Timid and sober are two modest Sol LeWitt cross-hatched rings from 2000, while Claude Lévêque's necklace "Venin" ("Venom," 2014) is sassy and telling: By celebrating in gold the poisonous substances secreted by snake and spider bites, and scorpion stings, Lévêque gets to the point of what makes art jewelry problematic, and the point is sharp.
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The name "antivenin" comes from the French word venin, meaning venom, which in turn was derived from Latin venenum, meaning poison. Historically, the term antivenin was predominant around the world, its first published use being in 1895. In 1981, the World Health Organization decided that the preferred terminology in the English language would be venom and antivenom rather than venin and antivenin or venen and antivenene.
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Toi, le venin (aka: Blonde in a White Car; US title: Nude in a White Car; UK title: Night Is Not for Sleep) is a 1958 French crime drama film directed and written by Robert Hossein, based on the novel C'est toi le venin... by Frédéric Dard. The music score was by André Hossein. The film tells the story of a young man who has affairs with two sisters.
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Venin (, also Romanized as Venīn and Vanīn) is a village in Kachu Rural District, in the Central District of Ardestan County, Isfahan Province, Iran. At the 2006 census, its population was 31, in 12 families.
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Mayor's Office, Borough of Pompton Lakes. Accessed September 13, 2018. Members of the Borough Council are Council President Terri R. Reicher (R, 2021), William D. Baig (R, 2022), Erik I. DeLine (R, 2021), Francis M. "Frank" Jaconetta (R, 2020), Jennifer Polidori (R, 2022) and Ekamon "Ek" Venin (R, 2020).
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Orage is a 1938 French drama film directed by Marc Allégret. The screenplay was written by Marcel Achard and , based on the play Le venin by Henri Bernstein. The film stars Charles Boyer and Michèle Morgan. It tells the story of the mistress of an engineer who has a pregnant wife.
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Alexandru Bogdan-Pitești is a major character here (as well as in Venin de mai): as "Adam Gună", he sponsors libertine escapades and subversive literary societies, cultivating concupiscence and amoralism.Mitchievici, pp. 339, 343, 344–351 Lunatecii also reveals Vinea's fascination and disgust with Nae Ionescu, the far-right journalist and philosopher. He appears as "Fane Chiriac", the man with "devilish jade eyes" and "cynical lucidity".
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341 He and his wife were both characters in Ion Vinea's novels Venin de mai ("May Venom") and Lunatecii ("The Lunatics")—Alexandru as Adam Gună, Domnica as wife Iada Gună.Cernat, Avangarda, p.41, 43; Mitchievici, p.339, 343, 344–351, 354 Both novels portray the Bogdans' cultural circle, allude to their influence in making young people reject all conventionalism, and show them promoting vice as virtue.
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The unfinished Venin de mai, described by Manolescu as a "failed Bildungsroman", has for a protagonist the painter Andrei Mile, another Vinea alter-ego. Rather than aboulic, like Silion, Mile is driven by the thrill of extreme experiences, only to find himself clueless and desperate.Funeriu, p. 624 He falls under Gună's spell at an early stage in his life, which allows Vinea to explore legends surrounding Bogdan-Pitești's interloper status.
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Mitchievici, pp. 350–351 Sexual initiations occupy a central part of the narrative, and, Manolescu argues, are of no stylistic importance; overall, the book is "more somber" than Lunatecii, but "lengthy and boring". Part of the plot is localized on the (fictional) Danube islet Vadul Istrului, a magical but malaria-stricken place. In depicting Andrei as a Constructivist, Venin de mai settles Vinea's scores with Tzara, hinting that Dada poetry is simply "illegible",Cernat (2007), p.
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Crache Ton Venin is the second album by French rock band Téléphone. The title, translating literally as 'Spit Your Venom', is also the name for the album's opening track. Released in 1979, it was the album that cemented Téléphone's position as one of the foremost French rock groups of the era, some reviewers citing the sound as being like a French Rolling Stones.Album review (in French) The album was recorded in London and produced by Martin Rushent who had previously worked with the Buzzcocks.
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Jeton & Tee) Unikkatil - Scary Night Unikkatil - Se S'kom Qare (Feat. Presioni & Benny Blanco) Unikkatil - Shan Reperat E Vjeter (Mesazh Per Reperat E Ri) Unikkatil - Shihemi n'Perkujtime Unikkatil - Shtigjet E Verteta Unikkatil - Shuj (Feat. Wnc) Unikkatil - Sjom Me Veten Unikkatil - Skit (kanuni I Katilit) Unikkatil - Skit 2 (Kanuni I Katilit) Unikkatil - Smun Ma Nxen Venin (Diss Double G Army) Unikkatil - Ta Zhdukim Policin Unikkatil - Tata Mata Unikkatil - Tata Mata (demo) (Feat. Cyanide) Unikkatil - Të Jesh Unikkatil Unikkatil - Tqoj Pesh Unikkatil- Ta zhdukim policin Unikkatil - Trim I Gjall Unikkatil - Tu U Kacafyt Me Jet Unikkatil - U Bo Jeta Monoton (Feat.
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This synth-driven album included C'est long c'est court which became a radio hit in France during the summer of 1985, as well as the ballad "Le temps est assassin". She then embarked in a long tour during 1985–86 which met with tremendous success highlighted by a month-long residence at the Olympia in November 1985.Olympia 1985 In 1988, she released the album Moi le venin, which included the highly controversial single "Allah" (produced by Michel Berger). A couple of months after the release of the video directed by Dominic Sena (director of Gone in 60 Seconds, Kalifornia, Swordfish...), the song was censored in the media, and Sanson was forced to drop it from her tour's set-list after receiving threats of violence from radical Muslims.
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Régina Badet in 1910. Badet was first dancer with the Grand Théâtre de Bordeaux in 1890. She began with the Opéra-Comique de Paris in 1904, dancing in productions of Lakmé (1905), Aphrodite (1906, in which she shared billing with dancer Mata Hari), Ariane et Barbe-Bleue (1907), Carmen (1908), Bacchus triomphant (1909), Le Mariage de Télémaque (1909), Athanaïs (1910), Sapphô (1912), La Grande Famille (1914), Un Mari dans du Coton (1916), Les Trois Sultanes (1917), Appassionata (1920), and Le Venin (1923). She was known for creating the role of Conchita Perez in a stage adaptation of La Femme et le Pantin (1910), in which her very minimal costume was a matter of some scandal. Badet appeared in French silent films Le Secret de Myrto (1908), Le Retour d'Ulysse (1909), Carmen (1910), La Saltarella (1912), Zoé a le cœur trop tendre (A Woman's Last Card, 1912), Le Spectre du passé (1913), Vendetta (1914), Manuella (1916), Le Lotus d'or (The Golden Lotus, 1916), Sadounah (No Greater Love 1919), and Maître Évora (1922).
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