibited at the Great Paris Exhibition.
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The watercolours used by Ackermann were acquired by the Argentine scientist and polymath Francisco P. Moreno. The Argentine collector Alejo González Garaña bought these from Moreno's heirs and made it his purpose to acquire the others. Towards the end of his life he wrote: "Seventy are the original watercolours of Vidal, that form the most precious part of my collection of graphic records pertaining to our country; I have the satisfaction of having reunited and saved these from an inevitable dispersion and destruction." However he died and his collection was dispersed in 1949.
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From 1939 she was a member of the Royal Society of Painters in Watercolours. Burleigh became very ill in the 1940s, dying in 1949. Shortly before she died, Burleigh was elected an associate of the Royal Watercolour Society.
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Rayner's work is represented in the collections of at the Russell-Cotes Art Gallery & Museum, Bournemouth, Derby Museum and Art Gallery and the Grosvenor Museum, Chester, which possesses 23 of her watercolours, the largest in any public collection.
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Her artwork, which includes charcoal drawings, watercolours and oil paintings, and manuscripts are held in the Biblioteca Marucelliana in Florence. In 1998, the Biblioteca held an exhibition of her work entitled La vergine d'Ossian ("The virgin of Ossian").
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Philip Connard, CVO, RA, (born Southport, 24 March 1875, died Twickenham 8 December 1958) was a British painter. Connard rose from humble origins to become an eminent artist in oils and watercolours whose commissions brought him royal recognition.
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Taking many holidays in Switzerland, until the arrival of old age the couple's interests included cross-country skiing in the winter months, and they continue with mountain walks in the summer. Padfield also sketches and paints in watercolours.
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A Cairo Street Scene The Sphinx and the Pyramids Augustus Osborne Lamplough (1877, Manchester – 16 November 1930, Bromborough) was an English Orientalist painter and illustrator; known for his scenes of North Africa. Most of his works are watercolours.
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Bayer's artistic output remained a side occupation. He worked for the bank Bikuben for many years. He created a vast number of topographical drawings and watercolours from Copenhagen, Many of them featured celebrities. He also created many portraits.
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Bührles first acquisitions were two 1920 watercolours by Erich Heckel, followed in 1924 by a picture of Maurice de Vlaminck. The present day make up of the Bührle collection started in 1936, when financial conditions were very favourable.
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Jean-Françoìs de Dompierre de Jonquières or (27 November 1775 - 27 May 1820) was a Dutch-Danish merchant of French descent, landowner and amateur artist. He is remembered for his drawings and watercolours of landscapes from North Zealand.
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Eduard Bargheer is known above all for his landscape watercolours, which are distinguished by a light-coloured, crystalline style. His combinations of the abstract and the figural evoke associations with the works of Paul Klee and Werner Gilles.
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Dixième Exposition, Catalogue, Paris. Librairie Artistique H. Launette & Cie (Eds.), 212 p. and painted the Battle of Reichshoffen using watercolours. He also painted the ceiling of the Grand Salon of the Hôtel de Ville in Nancy in 1902.
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Seath furthered her training at the Cape Cod School of Art in Provincetown under Charles Hawthorne. Seath pursued art from beyond her illustration work for newspapers and started to exhibit her work of etchings, watercolours, and oil paintings.
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On 13 March 2014, Library and Archives Canada announced that it had acquired material to add to its Johnston collection, including 3282 drawings, 296 watercolours, 244 photographs, about 3.5 m of textual items, and a few other objects.
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Besides being described and classified by Solander, every specimen was sketched by Sydney Parkinson. These sketches were rendered as watercolours when Banks and Solander returned to England and then engraved and later included in the publication Bank's Florilegium.
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Contemporary photos of the interior of Eryldene show the walls covered in Chinese art and watercolours of camellias. He was a trustee of the Art Gallery of New South Wales 1938–1962, the last two years as President.
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Doeleman produced oils and watercolours. He was also admired as an impressionist. He was granted the membership of Pulchri Studio, the artist's club in The Hague. In 1902 he was given an honorary membership of the Academy in Rotterdam.
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His exhibitions at the Fine Art Society often included large numbers of his works. For example, the one in 1897 titled Italy – Its Landscape and Architecture included 138 of his watercolours. Rimington's work was also used for book illustrations.
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After the 1870s Barker appears to have stopped exhibiting in public but continued to paint, producing presentation books of sketches and watercolours for family and friends. Barker, and the widowed Laura, retired to Amersham where she died in 1905.
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Maude Burge was born in Lower Hutt, Wellington, New Zealand. Her career as an artist was part of the Modern Art movement. She created paintings in oils and watercolours. Burge painted portraits of the Māori in a modernist style.
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John Dunleavy. Pub. Galway Archaeological & Historical Society. 2007 Amongst the library's collection is an early photograph (c. 1892) of Thomas Frederick Worrall labelled Tom Worrall, artist, whose watercolours included a depiction of the Old White Horse Inn (long demolished).
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43–48 Giardelli used watercolours and found materials, including shells and driftwood. He was perhaps best known for his abstract relief constructions inspired by nature and the seasons. Conversely he was also inspired by Modernist artists including Piet Mondrian.
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Violet E. C. Sanders, later Violet Sanders Mallet, (13 March 1904 – 1983) was a British artist who painted in both oil and watercolours and was a wood engraver and clay modeller. She was also a heraldic artist and illustrator.
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Annie Louisa Robinson was born in Hulme, Manchester in 1844. Her parents were Francis Robinson, a solicitor, and Ann Sanderson. Swynnerton had six sisters. She made and sold watercolours to supplement the family's income during a difficult financial period.
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Photo of one of these watercolours is in their website's relevant Emin exhibition section Simon Wilson, spokesperson for the Tate, commented that Emin included the set of tiny Berlin watercolours "as a riposte to the accusation that there are no paintings" in the Turner Prize exhibitions. The bath theme seen in these watercolours was later revisited by Emin in her photographic work Sometimes I Feel Beautiful (2000) and in monoprints such as the Bath White (2005) series. With all these works, Emin explores a Mary Cassatt quality of the "woman in a private moment". Emin's focus on painting has developed over the past few years, starting with the Purple Virgin (2004) acrylic watercolour series of purple brush strokes depicting her naked open legs, and leading to paintings such as Asleep Alone With Legs Open (2005), the Reincarnation (2005) series and Masturbating (2006), among others.
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He exhibited one painting at the Royal Academy,Graves (1905), p. 105 and eight works with the Society of British Artists.Wood (1995), p. 404. He was also a frequent exhibitor with the Royal Society of Painters in Oil and Watercolours.
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He had been twice married, and had 2 daughters and a son from the second marriage. His remaining works, some 200 watercolours and an equal number of oil paintings, were sold at Christie's in London on the 17–18 June 1886.
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Paul Sandby by Francis Cotes (1761) Paul Sandby (1731 – 7 November 1809) was an English map-maker turned landscape painter in watercolours, who, along with his older brother Thomas, became one of the founding members of the Royal Academy in 1768.
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The writer Michael Spender described Joy's work as "undemonstrative and accurate in its nautical detail". His paintings have been compared with Joseph Stannard and Charles Brooking, but according to Walpole, his works lack Stannard's "personal charisma". John Joy painted in watercolours.
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Vitelli was born in Florence and became a Roman Catholic nun there.Teresa Berenice Vitelli in the RKD She is known for drawings, watercolours, and gouaches of still-life subjects, as well as copies of other masters. Vitelli died in Florence.
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The barn caught fire and burned down, with the result that the product of 40 years, including some of his most important works, was tragically lost. Four of Jentsch's watercolours were reproduced in limited editions by Orde Levinson in 1975.
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It aimed at returning the house, both in external appearance and in the division of the rooms, to the condition it was in when Victoria and Albert stayed here. To that purpose, watercolours of the Rosenau at Windsor Castle were used.
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A similar illustration in pencil and ink became part of the Rosenwald Collection. Other editions included watercolours made for Thomas Butts in 1806, 1807, and 1809, one for John Flaxman in 1806 (lost), and an 1809 unsold version in tempera.
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Jerome K. Jerome, illustrated by G.G. Fraser. Publ. J. W. Arrowsmith 1891. A reprinted version of this is still available though fails to credit G.G. Fraser as the artist. He also painted, in watercolours and occasionally in oils, signing 'G.
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Buxton used included pastels, watercolours, sculpture, silverpoint drawing, miniature painting, china painting and needlework. During the war, Dr Henry Newland assigned Buxton the task of sketching human organs after they were removed. There was such a shortage of photographers then.
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Kitson's works are exhibited at the Victoria and Albert Museum, Leeds University Library, and the Herbert F. Johnson Museum of Art. The most important collection of his watercolours is now at the Museum of Fine Arts of Taormina at Casa Cuseni.
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Ann Oenone Grocott (born 1938) is an Australian writer and painter. In addition to figurative, portraiture and landscape painting, her artworks include: assemblages in fabric, cement, wood, found objects etc.; oils on canvas, paper and plaster; watercolours and small sculptures.
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Although watercolour frisket can be removed by rubbing with the fingers, doing so has the disadvantage of potentially transferring skin oils which can discolour the artwork, or otherwise affect subsequent applications of watercolours or other mediums such as chalk, ink, etc.
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In 1952, she married Karl Bovin, one of the most prominent members of the Odesherred artists' colony. In addition to her paintings and drawings, Birthe Bovin was also active in sculpture. She painted many watercolours and oils of the Odsherred landscape.
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Royal Canadian Military Institute Canadian Encyclopedia The art collection, with an emphases on Canadian and British Military History, includes: miniatures, photographs, Sketches, watercolours, prints, photographs, and oil paintings. The RCMI also has a collection of British, American, and French soldier figurines.
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He died in Buenos Aires in 1875, at age 75. His eldest son, Carlos Pellegrini, was elected Vice President of Argentina in 1886, and became President in 1890. Many of Pellegrini's watercolours are housed in the National Museum of Fine Arts.
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It was Vidal's practice to sign and date his watercolours and from those that are known it can be inferred that he was fairly productive and that he gave many away. How many have survived, but are undiscovered, is unknown.
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She was the mother of Dutch artist Henriëtte Ronner-Knip. Born in Paris, her father was a senior navy officer. She studied art under Jacques Barraband. She exhibited her watercolours and pen illustrations at the 1808, 1810, 1812 and 1814 salons.
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Johnson has watercolours in the Victoria & Albert Museum as well as paintings in collections in Bath, Sheffield and Birmingham. At the end of his life he was living at Loudon Street in London when he left a widow and a daughter.
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Viscount Ridley commissioned him to produce a series of watercolours of Blagdon Hall and this led to a commission from the Royal Family for a series of watercolours of Windsor Castle and Windsor Great Park, which Piper completed by March 1942. The King, George VI was unimpressed with the dark tone of the pictures and commented, "You seem to have very bad luck with your weather, Mr Piper". Sir Osbert Sitwell invited Piper to Renishaw Hall to paint the house and illustrate an autobiography he was writing. Piper made the first of many visits to the estate in 1942.
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Sloan worked for the Victoria and Albert Museum in 1986 where she curated an exhibition on Alexander Cozens from November 1986-January 1987. The exhibition then traveled to the Art Gallery of Ontario with additional works by his son John Robert Cozens and was on display January–March 1987. In 1992, Sloan became the curator of British Drawings and Watercolours before 1880 at the British Museum. While at the British Museum, Sloan has worked primarily on Sir William Hamilton and his collections at the British Museum, the watercolours of J. M. W. Turner, and the Hans Sloane collections.
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In the late 18th century three men commissioned important works of the county which ensured that its landscapes and daily life were captured onto canvas. William Burrell of Knepp Castle commissioned Swiss-born watercolourist Samuel Hieronymus Grimm to tour Sussex, producing 900 watercolours of the county's buildings. George Wyndham, 3rd Earl of Egremont of Petworth House was a patron of painters such as JMW Turner and John Constable. John 'Mad Jack' Fuller also commissioned Turner to make a series of paintings which resulted in thirteen finished watercolours of Fuller's house at Brightling and the area around it.
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In 1832 he was the most eminent artist in the first exhibition of the Bristol Society of Artists, and later he continued to play a large role in that society's successor, the Bristol Academy for the Promotion of Fine Arts. Jackson may have visited the West Indies in 1827; he exhibited West Indian subjects at the Society of Painters in Watercolours in 1828 and 1831. By the 1830s Jackson was also producing scenes of Devon and Wales, and may have visited Switzerland in 1855 and 1858 to produce watercolours of mountain scenery. He died on 8 December 1869 at Clifton, Bristol.
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Quite early in his career, Syberg began to paint watercolours but it was during his three-year stay in Pisa with his family that he completed a whole series of watercolours adopting a style that was new to Danish art. But shortly after he returned to Denmark, on the occasion of his daughter Besse's marriage to Harald Giersing, Syberg came into contact with the younger generation of Danish artists, resulting in an increasingly Modernist approach and a return to oils as in Overkærby Bakke. Vinter (1917).Hans-Edvard Nørregård-Nielsen, "Dansk kunst", Copenhagen, Guldendalske Boghandel, Nordisk Forlag, 2006.
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In his "Historia de la Literatura Paraguaya" (History of Paraguayan Literature, 1971), Hugo Rodríguez-Alcalá wrote that Zubizarreta "... published his first book of essays, "Acuarelas paraguayas" Paraguayan watercolours, in 1940. These "watercolours" are vivid portraits of customs and folklore painted by a skillful artist – but a painter-historian who sees the Paraguay of today with one eye, and with the other the Paraguay of the past, of Irala, of Montoya, of López y Aguirre and the rest. In effect, he barely starts to paint modern Asunción ... before its current landscape disappears and a vision of the city of Conquest and Colony arises ... ".
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Sometime in the mid 1840s, the botanist Charles Alexander Johns saw Stackhouse's watercolours and asked her to provide illustrations for a series of popular natural history books that he was publishing through the Society for Promoting Christian Knowledge. The first two were Forest Trees of Britain (1847) and A Week at the Lizard (1848, focusing on the Lizard peninsula in Cornwall); in both, some of the illustrations were engravings based on watercolours by Stackhouse, uncredited, but signed 'E.S.' This was followed by Johns's best-known book, Flowers of the Field, published in two volumes in 1851 with over 200 uncredited illustrations by Stackhouse.
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Bawden, who with his friend Ravilious discovered Great Bardfield and became a key figure in the local artists' scene, is well represented in the Fry Art Gallery collection through linocuts, watercolours, posters, ceramics, books, scrapbooks and other printed material. The gallery holds watercolours by Ravilious, plus lithographs, books, fabric, ceramics and a collection of woodblocks, as well as two of his scrapbooks. In 2015 V&A; Publishing, in association with the Fry Art Gallery, published Bawden, Ravilious and the Artists of Great Bardfield, illustrating a number of the pieces by Bawden, Ravilious, Rothenstein and other Bardfield artists in the collection.
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Aberbechan Hall 1796 Aberbechan Hall 1796 In 1786, Thomas Pennant, who was staying with Arthur Blayney at Gregynog and they passed Aberbechan when visiting Dolforwyn Castle.Thomas Pennant A Tour in Wales. Bridge Books reprint 1990, Wrexham, Vol 2, 372 Pennant in 1796 commissioned John Ingleby to produce two watercolours of Aberbechan Hall, which presumably he intended to use an illustration in a future edition of the Tour in Wales. These watercolours, which are now in the collections of the National Library of Wales, would appear to be the only surviving depictions of the Hall, which must have been an impressive timber- framed building. The Hall, as shown in Ingleby’s watercolours is likely to have been built in the earlier years of the 17th century or perhaps slightly earlier. The Hall must have been one of the grandest in the county, and appears to bear much in common with the Herberts’ house at Lymore on the outskirts of Montgomery.
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Patersen created over 100 of Petersburg's cityscapes; 33 in oil, the rest watercolours or tinted engravings. Collectively, they represent an irreplaceable historical record of the city as it was at that time. Most of his works are currently held by the Hermitage.
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His wife Harriot had died two years' previously, in 1859, and his son Henry Edwin Lound also predeceased him, dying in 1860. His large collection was sold in March 1861, and included 39 sketches, 215 watercolours, 46 oil paintings, and 11 etchings.
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Tress has followed an unorthodox route to painting."Artist David Tress reveals the joy for his natural surroundings", Wales Online, 2 April 2013. Retrieved 5 October 2016. He was first interested by painter Ben Nicholson, and also the watercolours of John Singer Sargent.
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She was born in Halifax, Nova Scotia in 1855. She was the youngest daughter of Lt. Governor Alfred G. Jones and Margaret Wiseman Stairs. She grew up in what is now the Waegwoltic Club. She produced watercolours, oils, and black and white illustrations.
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Elizabeth York Brunton (1880 – c.1960) was a Scottish artist known as a painter in both oils and watercolours and for her use of colour woodcuts. Although she lived in Edinburgh for most of her life, her exhibiting career was mainly overseas.
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Eleanor Mary Hughes ( Weymouth), (3 April 1882 – 1959) was a New Zealand landscape artist who mostly painted in watercolours. She settled and worked in Britain and became an active member of the Newlyn School of artists and the nearby Lamorna artists colony.
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Chantal Joffe was born in St. Albans, Vermont, USA. Her younger brother is contemporary artist and novelist Jasper Joffe. Their mother, Daryll Joffe, is also an artist, painting in watercolours. Joffe completed her Foundation studies at Camberwell College of Arts (1987–88).
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128, 3, pp. 497-505. He bequeathed his drawings, prints and sketchbooks (comprising over 200 items) to the British Museum. Some of Ainsley's drawings and watercolours have been of lasting value to Italian field-workers studying the rock cemeteries of Middle Etruria.
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He was a member of the Beefsteak Club and Brooks's, and enjoyed playing tennis. He retired to the West Country, where he enjoyed painting watercolours. He married Margaret Jean Taylor, an Australian, in 1947. She died in 1999 after a long illness.
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Ultimately he reverted just to drawings and watercolours. Hertz died on 22 September 1987 in Nykøbing Sjælland. The Holstebro Museum of Art in north-west Jutland holds the largest collection of Lauritz Hartz’ works with over 3,000 of his drawings and paintings.
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It contains 0.58 meters of textual records in addition to a number of media records (including watercolours and drawings). The records relate to the following series': personal material; art records; professional records; publicity and promotional material; resource and reference material; and, photographic records.
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J Vickers de Ville. The Silent Pool.1886. Wolverhampton Art Gallery Vickers de Ville worked in both oils and watercolours. His favourite subject was North Wales where "he first obtained his inspiration amid the grand and imposing scenery",Express and Star, 22.03.1915.
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Ishikawa taught many students in Taiwan the art of Western style watercolour painting and he mentored and encouraged many Taiwanese students to travel to Japan for further training. Ran, however, stayed in Taiwan and continued to paint in watercolours and also in ink.
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The gallery's previous exhibitions have included watercolours and sketches by Richard Dadd and, in 2003, the first major retrospective of Stephen Wiltshire's works. The gallery's exhibition Capability Now (from February to June 2016) marked the 300th anniversary of the birth of Capability Brown.
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Carl Eugen Keel (1885 in Altstätten – 1961 in Rebstein) was a Swiss painter. He is principally known for his woodcuts, usually portraying town life, and often hand-coloured. Less well known are his oil paintings, watercolours, wood carvings and wrought iron sculptures.
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Portland Gallery, Hyde Park Corner. Organiser was E.J. Neimann. Phillips exhibited 8 pictures, watercolours and oils in 1848-9. Prices exist showing he made between 5 and 10 guineas for a watercolour and between 25 guineas and £40.00 for an oil painting.
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In 1878, he was appointed Commander-in-Chief, North America and West Indies Station.William Loney RN Inglefield retired in 1885. Thereafter he devoted much of his time to painting and his watercolours of Arctic landscapes were exhibited at several art galleries in London.
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His first artistic fields starting around 1886 were illustration, such as his work for the English Illustrated Magazine, and watercolours. His work was exhibited often, but he had an increasing interest in stained-glass work and by 1911 worked exclusively with glass.
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Instead, she returned to the Royal Academy, graduating in 1927. She taught music for a living, played the organ at St Stephen's church, while she painted. She painted figures, landscapes, and cityscapes. She initially worked in oils, but later moved in watercolours.
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This earnt her a Médaille de la Reconnaissance Française from the French government. She is credited with creating Lyceum Clubs for women in Paris and Berlin during her visits. Williams could paint and play the piano. She exhibited her watercolours in France and in Britain.
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Topham was a bibliophile and collector in his own right. His library, dominated by Latin and Greek classics, amounted to some 1300 books. His so-called "paper museum", of drawings, watercolours and prints, reached 3000 items. Among those were 53 drawings by Pompeo Batoni.
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Moore 1985, p.80 His watercolours followed the style of his father's more brightly coloured works of the late 1820s and early 1830s.Moore 1985, p.87 John Sell Cotman thought his son had a "hard dry manner", although his style gradually loosened,Moore 1985, p.
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By 1911 his etchings were of sufficiently high quality to earn him an exhibition at the Goupil Gallery in London and his prints were published in both London and Glasgow. In 1912 McBey travelled to Morocco with James Kerr Lawson and began working in watercolours.
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James Macdonald Barnsley, also known as J. M. Barnsley (February20, 1861February25, 1929) was a Canadian painter of maritime art. His watercolours and some of his oils reflect the influence of the Hague School which, starting in the 1870s, created moody landscapes in almost monochromatic hues.
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Petar Tale (born August 15, 1947) is a Norwegian painter. He was born Petar Pavicevic in Montenegro but has been living in Norway since 1977. Tale's art work consist of drawings, watercolours and paintings. The motives are both figurative - landscapes, people - and non-figurative.
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Jan Hendrik Weissenbruch, by Jozef Israëls (1882) Jan Hendrik Weissenbruch, also known as Hendrik Johannes Weissenbruch (born 19 June 1824 in The Hague – died 24 March 1903 in The Hague) was a Dutch painter of the Hague School. He is noted especially for his watercolours.
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Roland Vivian Pitchforth RA ARWS (25 April 1895 – 6 August 1982) was an English painter, teacher and an official British war artist during the Second World War. He excelled at watercolours and in later years concentrated on landscapes, seascapes and paintings of atmospheric effects.
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Bovin first married the artist Amy Victoria Krog-Jensen in 1934. After the marriage had been dissolved in 1951 he married the painter Bertha (Birthe) Marie Marensine Pedersen in 1952. Known as Birthe Bovin, she also painted watercolours and oils of the Odsherred landscape.
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Katherine Jane "Janie" Ellice (née Balfour; 1813 – 13 April 1864) was a British diarist and artist. She is most remembered for her chronicle and watercolours of a trip to Canada, in 1838, where she and her sister were taken prisoner during the Battle of Beauharnois.
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Janus (Ianus) Laurentius Jørgensen Ridter (14 August 1854 - 30 November 1921) was a Danish painter and illustrator. He is remembered above all for his illustrations of Danish industrial establishments in the 1880s and his topographical watercolours and drawings of Copenhagen in the 1890s and 1900s.
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He moved to Redhill in 1873 and then to De Tillens in Limpsfield, Surrey. This was his home for many years, to well after the marriage of his son, who produced some fine watercolours of the place. He died 21 April 1895 in Croydon, Surrey.
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Mainly known for his watercolours he also possessed great skill in oil painting and the painting of miniatures. In 1923, he was invited to produce a painting to be hung in Queen Mary's dollhouse designed by the architect Sir Edwin Lutyens for Queen Mary.
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180 During this trip (about 1839), Dauzats came to the attention of King Louis-Phillipe and accepted an invitation to accompany a military and diplomatic expedition to Algeria, with a brief to produce five watercolours of French military exploits.Macfie, A.L., Orientalism, Routledge, 2014, p.
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The Nuuk Art Museum is the only private art and crafts museum in Greenland. The museum contains a notable collection of local paintings, watercolours, drawings, and graphics, some by Andy Warhol; and figures in soapstone, ivory, and wood, with many items collected by archaeologists.
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Frederick Sproston Challener (1869–1959), also known as F.S. Challener, was a Canadian painter of murals as well as an easel painter of oils and watercolours and a draftsman in black-and-white and pastel. He also did illustrations for books and commercial art.
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So his work has been a valuable resource for modern archaeologists and scholars as well.Browsing Historical Pompeian watercolours through a Google Earth-based meta interface: Luigi Bazzani's Exhibition by A. Coralini, A. Guidazzoli, Mc.C. Ligouri, A. Baglivo and M. Spigarolo Retrieved 8/22/2019.
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Jackson was born on 31 December 1794 in Bristol. His father was an accountant and later a drysalter. Jackson became a professional artist by 1822, primarily a watercolourist of landscapes. In 1823 Jackson was elected an associate member of the Society of Painters in Watercolours.
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On the moors, Achill Island, Co. Mayo, Ireland, Henry Albert Hartland; 1876. Pencil and watercoulor, 26.5 x 39.4 in. / 67.3 x 100.2 cm. Henry Albert Hartland (2 August 1840 - 28 November 1893 aged 53) was an Irish artist known for his watercolours and landscape paintings.
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Increasingly he focused on landscapes where his light effects can be seen in the sunsets and storm scenes he painted around 1909. In addition to his oils for Durand-Ruel, he also completed some 800 watercolours and drawings. He died in Paris, aged 56.
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The two sets of watercolours are known as the "Butts set" and the "Thomas set", after their respective patrons, or as the "Huntington set" and the "Whitworth set" after the Huntington Library and the Whitworth Art Gallery, which now hold the sets in their collections.
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Western Daily Press, 27 Feb. 1885. Later in 1885 she had 11 watercolours in the Winter Exhibition of the Bristol Academy, ‘includ[ing] transcripts of quaint buildings The Dutch House, Bristol; Clovelly and Mary-le-Port Street, Bristol’.Western Daily Press, 4 Dec. 1885.
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It includes watercolours by Alexander and John Robert Cozens, John Downman and Francis Towne and oils by Thomas Jones. From the nineteenth century there are works by John Constable, John Sell Cotman, George Richmond, J.M.W. Turner and John William Inchbold."Gifts & Bequests: Oppé Collection", "Gifts & Bequests: Oppé Collection", accessed 5 September 2017. In 1915 he catalogued a previously undocumented collection of watercolours by the artist Francis Towne that were inherited by Maria Sophia Merivale (1853–1928) and Judith Ann Merivale (1860–1945),Paul Oppé, Barton Place Catalogue, 1915, "Francis Towne catalogue raisonnée" which has formed the basis of a subsequent catalogue raisonné on the artist.
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During his artistic career, H. M. Brock regularly exhibited his drawings and watercolours at the Royal Academy and the Walker Art Gallery in Liverpool. He became a full member of the Royal Institute of Painters in Watercolours in 1907,H. M. Brock on the Cambridge Book & Print Gallery website and joined the newly formed Society of Graphic Art in 1921. From the 1930s on he worked in comics, drawing "The Mystery of Study 13" for Sparkler (1937), "Breed of the Brudenells" for Knockout (1949), and an adaptation of Lorna Doone for Princess (1960).Alan Clarke, Dictionary of British Comic Artists, Writers and Editors, The British Library, 1998, p.
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Kelly had no formal art training, and developed his style by studying the work of the leading cartoonists of the time. After Booth's death in 1926, Kelly co- edited the magazine with Collins, while continuing to work in the civil service, eventually becoming Director of Broadcasting and Director of National Savings. Kelly's cartoons were also published in The Capuchin Annual from 1942 to 1955. He began painting watercolours in the 1930s, and became a member of the Dublin Sketching Club and the Water Colour Society of Ireland: he exhibited over 60 pieces at the latter from 1941 to 1980, and had a solo exhibition of his watercolours in Dublin in 1972.
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19-20 Preziosi came to Romania in June 1868 and began drawing scenes from Bucharest as well as several others across the country, including a few which depict Prince Carol I. The sketches he draw were later turned into watercolours in his workshop in Istanbul, which he would then sell to the Prince of Romania for prices ranging from 300 to 1200 Francs.Ionescu, p. 20; 25;27 The following year, between May 30 and July 15, Preziosi spent time again in Romania, his drawings, in pencil, ink and watercolours are found in a sketchbook La Valachie par Preziosi, now found at the Municipal Museum in Bucharest.Ionescu, p.
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Hoar later combined his private architectural and town planning practice with academic positions at UCL, where he was a senior lecturer at the Bartlett School. In a time of architectural asperity, he was well known for his lectures on the Bavarian Baroque - a subject far out of favour with the modernism of the age. Hoar's doctorate was awarded on this subject and a number of his watercolours of the interiors of Bavarian churches were exhibited at the Royal Academy's summer exhibition; as were his watercolours of St Peter's, Rome, a particular favourite. He was elected a Fellow of the Royal Institute of British Architects in the early 1940s.
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Madeline Marrable was a prolific London based artist known primarily for her landscape paintings in oil and watercolours. She studied under Henry Warren, a past President of the Royal Institute of Painters in Water Colours and oil painting at Queen Square School (later, Female School of Art) in Bloomsbury under Peter Graham. In 1864, she was encouraged by Charles Landseer to exhibit at the Royal Academy. Marrable exhibited with London art societies, regionally, abroad and with the Royal Academy in 1864 showing Study of trees and then in 1871, 1872, 1878, 1883, 1889, 1900 and finally in 1903 showing two watercolours – Pergola, Lago di Garda and Tramontana Wind, Bordighera.
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As well as original watercolours, he also produces limited edition prints. In 1991, Weatherhead received the Catto Gallery Award at the Royal Watercolour Society. His work can be found in the House of Commons collection. For many years, Ian Weatherhead lived in Cheltenham, before moving to Somerset.
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Vivien also became an artist, working mainly in watercolours. The Hislops were listed as living at 18 Cluny Avenue, Edinburgh in 1949. They were friends and neighbours of Anne Redpath when living in London Street in Edinburgh's New Town. Margaret Hislop died in Edinburgh in 1972.
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Demolished c.1945 except for the gatehouse, which still stands. A series of watercolours c.1816 of the interiors of Lea Castle, attributed to the painter John Carter (1748–1817), is held by the Metropolitan Museum of Art, New York, Elisha Whittelsey Collection, no. 56.601(4).
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He traveled widely in Burma to find subjects, making sketches that he would later paint in oils or watercolours, often scenes of the daily life of ordinary people and particularly portraits of Burma's many ethnic peoples. The latter subject was a major enterprise which he embarked upon.
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A drawing of the rear of Montrose House was made by Wilfred Fairclough in July 1941 as part of the "Recording Britain" collection of topographical watercolours and drawings produced in the early 1940s during the Second World War. It is held at the Victoria and Albert Museum.
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Dorothy, Janet, and Kate. Twin boys, the couple's first children, died shortly after their birth in 1892. Small collections that include watercolours, sketchbooks and personal effects are held in General Pitt Rivers archives at The Salisbury Museum, Wiltshire, England and Pitt Rivers museum in Oxford, England.
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Carlton is married to Adrienne Ferreira, an author, who wrote the book Watercolours. The couple lives in Avoca Beach, New South Wales with their twin sons, Jim and Leo Carlton. Carlton spent some of his early years on Sydney's Northern Beaches, and attended Mona Vale Public School.
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He was an expert on natural dyes and cultivated plants such as madder and woad. He painted watercolours using pigments he himself extracted. In the 1920s, he developed a fish-eye camera and used it to take stereoscopic whole-sky images, recording cloud patterns in three dimensions.
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Albert Godwing (ca. 1900) Apocalypse, 1903 Albert Goodwin (1845–1932) was a British landscapist specialising in watercolours. His work shows the influences of Turner and the Pre-Raphaelite Brotherhood. __NOTOC__ Goodwin was born in Maidstone in Kent, the son of a builder and one of 9 children.
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MacKenny also has participated in performance art, in which she recognizes observations about modern society. In her performance work Waymaker she draws inspiration from religious and personal journeys, MacKenny walked 700 km aside an ancient route in France called the Camino. While walking, MacKenny painted small watercolours.
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Ethel was a keen writer to national newspapers in addition to her being an accomplished pianist and artist. Her writing extended into composing several pieces of music for piano and voice. Over sixty watercolours and drawings by Ethel are held in the Victoria and Albert museum.
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Katharine A. Jordan. In 1976 the Society was able to organize a member exchange exhibition with Japan"Watercolours Japan - Canada [An exhibition sponsored by CSPWC/SCPA and the Japanese Watercolour Society]" 1976 Catalogue, Foreword by John Bennett. Design by William Rueter, Printer: The Coach House Press, Toronto.
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Isherwood set about painting a series of oils based on the watercolours which were exhibited at the Artarmon Galleries in Sydney in 1986. In 1984, Gunnedah resident Mikie Maas created the "Dorothea Mackellar Poetry Awards", which has grown into a nationwide poetry competition for Australian school students.
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Among his legacies is the formal flower garden at Drummond Castle, for which he worked on the scheme with the architect and landscape designer Sir Charles Barry.Sir Charles Barry showed his watercolours of a scheme for remodelling Drummond Castle itself at the Royal Academy in 1828.
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Allan Gwynne-Jones (27 March 1892 - 5 August 1982) was an English painter. Gwynne-Jones was born in Richmond, Surrey. He was educated at Bedales School and then qualified as a solicitor, but never practised. He instead developed a love of art and began painting watercolours.
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Grace Lydia Golden (2 April 1904 – 3 June 1993) was an English illustrator and historian. Raised in London, she began illustrating books in the early 1930s and began painting exhibition pieces after becoming the recipient of a small legacy in 1934, working in watercolours and oil paint.
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As well as a museum, the building is home to Newport's principal art gallery. The gallery hosts a wide variety of British paintings, watercolours and contemporary artworks. The largest collection is known as the John & Elizabeth Wait Collection. Past exhibitions at the gallery have attracted controversy.
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On 2 February 2017 she turned 100. She had four daughters and one son (Meena Shertukade, Lali Akojwar, Jyoti Shah, (Sandhya) Sonali Punatar, and Rajprakash Uplekar). The young woman had to stay in the perpetual position for three hours continuously. Furthermore, he made this portrait with watercolours.
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In 1950, he was awarded a CBE. Ginner painted buildings in an urban context, as in his painting Plymouth Pier from The Hoe. His watercolours are unmistakable, with meticulous detailing of trees and buildings. The Tate Gallery in London and many other galleries hold his work.
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The gallery houses changing exhibitions of contemporary watercolours and prints, which are accompanied by special events including artists' talks and tours. A full education programme covering the theory and practice of art is organised every year. Bankside Gallery is open daily during exhibitions, from 11am to 6pm.
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He continued to teach at the Institute of Decorative Art until 1952; he was director of the institute for some of this time. In the 1950s, he increasingly turned towards abstraction, though still using animals as his models. These paintings, mostly watercolours, remain his most celebrated works.
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He died at his home at 7 Cavendish Street, Herne Bay on 25 June 1926, survived by his wife and two daughters. Today, his pictures can be seen in numerous regimental museums and his illustrations appear in regimental histories, while watercolours frequently come up for auction.
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Anne Olivia Crookshank (3 January 1927 – 18 October 2016) was an Irish art historian, and emeritus professor of the history of art at Trinity College Dublin, the department she established in 1966. In 1994, Crookshank and Desmond Fitzgerald won the CINOA Prize for The Watercolours of Ireland.
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Norriss was born in Melbourne, Australia in 1878. She studied at Melbourne Art Gallery School and in 1905 at the Slade School of Fine Art in London. She specialised in watercolours and miniatures. In 1907, she was made a member of the Royal Society of Miniature Painters.
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While the collection of ceramics and glass was of high quality (each had been selected by James Kiddell of Sotheby's), the collection lacked any notable paintings, save a few 18th-century oils and a small collection of miniatures. The Art Gallery Board made the important decision to collect English watercolours in 1951. By the terms of Cecil Higgins’ will, all acquisitions have to be approved by a ‘recognised artistic authority such as... the Victoria and Albert Museum’ and in 1951, the then-Director of the V&A;, Sir Leigh Ashton, nominated Graham Reynolds, then Deputy Keeper of the Department of Engraving, Illustration and Design, to approve all watercolours and drawings for acquisition. Graham Reynolds remained an advisor until 1955 when he was succeeded by two authorities in their respective fields who were to shape and expand the collection significantly; Edward Croft-Murray (1907–1980) of the British Museum and Ronald Alley (1926–99) of the Tate Gallery, from 1957. The period between 1952 and 1964 were the most productive in terms of collecting watercolours. Over 500 were acquired in twelve years.
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He taught a number of pupils who were to become artists of the Norwich School of painters, and was apparently very popular with his pupils. Hodgson's portrait was painted in watercolours by Horace Beevor Love in 1831. The portrait is kept by the Norfolk Museums Collections in Norwich Castle.
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After a nervous breakdown Ward died suddenly of heart failure at 4 Dorset Square, Marylebone, London on 15 May 1922 and was buried on 18 May at Kensal Green Cemetery in London. About 300 of his original watercolours for Vanity Fair are in the National Portrait Gallery, London.
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His choice of subject matter in his oli paintings and watercolours was shared with Miles Edmund Cotman, who visited him in Reading, and it seems that the artists worked closely together for a period. During the 1840s their styles diverged, with Priest working less meticulously than his colleague.
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50-51 While marooned on Elephant Island, some of Marston's oil paints were used to caulk the boat used by Shackleton to reach South Georgia. Some watercolours and oil paintings by Marston of the expedition (many painted on return from sketches) are held at the Scott Polar Research Institute.
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The other was compiled in around 1849 by Henry Benjamin Hanbury Beaufoy after he had purchased the watercolours from an auction of the contents of Stowe House. Both albums were acquired by the library in the 1920s, and studies of their contents were published in 2007 and 2008.
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In April 1912 the Leicester Galleries in London had an exhibition of Henshall's watercolours of Country Folk (catalogue No. 162). Henshall died in Bosham, near Chichester, on 18 November 1928, aged 72 and leaving behind his wife, Elizabeth Henshall.'Deaths’, The Times, 22 November 1928, p. 1 [front-page].
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Marguerite Zwicker's artwork is almost exclusively watercolour. Technique, composition, and design are all emphasized as important structural components of Zwicker's watercolours. Her compositions primarily display the houses of Nova Scotia or landscape scenes of her home province. Zwicker's watercolour images commonly contrast transpaecny with an intense purity of colour.
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They are poor where good points are required, and do not hold their shape well when in contact with water. They are, however, good for large flat brushes when broad areas are being painted. Camel-hair brushes are used in signwriting. They are problematic with watercolours as already stated.
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Roland Arthur Frank Collins (17 September 1918 – 27 September 2015) was an English painter, specialising in watercolours of English architecture. Unknown for most his lifetime, his work came to prominence after a successful exhibition at Mascalls Gallery, Paddock Wood, Kent in 2012, which led to further exhibitions in Mayfair.
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The Hermannsburg School is an art movement, or art style, which began at the Hermannsburg Mission in the 1930s. The best known artist of the style is Albert Namatjira. The movement is characterised by watercolours of western- style landscapes that depict the often striking colours of the Australian outback.
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Mountain Landscape with Travellers, 1819 Johann Adam Ackermann (1780 - March 27, 1853) was a German landscape painter of the early 19th century. He was born in Mainz and moved to Frankfurt in 1804. His best-known works are his winter landscapes and watercolours. He died in Frankfurt am Main.
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Christopher Pratt first started painting watercolours in 1952. In 1953 he attended Mount Allison University in Sackville, New Brunswick as a student in pre-medicine. At Mount Allison he quickly became interested in Fine Arts, especially painting. He was encouraged to paint by Lawren P. Harris and Alex Colville.
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1984 Paintings, Watercolours, Designs, a Retrospective¸ Exhibition Catalogue (18 Feb- 18 March 1984), The Minories. Some of Pallot’s paintings are included in the Colchester County High School’s collection as well as Colchester Art Society's permanent collection. Joyce Pallot died at the Old Rectory Residential Home, Lexden in May 2004.
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Count Fyodor Petrovich Tolstoy (; 21 February 1783 - 25 April 1873) was a Russian artist who served as Vice-President of the Imperial Academy of Arts for forty years (1828–1868). His works — wax-reliefs, watercolours, medallions, and silhouettes — are distinguished by a cool detachment and spare and economical classicism.
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He was on the group's working committee in 1898, 1902, and served as the group's president in 1908-09. He also painted watercolours of Austrian countryside and the city of Brno, where he ran a painting school. He may have died in the city, but this is not certain.
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This happened in connection with the Nordic exhibition of Industry, Agriculture, and Art which was expected to draw many foreign visitors to Copenhagen. The exhibition catalogue included 313 items, representing some 60 Danish artists. About half were paintings while the rest were drawings, watercolours, pastels and some sculptures.
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He showed work from 1823 to 1825 at the Norwich Society of Artists' annual exhibitions. In 1825, Cotman became an Associate of the Royal Society of Painters in Watercolours and was a frequent exhibitor there until 1839. However he was driven to despair by his constant financial struggles.
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Delacroix greatly relished the atmosphere, the colours, the objects, the people, and the architecture of this exotic world. Delacroix recorded everything in his journals. During his six-month trip Delacroix filled seven large sketchbooks and created an album of eighteen watercolours. Delacroix was invited into Jewish households to sketch.
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His family were nurserymen, and at the time of his birth were based in Mallow. His brother William Baylor Hartland was a well known plantsman. His family later moved to Cork where he studied at the Cork School of Art. Some of his watercolours were signed Albert Hartland.
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Over 15 years he produced over 440 watercolours and drawings of central and suburban London, including many of the Inns of Court, home to London's barristers. His other subjects included coaching inns, manor houses, and the interiors of the City of London's livery halls.Chadwyck Healey Collection. London Metropolitan Archives.
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Walter Kershaw (born 7 December 1940) is an English artist in oils and watercolours but is best known for his large scale, external, mural paintings in towns in Northern England and the Americas.Bob Stanley (21 September 2012) Walter Kershaw: 'Britain's first graffiti artist', The Guardian. Retrieved 30 September 2013.
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He abandoned graphic arts around 1939 (he reworked one bookplate in 1944) to work as a bookbinder with Benjamin Waite and to illustrate limited edition books. After World War II he took up flower painting in watercolours, then oil painting, but without critical acclaim in this last medium.
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Gentleman has illustrated many books by other people, including drawings for the cookbook Plats du Jour. In 2009 he painted watercolours to illustrate Ask the Fellows Who Cut the Hay by George Ewart Evans. For the Limited Editions Club of New York City he illustrated The Swiss Family Robinson, Keats's Poems, The Jungle Book, and The Ballad of Robin Hood, and several books for children, including Russell Hoban's The Dancing Tigers. He has designed many paperback covers and jackets: for Penguin Books, E. M. Forster's novels and the New Penguin Shakespeare wood engravings; for Faber, many watercolours for Siegfried Sassoon and Lawrence Durrell novels; and for Duckworth, wood engraved or typographical designs for scientific and classical works.
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Whittingham has published numerous works on J.M.W Turner. His other publications include: # An Historical Account of the Will of J.M.W.Turner, R.A., 5 fascicules, 415 pp., Independent Turner Society, 2nd edition, 1993–1996; # The Fallacy of Mediocrity: The Need for a Proper Turner Gallery, 4 fascicules, Independent Turner Society, 1992; # English Watercolours and Drawings from the Manchester City Art Gallery, Thos. Agnew and Sons Ltd, October 1977, Catalogue by Selby Whittingham (nos 93-116 Turner watercolours); # Of Geese, Mallards and Drakes: Some Notes on Turner's Family, with contributions from others, Parts 1-4. 1. The Danbys, 1993, 138 pp.;The Turners of Devon, 1995, 134 pp.; Mrs Booth of Margate, 1996, 144 pp.; The Marshalls & Harpurs, 1999, 290 pp.
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Many of the greatest watercolourists of the period are represented, including John Robert Cozens, David Cox, Peter De Wint, John Sell Cotman, John Varley and Edward Lear as well as J. M. W. Turner's watercolours The Passage of Mount St. Gotthard and Windermere (1821). In 2011 a triptych of Lady Anne Clifford, entitled The Great Picture (currently (2011) in the ownership of the Lakeland Arts Trust) went on display. The Victorian art critic and social commentator, John Ruskin, lived in the Lake District and the gallery has one of the most comprehensive collections of his drawings and watercolours. The modern collection concentrates more on painting but has sculptures by Barbara Hepworth, Jean Arp, and Elisabeth Frink.
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19 Preziosi was proficient in the languages of the region (Greek and Turkish), as well as major European languages (English, French, Italian) and he worked as deputy of the dragoman of the British Embassy as well as the First Dragoman of the Greek legation. His workshop was routinely visited by tourists wishing to return home with a souvenir of Istanbul, and among his guests was, in April 1869, Edward VII of the United Kingdom, then the Prince of Wales, who bought several watercolours from him. In 1866, as the new Prince of Romania, Carol I visited Istanbul, he met Preziosi and invited him to Romania to make watercolours of the landscapes and people of the country.Ionescu, p.
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In 1873, she was awarded a gold medal for watercolours of Tasmanian flowers at the London International Exhibition; in the Academy of Arts show of 1876, a certificate of merit; in the International Exhibition of 1879 (in Sydney), a "Highly Commended"; and at the Melbourne Exhibition of 1880, a first place.
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After returning from Guiana in 1844, Goodall continued to exhibit his watercolours, chiefly at the Royal Society of Painters in Water Colours, to which he was elected a member in 1864,Add MS 82922, f. 55. but also at the Royal Academy, the British Institution, and the Society of British Artists.
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Talbot and Catherine, who were not well-off, went to live with the newly married couple and remained members of the household until Secker's death in 1768. Catherine's education was superintended by Secker. She became learned in the Scriptures and an accomplished linguist. She also painted in watercolours and read widely.
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He also liked the light treatment achieved by plein air painters in late 19th-century Europe. Thomas's paintings celebrate the landscape and wildlife of Northern Australia. He lives just outside Darwin in the Northern Territory. Thomas's oils, acrylics and watercolours are highly collectable and available from Territory Colours in Darwin.
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Gabriel Ellison was born in Lusaka, Zambia (formerly Northern Rhodesia). Her design work included oils, acrylics, watercolours, tempera and three dimension forms. When creating sculptures, she used resin bronze and terracotta. Ellison was a fellow member of the Royal Society of Arts, British Display Society and the Chartered Society of designers.
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Samuel John "Lamorna" Birch, RA, RWS (7 June 1869 – 7 January 1955) was an English artist in oils and watercolours. At the suggestion of fellow artist Stanhope Forbes, Birch adopted the soubriquet "Lamorna" to distinguish himself from Lionel Birch, an artist who was also working in the area at that time.
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Hark! A Vagrant is drawn in black and white with pens, watercolours, brush pens, and a Wacom tablet in later comics. Beaton's distinctive drawing style is loose and light, and has been compared to the illustrations of Quentin Blake. Reviews have remarked on her mastery of facial expressions in particular.
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He amassed a huge collection of historical papers, many of which are now at Norwich Castle Museum. He was also a gifted artist who was a friend of John Sell Cotman and a patron of Frederick Sandys. Several of Bulwer’s watercolours of St Lawrence’s church are stored in Norwich Castle Museum.
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During this period Horatio travelled to and painted Funchal, Madeira, the Ascension Islands, St. Helena, the Cape of Good Hope, Madras, Malacca, Singapore, Manilla, Macao, Ansons Bay and Rio de Janeiro. The log contains watercolours of icebergs that Gould called "ice islands" and pre- and post-eruption views of a volcano.
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The background landscape recalls Dürer's watercolours and Giorgione's landscape paintings. A young woman in white and gold leans against a laurel tree in the centre, possibly referring to Daphne, and ignores two satyrs (one female, one male), symbolising intoxication and lust. A putto pours a cascade of white flowers over her.
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Kathleen Guthrie (née Maltby) (26 February 1905 – 7 September 1981) was a British artist who exhibited with the London Group and at the Royal Academy and also had several solo exhibitions. During a long career Guthrie painted in oils and watercolours, produced silkscreens and murals and wrote and illustrated children's books.
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The Committee for Bosnia, commissioned a poster, A Day for Bosnia, at The University of Chicago. His oil paintings, large watercolours and ceramics appear at the New York Vista Hotel. In September 2013, a book by Dore Ashton on David Rankin's work titled David Rankin: The New York Years was released.
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Works by Angel have been shown at the Royal Academy in London and the Society of Designer Craftsmen and in solo exhibitions in America. Both the Victoria and Albert Museum in London and Harvard Library hold examples of her work. The Hunt Institute has a number of her botanical watercolours.
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In 1977, he became president of the Norfolk County Cricket Club.Lord Suffield: Family’s 200-year link with Norfolk cricket Obituary of the EDP24 of 20 December 2011. He worked as a farmer in Binham. He is also known as an artist, particularly for watercolours of landscapes and country houses in Norfolk.
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Until his death, he did not sell his watercolours. He said: "One hundred and four years - this is not a reason to change my habits". Boris Smirnoff died in Russia in 2007 at the age of 104. After his death the Boris Smirnoff Foundation was organised to manage his collection.
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He produced hundreds of sketches and watercolours during this time (e.g. an imagined meeting of the medieval Althing), and published, with Stefánsson, an illustrated account of their expedition in 1899 under the title A Pilgrimage to the Saga-steads of Iceland.A Pilgrimage to the Saga-steads of Iceland. W.G.Collingwood, Jón Stefánsson.
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In 1832, he married Julie Sneedorff. They kept a large household at Engelholm. Their guests included Bertel Thorvaldsen and Adam Oehlenschläger. Wolf was an amateur painter and had also built a collection of local drawings and watercolours in India which he supplemented with Danish works after his return to the country.
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The British Museum and the Victoria and Albert Museum have collections of his work. The British Museum was given significant Girtin watercolours by the collector Chambers Hall. In July 2002 Tate Britain organised an exhibition, Thomas Girtin: The Art of Watercolour which aimed to "reveal his technical genius".Dorment, Richard.
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The logbooks are accompanied by "impressive sketches and watercolours".Giles 2003 Naval Battle of Hakodate. Sketched by William Henry Webster in his midshipman's logbook. Webster witnessed the Naval Battle of Hakodate (4 to 10 May 1869), and his sketch of it appeared in the Illustrated London News, 11 September 1869.
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Vittorio Amedeo in mezzo alle popolazioni danneggiate dalla guerra distribuisce tutto il suo denaro e poi fa a pezzi il collare dell'Annunciata e lo spartisce, oil on canvas, 1888 Valli worked in watercolours and in oils. He also illustrated several books. His style was often impressionistic and with touches of colour.
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Staley and Newall (2004), p.121 Rossetti, who disliked working out of doors borrowed Boyce's sketches to provide the background for his watercolour Writing on the Sand (1858; British Museum, London).Newall and Egerton (1987), p.13 Boyce exhibited both oils and watercolours at the Royal Academy between 1853 and 1861.
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The above-ground tomb was designed in the form of an altar. The content of the "heart tomb" is known from the watercolours paintings of the engineer Josef Langweil, who drew it in 1834. The Habsburgs in the Augustinian church in Vienna also have a similar tomb of hearts (German Herzgruft).
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Heideloff principally worked in the Gothic style of architecture, and the buildings restored and erected by him at Nuremberg and in its neighborhood attest to both his original skill and his purity of taste. He also achieved some success as a painter of watercolours. Heideloff died at Hassfurt in 1865.
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Norah's plays were on social reform, displaying wide sympathy with the people's ways and traditions. She wrote scripts while many people came and helped with the production. She wrote newspaper articles and painted watercolours. Andretta thus became the hub of cultural and theatrical activities for a whole generation of artists.
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Like his father he was a Quaker. He inherited his father's leather business, becoming its senior partner. He was also an amateur artist, "quite a brilliant painter in watercolours," specialising in sporting and landscape subjects. Artists Edwin Moore and Richard Waller gave him some lessons, but he was mainly self-taught.
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He travelled throughout Karnataka to collect them for the museum. He was instrumental in establishment of the "Folklore Museum" in Mysore in 1968. He was also responsible for setting up "Manjusha Museum" in Dharmasthala. His watercolours of 'Gagan Mahal' and 'Krishna Deva Raya's are displayed prominently in the museum in Dharmasthala.
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He became well known for his watercolours, mostly scenic British views. He married Mary Percival in 1846. Two of their twelve children also became artists: Charles Edwin Fripp an artist-reporter for The Graphic, and Thomas W. Fripp, a watercolourist in Canada. Fripp died in Hampstead, London, in October 1896.
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Picturesque Illustrations of Rio de Janeiro was published by Librería l'Amateur, Buenos Aires in 1961, with an introduction by two members of the Instituto Histórico e Geográfico Brasileiro, the watercolours being reproduced by the au pochoir handcraft process. In 2019 a mint condition copy was being offered for sale for $1,000.
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Royal Academy, Royal Scottish Academy, Heriot-Watt University, The Chantry, Co. Wexford, City of Aberdeen Art Gallery, Blue & White Gallery & Associates, Jerusalem, Florida, Buenos Aires, Royal Scottish Society of Painters in Watercolours, Edinburgh Printmakers' workshop, Morrison (Portraiture) Award, Hebrew Society of Argentina sparing 1992 Art Exhibition, Society of Scottish Artists, WASPS.
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Garthwaite was acknowledged as one of the premiere English designers of her day. Many of her original designs in watercolours have survived, and silks based on these designs have been identified in portraiture and in costume collections in England and abroad.Textile Production in Europe: Silk, 1600–1800, retrieved 26 April 2008.
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He also lived and worked in Lebanon and Syria. His work is characterized primarily by architectural views of Jerusalem and the Holy Land. The paintings of Bauernfeind are mostly meticulously crafted, intricately composed and almost photographically accurate cityscapes and images of known sanctuaries in oil. In addition, he produced landscape scenes and watercolours.
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Martin began to supplement his income by painting sepia watercolours. He sent his first oil painting to the Royal Academy in 1810, but it was not hung. In 1811 he sent the painting once again, when it was hung under the title A Landscape Composition as item no.46 in the Great Room.
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Self portrait of James Holland Greenwich Hospital Charlton House, Kent (Tinted lithograph, 1858) James Holland (18 October 1799 - 12 December 1870)Biography (Answers.com). was an English painter of flowers, landscapes, architecture and marine subjects, and book illustrator. He worked in both oils and watercolours and was a member of the Royal Watercolour Society.
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Brown's work remained unpublished and largely unnoticed, however, as his field books and notes remained in his possession until his death, when they were bequeathed to the British Museum (Natural History) in London. They were not identified until 1994, while Bauer's koala watercolours were not published until 1989.Moyal, pp. 16–28 .
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51–2; Shaw, p.177. Kenilworth spawned "numerous stage adaptations and burlesques, at least eleven operas, popular redactions, and even a scene in a set of dioramas for home display", including Sir Arthur Sullivan's 1865 cantata The Masque at Kenilworth.Hackett, p.60. J. M. W. Turner painted several watercolours of the castle.
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Among the songs were "Something", "My Sweet Lord" and "All Things Must Pass". West again supplied a series of watercolours designed to complement the song themes, in addition to hand-lettering the words.Clayson, p. 423. The pages, measuring 175 by 250 millimetres, were hand-bound by Genesis inside a black leather cover.
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Gerrit van Houten left about 900 drawings, 180 watercolours and 85 oil paintings. His brothers and sisters looked after his work once he was no longer able to. Only very few works are owned by private collectors, and one or two have disappeared without trace. Gerrit is known to have destroyed one work.
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Wright was born in Newhaven, England in 1963. He graduated from the Brighton College of Art in 1986. Wright developed wildlife-based watercolours and children's book ideas in the early phase of his career. In 1989, he published a self-written and illustrated picture book for children titled When the World Sleeps (Hutchinson).
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His work included Italian landscapes and town pictures, and Swedish landscapes, coastal and harbour pictures.Lexikon för Konst, AB Nordiska Upplagsböcker: Stockholm, 1958. He worked in oils, watercolours, woodcuts, lithographs and etching. Jorm’s art decorated a number of buildings in Sweden including the ceiling of Skene Church, Skövde court house, and Liseberg in Gothenburg.
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Marlow painted in both oils and watercolours, and drew marine and landscape scenes. He was influenced by Richard Wilson and Canaletto. According to one critic, "his drawings are graceful but of no great power, and his method in water-colour did not advance beyond tinting", and "he realised a moderate competence".Monkhouse, Cosmo.
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He was a member of the Royal Society of British Artists. Southgate painted mainly birds and sporting scenes.Southgate is said to have "specialised in painting watercolours of birds" and to be "well known for his ability to capture their movement in flight. This was achieved by spending large amounts of time bird watching (...)".
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Bickleigh Court in Mid Devon, watercolour of 1803, very much in Towne's style John White Abbott (13 May 1763 - 1851) was an English surgeon and apothecary in Exeter, remembered as a keen amateur painter in both watercolour and oils. His watercolours are close in style to those of his teacher, Francis Towne.
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His oil paintings were once well known but the great bulk of his work was landscape watercolours. He had a series of etchings of his paintings created which was nearly complete at the time of his death. He made a sketching tour to Scotland and the Lake District in 1791.Wilton & Lyles, p.
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Edwards bequeathed her collection of Egyptian antiquities and her library to University College London, with a sum of £2,500 to found an Edwards Chair of Egyptology. Edwards also supported Somerville College Library, having left many books, papers and watercolours to Somerville College, Oxford, along with a small collection of Greek and Roman pots.
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Its Long Gallery, the longest in England, serves as a South-West outpost of the National Portrait Gallery displaying a skilful and well-studied range of old oils and watercolours. Montacute and its gardens have been a filming location for several films and a setting for television costume dramas and literary adaptations.
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Edwards was born and educated in Eastbourne in Sussex. Between 1906 and 1908 she studied art under Algernon Talmage at St Ives in Cornwall. She took further art lessons with H Dawson Barkas during 1909 at Reading in Berkshire. During her artistic career Edwards mainly painted landscapes, working in oils, pastels and watercolours.
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Ran In-ting (; 1903–1979), also known as Lan Yinding, was a Taiwanese watercolour artist whose work is recognised around the world for its expressive rendition of Taiwan's landscape. He was able to capture the essence of his subjects with fluidity and sensibility, whether he was using watercolours or ink as his medium.
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York Art Gallery in York, England is a public art gallery with a collection of paintings from 14th-century to contemporary, prints, watercolours, drawings, and ceramics. It closed for major redevelopment in 2013, reopening in summer of 2015. The building is a Grade II listed building. and is managed by York Museums Trust.
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In fact, the 16th century art historian Giorgio Vasari wrote in his book that the German artist Albert Durer was painting in watercolours on byssus silk and sent his portrait as a gift to Raphael in honor of his work from the second edition of the works of Giorgio Vasari La Giuntina.
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Matlock Alexander Cozens (1717–1786) was a British landscape painter in watercolours, born in Russia, in Saint Petersburg. He taught drawing and wrote treatises on the subject, evolving a method in which imaginative drawings of landscapes could be worked up from abstract blots on paper. His son was the artist John Robert Cozens.
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Haité worked in both oils and watercolours, specialising in landscapes with many executed on his travels to Venice, Morocco and Northern Europe. In 1897 his street scene of Dortmund won the Gold landscape prize at that year's Crystal Palace exhibition. He would usually sign his work "Geo C. Haité" or "G.C. Haité".
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Barnbrook was born in Catford. He had his first public art exhibition, of landscape watercolours, in 1971. In 1981 he attended an art foundation course for a year at Grimsby College of Technology. From 1982 to 1985, he studied at the Royal Academy of Arts, where he obtained a first class diploma.
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Sources vary, between London and Edinburgh, as to Ashworth's place of birth but agree that after spending time in the latter she lived in London for a time before retiring to Edinburgh. In Edinburgh, Ashworth was appointed head of the Trustees' Academy, a Government School of Art and now part of the Edinburgh College of Art, on the retirement of Robert Scott Lauder in 1861. Ashworth painted flowers, landscapes and still-life pieces in both oils and watercolours and between 1864 and 1873 was a regular exhibitor with the Royal Institute of Painters in Watercolours, showing some 27 works there. She also exhibited at least two pieces with the Royal Society of British Artists at their Suffolk Street gallery in London between 1874 and 1880.
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Its initial phase is characterized by transition through impressionism and get away from it to find his own form. In 1897 Stanisław Masłowski became a member of the Society of Polish Artists "Sztuka" in Kraków, created at the initiative of Jan Stanisławski. A number of artists came from Warsaw e.g.: Józef Pankiewicz and Konstanty Laszczka. In 1899 Masłowski issued a number of watercolours in Aleksander Krywult Salon; this year and in 1902 he took part in the exhibitions of the Vienna Secession. In 1900 he traveled to Italy and Paris. In 1900 at the Universal Exhibition in Paris, he gained a medal award for picture "The market in the Kazimierz". In 1901 he demonstrated a small watercolours in the "Chimera" monthly editorial.
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Smythe exhibited at the Royal Academy from 1863 (becoming a member in 1911) and the Royal Institute of Painters in Watercolours from 1881 (becoming a member in 1880) - he eventually transferred his allegiance to the Royal Watercolour Society in 1892, becoming a member in 1894. Smythe painted rural landscapes, genre and maritime scenes, people and animals in both oils and watercolours, and became associated with the Idyllists.The Idyllists - this group also included the artists J. W. North, Fred Walker, George Pinwell, R W Macbeth, Hubert Herkomer and the writer Richard Jefferies. Smythe and his wife Alice made frequent trips to France and eventually settled in Normandy in 1879, in an old Napoleonic fortress on the coast at Wimereux - until the building was inundated by the sea.
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Also during the 1950s, he developed a passion for depicting sports, both in strong expressive prints, and in wonderfully soft impressionistic watercolours. He was considered one of the leading artists working in the sports genre. Another favourite theme of his was Soviet Youth: Students, Komsomols and Pioneers, Siberian youth, young workers and sports-youth populate his genre works of the 1950s and 1960s. From the late 1970s onwards, he concentrated on watercolours, showing the changing faces of the cities of Moscow and St. Petersburg and other provincial cities during a time of major architectural changes. He painted large impressionistic cityscapes of the disappearing Moscow, and the new city emerging, as well as Dostoevsky’s St. Petersburg which held a special place in his heart.
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Albert Sorby Buxton (1867–1932) was an English painter from Mansfield, Nottinghamshire. He was also a local historian, the town's antiquarian. Sorby gave a collection of watercolours to Mansfied's art gallery. They captured the town of Mansfield at the turn of the 19th century and can be seen on permanent display at the Mansfield Museum.
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In 1920 she began sharing a Melbourne studio with Maie Ryan (later Lady Casey). Joan exhibited her watercolours and oils at two Melbourne exhibitions in 1920, one of which was titled "The Neo- Pantechnicists" and exhibited with the Victorian Artists Society. She and Casey also collaborated on an unfinished book together, titled Portrait of Anna.
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Sam Black, (5 June 1913 – 23 April 1997) was a Scottish artist and teacher best known both for the artworks he produced during the Second World War and for his post-war academic career in Canada. Black produced landscapes and architectural subjects in oils and watercolours but also worked in other media including welded metals.
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Marjorie Evans, later Marjorie Scott Elliot (c.1850–1907) was a Scottish artist known for her flower paintings. She spent most of her life in Aberdeen but was also resident in Richmond in London for a substantial period. She painted flowers, still-life scenes, landscapes and sometimes portraits, working in both oil and watercolours.
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She taught painting in Brantford and continued to write for a time. Around 1880, she lost her sight. In 1838, she published Memoir of Elizabeth Jones, a little Indian girl, an account of the life of her niece. In 1854, she received a prize for her miniature watercolours at the Upper Canada Provincial Exhibition.
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Dorothy Josephine Coke (11 April 1897 – 1979) was an English artist notable for her work as a war artist on the British home front during the Second World War. Coke was also an art teacher and as an artist was known for her watercolours, which have a very free, open-air quality to them.
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His work has lasting important because of his craftsmanship, aesthetic sense and scientific accuracy. Many of Bauer's watercolours are in the Sherardian Library of Plant Taxonomy at the University of Oxford, which has also digitised his botanical work Flora Graeca. This botanist is denoted by the author abbreviation F.L.Bauer when citing a botanical name.
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Four hundred watercolours were displayed in cabinets of Ruskin's own design. Recent scholarship has argued that Ruskin did not, as previously thought, collude in the destruction of Turner's erotic drawings,Ian Warrell "Exploring the 'Dark Side': Ruskin and the Problem of Turner's Erotica", British Art Journal, vol. IV, no. 1 (Spring 2003), pp. 15–46.
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He specialised in oil paintings and watercolours on canvas. The Liverpool Museums Resource lists more than 10 of his paintings as being on permanent display in Liverpool,Search the website - Samuel Walters, Liverpoolmuseums.org.uk as well as a collaboration between Walters and his father. Some famous ships he painted include the CSS Florida and CSS Alabama.
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On 23 September 1889, the first exhibition of the unified Museum was opened. One of the most gruesome exhibits is the head of Willem Mons, brother of Anna Mons. In 1747 some objects were lost in a fire. The museum houses 78 watercolours by the Peruvian artist Pancho Fierro, the largest collection outside Peru.
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She returned from her travelling with many drawings and landscape watercolours "which sometimes seem quite abstract like colour and light studies." In 1977 she was hit by her first stroke, followed by a second in 1979. She then moved to Heilbronn to join her eldest daughter, a medical doctor, and died there in 1983.
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In 1905–1907 Masłowski worked in his atelier in Warsaw (at Mokotowska street) and experimented. Period of 1907–1926 was a phase of prosperity and decline of Masłowski's creativity. Plein air in Nowosiółka in Volhynia in 1908 brought 18 watercolours, which then was exhibited in the Society for the Encouragement of Fine Arts (Polish abbr.
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Herbert Hepburn Calvert was born on 30 December 1870 in London. He was the first son of journalist Thomas Calvert and his wife Grace (née Hepburn). In 1887 the family emigrated to Sydney, Australia where in 1904 H. H. Calvert married Mary Elsie O’Brien. Calvert was known for his watercolours depicting Australian bird life.
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Its debut full-length album, Five O'Clock, was released in 2004, and their song "Five O'Clock" appeared on local radio charts." CJSR 88.5MHz - Edmonton Top 30 For the Week Ending: Tuesday, January 25, 2005". !earshot short playing EP. dubbed 'Watercolours' by local media followed in 2007."Five O’Clock Charlie Bid Farewell In Concert Form".
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With the help of a thin brush all the jewellery and parts of throne or the arch which have some relief are painted over to give a slightly raised effect of carving. This is allowed to dry. On this thin gold foil is pasted. The rest of the drawing is then painted using watercolours.
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There is a Molly Lamb Bobak and Bruno Bobak fond at Library and Archives Canada. The archival reference number is R5336, former archival reference number MG30-D378. The fond covers the date range 1930 to 2000. It consists of 2.3 meters of textual records, 211 photographs, and other graphic media (drawings, prints, watercolours, etc).
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The finished bronze version was installed in September 1983.dorothea mackellar poetry awards . Retrieved 22 February 2014 In conjunction with the January unveiling, there was an exhibition of a series of 34 water colour paintings by Jean Isherwood illustrating My Country. The watercolours were eventually put on permanent display in the Gunnedah Bicentennial Regional Gallery.
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Hans Syberg and his cousin Grete Jensen, a daughter of the painter Peter Hansen, established a ceramics workshop in Valby in 1928. They specialized in faience with flower decorations inspired by Anna Syberg's watercolours. Lars Syberg joined the company in 1931 and gradually took it over. The production peaked during the 1940s and early 1950s.
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The Museum's permanent displays illustrate the social and industrial history of the district using objects and photographs. A significant collection of eighteenth century porcelain, including pieces from Derby, Pinxton and Mansfield is always on show, and a collection of Albert Sorby Buxton's watercolours takes visitors back to Mansfield at the turn of the century.
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"The drawings of Herstmonceux Castle by James Lambert, senior and junior, 1776–7", SUSSEX ARCHAEOLOGICAL COLLECTIONS 148 (2010), 177–81artfund.org: "Leather bound folio of 77 watercolours and drawings of Sussex by James Lambert Senior" The castle was dismantled in 1777 leaving the exterior walls standing and remained a ruin until the early 20th century.
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Maksymilian Gierymski Maksymilian Gierymski, A Hunting Party, 1871 Maksymilian Gierymski, Insurgent from 1863, c. 1869 Maksymilian Dionizy Gierymski (1846 in Warsaw - 1874 in Reichenhall, Bavaria) was a Polish painter, specializing mainly in watercolours. He was the older brother of painter Aleksander Gierymski. As a seventeen-year-old boy, he participated in the January Uprising.
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1–14, at pp. 2–3. Published by: Liverpool University Press It lasted until 1926, with moves to Darlinghurst and then Petersham, operating as a primary school for girls destined for domestic service. An artist, Eliza made topographical drawings and watercolours, and contributed designs for public buildings. The Darlings entertained James Stirling in Sydney.
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William Leighton Leitch (1860s) by Elliott & Fry William Leighton Leitch (2 Nov 1804 - 25 April 1883) was a master Scottish landscape watercolour painter and illustrator. He was Drawing Master to Queen Victoria for 22 years. He was Vice President of the Royal Institute of Painters in Watercolours, on Pall Mall in London, for twenty years.
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Where the other family members specialise in landscape painting, John has become more renowned for portraiture. His art is described as Expressionist, and has been compared to works by artists such as Otto Dix. His work has encompassed many media – oils, watercolours, charcoals and acrylics. He has been a professional artist for three decades.
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Starting in 1931, he continued his education at the Staatsschule für Kunst und Handwerk, studying painting under Richard Throll. He received his diploma in May 1935. While at university, he created many watercolours, drawings, and oil paintings. He then worked as an assistant to Ludwig Sievert, the chief scenic designer at the Städtische Bühnen Frankfurt.
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In addition to studio work, she made many sketches and watercolours of women and children in church. Unlike her oil paintings of solitary women, these sketches frequently depict their subjects from behind, and in groups. She also made many sketches of her cats. Aside from two etchings she drew in 1910, she made no prints.
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A view of Calcutta in 1819 by R Havell, Jr. based on James Baillie Fraser. Fraser displayed great skill with watercolours, and several of his drawings weren lithographically reproduced. Most of his landscapes are considered "picturesque". The astronomical observations which he took during some of his journeys did considerable service to the cartography of Asia.
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Kulchytska’s first solo exhibition took place in Lviv in 1909. It showcased her engravings, prints, watercolours, woodcuts, and filigrees. The exhibition was celebrated by the early-modernist Ukrainian artists, for instance, Ivan Trush. Kulchytska’s work combined the folk art traditions of the Western Ukraine, particularly, the Hutsuls, with the stylistic innovations of the European Sezession.
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Bradford was born in Cambridge. She was educated at The Perse School in Cambridge and at the Saint Felix School in Southwold. Bradford attended the Slade School of Fine Art in London where she won prizes for portrait painting and figure composition. She worked in oils, pencil and watercolours to depict a variety of subjects.
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Wilden began his studies at the Kunstakademie Düsseldorf, but they were interrupted until 1919 by World War One. One of his most important teachers there was Heinrich Nauen, a proponent of Rhenish Expressionism. His work was influenced by that school and other trends of the time. Watercolours and pastels formed a major part of his oeuvre.
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They have strong and original composition and colour, with photographic clarity and detail. His 1878 New Brunswick landscapes are larger and more original both in composition and in use of colour than his earlier landscape. Most of Fraser's paintings were watercolours. His work was praised for its photographic realism, attention to detail and mastery of colour and light.
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Andreas Staub (17 October 1806 – 5 April 1839) was an Austrian watercolour painter and lithographer. Staub was born in Markirch in Alsace and committed suicide in Vienna at the age of 32. Of his life little is known. He entered the Vienna Academy of Fine Arts at the age of 19 and shortly thereafter was exhibiting his watercolours.
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Under the title, I disegni di Fellini (Fellini's Designs), he published 350 drawings executed in pencil, watercolours, and felt pens.Fellini, I disegni di Fellini (Roma: Editori Laterza), 1993. The drawings are edited and analysed by Pier Marco De Santi. For comparing Fellini's graphic work with those of Sergei Eisenstein, consult S.M. Eisenstein, Dessins secrets (Paris: Seuil), 1999.
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He painted oils as well as watercolours. His father was their teacher, although J.Morris Henderson studied art at the Glasgow School of Art and at Glasgow University. He was elected an associate Royal Scottish Academy in 1928, followed in 1936 by a full membership. He is mentioned in The Dictionary of British Artist and The Dictionary of Scottish Painters.
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His grandson partially re-built the house in 1634. His initials and the date can be seen carved into the exterior of the west gable."Hubbard" (1986), 291–2 Many of these large timber box framed houses have disappeared, but watercolours and prints record Aberbechan Hall and Garthmyl Hall, Berriew in Montgomeryshire and Bychton at Mostyn in Flintshire.
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Herdman was a self-taught painter who started sketching in his early teens, documenting the city of Liverpool, making notes about how the city and its buildings were changing as the city grew. Herdman painted around 2,000 watercolours of Liverpool scenes which were included in the book, Herdman’s LiverpoolHerdman, William Gavin. Herdman’s Liverpool. Jaggard & Company: Liverpool.
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In 1897, he travelled to Egypt for the first time and began regularly spending Winters there. At that time, he switched from oils to watercolours which he believed was the optimal medium to capture the transparent light of the Middle East.Ackerman, G.M., American Orientalists, ACR, 1994, p.14 Bacon died of a heart attack in Cairo, Egypt, in 1912.
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The Temple garden (from "London Watercolours") Herbert Menzies Marshall (1 August 1841 – 2 March 1913)MARSHALL, Herbert Menzies, Who Was Who, A & C Black, 1920–2016 (online edition, Oxford University Press, 2014, accessed 12 Nov 2016) was an English watercolour painter and illustrator,Huish. British Watercolour Art etc (1904). and earlier in life a cricket player.
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Dec 1-23. Mon-Fri 9am-5.30pm, Tues until 7.30pm TATE GALLERY Millbank, SWl (071-8878008). James McNeill Whistler. Design & decoration, pastels, nocturnes & full- length portraits, plus ...Orient-express Magazine - Volume 13 - Page 26 1996 Susannah Blaxill's arresting watercolours are enthusiastically collected in London, while Jenny Phillips's lovely studies are admired by patrons and students alike.
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He attended a special needs school in the 1940s and 1950s and then, encouraged by his mother and, later, by other St. Ives artists, he began drawing and painting in watercolours in 1953 before moving on to oil paint on board and, later, conté crayon. He attended Leonard Fuller's St. Ives School of Painting from 1953 to 1957.
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Hector hoped the collection of Clarke's drawings would be purchased in its complete form by a museum. The Museum of New Zealand Te Papa Tongarewa did in fact purchase Clarke's drawings and watercolours from his wife in 1921. Clarke also designed the common seal for the Municipal Corporation of Kumara. Hypoplectrodes semicinctum, 1875, New Zealand, by Frank Edward Clarke.
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Most of the drawings are sketches and detail, colour and composition studies. For Gerrit drawing was an aid. In his sketchbook, he recorded anything that might serve as the subject of a watercolour or oil painting. Even finished drawings must be seen as studies, although studies or compositions have been found for few of his oil paintings and watercolours.
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He also drew ceramics for the Manufacture nationale de Sèvres. Paul Vera settled in Saint-Germain-en-Laye in 1920. The Municipal Museum of Saint-Germain-en-Laye has a large collection of Paul Vera's work, including watercolours, paintings, tapestries, wood engravings, ceramics and porcelain. Many of the items were donated to the city by André Vera.
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Hessay received minimal recognition for his paintings during his lifetime. When newspapers wrote articles on his exhibitions, they dwelt more on his rugged clothes than the paintings on display. In 1980, a retrospective of Hessay's life and art was held at the Langley Centennial Museum in Fort Langley, curated by Warren Sommer. It included photographs, watercolours, and oil paintings.
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Barret has included an elegant group of figures enjoying a picnic on Soulby-Fell on the right of the composition; a ferry transports more tourists and their horses across the lake to the base of this hill.Anne Crookshank and Desmond FitzGerald, (1994) The Watercolours of Ireland: Works on Paper in Pencil, Pastel and Paint c.1600–1914, London,, pp.
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Watercolours by J W Wright on Shakespeare subjects (Folger Shakespeare Library). Engravings of his pictures featured in publications such as "The Keepsake", "The Literary Souvenir", and Heath's "Book of Beauty",Book of Beauty (Longman, Rees, Orme, Brown, Green, and Longman, 1833). See portrait of "Laura". "The Drawing-room Scrap Book", and "The Female Characters of Shakespeare".
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Fisher was a member of the Masonic Order and the Royal Agricultural and Horticultural Society. He was also a proficient organist, and acted in that capacity for St. Peter's College and St. Bede's Church, Semaphore for some years. He was also fond of sketching in pencil and watercolours. He was part owner of a pastoral property.
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Walter Hoyle (1922–2000) was an English artist, known for his prints, watercolours and illustration. He was a central figure in the Great Bardfield group of artists and a close associate of Edward Bawden. He taught at the Central School, London, and, for twenty years, at the Cambridge School of Art. Walter Hoyle was youngest of four.
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A rare pre-Classicist exception is a book of watercolours depicting figural vases, which was produced for Nicolas- Claude Fabri de Peiresc. Like some of his contemporary collectors, Peiresc owned a number of clay vases.Sabine Naumer: Vasen/Vasenmalerei, in DNP 15/3, col. 947-949 Since the period of Classicism, ceramic vessels were collected more frequently.
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Taylor 1987, p. 130 In 1916, the story was again considered for publication but in the standard small book format of the Peter Rabbit library rather than the panorama format.Lear 2007, p. 280 The title was announced on an endpaper as The Story of the Sly Old Cat but Potter's watercolours were never prepared for printing.
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Samuel Peploe Wood (1827–1873) was an English sculptor and painter. His sculpture can be seen on many churches and public buildings in England, and there are a number of his sketches and watercolours at Staffordshire County Museum.Copp, C.J. (ed), Thomas Peploe Wood: Staffordshire Artist, Staffordshire County Council (2009). Samuel Peploe Wood in his studio, c.1860.
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Petit's artistic style divides into two main periods though with considerable variety and experimentation in both. From the mid 1820s, when the earliest work can be dated, until the early 1840s he produced the most carefully completed watercolours. This period includes more landscapes, shipping, and unusual subjects, for example mines in Wolverhampton. The works tend to be smaller.
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Students of the Nories included Jacob More, who produced Claudian-inspired landscapes. This period saw a shift in attitudes to the Highlands and mountain landscapes to interpreting them as aesthetically pleasing exemplars of nature. Watercolours were pioneered in Scotland by Paul Sandby and Alexander Runciman. Alexander Nasmyth has been described as "the founder of the Scottish landscape tradition",I.
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Her collection of roughly 300 Egyptian antiquities were donated to the Royal Society of Antiquaries of Ireland after her death. These collections were later moved to the National Museum of Ireland, and form a core element of the Museum's Egyptian collection. Copies of two of her watercolours, a self-portrait, and a landscape are on display in the Museum.
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Holloway uses oils, watercolours, pastels and pencil. Her works include portraits of Irish President Mary McAleese, golfers Pádraig Harrington and Seve Ballesteros and American singer Elvis Presley, as well as maritime, wildlife and scenery paintings. Holloway studied at the Crawford College of Art, Cork. She abandoned these studies when she was encouraged to become a model.
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He was a significant benefactor of the University. When he died, he left Liverpool University a considerable legacy consisting of his home and effects and the residue of his estate after other bequests.The Times, 27 September 1947 p7 Jones was an avid art collector. Among the items he left to the University were illuminated manuscripts, watercolours and ceramics.
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Cole objected to the use of erasers, and Roberts retained the habit of never using one throughout his career. Badham was an able watercolourist, and this also influenced Roberts in his preference for using watercolours and gouache. Roberts won a scholarship to attend the Royal College of Art, but this was also prevented by the outbreak of war.
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She joined the Southport Society of Natural Science in 1902 and continued as a member after her marriage. The society included a botanical special interest section. Her skill as an artist is shown in her surviving paintings. There are 314 watercolours, held initially at the Botanic Garden Museum in Southport but now at the Atkinson in Southport.
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He was born in Slagelse in 1715. He started in an apprenticeship under the painter Johan Herman Coning and taught miniature painting. Between 1737 and 1769 he executed more than 1,000 gouaches, watercolours and touch drawings depicting towns, castles and other motives. He assisted with Lauritz de Thurah's Hafnia Hodierna (1746) and Den Danske Vitruvius (1746-49).
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At his death in 1941, Dawson left many of his pictures to Stamford School but although a number of etchings and watercolours still decorate the walls of the school, not all were stored or displayed properly and some canvasses were even painted over by pupils.Douglas, Walter Some Happenings. Unpublished manuscript. (Available from the Stamford School Archive).
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Bobak's work is included in the collections of the National Gallery of Canada and the Musée national des beaux-arts du Québec. Library and Archives Canada holds the Molly Lamb Bobak and Bruno Bobak fonds. The archive contains their personal records including prints (woodcut, serigraph, and wood engraving), drawings, watercolours, photographs and 2.3 meters of textual records.
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Heinrich Adam, a brother of Albrecht Adam, was born in Nördlingen in 1787. He studied painting in Augsburg and Munich, and distinguished himself as a painter of landscapes and as an engraver. In 1811 he stayed with Albrecht at Lake Como, and painted in watercolours. He also engraved six hunting-pieces, after his brother Albrecht, at Milan, in 1813.
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Collins and Pallot exhibited together on a number of occasions including a joint retrospective exhibition at The Minories, Colchester in 1984.Source: Theophilus,J. 1984 Paintings, Watercolours, Designs, a Retrospective¸ Exhibition Catalogue (18 Feb- 18 March 1984), The Minories. The artists also collaborated on a number of public concrete murals which they signed collectively as ‘Henry and Joyce Collins'.
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During his tenure a regular visitor was the Victorian artist and philosopher John Ruskin, who was taken with the enormous collection of paintings by J.M.W. Turner, a close friend of the Ramsden Fawkes. Between 1808–1824 Farnley was a second home to Turner.Connoisseur (magazine) 1988 Ramsden Fawkes owned over 250 Turner watercolours and 6 large oil paintings.
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He major work in this connected was the new authorized Danish edition of the Bible which was published in 1992. It contained 159 illustrations. The original watercolours can be seen in the Lemvig Museum of Religious Art. Many of them are based on scenes from the countryside around the Limfjord and the west coast of Denmark.
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He was also seriously involved in the establishment of the Public Service Association, a union for all government employees. FitzGerald was also active in the cultural life of the capital. He was known as a painter (mostly watercolours), public speaker, and debater, and also wrote poetry and drama. FitzGerald died in Wellington on 2 August 1896, aged 78.
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Robin Hamlin: Henry Wallis, in: Oxford Dictionary of National Biography, vol. 57, London 2004, S. 14. In total, he showed 35 exhibits at the RA, but later in life developed a greater interest in watercolour painting. He was elected a full member of the RWS (Royal Watercolour Society) in 1878 and exhibited over 80 watercolours at the society.
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Vanished Days: Prairie Fusion Arts & Entertainment Centre, Portage la Prairie, MB. Feb. 18 - Mar. 28, 2020 Lyrical Lines: Drawings by James Culleton: Wayne Arthur Gallery, St. Boniface, MB. Feb. 5 - 20, 2020 Drawings and Watercolours of Transcona: Transcona Funeral Chapel, Winnipeg, MB. June 8, 2019 Dear Margery: North Dakota Museum of Art, Grand Forks, ND. Sept.
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Their atmosphere is melancholy, depicting austere, wintery, dark scenes. The dark paintings did not sell well at his first solo exhibition, sponsored by the Amsterdam art dealer Van Wisselingh in 1895. A few years later, after his second exhibition, he proved successful with his prints depicting Rotterdam, Amsterdam, and painted views on Ede, and his watercolours were particularly successful.
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During their tunisian travel in 1914 they had chosen this painting technique in watercolours. The artists wanted to show the very bright luminous intensity over there.Kandisky from the expressionist community Blue Rider from Munich also took care of the watercolour painting. As part of the art movement of avant-garde he led the watercolour painting to a new meaning.
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Hockney has experimented with painting, drawing, printmaking, watercolours, photography, and many other media including a fax machine, paper pulp, and computer and iPad drawing programs. The subject matter of interest ranges from still lifes to landscapes, portraits of friends, his dogs, and stage designs for the Royal Court Theatre, Glyndebourne, and the Metropolitan Opera in New York City.
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Samuel Hieronymus Grimm (18 January 1733 - 14 April 1794)The Gentleman's Magazine, 1794, p399 was an 18th-century Swiss landscape artist who worked in oils (until 1764), watercolours, and pen and ink media. Grimm specialised in documenting historical scenes and events; he also illustrated books such as Gilbert White's The Natural History and Antiquities of Selborne.
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Sudip Roy was born in Baharampur, West Bengal and came to study at the Government College of Art & Craft, Kolkata. At college he was known for attracting the attention of early collectors for his stylistic distinction in watercolours and expressionist drawings. He began his career as a young artist painting portraits and bold impressionistic landscapes, and architectural studies.
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Blue plaque at Nicholl's birthplace Queen Victoria purchased several of his drawings in 1858 and 1870. The Ulster Museum has a collection of about 380 of his watercolours and drawings. A book containing brief biographical details and reproductions of Nicholl's 1828 paintings of the Antrim coast was privately published by the Glens of Antrim Historical Society in about 1983.
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The first bunch of grapes was set in its hand for luck. Initially placed in a street of the town, it was sold to a Parisian second-hand goods dealer. Flora Gallica bought it thanks to a contribution. On the first floor, ancient bathroom linen and toiletries (curling iron, laces), wine watercolours and clockmaker tools are displayed.
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Other pictures (in the South Kensington Museum c. 1885) of his include : 'Shipping in a Calm,' 'Indiaman lying-to for a Pilot,' 'Luggers on the Shore,' and seven other river and sea pictures. A small half-length portrait of Owen in watercolours, signed 'Montague, 1805,' was in the possession of Dr. Edward H. of Lewisham High Road.
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13 Jones has, compared to other members of the Melbourne "artists' camps", languished in relative obscurity. Art critic James Stuart MacDonald wrote in 1958:The Bulletin (29 October 1958), "J. S. MacDonald on Art". p. 2. In 1996, a large collection of Jones' oil paintings and watercolours were discovered and exhibited at the Tweed Regional Gallery.
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The Princess of Wales was his last pupil. Leitch exhibited occasionally at the Royal Academy between 1841 and 1861, but in 1862 was elected a member of the Institute of painters in Watercolours (RI). From that time he contributed regularly to its exhibitions but did not exhibit elsewhere. He served as the society's vice-president for 20 years.
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The Gallery was able to achieve this by the availability of watercolours from private collections in the post-war years and the generosity of Cecil Higgins. Edward Croft-Murray and Ronald Alley each brought their knowledge, vision and taste to the growing collection. Their collecting was divided: Croft-Murray to works made pre-1850 and Alley to post-1850.
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Grayson painted in the impressionist style. Her work appeared in exhibitions in the United States and Canada and is included in the collections of the Art Gallery of Hamilton and the Moose Jaw Museum & Art Gallery. She painted in oil and watercolours and also produced silk screen prints. In 1942, her work was included in British Columbia's Annual Exhibition.
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The Indiana University's Lilly library has an extensive collection of Rawson's letters and photographs, including a collection of her watercolours of Italy.Rawson Manuscripts, Lilly Library Manuscript Collections, University of Indiana, accessed April 2009. The University of Sheffield holds a collection of Rawson's materials related to the poet James Montgomery."Montgomery Collection", University of Sheffield, accessed April 2009.
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He organically combines the natural fluidity of watercolour with the power of sharp lines, creating amazingly vivid and emotional works. His paintings harmonize visions of childhood with his philosophy. The conciseness of his medium highlights the depth and expressiveness of his watercolours in the heritage of Zen philosophy. Telalim also works as a calligrapher and book illustrator.
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Anna Louise Birgitte Syberg (7 January 1870, Faaborg – 4 July 1914, Copenhagen) was a Danish painter who, together with her husband Fritz Syberg, was one of the Funen Painters (Fynboerne) who lived and worked on the island of Funen. She is remembered for her lively watercolours of flower arrangements."Syberg, Anna" , TV2 Fyn. Retrieved 12 August 2011.
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Pg 106. Retrieved 18 March 2008 He was elected an associate of the Royal Society of Painters in Watercolours in 1855, and a full member in the following year. He resigned in 1870, and was reelected as an honorary member in 1886. A knighthood was conferred on him in 1884, and the degree of LL.D. of Dublin in 1889.
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Other caricatures feature students and other 'hellenophiles' living in Athens, associated with either the American School of Classical Studies at Athens or the British School at Athens. In his will, de Jong bequeathed his personal caricatures and other watercolours to Minoan archaeologist Sinclair Hood; these artworks have been held in the archives of the Knossos Trust since 1990.
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The Devon historial Polwhele stated it to have been ruinous in his own time. The topographer Rev. John Swete visited Colcombe on 26 and 27 January 1795 and painted two watercolours and made a description in his journal as follows:Gray, Todd (Ed.), Travels in Georgian Devon: The Illustrated Journals of the Reverend John Swete, 1789–1800, 4 Vols., Vol.
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Evans was known as an artist of some note, some of his aquatints and watercolours are held at the Dixson Library of New South Wales. He was also a teacher at King's School, an independent Anglican boarding school for boys in North Parramatta in the western suburbs of Sydney, Australia. Founded in 1831, it is Australia's oldest independent school.
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In 1923, Sen became an English lecturer at Bihar National College in Patna, Bihar. During his teaching, Sen continued to paint and draw and later came into contact with the three Tagores: Abanindranath Tagore, Rabindranath Tagore and Gaganendranath Tagore. He trained informally under modernist Nandalal Bose and Abanindranath. Sen's miniature watercolours feature mountains, valleys and forlorn landscapes.
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Vidal's horse drawings might seem quaint and somewhat deficient, almost caricatures; but an Argentine horse expert has denied this, saying "Vidal's suite of watercolours about the River Plate horse .. always show it with the same type characteristics that we find in pure bred specimens today, 100 years later". (Wikipedia translation) Criollo horses were small but tough.
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Cox reached artistic maturity after his move to Hereford in 1814. Although only two major watercolours can confidently be traced to the period between Cox's arrival in the town and the end of the decade, both of these – Butcher's Row, Hereford of 1815 and Lugg Meadows, near Hereford of 1817 – mark advances on his earlier work.
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She then returned to British Columbia and participated in several art exhibitions."The Daily Colonist (1928-06-27)" - Internet Archive (poorly OCR's)"The Daily Colonist (1928-10-25)" - Internet Archive (poorly OCR'd"The Fine Arts in Vancouver". WW Thom - 1969. A collection of her sketches and watercolours from this time period is in the Royal British Columbia Museum.
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But he also undertook picture restoration and became well-known as a dealer in the local art salerooms. He spent most of his time painting the local landscape, and his snow scenes became particularly popular. In 1941 he contributed several watercolours to Kenneth Clark’s Recording Britain project. George Bissill died in Ashmansworth in 1973, aged 77.
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Johanne louise Heiberg and Ludvig Phister in Johan Ludvig Heiberg's play No at the Royal Danish Theatre, 1937 Edvard Lehmann (1815-1892) was a Danish painter, illustrator and lithographer who is mainly remembered for his work as a theatre painter. His drawings and watercolours are an importance source of knowledge about Danish theatre during the Danish Golden Age.
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Waring (2000), p. 58. Fountaine was in her mid-sixties, and while she continued to travel for expeditions, she focused her efforts on watercolours and collecting. She only published the occasional note on the expeditions in The Entomologist. She travelled to West and East Africa, Indo-China, Hong Kong, the Malay States, Brazil, the West Indies and Trinidad.
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Her works include drawings, watercolours and oil paintings—her first known picture dates to 1860. Peters began to produce flower paintings and village landscapes. In Schloss Köngen, she met Christian Mali and his artist friend Anton Braith. The focus of her work continued to be mainly paintings of flowers and plants in the traditional Dutch century style.
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Johnson was born in Birmingham, where he studied under Samuel Lines. He was then in London as a studio pupil of William James Müller. With Müller he made an extended visit in 1843 to Lycia, where Charles Fellows was carrying out an excavation. The watercolours of Turkey that Müller painted during this period were an important influence on him.
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2006: Centenary Retrospective Exhibition at Whitford Fine Art, London. 2008: Exhibition CAZIEL - Je Suis Abstrait: works from the 1950s at Whitford Fine Art, London. 2010: Exhibition CAZIEL - Drawings and Watercolours 1935-1952: The Paris Years at Whitford Fine Art, London. 2012: Exhibition CAZIEL: In Search of a New Reality - Abstract Works 1948 - 1955 at Whitford Fine Art, London.
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Béatrice Bulteau (full name Béatrice Paule Jeanne Marie Bulteau) is an equine artist. She was born in Sancerre, France, in 1959. She grew up in the Val de Loire, south of Paris. She began drawing horses at four years old, and later, on a trip to Ireland in 1976, delved into watercolours as a self-taught painter.
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Since 2004, her work includes digital hybrids, created from base drawings. She delved into animation in 2010, through experiments with china ink drawings. Her short film En Lusitanie, featuring animated drawings and watercolours, was exhibited at the 2014 Equine Film Festival in New York City. It was her first contest submission, awarded with Best Artistic Film.
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As a portrait artist she specialised in portraiture painting especially watercolours but also had works in pencil, pastels and oil. Her portrait works would be found in the National Gallery of Australia, Parliament House and at the Perth City Council. Some of her works include, J.W. Johnson Esq., The Tartan Scarf, The Debutante and the Resting Model.
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A few months before her death there was a studio sale/exhibition of 12 oil paintings and 7 watercolours at Foyles Art Gallery in London. She had been in poor health for nearly a year before she died in St Thomas's Hospital, Lambeth, London on Christmas Eve 1954. Her estate had a probate value of £7,681 12s 8d.
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A studio idyll depicting the artist's wife with her first child, Suzanne Larsson's popularity increased considerably with the development of colour reproduction technology in the 1890s, when the Swedish publisher Bonnier published books written and illustrated by Larsson and containing full colour reproductions of his watercolours, titled A Home. However, the print runs of these rather expensive albums did not come close to that produced in 1909 by the German publisher Karl Robert Langewiesche (1874–1931). Langewiesche's choice of watercolours, drawings and text by Carl Larsson, titled Das Haus in der Sonne (Königstein, Verlag Karl Robert Langewiesche. 1909), immediately became one of the German publishing industry's best-sellers of the year—40,000 copies sold in three months, and more than 40 print runs have been produced up to 2001.
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In 1844 Joseph Mallord William Turner, the famous English Romantic artist, painted some watercolours of several places in the Neckar valley. He was on a trip to Switzerland, Heidelberg, and the Rhine. Two watercolours of Hirschhorn Castle are in the possession of The Tate Gallery, London, as well as two sketches of Hirschhorn with the church of Ersheim in the foreground. J.M.W. Turner, Hirschhorn on the Neckar from the South J.M.W. Turner, Hirschhorn on the Neckar from the North Adolf Schmitthenner, a minister at the Church of the Holy Spirit in Heidelberg at the beginning of the 20th century, wrote a novel about Frederic, the last of the knights of Hirschhorn, who died in 1632, allegedly as the result of a curse by the mother of his cousin whom he had killed in a duel.
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This was especially true of A Week at the Lizard (for which nearly all of the botanical illustrations were woodcuts from Stackhouse's watercolours) and Johns's best-known book, Flowers of the Field. Published in 1851, Flowers of the Field had over 200 uncredited engravings based on watercolours by Stackhouse plus some drawings by Johns's sisters Julia and Emily. Referred to as "the bible of the amateur botanist," its success was such that it went into more than 50 editions and was still in print a century after it first came out. In this book, Johns described the plants of England and their uses, giving both common and Latin names following the Linnaean system; the overt religious themes of some of his earlier books are absent from Flowers of the Field.
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Cumberland believed that painting should be directly from nature; he produced small landscape studies which avoided the picturesque. His watercolours were similar in style to those of his friend John Linnell. It was Cumberland's son George, a pupil of Linnell, who introduced Linnell to Blake in 1818. Cumberland became a close friend of Edward Bird, and godfather to his son.
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Margetson was born at Camberwell in Surrey. He studied at Dulwich College, and later at the Royal College of Art and the Royal Academy of Arts. In 1885 he first exhibited at the Royal Academy, and later also at the Royal Society of British Artists, the Royal Institute of Oil Painters and the Grosvenor Gallery. Margetson painted in oils and watercolours.
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They spent a considerable time at Hafod, near Aberystwyth, the home of the bibliophile Thomas Johnes. Hafod was destroyed by fire in 1807, and three years later Sir J. E. Smith published A Tour to Hafod, illustrated with fifteen aquatints by J. G. Stadler from watercolours, by " Warwick " Smith, possibly made in the course of the visit with Ibbetson.Long 1920, pp.
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The second of three sons of the painter Jean-François Garneray, Auguste-Siméon studied under Jean-Baptiste Isabey and himself taught queen Hortense and later the duchesse de Berry. He also designed costumes for the Paris Opera. He produced the watercolours commissioned by empress Marie Louise for a Histoire de Mlle de La Vallière, along with the illustrations for an edition of Molière.
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In July 1902, Cecil and Wilfred Phillips opened a gallery in Leicester Square. The following year Ernest Brown joined the organisation, and they became Ernest Brown and Phillips Ltd, operating the Leicester Galleries. The exhibited works of modern British and French painters, including John Lavery, Robert Medley, Mark Gertler and Henry Moore. Works exhibited included drawings, watercolours, paintings, prints and sculptures.
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Derek Michael Besant (born 1950) is a Canadian artist living in Calgary, Alberta who, since the 1980s, has created prints, watercolours and large-scale art, shown in exhibitions and as public art projects in Canada and abroad. Since the mid-1990s, he has developed working with the new technology available in photographic imaging to create experimental prints and print installations.
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At Neumünster he was allowed to sketch the Nazi leader Alfred Rosenberg in his prison cell shortly after his capture. In April 1945, Taylor's unit was among the first troops to enter the Bergen- Belsen concentration camp. Taylor painted a number of watercolours at the camp. Initially, his compositions showed massed piles of bodies but increasingly he turned to depicting individual survivors.
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AWI published its first book, Australian Watercolour Institute: 75th anniversary 1923-1998 on the occasion of its 75th anniversary in 1998. Its second book, The Australian Watercolour Institute: A Gallery of Australia's Finest Watercolours, was published in 2006. The 2006 edition reproduces over 150 contemporary Australian watercolour works, as well as forty historical ones, and includes essays that document Australia's watercolouring history.
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Salmon postcards Sutton Palmer specialised in idyllic rustic landscapes painted in watercolours. He lived in London but painted widely in England (e.g. Surrey, Berkshire, Devon, The Lake District, Yorkshire) and Scotland. His works can now be found in art galleries such as the Victoria and Albert Museum, Leek Art Gallery and Wardown Park Museum, Luton, and also in private collections.
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To his Belgian friends, he was the epitome of the Scotsman: friendly, elegant, well educated, and fun to be with and always wearing a kilt. He was very reserved and hardly ever spoke about his private life or about his paintings. His work consisted for the major part of portraits. Like his father, he also painted some watercolours and genre paintings.
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Augustin Heckel (1690–1770) was a painter, watch case engraver and draughtsman and also a flower painter in watercolours and gouache. Heckel was born to a family of goldsmiths in Augsburg, Germany. His career was in England, where he came as a young man. He died on 20 August 1770 in Richmond, Surrey (now in London), where he had retired in 1746.
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In Saint Petersburg he came in contact with the vibrant Neoclassical architectural scene there, and made several watercolours of the city. Back in Sweden, Blom was promoted and continued doing both practical construction works for the military and other architectural commissions. He received prestigious commissions and rose quickly in rank. In 1817, he was made professor at the Royal Swedish Academy of Arts.
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These were the last set of illustrations that Blake would complete. His illustrations of Dante's Divine Comedy were left unfinished upon his death. The completed engravings differ from Blake's original watercolours mainly in the complex marginal designs that they employ. These comment upon the text with biblical quotes and paraphrases, and also contain images that reinforce the themes of the main illustrations.
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Christiana Mary Demain Hammond (6 August 186011 May 1900) was an English painter and illustrator. She was a member of the Cranford School of illustration, and illustrated reissues of classic English texts from the 19th century. Her illustrations were frequently found in Cassell's Magazine, the Quiver, and St. Paul's. She exhibited occasionally at the Royal Academy and Royal Institute of Painters in Watercolours.
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Grey used watercolours for cover art and a hatch style of illustration on the Jane books. Grey also published an illustrated comic booklet called "The Low-Down on Flying", with 11 humorous illustrations on flying. Published between the World Wars, the booklet was sponsored by the tailors Moss Brothers of Covent Garden, and also served as an advertisement for them.
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This was an illustrated account, with text in Dutch and Latin, of the plants growing in van Beaumont's garden. Watercolours of 420 plants were prepared during the period 1686–1709 by a number of artists, mainly Johan and Maria Moninckx, with minor contributions from Helena Herolt and Alida Withoos. Carl Linnaeus named the genus Kiggelaria, belonging to Achariaceae, in his honour.
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M. Christine Boyer. The City of Collective Memory, MIP Press 1996, pp. 238-40 Another book, La Syrie, l'Égypte, la Palestine et la Judée (Paris, 1839), was illustrated with the author's watercolours, two of which are now in the collection of the Victoria and Albert Museum.Victoria & Albert Museum website George Borrow describes meeting Taylor in his The Bible in Spain.
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In the same year, he was elected Honorary Sculpture Member of the Royal Institution of Painters in Watercolours. In 1938, he rose to the rank of Fellow in the Royal Society of British Sculptors. Another major work of this period was a statue of "King Robert of Sicily" a fictional character created by Henry Wadsworth Longfellow which sits it Kibble Palace in Glasgow.
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His several watercolours reveal a sensitive study of light, for example those of the Jardin du Luxembourg in Paris, where he sketched the park's regular visitors and, with sharp observation of nature, produced some tree studies. An easel painter, Fontayne was also a recognised interior designer, fully involved in the Art Deco movement launched at Paris's Exposition Internationale des Arts Décoratifs of 1925.
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The Banksias, by Celia Rosser, is a three-volume series of monographs containing paintings of every Banksia species. Its publication represented the first time such a large genus had been entirely painted by a single botanical artist. It has been described as "one of the outstanding botanical works of this century." The paintings themselves are watercolours on Arches rag paper.
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In 1810, he became a member of Society of Painters in Watercolours, an organization whose members had seceded from the Royal Academy over complaints that their work was not being recognized. Nash primarily painted landscapes, and made sketching trips to Calais, Caen, the Moselle river and the Rhine. In 1834 he moved to Brighton where he continued working until his death in 1856.
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He maintained his extensive travel itinerary, including a most productive visit to Japan in 1907. Five watercolours from this visit were included in the Royal Society of Painters in Water Colours exhibition in November 1907, when it was declared that Yameiman Gate, Nikko was 'fittingly placed as a centrepiece, for its merit justifies this.'Fraserburgh Herald and Northern Counties Advertiser, 19 November 1907.
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'Fraserburgh Herald and Northern Counties Advertiser, 30 March 1909. Allan was a prolific, hard-working and popular artist. He travelled widely in Europe, and brought back watercolours that often included recognisable locations such as the Doge's Palace, Venice; Notre-Dame, Paris; and Dutch canal viewsMoored Boats outside the Cathedral at Dordrecht (the Netherlands), signed and dated 1882. while avoiding cliché.
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Gerrit started drawing lessons at Academie Minerva when he was still at primary school. His father helped him every Sunday, with Derk and Alida joining in. Gerrit did well at school, but was often ill. When jaundice kept him at home for three months in the winter of 1879/1880, his parents gave him a tin of watercolours to occupy his time.
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Four of their children (George, James, Joseph and Mary) also became painters. George (1767–1842) achieved particular notability, as an early member of the Society of Painters in Water Colours, where he exhibited prolifically. James Barret succeeded his father as the master painter of Chelsea Hospital and exhibited oils and watercolours at the Royal Academy between 1785 and 1819."Waterhouse", p. 40.
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In the 1860s he moved to the Birmingham area and he is listed in the 1871 census as an artist in watercolours. There he contributed cartoons to the long-running Birmingham journal, the Town Crier, edited by his friend Wilmot Corfield.Corfield, W. (1910) Dâk dicta: a selection from verses written in Calcutta, 1907-1910. Calcutta: Thacker, Spink & Co., p. iii.
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The collection documents the history of Bauhaus in art, teaching, architecture and design. The collection includes teaching materials, workshop models, architectural plans and models, photographs, documents and a library. The Bauhaus archive looks after works by Lyonel Feininger, Johannes Itten, Paul Klee, Wassily Kandinsky, László Moholy-Nagy, Werner Drewes, Gunta Stölzl and Oskar Schlemmer. The comprehensive graphic collection includes drawings, watercolours and prints.
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Ivy Fife (1905–1976) was a New Zealand painter based in Christchurch and Canterbury. Known for her portraits, her work also includes landscapes and is reflective of life in Canterbury and the South Island of New Zealand. Working in gouache, oils, watercolours, ink and wash, and pencil, she was influenced by W.A. Sutton and a contemporary of Olivia Spencer Bower and Russell Clark.
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Young girl in a white dress (1893) Marie Henriques (26 June 1866 – 12 January 1944) was a Danish painter who created landscapes, figure paintings and portraits, initially in the Realist style but increasingly under the influence of Impressionism. She also painted watercolours of ancient architecture and sculpture. In 1916, she was a founding member of the Society of Women Artists (Kvindelige Kunstneres Samfund).
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This financed his tramping trips to the Southern Alps where he would make several sketches and watercolours of the hill country. He received favourable reviews of his work at exhibitions at the School of Art Sketch Club and the Canterbury Arts Society. Dame Ngaio Marsh was an early supporter and soon he was making a number of sales of his work.
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Micheál de Búrca (31 December 1912 – 9 December 1985), born Michael Bourke, was an Irish artist from Castlebar who was appointed Director of the National College of Art and Design in 1942. He primarily painted landscapes and seascapes using oil paints on board and watercolours on board respectively. His work "Summer Evening, Achill" has been used in several books and collections to date.
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Victorian Landscape Watercolours. Yale Center for British Art, Editor Paul Anbinder. Publ. Hudson Hills Press, Inc. 1992.p172 His distinctive work, which often has an almost photographic quality, is usually signed W.F. Garden - the suggestion being that he may have adopted this version of his name not only to distinguish it from the rest of his family, but also to confuse creditors.
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The younger brother of Alfred Tidey, he was born at Worthing House, Worthing, on 7 January 1814. Like his brother, he was taught drawing in his father John Tidey's school. While still a boy, he painted several pictures for Princess Augusta, who was then staying in Worthing. He later worked there as a painter of portraits, in oil and in watercolours.
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Moberly was born on 2 November 1855 London, England, Church of England Births and Baptisms, 1813-1906 to John Phillips and Jane Atkins Phillips at Deptford in London. Her name, mariquita, (literally, "Little Mary") means ladybird in Spanish. Moberly studied in Germany and under Carolus-Duran in Paris. She painted portraits, figure studies, animals and landscapes in oils, watercolours and pastels.
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All this oils and pastels were burned by the German invaders as "degenerate art" during the Second World War. Because of this Boris Smirnoff began to draw exclusively watercolour on paper after the war. He said: "I can always put these watercolours into a suitcase and to carry away with myself!" Boris Smirnoff refused to sell his artworks like his teacher Pavel Filonov.
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The bas relief aluminium doors to the Hunterian Gallery were designed by sculptor Eduardo Paolozzi. The gallery's collection includes a large number of the works of James McNeill Whistler and the majority of the watercolours of Charles Rennie Mackintosh. The Hunterian Art Gallery reopened in September 2012 after a refurbishment, with an exhibition dedicated to Rembrandt, Rembrandt and the Passion.
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He returned to London in 1849, residing there until his death in 1859 at the age of 64. He is buried in the Rosary Cemetery in Norwich. Stark generally worked in oils, although his total output included etchings, watercolours and pencil and chalk drawings. His landscapes paintings often depicting woodland scenes that were pastiches of the seventeenth century Dutch masters.
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The expedition arrived at Adalia (now known as Antalya) in April 1842. Spratt and Forbes left the city before Daniell, who travelled overland after meeting the Pasha. He then visited Cyprus and painted a watercolour of the island, possibly while anchored off shore. The author Rita Severis has compared his painting with the watercolours of Turner, whom he was known to admire.
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They were priced very low, from three to five guineas, and 19 were sold. These works created a sensation among the artists and critics. Hilder's health continued to be very bad and he kept moving about seeking vainly for improvement. He was able to do some painting, and at the spring exhibition of the Society of Artists his 14 watercolours were all sold.
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Heath initially commissioned, and the studio produced, the engraved series Picturesque Views in England and Wales by J. M. W. Turner, eventually running to 100 watercolours by Turner for a part publishing project from 1827 to 1838. This collection has been considered a central part of Turner's opus, by Andrew Wilton, but in business terms was not a great success in its time.
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Molly Bobak (née Lamb; February 25, 1920 – March 2, 2014) was a Canadian teacher, writer, printmaker and painter working in oils and watercolours. During World War II, she was the first Canadian woman artist to be sent overseas to document Canada's war effort, and in particular, the work of the Canadian Women's Army Corps (C.W.A.C), as one of Canada's war artists.
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Ellicombe painted watercolours of the places he visited. Some of these include watercolour pen and brown ink entitled, "Fort Ecluse 7 June 1807", acquired by the British Museum; Shoreham and Malines Cathedral, Belgium, watercolour wash sketches; the 1823 watercolour, Kings College Chapel And Clare Hall; and the 1812 Bridge at Cabezon being prepared for demolition during Wellington's retreat from Burgos in October 1812.
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He showed artistic ability at a young age and received some training at art school as well as instruction from a local artist called Hackman. At the age of 10 he completed his first watercolour, The Thames from Wandsworth, which was subsequently exhibited by the Royal Watercolour Society in 1919. A number of other watercolours and sketches were also completed in his teens.
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Lady Wheeler-Cuffe instructed that her watercolours of Burmese orchids and other plants should remain "indefinitely" in the National Botanic Gardens, Glasnevin.E. C. Nelson, 2014. Shadow among splendours, pp. 194-195 Later, her correspondence with her mother and Polly Prochazka was also deposited there through the good offices of the late Captain Anthony Tupper, as well as a number of her sketchbooks.
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E. C. Nelson, 2004. The Wheeler-Cuffe archive: papers about a Burmese serow and Kilkenny during the Civil War. Ossory, Laois and Leinster 1: 182–201. However, watercolours (landscapes of Ireland and Burma) and miscellaneous other items were sold when the contents of Leyrath were auctioned in September 1993,Christie’s Scotland Ltd, [Catalogue of auction] Lyrath, Co. Kilkenny, Ireland ...15 September 1993.
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Brenkley was born in Norsewood, Hawke's Bay, New Zealand. Her parents were Scandinavian and had immigrated on board the Hovding. When she was five years old, she started sketching; a family member gave her a paint set and she began to paint in watercolours. She never formally studied art or painting, but became a sought-after artist of landscapes, flowers and herbs.
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He also sketched and painted watercolours on trips to the Highlands with Denis Peploe and Sorley MacLean. Drawings collected by the architect Ian Begg were published in a book edited by Joy Hendry in 1998.Begg, Ian & Hendry, Joy (Eds.) (1998), The Drawings of Sydney Goodsir Smith, Poet, Chapman Press. Smith was art critic of The Scotsman from 1960 to 1967.
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Xesko's parents (who were Portuguese) had immigrated to Angola in 1959, and he grew up immersed in the African quarters (musseques) of Luanda.CARMO, Fernando Infante do, (2003). Anuário Internacional de Arte 2003, Lisboa: F.I. Carmo. Since very young, he was dedicated to the arts and sports. He began writing at 14 years old and painting at 16 (watercolours and Chinese Ink).
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Phyllis Ethel Ginger (19 October 1907 – 3 May 2005) was a British artist and illustrator who, although she had a long career in several different media, is now best known for the topographical watercolours she produced during the Second World War for the Recording Britain project. Ginger was also a prolific book illustrator and designer of graphic advertisements and book covers.
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Self-portrait, 1793 William Alexander (10 April 1767 – 23 July 1816) was an English painter, illustrator and engraver. The hallmarks of his work, usually executed in watercolours, were clearness and harmony of colour, simplicity and taste in composition, grace of outline, and delicacy of execution. He accompanied the Macartney Embassy to China in 1792. Prints of his work were reproduced from engravings.
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Martens was married to Jane Brackenbury Martens, née Carter (died 6 July 1894). They had a son and two daughters; the elder daughter, Rebecca Martens (1838 – 10 July 1909) was a long-serving secretary and supporter of the St Leonards branch of the British and Foreign Bible Society. She was an artist, known for watercolours. Their other two children died before them.
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Then, from 1958 to 1965, he painted in Cadaqués (Spain) every summer. It is always the same style, firmly framed, but where pass the light and the colors sharp of the Mediterranean (landscapes, navy, portraits, crowd on the beach). From 1965, his work remained structured but contours disappear. He painted many watercolours, in particular in Nice, in Italy and in Sancerrois.
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Visitors can see examples of his childhood sketch books, watercolours and drawings from the 1920s and 1930s, and lithographs. The collection also includes 48 postcards he sent from the front during World War I.Kunstsammlung Gera / Otto-Dix-Haus (in German) (Accessed: 16 January 2017). The gallery also regularly hosts temporary exhibitions. The building was affected by a flood in June 2013.
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Her house was full of drawings, insects, plants, fruit and on the walls were her Surinam watercolours. Shortly before Merian's death, her work was seen in Amsterdam by Peter the Great. After her death in 1717, he acquired a significant number of her paintingsTodd, Kim (2007), pp. 228–229 which to this day are kept in academic collections in St. Petersburg.
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In 1991, the opening of an art exhibition caused a huge turn out of the police. The watercolours were made by the biologist-artist Janneke Brinkman-Salentijn. As wife of politician Elco Brinkman, the opening attracted politicians like Ruud Lubbers, Koos Andriessen and Hans van Mierlo. In 1997, the first official presentation of the new harvest of caviar was celebrated in the restaurant.
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He seems to have had more than a nodding acquaintance with R.A. Lawson. A number of O'Brien's watercolours were exhibited in the 1865 New Zealand Industrial Exhibition. O'Brien's watercolour of the designs of R.A. Lawson 1860s He associated with W.M. Hodgkins, a lawyer and aspiring watercolour painter who became very influential in Dunedin's art world. O'Brien may have given Hodgkins some instruction.
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Retrieved 5 June 2020. It has been restored to the appearance it had during the composer's time here, furnished in the style of late Biedermeier. There is information about Mendelssohn's life and work, particularly about his time in Leipzig; there are written documents, music scores, and watercolours painted by the composer. The museum has a music salon where concerts are held.
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Besides the 258 watercolours, he also produced around 100 drawings for Braikenridge depicting views of Brislington, Bristol. In 1832 he also produced some large panoramas of Bristol. In 1832 and 1833 he collaborated with William James Müller to produce engravings of the Bristol Riots of 1831. Rowbotham does not seem to have participated in the activities of the Bristol School of artists.
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Slightly later the Khevenhüller family commissioned a series of watercolours to illustrate the defences the towns of which they were lords. From the 17th century onwards there are many oil paintings of towns and cities which show their defences. Views of Vienna, Salzberg and Klagenfurt, where the defences have been demolished, are particularly useful for giving an idea of their original condition.
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Gleadell, Colin. "Surrealist discovered by his son", The Daily Telegraph, 2014-03-18, p.26. These were mainly watercolours, with a strong emphasis on the countryside close to the family home in Juniper Green. They were often accepted for exhibition by the Society of Scottish ArtistsSociety of Scottish Artists, Annual Exhibition Catalogues, 1934, 1935, 1937, 1940, 1941, 1942, 1943, 1945.
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A World (1899). Maximilian Lenz (4 October 1860, Vienna – 19 May 1948, Vienna) was an Austrian painter, graphic artist and sculptor. Lenz was a founding member of the Vienna Secession; during his career's most important period, he was a Symbolist, but later his work became increasingly naturalistic. He worked in a variety of media, including oils, watercolours, lithography and metal reliefs.
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While his father had encourage Paul-Émile's artistic efforts, his mother urged him to take up a conventional career. From 1908 on Pissarro worked first as a car mechanic and then as a designer or laces and cloths. In his spare time he continued to paint. His brother Lucien, who lived in London, asked Paul-Émile to send him some watercolours for sale.
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Scharf died at 29 Great George Street, Westminster, on 11 November 1860, and was buried in the Brompton cemetery. He was survived by his wife Elizabeth Hicks, who lived until 1869, and two sons, George, afterwards Sir George Scharf, and Henry Scharf. After his death Scharf's wife sold over a thousand of his drawings and watercolours to the British Museum.
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A room dedicated to Chopin comes next, with examples of the composer's preferred pianos, as well as a death mask and casts of his hands. There are also watercolours by George Sand and memorabilia about Chopin and Liszt. A card table and sofa that came from Chopin's Paris home, and which were inherited by his Norwegian pupil Thomas Tellefsen are on display.
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Window glass absorbs some harmful UV, but valuable artifacts need extra shielding. Many museums place black curtains over watercolour paintings and ancient textiles, for example. Since watercolours can have very low pigment levels, they need extra protection from UV. Various forms of picture framing glass, including acrylics (plexiglass), laminates, and coatings, offer different degrees of UV (and visible light) protection.
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His methods included measuring and drawing each find. In an age before colour photography, he produced very detailed watercolours of each assemblage before it was removed from the ground. In the history of archaeology Ramsauer's work at Hallstatt helped usher in a new, more systematic way of doing archaeology. In addition, one of the first blacksmith sites was excavated there.
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Midsummer Eve, c. 1908 Edward Robert Hughes (5 November 1851 – 23 April 1914) was an English painter who worked prominently in watercolours, but also produced a number of significant oil paintings. He was influenced by his uncle and eminent artist, Arthur Hughes who was associated with the Pre-Raphaelite Brotherhood, and worked closely with one of the Brotherhood's founders, William Holman Hunt.
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As a painter, Mather was also involved in the bohemian Artists' Camps of Sydney. In 1912 along with Frederick McCubbin, Max Meldrum, Walter Withers Mather formed the breakaway Australian Art Association. Three of Mather's own paintings, Autumn in the Fitzroy Gardens in oils, and Morning, Lake Omeo and Wintry Weather, Yarra Glen, both watercolours, were purchased by the National Gallery of Victoria.
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However, the project never came to fruition. This was caused by the financial collapse of Day & Son, due to the rise of wood engraving. By 1866, Simpson had delivered 250 watercolours to Day & Son and these were subsequently sold off as bankrupt stock. Only 50 had been prepared as chromolithographs, and were published in 1867 as India ancient and modern.
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During the 1860s, his most notable work was for James Doyle's A Chronicle of England, which includes 80 illustrations, and is considered evidence of his capability as a master of colour. His method of coloured wood engraving allowed for watercolours to be reproduced, and was used for The Art Album: Sixteen Facsimiles of Water-colour Drawings, which he engraved and printed in 1861.
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Failing health forced him to reduce his commitments in 1865-66\. He died in 1880, leaving his wife, Elizabeth and daughter, Delia. Robins specialized in coastal marine subjects, working primarily in watercolours and on occasion in oils. He did some paintings, particularly some large scale yachting scenes in the Solent some of which were engraved by Dolby, Harris and others.
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Ivor the Engine was using stop motion animation, of cardboard cut-outs painted with watercolours. The series was originally made for black and white television by Smallfilms for Associated Rediffusion in 1958, but was later revived in 1975 when new episodes in colour were produced for the BBC. The series was written, animated and narrated by Oliver Postgate. Peter Firmin provided the artwork.
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Reutersvärd's achievements were honoured in 1982 by a series of three Swedish postage stamps. The stamps were engraved by Czesław Słania, based on watercolours by Reutersvärd. They remained in circulation for only about two years, after which they were withdrawn when the postage rate was changed. The Swedish government had the unused stamps destroyed; these scarce items are now eagerly sought collectibles.
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He was the son of a landscape engraver, also named James Roberts. He exhibited annually at the Royal Academy from 1773 to 1784. Roberts worked on a set of dramatic portraits, to be engraved for the book series Bell's British Theatre. These were for John Bell, and were executed from 1775 to 1781, as a collection of over 60 watercolours on vellum.
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In November 1965 Olley moved to Newcastle. Whilst living here she painted 23 paintings of the city and waterfront in a series known as the 'Newcastle Watercolours'. Olley began a 'love affair' with the city and bought several properties in Newcastle and at East Maitland. This established a long association with the city and a major influence on her work.
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John P. Hanlon www.findagrave.com Many of his works are on public display, in churches and in art galleries, Stations Of The Cross and Recreation (Oil on canvas) in the Crawford Art Gallery, Cork, and Firey Leaves in the Highlanes Gallery, Drogheda.Firey Leaves - Jack Hanlon www.highlanes.ie In 2013 five watercolours by Fr. Hanlon, were stolen from Our Lady of the Rosary Church, Limerick.
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Silver Landscape: Photocollage by Gordon Rice Night Bus: Oil Painting by Gordon Rice Wrenched Perspective: Photocollage by Gordon Rice Through all this time, Gordon Rice has made and continues to make work in these formats: large oil paintings (one of which is in the collection of the Vancouver Art GalleryTitle: Vent Machine and Serrano, 1970-72. and another in the collection of the Honolulu Museum of ArtTitle: Los Mil Cumbres, 1961.), large scale collages, many incorporating photographs; and small or very small collages on paper, watercolours,Two watercolours are also in the collection of the Vancouver Art Gallery: Valentine Street Studio and South Pasadena Sunset. Other watercolour work is in the collection of the Burnaby Art Gallery, Burnaby, BC. Confirmed by telephone enquiry to the Vancouver Art Gallery Library, September 27, 2010, and by mail by Burnaby Art Gallery, July, 2013. and drawings.
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During his apprenticeship he was sent to Paris, probably to assist work on the plates for Excursion sur les Cotes et dans les Ports de Normandie' (Paris, 1823-5), most of which were after watercolours by Richard Bonington. After the end of his apprenticeship, though earning some money from engraving or designing plates for periodicals, Bentley turned increasingly to painting watercolours. He exhibited four works at the first Exhibition of the New Society of Painters in Water-Colours, (later the Royal Institute of Painters in Water-Colours) in 1832, and six the next year. He was then living at 15, Bateman's Buildings, a narrow turning on the south side of Soho Square, where he remained for another six years. In February 1834, Bentley was elected an Associate-Exhibitor of the Old Water-Colour Society (later the Royal Society of Painters in Water-Colours).
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An "influential and astute collector", under Haward's direction the Gallery went through a period of great expansion which saw five new branch galleries opening across Manchester and the collection tripling in size. In addition, Haward was able to attract important gifts and bequests to the Gallery from noted collectors in the city or from others who had connections with Manchester. These gifts included that of James Blair who in 1917 bequeathed a collection of paintings and watercolours, including an important collection of watercolours by Turner; also in 1917 Leicester Collier left the Gallery his collection of British and European porcelain, glass, paintings and prints of Old Masters. In 1922 Mary Greg gave about 2,000 items to the Gallery including her collection of 'Handicrafts of Bygone Times' as well as her collection of dolls and dolls’ houses.
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He > is running upstairs Two days after her first birthday, Oda died of meningitis and Loy was left completely bereft with grief over the loss. A day or so after Oda's death Loy reportedly painted a (now lost) tempera painting The Wooden Mother in which she depicted two mothers with their children, one being a "foolish-looking mother holding her baby, whose small fingers are raised in an impotent blessing over the other anguished mother who, on her knees, curses them both with great, upraised, clenched fists, and her own baby sprawling dead with little arms and legs outstretched lifeless." Loy decided to enter the Salon d'Automne under the name "Mina Loy" (having dropped the "w" in Lowy) in 1905. That autumn she exhibited six watercolours and the following spring she exhibited two watercolours at the Salon des Beaux-Art of 1906.
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Nolan was born in 1930 at the Curragh Camp, County Kildare, to Lieutenant Colonel Martin Leo Nolan (the first teacher at the Cadet College there in 1928) and his wife Mary Florence Carroll. The family moved to Dublin in 1933, where Nolan later attended Terenure College and the National College of Art in Dublin's Kildare Street. He won two Royal Dublin Society-sponsored Taylor Awards in 1954, one for watercolours, and another for landscapes,RDS Taylor Art Award Winners and first exhibited at the Irish Exhibition of Living Art in 1955 and at the Royal Hibernian Academy, RHA, in 1956, before relocating to London for a few years. By the early 1960s, Nolan was back in Dublin drawing cartoons for Dublin Opinion and other publications, while his art gradually transitioned from watercolours and oil landscapes to abstract art and sculpture.
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With it, was inaugurated the art gallery "Madelca", then located at Santa Ana main square in the Canary Islands' capital. It was a collection of 20 watercolours which depicted different parts of the old town, going ahead to the commemoration of the V Centenary of the founding of Las Palmas de Gran Canaria which was marked the next year. That year he won the contest of the late Cairasco gallery, receiving the silver medal by the "Agrupación de Acuarelistas Canarios" (Canarian Watercolorist Association) for the work "Bruma" (Mist), as well as the award of "collection of work" by the Saving Bank of Gran Canaria. In July 1978, he offered another solo exhibit at "Madelca" presenting again themes on the historic centre to mark the 500th Centenary of the constitution of his hometown, on this occasion the collection comprised 30 watercolours.
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Solo exhibition, Lezard′s Gallery, Johannesburg, 1923 Joint exhibition with Allerley Glossop, Taylor Art Gallery, Pietermaritzburg, 1924 Solo exhibition, Dempers and Wiley's Art Gallery, Cape Town, 1924 Various group exhibitions from 1926, including the inaugural exhibition of the South African Institute of Art, Durban, 1927 Joint exhibition with J. Pope Ellis, Cape Town, 1939 Represented in all annual New Group exhibitions from 1938 to 1945 Represented in the exhibition of South African Art at the Tate Gallery London, 1948 Prestige exhibition to commemorate the centenary of his birth, South African National Gallery, 1975 Represented in 'English and South African Watercolours in the South African National Gallery′, Cape Town, 1976 Featured in ′The Michaelis Collection: the Cape in Watercolours′, Cape Town, 1991. Peter Visser Antiques mounted the first sale exhibition of his works since the 1930s in 1991.
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Cotman is tenuously linked with the Norwich School of painters because of his family connection with John Sell Cotman, who was one of its leading artists. He never lived in Norfolk, unlike so many of the artists of the school. He worked in both oil and watercolours. His best known work, One of the Family, is now held by the Walker Art Gallery in Liverpool.
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He also ran the Bolero coffee shop in Chichester (West Sussex, England). Between 1969 and 1980, he was domestic superintendent for the Royal West Sussex Hospital, and subsequently the whole Chichester district. Griff died from a heart attack on 12 July 1999 aged 84. The complete collection of watercolours and drawings he completed during his service career were subsequently bequeathed to the Royal Marines Museum.
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Although best known for his cataloguing and watercolours of existing church murals, Tristram also painted original works. These include chancel wall panels for St Elisabeth's Eastbourne, depicting St John the Baptist and his parents, as well as paintings at York Minster and Saint Fin Barre's Cathedral in Cork City, Ireland. He retired in 1948 and died in a nursing home in Newton Abbot in 1952.
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Around 1900, he travelled to Palestine in order to study the background for biblical painting. There he began working on the 80 watercolours that would eventually appear as illustrations in his book The Life of Jesus of Nazareth. In April to May 1906 these pictures were shown at an exhibition at the Fine Art Society in London. He also painted scenes from the Old Testament.
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The sisters exhibited in London, Liverpool and Venice. In 1899 she married MacNair and joined him in Liverpool where he was teaching at the School of Architecture and Applied Art. The couple painted watercolours and designed interiors, exhibiting a Writing Room at the International Exhibition of Modern Art in Turin, and Frances began teaching. They also designed the interiors of their own home at 54 Oxford Street.
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George F. Carline - A Harvest Landscape George Francis Carline (11 July 1855 - 28 November 1920) was an oil and watercolour painter of landscapes and portraits. He exhibited at the Royal Academy, the Royal Institute of Painters in Watercolours, and the Dowdeswell Galleries, London. He was a member of the Royal Society of British Artists and father of artists Sydney, Hilda, and Richard Carline.Cowling, Elizabeth.
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Born in Flensburg (then Danish) in 1871, she married Rolf Wilhelm Heide who owned the Kragelund Teglværk brick factory near Aarhus (divorced in 1909). She had two children, Margarite Ella (1893) and Ove (1896). In 1908, she arrived in Skagen where she painted many watercolours and oils of the traditional subjects and scenes. She returned every summer, staying first with the Holst sisters on Søndervej.
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In 1936 Friedlaender journeyed to Czechoslovakia, Switzerland, Austria, France and Belgium. At The Hague, he held a successful exhibition of etchings and watercolours. He fled to Paris in 1937 as a political refugee of the Nazi regime with his young wife, who was an actress. In that year he held an exhibition of his etchings which included the works: L ‘Equipe and Matieres et Formes.
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Born in Timaru, New Zealand, Curnow was the daughter of Charles John Le Cren and Daisy Le Cren (née Roberts). Daisy was also an artist, painting watercolours. Curnow died in Geraldine, New Zealand, in 2005. She was married to Allen Curnow, although the marriage was dissolved in 1965; they had a daughter and two sons, one of whom is New Zealand poet and art critic Wystan Curnow.
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Together they have two children, Oska and Zoë. Describing the technical details of his work he says: "I use an Apple Mac, Schminke watercolours, Caran d’Ache pencil crayons (with electric sharpener), Saunders Waterford paper 190gm3 [sic], black kandahar and coloured inks with a dip pen, toothbrush, porcupine quills, and my trusty left hand." In 2015/2016, he was the 7th most borrowed illustrator in UK public libraries.
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Goodall was to sketch the people, landscape, plants and animal life. The botanical watercolours that Goodall had made were exhibited in Berlin, and the sketches of the indigenous tribes, in London and Paris. All the illustrations were later donated to the Colonial Office, made their way to the Department of Manuscripts at the British Museum, and are now at the British Library.British Library, Add MS 16936-16939.
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Henry Bright's Lane over the Hill (undated), Norfolk Museums Collections. Bright influenced and was in turn influenced by his pupil. Although Henry Bright was Middleton's teacher, the outstanding watercolours Bright produced in the 1840s made after a sketching tour of Kent, when he was possibly accompanied by Middleton, show clearly how he was influenced by his pupil. It often difficult to distinguish between the two artists.
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In 1909 Hitler ran out of money and was forced to live a bohemian life in homeless shelters and a men's dormitory. He earned money as a casual labourer and by painting and selling watercolours of Vienna's sights. During his time in Vienna, he pursued a growing passion for architecture and music, attending ten performances of Lohengrin, his favourite Wagner opera. The Alter Hof in Munich.
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Crease taught Sunday school in the Anglican church and was a volunteer and fundraiser for many local cultural institutions. She is noted for her watercolours of the Hudson's Bay Company fort, the city of Victoria, British Columbia, and other British Columbia locales. In her later life glaucoma limited her ability to paint. Her body of work comprises a "detailed pictorial record of colonial British Columbia".
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Colonel André D. Gauthier OMM, CD (1935 – October 26, 2017), was a Canadian army officer, monument sculptor and designer in various materials including bronze casting. He was also an artist in oil painting, charcoal, and watercolours. Many of his works are connected with the profession of arms in the Canadian Army, Navy and Air Force. The Royal Military College of Canada Gauthier Collection consists of 60 sculptures.
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Nicolas Mathieu Eekman (9 August 1889 – 13 November 1973), known as Nico Eekman, Nic Eekman and Ekma, was a Flemish figurative painter. He illustrated many books, notably The Destinies by Alfred de Vigny (1933), Beer‐Drinker's Tales by Charles Deulin (1945), Tyl Ulenspiegel by Charles de Coster (1946) and Culotte the Donkey by Henri Bosco (1950). He is also notable for his drawings, watercolours and engravings.
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Apart from his watercolours of the Lake District, and scenes of Norwegian fjords (especially Balestrand), Cooper also provided illustrations for several travel guidebooks published by A & C Black.List of books written or illustrated by Alfred Heaton Cooper (heatoncooper.co.uk) He died in the Lake District in 1929. The family business he founded still exists today as an art gallery and shop, the Heaton Cooper Studio, in Grasmere, Cumbria.
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Some of the drawings are on vellum. Neyts was, along with Jan Siberechts and Lucas van Uden, one of the most accomplished artists in the use of both watercolours and bodycolours in his drawings,. His penwork is delicate and characterized by the use of numerous dots and short strokes of the pen, sometimes accompanied by long sinuous meandering lines. Occasionally Neyts added grey wash or watercolour.
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Historic London: An Explorer's Companion, Macmillan, p. 229 became a member briefly of the Seven and Five Society and exhibited with The New English Art Club and The London Group. She worked in oil paint and watercolours. She was married to the writer and radio producer Stephen Potter from 1927 to 1955, and the couple had two children, Andrew (born 1928) and Julian (born 1931).
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Havers first exhibited at the Society of British Artists in Suffolk Street, and in 1873 for the first time at the Royal Academy. She also exhibited watercolours at the Dudley Gallery, London.'The Dudley Gallery', The Art Journal, May 1878, p. 121. One of her early pictures, Ought and carry one, was purchased by Queen Victoria, and was engraved; and she attained success and popularity.
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Liverseege's output was substantial given his short career. The largest collection of his works, 37 sketches, watercolours and oils, is held by the Whitworth Art Gallery in Manchester. Manchester Art Gallery also holds several of his paintings as well as the memorial stone which was erected in (the now demolished) St. Luke's Church. Works can also be found in Tate Britain and the National Army Museum.
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On 31 May 1900, the formal opening of the Geelong Art Gallery took place at the town hall. Mr. S. Austin, M.L.C., presided and the mayor Alderman Carr made a speech officially declaring it open to the public. In March 1903, two watercolours of colonial life in Victoria were presented to the Geelong Art Gallery by Mr. G.M. Hitchcock. One depicts William Buckley 'the wild white man'.
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His album of 63 folios has 129 watercolours of a variety of insects – butterflies, moths, caterpillars, beetles, locusts, spiders, flies, and crickets – some by other artists. it is now in the Academy of Natural Sciences of Drexel University, in Philadelphia. On the reverse side of his drawings are notes in his own hand, providing much autobiographical material. Marshal described his Lepidopterid subjects in meticulous detail.
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In 1871, John Ruskin founded his own art school at Oxford, The Ruskin School of Drawing and Fine Art. It was originally accommodated within the Ashmolean Museum but now occupies premises on High Street. Ruskin endowed the drawing mastership with £5000 of his own money. He also established a large collection of drawings, watercolours and other materials (over 800 frames) that he used to illustrate his lectures.
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Burge travelled extensively and painted watercolours of still lifes, market scenes and beach scenes in St. Tropez, Morocco and Dalmatia. Burge became a friend and painting companion of fellow New Zealand artist Frances Hodgkins. Hodgkins painted still lifes at Burge's garden in St. Tropez, 1931 and they painted together in Majorca and Ibiza. Hodgkins described Burge in her published letters as a "nervy changeable charming woman".
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Leahy has specialized in the use of high intensity colour in all his artistic forms from landscapes to political satire and natural history studies. He has variously been described as impressionist to surrealist in his extreme use of his mediums, primarily oil paints and watercolours. Through the 1980s he worked on a series of paintings exploring ancient cultures from Brittany through England to Ireland and Jersey.
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The Wheldrake Singers is a local choral group that presents two or three concerts each year. They sing mostly Baroque works and are usually accompanied by an accomplished orchestra of local musicians. The local public house, The Wenlock, closed in May 2011 but has since reopened. There is usually an annual exhibition by local artists and crafts people and two or three accept commissions for watercolours.
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Tristram's watercolours were typically soft and delicate. He was best known for his coastal scenes and rural landscapes which were often nocturnes or low light depictions of dawn or dusk. His works can be found in the collections of many Australian public galleries including: National Gallery of Australia, Art Gallery of New South Wales, National Gallery of Victoria, Art Gallery of South Australia and Queensland Art Gallery.
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Gray worked in watercolour and pen-and-ink, with some of her early work in Australia consists of two watercolours of Sydney Town and Harbour, and Sydney Heads from 1857. Gray continued to work artistically after her marriage. Her work in pen and ink was on a variety of surfaces, including eggs. Her work View of Ferntree Gully from 19 February 1860 is on porcelain.
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North Somerset Coast in Watercolours. The Garret Press, Weston-super-Mare. The intricately carved stone pulpit came from Woodspring Priory in 1536 following the Dissolution of the Monasteries. The Priory had been bought by a Bristol merchant, William Carr, and his son and heir John Carr (who subsequently became Lord of the Manors of both Congresbury and (Wick St. Lawrence) arranged the pulpit's relocation.
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Museum Slager is an art museum in 's-Hertogenbosch, Netherlands, dedicated to the work of eight local painters from three generations of the Slager family. Behind the distinguished façade of the building there is a collection of paintings, drawings, engravings, watercolours and objects, all directly related to this family of painters. The museum is located at 8 Choorstraat, not far from St. John's Cathedral.
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His watercolours were generally landscapes, for which he toured to the Lake District, but in oil he also did history paintings. After inheriting an estate at the age of 62, he retired there,Wilton & Lyles, p. 312 and was appointed a deputy lieutenant of Devonshire in 1831. Abbott exhibited regularly at the Royal Academy between 1795 and 1805; he is last recorded exhibiting there in 1822.
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There are also objects from other African countries acquired through exchange. Examples are Senfu masks from Ivory Coast, Zulu wooden figures and bead-ware from Southern Africa. In addition there are also ancient Ife bronze heads from Nigeria and Bushongo carvings from the Congo. Exhibits at the small but impressive art gallery consist mainly of contemporary Ghanaian paintings executed in oils, pastels, acrylics, watercolours and collages.
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He died there in 1850.Envoys in Germany Cartwright married, in 1825, Graefin Maria Elisabeth Augusta von Sandizell, the daughter of a Bavarian nobleman. Lady Cartwright survived her husband by more than 50 years, and died at her residence in Leamington, on 13 April 1902, aged 97. Her watercolours of Aynhoe House and village in the 1840s, with some extracts from her diaries, have been published.
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Iversen also designed the window in the North Chapel at Fårevejle Church. He went on to decorate the windows of the Danish church in Buenos Aires. He decorated a number of other buildings including Christiansborg, the city hall in Aarhus and the windows of Sankt Nicolai Church in Svendborg. Iversen was exceptionally diversified in his art work which covered oils, frescos, watercolours, mosaics and glass painting.
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An engineer by profession, Howorth lived and worked in Southland for at least 22 years. He painted mostly with oil paints and watercolours. A co-founder of the Invercargill Art Society in 1893, he exhibited at the NZ Academy of Fine Arts between 1897 and 1911. An oil painting of the sea shore near Bluff won a prize at the Saint Louis Exposition of 1904.
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At the beginning of the First World War, he was one of the first to bring Cubism to Denmark. In 1918, he left Ekstra Blad to move to Tisvilde where his friend William Scharff also worked, becoming one of the country's most important Cubists. Around 1920, he began painting watercolours and gouaches of Copenhagen's harbour and canals.Thorkild Kjærgaard, "Carl Jensen" Kunstindeks Danmark & Weilbachs kunstnerleksikon.
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Eighty-eight of his drawings, mostly watercolours, are in the collection of the Natural History Museum. His works have been used on the postage stamps of Cocos (Keeling) Islands, Gabon, Norfolk Island, and Togo. He supplied work to Royal Mail for a set of United Kingdom postage stamps, depicting two-spot ladybirds, but these were not used. His painting Butterfly: Large Blue is in the Royal Collection.
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Zorn was born in Mora, Sweden, between the lakes of Siljan and Orsasjön. He studied at the Royal Swedish Academy of Arts in Stockholm from 1875 to 1880, and then spent time travelling in Europe, painting watercolours and society portraits in London, Paris and Madrid. He married (née Lamm) in 1885. After time travelling, they settled at near Mora, now the home of the Zorn Collections.
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His early watercolours are delicate and original in design. His watercolour work from around 1900–10 invoked a successful balance between Naturalism (arts) and stylisation. During these years he often painted on Arran, whilst working for the Glasgow cabinetmakers Wylie and Lochhead. His oils, painted in broad brushstrokes, depict the rugged landscape of the Western Highlands, often with a white croft set against a dark rock face.
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In 1874, Illustreret Tidende accepted a few of his drawings and from 1887 he worked full-time as an artist. In 1892, he enrolled at Copenhagen Technical School and also studied privately with the painter Carl Martin Soya-Jensen. He was admitted to the Royal Danish Academy of Fine Arts in November 1893 was a student there until January 1897. Ridter created numerous watercolours from Copenhagen.
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He creates watercolours of mainly urban scenes of small town Australia and highly detailed paintings of birds."News about the artist, Gordon Hanley". PsittaScene, November 2000 Issue 12.4 World Parrot Trust Publication More recently he has become involve din silverpoint drawing as well. Most of his recent work features drawings in 24ct gold and pure silver on paper with prepared grounds of his own design and development.
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Triumph of Gustaf Vasa – later watercolours of a now lost series of paintings commissioned by the king. This image shows the city of Stockholm while besieged by the king in 1521 following the Stockholm Bloodbath. The lady in orange is believed to represent Catholicism, at the time still embraced by the king. Another image in the series depict the king deserting the distressed lady.
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Vasilis Nakis, better known by his stage name Papercut,Yorgos Dimitrakopoulos (4 November 2015):papercut Athens Voice magazine, Retrieved 7 December 2015. is a Greek musician and songwriter. He is known for his electronic music and his remix of Melina Merkoyri's song "Agapi pou gines dikopo mahairi". Before launching his solo project, he was a member of the Greek bands Winter Watercolours and Monitor.
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Richter created about 3,000 lithographic plates and watercolours for Gould. Other illustrators employed by Gould included Edward Lear, William Matthew Hart and Joseph Wolf, although it was Richter who produced the vast majority of the works during Gould's lifetime.Sauer, GC 1982, John Gould the bird man: a chronology and bibliography, Landsdowne, Melbourne, Victoria, Australia. Yellow-bellied Tit Parus venustulus, between 1850 and 1883, The Birds of Asia.
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In 1974 a group of thirteen watercolours by Turner was presented in memory of Sir Stephen Courtauld, famous for restoring Eltham Palace, and the brother of Samuel Courtauld, one of the founders of the Institute. In 1978 the Courtauld received the Princes Gate Collection of Old Master paintings and drawings formed by Count Antoine Seilern. The collection rivals the Samuel Courtauld Collection in importance.
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Percy Dalton trained at the Plymouth College of Art but rather than taking up an offer to continue his studies in Rome, he found employment at the Devonport dockyard where he was apprenticed. He continued to paint and many of his watercolours adorn the walls of houses in Falmouth, but while his work was popular locally and even ran to prints, he never gained widespread recognition.
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Their art shared the characteristics of the Mughal painters, expanded subject matter from court scenes to bazaar scenes, daily life and ceremonies. They used watercolours on paper and on mica. This school of painting formed the basis for the formation of the Patna Art School under the leadership of Shri Radha Mohan. The school is an important centre of the fine arts in Bihar.
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Hoggatt painted landscapes of the Isle of Man, many of which are now in the collection of Manx National Heritage with several on display at the Manx Museum. During his lifetime his works were exhibited at The Royal Academy, London. In 1925, Hoggatt was elected to the Royal Institute of Painters in Watercolours. He was also a member of the Liverpool and Manchester Academies.
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For this they use various drawings and preparatory watercolours by Thomas Boulard, the graphic designer of the game, and integrate their own music into it. Numerous quotations from writers and known poets, or written by either of the two musicians, punctuate the ambulation, inspired by the atmospheres of the game. The whole lot gives a complementary vision of those. In 1997, Cryo launches Atlantis: The Lost Tales.
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She also enjoyed painting in watercolours occasionally. She was a keen breeder of terrapins and would often have one in her apron as she went about the housework. She had a very broad general knowledge and read a great deal, after she died one room was almost impossible to enter due to there being more than two thousand books packed floor to ceiling. Redknap never married.
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He became a member of the Royal Institute of Oil Painters and the Society of Animal Painters. During this time, he also exhibited at the Royal Academy of Arts. His first one-man exhibition took place at the Guild Hall in Melbourne, Australia in June 1913. During this exhibition he displayed oils and watercolours of rural landscapes that were used as backdrops for equine scenes and hunting.
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From 1906 onwards, Ross dedicated her life to painting, primarily landscapes in watercolours. As she spent a great deal of time in County Wicklow with her cousin Elizabeth Synge, a large portion of her work is from there. She also travelled and sketched in Antrim, Donegal, Dublin, Galway, and Kerry. Whilst on Great Blasket Island, she sketched the house Synge stayed in the "King's house".
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They include watercolours, prints, reliefs, paintings, gouaches. In the 1960s, Szwacz exhibited in the Krzywe Koło Gallery in Warsaw and took part in the First Biennale of Spatial Forms in Elbląg (1965), where his sculptures can still be seen in the municipal spaces. In his spare time, he wrote sonnets, which are estimated to number approximately 4000. Some of them were published in 1988 in two volumes.
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There is evidence of an extensive catalogue of his work.Catalogue of works by Bingley ("artprice") His paintings almost always include water and he is best known for watercolours of Cornish coastal scenes. However, there are pictures in existence that portray Devon, Wales, Scotland, Cumbria, Yorkshire, Dorset and London. He signed his paintings as H.H. Bingley in the earlier years as script and later in uppercase.
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The artist J. M. W. Turner sketched the bridge; this work is at the Tate Gallery, London. He also produced two watercolours of the area in 1795. In 1824, William Wordsworth published a poem, To the Torrent at the Devil’s Bridge, North Wales. The celebrated English author George Borrow wrote Wild Wales (1854), which includes a lively, humorous account of his visit to Pontarfynach.
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George Edmund Butler ( – ) was a landscape and portrait painter specialising in oils and watercolours. Born in England, his family emigrated to New Zealand when he was 11 years old. After completing his schooling, he studied art at the Wellington School of Design and at various schools in Europe . He returned to New Zealand and worked as a professional artist for a time before settling in England.
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Forge by Mary Ellen Bagnall-Oakeley A book of Bagnall-Oakeley's watercolours, entitled Nooks and corners of old Monmouthshire: A catalogue of watercolour paintings by Mary Ellen Bagnall- Oakeley (1833–1904), is held by the Monmouth Museum. Her collection of paintings is also at the Monmouth Museum at Market Hall on Priory Street.Label in Monmouth Museum, read April 2012. They include the watercolour, "Forge" (pictured).
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In 1952 she was elected to Royal Society of Painters in Watercolours, she exhibited with them for the rest of her life and was the featured artist in their 1990 Spring Exhibition. In the 1970s she exhibited a number of etchings at both the Royal Academy and with the Royal Society of Painter-Ethchers and Engravers. Later in life she focused more on portraiture work.
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A few are collages, in which she cut out a bird's outline and transferred it to a different background, in a similar manner to John James Audubon. Her many watercolours show daily family life in the late 19th-century Scottish Highlands as well as fantasy scenes from children's fables. She achieved widespread recognition under the initials JB or her married name Mrs Hugh Blackburn.
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Cushing had a variety of interests outside acting, including collecting and battling model soldiers, of which he owned over five thousand.Cushing, p. 169 He hand painted many and used the Little Wars rule set by H. G. Wells for miniature wargaming. He also loved games and practical jokes, and enjoyed drawing and painting watercolours, the latter of which he did especially often in his later years.
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Retrieved 26 April 2012. After Seurat encouraged him to join the Neo-Impressionists, he was also influenced by Paul Signac and Camille Pissarro. He adopted the pointillist technique until 1894 when he started to combine it with more feathery strokes. In 1910, he returned to Neo- Impressionism with a series of decorative watercolours of landscapes and people set off by widely spaced rounded spots of pure colour.
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Sinclair bequeathed, to the Victoria and Albert Museum, four Burmese pictorial textile hangings known as kalagas. The museum also holds three watercolours by Sinclair, two showing Burmese landscapes and one of a Burmese pagoda. After his death Mrs Mary Simpson donated on his behalf, to the Victoria and Albert Museum, an 18th- or 19th-century wooden and lacquered sculpted figure of the Buddha Shakyamuni.
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Diana Gardner (1913–1997) was a writer, wood engraver and book illustrator who studied at the Westminster School of Art. Her first short story was published in Horizon in 1940, and later works included Halfway Down the Cliff (1946) and The Indian Woman (1954). In the 1960s she began work as a full-time painter working with ink and watercolours, and her work was exhibited.
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In 1800 he was awarded an honorary palette by the Society of Arts. He continued to exhibit at the Academy until 1806, and went on extended drawing trips through England and Wales. In the three summers of 1803–5 he stayed with the Cholmeley family at Brandsby Hall in Yorkshire. On the last of these three visits, he made a series of watercolours of the River Greta.
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It was after the Dorringtons moved to Perth that Annie became known as a painter who specialized in watercolours of Western Australian wildflowers. Her botanical paintings are for the most part moderately detailed and realistic, with some subjects painted in a more impressionistic style and with more vivid colours.Gooding, Janda. Wildflowers in Art: Artists' Impressions of Western Australian Wildflowers, 1699-1991. Art Gallery of Western Australia, 1991.
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Gillespie was born in Bonnybridge in Stirlingshire into an artistic family. Her brother, Alexander Bryson Gillespie and her sister Janetta also became artists and, later, the three siblings would sometimes exhibit works together. Gillespie attended the Glasgow School of Art from 1913 to 1915 and then taught at Stranraer High School. She mostly painted flowers and still life compositions and, occasionally, landscapes in both oils and watercolours.
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The period up to the commencement of the Second World War was one of modest growth, the major event being purchase of the William Arthur Evelyn collection of prints, drawings and watercolours of York in 1931. The building was requisitioned for military purposes at the outbreak of the Second World War and closed, suffering bomb damage during the Baedeker Blitz on 29 April 1942.
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In the National Museum, Wrocław watercolours of Tintelnot with Wroclaw motifs were rediscovered, possibly collected for an exhibition that had been cancelled due to the outbreak of war. Posthumously, works by Tintelnot were exhibited in 2016 in the in Lemgo. Tintelno died in LemgoDeviating from the mostly - also in DNB - occurring statement that Tintelnot died in Hofgeismar www.gelehrtenverzeichnis.de to read that he died in Lemgo.
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Son of the artists Fritz Syberg and Anna Syberg, Syberg was born in Kerteminde on the island of Funen. As an artist he was self-taught but he had graduated in law from Copenhagen University in 1931. He became an associate of the painters Karl Bovin and Alfred Simonsen. He painted a considerable number of landscapes, both oils and watercolours, depicting the Danish countryside.
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She was a member of the Societe Nationale des Beaux-Arts. Goodsir died in Paris, France in 1939. Goodsir's work showed strong composition and technique, favouring oils over watercolours. Despite turning out a large number of still lifes and interiors, her forté was portraits, including Katharine Goodson, Leo Tolstoy, Ellen Terry, Banjo Paterson, Bertrand Russell, Dame Eadith Walker, Countess Pinci and Italian leader Benito Mussolini.
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Hassells is known by a few portraits which have been engraved, including those of C. F. Fels (1690) and J. Witt (1701), a Frankfurt merchant, both in mezzotint by J. Smith, and an anonymous portrait in line by P. Vauderbank. He also painted miniatures and in watercolours. Hassells is wrongly described by Walpole as William Hassell. George Lambert is stated to have been his pupil.
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The British Museum, the Manchester City Art Gallery, and the Brighton Art Gallery possess characteristic examples of his watercolours. His flower pieces are of particular excellence. Mr. Le Brasseur of Hampstead possesses the largest collection of his paintings. Symons was obviously influenced by Sargent and Brabazon, but preserved his own individuality and did not allow his art to be affected by his friendship for Whistler.
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William Frederick Lake Price (1810–1896) was an English watercolourist and an innovator in mid-nineteenth-century photography. Lake Price was trained as a topographical and architectural artist by the architect Augustus Charles Pugin. Lake Price exhibited his paintings and watercolours at the Royal Academy and the Royal Watercolour Society. In the 1850s he joined the London Photographic Society and the Photographic Exchange Club of London.
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Fun magazine in 1886 Arthur Boyd Houghton (13 March 1836 - 25 November 1875) was a British painter (oil and watercolours) and illustrator. Houghton was born in Kotagiri, Madras, India. His work was varied and was highly regarded during the mid-19th century. He traveled to America and Russia, creating illustrations for The Graphic and for numerous books, including The Arabian Nights and Don Quixote.
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Anthony Aufrère Sr. (1730–1814) (Gervase Spencer, 1756). Aufrère's father. Aufrère was the eldest son of Anthony Aufrère (1730–1814), of Hoveton Hall, Norfolk, a landowner and magistrate,The miniature here is of his father. A portrait of the son (watercolours on ivory) by the Italian painter Gustavo Lazzarini, was acquired in 1972 by the Preservation Society of Newport County in the United States of America (Ref.
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In the aftermath of the war, Erwin Aichele resumed his teaching activities at Pforzheim's jewelry school. He also began painting again, focusing on wildlife and the semi-domesticated animals he reared. He worked in various media, including watercolours, oils, charcoal and pen and ink. In 1934, Aichele was put in charge of the animal drawing class at the State Academy of Fine Arts Karlsruhe.
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Margaret Wrightson was born at Norton Hall and her father was the politician Sir Thomas Wrightson. She never married, and had a studio and home in Bedford Gardens in London. Wrightson's younger sister, Jocelyn Wrightson, was a painter, mainly working in watercolours. Wrightson first studied under William Blake Richmond at the Royal College of Art before travelling to Paris to learn from Édouard Lantéri.
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28-29 After his return from his last trip to Romania, little is known of Preziosi. He continued his art in Istanbul, but as photography became widespread, his watercolours were no longer as profitable, since cheap and unlimited numbers of copies could be made of a particular photograph.Ionescu, p. 40 Preziosi's grave in the old Roman Catholic churchyard in Yeşilköy (formerly San Stefano), Istanbul, Turkey.
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In 1805 he made his first of many trips to Wales, with Charles Barber, his earliest dated watercolours are from this year. Throughout his lifetime he made numerous sketching tours to the Home Counties, North Wales, Yorkshire, Derbyshire and Devon. Cox exhibited regularly at the Royal Academy from 1805. His paintings never reached high prices, so he earned his living mainly as a drawing master.
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He made his first trip to the Continent, to Belgium and the Netherlands in 1826 and subsequently moved to London the following year. He exhibited for the first time with the Birmingham Society of Artists in 1829, and with the Liverpool Academy in 1831. In 1839, two of Cox's watercolours were bought from the Old Water Colour Society exhibition by the Marquis of Conynha for Queen Victoria.
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The ensign of the Royal Naval Mine Watching Service was granted in 1953 by royal warrant. Designs were submitted as watercolours and those which were approved were passed to the College of Arms for a ’Sealed Pattern’ to be made for the Admiralty. A circular yellow cable surmounted by Naval Crown and panel inscribed RNMWS enclosing mine exploding in Heraldic Sea against a blue background, was selected.
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Portrait by William Brockedon (1833) James Baillie Fraser (11 June 1783 – January 1856) was a Scottish travel writer and artist who illustrated and wrote about Asia Minor and India. Some of his watercolours made in the picturesque style represent early views of India and Persia. He was a brother of William Fraser.William Dalrymple, The forgotten masterpieces of Indian art, Spectator UK, 18 December 2019.
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Accessed 22 November 2010. Hand-colouring is also known as hand painting or overpainting. Typically, watercolours, oils, crayons or pastels, and other paints or dyes are applied to the image surface using brushes, fingers, cotton swabs or airbrushes. Hand-coloured photographs were most popular in the mid- to late-19th century before the invention of colour photography and some firms specialised in producing hand-coloured photographs.
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In 1856 he was made an associate of the Royal Hibernian Academy (ARHA), where he exhibited until he moved to London. He exhibited watercolours there at the Royal Academy between 1866 and 1877, working as a freelance illustrator for the Illustrated London News. He prepared illustrations, too, for other journals, newspapers and books including an edition of the works of Charles Dickens. He died in London.
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In 1904 two of her paintings, Autumn in Muckross and A cypress avenue, were included in Hugh Lane's exhibition of Irish art at London's Guildhall. She visited family members in India in 1905, going on to visit Nepal. In 1909 she made an extended trip across Mexico. Her paintings from this trip resulted in an exhibition at the Fine Art Society in 1909 called Mexico: watercolours.
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His works are found in the collection of the National Archives of Canada, the Canada Steamship Lines Maritime Collection and various North American marine museums. The Canada Steamship Lines exhibited his fully worked watercolours and maps with accompanying catalogues, in 1928 and 1942. In 1942, the exhibition travelled to London, Ontario and Fort William, Ontario and to the Mariners Museum in Newport News, Virginia.
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Christensen's paintings from his younger days stem in part from his association with the Odsherred Painters where he painted landscapes in oils. Later he turned to watercolours and pastels and later still to strongly coloured collages. He first exhibited at Kunstnernes Efterårsudstilling (Artists' Autumn Exhibition) in 1929, followed by many submissions over the years to Charlottenborg as well as to Corner, Koloristerne and Den Frie Udstilling.
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He won the Chantrey Bequest in 1887 and the published his book Notes From Japan in 1896. Parsons became President of the Society of Painters in Watercolours in 1905, and among many other works, he illustrated Ellen Willmott's The Genus Rosa. He was a keen gardener and for the last six years of his life took care of his roses at Luggershill, Broadway, Worcestershire, England.
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John Claude Nattes (c.1765–1839) was a watercolourist and topographical draughtsman of either French or English origin. In 1789 Sir Joseph Banks commissioned him to record the buildings of Lincolnshire and this resulted in more than 700 drawings and watercolours, made between 1789 and 1797, which are now preserved in Lincoln Central Library.Banks Collection of 1400 Nattes drawings, Local Studies Collection, Lincoln Central Library,LN2 1EZ.
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His work is modernistObituary: Durant Sihlali (1935-2004) by Colin Richards, Art Throb and realist and his first medium was watercolours. He later turned to sculpture using metal from car wrecks.Durant Basi Sihlali During the early 1980s Sihlali produced a series of carved wooden sculptures of workers in the coal mines of the Witwatersrand. He has exhibited in Trees Collection Gallery in Beverly Hills.
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The Descent of Peace, 1803–1817, most likely c. 1815 William Blake drew and painted illustrations for John Milton's nativity ode On the Morning of Christ's Nativity between 1803 and 1815. A total of 16 illustrations are extant: two sets of six watercolours each, and an additional four drawings in pencil. The dating of the sets is unknown, as is Blake's intended sequence for the illustrations.
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Elyse Ashe Lord (1900–1971) was a British artist and illustrator who worked in watercolours and drypoint etching. Lord trained at the Heatherley School of Art in Chelsea, and the first public exhibition of her work was in 1919. Her drawings were exhibited at the Brook Street Gallery in 1921. In 1922 she became a member of the Royal Institute of Painters in Water Colours.
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Following her early work in Egypt, Mothersole primarily focused on British archaeology. Mothersole's first illustrated book, concerning the Isles of Scilly, was published in 1910, and her first full-length book on Hadrian's Wall in 1922. Mothersole's key watercolours of Hadrian's Wall were exhibited 30 October-11 November 1922 at Walker's Art Gallery. Mothersole, like Henry Holiday, was an active campaigner for Women's suffrage.
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The painting depicted the last battle of King Arthur against the Romans. The exhibition was very poorly attended, with none of the temperas or watercolours sold and was described as "a dead failure". There was only one review, in The Examiner, which was hostile. Between April and October 2009 many of the works displayed at the original exhibition were displayed together once more at Tate Britain.
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Since 1982 he has staged over thirty-five one-person exhibitions in Melbourne, Sydney and Adelaide, and has participated in over fifty group-exhibitions, including Moist: Australian Watercolours, (2005) at the National Gallery of Australia, Canberra,Moist: Australian Watercolours catalogue, National Gallery of Australia, Canberra, 2005 and This and Other Worlds, (2005) at the National Gallery of Victoria, Melbourne.This and Other Worlds catalogue, National Gallery of Victoria, 2005 In 2008 he was included in True Crime: Murder and Misdemeanour in Australian Art, at the Geelong Art Gallery.True Crime: Murder and Misdemeanour in Australian Art catalogue, Geelong Art Gallery, 2008. In 2014 he staged an exhibition of 165 works on paper, Inferno: A Reinterpretation of Dante, at BUS Gallery, Melbourne, in which he re- investigated imagery from Dante's Inferno - a major work from this exhibition was acquired for the permanent collection of the National Gallery of Victoria, Melbourne.
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The etching A Jersey vraic cart, which Blampied had just managed to have printed and signed before the island was invaded, was issued by the Print Club of Cleveland to coincide with the exhibition. Blampied did not return to London after the war but remained in Jersey, mostly working in oils and watercolours, except for a series of 12 silhouettes he published in 1950 and a few etchings in 1958, one of which he exhibited at the Royal Academy. In 1948 he designed a postage stamp to celebrate the third anniversary of the liberation of Jersey, and he designed the first Jersey regional stamp, issued in 1964. He continued to sell his watercolours and oil paintings in the UK and US, mostly at the annual exhibitions of the Royal Society of British Artists and through the dealers Annans in Glasgow and Guy Mayer in New York.
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During this time Featon and her husband began work on their seminal work The Art Album of New Zealand Flora. Featon painted the watercolours for the plates while her husband wrote the text. The Featons set out to produce their album to debunk the widely held belief that there were no flowers in New Zealand. The album was the first full-colour art book to be published in New Zealand.
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He was a regular exhibitor at the local watercolour society in Penarth, South Wales, where he sold a good number of paintings. In later years, in Devon, he spent much time on Dartmoor and produced a number of watercolours from that area and also around South Devon. Although born William George Dolman he signed most of his work simply George Dolman. He died aged 92 in Paignton, Devon in 2008.
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The sketches were the work of Edward Bateman, Charles La Trobe's cousin. Later that year The Argus newspaper reproduced one of Bateman's sketches adding that 'until recently the remains' of the cottage 'were still standing at the rear of the factory of Bedggood and Co. Pty. Ltd., in Agnes Street'. Two watercolours 'dated 1842 or 1844' depictions of the cottage were also donated by another La Trobe grandchild in 1934.
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The main image occupies roughly the upper half of the body with the lower half of the body usually filled with two bands of spiral or volute patterns. Between the vents, the foot is mostly decorated with double volutes, bordered above and below by geometric bands. An aureola follows as a conclusion. The figural images are usually quite graceful and elegant; the painters used opaque watercolours in very great quantities.
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A key component which is missing from the decorative scheme is the mosaic of the central dome. In the sixteenth-century, watercolours were made of this central dome so the pictorial scheme can be hypothetically reconstructed.. The large porphyry sarcophagus of either Constantina or her sister Helena has survived intact, and is now in the Vatican Museum - an object of great significance to the study of the art of Late Antiquity.
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Phil Day (born in August, 1973) is an Australian artist. He is formally recognised as a Notable GraduateMichael Agostino, The Australian National University School of Art: A history of the first 65 Years (Canberra, ANU, 2009), p. 243. from the Graphic Investigation Workshop, Australian National University (ANU), alongside Alex Hamilton, Paul McDermott, Danie Mellor and Paul Uhlmann. Day's body of work comprises prints, artist's books, drawings and watercolours.
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He also painted watercolours, self-taught and inspired by J. M. W. Turner. After retiring from Kingston he produced about four plates per year, producing sixty nine etchings between 1972 and 1994, almost doubling his pre-retirement output. In 1990 he released a book of his etchings, The Etchings of Wilfred Fairclough, in conjunction with Ian Lowe. Wilfred Fairclough died at Kingston upon Thames on 8 January 1996.
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Johannes Vingboons, View of New Amsterdam, 1664. Vingboons's work was unique and a sought after collector's item in its own time for rich private individuals. The largest batch, a series of 130 watercolours bound in three atlases, was bought in 1654 by queen Christina of Sweden. After her death these atlases came into the possession of Pope Alexander VIII, and now rest in the library of the Vatican.
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According to Josephine Walpole, Middleton's "exquisite use of light and shade enhances the mastery of tonal values", a comment that echoes the Norfolk Chronicle′s report of 11 December 1847, which described his "charming use of light and shade". Middleton also painted in oils, but little has been written of his oil paintings, whose subject matter was similar to his watercolours and which displayed a similar immediacy of execution.
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In the 1960s Ching began to exhibit and sell paintings of birds. His first exhibition, Thirty Birds, at the John Leech Galleries in Auckland in 1966 was of highly detailed watercolours using drybrush technique, and was an immediate sell-out. He was discovered internationally by Sir William Collins of Collins publishing. A keen ornithologist, Sir William was scouring the world for bird painters to produce a prestigious series of book.
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Muriel Brandt (born 1909, Belfast, now Northern Ireland, d. 1981, Dublin, Ireland) was an Irish artist. She studied at the Belfast College of Art and at the Royal College of Art in London, where she was elected Associate Royal College of Art (ARCA) in 1937. She married and settled in Dublin, living mainly in Sutton, and painted mural decorations, portraits and landscapes, as well as working in oil and watercolours.
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Fielding was the eldest son of Nathan Theodore Fielding. Like his brothers Copley and Thales he painted in watercolours, and in 1799 sent to the Royal Academy A View of the North Tyne, near Billingham, Northumberland. In 1814 he sent to the British Institution A Sleeping Bacchus. He continued to exhibit at both exhibitions, but it is sometimes difficult to distinguish his works from those of his younger brother, Thales Fielding.
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Marie-Gabrielle Capet (6 September 1761– 1 November 1818) was a French Neoclassical painter. She was born in Lyon on 6 September 1761. Marie- Gabrielle came from a modest background and her previous background and artistic training is unknown, but in 1781 she became the pupil of the French painter Adelaide Labille-Guiard in Paris. She excelled as a portrait painter, and her works include oil paintings, watercolours and miniatures.
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Mogford's background was in Devon. He studied at the Somerset House Government School of Design, and then exhibited at the Royal Academy, British Institution and Suffolk Street Gallery. He lived in Hampstead, and became a member of the Institute of Painters in Watercolours, where he was known for his Cornish landscapes.Records of the manor, parish, and borough of Hampstead, in the county of London, to December 31st, 1889 (1890), p.
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8: (Leipzig: Coutan–Delattre, 1912), p. 522 As early as 1835, a drawing by Georg Decker of the composer Wenzel Müller was lithographed by F. Wolf.Constantin von Wurzbach, Biographisches Lexikon des Kaiserthums Oesterreich: Moll—Mysliveczek (1868), p. 413 He began to exhibit watercolours in 1837 and in the early 1840s was accepted as a student at the Academy of Fine Arts, where he learnt to paint in oils.
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Carslaw was born in Glasgow and attended the Glasgow School of Art from 1897 to 1907. She then studied in Paris and travelled extensively, painting landscapes in Spain, Italy and the Netherlands, working in both oils and watercolours. In 1905 she married a surgeon, Dr RB Carslaw, and together they had five children. The family lived at Rhu on Gare Loch in Argyll and Bute and were keen sailors.
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Fitzwilliam Museum, Cambridge His landscape watercolours were mostly of views around Bristol, the Wye Valley and North Wales and he was active well into his eighties, still showing work at the West of England Academy in 1891. Another first cousin, son of his aunt Rebecca Benwell, was David Holt (1828–1880), a published poet (including Poems, Rural and Miscellaneous, publ. Gillett 1846; A Lay of Hero Worship, and other poems, publ.
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The Whitworth Art Gallery The Whitworth Art Gallery houses collections of internationally famous British watercolours, textiles and wallpapers, modern and historic prints, drawings, paintings and sculpture. It contains 31,000 items in its collection. A programme of temporary exhibitions runs throughout the year and the Mezzanine Court displays sculpture. The gallery was founded by Robert Darbishire with a donation from Sir Joseph Whitworth in 1889, as The Whitworth Institute and Park.
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Schwabinger Tor in Munich, 1850 Carl August Lebschée (1800–1877) was a German a painter, etcher, and lithographer, born at Schmiegel (modern Śmigiel), Poland. He studied at Munich, where his parents settled in 1807. He painted landscapes and architecture in oil and watercolours, and designed in the style of different masters. His etchings are executed with great spirit, and he signed with the initials C. L., or a monogram.
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Sutherland died on 10 March 1957 in Pakistan. As the last surviving member of the dynasty, Bamba left a large quantity of important historical items to her secretary, Pir Karim Bakhsh Supra of Lahore. The collection consists of eighteen paintings, fourteen watercolours, 22 paintings on ivory and a number of photos and other articles. The collection was sold to the Pakistan government and it is kept in Lahore Fort.
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Now living in the West Midlands, he counts watercolours amongst his hobbies. Willson spends time visiting schools and youth clubs up and down the UK, promoting that keeping fit can be fun. Cobra embarked upon a promotional tour of schools in the late nineties in partnership with NatWest, encouraging schoolchildren to sign up for a bank account. Many of these children, now adults, still have the same bank accounts today.
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Many of his watercolours are painted on what has been described as no more than 'cheap' brown or off-white wrapping paper. However, given that Somervell was a sometime commercial artist this oft repeated tale is largely apocryphal. He used this style of paper as early as 1913 and was still using it in the 1970s. It particularly lends itself to the dun colours of the Tibetan landscape.
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Max Peiffer Watenphul (1896 – 13 July 1976) was a German artist. Described as a "lyric poet of painting", he belongs to a "tradition of German painters for whom the Italian landscape represented Arcadia." In addition to Mediterranean scenes, he regularly depicted Salzburg and painted many still lifes of flowers. As well as oil paintings, his extensive body of work encompasses watercolours, drawings, enamel, textiles, graphic art, and photographs.
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However, he also had to oversee the first closure of an English university department, the Department of Mining. His office covered the centenary celebration of the University in 1955, including a visit by the Queen. He retired from this position in 1965, and was honoured by being given the Freedom of the City of Sheffield. In retirement he expanded his other interests in art and archeology, collecting watercolours and Persian antiques.
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Born in Gosport in 1852, Snape worked in a variety of media (oils, watercolours, engraving, etc.). He concentrated mainly on topographical subjects including landscapes from the Meon Valley, and shore and maritime scenes around Portsmouth Harbour and his home town of Gosport. He exhibited at the Royal Academy between 1874 and 1901. Living in Spring Garden Lane, near Gosport railway station, Snape was associated with the Gosport area all his life.
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She later returned to the country with sixty students, leading them on a cultural tour of painting, studying, and sightseeing between the years of 1962 and 1965. Zwicker typically painted three watercolours a week. Only a handful of Nova Scotian artists were able to support themselves on painting alone, and Zwicker became one of these such artists. Few Nova Scotian artists have been as popular as Zwicker became during her career.
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William Hastie Geissler (1894 Edinburgh - 1963) was a Scottish artist known for his watercolours of the natural world. He was one of The Edinburgh School, and much of his earlier work came from sketching trips undertaken with other members of this group, though he himself is sometimes described as a "neglected" member. Although his natural preference lay with watercolour, often with gouache and pen and ink, several works in oil survive.
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Surti has been acclaimed as a painter, credited with using creative and original techniques to paint with oil and watercolours. His use of acrylic colours applied to Italian art paper is also said to be out of this world. An accomplished painter, he has held 16 exhibitions in India and abroad. In his early years, he invented an innovative technique called "mirror collage" which won critical acclaim in Japan.
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Franz Herfurth, becoming the mother of three children, Editha, Günther and Eva. The family obligations limited her artistic pursuits for some time. In 1926, she divorced and in 1927 she married her childhood friend, Professor Ludwig Herbert (who died in 1936). After this heartbreak, Edith moved to south Germany, then Poland and then Austria, she painted where she could, producing mainly watercolours of the places she lived in and visited.
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He took up watercolours, first painting with his prison toothbrush, and became so adept that he was later to exhibit his work widely. He also became unofficial lawyer to the other inmates, helping them with their letters to the authorities. One prisoner who was serving a life sentence for murder became Pawlowski's chess partner. He suffered from head pains, and one day Pawlowski laid his hands on the man's head.
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Pierre-Joseph Redouté (10 July 1759 - 19 June 1840), was a painter and botanist from Belgium, known for his watercolours of roses, lilies and other flowers at Malmaison, many of which were published as large, color stipple engravings. He was nicknamed "the Raphael of flowers" and has been called the greatest botanical illustrator of all time.Schmidt, Alesandra M., and Trudy B. Jacoby. "Herbs to Orchids: Botanical Illustration in the Nineteenth Century".
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It holds a collection of 18th century furniture and china. There are also a collection of Victorian watercolours known as the Frampton Flora. These representations of local wild flowers were painted by various members of the Clifford Family in the 19th century. To the northeast of the main house is Gothic garden house, which is also known as the orangery, which was built in the mid 18th century.
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Ibbetson died on 13 October 1817 and was buried in the churchyard of St Mary's, Masham. Benjamin West described Ibbetson as the "Berchem of England" in recognition of his debt to the Dutch 17th century landscape painters. According to Mitchell, "[h]is watercolours are prized for their delicacy and sureness of line." Many were engraved for projects such as John Church's A Cabinet of Quadrupeds and John Boydell's Shakespeare Gallery.
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In the 1890s as he moved away from French Impressionism, Steer's work received greater appreciation. Portraits, such as Girl Reading A Book from 1895, a portrait of Rose Pettigrew, his model and girlfriend, and Portrait of Mrs Raynes (1922) were well received. In 1887 Steer spent some time at the Etaples art colony. In the early 1890s he began to paint more in watercolours than he had previously.
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In his oil paintings, Comas-Pausas preferred indoor subjects with figures. In watercolour, the method in which he came to specialise, he painted landscapes, seascapes and urban scenes. His watercolours closely follow the traditional schools of Catalan landscape painting. The painting is descriptive and easy to read, the composition carefully worked out, the range of colours harmonious and nuanced, all the result of a thrilled sensitivity to nature.
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The paintings were eventually put on permanent display in the Gunnedah Bicentennial Regional Gallery. Isherwood set about painting a series of oils based on the watercolours. These were exhibited at the Artarmon Galleries in Sydney in 1986. In November 2004, Isherwood exhibited with seven other well-known Australian artists, all over the age of eighty at an exhibition called Eighty and Over, at Max Taylor's Gallery at Summer Hill, Sydney.
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By 1913, her grave and memorial were located adjacent to St John's Church in Calcutta, which is now viewable to the public. Two portfolios in the Victoria and Albert Museum contain many of her watercolours and drawings. In India, a sweet dessert called ledikeni (or "Lady Kenny") bears Lady Canning's name. It is very similar to a pantua and is made of chhana and flour, and soaked in sugar syrup.
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After initially painting allegories, Robert turned his talents next to landscapes, and eventually to watercolours of birds and caterpillars. His painting won a gold medal when exhibited at the Paris Salon in 1877. From 1886 to 1894, he was responsible for the decoration of the staircase at the (now the ), comprising three monumental murals; still extant. He illustrated an edition of Jeremias Gotthelf's 1842 book The Black Spider.
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She contributed five works to the fourth Annual Exhibition of Fine Arts in Melbourne in 1864. The pieces were four landscapes and one rural scene. Along with her husband, Gray exhibited at the 1866 Melbourne Intercolonial Exhibition, exhibited watercolours of Schnapper Point and Queenscliff, and two etchings called The Bluff and Beech Trees. Her doilies or "etchings on linen, done with marking ink and a quill pen", won a medal.
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Chelsea Jade was born in Cape Town, South Africa. Her family relocated to Auckland, New Zealand when she was five years old. In high school, she formed the folk trio Teacups with schoolmates Elizabeth Stokes (The Beths) and Talita Setyady. The band opened shows for Cat Power, Kimya Dawson, and José González. Jade’s first solo project, Watercolours, won her the New Zealand Music Award’s Critic Choice prize in 2012.
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Devéria's experience in the art of the vignette and Mezzotint influenced his numerous lithographs, most of which were issued by his father-in-law, Charles- Etienne Motte (1785-1836). Most of his work consisted of "pseudo-historical, pious, sentimental or erotic scenes". (Wright) Since he rarely depicted tragic or grave themes, he appears less Romantic than many other artists of the time. His paintings were mainly done using watercolours.
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The graphic arts collection includes numerous drawings, watercolours and engravings of the 19th -20th century and Japanese prints. This particular collection was extended through acquisitions and donations of Romanian modern and contemporary graphics. The decorative art domain is well represented in the permanent exhibitions and includes furniture, ceramics, glass, metal and textiles. The furniture collection is one good reminder of the variety of European styles and evolving techniques.
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However, the Second World War prevented any further developments and a regular service was not established. After the war, Highland Airways was taken over by British European Airways, which abandoned any interest in serving the island.Young, Donald "Stroma Aviation" in Today, Stroma has no regular communications with the mainland. The island's owner ran occasional boat trips there on weekends for visitors, including Prince Charles, who painted watercolours of the abandoned houses.
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Initially supported by a yearly allowance from her mother and brothers, Allport shortly became financially self-sufficient through sales of her prolific works including oil paintings, watercolours, pastel drawings and relief prints. In Europe she studied with renowned artists including Hubert Vos and Charles Wellington Furse. In 1894, The Mercury newspaper reported that Allport was the first Tasmanian artist to have works exhibited at the Royal Academy of Arts.
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Watercolours of flower still lifes in dull pale colours seemed to forecast her husband's death in 1956. Deeply struck by her personal loss, she then stopped painting. Her youngest daughter brought her to her home in Lünen and set her up in her own studio, where at the age of 65 she turned to painting once more and began a new creative period. She regularly took part in summer courses.
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During his career, which has spanned five decades Avellano has worked in many different techniques and styles: creating drawings, watercolours, oils, enamels, acrylics, photography, digital imaging, sculpture, installation, projections, interactive works and found objects. In 2010 he held a retrospective exhibition in his hometown Gibraltar.Five Decades Art and Soul Gibraltar Chronicle 14.4.2010 Avellano has been commissioned to create public art in Manchester and Lancashire, and portraits of leading politicians in Gibraltar.
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Holmes was a draughtsman, painter in watercolours and oils, and etcher, mostly of landscapes. Self taught, he developed a highly personal style from studying European as well as Japanese sources like Hiroshige and Hokusai, travelling to Japan in 1889. These inflences can be seen in his magazine, the Studio Magazine, founded in 1893. Later, he came under the artistic influence of Ricketts, and he learned etching from William Strang.
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Geneviève Lacambre retraces Moreau's life and artistic sources in this small colourful volume—entitled (lit. 'Gustave Moreau: Master Enchanter'; English edition – Gustave Moreau: Magic and Symbols)—with more than 120 paintings, drawings, watercolours and photographs, and an anthology of documents and letters, published by Éditions Gallimard. It is part of the series in their collection. The book opens with seven full-page reproductions of Moreau's Jupiter and Semele and its details.
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The Cactaceae (Plate XXXVI) (6026512628) The Cactaceae (Plate XVIII) (6025951147).jpg The Cactaceae (Plate XIX) (6025951379).jpg Helen Adelaide Wood (died 25 November 1927) was a British botanical artist and scientific illustrator best known for the collection of her illustrations held at the Natural History Museum of Jamaica. She is also known for illustrating at least one print and three watercolours in Britton & Rose's The Cactaceae, published between 1919 and 1923.
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Hanley first exhibited his work 1988 at the Kenmore Gallery in Brisbane. In 1990 he held a solo exhibition of 40 watercolours there, and mounted a second one a year later. At the age of 37, Hanley then became a full-time artist. During the next decade he created about than 50 prints in open and limited edition format, after which he was Artist in residence at Queensland Museum.
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Stephanoff became a popular painter of historical and domestic subjects, working both in oils and watercolours. He exhibited at the Royal Academy and British Institution from 1807 to 1845, and with the Old Watercolour Society from 1815 to 1820. His wife, Selina Roland, died suddenly. Stephanoff ceased to work as artist many years before his own death, which occurred at West Hanham, near Bristol, on 15 May 1860.
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Mainds focused on portrait painting, in addition to watercolours of landscapes and still life subjects; his portraiture subjects included Robert Bolam. Mainds also worked as a designer of costumes and posters,The International Studio, Volume 65, p.62 in addition to theatre design. He was a member of staff at the Glasgow School of Art from 1909 to 1931, and became a member of the Royal Scottish Academy in 1929.
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' The Swindon Advertiser Published 30 May 2002 Clive Farahar writes and lectures and is a member of the Antiquarian Booksellers Association.Farahar on the PBS website He became an expert on the BBC's Antiques Roadshow programme in 1986. In 2003, when the Antiques Roadshow visited Dumfries in Scotland, Farahar identified a collection of 23 drawings and watercolours as the work of Beatrix Potter. He valued the collection at £250,000.
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He also illustrated more than 70 books by other authors for adults and children, and created the satirical pictorial novel What a Life! with E. V. Lucas. He lived most of his adult life in England, although he spent many summers painting watercolours in Ireland, particularly in County Donegal. Married with no children, he died at his home in Thaxted, Essex, about a month after his last cartoon appeared in Punch.
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Kokolia maintains a blog in Czech and a wiki called "Kokopedia". The wiki contains photographs of 35 graphics works, 23 drawings, 54 paintings, plus 9 watercolours, as well as 117 uncategorised pictures. There are also lyrics, articles, videos, and lists of people who are connected to Kokolia in some way. From July until September 2018, a major exhibition of Kokolia's paintings took place at the Ikon Gallery in Birmingham, United Kingdom.
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The Kupferstichkabinett in the Kulturforum. The Kupferstichkabinett, or Museum of Prints and Drawings, is a prints museum in Berlin, Germany. It is part of the Berlin State Museums, and is located in the Kulturforum on Potsdamer Platz. It is the largest museum of graphic art in Germany,Museum of Prints and Drawings with more than 500,000 prints and around 110,000 individual works on paper (drawings, pastels, watercolours, oil sketches).
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In 1920, he became a member of the first executive of the British Columbia Art League. He was president of the Vancouver Sketch Club from 1920 to 1921. He is mainly known for his watercolours of the Rocky Mountains and landscapes of the Pacific coast, but also worked in oil and produced some portraits. Fripp married Gertrude Maude Muriel in 1897; the couple had two sons and a daughter.
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He worked in both watercolours and oils, and also worked as book illustrator – providing the illustrations for Sir Sidney Lee's The Imperial Shakespeare. He contributed to a mural in the Houses of Parliament in 1910 along with Byam Shaw, Ernest Board and Henry Arthur Payne. As art fashion changed Cowper increasingly exhibited his portrait paintings but still continued to produce historical and literary works. He retired from London to Gloucestershire.
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Fine Art Department The Department of Fine Art is unique in the region because the students are exposed to various materials and tools which are purchased by the school every term. The students are taught how to draw using different media, such as poster paint, watercolours and powders. Entrepreneurship Education Department Entrepreneurship Education is a new innovation in educational reform instituted by the Ministry of Education and Sports.
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In 1905 he returned to England and settled in Bristol, teaching art at Clifton College. Butler was elected to the Royal West of England Academy in 1912 after establishing a reputation as a portrait and landscape artist in oils and watercolours. Butler also exhibited at the Royal Academy of Arts, the Royal Scottish Academy, the Royal Academy and the annual salon exhibition at the Société des Artistes Français in Paris.
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His works include the orchestral pieces Tatarska suita (Tatar Suite, 1918) and Ljubljanski akvareli (Ljubljana Watercolours, 1925) and the choral compositions Vragova nevesta (The Devil's Bride, 1925) and Smrt carja Samuela (The Death of Tsar Samuel, 1934). He also wrote songs that used elements of Slovenian folk music, such as Zimska kmečka pesem (A Farmer's Winter Song, 1903). His influences included Romanticism, Impressionism, and Expressionism. He died in Ljubljana.
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Dame Laura Knight, ( Johnson), (4 August 1877 – 7 July 1970) was an English artist who worked in oils, watercolours, etching, engraving and drypoint. Knight was a painter in the figurative, realist tradition, who embraced English Impressionism. In her long career, Knight was among the most successful and popular painters in Britain. Her success in the male-dominated British art establishment paved the way for greater status and recognition for women artists.
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According to the RKD he became a member of the Haarlem Guild of St. Luke in 1759.Hendrik Tavenier in the RKD He was a pupil of Jan Augustini in his wallpaper factory, and later made a living in landscape drawings and prints. He is also known for topographical drawings of North Holland, and the North Holland archives have a large selection of drawings and watercolours by his hand.
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Josip Seissel was born on January 10, 1904 in Krapina, then in Austria- Hungary, now Croatia. Under the name Jo Klek, Seissel was a major contributor to the avant-garde Zenit movement between 1922 and 1925. From his youth, Seissel had been interested in the theatre. He began as a self-taught artist creating drawings, temperas, watercolours and theatrical designs for Zenit productions, including set designs, costumes and posters.
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Pannoo kavand () were composed. Along these, with the watercolours in soft tones that Ole brought from Paris, he also made colourful gouaches of Estonian landscapes, such as Lõuna-Eesti maastik () of 1932-1933. In the beginning of the 1930s Ole started painting portraits of Estonian cultural personalities of international standing. The series started with Dirigent Simmi portree () in 1931, which won the first prize of a national portrait contest.
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Works usually include oils, watercolours, sculpture ceramics, photographs and jewellery. Artists donate 35% of sales and all proceeds from the raffle, auction, "mystery pictures" and silent auction are 100% donations to the charity. New artists are chosen by a selection panel which seeks fresh, innovative and affordable work. Art for Youth London enables new and upcoming artists to exhibit at the Royal College of Art alongside more established talent.
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As editor of the 1968 David & Charles edition, L.T.C. Rolt dropped Dakin's watercolours in favour of eight of Temple Thurston's original photographs. The photographs were kept for the 1984 book, mixed in with many more contemporary photographs which editor David Viner thought gave Temple Thurston's account a 'period feel' as it was a time of great activity for photographers recording social life and customs for use as postcards.
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Chinese pigments () are the traditional medium to execute traditional Chinese brush paintings, besides ink. Chinese pigments is similar to Western gouache paint in that it contains more glue than watercolours, but more so than gouache. The high glue content makes the pigment bind better to Chinese paper and silk as well as enabling works of art to survive the wet-mounting process of Chinese hanging scroll mountings without smudging or bleeding.
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Gardner joined the Colonial Service after the war, serving in Kenya from 1951. He met his wife, Mary, at a dance in Mombasa. He then worked as an engineer in west Kenya, living in Kisumu beside Lake Victoria, before moving to Nakuru, where he painted oils, watercolours and pastels of local scenes, such as flamingos on a nearby soda lake. He caught tick typhus, and became deaf in both ears.
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Lady Forrest had a great interest in fine arts. She had an interest in native plants, and was an accomplished painter of wildflowers. She was a founding member of the Wilgie Club, the first artists' society in Western Australia, and exhibited six wildflower watercolours in the Wilgie First Annual Exhibition of Paintings in 1890. After her death in 1929, her collection was bequeathed to the Art Gallery of Western Australia.
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E. Rosa Sawtell worked in watercolours and pencil drawings. Her works were primarily landscapes (often plein-air studies) and portraits. In 1881 she was one of the foundation students at the Canterbury School of Art and exhibited with the Canterbury Society of Arts between 1882 and 1893 (under the name E. Rosa Budden). She received a silver medal by the Society in 1888 for ‘landscape study from nature’.
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Although these rarely come onto the market, eleven of his watercolours appeared at auction in Folkestone in 2008, and are now in a private collection. Rather than showing London views, two of them show Lincoln Cathedral, while another two show Lincoln town centre. The others are scenes of the countryside, mostly featuring trees. In his lifetime he was said to be the finest tree painter in the world.
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Andrews was born in Newport in Monmouthshire and was educated at the Forest Gate Collegiate School. She studied at the Worcester School of Art from 1903 to 1907 and then at the Glasgow School of Art for two years before attending Heatherley's School of Art in London until 1914. She painted landscapes and flower subjects in watercolours and tempera. Andrews also produced posters in tempera, decorative lettering and works on vellum.
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In September 2006, a collection of Capt. Grant's paintings was hosted by the John Martin Gallery in a charity exhibition, organised by his son, called "James Grant: 30 Years of Watercolours". His mother worked as a schoolteacher and taught Latin, French and music for more than 30 years in the state schools of west London. She died at the age of 67, 18 months after being diagnosed with pancreatic cancer.
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Born near Silkeborg, Hjorth Nielsen studied at the Royal Danish Academy under Ejnar Nielsen, Aksel Jørgensen and Einar Utzon-Frank. His earliest works at the Technical School in Silkeborg were detailed ink and watercolours including interiors. In 1923, he began etching with motifs from Copenhagen and the area around his home as well as scenes around Odsherred where he spend some time in the 1930s. From 1926, he created religious subjects.
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Sometimes he took a little lipstick and other cosmetics from his sisters. Later he used ink, watercolours and then a friend gave him six tubes of oil paint. Soon Amaringo began to make money from portraits, but lost his market when photographers began to colour black-green-and-white prints. With the discovery of his new artistic talent Amaringo's career as a healer also received exposure for all wonderful things.
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The gallery also has a collection of oil paintings and watercolours. Baxenden is probably best known as the home of Holland's Pies. Baxenden is also the home of the chemicals works Baxenden Chemicals. On the night of 6 September 1974, the so-called Black Panther, Donald Neilson, shot the Baxenden sub-postmaster, Derek Astin, at his home, injuring him so that he died soon after arriving at hospital.
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Schwartz 2001, p. 37. Her attitude toward her work was both self-effacing and confident. After viewing an exhibition of watercolours by Cézanne she remarked: "These are very good, but I prefer my own."Langdale 1987, p. 1. About 1913, as an obligation to the Dominican Sisters of Charity at Meudon, she began a series of painted portraits of Mère Marie Poussepin (1653–1744), the founder of their order.
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As an archaeological illustrator and architect, de Jong was responsible for both the accurate recording and the reconstruction of a wide variety of archaeological materials including: pottery, frescos, figurines or other small objects, and architecture. Watercolours, both translucent and opaque (gouache), on paper, were de Jong's preferred medium for the execution of archaeological illustrations. De Jong also produced many pencil and ink drawings. Piet de Jong was a talented artist.
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In 1973, he designed the scenes and costumes of the Sicilian Vespers for the reopening of the Teatro Regio in Turin. In the same year the Gallery of Modern Art in Vatican City dedicated a room to his work. In 1976 he completed two mosaics for the church of Sant'Andrea in Pescara. In 1982, he presented 58 watercolours he had originally made in 1943 to illustrate Alessandro Manzoni's The Betrothed.
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A Dictionary of British Military Painters. Leigh-on-Sea: F. Lewis he obtained much of the information from the Colonial and India Exhibition of 1886. During his lifetime, he, along with Orlando Norie produced thousands of watercolours depicting the uniforms and campaigns of the British Army. Simkin also contributed illustrations to numerous publications including the Boy's Own Magazine, The Graphic and others; many were published by Raphael Tuck and sons.
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De Wint often visited Hilton's home in Up-Hill, Lincoln and painted many of his charming landscapes in the district. De Wint first exhibited at the Royal Academy in 1807, and the following year at the Gallery of Associated Artists in Watercolours. In 1809 entered the Royal Academy schools. He was elected an Associate of the Old Water Colour Society in 1810 and was made a full member the following year.
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His clouds are depicted as close and palpable, as if nearby sheep. Callins avoided painting shadows, holding the opinion that shadows would put unwanted darkness into his compositions. Callins' first works were painted in house paints that he had left over in a cupboard. Afterwards he painted in oil, as "no man who loves the sea would paint in anything else"; watercolours would be easily destroyed by moisture.
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She was buried in an unmarked grave at Woodbrook Cemetery, Port of Spain, Trinidad. Norwich unofficial blue plaque commemorating Margaret Fountaine It was after her death that she acquired general fame, when her collection and diaries were unsealed. After her death her literary and artistic talent for drawing butterflies became known more widely. She left large collection of scientifically accurate watercolours to the British Museum of Natural History.
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They had no children. Ardilaun enjoyed painting, collecting her watercolours in a bound album, and was a member of the Water Colour Society of Ireland. The works include the landscape around Ashford Castle, the family's main home, and views from the family house in suburban Dublin. The couple completely rebuilt the Dublin house, renaming it from Thornhill to St Anne's, as well as arranging a grand addition to Ashford Castle.
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He researched his paintings sitting in fields and graveyards with his sketchbook and watercolours, then finished the works on a painter's easel at home. He worked primarily in oils and distemper (which was unusual for the times), but allowed him to achieve the palette that he needed. He worked mostly on board rather than canvas. He was influenced by the works of Morandi and the theories of colour psychology.
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In the 1987 Queen's Birthday Honours, Donnithorne was appointed a Member of the Order of the British Empire, for services to architecture. He was also a Fellow of the New Zealand Institute of Architects. In 2012, Donnithorne published a book, entitled Don Donnithorne: an architectural journey, of his watercolours of places that he had visited. Donnithorne died in Christchurch on 5 August 2016 at the age of 90.
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Ellen Willmott's The Genus Rosa, published in two volumes between 1910 and 1914, includes 132 watercolours of roses painted by Parsons between 1890 and 1908, which are now held by the Lindley Library in London. Willmott also commissioned Parsons to paint her three gardens. As a designer of gardens, Parsons went into partnership in 1898 with Captain Walter Croker St-Ives Partridge (1855—1924), as Parsons and Partridge of Newbury, Berkshire.
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In a portfolio called "Bruges" (1919) he reproduced several of Brangwyn's watercolours as large woodblock prints. Especially interesting within the Bruges portfolio is The Bridge at Predikheren, which is published in two different sizes. The artists applied this practice to six other subjects during their period of collaboration: The Beguinage, Bruges, of c. 1919; Ruins of a Roman Bridge over the Loire River, also of 1919; The Devil's Bridge, c.
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She produced pencil drawings, decorative watercolours and fans influenced by Conder and Japanese woodblock prints. She exhibited at the Royal Academy of Arts and the New English Art Club, later producing lithographs which were exhibited at the Senefelder Club and at the London Goupil Gallery for the International Society of Sculptors, Painters and Gravers. Proctor was also inspired by a performance of the Ballets Russes which she saw in 1911.
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She painted mainly in oils, and sometimes in watercolours, and also produced some etchings. Her subjects include landscapes of north Wales and various regions of England, as well as Scotland, indicating that she travelled widely throughout Britain. She was the most prolific artist of the six sisters. Modern writers have described her as "the most flamboyant and wildest", working "with a greater freedom and panache than her sisters".
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Keith Henderson (17 April 1883 – 24 February 1982) was a Scottish painter who worked in both oils and watercolours, and who is known for his book illustrations and his poster work for London Transport and the Empire Marketing Board. He had a long professional career that included periods as a war artist in both the First World War, in which he served in the trenches, and in the Second World War.
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His son, Sir John Witt, later gave more English watercolours and drawings to the Gallery. In 1958 Pamela Diamand, the daughter of Roger Fry (1866–1934), the eminent art critic and founder of the Omega Workshops, donated his collection of 20th-century art including works by Bloomsbury Group artists Vanessa Bell and Duncan Grant. In 1966 Mark Gambier- Parry, son of Major Ernest Gambier-Parry, bequeathed the diverse collection of art formed by his grandfather, Thomas Gambier Parry, which ranged from Early Italian Renaissance painting to majolica, medieval enamel and ivory carvings, and other types of art (see section below). Dr William Wycliffe Spooner (1882–1967) and his wife Mercie added to the Gallery's collection of English watercolours in 1967 with a bequest of works by John Constable, John Sell Cotman, Alexander and John Robert Cozens, Thomas Gainsborough, Thomas Girtin, Samuel Palmer, Thomas Rowlandson, Paul Sandby, Francis Towne, J. M. W. Turner, Peter De Wint and others.
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Christie witnessed the most horrific scenes as the battalion marched down a road in the Falaise Gap following the virtual annihilation of the retreating German Army. During rest periods Christie began to sketch and paint the scenes and landscapes around him in ink and watercolours as a refuge and way of coping with what he witnessed in combat, Allan states that Christie maintained that this was "not just art but a defence mechanism".Allan, Ted, "Fyffe Christie: Scottish Soldier and Artist", "The Covenanter", 2003, p38 These sketches and watercolours are now held in the Cameronian's Regimental Museum, the National Museum of Scotland in Edinburgh, and the Imperial War Museum, London; while the majority are with the Second World War Experience Centre in Leeds. Many of the young soldiers he served with were illiterate and, having overcome his own childhood dyslexia, Christie often helped his comrades by reading their letters from home and writing their replies for them.
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In 1946 Grigson was one of the founders of the Institute of Contemporary Arts (ICA) in London, together with Roland Penrose, Herbert Read, Peter Watson and Peter Gregory."History", ICA website.Barry Miles, London Calling: A Countercultural History of London since 1945, Atlantic Books, 2010. In 1951 Grigson curated an exhibition of drawings and watercolours drawn from the British Council Collection, which toured for three decades, to 57 art galleries and museums, across Western Europe, Eastern Europe, South America, North Africa, the Middle East, Far East, Canada and Australasia."British Drawings and Watercolours of the 20th Century from the Collection of the British Council", Visual Arts, British Council. The exhibition showcased more than 100 works, promoting artists including David Bomberg, Edward Burra, Cecil Collins, John Craxton, Frances Hodgkins, Barbara Hepworth, Augustus John, David Jones, Wyndham Lewis, John Minton, Henry Moore, Paul Nash, Ben Nicholson, Eduardo Paolozzi, John Piper, Graham Sutherland and Edward Wadsworth.
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The artist's refined personality, as if merging with the translucent watercolours, was expressed in the lyrical landscapes, imbued with gentle crystal fragility. The Three Ships. 1962 Although for the artist the sea was not only primordial beauty imbued with inimitable harmony, but also a dwelling place of the manmade objects- the ships. In depiction of the latter he predominantly employs graphic techniques: coal sketching, graphite pencil, drypoint print, etching and linocut print.
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Most of Meechan's career as a teacher was spent at C. W. Jefferys Collegiate Institute, where he was the Head of the Art Department from 1970, when the school was established, until 1986. Meechan continued to receive commissions for stained glass windows after that time. The subjects of his windows, understandably, have usually been religious. The subjects of his watercolours, however, have often included the shore of Lake Huron near Southampton, Ontario.
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From 1886, he exhibited at the Royal Academy, and Royal Society of British Artists. and the Royal Institute of Painters in Watercolours. His In the Garden of Hollyhocks (1890) was described by The Birmingham Daily Post as well harmonised, bright and 'gorgeous'.'Royal Society of Artists', Birmingham Daily Post, 19 September 1890 In 1896, the Dowdeswell Galleries held an exhibition of 59 of his works, under the title The Home of our English Wild Flowers.
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She produces limited edition prints and donates the original to the school. Collectors from around the world have bought Brenda's architectural watercolors. Barratt comes from a long line of professional artists and has been painting architectural subjects for over twenty years. Her father, Chris Rooke, was commissioned to paint watercolours of important buildings thought likely not to survive World War II. One of his paintings is in the custody of the Victoria and Albert Museum.
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Henry Stacy Marks (13 September 1829 – 9 January 1898) was a British artist who took a particular interest in Shakespearean and medieval themes in his early career and later in decorative art depicting birds and ornithologists as well as landscapes. Most of his early works were oils but he also worked on murals and with watercolours. He was a founding member of the St John's Wood Clique and was well known for his humorous performances.
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William and John, together with their sister Caroline, lived in Great Yarmouth for many years, the brothers chiefly producing watercolours. A number of picture collectors in the town actively purchased contemporary art, including paintings by the Joy brothers. They included the Lacon family of Ormesby, the Reverend John Homfray, Mr. Croker, Mr. Freeling and Mr. F. Turner. Although known as marine painters, the Joys also produced landscape sketches, some of which are in public collections.
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Here he continued to paint, primarily birds and other animals. He works in oils and watercolours, usually on a gessoed masonite panel or canvas which assists with the high detail. The style of his art might be described as conservative realism, most images having an almost photographic quality, although he is often comfortable leaving out detail in the backgrounds. Ching work is primarily of birds, but has included other wildlife landscapes and portraits.
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His most frequently performed works are the Trumpet Sonata (1935) and the Tre pezzi in forma di Sonata (Three pieces in sonata form) for French horn and piano. His work was also part of the music event in the art competition at the 1936 Summer Olympics. Already as a young boy Pilß was an ardent painter. His works include many drawings, watercolours and oil paintings as well as drawing in pastels and crayons.
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Seimetz was a prolific artist, creating over a thousand oils, watercolours and sketches of scenes in Luxembourg City and across the country. His work is however rather irregular compared to that of his friend Jean-Pierre Beckius who is regarded as the national "Moselle painter". His most fruitful period was in Echternach where he painted numerous scenes of the surroundings including the Mullerthal. His pictures are generally realistic and slightly romantic, bordering on Impressionism.
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From 1888 to 1908, Staples worked for the Telegram as a staff artist, reporter and political cartoonist, and illustrator for the J. Ross Robertson Collection. The Battle of York is an example from this collection. Thereafter, Staples became a well known artist, illustrating a number of books, executing commissioned murals, and producing a vast oeuvre of paintings, watercolours and etchings. Robertson also commissioned Staples to paint several large canvases of historical subjects.
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Loates was born in Toronto, a fraternal twin and the youngest of four boys. The family home was in Newtonbrook, a northern Toronto neighbourhood bordered by woods on the east side. Loates and his twin brother met Frederick Henry Brigden, founder of the Canadian Watercolourist Society, at his studio there. Brigden introduced Loates and his brotherThe Art of Glen Loates by Paul Duval, Published by Cerebrus Publishing to the art of watercolours.
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Plate 11 of the engravings, detail of centre image. William Blake's Illustrations of the Book of Job primarily refers to a series of twenty-two engraved prints (published 1826) by Blake illustrating the biblical Book of Job. It also refers to two earlier sets of watercolours by Blake on the same subject (1806 and 1821). The engraved Illustrations are considered to be Blake's greatest masterpieces in the medium of engraving,Schoenherr 1997, p.
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His paintings show ever stronger expressiveness, with his main motive to depict man and his inner world. Herman's early watercolours show strong, brilliant colours out of which his own particular expressionist colourism developed. From 1925, his work also reflected an increasing vision of future persecution and terror. Herman's 1973 painting Dva stabla pod brijegom (Two Trees at the Foot of a Hill) was featured on a stamp in the series Croatian Modern Paintings issued 2008.
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His work has been exhibited recently in November 2013 Edinburgh, 'Painting the Century',The Scottish Gallery, Edinburgh – Painting the Century Retrieved 1 December 2014Wall Street International – Art News article at an exhibition of some of his pastels ('Adam Bruce Thomson - The Pastels'), in October 2015, and in April 2017 at an exhibition of some of his watercolours (Adam Bruce Thomson 'Untroubled Certainty'), all at the Scottish Gallery,Scottish Gallery – Adam Bruce Thomson Dundas Street, Edinburgh.
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He travelled extensively in Namibia, staying at many farms and painting the diverse landscapes, but in 1947 he finally settled on a farm near Dordabis called Brack, about 60 km from Windhoek, with his friends Gebhard and Dorothee von Funcke. Jentsch found the Namibian landscape amenable to his mystic approach to art. His watercolours display the same calligraphic strokes seen in Chinese art. In 1960 Jentsch abandoned oils and worked only in watercolour.
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Frederik von Scholten (8 April 1796 - 22 December 1853) was a Danish naval officer, customs inspector and amateur artist who is today mostly remembered for his drawings and watercolours from the Danish West Indies where he worked as customs inspector from 1834. His works are frequently used as illustrations for articles and in books on the Danish colony. He was the brother of Peter von Scholten, Governor-General of the islands from 1827 to 1848.
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The Alpine Club in London possesses thirty paintings by SomervellAlpine Club Exhibition June 2005 . Abbott Hall Gallery in Kendal, England has thirteen Somervell watercolours and one oil painting whilst the Royal Geographical Society hold a large watercolour, Gaurisankar from the North West, dated 1924 although this may in fact be a painting of Menlungtse. Somervell's paintings of the Himalaya and of Westmoreland were exhibited at the Abbot Hall Gallery in April 1979.
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Born in Delle in 1808, Jean-Baptiste Schacre began his career in 1826 as a draftsman in the Ponts et Chaussées services. During that period he drew many sketches and watercolours depicting Alsatian landscapes and monuments. Becoming Chief draftsman on the Strasbourg-Basel railway, he settled in Mulhouse in 1838, where he opened his own architectural office in 1841. From 1844 until his death, Schacre was "architecte voyer" (city architect and road surveyor) of Mulhouse.
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Appleton illustrated more than 150 books in the course of her career, starting first with children's stories and later moving to literary classics. They included the fairytales of Charles Perrault and Hans Christian Andersen, William Blake's Songs of Innocence and a retold version of Alice's Adventures in Wonderland, The Children's Alice. Her watercolours were exhibited at the Royal Academy, and there was a memorial exhibition of her work at the Hove Library in 1952.
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After World War II, Forster married Adele Davis, and moved to Montreal, Quebec, Canada. In 1949, he began writing the weekly art review in the Montreal Standard, as well as several articles advocating Montreal artists, particularly the Automatistes. During the early 1950s, he exhibited in group shows at the Montreal Museum of Fine Arts, and his watercolours were singled out for their technical command. In 1952, he moved to Mexico City, Mexico.
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Back in Groningen Gerrit continued to try to make a name for himself as an artist. He had already managed to have his watercolour De Bornse hut, which he had painted at the end of 1881, exhibited at Kunstlievend Genootschap Pictura in March 1882. In November of the same year he again exhibited a few watercolours at Pictura. They were well received and he would exhibit work there a few more times afterwards.
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11 Between 1799 and 1800, John Nash was employed to enlarge the house and added a clock tower.Bucks Gardens Trust, Site Dossier: Chalfont Park (2016), p. 9 J. M. W. Turner also visited the estate and painted two watercolours of the house in 1800. Thomas died childless in 1819 and Chalfont Park was inherited by his brother Robert who bequeathed the estate to his son John Nembhard Hibbert on his death in 1835.
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While Barret is better known for his oil paintings, he was also a notable watercolourist. Thomas Bodkin wrote His watercolours are rare, and far surpass those of his . They are painted with great fluency.....The bold blueness of their skies, though usually now much faded, excites much admiration, when the distaste of the eighteen century for primary colour in landscape is remembered. Like John Sell Cotman, he was fond of painting watercoulour landscapes in monochrome.
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His buildings influenced residential and non-residential architecture in the state regional centres. Poole was also an artist, painting in watercolours and oils and was the founder of the Wilgie Sketching Club (1889). He was a prominent Freemason, Anglican and member of the Weld Club, an important member of the Perth establishment. In June 1902, Poole ran for parliament, contesting the 1902 Claremont by-election (caused by the resignation of William Sayer).
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Pearse was appointed Curator of the Dunedin Public Art Gallery in 1946, a position she held until retiring in 1964. She was the first woman to hold such a position in New Zealand. During her tenure, Pearse made a number of trips to Britain to acquire artworks for the gallery. Most notably, she secured the donation of Archdeacon F.H.D Smythe's extensive collection of British watercolours - 1,300 works painted between the seventeenth and twentieth centuries.
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Studying in the academy is not easy for Somov, but in 1897 he successfully completed it and moved to Paris to continue his education at the legendary Académie Colarossi. Inspired by Watteau and Fragonard, he preferred to work with watercolours and gouache. For three years he worked upon his masterpiece, Lady in Blue, painted in the manner of 18th- century portraitists. The artist's first serious success came a year before graduation from the Academy.
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That proposal was rejected but shortly afterwards Muirhead Bone bought two of her watercolours for the Imperial War Museum collection. In 1919 she was elected a member of the New English Art Club. By the start of World War Two Coke was a popular and well known artist. During the War she received a short-term commission from the War Artists Advisory Committee to depict the work being performed by women in various services.
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This period is thought of as a botanical Renaissance. Europe became engrossed with natural history from the 1530s, and gardening and cultivation of plants became a passion and prestigious pursuit from monarchs to universities. The first botanical gardens appeared as well as the first illustrated botanical encyclopaedias, together with thousands of watercolours and woodcuts. The experience of farmers, gardeners, foresters, apothecaries and physicians was being supplemented by the rise of the plant expert.
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Cor Visser (26 August 1903, Spaarndam, North Holland – 27 September 1982, Ipswich) was a Dutch artist who spent much of his life living in and around Suffolk in the United Kingdom. He first sailed to England in 1937 where he became particularly associated with the River Orwell, living for a while in his boat. He painted numerous watercolours of the river and surrounding area. He became involved in teaching and helping local artists.
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Keating also produced a number of watercolours in the style of Samuel Palmer. To create a Palmer watercolor, Keating would mix the watercolor paints with glutinous tree gum, and cover the paintings with thick coats of varnish in order to get the right consistency and texture. And oil paintings by various European masters, including François Boucher, Edgar Degas, Jean-Honoré Fragonard, Thomas Gainsborough, Amedeo Modigliani, Rembrandt, Pierre-Auguste Renoir and Kees van Dongen.
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John James had sent the piece to Turner, who did not wish it to be published. It finally appeared in 1903.Dinah Birch (ed.) Ruskin on Turner (Cassell, 1990) Before Ruskin began Modern Painters, John James Ruskin had begun collecting watercolours, including works by Samuel Prout and Turner. Both painters were among occasional guests of the Ruskins at Herne Hill, and 163 Denmark Hill (demolished 1947) to which the family moved in 1842.
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Etruscan sarcophagus (1928) Henriques, who had travelled frequently as a child, later also visited Italy, Spain, North Africa, England, the Netherlands, Belgium, Sweden and Egypt. Of particular note were her stays in Greece where she spent long periods from 1910 to 1913. Both at home and abroad, she exhibited watercolours and oils depicting scenes from her travels. Henrigues' early work was in the Realist style but during her stay it Paris it became increasingly Impressionist.
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In 1965 Addyman married Shelton "Shelly" Addyman (née Oliver). She died on 25 November 2016; the two had met while he was excavating an Anglo-Saxon village in Devon as a research assistant at Queen's University Belfast, and she was a doctoral student from Atlanta, Georgia. He has one son, Tom, and one daughter, Sue, in addition to grandchildren Oscar, Oliver, Harry, and Tatiana. As recreations Addyman enjoys gardening, watercolours, and travel.
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H. Moseley, during 1841 – 1866 . Although some of her works were in oils, she worked mostly in watercolours. She exhibited no less than 149 works at the Royal Academy of Arts and also exhibited at the Royal Society of British Artists (1834), the Suffolk Street Gallery, the British Institution (1863), and the Society of Women Artists (1857–1862). She was a member of the Society of Women Artists from 1859 until 1870.
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Gert Tobias and Uwe Tobias (born 1973) are twin brothers working as a collaborative duo of visual artists. The brothers were born in Braşov, Romania; they live and work in Cologne. They are known for their woodcut prints as well as relief sculptures, drawings using typewriters, watercolours and ceramics. Their work centres on their Romanian heritage and the myth and legend that is associated with that area, such as the story of Dracula.
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Gore was born in Horkstow Hall in Horkstow in North Lincolnshire in 1729. He attended Westminster School before working with his father's brother in a London trading company. In 1751 he married Mary (born Cockerill), whose wealth meant that Gore did not need to work again. After his father died he moved with his family in 1759 to Southampton, where he spent many days creating watercolours of naval scenes at the Portsmouth shipyards.
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He died peacefully at his home, Ashbrook, in Ilkley on 17 September 1967 and was buried in Ilkley cemetery along with his first wife and their son. At the time of his death he had hundreds of patents to his name. Spooner was a supporter of local causes, and in 1962 established his charitable trust: W.W. Spooner Charitable Trust.Open Charities"W W Spooner Charitable Trust" Spooner and his wife Mercie were collectors of English watercolours.
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Ina Millman is a South African artist and a well established art teacher based in Johannesburg, South Africa. She paints in many different styles, including watercolours, oils, acrylics and pastels. Ina’s work can be viewed at exclusive galleries in South Africa. She has also exhibited as far afield as the Del Bello Gallery in Toronto, Canada and her paintings are on display in Australia, New Zealand, Germany, USA and the United Kingdom.
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Her work was respected and appreciated by most of the people. Not only had she laid stress on painting portraits of native people but also she did a great job in painting landscapes in oil as well as watercolours. Her increasing number of portraits were like "The Collection" but she didn't accept offer to sell her whole works all together. She made a decision to preserve them by offering them to the Government of Canada.
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By the fourth year, art sales picked up, and his prospects brightened. In 1966 he won Sir Henry Kelliher's Dawson Hallmark watercolour award, which propelled him to fame and brought him commissions. Many of the early commissions came from remote farms, and he was happiest when painting on location. His favourite medium was watercolours, but over time he used this less, in favour of oil acrylics, which he preferred to straight oils.
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He also contributed illustrations to Elsevier Geïllustreerd Maandschrift from 1892 to 1894. In 1896 he was admitted to the Hollandsche Teeken Maatschappij, a society that promoted the medium of watercolours among its members. He got married in 1900, to Lide Doorman, a talented painter of floral still lives, who lived in the house opposite of Arntzenius' mother,"Het Haagse School boek": John Sillevis, p.400 together they had four daughters, who he frequently painted.
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The distinctive style of his watercolours was influenced in part by Crome, and John Sell Cotman. As an etcher he was unsurpassed by the other Norwich artists in the use of drypoint, and he anticipated the modern revival of etching that began in the 1850s. His prints were made by his friend and neighbour Henry Ninham, whose technique he influenced. His paintings of the Near East may have been made with future works in mind.
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Henry James Morgan remarked that he would like to have Love's watercolours of the Eastern Townships published. The 1960 New Brunswick Museum Art Bulletin described Love's lithographs A view near St. Andrews, New Brunswick (Chamcook) and A view on the St. Croix River, New Brunswick as likely being the first drawn-on-stone lithographs in Canada. In 1856, her husband was knighted. As a result of his title, Love officially became Lady Mary Love.
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Droving into the Light, 1914–21, Art Gallery of South Australia Sir Hans Heysen (8 October 18772 July 1968) was a German-born Australian artist. He became a household name for his watercolours of monumental Australian gum trees. Heysen also produced images of men and animals toiling in the Australian bush, as well as groundbreaking depictions of arid landscapes in the Flinders Ranges. He won the Wynne Prize for landscape painting a record nine times.
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Loten was well versed in the zoological, astronomical, genealogical and medical literature of his era. Loten's activities as a collector were those of a virtuoso in the sense that his interest in natural phenomena was based purely upon a fascination with exotic nature and its unique and rare components. In Engeland he came in touch with naturalists in the just founded British Museum. He donated watercolours, stuffed birds and mineral stones to the British Museum.
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Ella Du Cane came into artistic prominence in 1893 when she exhibited at an exhibition of the prestigious New Society of Painters in Water Colours.Redfoot 29. Queen Victoria took a personal interest in her work, acquiring 26 of Du Cane's works between December 1895 and August 1898.Delia Millar, "Ella Mary Du Cane (1874-1943)," in The Victorian Watercolours and Drawings in the Collection of Her Majesty the Queen (London: Philip Wilson, 1995), 284.
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Mackenzie was born in Bradford, West Riding of Yorkshire, England, and became an artist producing illustrations for books, and watercolours. His earliest commissioned works were for Ali Baba and Aladdin and illustrations for James Stephens's The Crock of Gold , Arthur Ransome's Aladdin and His Wonderful Lamp in Rhyme, Christine Chaundler's Arthur and His Knights and James Elroy Flecker's Hassan. He failed to make a career as a painter in France and died in 1944.
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The museum's permanent exhibition focuses on Roman life in the late eighteenth and nineteenth centuries. Major themes are costume, folk dancing, festivals, and crafts. The collection includes paintings, prints, drawings and watercolours, including the series on Roma sparita ("vanished Rome") by Ettore Roesler Franz (1845–1907), and life-size representations of day-to-day life, known as "Roman Scenes". Exhibition of the Franz water colours is rotated in order to conserve them.
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Is the story of Paulo, a shepherd boy who learns to play the flute from listening to the voices of all the creatures around him. When King Ocean hears Paulo challenging him, he summons the boy down to his underwater palace for a musical duel. Beautiful watercolours by Peter Malone and a lyrical text inspired the Sunday Times to name it their Children's Book of the Week, and call it a ‘masterpiece’.
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Gutman's studio, Nahum Gutman Museum of Art Gutman helped pioneer a distinctively Israeli style, moving away from the European influences of his teachers. He worked in many different media: oils, watercolours, gouache and pen and ink. His sculptures and brightly colored mosaics can be seen in public places around Tel Aviv. Indoor murals depicting the history of Tel Aviv can be seen in the western wing of the Shalom Tower and the Chief Rabbinate building.
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Eden Rock contains 32 rooms and suites and 2 villas. The original rooms are described as being "stuffed with antiques, family heirlooms, silver fixtures, steamer trunks, four-poster beds and watercolours of local scenes". The beach houses contain one to three bedrooms. The Howard Hughes Suite is above the main building on the rock, and features hardwood floors, three verandahs offering 360-degree panoramas, and two bathrooms uniquely clad in wielded copper.
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Andrews was born in Brighton, where her father was an inventor and engineer, and where she studied at the Brighton School of Art and won a bronze medal for design. Awarded an Art Masters' Teaching Certificate, Andrews was teaching art by the age of twenty-two. Working in pastels and watercolours Andrews painted landscapes and depicted birds and animals. Andrews had solo exhibitions in Leeds, Bradford, Newcastle upon Tyne and in Bournemouth and Brighton.
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John Eagles, son of Thomas, prepared an edited copy of this for publication, including 37 watercolours mainly by Nicholas Pocock, intended for engraving. This Eagles version appeared in 1815, but without the illustrations, and in 2006 its manuscript was acquired by the National Maritime Museum, Greenwich, UK. Williams' original manuscript, bequeathed to Eagles senior, is at the Indiana University at Bloomington. The manuscript was transcribed and published in 1969 by David Howard Dickason.
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Sergei Yefimovich Zakharov was born November 26, 1900 in the town of Alexandrovsk-Sakhalinsky located on Sakhalin Island near the Tatar Strait on the western shores of Northern Sakhalin at the foot of the Western Sakhalin Mountains. In 1927 Sergei Zakharov graduated from the Tomsk Institute of Architecture and Construction. Since 1928 Sergei Zakharov has participated in art exhibitions. He painted still lifes, portraits, landscapes, genre scenes, worked in watercolours, tempera, and monumental painting.
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In the 1980s she did a series of over a hundred strong-hued symbolical watercolours. She was an avid gardener. From 1964 to 1969 she taught drawing part-time at the School of Architecture at the Technical University of Nova Scotia. During the Seventies she curated a show of Expressionist prints and was Acting Director of the Dalhousie University Art Gallery for a year, curating the Fourth Dalhousie Drawing Exhibition in 1979.
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300 Burr travelled widely for inspiration, and published Sketches in Spain, The Holy Land, Egypt, Turkey, and Greece in 1841. Burr later became a travelling companion of Austen Layard, and painted many watercolours on travels through Egypt and Turkey. Dante Gabriel Rossetti wrote descriptions of her tracings of threatened Italian mosaics in the mid-19th century. On 18 September 1839, the then Anne-Margaretta Scobell married Daniel Higford Davall Burr at St Marylebone Parish Church.
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Murray was very active during the sixteen years she lived in the United States. She is mentioned in Portland newspapers such as the Portland Daily Press, and in works like Portland and Vicinity by Edward H. Elwell. Murray also resumed writing, although she stopped writing about her travels and instead wrote about more technical questions about painting with watercolours. Her work culminated in writing The Modern System of Painting in Watercolour from the Living Model.
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In 1791 he engraved the assassination of Rizzio after John Opie (for which the Society of Arts awarded him their gold palette and twenty-five guineas), and in 1796 he completed a book of forty plates illustrating the architectural details of the fifteenth-century church at Lavenham, entitled Specimens of Gothic Ornaments selected from the parish church of Lavenham in Suffolk. He also sketched in watercolours and engraved a series of Suffolk mansions.
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The term here refers to personal disposition, rather than connection with a historical movement. are characterized by dark colours and the heavy use of black. They differ sharply from his earlier watercolours and sketches at the École Spéciale de dessin at Aix-en-Provence in 1859, and their violence of expression is in contrast to his subsequent works.Le Moniteur, 24 April 1863, in Maneglier, Hervé, Paris Impérial – La vie quotidienne sous le Second Empire, p.
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The tiles were produced by Poole Pottery. Barden was also responsible for two ceramic murals in Halifax swimming pool inspired by British pond life. The building was opened in 1966 and designed by the borough architects FH Hoyles and JL Berbiers. He also exhibited works in watercolour and oils twice at the Royal Academy Summer Exhibition, in 1969 and 1972 and at Royal Institute of Painters in Watercolours exhibitions in the 1970s.
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She produced illustrations for Maria Edgeworth's The Parent's Assistant, which were used in the third edition. It was the production of these drawings that led to Richard Lovell Edgeworth and Frances meeting and subsequently marrying. The private collection at Edgeworthstown House holds an album containing some of these drawings. The Huntington Library in California has a volume of her botanical watercolours of plants from her home and around Ireland, dating from 1798 to 1807.
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A new exhibition of original Kittelsen works is opened each year with painting and drawing activities arranged for children. The paintings exhibited are rotated each year.Lauvlia - Theodor Kittelsen's Home Norwegian Heritage Foundation. Norsk Kulturarv The national Theodor Kittelsen Museum at Blaafarveværket is at the Skuterudhøyden ridge by the Cobalt Mines. Kittelsen’s poetical interpretations of nature, the forest, the mountains and trolls are presented in the form of carved furniture, oil paintings, watercolours and drawings.
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Also included in the "Pennant Collection", housed at the National Library of Wales, are many watercolours by Moses Griffith and John Ingleby, and some drawings by Pennant himself. The artist Moses Griffith, a native of Bryncroes in the Llŷn Peninsula, provided illustrations to most of Pennant's books. He was employed full-time by Pennant and accommodated at Downing. Many of these paintings are included in the Pennant Collection held by the National Museum of Wales.
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Fiore, J., "How the Swedish Mystic Hilma af Klint Invented Abstract Art", Artsy, October 12, 2018. If the paintings for the Temple were mostly oil paintings, she now also used watercolours. Her later paintings are significantly smaller in size. She painted among others a series depicting the stand-points of different religions at various stages in history, as well as representations of the duality between the physical being and its equivalence on an esoteric level.
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Swain was teaching calligraphy and embroidery at the Royal College when she became engaged to Morley. With fees from a commission to illustrate A Wanderer in Florence by E. V. Lucas (1912), Harry and Lilias Morley honeymooned in Florence. The couple travelled on to Venice and Paris, studied paintings in the galleries and sketched. Watercolours made by Morley in Venice were used two years later to illustrate Lucas's A Wanderer in Venice (1914).
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This department was created at the start of the 19th century and includes works on paper - drawings, prints, engravings, watercolours etc. - based on line rather than colour. In all it more than 8,000 works, including ones by Filippino Lippi, Parmigianino, Fra Bartolomeo, Leonetto Cappiello, Nicolas Poussin, François Boucher, Ingres, Théodore Géricault, Eugène Delacroix, Camille Corot, Honoré Daumier, Odilon Redon, Puvis de Chavannes, Edgar Degas, Henri Matisse, Fernand Léger and a remarkable study by Albrecht Dürer.
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His landscapes of this period, such as Pond in the Woods and Willow Mill, are quite different from his earlier watercolours. There is a much greater emphasis on capturing atmosphere, rather than depicting topography. He made a number of Madonnas, single religious figures, and small scenes with comic peasant figures. Prints are highly portable and these works made Dürer famous throughout the main artistic centres of Europe within a very few years.
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Fritz Baumgarten (18 August 1883, Reudnitz (now part of Leipzig) - 3 November 1966, Leipzig) was a German illustrator. He illustrated countless children's books in light pen works, coloured richly and very painterly with watercolours. His style was very modern, loose and impressionistic, but still with strong roots in life-drawing, animals drawing and academic composition. His fantasy world was populated with temperate forests' animals, elves and fairies, farm animals, children and teddy bears.
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His family again urged him to attend the École des Beaux-Arts, but he still refused. He wrote in his journal in December 1831, "the École is just a mould for architects. they all come out practically identical." He was a talented and meticulous artist; he travelled around France to visit monuments, cathedrals, and other medieval architecture, made detailed drawings and watercolours, which he sometimes sold at a high price to members of the Court.
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While she was still in school, Greenaway received commissions for children's book illustrations. The first came in 1867 for a frontispiece for Infant Amusements, setting a path towards specialization in children's books.Huneault, 611 Her reputation was built on the awards she had won while completing the National Art Courses, and buttressed with early exhibitions. She exhibited a set of fairy watercolours in 1868, which she sold to W. J. Loftie, publisher of People's Magazine.
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Andrew Wilton & Anne Lyles, The Great Age of British Watercolours (1750–1880), p. 318, 1993, Prestel, His landscape style often shows views with strong sunlight, with intense contrasts of colour. Between 1878 and 1883 Lear spent his summers on Monte Generoso, a mountain on the border between the Swiss canton of Ticino and the Italian region of Lombardy. His oil painting The Plains of Lombardy from Monte Generoso is in the Ashmolean Museum in Oxford.
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Facing persecution from the Mughal Emperor, Aurangzeb, these artisans found refuge, via Murshidabad, in Patna during the late 18th century. Their art shared the characteristics of the Mughal painters, but whereas the Mughal style depicted only royalty and court scenes, the Patna artists also started painting bazaar scenes. They used watercolours on paper and on mica. The style's subject matter evolved to include scenes of Indian daily life, local rulers, festivals, and ceremonies.
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1813, National Gallery of Art In 1813 Danby left for London together with O'Connor and Petrie. This expedition, undertaken with very inadequate funds, quickly came to an end, and they had to get home again by walking. At Bristol they made a pause, and Danby, finding he could get trifling sums for watercolours, remained there working diligently and sending to the London exhibitions pictures of importance. There his large oil paintings quickly attracted attention.
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A Jake and Dinos Chapman fused mannequin piece from the exhibition Come and See at the Serpentine Gallery Iakovos "Jake" (born 1966) and Konstantinos "Dinos" (born 1962) are British visual artists, often known as the Chapman Brothers. Their subject matter tries to be deliberately shocking, including, in 2008, a series of works that appropriated original watercolours by Adolf Hitler. In the mid-1990s, their sculptures were included in the YBA showcase exhibitions Brilliant! and Sensation.
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He was a keen fisherman and regularly shared this hobby with the Swan Hill High School principal, Fred Wells. He continued to exhibit at the Gallery of Contemporary Art, Melbourne, in 1956 and 1957, but his work was either strongly criticised or not noticed at all. He was transferred to Eltham by the Victorian Education Department, but was sacked for unsatisfactory performance. He returned to Mildura, living in a shack and painting watercolours.
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He obtained many commissions from the royal family, producing oil paintings, watercolours and sketches, and painting photographs; a notable commission was to paint Looty, the Queen's Pekingese. Apart from royal patronage, work included book illustrations, and plates for the Illustrated London News. Looty (1861), in the Royal Collection. Keyl was a frequent exhibitor at the Royal Academy of Art and the British Institution, though he was by nature averse to exhibiting his pictures.
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Graham Vivian Sutherland (24 August 1903 – 17 February 1980) was an English artist who is notable for his work in glass, fabrics, prints and portraits. His work was much inspired by landscape and religion, and he designed the tapestry for the re-built Coventry Cathedral. Printmaking, mostly of romantic landscapes, dominated Sutherland's work during the 1920s. He developed his art by working in watercolours before switching to using oil paints in the 1940s.
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In 1923 Mary Greg further gifted to the Gallery her late husband Thomas Greg's collection of pottery from the Roman period to the early 19th- century which had been on loan to the Gallery since 1904. In 1920 Dr David Lloyd Roberts bequeathed his collection of paintings, watercolours, prints, silver and glass to the Gallery, while in 1934 John Yates bequeathed his extensive collection of jades, oriental ivories, enamels, antiquities and Victorian paintings.
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In 1935 he joined the Bradford Civic Theatre where he performed in many productions, usually in comic roles. Many were plays by JB Priestley, man of letters, lifelong friend and the most celebrated Bradfordian of that generation. He also took up painting, mainly in watercolours. He studied at the Bradford School of Art and joined Bradford Arts Club where he remained a member for over 60 years, serving later as vice-chairman, chairman and president.
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In 2008, a model set made by Tilley was sold at auction. The model, with interchangeable sets, was built using cardboard and glue. It was used to test scenery ideas for The Hardy Players’ performances at the Corn Exchange, and is the only known model used by them. The miniature set designs, all hand-painted in watercolours, include sets used for The Return of the Native, Tess of the D’Urbervilles and The Woodlanders.
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Aron's watercolours, which also formed an important part of the collection, were rediscovered in 1960 and transferred to the National Museum of Greenland. After first settling in Copenhagen, they moved to Kristiania in 1883. It was here that Signe Rink found time to write, publishing Grønlændere (1886), Grønlændere og Danske i Grønland (1887), Koloni-Idyller fra Grønland (1888) and Fra det Grønland der gik (1902). Signe Rink died in Oslo on 19 April 1909.
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On returning to Egypt after the division had been evacuated from Crete at the end of May, several of McIntyre's works were published in Parade magazine. He was not able to bring with him all his paintings; some of the larger watercolours had to be abandoned in Crete. In Egypt, McIntyre's initial focus was converting the many sketches he had made on Crete into proper paintings. Impressed by the output, Freyberg promoted him to captain.
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In March and April 1946, a memorial show was held at the Wildenstein Gallery in London with 59 works in oil, watercolour, etchings, drawings and pastel, dating from 1903 to 1945.Buckman, David (1973), p. 46 A second show was held in August and September at the Ferens Art Gallery, Hull, with 58 works—32 oils, 14 watercolours and 12 pastels. In 1973, a retrospective was held at Maltzahn Gallery, Cork Street, London.
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The daughter of Sir Henry Pering Pellew Crease and Lady Sarah Lindley Crease, she was born in Antron, Cornwall and came to Victoria, British Columbia in 1860. Crease moved to New Westminster with her family in 1862, returning to Victoria six years later. She took private art lessons in Canada and England, also attending art classes at King's College in London with her sister Josephine. Crease produced a number of watercolours of Vancouver Island.
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Marie Françoise Gilot (born 26 November 1921) is a French painter, best known for her long, stormy relationship with Pablo Picasso, with whom she had two children. Gilot was already launched as an accomplished artist, notably in watercolours and ceramics, but her professional career was eclipsed by her social celebrity, and when she split from Picasso, he discouraged galleries from buying her work, as well as unsuccessfully trying to block her memoirs, Life with Picasso.
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Jacob Kornerup: Watercolour depicting frescos in St Ib's Church In the second half of the 19th century, Jacob Kornerup discovered traces of frescos from the 13th century, recording them as watercolours. The church had originally been richly decorated with wall paintings but only a few traces now remain on the rear wall. The church's furnishings were removed in 1808 when the church was used to accommodate Spanish soldiers. Only the Romanesque granite font remains.
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She also painted interiors and flowers, and worked with oils, watercolours, and pastels. Her cityscapes contained charming observations of Melbourne life. As part of a first wave of feminist artists in Melbourne, Whyte presented a paper at women's cultural group the Austral Salon along with Violet Teague in August 1907. While a copy of her lecture was not archived it is said she discussed the struggle for Australian women artists to get recognition.
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Surrealist works were shown at a number of exhibitions in Edinburgh during the late 1930s. One example was the SSA exhibition in December 1937, which included the first works by Salvador Dalí, Max Ernst and Giorgio de Chirico to be shown in Edinburgh.Society of Scottish Artists, An Exhibition of interest and Merit, The Scotsman, 1937-12-11, p.15. Lucas would certainly have attended because one of his watercolours was also included.
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She has exhibited in London, several times at Leighton House Museum, and in many European and Arab countries. Presently she is producing works of art and writing under a pen name in Britain. She has also published a book which was translated to many languages, entitled Fabled Cities, Princes and Jinn from Arab Myths and Legends. As a visual artist, Al Saleh works in ceramics, glass, prints and paintings (watercolours and gouache).
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The short is a 35 mm film (Digital Betacam), all of it shot within a 3x3 m blue screen over two days, using two lamps, "a shopping cart for a dolly," on a Canon XM1 DV camera. According to Diez: "Pretty much everything except the actor is CG. I spent about 2 months in front of my monitor," using After Effects and 3ds Max. All the textures were hand painted with watercolours.
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His son John was also living with the family at the time. He was a founder member of the New Watercolour Society (founded 1831, and renamed "The Institute of Painters in Watercolours" in 1863.) He joined in 1832 soon after its foundation, and was on the committee of Management in 1833, for a year. He was also a professional subscriber in 1834, but according to the catalogues was neither a member nor exhibitor after 1835.
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Barber Institute of Fine Arts Birmingham has two major public art collections. Birmingham Museum & Art Gallery is best known for its works by the Pre-Raphaelites, a collection "of outstanding importance". It also holds a significant selection of old masters – including major works by Bellini, Rubens, Canaletto and Claude – and particularly strong collections of 17th-century Italian Baroque painting and English watercolours. Its design holdings include Europe's pre-eminent collections of ceramics and fine metalwork.
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In December he won the gold medal of the Canarian Watercolour Association Association, during the IV competition held at the Cairasco exposition gallery, for "Bruma" (Mist).María Dolores Arroyo Fernández, La Pintura Contemporánea de paisaje en las Canarias orientales (doctoral thesis). University Complutense of Madrid, 1991, p. 667. In 1979, another series of watercolours about the old quarter of Gran Canaria's capital entitled "Homenaje a la vieja Ciudad" (Homage to the old city).
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Gill was born in Periton, Minehead, Somerset, England, in 1818. He was the son of the Reverend Samuel Gill, a Baptist minister, and his first wife, Winifred Oke. Rev. Gill became the headmaster of a school at Plymouth, where the son was first educated, then he continued to Dr Seabrook's Academy, Plymouth. Having moved to London, Gill appears to have exhibited his watercolours and worked as a draftsman at the Hubbard Public Gallery in London.
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They married in Toronto in 1929. In the early years of their marriage, while living part of the year in Rome, she joined her husband at the excavations of the Royal Italian Archaeological Expedition in Egypt at Tebtunis in the Sahara desert, where he was field director. While at the work site, she drew and painted watercolours (now at Trent University) of workers and local customs, and of early Coptic church frescoes.
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In the late 18th and early 19th centuries the palace was the main residence of Governors-General. In the early 19th century, the palace burned down in a series of fires, and was in total disrepair and abandoned for almost half a century. In 1870, Alexander II of Russia had the palace reconstructed by the architect Konstantin Mayevsky, using old drawings and watercolours as guide. It was then renamed after the reigning Empress Maria Alexandrovna.
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A page from Fountaine's sketchbook, produced while on expedition in India, Ceylon, Nepal and Tibet In the run-up to World War I Fountaine was on expedition in India, Ceylon, Nepal and Tibet. On the trip she produced watercolours of caterpillars and butterflies, which were published in The Entomologist.Waring (2000), pp. 57–58. During the war Fountaine travelled to the US, and in 1917 published articles on her collection while volunteering for the Red Cross.
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As well as watercolours and oil paintings, Petts also produces limited edition prints. Petts has produced many Oxford views, including of Port Meadow. In 2013, Petts exhibited a series of "In Memoriam" oil paintings of Port Meadow after Oxford University's Castle Mill development that has affected views of the Oxford skyline from the meadow, as part of the Oxfordshire Artweeks, at St Barnabas Church in Jericho, Oxford. She was featured in The Oxford Art Book.
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Dr Zaman has held five solo exhibitions and participated in many group exhibitions both at home and abroad. She was the first female lecturer at what has become the Faculty of Fine Art, Dhaka University, and was the first female Director (Dean) there. As well as being known for her oil paintings, acrylic painting and her watercolours, she has had a long career as an illustrator. Taught by Bangladesh's premiere illustrator Hashem Khan.
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Born 8 May 1810 Stoke Damerel OPC (Online Parish Clerk). in Devonport, Devon, he was admitted into the Royal Academy Schools on 22 April 1829 under the sponsorship of fellow Devonian James Northcote, a former pupil of Sir Joshua Reynolds. His professor of painting was Thomas Phillips and his lecturer in perspective was J.M.W. Turner. He was an early member of the New Watercolour Society and the Institute of Painters in Watercolours.
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181 Nattes produced some of the earliest examples of watercolour painting in Britain."Nattes, John Claude". Dictionary of National Biography He was associated with the founding of the Society of Painters in Watercolours, founded in 1804, but he was expelled after two years for exhibiting other peoples’ work as his own. He continued to exhibit at the Royal Academy until 1814. According to the Dictionary of National Biography Nattes died in London in 1822.
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Louisa Beaufort wrote a number of tour journals which are among the manuscripts in the Library of Trinity College. Also in the Library is a book of watercolours of antiquities which Beaufort dedicated to her brother Admiral Francis Beaufort in 1857.Louisa Beaufort's manuscript entitled 'Irish scraps to amuse my dear Admiral'. Trinity College Dublin MS 8269 The journal, of which these are the illustrations, is at the Huntington Library, San Marino, California.
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While working at the business, he focused his artist practice on Photography, Landscape watercolours and acrylic portraiture. Levine created his first figurative nail sculpture in 2004 and is believed to be the first person to use nails to describe figurative studies in this way. Levine stated that he was unhappy with his first attempt, which was eventually discarded. His Hungarian wife Krisztina acted as his muse for much of his early work 2004–2007.
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Having worked in several Government offices in Réunion, he was appointed personal secretary of Mauritius Governor Robert Farquhar. Telfair improved the education and housing of estate slaves, and found less strenuous occupations for elderly slaves. He was honorary curator of the botanical garden at Pamplemousses from 1826 to 1829. His old colonial château has now been turned into a restaurant, with watercolours of local flora painted by Telfair’s wife Annabella Chamberlain adorning the walls.
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In 1887 she exhibited three watercolours – Clovelly Pier, Clovelly and Bristol Streets – with the Society of Lady Artists (SLA) in London. The Society's purpose was ‘to gain acceptance for women artists by giving them the opportunity to exhibit their work. Membership was granted to women who had exhibited with the Society and who earned their livelihood through art.’ The Society's name changed to the more assertive Society of Women Artists in 1899.
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In 1982, he edited Sankalp: A collection of essays by social activists in Maharashtra. It was awarded the Marathi Sahitya Parishad award. His second book, the novel Ashant Parva (Season of Unrest, 1992), concerns itself with the construction of a politically sensitive self in post-industrial India. With his solo exhibition of watercolours, Rumour of the Truth (2003), held in Mumbai, Chennai and Delhi, Khandekar occasioned the arrival of his pictorial vocabulary.
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In 1982, Sansom was a visiting artist at the Stedelijk Museum in Amsterdam and in 1985 he was Artist-in-Residence at The University of Melbourne. In 1991, Sansom represented Australia at the Indian Triennial held in New Delhi. At this event he exhibited watercolours made while he lived for six months in New Delhi, in 1989. His aim had been to make one watercolour per day during this period, using humble materials, but on archival paper.
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Hodgson mainly worked in oils and produced few watercolours of a high quality. His sketches and watercolour studies were later used as the basis for future works. Hodgson's paintings have at times been confused with those of his father, whose footsteps he followed, but whose works were of a less domestic nature than his son's. The works he produced during the latter part of his career show little significant development in style from earlier works dating back to 1822.
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On graduating in 1989, he was awarded the Designer/Illustrator merit award. Kuijers freelanced briefly as a designer and illustrator, but now paints full-time. He regularly takes part in group exhibitions and has completed various commissions, notably acrylic seascapes for the new President Hotel and watercolours for the Villa Via Hotel and the Volks Hospital. He now lives in Greyton in the Western Cape with his wife, daughter and two sons, where he owns his own art studio.
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The 2012 New Zealand Music Awards was the 47th holding of the annual ceremony featuring awards for musical recording artists based in or originating from New Zealand. Finalists for the three technical awards were announced on 3 October 2012, the date on which finalists for 16 'non-technical' categories were also revealed. The Critics Choice prize was announced on Wednesday 17 October, at the Kings Arms Tavern in Auckland. It was won by Watercolours (Chelsea Jade Metcalf).
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Every specimen collected during the Endeavour voyage was sketched by Banks' botanical illustrator Sydney Parkinson. On the Endeavour return to England in July 1771, Banks' specimens became part of his London herbarium, and artists were employed to paint watercolours from Parkinson's sketches. Banks had plans to publish his entire collection as "Banks' Florilegium", but for various reasons the project was never completed, and it would be ten years before any of the Banksia species were formally published.
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Runciman was probably the first artist to paint Scottish landscapes in watercolours in the more romantic style that was emerging towards the end of the eighteenth century.E. K. Waterhouse, Painting in Britain, 1530 to 1790 (Yale University Press, fifth edn., 1994), , p. 293. The effect of Romanticism can also be seen in the works of late eighteenth- and early nineteenth-century artists such as Henry Raeburn (1756–1823), Alexander Nasmyth (1758–1840) and John Knox (1778–1845).
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He participated in the Montreal Art Association Spring Exhibitions from 1911 through to 1934. Lindsay exhibited both oils and watercolours with the Royal Canadian Academy of Arts, Ontario Society of Artists, and the Montreal Art Association. In addition to his regular participation in these shows in Montreal and Toronto, he is known to have had shows in Ottawa, Winnipeg, Chicago, and Belfast, Ireland. Not longer after his death, Lindsay's works were shown at the Arts Club of Montreal.
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He exhibited at the Liverpool Academy exhibition that year as "Draughtsman in crayons to her Royal Highness the Langravine of Hesse Hamberg". He became a member of the New Society of Painters in Watercolours in 1839, where he exhibited until 1844. Although his obituary in The Art Journal stated that he did not exhibit in oils until the Royal Academy exhibition of 1845, this is not known for certain.Obituary, The Art Journal, November 1873, p. 327.
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He established a profitable career teaching the titled and well-to-do, many of whom became his patrons. In 1844 Queen Victoria purchased Bright's Entrance to an Old Prussian Town (London, Royal Collection) from the New Society of Painters in Watercolours. He also received several commissions from the Grand Duchess Marie of Russia. His professional success extended to working collaboratively with other artists, including John Frederick Herring and William Shayer, where Bright usually contributed the background.
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William Frederick Wells (1762 - 10 November 1836) was a British watercolour landscape painter and etcher. Wells was born in London in 1762. Wells studied art in London under John James Barralet (1747–1815). On 20 November 1804, Wells initiated the founding of the Society of Painters in Watercolours (now the Royal Watercolour Society), at a meeting held at the Stratford Coffee House, Oxford St, London. He served as President of the fledgling association from 1806 to 1807.
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Gresley was born in Sandiacre in Derbyshire. His son was Frank Gresley who had, in turn, two sons, Harold and Cuthbert who were noted artists.Derbyshire Artists Derbyshire UK Gresley had a number of paintings included in the "Goodey Collection" and in the related book. Gresley lived at Draycott, Borrowash and Chellaston in Derbyshire, but he also lived latterly in Yorkshire,Benton Fine Art, accessed July 2011 where he created watercolours of the counties where he had lived.
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Departing on the Royal Tar on 10 September 1845, Angas took Pomara to England, via Rio de Janeiro. They arrived at Gravesend on 23 February 1846. Angas documented the voyage in his 1847 book Savage Life And Scenes In Australia And New Zealand, in which Pomara is mentioned but once, and briefly, as "My young New Zealander, Pomara". Pomara attended the March 1846 opening of an exhibition of Angas's watercolours at the Egyptian Hall in London.
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Aerial view from 800 m by Walter Mittelholzer (1919) Winston Churchill spent his honeymoon in Brunnen.Bangs,Richard (2008) Quest for the Sublime: Finding Nature's Secret in Switzerland, Menasha Ridge Press, page 70J.M.W. Turner painted several views from Brunnen, among his late watercolours, in the 1840s.Shanes, Eric (2012) The Life and Masterworks of J.M.W. Turner, Parkstone International, page 225 In 1947, the Swiss League for the Protection of Nature organised an international conference on the protection of nature in Brunnen.
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He was awarded the Royal Gold Medal of the Royal Institute of British Architects in 1878 for his design for Manchester Town Hall, and was president of that institution from 1888 to 1891. He was gained international diplomas, and in 1895 was awarded an honorary LL.D by Manchester University. Waterhouse was also a painter, exhibiting 80 watercolours at the Royal Academy. He suffered a stroke in 1901, and died in his home at Yattendon, Berkshire, in 1905.
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He was awarded the Royal Gold Medal of the Royal Institute of British Architects in 1878 for his design for Manchester Town Hall, and was president of that institution from 1888 to 1891. He was gained international diplomas, and in 1895 was awarded an honorary LL.D by Manchester University. Waterhouse was also a painter, exhibiting 80 watercolours at the Royal Academy. He suffered a stroke in 1901, and died in his home at Yattendon, Berkshire, in 1905.
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Anna Alma-Tadema made watercolours of the interior of the Alma-Tadema family house, Townshend House in Tichfield Terrace, near Regent's Park in London. The family home was extravagantly decorated by her father to resemble a Roman villa. The Drawing Room, which Alma-Tadema painted when she was a teenager, was exhibited in 1893 at the Columbian Exposition in Chicago. Additionally, in 1885 Alma- Tadema painted The Gold Room, which also represented the interior of the family home.
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The 2/48th embarked on the troopship HMT Stratheden on 17 November and sailed for the Middle East, where it disembarked in Palestine on 17 December. On New Year's Eve, Kibby fell into a slit trench and broke his leg. He then spent months convalescing. During his recovery, he produced at least forty watercolours and pencil drawings, which, according to his biographer, Bill Gammage, displayed "a fondness for Palestine's countryside and a feeling for its people".
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Frederick Warne & Co. had earlier rejected the tale, but, eager to compete in the lucrative small format children's book market, reconsidered and accepted the "bunny book" (as the firm called it) on the recommendation of their prominent children's book artist L. Leslie Brooke.Lear 2007, pp. 144-7 Potter agreed to colour the pen and ink illustrations of her privately printed edition, chose the then-new Hentschel three-colour process for reproducing her watercolours,Hobbs 1989, p.
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Anna Gruetzner Robins is a Canadian art historian who is a professor at the University of Reading. She is a specialist in the art of Walter Sickert about which she has written three books. She completed her BA at the University of Toronto and her MA and PhD at the Courtauld Institute of Art. In 2011, Gruetzner Robins identified 23 unsigned watercolours at Princeton University as being by the artist Gwen JohnProfessor Anna Gruetzner Robins uncovers new paintings.
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He was awarded the Royal Gold Medal of the Royal Institute of British Architects in 1878 for his design for Manchester Town Hall, and was president of that institution from 1888 to 1891. He was gained international diplomas, and in 1895 was awarded an honorary LL.D by Manchester University. Waterhouse was also a painter, exhibiting 80 watercolours at the Royal Academy. He suffered a stroke in 1901, and died in his home at Yattendon, Berkshire, in 1905.
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He was awarded the Royal Gold Medal of the Royal Institute of British Architects in 1878 for his design for Manchester Town Hall, and was president of that institution from 1888 to 1891. He was gained international diplomas, and in 1895 was awarded an honorary LL.D by Manchester University. Waterhouse was also a painter, exhibiting 80 watercolours at the Royal Academy. He suffered a stroke in 1901, and died in his home at Yattendon, Berkshire, in 1905.
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He was awarded the Royal Gold Medal of the Royal Institute of British Architects in 1878 for his design for Manchester Town Hall, and was president of that institution from 1888 to 1891. He was gained international diplomas, and in 1895 was awarded an honorary LL.D by Manchester University. Waterhouse was also a painter, exhibiting 80 watercolours at the Royal Academy. He suffered a stroke in 1901, and died in his home at Yattendon, Berkshire, in 1905.
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National Gallery of Victoria, 1994. . The NGV is also said to have one of the most impressive collections of works by William Blake, including 36 of the 102 watercolours he worked on up until his death in 1827 to illustrate the Divine Comedy by Dante, the largest number of works from this series held by any gallery in the world."NGV to showcase its William Blake collection" (25 March 2014), Arts Review. Retrieved 8 April 2018.
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Alfred Downing Fripp Alfred Downing Fripp (22 April 1822 – 13 March 1895) was a British artist who specialised in watercolours of rural subjects. He was grandson of the artist Nicholas Pocock, a brother of the painter George Arthur Fripp, and father of the surgeon Sir Alfred Downing Fripp. Fripp was born in Bristol and studied at the Royal Academy of Arts. He held his first exhibition in 1842, his initial works featuring Irish and Welsh peasants in landscape settings.
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Giles exhibited with the New English Art Club in the 1920s and had a one-woman show of watercolours and gouaches at the Claridge Galleries. She exhibited with the Roman Catholic Guild of Artists with Glyn Philpot and Eric Gill in the 1930s. The art of Dismorr and Giles was shown in a joint exhibition at the Fine Art Society, London, in 2000. Notable works by her include Village roofs, South of France a pencil and watercolour from 1930.
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Effects £4809 2s. 1d. He bequeathed three oil paintings to Glasgow Museums – their collection already included the oil painting of Funeral of Thomas Carlyle, gifted by Allan in 1911, and they had purchased Sheltered from the Stormy Sea in 1904. Two watercolours were bequeathed to the Victoria & Albert Museum in London. In 1943 in Glasgow there was a sale of an 'interesting collection of pictures and etchings by Robert W. Allan' – presumably connected to the liquidation of his assets.
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Powerscourt Waterfall by George Barret c. 1755 George Barret Sr. ( – 29 May 1784) was an Irish landscape artist who is best known for his oil paintings, but also sometimes produced watercolours. He left Ireland in 1762 to establish himself as an artist in London and rapidly gained recognition as a leading artist of the period. He exhibited at the Society of Artists of Great Britain and was able to gain patronage from many leading art collectors.
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In the words of his biographer Richard Ingrams, Hoffnung > developed a distinctive style which owed something to the German illustrator > Wilhelm Busch. He mainly drew with a mapping pen and Indian ink, and also > used watercolours and wax crayons. His illustrations in colour for Colette's > libretto for Ravel's opera L'enfant et les sortilèges were outstanding. Much of Hoffnung's humour centred on the world of music, particularly the various instruments of the orchestra with which he was fascinated.
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Spanish troops under General Romana embarking for Spain, 1808. During the Spanish War of Independence the unit wore a blue coat with scarlet cuffs, collar, lapels, turnbacks, gold piping and buff breeches.C. Suhr's watercolours of the Division of the North. 1807 – 1808, Like all regiments at the start of the Peninsular War they wore a red plume on their hat to show their loyalty to the Bourbon monarch, Ferdinand VII of Spain, instead of the "hated foreigner" Joseph Bonaparte.
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In 1983, he wrote his first complete film soundtrack, for the movie Tchao Pantin ("So Long, Stooge"), for which he was nominated for a César Award. He held his first exhibition of drawings and watercolours in Paris in 1985, and continued to record and tour. In 1990–91 he visited Australia, recording two albums there, Melbourne Aussie and Victoria Spirit. Later in the 1990s, his recordings were less successful and he concentrated more on photography, drawings and paintings.
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He has also performed several times in Abu Dhabi, Dubai and Qatar. Asian painting and music have always influenced Perryman’s work, first in his early watercolours, then in performances. In 2004 he chose Toru Takemitsu’s 'From me flows what you call Time' for a performance with the Rotterdam Philharmonic. In 2005, with the Dutch ASKO Ensemble, he performed 'Confluences: Concerto No. 4', by the Chinese-American composer Huang Ruo at the Amsterdam International Contemporary Music Week.
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Peytier also left an album which he himself composed with his pencil drawings, sepias and watercolours depicting city views, monuments, costumes and inhabitants of Greece at the time. He used an artistic style that avoidied idealization for the benefit of scientific fidelity and precision, which fully revealed the topographer that he was.Pierre Peytier, The Peytier Album, Liberated Greece and the Morea Scientific Expedition, in the Stephen Vagliano Collection, Published by the National Bank of Greece, Athens, 1971.
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Fruit and Flowers (1951), watercolor on paper. While living with Yeats and their children in Whitford, New Zealand, Gabrielle began to paint with watercolours more frequently and develop her skills. She painted in the countryside alone or with friends, including Geoff Fairburn and Robert Nettleton Field. For a short time she studied life drawing with tutors including Archibald Fisher at the Elam School of Fine Arts, though the challenge of commute and her family's needs caused her to stop.
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In the first part of the 20th century it later became part of the Langland Bay Hotel, and later again the Club Union Convalescent Home for coal miners. After a period of closure it has been renamed Langland Bay Manor and been converted into 13 luxury apartments. In 1897 the French Impressionist painter Alfred Sisley made two watercolours of Langland Bay, while on honeymoon. He was staying at the Osborne Hotel, which overlooked both Langland Bay and Rotherslade Bay.
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So far remnants of two-thirds of his albums and folios have been identified. Up to one third, mostly later works, including many from his more distant travels, may have been lost. The Staffordshire Museums and Art Gallery at Shire Hall now have 25 of his works. A collection of 60 watercolours are in the National Library of Wales mainly covering the building of the Chapel at Caerdeon in 1861/2, the only church which Rev Petit designed.
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He died on 25 August 1880 at his residence on Bromsgrove Lickey in Worcestershire, leaving three sons. Walton's life was bound up in his art. He worked both in oils and in watercolours, but was more successful with the latter. Most thorough and conscientious in the study both of form and of colour, he delighted especially in mountain scenery and in atmospheric effects, such as an Alpine peak breaking through the mists, or a sunset on the Nile.
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Celia Elizabeth Rosser (born 1930) is an Australian botanical illustrator, best known for having published The Banksias, a three-volume series of monographs containing watercolour paintings of every Banksia species. Born Celia Elizabeth Prince, she began painting Australian wildflowers early in her artistic career. She first began painting Banksias after seeing a Banksia serrata near her home in Orbost, Victoria. Her first exhibition was at Leveson Gallery in Melbourne in 1965, and included three watercolours of Banksia species.
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In 1852 Goodall exhibited three drawings at the Royal Academy. In 1853 he became an associate of the (Old) Society of Painters in Water-colours, and continued to be a frequent exhibitor in Pall Mall; in 1862 he became a full member of that society. He was a constant exhibitor at the Royal Manchester Institution and all the principal water- colour exhibitions. Some of his best work was shown at the exhibition of watercolours at Manchester in 1861.
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Also of note are the depictions of Marie on holiday in Ravello on the Amalfi Coast of Italy in 1890; the portrait for the frieze in the dining room at Skagen's Brøndums Hotel; Chez Moi, a series of watercolours of Marie and the couple's daughter Vibeke in the family homes in Copenhagen and Skagen; and Midsummer Eve Bonfire on Skagen Beach, his last painting of her in which she is shown captured in the firelight with Alfvén.
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Though living far from Glasgow, records show that Dow continued to exhibit there and in other cities in Scotland. Among his paintings shown at the RGIFA in 1892 were The Enchanted Wood (private collection) and, in 1894, The Herald of Winter 1894 (McManus Galleries Dundee). For several years from 1896 the Dows spent the winter months in Italy. His Italian paintings include several watercolours and pastels of Apennine valleys and villages and some well-known Venetian landmarks.
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During his trip to England, he made drawings of royal palaces such as Windsor Castle and Nonsuch Palace, which are regarded as some of the earliest realist landscape watercolours in England. Hoefnagels made many landscape drawings during his travels in Europe. These later served as the models for engravings for Ortelius' Theatrum orbis terrarum (1570) and Braun's Civitates orbis terrarum (Cologne, 1572–1618). The Civitates orbis terrarum was with its six volumes the most extensive atlas of its time.
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His watercolours can easily be distinguished from those of Cotman and only occasionally show his influence, as with his watercolour Old Waterside Cottage, Norwich. Thirtle typically did not use the kind of flat washes that Cotman used regularly. No letters to or from John Thirtle seem to have been preserved. He wrote a Manuscript Treatise on Watercolour, written no earlier than 1810, which is now in the Norwich Castle Museum, but nothing else written by him has survived.
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Kitson regularly exhibited his work at the Royal Society of British Artists, at the 1925 International Exhibition of Modern Decorative and Industrial Arts and had solo exhibitions at the Fine Art Society and in the Redfern Gallery. Kitson's first major exhibition was in Rome in 1919 with a group of foreign artists resident in Italy. He exhibited 19 watercolours of Sicily and Kairouan. In October 1925 his solo show at the Fine Art Society included 57 works.
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Later he adopted a lighter palette and painted summer scenes, often comparable to those of the Funen Painters. A period he spent in Skagen in the mid-1950s contributed to his rather sketchy manner of painting with stronger and more brilliant colour. After travelling to Bahrein with the archaeologist P.V. Glob in the 1950s and 1960s, his paintings benefited from even more colour and brightness. Indeed, he found he could better represent these effects in watercolours than in oils.
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Certainly Dayes did not appreciate his pupil's talent, and he was to write dismissively of Girtin after his death. While a youth, Girtin became friends with J. M. W. Turner and the teenagers were employed to colour prints with watercolours. Girtin exhibited at the Royal Academy from 1794. His architectural and topographical sketches and drawings established his reputation, his use of watercolour for landscapes being such as to give him the credit of having created Romantic watercolour painting.
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Iconic image of the thylacine The large lithographs reproduced the artwork of Richter, after the drawings and watercolours made in Australia by Gould and his wife, Elizabeth. (The contribution by Elizabeth Gould was uncredited). These were hand-coloured by a group of artists, led by Gabriel Bayfield, that required the completion of 26,572 plates. The illustrations produced during their visit to Australia were supplemented by the preserved specimens returned to England and detailed the characteristics of the species.
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The old artist is known to have mourned Daniell's early death deeply, saying repeatedly to Roberts that he would never form such a friendship again. Roberts later wrote: "Poor Daniell, like Wilkie, went to Syria after me, but neither returned. Had Daniell returned to England, I have reason to know, from Turner's own mouth, he would have been entrusted with his law affairs." Turner's romantic style is approached by Daniell's watercolours painted during his travels abroad.
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Born in Odense, he first worked in a Copenhagen bank (1903–1911) before turning to art, befriending Olaf Rude, Jens Pedersen and the other artists who together organized alternative exhibitions as De Tretten. Initially influenced by L.A. Ring, he studied under Rude, working with him in Lolland (1911) and Funen (1914). Henriksen's watercolours combine a traditional approach with the more modern trends he had learnt from his experience of French art.Lars Kærulf Møller, "Harald Henriksen", Kunstindeks Danmark & Weilbachs kunstnerleksikon.
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He is best known for Jones Icones 1,500 watercolours of butterflies and some moths which is conserved in Oxford University Museum of Natural History. It was never published. Jones Icones illustrates specimens from the collections of Dru Drury, Joseph Banks and John Francillon as well as a few from the British Museum and Linnean Society collections. Portions of Jones' own collection was illustrated by Elisabeth Denyer in a manuscript she later donated to the British Library.
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After the war, Ford had a long career as an artist and illustrator. He worked in many different media, pastels, ink, charcoal, watercolours and oil paint. He had works exhibited at the Royal Academy, with the Royal Society of Portrait Painters, with the New English Art Club, the Royal Society of British Artists and in the Paris Salon. Ford had a long-running contract with the magazine Farmers Weekly to portray a featured farmer or landowner.
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Thomas William Marshall was an English post-impressionist painter and water colorist, born on at Donisthorpe in England. He passed away on in Paris. He painted landscapes, portraits, nudes and produced watercolours, in Paris, in Île-de-France, in Normandy, on the French Riviera and in Corsica. Between 1904 and 1914, He exhibited his work in Paris at the Salon d'Automne, as well as the Salon des Indépendants and also at the Nationale des Beaux-Arts.
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The Cambridge Antiquarian Society is a society dedicated to study and preservation of the archaeology, history, and architecture of Cambridgeshire, England. The society was founded in 1840. Its collections are housed in the Haddon Library on Downing Street in Cambridge, Cambridge University's Museum of Archaeology and Anthropology, and the Cambridgeshire Archives and Local Studies. Collections include archaeological publications, books, and periodicals, over 8,000 photographs, nearly 3,000 lantern slides, over 350 watercolours, and rubbings of monumental brasses.
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Other commissions took him overseas to the United States, South Africa, India and Australia. In addition to his skills as a stained glass designer, Coles produced numerous oil paintings, prints in the form of woodcuts and monotypes, watercolours and drawings. He has exhibited at many places, including the Roland, Browse and Delbanco Gallery, the O’Hana Gallery, and, earlier, at the Maison Internationale, the Cité Université de Paris. A number of his works are retained by the British Museum.
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By 1939, Ardizzone was holding one-man exhibitions on a regular basis, with shows at the Bloomsbury Gallery and later the Leger Gallery. At this time the major theme of his paintings were scenes of life in London, with affectionate illustrations of the pubs and parks near his home in the Maida Vale area of the city. His style was naturalistic but subdued, featuring gentle lines and delicate watercolours, but with great attention to particular details.
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In the same year she wrote her first children's novel, Utterly Me, Clarice Bean, one of 39 books nominated by the librarians for the Carnegie Medal. Her second novel in this series, Clarice Bean Spells Trouble was shortlisted for the 2005 British Book Awards Children's Book of the Year. The third novel, Clarice Bean, Don't Look Now was published in 2007. Child's illustrations contain different media including magazine cuttings, collage, material and photography as well as traditional watercolours.
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Subsequently he painted landscapes and views of towns, which are executed with great accuracy.Bryan His Das neue München mit den Bauten König Ludwigs I. (1839), a view in oils of the Max-Josephs-Platz, surrounded by 14 smaller pictures of new buildings in Munich, mounted together in one frame, is in the collection of the Munich Stadtmuseum. A set of watercolours in a similar format is in the Metropolitan Museum in New York. He died in Munich in 1862.
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He became President of the Royal Scottish Society of Painters in Watercolours in 1922 and served as Librarian of the Royal Scottish Academy between 1910 and 1924, and Secretary from 1924 until a few weeks before his death in January 1932. He is buried in Dean Cemetery just south of the huge Nasmyth monument in the north-east corner. His son James (Hamish) Constable Paterson (1890-1955) was also an artist and is buried with him.
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While at Beal Art School he also had a period of intense and prolific creativity and had many exhibitions of his art work which included printmaking, chalk pastel and charcoal drawings, and watercolours, . In these art works he portrays still life, landscape and portraits not only from his country but also on many features of Canadian life. He was a member of the Nancy Poole Gallery in London and Toronto and then the Thielsen Gallery in London Ontario.
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Nelson and Edith Dawson in their studio, c.1896 An enamel plaque by Edith Dawson in a silver frame by Nelson Dawson Edith Brearey Dawson (née Robinson; 1862 – 4 March 1929) was an English artist, jeweller and member of the Arts and Crafts movement. Edith Robinson was born in Croydon, Surrey, to Quaker parents. In the 1880s Robinson was working as an art teacher and earning extra money through selling watercolours, primarily depicting cottage gardens and flowers.
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The Royal Scottish Society of Painters in Watercolours (RSW) is a Scottish organisation of painters. The first preliminary meeting of the society took place in Glasgow on 21 December 1877 as a reaction to a lack of interest in watercolour art by existing exhibitors. The society was inaugurated on 4 March 1878 with the election of its first president, Sir Francis Powell and vice president, Sam Bough. Its first exhibition of 172 pictures took place in November.
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Avniel regularly showed his work in group exhibitions of the Painters and Sculptors' Association of Israel. He was awarded the Herman Struck Prize (1952), Tenth Anniversary Prize for Watercolours, Ramat Gan (1958), Histadrut Prize (1961), and First Prize Haifa Municipality (1977). He represented Israel at the 1958 Venice Biennale and the 1962 International Art Seminar at Fairleigh Dickinson University. Avniel was a member of the Artists' Colony in Safed and maintained a studio on Mount Carmel.
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N.S.W. Newcastle New South Wales 1813. (held State Library of New South Wales) As with Joseph Lycett, Browne contributed many of the original watercolours for Major James Wallis' An historical account of the Colony of New South Wales which were engraved by Philip Slaeger. Richard Browne's most characteristic work is from to the emancipist part of his life between 1817 and 1821. His illustrations from this period focus on the Indigenous peoples of the Sydney area.
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The "Te Deum Laudamus" was commissioned by award winning, Seattle based vocal ensemble, Opus 7 for their 10th anniversary celebrations in 2002. Other notable works include, "The Servant", for choir, soloist and two string quartets and operas, "The Woman from Moab", based on the biblical book of Ruth and "The White Lady". Griffiths frequently draws on existing texts for his songs. Many of these have been of an original New Zealand setting, such as "Six Watercolours".
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Many of his works used watercolours, plus fine details added with pen and ink. A few of his works were landscapes but most of his wildlife paintings did not have elaborate backgrounds. Pope also wrote on the behaviour of the subjects in his drawings, writings which are summarized in Harry B. Barrett's biography of Pope, The 19th Century Journals & Paintings of William Pope. After Pope's death in 1902, his son William E. Pope took over his father's farm.
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In 1894 the couple visited Staithes, a fishing village on the Yorkshire coast, for a holiday and soon returned, accompanied by her sister Evangeline Agnes, to live and work there. In Staithes Laura drew the people of the fishing village and the surrounding farms, showing the hardship and poverty of their lives. She made studies, paintings and watercolours, often painting in muted, shadowy tones. Lack of money for expensive materials meant she produced few oil paintings at this time.
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He depicted members of the aristocracy and bourgeoisie, ladies and gentlemen of high standing – lawyers, landlords, elite merchants and their wives. He is also remembered for the album he was commissioned to make for Queen Mary on her Indian visit in 1905, containing watercolours of women from different Indian communities. M F Pithawala served a 30-year term as a committee member of the Bombay Art Society and as vice-president of the Art Society of India.
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David Larwill (1956–2011) was an Australian artist recognisable by his distinctive and exuberant style based on bold colour, stylised figures and simplified form. Although best known as a figurative expressionist painter, Larwill was also a draughtsman and printmaker of note. He produced many drawings, watercolours, ceramics and sculptures as well as etchings, lithographs and screenprints. In a career that stretched over 30 years, Larwill held over 25 solo exhibitions and participated in scores of group shows.
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In 1951, Hilda Obeyesekere-Pieris, published a collection of forty five of Van Dort's pictures, called Ceylon: the Near Past. His watercolours of 19th-century Sri Lanka can be found at the Royal Netherlands Institute of Southeast Asian and Caribbean Studies () in Leiden. Two of his original lithographs are contained with the Royal Collection (the art collection of the British Royal Family). An extensive collection of his works is kept in the National Museum of Colombo.
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Ancrum was an Edinburgh based artist who specialised in paintings of landscapes and domestic interiors. She produced numerous watercolours of Edinburgh Old Town street scenes, three of which are now in the art collection of the City of Edinburgh. She was a frequent exhibitor with the Royal Scottish Watercolour Society and also, on occasion, with the Royal Academy in London, the Royal Scottish Academy, the Royal Glasgow Institute of the Fine Arts and the Aberdeen Artists Society.
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Throughout the 1990s Zubchenko worked on a series of more than 100 watercolours depicting Crimean natural sceneries, some of which are in the Simferopol Art Museum and the Sevastopol Art Museum in Crimea. She also painted views of the Kyiv Monastery of the Caves and landscapes of Central Ukraine, such as Morning above the Ros. Other works from this period, including The Power of the Spirit and Our Lady of Pochayiv, are based on Christian themes.
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The Winter Garden was designed to be an atmospheric garden, with painted walls in watercolours, and the ceiling is decorated with lanterns and dried beech leaves. The pair of theatres were originally built as the flagship of Marcus Loew's theatre chain in 1913. The building was designed by architect Thomas W. Lamb, who also designed the Ed Mirvish Theatre nearby. Both theatres were built to show vaudeville acts and the short silent movies of the time.
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British Museum, Prints And Drawings Study Room The Hundred Guilder Print, c.1647-1649, etching by Rembrandt. Most large print rooms have an example of this print A print room is either a room or industrial building where printing takes place, or a room in an art gallery or museum, where a collection of old master and modern prints, usually together with drawings, watercolours, and photographs, are held and viewed. The latter meaning is the subject of this article.
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As is typical in medical illustration, the images are simplified representations of the subject that still retain accuracy of the important features. His illustrations fall broadly into two categories: individual proteins, and cellular panoramas. His images of individual proteins are typically computer generated, cell-shaded space-filling representations of proteins, often with cut-aways to show internal binding sites and cofactors. Conversely, his illustration of cell interiors (sometimes called molecular landscapes) are hand-painted in watercolours.
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This was described by William Jardine and P. J. Selby in 1828 and given the common name of Bulwer's petrel. The petrel genus of Bulweria was also named for him. Bulwer left London in 1839 and moved back to Norfolk, becoming curate of Blickling Hall and later of Hunworth. He renewed his acquaintance with John Sell Cotman when his sons attended King's College School, and several of his sketches of Spain and Madeira inspired Cotman's watercolours.
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Photo online There was also an English treatment by E.H.Wehnert shown in 1833 at the exhibition of the New Society of Painters in Watercolours. The scene of the fable depends on the version followed. The traveller is invited into the satyr's home, which is often shown as a cave - and is specified as such in La Fontaine's version. In early illustrations the guest may be shown, illogically, as being entertained outside the dwelling, rather than sheltering within it.
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Her time at Weatherall marked the beginning of her love affair with the English garden, whose profusion of colour reinforced her already strong love of pattern. The floral watercolours produced during this period quickly translated into designs.New York Times, October 13, 1994 ‘A Decorator’s Vision of the Handmade’ This design work which covered a variety of applications were featured by Divertimenti, Burleigh Pottery and Habitat; she also created fabric designs for Designers Guild and stationery products for Elgin Court.
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After moving to England with her family, she painted and exhibited her work in the London and Oxfordshire areas for 14 years. Her work was included in the 1996 Federation of British Artists "Britain in Watercolours" exhibition at the Mall Galleries in London. Cox's work has been published and featured in various national and regional publications. Orange Coast Magazine has featured Cox multiple times over the years including in the July 2010, September 2004, and September 2016 issues.
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Edmund Blampied (30 March 1886 – 26 August 1966) was one of the most eminent artists to come from the Channel Islands, yet he received no formal training in art until he was 16 years old. He was noted mostly for his etchings and drypoints published at the height of the print boom in the 1920s during the etching revival, but was also a lithographer, caricaturist, cartoonist, book illustrator and artist in oils, watercolours, silhouettes and bronze.
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However, in late 1832 or early 1833 Rowbotham was a founder member of the formal sketching club for evening sketching meetings, which was the successor of the more informal Bristol School. Later he became professor of drawing at the Royal Naval School, New Cross, London. He wrote The Art of Landscape Painting in Watercolours, jointly with his son, and The Art of Sketching from Nature, for which his son provided the illustrations. He died in 1853 at Camberwell, London.
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Circa 1933 a selection of her work, watercolours, wood-engravings, and silverpoints was exhibited at the Batsford Gallery, London. The Ulster Unit exhibition showed her work in 1934, the same year she was elected an honorary member of the Royal Ulster Academy. Her collection of contemporary wood-engravings, alongside 20 of her works, where donated at the Belfast Museum and Art Gallery in 1939. She moved home several times, living also in Belfast, Connemara and in Rathfriland.
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Drawing has been integral to Tuymans' artistic practice from the start. Sketches, watercolours and other small-scale works form the bedrock of his work for they constitute, for him, a way of thinking through an idea. Important features of Tuymans' artistic approach can be found in these preparatory pieces such as his voluntary choice of low-quality materials and his incorporation of found elements. Such works are both visual preparations for later paintings and exteriorisations of thought processes.
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Oskar Strnad (26 October 1879-3 September 1935) was an Austrian architect, sculptor, designer and set designer for films and theatres. Together with Josef Frank he was instrumental in creating the distinctive character of the Wiener Schule der Architektur ("Vienna School of Architecture"). He stood for a modern concept of "living" for all people, planned and built private dwelling-houses, designed furniture, created ceramics and watercolours and designed sets and props for stage plays and films.
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From the mid-1850s Haghe concentrated more on his watercolours, and gained a reputation for his architectural scenes of northern Europe, with his pictures bought and displayed by the Victoria and Albert Museum. He also painted in oils, which were exhibited at the British Institution. He became president of the New Society of Painters in Water Colours from 1873 to 1884. Haghe's artistic works were achieved in spite of a deformity in his right hand since birth.
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Primarily a watercolourist, he was known for hot blue skies, often in contrast with shadowed buildings drawn from experience gained during his travels in Europe and North Africa.antiquesnews.co.uk Accessed 2010 Leaver was also known for his paintings of English cathedrals. He also taught at the Halifax School of Art (1912–15) and then the Burnley School of Art until the mid-1930s. Sixty- one Noel Leaver watercolours were left to Towneley Hall by the late Dr Peter Bracewell.
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George Manson (3 December 1850 – 27 February 1876) was a Scottish watercolour painter born in Edinburgh. At about age fifteen years Manson became an apprentice woodcutter with W. & R. Chambers, with whom he remained for over five years, employing his spare time in the study and practice of art and producing in his morning and evening hours watercolours of much delicacy and beauty. In 1871 he devoted himself exclusively to painting. He said slavery is a "national sin".
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The pages printed from these plates were hand-coloured in watercolours and stitched together to form a volume. Blake used illuminated printing for most of his well-known works, including Songs of Innocence and of Experience, The Book of Thel, The Marriage of Heaven and Hell and Jerusalem.Viscomi, J. Blake and the Idea of the Book. Princeton, NJ: Princeton University Press, 1993; Phillips, M. William Blake: The Creation of the Songs, London: The British Library, 2000.
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Even so, they have earned praise: :'[T]he Dante watercolours are among Blake's richest achievements, engaging fully with the problem of illustrating a poem of this complexity. The mastery of watercolour has reached an even higher level than before, and is used to extraordinary effect in differentiating the atmosphere of the three states of being in the poem'.Bindman, David. "Blake as a Painter" in The Cambridge Companion to William Blake, Morris Eaves (ed.), Cambridge, 2003, p.
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Sale ref: MR4798 Lot 87, watercolour 9 x 13.5 inches, signed and inscribed on verso. £420 1993 - On the Thames (same as above.) Christies, South Kensington, Lot 84, (Sale DRG 4893, Stock No: FN415,) Sold to Swan Gallery, Sherborne, Dorset for £190 1990 - A View from the Thames from Blackheath - Bonhams, Sale of 19th Century Watercolours. Lot 45 watercolour, signed, 8 x 13 inches. £120 1990 A Lighthiouse above an Estuary Christie's-South-Kensington. Lot 234.22.
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University Complutense of Madrid, 1991, p. 669. moving us to bucolic and romantic scenes from the past, transmitting all the beauty and charm which every place irradiated and that only a master of watercolour as he was, knew how to grasp and understand. The first of the collections came out in June 1977, when the artist presented in a folder 6 watercolours published in limited and numbered series,Vegueta y Triana. Magazine "Aguayro" nº 88, June 1977, p. 12.
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Between 1906 and 1922 Younger shared a studio on West George Street in Glasgow with Annie French and Bessie Young. She later settled in Edinburgh but also painted on Arran and in France. Younger often painted in watercolours and developed a colourful and bold technique, comparable to pointillism in effect. She exhibited with the Royal Scottish Academy, the Society of Women Artists, the Royal Glasgow Institute of the Fine Arts and the Royal Scottish Watercolour Society.
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He would then apply this thinly and sparsely across the canvas. Further experimentation with watercolours and the use of blank canvas began to create an effect which Julie Beckers (2017) describes as a "seemingly unfinished piece" which is used to "invite the observer to finish the strokes on his behalf". This can be seen in works such as ‘By the window, Boitsfort’ (1913). Although many enjoyed this "unfinished" aesthetic, fellow artists in particular were appreciative of his style.
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Miller worked in oils and watercolours, and would paint still lifes of flowers, or scenes from her travels to Europe, which also provided subjects for etchings. Miller is known to have been fiercely self-critical and to have destroyed much of her own work. One of her most famous works, Memories of the Sea, was exhibited at the Royal Academy in 1937. The painting was inspired by the artist's residence at Hailes Cottage in Kingsknowe near Edinburgh.
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The original drawing for this has been part of the Gallery's collection of Vanity Fair watercolours since 1923 and is shown alongside. Born in Capua in 1839, Carlo Pellegrini moved to London in November 1864 where he became the protégé of the Prince of Wales and his set. Joining the magazine as an amateur without any professional experience, Pellegrini's caricatures were none the less brilliantly successful. Both these drawings are signed 'Singe', subsequently to be anglicised to 'Ape’.
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Works of John Ruskin, Vol. 14, p192. Warren became a member of the New Society of Painters in Watercolours (RI), an organisation set up to challenge the members-only exhibition rules of the old "Society of Painters in Water Colours"; He went on to exhibit nearly 200 paintings with the society including his large-scale work, Rest in the Cool and Shady Wood, which became the star attraction at the 1861 exhibition.Exhibition landscapes (Victoria and Albert museum, London).
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Aitken was also a metalworker and a member of the Scottish Guild of Handicraft. Aitken often painted urban scenes and views of old buildings, working in both oils and watercolours. Several of her black and white sketches of Glasgow street scenes were reproduced as postcards. She was a regular and prolific exhibitor with the Royal Scottish Academy, the Glasgow Institute of the Fine Arts and, in the early 1930s, with the Aberdeen Arts Society where she mainly showed portraits.
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Barbara Moray Williams Árnason (19 April 1911 - 1975) was an English-born Icelandic artist, known for book illustrations, engravings in wood, and watercolours. Born in Petersfield, she was the twin sister of writer and illustrator Ursula Moray Williams. She attended Winchester College of Art and the Royal College of Art. Soon after graduating she was asked to illustrate Icelandic sagas, which resulted in her travelling to Iceland in 1936, where she met sculptor and painter Magnús Á. Árnason.
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They married in 1937 and she moved to Iceland the same year. She was already known as a book illustrator before moving to Iceland, and also became known there for pioneering work in wood engraving and for watercolours of landscapes and children. She also worked with textiles, and in her final years with water-colour engraving. In 1952, she painted a mural titled Children at Play in the assembly hall of the Melaskóli, a school in Reykjavík.
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98, note 28. Vera Schuster, “The Pre-Raphaelites in Oxford,” Oxford Art Journal 1 (1978), p. 9, considered the work “unfinished.” Love and the Maiden (1877), regarded as the artist's masterpieceChristie's, Fine Victorian Pictures, Drawings and Watercolours, catalogue of sale held on June 6, 1997, cited by Simon Poë, “Mythology and Symbolism in Two Works of Roddam Spencer Stanhope’s Maturity,” Journal of Pre-Raphaelite Studies 12 (2003) 35–61; Christie's auction catalogue Lot 43, Sale 5801 online and archived.
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William Monk R.E. (1863–1937) was a British etcher, wood-engraver and painter in oils and watercolours. Born in Chester, the son of gunmaker William Henry Monk, he studied art at the Chester School of Art and etching at the Antwerp Academy, Belgium. temporary cenotaph in Whitehall, London, in 1919, published in his calendar for 1920. He was an Associate of the Royal Society of Painter-Etchers and Engravers from 1884 and elected a full member (R.
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She had a joint exhibition of oils, watercolours and pastels with fellow artists Dora Wilson and May Roxburgh in 1918. Sutherland had a history with Dora Wilson prior to later established artist societies, exhibiting as part of "The Waddy" in 1909, along with Janet Cumbrae Stewart and Nora Gurdon. She enjoyed doing landscapes, renting a cottage in Lilydale with Bernice Edwell and Florence Rodway to sketch the surrounding country. She also exhibited with the Yarra Sculptors' Society.
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Procession of Nawab Shuja-ud-Daula at Faizabad. From an album of 18th century Indian watercolours. After the death of his father the Mughal Grand Vizier Safdarjung in the year 1753, Shuja-ud-Daula was recognized as the next Nawab by the Mughal Emperor Ahmad Shah Bahadur. Shuja-ud-Daula despised Imad- ul-Mulk, an ally of the Marathas of the Maratha Empire whose regime emerged after the Battle of Sikandarabad with the support of the Sadashivrao Bhau.
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In the early 1820s, she made a lengthy study trip to Italy, examining works of art and taking painting lessons from the Italian masters. From September 1823 to February 1824, she stayed in Rome, Naples, Turin and Florence, bringing back many drawings and watercolours. De Virieu painted portraits of her family and her friends, including Joseph de Maistre and Alphonse de Lamartine. She also had a carpentry shop where she created statues, pieces of furniture and religious decorations.
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