In the second strand, which visualises the story in the novel, a mild-mannered man (Jake Gyllenhaal) is terrorised by hoodlums in West Texas.
|
|
In short, they've released an interactive tool that visualises tweet data from every episode up to Season Six, Episode Six (at the time of writing).
|
|
Q-CTRL is one of the hopefuls working on that, by providing a set of tools that runs on quantum machines, visualises noise and decoherence and then deploys controls to "defeat" those errors.
|
|
Google Fusion Tables is an application which gathers, visualises, and shares data online with response organisations and constituents. It instantly visualises the data ranging from shelter lists to power outages in the form of maps and charts. It also helps in playing a crucial role in crisis decision making by identifying data patterns. During the 2011 riots in London, this application was used in creating maps which showed indices of deprivation and riot locations.
|
|
The video visualises a fictional game show called 'The Drop' where two contestants (Geoff and Wendy) have a dance-off against each other trying to not collapse to the floor with exhaustion.
|
|
Rotterdams jaarboekje. 1990, p.7 The sculpture (see image on top) visualises the reconstruction of the city of Rotterdam. The Magazine art-public (2015) described the concept of the sculpture as follows.
|
|
A Shaktimaan reference was made in 2020 Malayalam language romantic comedy film Dhamaka in which a character visualises another character as Shaktimaan. Mukesh Khanna initially wanted to take a legal action against the makers but later allowed them to use the reference.
|
|
153Stannard 1993, p. 355 Later, Tony finds purpose in his otherwise pointless voyage when he hears of the fabled lost city from Messinger; he visualises it as Gothic in character, "a transfigured Hetton ... everything luminous and translucent; a coral citadel crowning a green hill top sown with daisies".
|
|
Vijay reaches by then and there is another fight between the brothers. Nandu visualises his mother asking him to join her as Jayanthi is torturing her up there. He realises his mistake and apologises to Vijay for chasing Teju. To kill his stepmother, he lights up some cylinders which explode, killing him.
|
|
The Expenditure Map app, created by Ian Shortman using data from the Office for National Statistics. The interactive map visualises public expenditure data by UK region. data.gov.uk contains over 30,000 data sets from various UK Government departments. All data are non-personal and provided in a format that allows it to be reused. data.gov.
|
|
Gerald Weales. Review of Providence, in Film Quarterly, vol.30 (4), Summer 1987, pp. 21–24. Clive also has an obsession that the young are trying to push him aside, to kill him, which he visualises in the scenes of the stadium/concentration camp where the old are rounded up by soldiers who are all young.
|
|
An integration tree (or GUI tree) is a graph that visualises all the GUI components of a software. Each node of the tree show the GUI components used in this software. The components on the leaves of the tree are modeless GUI elements, those on the nodes are modal GUI elements. GUIs are highly involved entities.
|
|
The building of council housing from the late 1920s until the late 1960s established the modern village with 85% of residents renting from the local authority. Small scale private house building in the 1980s gave way to more substantial developments in the 1990s and early 21st century and the current local plan visualises a doubling of the number of dwellings to around 1,500 by the early 2010s.
|
|
This sub-section visualises the warning times of the close approaches listed in the above table, depending on the size of the asteroid. The sizes of the charts show the relative sizes of the asteroids to scale. For comparison, the approximate size of a person is also shown. This is based the absolute magnitude of each asteroid, an approximate measure of size based on brightness.
|
|
Nalan indulges in thoughts about the beauty of Damayanthi. He visualises her in all splendor in every part of her body and comes to the conclusion that he will have no peace of mind until he marries her. He is so astounded by the lascivious charm of Damayanthi that he entrusts his duties as the King to his Minister and goes to the royal garden to find some peace of mind.
|
|
For this they may sit in a room for 30 minutes with Stuart Landsborough seated behind a screen and ask questions while he visualises responses. The participant then has an hour to find the notes. To date the prize has not been claimed, although seven "professional" psychics have attempted the challenge, including a diviner and a man who prayed to locate them but failed to come back with an answer.
|
|
Her work also reflects on her relationship to skin and she interprets body paint designs and scarification marks in a contemporary manner.Bianca Beetson, Brisbane, Australia on www.saatchiart.com In 2013 she was commissioned by the Brisbane Botanic Gardens to install her sculpture Feast of the Bon-yi in bronze and corten steel there on Mount Coot-tha. The cluster of large nuts and spirit figures visualises the gathering of the tribes.
|
|
The epic is the basis for this visual interpretation as well. This film deviates from established norms in how it visualises the protagonists and portrays the course of events in the epic." The scroll explains that the film will try to reflect what it calls the epic's adi-sankalpam (original conception) of the theme and the protagonists. It states that "the inner essence of the film is that woman is Prakriti.
|
|
Ingabire joined the reshuffled cabinet of President Paul Kagame who reduced the members of cabinet from 31 to 26. The cabinet is 50 percent women; making Rwanda, and Ethiopia, the only two African countries with gender equality in their governments. As cabinet minister, Ingabire is a promoter and advocate of blockchain technology. She visualises the technology as being part of what she terms the fourth industrial revolution technologies.
|
|
A music video to accompany the release of "Hangover" was released to YouTube on 25 October. It lasts for a total length of four minutes and forty-nine seconds. Flo Rida makes a cameo in the video, which sees Cruz driving a speedboat down a high street. The clip also includes actor and comedian Bobby Lee dressed as a bear, being bottle-fed in a cot, and also visualises a party on a private jet.
|
|
A newly elected Panchayat in Punjab, India At present, there are about 3 million elected representatives at all levels of the panchayat, nearly 1.3 million are women. These members represent more than 2.4 lakh (240,000) gram panchayats, about 6,000 intermediate level tiers and more than 500 district panchayats. Panchayats cover about 96% of India's more than 5.8 lakh (580,000) villages and nearly 99.6% of the rural population. The Constitution of India visualises panchayats as institutions of self-governance.
|
|
She was particularly fascinated by the different representations of the Dance of Death, an artistic genre that visualises the personification of death from all walks of life. This made Pirofski interested in the impact of disease on society. During the end of her college degree she decided to pursue a career in medicine. She received her Doctorate of Medicine (MD) at the Albert Einstein College of Medicine in 1982 and trained in internal medicine at Bellevue Hospital. .
|
|
'Friends of the Earth' publication Meat Atlas includes graphs on the consumption and production of meat. Diet for a Small Planet by Frances Moore Lappé, 1971 The Meat Atlas is an annual report on the methods and impact of industrial animal agriculture. The publication consists of 27 short essays and, with the help of graphs, visualises facts about the production and consumption of meat. The Meat Atlas is jointly published by Friends of the Earth and Heinrich Böll Foundation.
|
|
The video depicts the band playing inside the attic of a small house. As the song progresses various CGI shots from the film Flood are shown, which visualises mass flooding across famous landmarks in London. Firstly the 02 Dome (formerly the Millennium Dome), then Tower Bridge, followed by the London Eye and finally Westminster. As the song comes to a climax the sound of rain fall increases as bass player Dan Haigh looks at the window.
|
|
For example, the note A was matched with the colour red. The only existing example of this experiment is Rhythmic composition in yellow green minor (1919), which visualises music slowly unravel through the flow of colours. This "colour-music" exhibition became part of Australia's art- folklore as "pictures you could whistle". Influenced by earlier exponents of "colour-music" theory in Europe and America, this exhibition has since been identified as the earliest experiment in pure abstractionism in Australia.
|
|
Other media, including film, have influenced Goldfrapp who cites Roman Polanski's 1966 psychological thriller Cul-de-sac, the 1973 cult film The Wicker Man and the James Bond franchise as influences. She draws inspiration from surrealism and nature, all of which appear in Goldfrapp's album artwork, which she designs in collaboration with Big Active. Goldfrapp believes that "music is a visual experience" and therefore visualises her lyrics before writing them. While writing, Goldfrapp uses her vocals to create melodies and drumbeats.
|
|
Axial MRI image at the level of the heart Magnetic resonance imaging visualises the heart by detecting hydrogen atoms using superconducting magnets, particularly those attached to water and fat molecules. These hydrogen atoms possess a property known as nuclear spin. Although the direction of this spin is usually random, the spin can be aligned using a powerful magnetic field. Faint electromagnetic signals are emitted by these hydrogen atoms when their alignment is temporarily disturbed which can be detected and used to create an image of the heart.
|
|
La Fonderie, Brussels Museum of Industry and Labour (, ) is a museum of industrial history in Brussels, Belgium. It collects objects, documents and oral history on the city’s industrial past and visualises the working history of Brussels. The museum is located at 27, / in Molenbeek-Saint-Jean, on the site of the former foundry of La Compagnie des Bronzes (1854–1979), close to the Brussels–Charleroi Canal. It is managed as a nonprofit organisation focusing on analysing and exhibiting the economic and social history of the Brussels region.
|
|
Black Shoals is an artificial ecosystem linked to the real time dynamics of the stock market. It was first shown at the Tate Gallery in 2001, and nominated for an Alternative Turner Prize in 2002. A more sophisticated Black Shoals was exhibited at the Nikolaj gallery in Copenhagen in the spring of 2004. Stars representing companies and creatures representing speculators are projected into a domed ceiling in a dark room, creating an artificial night sky which visualises the dynamics of the world stock markets.
|
|
The experimental online project The Modular Body (2016) visualises a future where a prototype of the human body has been designed and created using 3D printing and cell culture technologies. The videos featuring the central character ‘Oscar’ – a prototype ‘Modular Man’ made up of various self-assembly modules – are frighteningly realistic. In this project, Kaayk was clear about the fictitious nature of the images from the start while leaving room for viewers’ own interpretations and beliefs. In 2014, Kaayk won the de Volkskrant Visual Arts Prize for his animated films and semidocumentaries.
|
|
Harry Potter and the Philosopher's Stone J. K. Rowling says she visualises Hogwarts, in its entirety, to be: > A huge, rambling, quite scary-looking castle, with a jumble of towers and > battlements. Like the Weasleys' house, it isn't a building that Muggles > could build, because it is supported by magic. In the novels, Hogwarts is somewhere in Scotland"Hogwarts ... Logically it had to be set in a secluded place, and pretty soon I settled on Scotland in my mind." Fraser, L., An interview with J.K.Rowling, Mammoth, London, 2000. .
|
|
Vajrayoginī is a key figure in the advanced Tibetan Buddhist practice of Chöd, where she appears in her Kālikā () or Vajravārāhī (Tibetan:rDo rje phag mo) forms. Vajrayoginī also appears in versions of Guru yoga in the Kagyu school of Tibetan Buddhism. In one popular system the practitioner worships their guru in the form of Milarepa, whilst visualizing themself as Vajrayoginī. The purpose of visualizing Vajrayoginī is to gain realizations of generation stage tantra, in which the practitioner mentally visualises themself as their yidam or meditational deity and their surroundings as the Deity's .
|
|
According to Khulusi, Rusafi's political views at that time are captured in his poetry, in particular Fi Salanik (In Salonika), in which he visualises the army's march against the Sultan. Rusafi's association with the Committee of Union and Progress aided his election to the Chamber of Deputies of the Ottoman Empire. It was here that he first met a fellow Arab member of the Ottoman Parliament, Faisal, son of the Sharif of Mecca. Ma'ruf al-Rusafi at a ceremony to lay the foundation stone for a new school in Baghdad in 1929.
|
|
Waste Atlas is an interactive waste management map that visualises global solid waste management data for comparison and benchmarking purposes. Waste Atlas partnership is a non-commercial initiative supported by significant global range non-profit organizations, including D-Waste, ISWA, WtERT, SWEEP- Net, SWAPI, and University of Leeds [1]. Currently, Waste Atlas hosts waste data for 164 countries; more than 1,800 cities from all over the world and approximately 2,500 waste management facilities (1,626 sanitary landfills, 716 WtE, 129 MBT, 78 BT and 89 of the world’s biggest dumpsites).
|
|
The organiser of the meeting does not identify himself and is not identified. Brian concludes that the anonymous organiser is not the spy he has been chasing. James (who has the highest security clearance for Operation Apollo) says to Max (who does not) that he visualises a lethal node, a military term for a place which it is death to enter, but one extending in time rather than in space. It began with the death of the dispatch rider, and will end only with the death of someone as little known to them as he was.
|
|
Floris Kaayk (born 1982) is a Dutch digital artist. He grew up in Tiel as the son of artist couple Coen and Guusje Kaayk. Kaayk graduated summa cum laude from the animation department of AKV St. Joost academy of Art and Design in Breda, and gained a Master of Fine Arts degree from the Sandberg Institute in Amsterdam. His work focuses on futuristic concepts and fantasies, and visualises technological progress, sometimes by demonstrating its advantages and at other times by presenting negative consequences. Kaayk first became known to a wider audience with his fictional ‘semidocumentaries’ The Order Electrus and Metalosis Maligna.
|
|
The Art of Discworld is a descriptive book of the world of the Discworld as portrayed in Terry Pratchett's Discworld series. It showcases the art of Paul Kidby with descriptions of characters and locations by Pratchett and some details of the development of the art by Kidby himself. The book details most major lead characters from the Discworld books and gives them background information, including how Pratchett visualises them and the inspiration behind them. The cover shows the Mona Ogg, a fictional famous painting by the character Leonard of Quirm, which is a parody of the Mona Lisa based on Nanny Ogg.
|
|
In 1966, her first award-winning book Indian Lives and Legends was published by Mitchell Press, which visualises the profiles and legends of Native Peoples of British Columbia. In addition to this, her first book also includes twelve, hand-inserted colour plates. The second book of Mildred Valley Thornton was Buffalo People: Portraits of a Vanishing Nation, which was based on the stories, paintings and some images of her acquaintances with Plains Indians and was published in 2000. Thornton had really worked hard for her passion and faced many problems but despite facing difficulties she never gives up.
|
|
In such cases, the photoion mass analysis is used to confirm the identity of the radical produced. Photoelectron photoion coincidence spectroscopy can be used to shed light on reaction mechanisms, and can also be generalized to study double ionization in (photoelectron) photoion photoion coincidence ((PE)PIPICO), fluorescence using photoelectron photon coincidence (PEFCO), or photoelectron photoelectron coincidence (PEPECO). Time of flights of photoelectrons and photoions can be combined in a form of a map, which visualises the dynamics of the dissociative ionisation process.L J Frasinski, M Stankiewicz, K J Randall, P A Hatherly and K Codling "Dissociative photoionisation of molecules probed by triple coincidence; double time-of- flight techniques" J. Phys.
|
|
The Great Britain Historical GIS (or GBHGIS), is a spatially enabled database that documents and visualises the changing human geography of the British Isles, although is primarily focussed on the subdivisions of the United Kingdom mainly over the 200 years since the first census in 1801. The project is currently based at the University of Portsmouth, and is the provider of the website A Vision of Britain through Time. NB: A "GIS" is a geographic information system, which combines map information with statistical data to produce a visual picture of the iterations or popularity of a particular set of statistics, overlaid on a map of the geographic area of interest.
|
|
The video shows three intertwined stories; the first story narrates the return of a soldier embracing his mother and sisters, the second storyline narrates that of a widow that contacts her deceased husband through a television medium and the third story visualises an argument between two lovers. All characters are acted by professional Turkish actors in on a minimalist and cubic grey set. Moreover, Ebedi Dönüş becomes a soap opera by the use of baroque music that accompanies the video. This video was screened at the 'International Film Festival Rotterdam' in 2011 and at the film festival 'The Migrant (Moving) Image' in Rotterdam in 2016.
|
|
The film is based on a novel of the same name by Kannada writer Srikrishna Alanahalli. The story combines three interdependent themes – the tragedy that shocks the village, the tragic story of Kamali, and the story of the eight-year-old boy who visualises all these events. The story is seen through the eyes of Kitti. Ashish Rajadhyaksha and Paul Willemen in their book, Encyclopedia of Indian Cinema, noted that the boy cannot distinguish between the "man-made violence" and the "primeval threats" presented by the dense forest; according to a legend, the forest has a killer bird that calls out its victims by name.
|
|
In tandem with organs harvested from genetically modified mouse that express fluorescent proteins such as green fluorescent proteins, the emission mode of OPT can yield 3D genetic expression images of the mouse organ. The technique has already contributed to a large number of studies aimed at addressing a broad range of biological questions in diverse systems such as human, mice, chicken, fly, zebrafish, and plants. More recent adaptations have further enabled the use of the technique for studies of specimens on the adult mouse organ scale, individual cell nuclei, and longitudinal assessments of organ cultures. Fluorescence optical projection tomography visualises the distribution of dyes in the specimen.
|
|
The song "Konji Konji" was filmed at Narada Gana Sabha, Madras. Because the song that depicts Muthu performing on stage "didn't lend itself to anything vibrant", Krissna intercut it with scenes in which Roopa visualises Muthu in various outfits and begins to find him attractive. According to Krissna, this was a chance to show Muthu in a variety of costumes because he is only shown wearing a simple white shirt and black trousers until the song begins, and would not change his clothing and appearance until much later in the film. Krissna decided to "let the audience get a glimpse of how [Muthu] would look later on in the film" through this song.
|
|
Vineeth T. Chacko of Deccan Herald gave 4.5 in a scale of 5, entitled as "A thought-provoking daze" and said: "Trance is another such effort that is courageous, thought-provoking and encourages conversations about issues that matter to us on a personal level and speaks to society as a whole. An avant- garde achievement in filmmaking anchored by a sublime Fahadh". He applauds the film score, lighting and color palette. Goutham V. S. of The Indian Express rated 3.5 in 5 and said: "The abstract style of filmmaking, and the narrative structure that visualises the complex layers of the protagonist’s psyche is bound to make Trance a trendsetter in the Malayalam film industry ... Fahadh steals the limelight by portraying a character that is hysteric and disturbing at the same time".
|
|
According to Elani, the interwoven nature of the Dominions and Kirin Taq is like the ticking of a clock, with each "beat" signifying the passage of a moment in each world and the act of jumping from one set of beats (the ticks) to the other (the tocks) is how she visualises the use of her ability. However, a third plane is thought to exist. Dubbed the Netherfane, it is rumoured to be the home of the enigmatic Deliverers; the hooded ritualists who are the only ones capable of implanting spirit stones into the bodies of newborns. Like the Deliverers themselves, very little is known about the Netherfane and, due to many physical and temporal precepts not seeming to apply, the simple act of a mundane person gazing upon it is said to shatter the mind and cause insanity.
|
|
Up to v1.18, Kubernetes followed an N-2 support policy (meaning that the 3 most recent minor versions receive security and bug fixes) From v1.19 onwards, Kubernetes will follow an N-3 support policy. The chart below visualises the period for which each release is/was supported ImageSize = width:1000 height:auto barincrement:35 PlotArea = left:100 right:50 bottom:30 top:10 DateFormat = dd/mm/yyyy Period = from:01/01/2018 till:01/01/2022 TimeAxis = orientation:horizontal ScaleMajor = unit:year increment:1 start:2018 ScaleMinor = unit:month increment:1 start:01/01/2018 Define $dx = 25 # shift text to right side of bar Colors = id:out_of_support value:rgb(0.992,0.702,0.671) legend:Out_of_support id:in_support value:rgb(0.996,0.973,0.776) legend:In_support id:latest value:rgb(0.831,0.957,0.706) legend:Latest_stable_version id:prerelease value:rgb(0.996,0.82,0.627) legend:Preview_version PlotData= mark:(line,black) fontsize:S bar:1.19.x from:26/08/2020 till:30/08/2021 text:1.19.x color:latest bar:1.18.x from:25/03/2020 till:30/01/2021 text:1.18.
|
|
The series introduced catchphrases that entered popular culture in the UK, including Perrin's reflexive apology for a late arrival at the office, his boss C.J.'s "I didn't get where I am today ..."; the fawning junior executives Tony Webster and David Harris-Jones with their alternating "great/super"; and Perrin's brother-in-law Major Jimmy Anderson, an army officer with no grasp of organisation or leadership, coming to eat because of a "bit of a cock-up on the catering front" (caused in the original novel by his wife's alcoholism). The first series included the character of Mark Perrin, Reggie's son, played by David Warwick. However, David Nobbs felt he diverted the comedy from Reggie, so he was written out by going on tour with a theatre group in Africa. Although mainly produced on video and shot on studio sets, the series also incorporated innovative surreal escapism through film inserts, notably during scenes in which, whenever his mother-in-law is mentioned, Reggie visualises a hippopotamus trotting along.
|
|