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"venery" Definitions
  1. the art, act, or practice of hunting
  2. animals that are hunted : GAME
  3. the pursuit of or indulgence in sexual pleasure
  4. SEXUAL INTERCOURSE

26 Sentences With "venery"

How to use venery in a sentence? Find typical usage patterns (collocations)/phrases/context for "venery" and check conjugation/comparative form for "venery". Mastering all the usages of "venery" from sentence examples published by news publications.

He further Foxified the White House by offering a top job to Bill Shine, the former Fox News enforcer who oversaw the creepy cover-up of the Roger Ailes-Bill O'Reilly venery.
An old term of venery for swallows is a "flight" or "sweep".
The use of scenthounds to track prey dates back to Assyrian, Babylonian, and ancient Egyptian times, and was known as venery.
" # "Chastity. Rarely use venery but for health or offspring, never to dullness, weakness, or the injury of your own or another's peace or reputation." # "Humility. Imitate Jesus and Socrates.
In linguistics, a collective noun is a collection of things taken as a whole. Most collective nouns in everyday speech are not specific to one kind of thing, such as the word "group", which can be applied to people ("a group of people") or dogs ("a group of dogs") or other things. Some collective nouns are specific to one kind of thing, especially terms of venery, which identify groups of specific animals. For example, "pride" as a term of venery always refers to lions, never to dogs or cows.
These seldom attack eunuchs or boys > before coition with a woman, or women except those in whom the menses have > become suppressed... some have obtained lifelong security by refraining from > wine, mead and venery. In 1683, Thomas Sydenham, an English physician, described its occurrence in the early hours of the morning and its predilection for older males: > Gouty patients are, generally, either old men or men who have so worn > themselves out in youth as to have brought on a premature old age—of such > dissolute habits none being more common than the premature and excessive > indulgence in venery and the like exhausting passions. The victim goes to > bed and sleeps in good health. About two o'clock in the morning he is > awakened by a severe pain in the great toe; more rarely in the heel, ankle, > or instep.
Title page of London edition of Meibomius De flagrorum usu, 1665 Tractus de usu flagrorum in re Medica et Veneria is a 1639 treatise by Ioannes Henricus Meibomius (1590-1655). The English title is A Treatise on the Use of Flogging in Medicine and Venery. It was published by the English publisher Edmund Curll. It is the earliest printed work on the subject, giving accounts of a number of examples.
Diego Velázquez, Lección de equitación del príncipe Baltasar Carlos, 1636; Martínez de Espinar is handing a lance to Gaspar de Guzmán, Count-Duke of Olivares, riding-master to Prince Balthasar Charles Alonso Martínez de Espinar (5 May 158814 May 1682) was a Spanish courtier and one of three important writers on venery of the Spanish Baroque. He was a ballestero ("crossbowman") and arquebusier to several kings of Spain.
Maud Grieve in A Modern Herbal mentions that it has been cultivated in Great Britain since 1548 and is supposed to be a useful diet in chest complaints. The seventeenth-century English herbalist Nicholas Culpeper said about the plant: : Sisari, secacul. Of Scirrets. They are hot and moist, of good nourishment, something windy, as all roots are; by reason of which, they provoke venery, they stir up appetite, and provoke urine.
"Here like a triple fool I waited till midnight for a lying jade till sleep overcame me, intent on venery; in that filthy vision the dreams spot my night clothes and my belly, as I lie upon my back." In the Aeserman inscriptionMommsen, Inscr. Regn. Neap. 5078, which is number 7306 in Orelli-Henzen. we have another example of the hospitality of these inns, and a dialogue between the hostess and a transient.
The focus on collective terms for groups of animals emerged in the later 15th century. Thus, a list of collective nouns in Egerton MS 1995, dated to c. 1452 under the heading of "termis of venery &c.;", extends to 70 items,David Dalby, Lexicon of the Mediaeval German Hunt: A Lexicon of Middle High German Terms (1050–1500), Associated with the Chase, Hunting with Bows, Falconry, Trapping and Fowling, Walter de Gruyter, 1965, , p. xli.
Martínez de Espinar was the son of Cristóbal Martínez de Espinar, of Baza in Granada, and Juana Hernández Sacristán, who was from Brunete in the province of Madrid. He was baptised in the church of San Martín in Madrid. He had a sister, Jerónima Martínez de Espinar, who married Alonso Mateos, who was ballestero to the King of Spain and the brother of Juan Mateos, author of another important book on venery.
In Thomas Phillips' History and Antiquities of Shrewsbury (1799) the author is explicit in his understanding of the origin of the name as a place of "scandalous lewdness and venery", but Archdeacon Hugh Owen's Some account of the ancient and present state of Shrewsbury (1808) describes it as "called Grope, or the Dark Lane". As a result of these differing accounts, some local tour guides attribute the name to "feeling one's way along a dark and narrow thoroughfare".
The joust remained the primary example of knightly display of martial skill throughout the Renaissance (the last Elizabethan Accession Day tilt was held in 1602). The martial skills of the knight carried over to the practice of the hunt, and hunting expertise became an important aspect of courtly life in the later medieval period (see terms of venery). Related to chivalry was the practice of heraldry and its elaborate rules of displaying coats of arms as it emerged in the High Middle Ages.
Cupid was the enemy of chastity, and the poet Ovid opposes him to Diana, the virgin goddess of the hunt who likewise carries a bow but who hates Cupid's passion-provoking arrows.Tela Cupidinis odit: Ovid, Ars Amatoria 1.261; C.M.C. Green, "Terms of Venery: Ars Amatoria I," Transactions of the American Philological Association 126 (1996), pp. 242, 245. Cupid is also at odds with Apollo, the archer-brother of Diana and patron of poetic inspiration whose love affairs almost always end disastrously.
The craft of venery. A translation of La chasse du cerf. A review in the Times Literary Supplement praised this book, which had been printed in an earlier version in 1843/4 with a very limited circulation, and said that Alice Dryden's notes along with her father's previously unpublished notes made the work far more "intelligible".James Edmund Vincent, 'Medieval Hunting Literature', The Times Literary Supplement, 31 December 1908, p497 It also mentioned her historical research into the real-life identity of the huntsman Twici or Twiti.
Charles Gautier de Vinfrais, better known under the name Vinfrais l'ainé, (7 November 1704 – 4 Novembre 1797) was an 18th-century French officer of the Royal venery. Long a huntsman of King Louis XV of France with whom he hunted regularly, Vinfrais wrote the article Vénerie for the 16th volume of the Encyclopédie, comprehensive on the organization and history of Royal Hunts, informative, but poorly organized, absolutely devoid of any critical spirit and silent on the social costs of hunting on the peasantry of his time.
OEDCox, Nicolas (1724): The Gentleman's Recreation, archive.org A stag which was old enough to be hunted was called a "warrantable" stag. The hart was a "beast of venery" representing the most prestigious form of hunting, as distinct from lesser "beasts of the chase", and "beasts of the warren", the last of which were regarded virtually as vermin. The membership of these different classes varies somewhat across periods and writers, but the red deer is always in the first class, the red fox hardly being regarded at all.
Euripides' tale of Artemis and Actaeon, for example, may be seen as a caution against disrespect of prey or impudent boasting. With the domestication of the dog, birds of prey, and the ferret, various forms of animal-aided hunting developed, including venery (scent hound hunting, such as fox hunting), coursing (sight hound hunting), falconry, and ferreting. While these are all associated with medieval hunting, over time, various dog breeds were selected for very precise tasks during the hunt, reflected in such names as pointer and setter.
The earliest books in the English language to mention numbers of dog types are from the "Cynegetica" (hunting literature), namely The Art of Venery 1327 by Twiti (Twici), a treatise which describes hunting with the limer (a leashed bloodhound type), the pack of running hounds (scent hounds) greyhounds, and alaunts. More significantly in recording the use and description of various dog types, The Master of Game circa 1406 by Edward of York The Master of Game, by Edward, second Duke of York: ed. Baillie-Grohman, William.1st Ed. London: 1904 Ballantine, Hanson & Co Folio, 302pp.
Cnut the Great re-classed foxes as Beasts of the Chase, a lower category of quarry than Beasts of Venery. Foxes were gradually hunted less as vermin and more as Beasts of the Chase, to the point that by the late 1200s, Edward I had a royal pack of foxhounds and a specialised fox huntsman. In this period, foxes were increasingly hunted above ground with hounds, rather than underground with terriers. Edward, Second Duke of York assisted the climb of foxes as more prestigious quarries in his The Master of Game.
Gervase Markham edited and commented on the list in his The Gentleman's Academic, in 1595. The book's popularity had the effect of perpetuating many of these terms as part of the Standard English lexicon even if they were originally meant to be humorous and have long ceased to have any practical application. Even in their original context of medieval venery, the terms were of the nature of kennings, intended as a mark of erudition of the gentlemen able to use them correctly rather than for practical communication. The popularity of the terms in the modern period has resulted in the addition of numerous lighthearted, humorous or facetious collective nouns.
The Arte de ballestería y montería is one the three principal works on venery of the Spanish Baroque period. It was published in Madrid in 1644, with a preface by Francisco de Quevedo Villegas. It is dedicated to Balthasar Charles, Prince of Asturias, and contains portrait engravings of him and of Martínez de Espinar by Juan de Noort; the other engravings, of hunting scenes, are by an unknown hand. The book is in three parts, and – despite the title, which means roughly "the art of crossbowmanship and hunting" – deals with hunting both with the crossbow and with the arquebus; it also covers hunting with lures and traps.
The child actors ended up under new management. The published text of the play includes a Prologue, in which the actor speaking the piece is interrupted by three of the audience members sitting on the stage of the Blackfriars. (The potential disruptive influence of the spectators seated at the sides of the stage is employed in other works of the era, most notably in Francis Beaumont's 1607 satire The Knight of the Burning Pestle.) Each of the three wants a different kind of play: one demands a satire, the next a love story ("a scene of venery"), and the third a "stately penn'd history." The Prologue complains of the impossibility of pleasing them all.
However, both by his own choice and by the sentiments of his audiences in England, Braham's Jewishness remained a prominent feature of his career until his marriage in 1816, and as the most famous English Jew of this period he became a significant incarnation of 'the Jew' in the British consciousness. He also regularly supported Jewish charities and causes. Braham's physical appearance made it in any case difficult to disguise his origins, being short, stocky, swarthy and in general the epitome of a caricature Jew. The quality of his singing rendered his looks irrelevant to his audience; as was unpleasantly expressed by the satirist John Williams, who at the end of a long catalogue of supposed Jewish malpractices and some lubricious references to Braham's supposed venery, concludes his passage: His voice and his judgement completely atone For that heap of repulsion he cannot disown.
52 pl a treatise which describes dogs and their work, such as the alaunt, greyhound, pack scent hounds, spaniel, and mastiff used by the privileged and wealthy for hunting purposes. The Master of Game is a combination of the earlier Art of Venery and the famous French hunting treatise Livre de Chasse by Gaston Phoebus circa 1387. The Boke of St. Albans, published in 1486 a "school" book about hawking, hunting, fishing, and heraldry, attributed to Juliana Berners (Barnes), lists dogs of the time mainly by function: " First there is a greyhound, a bastard, a mongrel, a mastiff, a limer, a spaniel, raches (small- to-medium sized scenthounds), kennets (small hunting dogs), terriers, butcher's hounds, dung-heap dogs, trundel tails (lapdogs?) and prick-eared curs, and small ladies puppies that bear away the fleas and diverse small sorts". Almost 100 years later, another book in English, De Canibus Britannicus by the author/physician John Caius, translated (Fleming) from Latin in 1576, attempts the first systematic approach to defining different types of dogs in various categories, demonstrating an apparent increase in types, and population.

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