Much like Tixite, The Cancer Journals Revisited feels like a visual diary.
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They resemble visual diary entries, often revisited and rewritten as his memories changed.
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It was an unprecedented visual diary of a first family in modern times.
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The images, she told the audience, were meant as a private visual diary.
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For four years, it acted as a sort of visual diary of my life.
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The musician's YouTube video was a visual diary of her "It's My Party" international tour.
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But put dates on the works, which can serve almost as a visual diary. 4.
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She began using drawing programs on her phone, tablet, and computer as a visual diary.
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He has taken a camera into his cell to provide a visual diary and to tell stories.
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I've had it for 11 years and it serves more the purpose of a visual diary for me.
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It's a visual diary of self-acceptance, self-love, and a celebration of the versatility of afro hair.
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See how many textures you can find and name in this visual diary from New York Fashion Week.
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Tech Tip Q. My photos posted on Instagram (along with my captions) function like a visual diary of my years.
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What began as a visual diary is now meant as a playful guide for people who find themselves lost in translation.
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What Cy Twombly: In Beauty It is Finished: Drawings 1951-2008 offers viewers is a visual diary of the artist's preoccupations and infatuations.
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An installation of small wooden panels acts as a visual diary of his patterns, recording some of his many experiments in color and layering.
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The images — of his reference materials, the production of the handmade crochet and the final adjustments backstage — serve as a visual diary of the collection.
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His book, "Going Back Home to Where I Came From," is a visual diary depicting the life he would have led had his parents never left.
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As I continue to observe my progress across many works, I am able to keep a visual diary of changes in my style, interests, and color palettes.
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These ignite nostalgia and create a visual diary without the embarassment of all that content being on social media to power those TimeHop and Facebook On This Day features.
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Ms. Goldin's "Ballad" is a visual diary of her relationships with lovers and friends in downtown Manhattan, told through some 700 slides from the late 1970s through the '80s.
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Her plea succeeded, the Neuvilles were banished to America, and so starts the story of "Artist in Exile: The Visual Diary of Baroness Hyde de Neuville" at the New-York Historical Society.
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Cave's instant photos are a visual diary of Meet the Momentary, a community celebration earlier this month that was organized by Crystal Bridges for 1,500 town residents, complete with live music and food trucks.
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The pieces in her current exhibition appear to document, to show archived material, and the film is Davey's own kind of audio-visual diary/sketchbook in response to Jarman's Blue — it serves as a guide.
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Lorimer's new book, (Un)Sanctioned: The Art on New York Streets (out now via Carpet Bombing Culture), is a visual diary chronicling the thousands of cumulative miles she has walked through the city's rapidly changing neighborhoods.
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His pieces, bright and spare, humorous and biting, provide a visual diary of the social, economic, and political realities facing millions of Kenyans, including pervasive corruption among the elite in Kenya as well as prostitution and the denial that surrounds it.
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The painting is a visual diary of sorts, incorporating the artist's most familiar stylistic elements — from monochromatic compositions reminiscent of his work from the 1960s when he used a kitchen spatula instead of a conventional paint brush, to recent loops of calligraphic shapes.
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Shine describes her ideas for a future project in a way that relates to much of Simmons's work as well (since the 1970s, the artist has photographed dolls and other miniature objects and interiors): "It's still like excerpts from a visual diary," she says.
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One of the favorites was La multitud que he sido ("The Many that I Have Been") by Santiago Solis, published by Mano de Papel, that turns an agenda into a visual diary, with scratched-out appointments and scratched-in faces for every day of the year.
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One, "Beulah Land," is a visual diary of her life (its title refers to the late-night Manhattan art bar where she pasted hundreds of doodled-on photographs to the walls and ceiling in an immersive exhibition in 1984); a second, "Artists Eating," is a voyeuristic insight into the social mealtimes that bookend so many artists', writers' and musicians' days spent alone in the studio; and finally, "Animals" documents her other great love.
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Visual Diary Version 2 album comes with a candid photos of Chen and a live album of his debut concert tour "EDISON 64" in which was held in Japan.
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Visual Diary is the first full Cantonese-language album by Hong Kong pop singer-actor Edison Chen. On this album, His genre focuses mainly in the mainstream pop combining of pop-rock flavor and RnB.
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Anh Duong (born 25 October 1960) is a French-American artist, actress, and model. She is known for her self-portraits, which she has compared to a visual diary, as well as portraits of significant art collectors and influencers.
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It gives off the feeling of movement with its bright and bold colors and shapes that jump right off the canvas. His art becomes a map of travels and experiences, a visual diary of the artist and his time and place in the continuous development of art.
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Qu Leilei (曲磊磊, born 1951)Yung Chang. (1996) Preface to A Visual Diary reproduced at redfern-gallery.com. Retrieved 19 March 2008. is a contemporary Chinese artist currently based in the UK. Qu grew up in China during the Cultural Revolution and spent some time forced in to hard labour as his parents were branded capitalists .
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Boston magazine cover, July 2004 . In 2008, David was diagnosed with lung cancer and struggled through therapy for some time. While in treatment at Dana-Farber Cancer Institute he began recording a visual diary of the experience including doing paint-studies of the Infusion Rooms. This became the basis for his first solo exhibition "Hotel Chemo", a collection of paintings and writings.
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Her study focus was on free graphics, drawing and painting with old and new media and interdisciplinary art. While studying Moll realized the global multi-media project: "The Ornamental Symbol" on traveling in Europe, Asia, Africa and America (1996-1998). This was followed by the urban visual diary project "Eva in The Big Apple" in New York City (1998-2000). 2000 Eva Moll graduated with an artistic university degree (M.f.
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At 66, after years of working as a teacher and a librarian, Breuer appears to be going full throttle.” Kathleen Shields of Parallaxis: Fifty-Five Points of View stated, "Breuer's paintings are like pages in a visual diary that records, however distilled, her physical surroundings and the very process of mark-making as a means of articulating for herself and others a sense of being in the world".
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Figurative paintings, pigments on Plexiglas. This series has been initiated in 2008 but it has not yet been exhibited TIMEscape is a socio-political, cultural and anthropological study. This artistic project is a visual diary that reflects this historical moment capturing the key current events in politics, culture, sport, environment and religion. With its numerous reflections TIMEscape participates in a complex artistic debate searching for potential answers to most urgent interrogations presented by contemporary society.
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The film was released on DVD and Blu- ray Disc on November 25, 2008. The single-disc DVD provides a theatrical cut (92 minutes) and an unrated cut (102 minutes) as well as five featurettes and two documentaries. The double-disc DVD includes these features, a digital copy of the film, and two additional making-of extras. The Blu-ray Disc includes these, an on-set visual diary, and a picture-in-picture track.
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There were shabby black-and-white images, dissolving in their own grain, like pictures cut out of an old newspaper. Similarly, the hanging was self-consciously haphazard, uneven, whimsical. Meskhi offers scenes like boys swigging liquor in a graffitied basement (an untitled work from 2008) or communing in a dark field (New Year’s, 2009). The intimacy of the images suggests that they belong to a visual diary put together by one of the gang.
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A high-impact visual diary of New York City in the 1990s, NEW YORK: CLUB KIDS is a comprehensive visual document of the decade's colorful nightlife and street culture. The book grants special access to an underground world, providing exclusive insight into the lifestyle of this celebrated and notorious clique. In New York Club Kids, Cassidy details the trajectory of the movement, illustrating his story with over 500 images by 18 photographers and artists who documented the scene.
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Brattell's interest in photography started when he was a psychology undergraduate at Liverpool University in 1981 with an ambition to become a writer. Comfortable with a camera from the outset, what was intended to be a visual diary to accompany writing projects soon took centre stage. His first published picture was a portrait of professor Patrick Minford for The Financial Times. In 1982 Brattell's photographs of the author William S. Burroughs were purchased by his publisher, John Calder.
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A page of the OK Computer booklet with logos, white scribbles and text in Esperanto and English. The motif of two stick figures shaking hands, repeated on the disc label on CD and LP releases, was described by Yorke as symbolising exploitation. The OK Computer artwork is a computer-generated collage of images and text created by Yorke, credited under the pseudonym the White Chocolate Farm, and Stanley Donwood. Yorke commissioned Donwood to work on a visual diary alongside the recording sessions.
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During his time as a boarding student Adkin developed an interest in collecting plants and rocks and also learnt to process his own photographs. His enthusiasm for photography never faltered during his lifetime and his large collection of negatives form a visual diary of his life and activities. After completing secondary school Adkin returned to the family farm in Levin. He combined his interest in geology with tramping and explored the Tararua ranges making the first recorded crossing from Levin to Masterton.
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Kral wanted a visual diary of his days in America in case he was ever deported back home to Czechoslovakia where rock music was forbidden, so he bought a Super 8 camera from a pawn shop. He began filming at Murray the K shows in 1968, then eventually got a 16mm camera, on which he filmed other concerts. Some of the clips appear in his 1975 amateur compilation, Night Lunch. Král also filmed his bandmates and friends at rehearsals, Hotel Chelsea apartments, The Bottom Line, and CBGB.
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Gover's painting, influenced by such European modernists as Klee, Kandinsky and Dalí, comprised a kind of intimate visual diary, incorporating symbolic representations of memories and current events in his life. By the 1960s and early 70s his Bay Area reputation was at its height. He had exhibited in local museums and galleries and had multiple successful shows at the legendary Vorpal Gallery, enabling him to live on the earnings from his painting. By the mid-1970s he had grown disillusioned with the art market.
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This was an enormously high number for any artist up to that point, and around 10% of his oeuvre in both painting and etching. By comparison, the highly prolific Rubens only produced seven self-portrait paintings.Summary, XXV The self-portraits create a visual diary of the artist over a span of forty years. They were produced throughout his career at a fairly steady pace,White, 10 but there is a gradual shift between etchings, more numerous until the 1630s, to paintings, which are more common thereafter.
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Blake Boyd's work employs ancient and contemporary techniques, drawing upon traditional and modern icons. His art takes many forms, including paintings in clay, sculpture, photobooth photography, video, and site-specific installation. Collectively, all of these are components of a twenty-year conceptual artwork that Boyd views as two "visual" operas. The first opera, Fidelio, began in 2001, and is a visual diary of Boyd's travels, from his visits with celebrities from Andy Warhol's Factory in New York City, to his escapades in New York and London nightclubs.
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Alan Bamberger is a San Francisco–based art consultant and advisor best known for his regular posts to ArtBusiness.com , where he creates a visual diary of gallery openings and happenings in the art world in the Bay area. In addition he makes insightful comments, takes close-up views with the memorable Pinky- Cam, giving the sense of scale and detail to the artwork on view. He is also an author and independent appraiser who has written numerous articles for the benefit of both artists and collectors.
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She even did drugs by sticking a needle in her arm with the help of Grace. Each patient—aside from Madison who wasn't there—was assigned to film herself with a video camera, talking about anything, like a visual diary, Margaret refused. Madison however, locks herself in her apartment, using a video camera to document herself, similar to the girls in the mental hospital. Madison vows that if she does not have the answer to her questions and feel more at peace with her life, she will kill herself on the 30th day.
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In 2013, Genia Chef is represented in the Official Programme of the 55th Venice Biennale (Palazzo Bembo, Collateral Events) with the multimedia installation "Dead House". Here, the artist thematizes the murder of the Russian Tsar's family, which remains an important aspect of his work (several museum exhibitions in Russia, 2017-2019). In 2015, Genia Chef and his friend, the writer Vladimir Sorokin, show the project "Pavilion Telluria" during the 56th Venice Biennale in Palazzo Rocca Contarini Corfù. Genia Chef's "Archive of Transitional Conditions" consists of more than 200 small-format works that form a kind of visual diary.
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Legno's career started when he was still in school in [Italy], where he created a website as a "visual diary and platform to showcase his portfolio of works". With this website he created various illustrations, advertisements, designs, and other freelance media for clients. He was then discovered and presented a partnership by Pooneh Mohajer and her husband Ivan Arnold — co-founders of the American cosmetics brand Hard Candy. In 2004, Simone Legno moved to Los Angeles to develop his tokidoki merchandise and art, where he launched his artistic career with the help of his 2 business partners (Ivan Arnold and Pooneh Mohajer Arnold).
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From 2000 to 2004, Bauer produced over 4,000 small porcelain bowls. Each carries exquisite, low-relief, incised decoration portraying lovelorn, winged beings engaged in the romantic quest to find the ideal lover and soul-mate. The entire suite was signed, dated and numbered, and the sum total formed a continuous narrative, a visual diary, recording the ups and downs of the artist’s daily life, his thoughts, dreams, hopes, and numerous, but never casual, love affairs. Although the quirky motifs and endearingly misspelt inscriptions are often playful and achingly funny, the artist never shied away from the big issues.
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Burkhart's The Liz Taylor Series (1982-ongoing) is a self-portrait project in which the artist uses the image of Liz Taylor to explore fantasies and evoke the artists genderqueer identity. Stills of Taylor taken from her films are painted in a cartoonish style with profane text imposed on top. Jane Ursula Harris says Burkhart's work embodies: "ribald humor and [a] feminist-punk attitude." Artist Keith Mayerson has said of Burkhart's series, "Reproduced chronologically, the portraits take on new life as a visual diary, a pictorial narrative in which we witness how women's freedom and spirit have been repressed by male-dominated capitalist culture, with Liz Taylor as our courageous avatar".
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In 1979 he launched his own line, which was received so well that it earned him the Coty Award the very next year. The company folded in 1985 due to Vollbracht having accepted financial backing from Johnny Carson, which was withdrawn during Carson's bitter divorce from his third wife. Afterwards, Vollbracht published Nothing Sacred, a visual diary of his years in New York City and the many people he interacted with, and then moved to Florida to concentrate on his illustrations and art. In 1989, The New Yorker named him one of its top illustrators, and he would produce covers and other art for the next several years.
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It is an album of snapshot photographs taken by Savoie with a point-and-shoot camera that are meant to "…capture those odd moments of beauty that are always around us but usually fleeting." "Tokyo Privé" acts as Savoie’s visual diary of Tokyo, and he states that it is "not a true reflection of how the city really is but simply as I remember it." In 2006 Savoie continued to further his commercial work receiving commissions from MUFG bank, Japan Airlines, Universal Records and Uslu Airlines. The same year he left AVGVST and then signed with the international agency, GA and with their encouragement he started to focus on modern architecture and urban landscapes.
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He has also contributed to Grams of Art, and AH AH AH. His paintings represent the bulk of his visual diary, and are partly gathered in Pierre Denan Diary: A Selection of Works, published by Presses du réel in 2014. Their formal vocabulary has been borrowed from Steven Parrino—though they have dropped the American artist's dramatic, deathlike dimension, as well as his elements of mannerism and folkloric post-punk and biker spirit. In 2000 he created M19, a press devoted to contemporary art. Since then, he has acted as both editor and artistic director for art books and journals such as: MAP (a pamphlet poster distributed in galleries at the beginning of the 2000s, 1200 copies), AH AH AH a creative journal, 20/27 a critical art review, 2870 Grams of Art an art journal, and I.S. Inventaire Supplémentaire, a collection of art books.
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When she completed her studies at Bezalel, she researched, for a decade, the concept of the Family album as representing our yearning for happiness and the fantasy of an idyllic family. In recent years, she has been working on a visual diary based on wandering, where she explores questions about the Israeli public sphere, looking for visual, social, and political signs that penetrate it. Her works combine images with texts and integrate direct and staged photography. They are usually composed of series according to subject. Yarden has had numerous solo exhibitions, among others: Herzliya Museum of Contemporary Art (2019), Tel Aviv Artists House (2014), Contemporary by Golconda Gallery, Tel Aviv (2013), Chelouche Art Gallery, Tel Aviv (2000, 2002, 2005, 2007, 2010), and has participated in many group exhibitions in Israel, Europe, and the United States, among others: Circle1 Gallery, Berlin (2018), Bat-Yam Museum (2011), Jewish Museum, Munich (2010), Artneuland Gallery, Berlin (2008), Tel Aviv Museum of Art (2002, 2003), Israel Museum Youth wing, Jerusalem (2002, 2005, 2014), Artforum Berlin (2002), Margolis Gallery, Houston (2000), Israel Museum, Jerusalem (1998).
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