Chalan the Bilen lived for a few weeks and when his ink ran out he was buried in a waste-paper basket on Regent Street.
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Alexandria aldermen even went so far as to pass a motion to "consign the communication to the waste paper basket".
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It turns out to be the Remove dormitory. The Removites are roused and, knowing of the Secret Seven plans for the evening, immediately assume the strange figure is Loder. Prout arrives, and removes the waste paper basket, revealing Coker. In typical Prout style, he declares the situation to be “unparalleled” and marches Coker away.
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Stoker had attempted this in 1897 but the verdict from Irving consigned it to the waste-paper basket. Unable to find a scriptwriter to take on the project, Deane wrote the play himself in a four-week period of inactivity while he was suffering with a severe cold. He then contacted Florence Stoker, Bram's widow, and negotiated a deal for the dramatic rights.
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The Dreyfus Affair began when a bordereau (detailed memorandum) offering to procure French military secrets was recovered by French agents from the waste paper basket of Maximilian Von Schwartzkoppen, the military attaché at the German Embassy in Paris. Blame was quickly pinned upon Alfred Dreyfus, a young French artillery officer who was in training within the French Army's general staff.
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There is general regret that Loder had escaped; but the juniors find ample entertainment that Coker has blundered in, yet again. Coker suffers a very painful interview with Mr. Prout the next morning, and gives up his feud with Loder. Besides, he now has a new object – to discover and deal with the fellow who had helmeted him with Loder's waste paper basket. Coker set all his wits to find that fellow.
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She handed all of the items to the police on 19 December 1988. Police also found a brooch taken in the Spicer robbery in a waste paper basket in Rowe's room. Williamson gave further evidence that when Rowe had left on the Thursday evening he had been wearing a particular type of distinctive footwear, and imprints made by this type of boot were found in a flowerbed at the Napier home and in blood in the Napier's hall.
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When Coker arrives, they seize him, believing him to be Loder. They tie and gag him, jam a waste paper basket on his head, and drape a sheet over him, before disappearing back to their dormitories. Coker manages to partly free his legs and shuffle out of Loder's bedroom just as Loder and Carne return to the school from the inn. Upon entering through the Sixth Form lobby door, they see Coker's spectral form and depart in state of confusion and fright.
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Sykes played Bloome, the eponymous mouse of the show's title. Throughout the show the one ability that marked the boss's dominance in the office was his practised skill in picking up his phone handset by chopping with his hand, causing the handset to leap off the cradle into his waiting hand. Bloome, trying to emulate this, would always fail with the trick, either hurting his hand or sending the handset spinning into a waste paper basket. Only when he has gained confidence after being accused does he succeed, grinning widely at the audience.
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It was the first Indian-owned English daily to go into investigative journalism. During the tenure of Lord Lansdowne, a Patrika journalist rummaged through the waste paper basket of the Viceroy's office and pieced together a torn up letter detailing the Viceroy's plans to annexe Kashmir. ABP published the letter on its front page, where it was read by the Maharaja of Kashmir, who immediately went to London and lobbied for his independence. Sisir Kumar Ghosh also launched vigorous campaigns against restrictions on civil liberties and economic exploitation.
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The Short brothers, Horace, Eustace and Oswald, built aircraft at Battersea to be tested at the site; later Moore-Brabazon, Professor Huntington, Charles S. Rolls and Cecil Grace all visited and used the flying club's services. Wilbur Wright and his brother Orville came to the Isle of Sheppey to visit the new flying grounds of the Aero Club. In 1909, Moore- Brabazon made the first live cargo flight by fixed-wing aircraft, by tying a waste-paper basket to a wing strut of his Shorts-built Wright aircraft. Then, using it as a "cargo hold", he airlifted one small pig.
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The Owl Club maintains a tradition of monthly dinners for members and their male guests; “black tie” is the customary plumage. The normal pattern of each meeting comprises a main speaker, always a guest, followed by a musical item which may be provided by an Owl or by an outside performer. There follows a bar interval, when the Owls and their guests move around to chat, often congregating around the bar. The second part of the meeting features a shorter talk by an Owl which, because of its purposeful inconsequence, is nicknamed “The Waste Paper Basket”.
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In 1909, Moore-Brabazon made the first live cargo flight by fixed-wing aircraft, tying a waste-paper basket to a wing strut of his Shorts-built Wright aircraft. Then, using it as a "cargo hold", he airlifted one small pig. Memorial to the Home of Aviation in Eastchurch The Eastchurch airfield was also the site, in July 1911, of the competition for the Gordon Bennett Trophy for powered air racing, attended by flyers from all over the world and won that year by the American pilot C. T. Weymann. During the Battle of Britain, it was one of the notable bases of the Polish Air Force.
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This was the first aircraft factory in the British Isles and the first factory in the world for the series production of aircraft, these being license-built copies of the Wright A biplane. It was here that John Moore- Brabazon (later Lord Brabazon of Tara) made a flight of 500 yards in his Voisin biplane The Bird of Passage, officially recognised as the first flight by a British pilot in Britain. Later in 1909, Moore-Brabazon piloted the first live cargo flight by fixed-wing aircraft. In order to disprove the adage that pigs can't fly he attached a waste-paper basket to a wing strut of his aircraft and airlifted one small pig inside the basket.
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26 Puccini insisted on the inclusion of these words, and later stated that admirers of the aria had treble cause to be grateful to him: for composing the music, for having the lyrics written, and "for declining expert advice to throw the result in the waste-paper basket". The lovers' final duet "Amaro sol per te", which concludes with the act's opening horn music, did not equate with Ricordi's idea of a transcendental love duet which would be a fitting climax to the opera. Puccini justified his musical treatment by citing Tosca's preoccupation with teaching Cavaradossi to feign death. In the execution scene which follows, a theme emerges, the incessant repetition of which reminded Newman of the Transformation Music which separates the two parts of act 1 in Wagner's Parsifal.
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