174 Sentences With "Usonian" | Random Sentence Generator

The Towbes Foundation donated a Usonian Frank Lloyd Wright house to the Cranbrook Center.

The cottage is representative of Wright's early Usonian style in its flat roof, banded windows, and strong horizontal lines.

Wright's more elaborate homes, including Fallingwater in Pennsylvania, are like livable sculptures, but the Usonian homes still firmly emphasize his ideas about space.

He was after all still exceptionally active — his iconic Guggenheim Museum in New York would open in 1959, six months after his death — and still believed in his Usonian ideals, where mid-century style was within reach of average citizens, or at least the inhabitants of some utopian fantasy version of the USA (the "US" of which gives Usonian its name).

"If you look at Wright's Usonian houses, the premise of these houses is that they were accessible for the middle class," Widder told Hyperallergic.

In New Hampshire, funds from an anonymous donor allowed the Currier Museum of Art to purchase its (second) Usonian-style Frank Lloyd Wright-designed house.

Even Frank Lloyd Wright was attracted to this concept, designing his unpretentious Usonian homes (one of which went on the market recently in New Hampshire).

The house is a modest, single-story "Usonian" style prefab, a democratic design that Wright hoped he could scale, making his organic architecture accessible to the masses.

Oberlin's second FRONT location features new works by Juan Araujo, performing one of his trademark spatial-collaborations with the Weltzheimer/Johnson Usonian House, which Wright designed in 1947.

There's also an original model of Domoto's first and largest Usonian house, the Bier House, an 1,800-square-foot structure built in 1949 and set into a sloping site.

Although unintended for private residence, the building is quintessentially Usonian, with a flat roof complete with overhang, clerestory windows, and a central hearth — a pretty uncommon feature for a clinic.

Like the Duncan house, Kentuck Knob in Stewart Township is Usonian in style but much richer: flagstone steps lead up to an L-shaped, dramatically horizontal house topped with a copper roof and decorated all around with red cypress dentil frieze.

Wright was notoriously obsessive about his designed spaces, dictating down to minute detail what could and could not exist within them, and his Usonian houses represented a kind of Platonic ideal, in Wright's mind, of the middle-income family home.

The Toufic H. Kalil House is a structure that was built by Frank Lloyd Wright in Manchester, New Hampshire, in 1955. The Usonian Automatic design of this house allowed Wright to meet the requirements of Dr. Toufic and Mildred Kalil, a professional couple. Wright used the term Usonian Automatic to describe the design of economical Usonian style houses constructed of modular concrete blocks. This house illustrates Wright's creative use of this inexpensive material.

The spacious, two-story residence also represents a rare example of Usonian design, since the "Usonian Homes" were typically small, single-story dwellings. It was recently restored, after years of neglect and vacancy, at a reported cost of one million dollars.Feighan, Maureen. "Frank Lloyd Wright home ahead of its time".

The Robert Walton House was constructed in 1957, as a development of Frank Lloyd Wright's New York Usonian Exhibition House concept.

Earley was interested in the use of mass-production techniques to produce small, inexpensive houses, paralleling Frank Lloyd Wright's Usonian house concepts.

"Usonian" usually refers to a group of approximately sixty middle-income family homes designed by Frank Lloyd Wright beginning in 1934 with the Willey House, with most considering the Herbert and Katherine Jacobs First House, 1937, to be the first true "Usonian." The "Usonian Homes" are typically small, single-story dwellings without a garage or much storage. They are often L-shaped to fit around a garden terrace on unusual and inexpensive sites. They are characterized by native materials; flat roofs and large cantilevered overhangs for passive solar heating and natural cooling; natural lighting with clerestory windows; and radiant-floor heating.

Chancellor and Patrick mediated modernism with concern for the region and site. Their approach to architecture saw the revival Frank Lloyd Wright's Usonian house principles between the 1950s and 1960s. Usonian architecture grew out of Frank Lloyd Wright's earlier Prairie style homes which featured low roofs and open living areas. The style made use of brick, wood, and other natural material.

The Robert H. Sunday House is located in Marshalltown, Iowa, United States. It was designed by Frank Lloyd Wright in the Usonian style, and was listed on the National Register of Historic Places in 1988. Initially the Sunday's choose the Usonian Automatic, a natural concrete block model, for their home. When it provided unworkable, Wright sent the plans for this house.

Retrieved April 27, 2009. Another alternative is US- American,University of the Pacific (United States): 1.5.4 - Sources of US- American Culture also spelled US American. Several single-word English alternatives for American have been suggested over time, including Usonian (popularized by Frank Lloyd Wright)The Concise Oxford Dictionary (1999:1580) gives the first meaning of the noun Usonian as "a native or inhabitant of the United States".

The Maynard Buehler House in Orinda, California is a Usonian home designed by Frank Lloyd Wright in 1948 for Katherine Z. "Katie" and Maynard P. Buehler.

The Seamour and Gerte Shavin House is a Frank Lloyd Wright designed Usonian home in Chattanooga, Tennessee. The house was added to the National Register of Historic Places in 1993.

The conception of spaces instead of rooms was a development of the Prairie ideal. The built-in furnishings related to the Arts and Crafts movement's principles which influenced Wright's early work. Spatially and in terms of their construction, the Usonian houses represented a new model for independent living, and allowed dozens of clients to live in a Wright-designed house at relatively low cost. His Usonian homes set a new style for suburban design that influenced countless postwar developers.

One of Wright's earliest Usonian homes, at 1,350 square feet the house is an "in-line Usonian", literally a house built in a straight line. The carport, living room, dining room, kitchen and bedrooms all form rectangular spaces that slide past each other. The living room takes up most of the house, with a chimney at one end in front of a workspace. At the opposite end, two bedrooms, separated by a bathroom, open out on to a veranda.

Hawkins designed about 70 larger houses in the Usonian style of Frank Lloyd Wright, using natural stone, wood sunscreens and louvers, and glass as a design element. Construction was completed in 1957.

Typical of Wright's Usonian style, the Kalil house draws its beauty from simple, linear forms rather than ornamental details. Symmetrical rows of rectangular window openings give the heavy concrete a sense of airiness. The Kalil house was designed in the mid-1950s, near the end of Wright's life. The Zimmerman House was built in a very different Usonian style for Dr. Toufic Kalil's good friend and hospital colleague, Dr. Zimmerman, three lots down, on the same street, five years earlier.

The Gordon House is a residence designed by influential architect Frank Lloyd Wright, now located within the Oregon Garden, in Silverton, Oregon. It is an example of Wright's Usonian vision for America. It is one of the last of the Usonian series that Wright designed as affordable housing for American working class consumers, which—in 1939—were considered to have an annual income of $5,000–6,000. The house is based on a design for a modern home commissioned by Life magazine in 1938.

The William L. Thaxton Jr. House is a large single-story Usonian house, designed by Frank Lloyd Wright in 1954 and built in Houston, Texas in 1955. The Thaxton House is Wright's only residential project in Houston. Thaxton was a successful insurance executive and commissioned Wright to design a work of art that would also be suitable for living and entertaining. This Usonian is one of Wright's smaller designs at 1,800 square feet and is designed as a parallelogram and constructed of concrete block.

The Tonkens House is a single story, three bedroom, two bathroom private residence, designed in the Usonian Automatic style. The house is situated on a partially developed 3.54-acre property in Amberley Village, Ohio and measures some 2,100 square feet. An early 20th-century guest cottage also occupies the property, a remnant of its earlier use as a farm. The Usonian Automatic style was Frank Lloyd Wright's final architectural period and is based on a modular design system that employed interlocking, precast concrete blocks.

But, esthetically, we were concentrating on opening up the house to the south, to greet the sunshine. Additionally, many of Resnick's Usonian homes used circles and curves far more than the typical architecture of the time.

In recognition of Resnick's contributions to the architectural development of the Usonian home the Westchester Hudson Valley Chapter of the American Institute of Architects grants a yearly scholarship to a promising young architectural student in his name.

2006, , 452. A photograph showing the perforated panels is in the web page on the National Register application. The use of materials in the home (concrete blocks), its single floor, suggests that the home is a Usonian design, however it is larger than most: 4,337 square feet (402.92 sq. meters). Yet, the arrangement of the floor plan uses Usonian principles: the kitchen is open to the living room and dining area, and the four bedrooms are accessible from a gallery, and there is a clerestory that uses perforated plywood panels designed specifically for the home.

Exterior of the Levin House As with many of the Usonian houses, Wright used a large amount of glass, wide roof overhangs, large fireplaces, open interiors, spacious terraces, and outdoor living facilities. He did not like the idea of a house being like a cardboard box, so his designs were far from four walls and a single flat roof. A Usonian house was intended to be "a thing loving the ground with the new sense of space, light, and freedom." Wright used natural light to help dramatize forms and textures.

In 1949, Aaron Resnick and his wife, Mildred became the first family to move to Usonia into a house Resnick designed. The house exhibits the quintessential Usonian vocabulary: open workspace, clerestory windows, natural brick, and red concrete floors.

It is considered to be one of the finest and most intact examples of Usonian Automatic architecture ever produced and was designated a National Historic Landmark and listed in the National Register of Historic Places on October 3, 1991.

Designed on a gridded concrete slab that integrated the house's radiant heating system, the house featured new approaches to construction, including walls composed of a "sandwich" of wood siding, plywood cores and building paper—a significant change from typically framed walls.Twombly, p.242 Usonian houses commonly featured flat roofs and were usually constructed without basements or attics, all features that Wright had been promoting since the early 20th century. Usonian houses were Wright's response to the transformation of domestic life that occurred in the early 20th century when servants had become less prominent or completely absent from most American households.

Nestled in rolling woodland, the house was a Usonian home with concrete floors coated with red-colored wax, piano hinges on the doors, and radiant heating. Wright visited Falls Church numerous times during construction in 1940.Gernand and Netherton, Falls Church, p. 119.

Damschroder, Cindy B., 1996. "The Gerald B Tonkens House: A Study of Usonian Automatic Architecture of Frank Lloyd Wright". Master of Art Thesis in the Department of Art History, University of Cincinnati, p. 30. Example of precast concrete blocks in the Tonkens House.

Major residential projects by the duo include a refurbishment of the Usonian House. Commercial works include the design of the Facebook cafeteria. The firm has also designed the interiors of several hotels for the Sydell Group, including the Freehand Hotel in Miami.

The Ray Brandes House is a Frank Lloyd Wright designed Usonian home located at 2202 212th Avenue SE, Sammamish, WashingtonStreet name and number per While Heinz and Storrer (below) give the place as Issaquah, Washington, this address has been within the city limits of Sammamish since the incorporation of that city on August 1, 1999 . It was constructed in 1952. The home is constructed in Frank Lloyd Wright's Usonian style which is designed to create flow between nature, the home and its interior. It is one of the better preserved examples of this style, and one of three homes designed by Frank Lloyd Wright in Washington State.

The Hause House project was one of the many un-built works designed by architect Frank Lloyd Wright in 1939. This building structure was one of his Usonian designs that was a short-tailed rectangular plan to be located in Lansing, Michigan. Although the structure was never built, it was developed into working drawings and was utilized in the creation of another Frank Lloyd Wright design for the Florida Southern College Faculty House. The Hause House was a Usonian based on the design of wood board and batten exterior as many of them are, while the Florida Southern College Faculty House was a concrete structure.

The 'Tonkens House' would be assigned project number 5510 by the Taliesin Foundation.Damschroder, Cindy B.. 1996. "The Gerald B. Tonkens House: A Study of Usonian Automatic Architecture of Frank Lloyd Wright". Master of Art Thesis in the Department of Art History, University of Cincinnati, p. 24.

The Weltzheimer/Johnson House is a Usonian style house designed by Frank Lloyd Wright in Oberlin, Ohio. It was constructed in 1948 and 1949. Now owned by Oberlin College, it is operated as part of the Allen Memorial Art Museum. The house was originally named the Charles Weltzheimer Residence.

"Frank Lloyd Wright's Usonian Communities in Kalamazoo County, Michigan." Kalamazoo Historic Preservation Commission, 1999. Those houses were meant for the common man at that time. The finished house was constructed of textile blocks, big windows and skylights, built-in furniture, and a mix of shallow and grand sloping ceilings.

The Eric and Margaret Ann (Davis) Brown House is a single-family home located at 2806 Taliesin Drive in Kalamazoo, Michigan. It was listed on the National Register of Historic Places in 2016. It is perhaps one of the best preserved Usonian houses designed by Frank Lloyd Wright.

Charles Weltzheimer Residence, Oberlin, Ohio (1948) Wright is responsible for a series of concepts of suburban development united under the term Broadacre City. He proposed the idea in his book The Disappearing City in 1932, and unveiled a model of this community of the future, showing it in several venues in the following years. Concurrent with the development of Broadacre City, also referred to as Usonia, Wright conceived a new type of dwelling that came to be known as the Usonian House. Although an early version of the form can be seen in the Malcolm Willey House (1934) in Minneapolis, the Usonian ideal emerged most completely in the Herbert and Katherine Jacobs First House (1937) in Madison, Wisconsin.

Belden brick and tidewater cypress, as well as radiant-heat poured Cherokee red concrete floors, are all elements typical of the best Usonian homes. Wright and Gertrude Mossberg had a great appreciation for one another which resulted in Wright breaking some of his famous rules in the design of this house. One of the hallmarks of a Usonian house was that the smallish, windowless kitchens that Wright called the "workspace" were normally placed at the center of the house, with a ceiling higher than the rest, to allow cooking odors to rise, rather than to drift into the rest of the house. Wright's first design for the Mossbergs had such a kitchen.

Damschroder, Cindy B., 1996. "The Gerald B Tonkens House: A Study of Usonian Automatic Architecture of Frank Lloyd Wright". Master of Art Thesis in the Department of Art History, University of Cincinnati, p. 13. Masonry subcontractors were used to lay the foundation, while carpentry subcontractors were used to lay the blocks.

In a section of the Levin House, the roof is about five feet from the ground, when outside. The Levin children loved the low roof because in the winter they would jump off of it and into the snow banks. The most frequent complaint in the Usonian homes was the kitchen.

The Dr. Richard Davis House, also known as "Woodside", is a historic Frank Lloyd Wright designed home in the Shady Hills neighborhood in Washington Township, just north of Marion in Grant County, Indiana. The Usonian style home was constructed in 1955. An addition was completed in 1960. Note: This includes and Accompanying photographs.

The Affleck House is a Usonian house constructed of brick and cypress. It is sited in a natural amphitheater on a sloping lot. The main entrance opens into an entry foyer, which is connected to a main skylit loggia. A light well in the floor of the loggia opens onto a stream below.

The homes are located near fields and forests overlooking hills and creeks of the surrounding countryside and are each on lots greater than . Several of the homes feature various unique architectural elements such as heated floors, exposed wooden beams, wide open interior spaces, central fireplaces typical of organic architecture and Usonian homes.

Charles City's historic suspension bridge, which crossed over the Cedar River, collapsed, and numerous homes around the city were destroyed. A new bridge, built with FEMA and state funding, opened in early 2010. Charles City is the location of the Dr. Alvin L. Miller House, a Usonian home designed by Frank Lloyd Wright.

The Tracy House also known as the Bill and Elizabeth Tracy House is a Frank Lloyd Wright-designed Usonian Automatic home that was constructed in Normandy Park, Washington, a suburb near Seattle, in 1956. The house, like other Wright-designed Usonian automatics, is composed of concrete blocks that is broken up by glass and redwood plywood. The Tracy House is and has three bedrooms and one bathroom as well as a two-car garage; the lot itself is and faces the Puget Sound. The Tracy House was built for Bill and Elizabeth Tracy, who occupied it until the latter's death in 2012; the property was listed on the real estate market for the first time at a price of $950,000.

View of the back of the Laurent House and patio with koi pond. The FLW designed lighting gives the house a unique glow at twilight. The Kenneth and Phyllis Laurent House is a Frank Lloyd Wright-designed Usonian house in Rockford, Illinois. It was the only house that Wright designed for a physically disabled client.

Duey and Julia Wright House is a Frank Lloyd Wright designed Usonian home that was constructed on a bluff above the Wisconsin River in Wausau, Wisconsin in 1958. Viewed from the sky, the house resembles a musical note. The client owned a Wausau music store. This link contains good photos of the exterior and interior.

The Goetsch–Winckler House, (also known as Goetsch–Winkler House), was designed by Frank Lloyd Wright, built in 1940, and is located at 2410 Hulett Rd, Okemos, Michigan. The house is an example of Wright's later Usonian architectural style, and is considered to be one of the most elegant.Brendan Gill, Many Masks, p.406, Da Capo Press; 1998.

The Charles L. Manson House is a Frank Lloyd Wright designed home in Wausau, Wisconsin. The house was listed on the National Register of Historic Places on April, 5, 2016. Reference Number, 16000149. Built over two years (1938 - 1941) for a successful local insurance agent, the Charles and Dorothy Manson House is among Wright's Usonian designs.

In 1990 it was opened to the public so that visitors could enjoy a private world from the 1950s and 1960s including the Zimmermans unique collection of modern art, pottery, and sculpture. It is the only Wright home open to the public in New England and one of only several of his Usonian homes open nationwide.

The Roland and Marilyn Wehner House is a historic building located north of Iowa City, Iowa, United States. Local architect Roland Wehner designed this house for his own residence. Its architectural influence are the Usonian houses designed by Frank Lloyd Wright. In particular, Wehner was interested in creating a "modular, affordable, and organic design" for his home.

In Italian, both ' and ' are used, although the former is more common. In European Portuguese, ' is mostly used in colloquial speech, but the term usually used in the press is '. In Brazilian Portuguese, the everyday term is usually ' or ' and ' is the preferred form in academia. In Esperanto, ', similar to Usonian, is the standard term for an American.

Lindholm House, named Mäntylä, was built in 1952 for R. W. Lindholm at Cloquet, Minnesota, and was dismantled in 2016 and rebuilt at Polymath Park in 2018. It opened in April 2019. Polymath Park is run by the nonprofit Usonian Preservation Corporation. Proceeds from rentals go toward maintenance of the houses and to architectural education programs.

Opened in 2013, the Sharp Family Tourism and Education Center features a Wright-designed Usonian house and the GEICO Gift Shop. The center offers self-guided, docent-led, and group tours of this collection of the architect's work that Wright himself proclaimed to be among his best. It is open from 9:30 a.m. to 4:30 p.m.

The Dudley Spencer House, also called Laurel, is a Frank Lloyd Wright designed Usonian home in Wilmington, Delaware. Wright designed this home in 1956 and named it "Laurel". This house is of the hemicycle design, and is built of irregularly coursed fieldstone. This single story house has a flat roof with curvilinear extensions and windows under roof extensions.

In 1949, Robert and Rae Levin worked with Frank Lloyd Wright to build a house in Kalamazoo, Michigan. It was the first house to be built in Parkwyn Village, a planned community of Usonian houses. Usonia is a word used by Frank Lloyd Wright and refers to the residents of the United States Of North America.Chamberlain, Laura.

The Brown House is a single-story, rectangular Usonian house with a slightly pitched, cantilevered roof. The house measures 130 feet long and 18 to 32 feet wide, containing approximately 2,684 square feet of living space. It is set well back from the street on a mostly wooded, one acre lot. The house is constructed concrete blocks.

The Lloyd Lewis House in Libertyville, Illinois is a Usonian house designed by Frank Lloyd Wright and built in 1939. It was listed on the National Register of Historic Places in 1982. The client for this house was the editor of the Chicago Daily News. This is a two-story house located near the Des Plaines River.

The Ardmore Experiment was designed so each building had four individual Usonian dwellings around a central point, in a radial pinwheel plan. The living spaces of each unit were stacked vertically instead of horizontally. This is a departure, because horizontal arrangement was typical of Wright's residential work at the time. However, most of this work was for wealthy families.

It leads to a small below-grade furnace room under the rear floor of the carport. Wright considered basements "waste" so this is an interesting variation from other Usonian houses. It may be an attempt to maximize the convenient living space by placing utilities out of the way. Utilities are literally centralised for all four units, reducing piping.

Jacobs was a friend of Frank Lloyd Wright. Jacobs and his wife Katherine commissioned Wright to design a house for them. This house, the Herbert and Katherine Jacobs First House, was notable as the first example of Usonian architecture. Later, they commissioned Wright to design another house for them, the Herbert and Katherine Jacobs Second House.

In style and materials it is very similar to the 1953 Usonian Exhibition House. It was the sixth of seven houses designed by Wright and built in this style in Iowa. Sunday, who owned Marshall Lumber in Marshalltown, acted as his own general contractor. In fact, he and his wife did much of the work themselves.

The oak tree withered after Wright paved over its roots. The house cost almost twice what Wright had estimated. Yet the NRHP nomination concludes: The Smith House is no pale imitation of earlier Usonian or Prairie School houses. It is the result of a natural and vital design evolution still underway in the mind of one of the world's greatest architects.

The Paul J. and Ida Trier House is a historic building located in Johnston, Iowa, United States. It is a Frank Lloyd Wright designed Usonian home that was constructed in 1958. It was the last of seven Wright Usonians built in Iowa. with While it is now located in a residential area, it was constructed in an area surrounded by rural farmland.

In 2019, the Currier Museum of Art acquired Kalil House, a second private residence in Manchester designed by Wright, for $970,000. The 1,400-sq.-ft. Kalil House is one of just seven Usonian Automatic glass-and- concrete houses sketched out by the architect. It consists of two bedrooms, two bathrooms, a kitchen and the L-shaped living room with a dining area.

Writer H. L. Mencken collected a number of proposals from between 1789 and 1939, finding terms including Columbian, Columbard, Fredonian, Frede, Unisian, United Statesian, Colonican, Appalacian, Usian, Washingtonian, Usonian, Uessian, U-S-ian, Uesican, and United Stater.Merriam-Webster's Dictionary of English Usage (1994:88). First published in the December 1947 issue of American Speech. Nevertheless, no alternative to American is common in English.

The J.A. Sweeton Residence was built in 1950 in Cherry Hill, in Camden County, New Jersey, United States. At , it is the smallest of the four Frank Lloyd Wright houses in New Jersey.This Usonian scheme house was constructed of concrete blocks and redwood plywood. The Sweeton House is sheltered by a dramatically pitched roof that comes within four feet of the ground.

An impressive cantilevered carport extending about from the house provides a dramatic visual element to the entrance. Wright loved the automobile but thought garages were a relic of the "livery-stable mind," according to his revised autobiography. The compact horizontal plan reflects a standard Usonian scheme. Three bedrooms and one bathroom are arranged on a linear axis like cabins of an ocean liner.

Wright designed 3 of the 47 homes himself. Variants of the Jacobs House design are still in existence today. The Usonian design is considered among the aesthetic origins of the ranch-style house popular in the American west of the 1950s. In 2013, Florida Southern College constructed the 13th Wright building on their campus according to plans that he created in 1939.

Such close supervision was unusual, and the Tonkens House was the first Usonian Automatic structure to be solely directed by a Taliesin fellow. The home incorporated Wright's iconic precast concrete blocks. These were made using metal molds into which concrete was poured and then set. The Tonkens house is built using eleven block variations, which allowed for infinite modifications to the design.

The Randall Fawcett House is a Frank Lloyd Wright designed Usonian home in Los Banos, California. The home was designed in 1955 and completed in 1961. The original owners, Randall "Buck" and Harriet Fawcett, met Wright while taking an architecture course at Stanford University. Buck Fawcett was a star college football player, selected by the Chicago Bears in the 1944 NFL Draft.

The Carlton D. Wall House, also known as Snowflake is a Frank Lloyd Wright designed home in Plymouth Township, Michigan. It is one of Wright's more elaborate Usonian homes. In 1941, recently married Mr. and Mrs. Carlton David Wall, who were Wright's youngest clients, approached Wright to design a house for them after Carlton Wall studied Wright's architecture in college.

Rudolf Schindler also worked for Wright on the Imperial Hotel. His own work is often credited as influencing Wright's Usonian houses. Schindler's friend Richard Neutra also worked briefly for Wright and became an internationally successful architect. Later, in the Taliesin days, Wright employed many architects and artists who later become notable, such as Aaron Green, John Lautner, E. Fay Jones, Henry Klumb, William Bernoudy, and Paolo Soleri.

The Melvyn Maxwell Smith and Sara Stein Smith House, also known as MyHaven, is a Frank Lloyd Wright designed Usonian home that was constructed in Bloomfield Hills, Michigan in 1949 and 1950. The owners were two public school teachers living on a tight budget. The 1957 landscape design is by Thomas Dolliver Church. The home is now on the National Register of Historic Places.

Watterson, p. 125-129 Like other Wright Usonian home designs, the house also relied on passive solar energy.Watterson, p. 176 The Smiths collaborated with Wright on a number of revisions to the house plans, and developed a close rapport with the architect during the process. Wright agreed to incorporate all of the changes they proposed, and the design was finalized in September 1949.Watterson, p.

The Jack Lamberson House, also known as the Maunu house, is a historic residence located in Oskaloosa, Iowa, United States. It is one of seven Frank Lloyd Wright-designed Usonian houses located in Iowa, and one of two that were constructed in Oskaloosa. Both were completed in 1951. The Lamberson house is unique from the other Iowa Usonians for its extensive use of 60º and 120º angles.

Zimmerman house The museum operates tours of the nearby Zimmerman House, a Usonian House designed by Frank Lloyd Wright. It is complete with the original furnishings and the owners' fine art collection. The Zimmerman House is the only Wright-designed house in New England open for public tours, which are offered March–December. The Isadore J. and Lucille Zimmerman House was built in 1950.

The first was a renovation by Prairie school architect William Drummond in 1922. In 1958, Frank Lloyd Wright undertook a second remodeling of the house, which brought the design forward so that as it stands, it is a blending of Wright's Prairie Style and his later Usonian architecture. The Isabel Roberts House is privately owned. It is a contributing property to the River Forest Historic District.

The Louis Penfield House is a house built by Frank Lloyd Wright, located in the Cleveland suburb of Willoughby Hills. It is one of Wright's nine Usonian homes in Ohio. Louis Penfield, a painter and acquaintance of Wright, commissioned the architect to design a house that would accommodate his frame. This house, then, built in 1955, is unique in its high doorways, as Wright preferred low entryways.

Much of the Maynard Buehler House is steel frame with redwood panel cladding; other portions are concrete block. Like many Usonian homes, the house has a distinct flat roof line, carports, underfloor heating, and is organized on a modular grid system on an L-shaped plan. The carport is cantilevered to the extreme engineering capacity. A prop was put at the corner during construction to prevent sagging.

The Gregor S. and Elizabeth B. Affleck House, also known as the Affleck House, is a Frank Lloyd Wright designed Usonian home in Bloomfield Hills, Michigan in Metro Detroit. It is one of only about 25 pre-World War II Usonians to be built. It is currently owned by Lawrence Technological University. The house was listed on the National Register of Historic Places on October 3, 1985.

While it does have many features that give a sense of open space, it also has many other interesting architectural features. The front façade of concrete blocks has an almost fortress-like appearance to ensure privacy from the street. The house is built with Way-Lite concrete blocks and Philippine mahogany trim. It has a second story, rare in a Usonian house, with cantilevered balconies.

In 1940, they purchased an undeveloped property in a not-yet residential section of rural Winfield, Illinois, planning to settle there and raise a family closer to nature. By late 1942, they built and moved into a self-designed, Usonian-style house there, now listed on the National Register of Historic Places. In the following years, they had two children, Susan (b. 1943) and John (b. 1946).

View of the house and pool, 1957. The John Gillin Residence is a large single- story Usonian house, designed by Frank Lloyd Wright in 1950 and built in Dallas, Texas, in 1958. The Gillin House is Wright's only residential project in Dallas. Gillin, a successful oilman, geophysicist and electronics "gadgeteer", commissioned Wright to design a work of art that would also be suitable for living and entertaining.

The Gerald B. and Beverley Tonkens House, also known as the Tonkens House, is a single story private residence, designed by American architect Frank Lloyd Wright in 1954. The house was commissioned by Gerald B. Tonkens (an automobile dealer) and his first wife Rosalie. It is located in Amberley Village, a village in Hamilton County, Ohio. Wright designed the home in the Usonian Automatic style.

The basement is also suitable for a storm shelter. Its walls are bearing walls, it is below grade, and the stair leading to it opens to a barrier wall, protecting the basement entrance from wind-borne projectiles. Like most Usonian houses, Suntop utilizes radiant hydronic heating in the first-floor slab, with radiators in upper rooms. Gravity convection efficiently circulates heated water to the living areas.

In Wright's drawings, the outer face of the mezzanine's parapet has planters with greenery visible from the outer living room. These would freshen the air, and green complements the red and brown of Wright's materials. Plants here would even be visible outside, through the large windows, and would unify the garden outside with the garden inside. A decorative, Art Deco Usonian lamp lights the mezzanine's dining-table.

The house's living room Cedar Rock is an important example of the Midwestern residential style created by Wright, characterized by its provisions for living simply and in harmony with nature. The Walter Residence is an example of a simplified style Wright called “Usonian.” These designs were typically created as a single story with zoned areas for living. Wright accomplished this by designing this home in a “tadpole” shape.

Fogel's home "Southwind" in Austin. Fogel converted a rustic 19th century barn in South Austin into a ranch-style house with Usonian influences in 1953. The Seymour and Barbara Fogel House, which Fogel called "Southwind", was listed on the National Register of Historic Places on April 2, 2003, both for its association with Fogel and its unique architecture and construction."Fogel, Seymour and Barbara, House", Texas Historic Sites Atlas.

The Palmer house is a 2,000 square-foot Usonian home. It is located in a hillside and constructed of red cypress and brick. The house has a triangular geometry, with no right angles in the structure. There is a central entryway with three wings extend off from that: a bedroom wing to on side, a living room and terrace wing to the other, and a smaller carport perpendicularly.

Wright assigned apprentice Gordon Chadwick to oversee construction of the home, though Wright himself visited the house several times. Wright felt the house's construction was costing the owner too much and did not request his final payment. Wright, who wanted to name the home "Touchstone," felt the design was one of the best representations of his Usonian ideals. Howard Rickert from Vienna, Virginia, was the project's primary carpenter.

The writer has one fervent wish that includes both. It is a house created by you." After Wright agreed, Pope subsequently visited another Usonian home of Wright's design and met Wright at Taliesin. The architect originally designed a house of . Mr. Pope at the time made $50 per week, and borrowing the money for the house proved difficult, with one lender counseling Pope the home would be a "white elephant.

Influenced by the Usonian style, the Freiberg House saw the use of exposed brick and natural Australian timbers. The broad eaves recall not only Melbourne houses of Walter Burley Griffin, but also Californian houses of Harwell Hamilton Harris using similar technique of exposing the purlin beams beyond line of the house. Oregon joinery detailing in the Freiberg house suggest Japanese inspiration influencing for fittings and colour scheme within the house.

Lee & Helen George House is a historic home located at Hickory, Catawba County, North Carolina. It was built in 1951, and is a one-story, Redwood weatherboard sheathed Modernist / Usonian-style dwelling. The house consists of a center main block with projecting rooms on each end of the façade, a rear wing, and an attached carport. It was listed on the National Register of Historic Places in 2012.

Rush Creek Village is a historic neighborhood in Worthington, Ohio, just north of Columbus. It was founded in 1954 by Martha and Richard Wakefield, who—along with architect Theodore Van Fossen—designed and built a community of 48 houses (later expanded to 51) based on Frank Lloyd Wright's principles of Usonian architecture. Rush Creek Village was added to the National Register of Historic Places on August 14, 2003.

The James McBean Residence is a house in Rochester, Minnesota designed by Frank Lloyd Wright. This Usonian house is an example of the second type (Prefab #2) of the Marshall Erdman Prefab Houses. This house and the Walter Rudin House have the same floor plan and vary only in minor details such as paint color and siting, because they are the only two Prefab #2 houses in existence.

The Archie Teater Studio, also known as Teater's Knoll, is a Frank Lloyd Wright designed Usonian home and art studio that was commission in 1952 with construction in Bliss, Idaho completed in 1957. The client, Archie Boyd Teater, was an American landscape and genre artist. The Teater Studio uses Oakley Stone in both the exterior and interior of the building. Original construction was supervised by Edmond Thomas "Tom" Casey, an apprentice in Wright's Taliesin Fellowship.

The workspace exemplifies the Usonian interior, with its clerestory windows supplementing a bank of full length casement windows on the adjacent wall. Despite its small size the house seems large due to built-in furniture and shelves. Built-ins include the dining room table, a seat by the fireplace, a bar, a desk and bookcase in the workspace, as well as numerous storage spaces.Charles Willard Moore, Gerald Allen, Donlyn Lyndon, The Place Of Houses, p.

Haertling often made efforts to harmoniously integrate his buildings with their physical environments. For his strongly Usonian-influenced Menkick House (1970), he incorporated a local rock outcropping into the structure of the home, echoing Frank Lloyd Wright's Fallingwater. He would also occasionally explore motifs inherent to a project's geographical and cultural environment. For his unbuilt Tambor Guest House project in Costa Rica (1973), he based his design upon traditional thatch hut architecture.

In the early 1940s, Himmelfarb helped her husband, Sam, design a house to be built in a wooded area of Winfield, Illinois. The design of the modernist, Usonian- influenced Samuel and Eleanor Himmelfarb Home and Studio (built in 1942) is influenced by the Bauhaus and architect Frank Lloyd Wright, and it is listed on the National Register of Historic Places.Chicago Bauhaus and Beyond. Western Suburbs Modernism Tour, Bauhaus and Beyond, November 18, 2007.

Berndtson's 1962 master plan for Polymath Park allowed for 24 dwellings, each sited in a circular clearing in the forest. Only two houses, however, were actually built: the Balter House in 1964 and the 1965 Blum House. Duncan House was added to the park in June 2007. Built in 1957 in Lisle, Illinois, for Donald and Elizabeth Duncan, Wright's prefab Usonian was deconstructed in suburban Chicago in 2004 and reassembled in Pennsylvania.

The Bernard (and Fern) Schwartz House, also known as Still Bend, is a 3,000 sq foot Frank Lloyd Wright-designed house in Two Rivers, Wisconsin. It is considered to be Wright's Life magazine "Dream House," and is a rare example of a two-story Usonian house. Wright originally developed the design for the house for Life in 1938. The Schwartz House is one of the few Wright homes that allow guests to spend the night.

There are a number of alternatives to the demonym American as a citizen of the United States that do not simultaneously mean any inhabitant of the Americas. One uncommon alternative is Usonian, which usually describes a certain style of residential architecture designed by Frank Lloyd Wright. Other alternatives have also surfaced, but most have fallen into disuse and obscurity. Merriam- Webster's Dictionary of English Usage says: Nevertheless, no alternative to American is common.

At the time, Wright's Usonian style had matured, and the Mossberg Residence is one of the finest examples of it. Even so, it also displays concepts that harken back to his mature Prairie style. The living room's design and proportions are inspired by the living room at Taliesin. The stairway to the balcony gallery and daughter's bedroom is suspended from above, like the stairway from the living room to Bear Run at Fallingwater.

A self-made man, Wright respected him and allowed him to design many details including all door hardware, the stainless steel kitchenettes and even the diving board support. This sprawling Usonian is one of Wright's most extensive single-story residences. Three wings spin off a central hexagon much as might have happened had Wingspread been based on an equilateral parallelogram rather than a square. The home is organized around a massive angular fireplace.

The 1,700 sq. ft. building includes textile-block construction, colored glass in perforated concrete blocks, Wright photographs, a documentary film about the architect's work at the school, and furniture designed by Wright. Named the "Usonian House", it was originally designed as one of twenty faculty housing units. The building is home to the Sharp Family Tourism and Education Center, a visitor center for guests visiting campus to see the collection of Frank Lloyd Wright buildings.

Their meeting was a success and the first half of 1954 was spent discussing designs via letter and telegram between the Tonkens and Wright's personal assistant Eugene Beyer "Gene" Masselink. In mid-1954 Wright asked if the couple would be interested in being his ‘guinea pigs’ stating his desire to design their home as “an experiment in Usonian Automatic architecture”.Findsen. Residing in Wright Work of Art “Different Way to I’ve”, sec. H, p. 4.

Wilbur and Martha Carter House is a historic home located at Greensboro, Guilford County, North Carolina. It was built in 1951, and is a one-story, "L"-plan, Modern Movement style dwelling. It consists of two gable roofed intersecting wings and features a carport, recessed entrance, and massive brick chimney. The finishes include native bluestone, red brick, and wormy chestnut siding. The house shows the influence of Frank Lloyd Wright’s Usonian type.

In 1948, she and her husband, Gordon Ingraham, also an architect, moved to Colorado Springs, Colorado, to establish their own practice. They chose the city for its design opportunities and dearth of competition. Ingraham & Ingraham, Architects adhered to Frank Lloyd Wright's Usonian and Prairie styles, producing "modest homes affordable to the upper middle class". Their partnership produced more than 90 home designs in the 1950s, including the Beadles House in Colorado Springs.

Modern owners extended the built-in sofa for the entire wall, from the library corner to the fireplace under the mezzanine. Wright's trademark Usonian fireplace is two-sided, a square on the inside corner of the first-floor living room. The fireplace's brick matches the exposed brick of the barrier wall and the adjacent bearing wall (the rear of the carport is behind it). The fireplace economically uses the corner masonry for its chimney.

Correct solar design of the terrace's shade line on the windows would keep the sun out in the summer, yet permit solar heat in the winter. North-facing units might be solar-heated with mirrors on the garden fence. A solar roof on the penthouse could reduce the cost of electricity for air- conditioning or a heat-pump. A hinge and latch could make it easy to change the Usonian lamp's light bulbs.

Storrer, William Allin. The Architecture of Frank Lloyd Wright, Fourth Edition: A Complete Catalog, University of Chicago Press, 2017. The design of the building was based on Wright's Usonian houses. Its most noticeable design element, a ceiling-high plastic sphere embedded in the front facade and surrounded by a planter, was removed later after a "vehicular mishap",Inbody, Kristen. "Developer demolishes Frank Lloyd Wright building in Montana", Great Falls Tribune, January 11, 2018.

Oskaloosa boasts two private homes designed in 1948–51 by American architect Frank Lloyd Wright. Typical of his Usonian homes, these are the Carroll Alsop House at 1907 A Street and the Jack Lamberson House at 511 North Park Avenue. Oskaloosa hosted the Iowa State Fair in 1858 and 1859, prior to the Civil War. In 1934, Oskaloosa became the first city in the United States to fingerprint all of its citizens, including children.

By developing homes with progressively more open plans, Wright allotted the woman of the house a 'workspace', as he often called the kitchen, where she could keep track of and be available for the children and/or guests in the dining room.Twombly, p.257 As in the Prairie Houses, Usonian living areas had a fireplace as a point of focus. Bedrooms, typically isolated and relatively small, encouraged the family to gather in the main living areas.

The Douglas and Charlotte Grant House is a historic building located in Marion, Iowa, United States. Located on of land, this Frank Lloyd Wright designed Usonian-style dwelling was constructed from 1949 to 1951, with some construction continuing to about 1960. This is one of the first houses in Iowa built in this style, having been completed a year after the Lowell E. Walter House located near Quasqueton. with The two houses are very similar in style.

The John D. Haynes House is a house in Fort Wayne, Indiana, designed by Frank Lloyd Wright. The house is a small and modest Usonian design in glass, red tidewater cypress, and Chicago Common Brick on a red concrete slab. The back of the house The gallery is offset to meet the rear of the great room at its center, rather than typically to one side. A music room and three bedrooms drop off this gallery.

The Ritcher House is considered to be one of the best examples of Frank Lloyd Wright's Usonian mode of design in North Carolina. Located near downtown Raleigh, the house is one of many Modernist houses that were built in the city during the mid-20th century. Most of these homes were designed by faculty members of the North Carolina State University School of Design. Established in 1948 by Henry Kamphoefner, the school hired several Modernist architects as faculty members.

When Sternberg started his practice in Colorado, he was concerned to develop a regional version of what was then known as contemporary architecture, and is today described as modernist. He designed buildings that were simple, functional, without Victorian architecture "gingerbread" (unnecessary decoration), and using materials historically familiar. For Colorado, this meant brick - especially red brick - sandstone, and wood. Some have described this period of Sternberg's architecture as "Usonian", having characteristics of Frank Lloyd Wright's domestic architecture.

Another distinctive feature is that they typically have little exposure to the front/'public' side, while the rear/'private' sides are completely open to the outside. A strong visual connection between the interior and exterior spaces is an important characteristic of all Usonian homes. The word carport was coined by Wright to describe an overhang for sheltering a parked vehicle. The Usonia Historic District is a planned community in Pleasantville, New York built in the 1950s following this concept.

This home featured a twist on the usual Usonian color scheme with Golden ocher floors instead of the signature "Cherokee Red." Within three years of completion, the arrival of twins necessitated the construction of a second bedroom wing. Wright approved this wing in 1959 and the plans were in preparation when he died in April of that year. Wright apprentice and Taliesin Fellow John H. "Jack" Howe drafted a second, partly revised design, which established the final Y-shaped plan of the house.

When the property was put up for sale in 1991, developers expressed interest in demolishing the home, which is in a desirable location and had been heavily modified since Wright's original design. Custom furniture had been removed, and finials and Ionic columns added, in contrast to Wright's Usonian style. The home was purchased by two architecture enthusiasts who restored the home to Wright's plans and built a large addition, designed by Bob Inaba of Kirksey-Meyers, to make the house more liveable.

Cedar Rock State Park is a state park of Iowa, USA, preserving the Frank Lloyd Wright-designed Lowell Walter Residence, also known as Cedar Rock. The Usonian style house was constructed along the banks of the Wapsipinicon River near Quasqueton, Iowa, in 1950. Following Lowell Walter's death in 1981, the home was donated to the Iowa Department of Natural Resources and opened to the public for tours. The Walter House at Cedar Rock is one of Frank Lloyd Wright's most complete signature designs.

The Usonian house designed by architect Frank Lloyd Wright in 1948 and was built during 1950–54 for J. Willis Hughes, who lived in it until January 1980. It is on a 30-60 degree triangle, which results in a grid of equilateral parallelograms. The "bedroom wing terminates in a fountain over a pool, which gives the structure its nickname, Fountainhead."The Frank Lloyd Wright Companion,, Revised Edition, by William Allin Storrer, The University of Chicago Press, 2006, p. 316.

The Ben Rebhuhn House was built in Great Neck Estates, New York in 1937. This home is the only home on Long Island designed by Frank Lloyd Wright at the request of Benjamin and Anne Rebhuhn, publishers of progressive content. This house is similar to the Ernest Vosburgh House in Grand Beach, Michigan, except that this house is in the Usonian style while the Vosburgh residence, built 21 years earlier, was in the Prairie style. The house follows a cruciform plan.

It is an example of Frank Lloyd Wright's Usonian mode of design, characterized by small scale, affordable construction, open plan interiors, integration of interior and exterior spaces, flat roof and large glazed areas such as windows and doors. The house is oriented around a large, central brick chimney. The rear of the house features large insulated windows, the first of its kind in Raleigh. These windows face a large open terrace and offer a view of the nearby golf course.

The interior of the Rosenbaum House Usonia () is a word that was used by American architect Frank Lloyd Wright to refer to the United States in general (in preference to America), and more specifically to his vision for the landscape of the country, including the planning of cities and the architecture of buildings. Wright proposed the use of the adjective Usonian to describe the particular New World character of the American landscape as distinct and free of previous architectural conventions.

Karl Kamrath (April 25, 1911 – January 29, 1988) was an American architect and tennis player. He, along with Frederick James MacKie, Jr., created the Houston-based architectural firm Mackie and Kamrath. The firm's buildings reflected the principles of Organic Architecture and Usonian architecture, an outcome of Kamrath's friendship with Frank Lloyd Wright.Miller, Scott Reagan, "Wright", The Architecture of MacKie and Kamrath, Rice University, 1993, pg 16-27 His career spanned over five decades during which he designed residential, commercial, institutional and government buildings.

The Robert and Elizabeth Muirhead House is a historic house located at 42W814 Rohrson Road northeast of Plato Center, Illinois. Built in 1951–53, the house was designed by Frank Lloyd Wright in his Usonian style. Robert and Elizabeth Muirhead, the home's owners, had met Wright in 1948 while touring Taliesin, and the meeting inspired them to commission Wright to design their own home. The one-story house is horizontally oriented to match its flat surroundings, in keeping with Wright's design principles.

Wright didn't do much on the project until late 1955, but by spring of 1956 he had final plans for three Usonian-type homes to be built exclusively by ME&A.; The December 1956 issue of House & Home Magazine featured the Wright designed Marshall Erdman Prefab Houses and included Marshall in the cover story. No examples of Prefab #3 were ever built. The prefab package Erdman offered included all the major structural components, interior and exterior walls, floors, windows and doors, as well as cabinets and woodwork.

The design follows Wright's Usonian model of well-designed space for middle-income residents with a design that brings nature inside, using modest materials and a flat roof. The home's L-shaped layout features two bedrooms and a bathroom in one wing and living and dining areas in the other. At the juncture of the two wings are the home's entrance, a study, and the kitchen. The home was designed on a rectangular grid scored into a concrete floor painted in Wright's signature color, Cherokee Red.

The James B. Christie House is a large, flat-roofed Usonian on a wooded site in Bernardsville, in Somerset County, New Jersey, United States. The Christie House, built in 1940, is Frank Lloyd Wright's oldest and, at , Wright's largest house in New Jersey. The residence has one story and is made of brick, cypress, and redwood. It is designed in an L-shaped plan with a rectangular living room and a dining area that is perpendicular to a wing with three bedrooms and three baths.

The house can be considered a bridge between Wright's earlier Prairie School style houses, and his later Usonian style houses, since it incorporates certain elements from both styles. Located at 255 Bedford Street Southeast in the Minneapolis neighborhood of Prospect Park, the home remains private and is only partially visible from public roads. It sits adjacent to a freeway wall blocking it from the sight and sound of nearby Interstate 94; the home originally had a panoramic view of the Mississippi River gorge before the freeway's construction obstructed it in 1960.

The International Style contrasts with Usonian and modern expressionist examples more common in the greater Denver area. The nomination form for inclusion in the National Register of Historic Places describes the architecture of the house: :The Joshel House embodies the distinctive characteristics of the International Style. The Joshel House is devoid of ornament, relying for visual interest, instead, on the materials and on the building’s volume which has been conceived as a cubist composition. The building, which is essentially a cube, is horizontally oriented with ribbon windows, horizontally linked clerestory windows and glass curtain walls.

In this > instance, the carport was termed an "Auto Space" (Gebhard, 1991: 110). The > late architectural historian David Gebhard suggested that the term "carport" > originated from the feature’s use in 1930s Streamline Moderne residences > (Gebhard, 1991: 107). This term, which entered popular jargon in 1939, > stemmed from the visual connection between these streamlined residences and > nautical imagery. In the 1930s through the 1950s, carports were also being > used by Frank Lloyd Wright in his Usonian Houses, an idea that he may have > gotten from Griffin, a former associate.

Herbert and Katherine Jacobs First House, commonly referred to as Jacobs I, is a single family home located at 441 Toepfer Avenue in Madison, Wisconsin, United States. Designed by noted American architect Frank Lloyd Wright, it was constructed in 1937 and is considered by most to be the first Usonian home. It was designated a National Historic Landmark in 2003. The house and seven other properties by Wright were inscribed on the World Heritage List under the title "The 20th-Century Architecture of Frank Lloyd Wright" in July 2019.

Some argued further that, because of the historical circumstances surrounding the capture, enslavement, and systematic attempts to de-Africanize blacks in the United States under chattel slavery, most African Americans are unable to trace their ancestry to any specific African nation; hence, the entire continent serves as a geographic marker. The term African American embraces pan-Africanism as earlier enunciated by prominent African thinkers such as Marcus Garvey, W. E. B. Du Bois, and George Padmore. The term Afro-Usonian, and variations of such, are more rarely used.Brennan, Timothy. 2008.

The A. H. Bulbulian Residence is a house located at 1229 Skyline Drive, Rochester, Minnesota, United States. Designed by noted architect Frank Lloyd Wright it was completed in 1947 for Arthur H. Bulbulian, a pioneer in the field of facial prosthetics. It is down the street from the Thomas Keys House and not far from the James McBean Residence, all three examples of Wright's Usonian genre of architecture. The Bulbulian Residence is a one-story house built with one 120-degree angle, and is constructed of cement brick and cypress.

Breirly had been Wright's color and fabric consultant when the home was first designed. At the completion of the restoration she commented that the home was the best preserved example of Wright's Usonian architecture. During the ten years the home was owned by Frandsen and Carlquist, fundraising events were frequently held there to benefit local nonprofit organizations, including the couple's favorite, the American Civil Liberties Union (ACLU). The Stromquists were members of the ACLU and were invited to speak at a fundraising event held in the home and gardens.

The Ethel Wilson Harris House is a house built in 1956 located in what is now the San Antonio Missions National Historical Park, outside the perimeter walls of the Mission San Jose, in San Antonio, Texas, USA. It is a Modern Movement or Wrightian architecture style house built in 1956, designed by Robert Harris. The house was documented in the Historic American Buildings Survey and is listed in the NRHP for its architecture. It is a two-story frame, stone and concrete house, approximately in area, that is quite like a Usonian house.

Los Banos is locally known for its annual May Day Fair during the first week of May. Los Banos is home to The Randall Fawcett House which is a Frank Lloyd Wright designed Usonian home. A member of the Manson family, Susan Atkins attended Los Banos High School, before joining the family. Since the 1980s, the city's population has changed with a continuing influx of people who work in the San Jose/Silicon Valley area but seek more affordable housing and slower pace of semi-rural life, a pattern seen in many other small towns within commuting distance of Silicon Valley.

Wright was a close personal friend of the Jacobs couple. He designed his first house for them in 1936 and that house was Wright's first experiment with a Usonian design, his vision for affordable housing in the United States. The Jacobses moved to a more rural part of the Madison area in 1942 to become part-time farmers; as they had to give up their original home, they asked Wright to design a new one for them. After initially proposing an existing plan that another client had not completed, Wright proposed another experimental plan for the new house in 1944.

Samuel and Eleanor Himmelfarb Home and Studio, Winfield, Illinois, built 1942, National Register of Historical Places Himmelfarb designed the modernist, Usonian-style Samuel and Eleanor Himmelfarb Home and Studio, which was built in 1942 in a wooded area of Winfield, Illinois, and listed on the National Register of Historic Places on October 4, 2018. Along with his wife Eleanor's input, Himmelfarb drew on modernist influences, such as the Bauhaus, and two Frank Lloyd Wright homes in Madison, Wisconsin: the Jacobs House (1937) and the John Pew House (1938–40).Chicago Bauhaus and Beyond. Western Suburbs Modernism Tour, Bauhaus and Beyond, November 18, 2007.

It was first conceived by Wright in the wake of the Depression in 1936 and later developed as a response to a lack of low-cost housing and rising construction costs following World War Two. Like many of Wright's Usonian style buildings, the floor plan of the Tonkens House mimics the shape of a polliwog. The tail of the polliwog is represented by the bedroom wing, with each bedroom opening off into a long, narrow hallway. The hallway leads into 'the body' of the house, which consists of a bright and expansive living room or Great Room, alongside a kitchen and foyer.

Interior of the Levin House James Levin, son of Robert and Rae Levin, remembers people knocking at the door wanting to see his home. About once a month students and others interested in Wright's work would ask for a tour of the Levin House. Because Wright designed his homes to be horizontal with the surrounding environment, his roofs were flat, causing them to leak. After a snowfall, the Levins would climb onto the roof to shovel snow off it. Wright made the Usonian houses feel like a comfortable shelter by lowering the ceilings to “human proportions”.

Edward Hawkins, a local pioneer in modern residential development and construction, was the developer, overall designer of the neighborhood, and builder of the Arapahoe Acres neighborhood. He also designed most of the houses, which display characteristics of Usonian and International Style architecture. Architects Eugene Sternberg and Joseph Dion also designed houses for Arapahoe Acres. Hawkins was accepted by a national program developed by the Southwest Research Institute and the Revere Copper and Brass Company to advance "better architect-builder relations and the general improvement of the quality of speculatively built houses", which focused on livable, cost- effective housing.

Chancellor set up his own firm in the distant beachside suburb of Frankston in 1952, and Patrick joined him formally in the middle of 1954, establishing the practice of Chancellor and Patrick. In 1958, they established a second office in South Yarra, continued to prosper, and built up a practice that eventually employed 30 staff. Chancellor and Patrick began with a variety of expressive houses, mostly holiday homes, on the Mornington Peninsula, where the firm began. They soon developed their own distinctive style; an amalgam of features of Frank Lloyd Wright's Prairie and Usonian houses, the houses of Californian architect Harwell Hamilton Harris, and their own innovations.

During the next decade, she worked for RR Donnelley as a proofreader, traveled to Mexico with women friends (where she met lifelong friend and muralist, Alfredo Zalce), and took up progressive politics. She met her future husband, Sam Himmelfarb, at a Hyde Park activist meeting in the late 1930s. She and Himmelfarb married in 1939, remaining so until Sam's death in 1976. In 1940, they purchased an undeveloped property in rural Winfield, Illinois, intending to settle and raise a family there. In late 1942, they built and moved into a modernist, Usonian-influenced house designed by Sam, where Eleanor would live for the rest of her life.

Gordon House The word Usonian appears to have been coined by James Duff Law, an American writer born in 1865. In a miscellaneous collection entitled Here and There in Two Hemispheres (1903), Law quoted a letter of his own (dated June 18, 1903) that begins "We of the United States, in justice to Canadians and Mexicans, have no right to use the title 'Americans' when referring to matters pertaining exclusively to ourselves." He went on to acknowledge that some author had proposed "Usona", but that he preferred the form "Usonia".James D. Law, Here and There in Two Hemispheres (Lancaster: Home Publishing Co., 1903), pp. 111–12n.

The Thomas E. Keys Residence is a house in Rochester, Minnesota designed by Frank Lloyd Wright and built with earth berms in 1950. The design is based on a previous Wright design for a cooperative in Detroit, Michigan, which never materialized due to the onset of World War II. The house is an example of Wright's Usonian genre of architecture, a style he envisioned to meet the needs of middle-class families desiring a more refined architecture for their homes. The home had three bedrooms and one bathroom, and is constructed with concrete block. It is based on a square module of four feet on a side.

Madole continued to learn the construction business and carpentry and by 1952 owned the largest construction business in Northern Arizona. Through his involvement with Taliesin West, he worked with Frank Lloyd Wright where he helped to build the Usonian design structure there. Madole went on to pioneer his own style with signature elements, including the use of local stone, wood 2x4s on edge for roofing materials, flared roof lines, unusual pitched and shaped structures, and fireplaces that penetrated large glass walls. Over the years, Madole not only created innovative designs, but he built the largest construction business in Northern Arizona and built award winning homes and contemporary commercial buildings in Phoenix.

The E. Clarke and Julia Arnold House is a Frank Lloyd Wright designed Usonian home in Columbus, Wisconsin, United States. The Arnold house occupies a large site on the west edge of the city of Columbus and overlooks the farmlands to the west. It was built in 1955-1956 for E. Clarke Arnold, a successful Columbus attorney, his wife, Julia, and their growing family, from a design supplied by Frank Lloyd Wright. The Arnolds, like so many of Wright's clients, came to him for a house of their own after seeing a house he had designed for friends, in this case, for Patrick and Margaret Kinney, whose stone-clad Lancaster, Wisconsin house Wright designed in 1951.

The Richard C. Smith House is a small Usonian home designed by Frank Lloyd Wright and constructed in Jefferson, Wisconsin in 1950. It is one of Wright's diamond module homes, a form he used in the Patrick and Margaret Kinney House, the E. Clarke and Julia Arnold House and a number of other homes he designed in the late 1940s and early 1950s. The house is one-story, with an h-shaped floor plan composed of diamond-shaped units, where the bottom legs of the h enclose a private terrace around a huge old oak. The north side of the house toward the road is mostly coursed limestone, giving privacy, and left rough to suggest a natural outcropping.

The term carport comes from the French term porte-cochère, referring to a covered portal. Renowned architect Frank Lloyd Wright coined the term when he used a carport in the first of his "Usonian" home designs: the house of Herbert Jacobs, built in 1936 in Madison, Wisconsin. Quoting from the Carport Integrity Policy for the Arizona State Historic Preservation Office: > As early as 1909, carports were used by the Prairie School architect Walter > Burley Griffin in his design for the Sloane House in Elmhurst, Illinois > (Gebhard, 1991: 110). By 1913, carports were also being employed by other > Prairie School architects such as the Minneapolis firm of Purcell, Feick & > Elmslie in their design for a residence at Lockwood Lake, Wisconsin.

The Bachman-Wilson house is an example of Wright's invention of Usonian architecture. Wright built many of his houses around the notion of comfortable, low-cost living that fits the needs of its residents, as well as building a structure to match its environment. Wright was determined to use his new style to reinvent the previously box-like forms of early-to-mid twentieth century architecture, and create buildings that were right for modern times, as well as engaging and exciting for people to experience in a visual sense. Wright's ideas for low-cost living originated in the early twentieth century, and Wright was able to produce a large number of designs in that time.

Standefer and Alesch's first residential design project was for Ben Stiller, who hired the pair to design his family's Los Angeles home after working with them on the set of his film Duplex, leading to the founding of their firm, Roman and Williams Buildings and Interiors. The firm's first office was located on the lot of Paramount Pictures, before moving back to New York in 2004 and establishing its office on Lafayette Street. After the launch of their firm, Roman and Williams designed major residential projects for A-list celebrity clients including Kate Hudson, Elisabeth Shue and Davis Guggenheim, and Gwyneth Paltrow. Other residential projects include the renovation and expansion of one of Frank Lloyd Wright's Usonian Houses.

The 186-foot tall Faust Hotel complements the Coronado; constructed in 1929, it endures as Rockford's tallest building, albeit as apartments for the elderly and disabled. The Laurent House, a single-story Usonian home constructed in 1952 by Frank Lloyd Wright, is the only Wright building designed for a person with disabilities. Acquired by a private foundation from its commissioners, it was renovated into a museum in 2014. The Rockford Area has two additional places named by the American Institute of Architects in the 150 Great Places, Anderson Japanese Gardens in Rockford, Illinois and Poplar Grove United Methodist Church in Poplar Grove, Illinois. 225x225px The area is often regarded as an outdoor destination.

Haertling's designs reflect an eclectic mix of different architectural styles and philosophies, incorporating elements of modernism and organic architecture, and drawing inspiration from the Usonian principles of Frank Lloyd Wright and the works of Bruce Goff, among others. He often experimented with forms found in nature, including leaves (Leaneagh House, 1980), mushrooms and barnacles (Brenton House, 1969), yucca plants (Warburton House, 1963), and other natural shapes. At the same time, he also designed many structures according to more mathematical and geometric themes, as in the examples of the Willard House (1962) and the multifaceted Jourgensen House (1971). For his St. Stephens Church in Northglenn, Colorado (1964), Haertling employed a hyperbolic paraboloid roof, evocative of similar curved concrete designs by Oscar Niemeyer.

Commissioned in 1939 by journalist Loren Pope and his wife Charlotte Pope, the design followed Wright's Usonian principles and was completed in 1941 at an official cost of $7,000 (original target price was $5,000) -- at 1005 Locust Street, Falls Church, Virginia.Terry B. Morton, "The Threat, Rescue, and Move," in The Pope–Leigh[e]y House (Washington DC: National Trust for Historic Preservation, 1969), p. 106. Loren Pope, at the time a writer for the Washington Evening Star had grown interested in Wright after studying his Wasmuth Portfolio, a 1938 Time Magazine article and Wright's recently published autobiography. Pope met Wright in 1938 when the architect made a presentation in D.C. while working on another project that would remain un-built.

The Stuart Richardson House (affectionately named 'Scherzo' by Frank Lloyd Wright) in Glen Ridge, Essex County, New Jersey, United States, was built in 1951 for Stuart Richardson (an actuary) and his wife Elisabeth, who owned the house until 1970. It is one of Wright's "Usonian" houses, which were designed to be functional homes for people of average means. The primary building construction materials employed in the design of the house were red brick, old growth tidewater cypress wood, and glass on a Cherokee red radiant heated concrete floor mat. The Richardson House, originally designed in 1941 to be built in Livingston, New Jersey but built a decade later in Glen Ridge due to complexities imposed by World War II, is set on a large suburban lot.

The opera received its world premiere on 21 April 1993 from the Madison Opera, Wisconsin. The production was broadcast live statewide and subsequently broadcast twice on NPR's World of Opera. A first chamber opera version ("Fallingwater") was premiered by the Opera Theater of Pittsburgh on 7 June 2013, at Fallingwater, Mill Run, Pennsylvania, and a second chamber version ("Usonian") on 14 October 2017 by UrbanArias in Arlington, DC. For Arizona Opera's commissioned "Taliesin West Version" in 2019, the composer streamlined the score and libretto, folding all of the secondary roles into the chorus, cutting twenty minutes of music, and eliminating the interval, resulting in a 90-minute run-time. In addition, at the suggestion of stage director Chas Rader-Shieber, Hagen eliminated the female choristers.

The home is a stunning, extremely rare example of a FLLW Usonian home based on dynamic hexagonal geometry - all angles are either 60 or 120 degrees. Invisible from the street (save for its handsome gate) and tucked into a woodland meadow setting with a stream and multiple ponds and waterfalls running along its private landscaped entry, this hidden sanctuary is 20 miles/45 minutes door- to-door from midtown Manhattan. The home's centerpiece is a massive triangular living/dining space with prow-like wood-burning fireplace, an astonishing sculptural inverted truss pyramidal ceiling unlike anything seen in any other home designed by FLLW, and dramatic illuminated clerestory windows with perforated motifs that relate to the 'Scherzo' name of the home. Fourteen full-length french doors allow sunlight to pour in, swinging open onto two terraces and a flagstone in-ground heated swimming pool sparkling in the backyard oasis.

Wisconsin State Capitol Monona Terrace, as seen from Lake Monona View of Lake Monona from Monona Terrace Madison's architectural landmarks reflect a wide range of styles, from the densest cluster of Native American effigy mounds in the United States to the Beaux-Arts Wisconsin State Capitol, the Renaissance Revival University of Wisconsin Memorial Union and the Overture Center for the Arts, designed by postmodern architect César Pelli. Madison is home to eight buildings designed by influential Wisconsin-born modern architect Frank Lloyd Wright, more than any other city outside of the Chicago metropolitan area. Wright, who spent much of his childhood in Madison and studied briefly at the University of Wisconsin–Madison, was based at Taliesin in nearby Spring Green for most of his career. His designs in Madison include Monona Terrace, the city's lakefront convention center, as well as Wright's first Usonian house, the Herbert and Katherine Jacobs First House, which is a UNESCO World Heritage Site.

"The Gerald B Tonkens House: A Study of Usonian Automatic Architecture of Frank Lloyd Wright". Master of Art Thesis in the Department of Art History, University of Cincinnati, p. 16. Tonkens met and married his first wife, Red Cross nurse, Rosalie Robbins, while stationed with the military in Europe.Tonkens, R. Letter to Frank Lloyd Wright dated May 20, 1954. By 1953 the couple had two daughters and decided to move to Hamilton County, where Gerald established the 'Tonkens Oldsmobile-Cadillac' dealership in Hamilton, Ohio. In 1954 Gerald and Rosalie purchased a 2.75 acre block in Amberley Village, Ohio for $6,000. The land was cheap in comparison to surrounding lots, many of which sold for an average price of $25,000 per acre. When Rosalie queried the price, she was told that the property was considered a “problem lot” as no architect had been able to engineer a driveway up the steep incline from the road to the house.Tonkens, Rosalie R., “Having a Home Built By Frank Lloyd Wright Changed Couples Life”, New York Times, 6 February 1972, sec 8, p. 1.

Seyfarth was likely drawn to establish his office there thru the influence of his Blue Island neighbor Benjamin C. Sammons (1866-1916), who was the president of the Bankers Club of Chicago and a long- time vice-president of the Corn Exchange National Bank. Seyfarth later moved into the newly completed Tribune Tower (1925, John Mead Howells and Raymond Hood), where he had an office on the twenty-first floor until 1934 when the Depression forced the move of his business to his home in the North Shore community of Highland Park. His was a small office - he did the design, drafting and supervision work himself, and for many years was assisted by Miss Eldridge, who typed specifications and generally kept the office running. After the office was moved to his home, he took as his assistant Edward Humrich (1901–1991), who himself became a noted architect after he left Seyfarth's employ shortly before the advent of World War II. Humrich enjoyed a distinguished career designing and building houses in the Usonian style of Frank Lloyd Wright.