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10 Sentences With "wall writing"

How to use wall writing in a sentence? Find typical usage patterns (collocations)/phrases/context for "wall writing" and check conjugation/comparative form for "wall writing". Mastering all the usages of "wall writing" from sentence examples published by news publications.

They follow it to find a darkened space, illuminated only by the cool pooling of neon-light wall-writing and the flickering of projected videos.
Trump tweeted again on Saturday -- this time about the border wall, writing that they have resorted to the "hard way" for getting approval to build the wall.
It also challenged the underlying logic behind Trump's proposal for a wall, writing that it is not, in fact, necessary, and would result in marginal improvements for a very high cost.
Later, he joined government service in 1967. He was an additional chief information officer of the Information Department. Hossain took part in the Language Movement as a poet and lyricist. He also took part in protest ralies, postar and wall writing.
Nearby village Ambapaali is rendered as Gopapura, during the festival. Villagers paint their houses to the themes of the mythology, hand drawings on walls showing various stories of Krishna. Wall writing of poetic stanzas are quite common on almost all walls of the village.
Wall writing in Dhërmi. The text reads Welcome to Drymades in Greek. Greek is the largest minority language of Albania and first largest foreign language. Because the number of Greeks in Albania is disputed, the exact number of native speakers of Greek is unknown.
As the influence of graffiti grew beyond the Bronx, a movement began with the encouragement of Friendly Freddie. Fab 5 Freddy (Fred Brathwaite) is another popular graffiti figure of this time, who started in a Brooklyn "wall-writing group." He notes how differences in spray technique and letters between Upper Manhattan and Brooklyn began to merge in the late 70s: "out of that came 'Wild Style'."Fab 5 Freddy quote at Lippard, Lucy.
These included bell-ringing, windows shattering, throwing of stones and bottles, wall-writing and the locking of their daughter in a room with no key. Marianne Foyster reported to her husband a whole range of poltergeist phenomena that included her being thrown from her bed. On one occasion, Adelaide was attacked by "something horrible". Foyster tried twice to conduct an exorcism, but his efforts were fruitless; in the middle of the first exorcism, he was struck in the shoulder by a fist-size stone.
Sims used the surgical opportunities presented by long neglected chronic - and often incurable - cases of illness and injuries among the enslaved to sharpen his skills and stake a claim for professional celebrity - all in the context of the profits to be made from human trafficking one of the South's busiest slave markets. Author Harriet A. Washington, in her 2007 book Medical Apartheid, writes of Sims' experiments: "Each naked, unanesthetized slave woman had to be forcibly restrained by other physicians through her shrieks of agony as Sims determinedly sliced, then sutured her genitalia." Facing South, a publication of the Institute for Southern Studies, wrote that slaves were forced to hold each other down during surgery. Physician L. L. Wall, writing in the Journal of Medical Ethics, says fistula surgery on non-anesthetized patients would require cooperation from the patient, and would not be possible if there were any active resistance from the patient.
In a contemporaneous review for Rolling Stone, Christopher Connelly called Thriller "a zesty LP" with a "harrowing, dark message". He compared the songs on the album with the life challenges that the 24-year-old Jackson had faced since Off the Wall, while observing that he "dropped the boyish falsetto" and was facing his "challenges head-on" with "a feisty determination" and "a full, adult voice". Connelly emphasized Jackson's musical progression from Off the Wall, writing, "Jackson's new attitude gives Thriller a deeper, if less visceral, emotional urgency than any of his previous work, and marks another watershed in the creative development of this prodigiously talented performer." John Rockwell wrote in The New York Times that perhaps Jackson was a "sometimes too practiced ... performer", that at times Quincy Jones may "depersonalize his individuality" with his "slightly anonymous production", and that Jackson may be hiding his true emotions behind "layers of impenetrable, gauzy veils".

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