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14 Sentences With "usherettes"

How to use usherettes in a sentence? Find typical usage patterns (collocations)/phrases/context for "usherettes" and check conjugation/comparative form for "usherettes". Mastering all the usages of "usherettes" from sentence examples published by news publications.

The theme of its holiday windows is "Theater of Dreams," its windows filled with preening starlets, usherettes and a poodle in hair curlers.
He was known as being always quick with a joke or a witty line, but never held a job for any length of time. When he was 15 years old he left the Bluecoat orphanage and found a job as an office-boy, but preferred to visit Liverpool's many vaudeville theatres and cinemas, where he knew the usherettes by name. His brother Sydney often lent money to him, after Sydney got a job in a tailor's shop.
The cast cavorted on various ledges and platforms. The craft's carrying capacity meant that audiences were limited to a maximum of eighty each night. Langham was Arthur Dent, Richard Hope as Ford Prefect and narration of The Book was split between two usherettes. The problem of how to portray Zaphod Beeblebrox, the Betelgeusian blessed with three arms and two heads - not an issue in the original radio series - was assailed in typical Campbell fashion by simply (or not so simply) putting two actors inside one large costume.
The Sol Cinema is based in the UK and seats 8 people, leading it to be billed as the World's smallest solar powered cinema in 2010. It uses an LED projector showing short films in cinematic surroundings complete with usherettes; batteries to store the energy from the Sun to power the cinema. Their photovoltaic panels harness the sunlight, even as the films are being shown so they never run out of power. The Sol Cinema won a Digital Hero award for best use of sustainable technology in 2014.
Episode is missing In 2009, Patrick Mulkern of Radio Times found the original Cybermen design like "usherettes from some kinky, futuristic moviehouse", but praised the character of Cutler and Hartnell's Doctor. Den of Geek named the cliffhanger of Episode 4 as one of the programme's ten "classic" cliffhangers. Alasdair Wilkins of io9 described it as "a very solid, at times excellent story" and noted "The Cybermen have possibly been more intimidating in other stories, but they have never been creepier than they are here". He named it the fourth best regeneration and regeneration story.
Scanlon had a lifetime contract with the entrepreneur Harry Wren, who booked him into theatres all over Australia including the Cremorne-Brisbane, Tasmania and New Zealand. A fellow performer related the story of when the power was cut during an ice show in New Zealand. With the aid of the impromptu spotlights provided by usherettes and their torches, Terry entertained the audience, telling gags for 1.5 hours non-stop till the power came back on. In all that time he never once stooped to tell a dirty joke.
He played his final year as the Eagle free safety in 1976, replaced by John Sanders. Bradley would later recount that during his years with the Eagles, he would spend nights out on dates with members of the Philadelphia Phillies usherettes. In 1977, Philadelphia traded Bradley to the Minnesota Vikings for a 7th round draft pick, but the Vikings cut him in training camp in favor of Paul Krause. Bradley went into retirement, working in his family's restaurant in Palestine, but in November of that year he was signed by the St. Louis Cardinals when Mike Sensibaugh broke his leg.
1\. Commission on Liturgy: Lay Eucharistic Ministers Parish Music Ministry Apostolado ng Panalangin Lector/ Commentator Legion of Mary Ostiarates (Mass Collectors/Usherettes) Mother Butler Mission Guild Cofradia delos Camareros de Quingua Cofradia dela Virgen Consolacion Y Correa (The oldest Organization in the Parish) 2\. Commission on Family and Life: Marriage Encounter Community Tipanan Community 3\. Commission on Social Action: Knights of Columbus 6613 Catholic Women's' League 4\. Commission on Formation: El Shaddai Prayer Community Soldiers of Christ Holy Family Family Prayer Community Bible Apostolate PAndiyosesis na Sentro ng Katekista (PASKA) Basic Ecclesial Communities (Currently: 70 plus buklod) 5\.
Gary Usher continued to mine this genre of music with numerous 'bands' made up of session musicians doing one-off recordings. They were from the conglomerate of session musicians known as The Wrecking Crew, which had a rotating lineup of the same basic people. For instance, if Hal Blaine wasn't the drummer, then it was Earl Palmer. These fictional bands issued recordings as The Sunsets, The Four Speeds, Gary Usher and The Usherettes (aka: The Honeys), The Competitors, The Go-Go's, The Devons, The Ghouls, The Super Stocks, The Indigos, The Revells, The Kickstands and The Knights.
The Honeys (a slang term for girls or girlfriends, and specifically for female surfing enthusiast) consisted at first of sisters Barbara, Diane and Marilyn Rovell, performing under the name of the Rovell Sisters. Their cousin Sandra Glantz later replaced Barbara, and joined the group as Ginger Blake. They were discovered on the amateur talent show circuit by producer Gary Usher, who featured Blake on his 1961 single "You’re the Girl"/"Driven Insane", and the whole band as the Usherettes in 1963 on "Three Surfer Boys"/"Milky Way." Marilyn and Diane had met the Beach Boys when the boys performed at a Hollywood club called Pandora's Box in late 1962.
Alfred 'Freddie' Lennon—always called 'Alf' by his family—was always joking but never held a job for very long, preferring to visit Liverpool's many vaudeville theatres and cinemas, where he knew the usherettes by name. At the Trocadero club, a converted cinema on Camden Road, Liverpool, he first saw an "auburn-haired girl with a bright smile and high cheekbones"; Julia Stanley. He saw her again in Sefton Park, where he had gone with a friend to meet girls. Lennon, who was dressed in a bowler hat and with a cigarette holder in hand, saw "this little waif" sitting on a wrought-iron bench.
Pictured is a member of the Philadelphia Phillies Hot Pants Patrol The Hot Pants Patrol was a group used by the Philadelphia Phillies baseball team in the 1970s, designed to attract greater attendance, particularly by men, to home games at Veterans Stadium. It consisted of a number of attractive young "fillies" or "usherettes" who were assigned to various sections throughout the stadium. Their uniform consisted of red jumpsuit incorporating hot pants (hence the name) emblazoned with the Phillies logo and white trim, albeit slightly longer pants than what normally was worn along with white go-go boots. The Hot Pant Patrol debuted on April 10, 1971, the opening game at Veterans Stadium.
Reviews were at first mixed and the play's future was briefly in doubt, but after Bernard Levin wrote an enthusiastic review a few days later the play became a great success. He said, in part: "What, after all, do we ask of farce? ... we ask only that it shall make us laugh, and I, who could never laugh at Feydeau, Rix or Travers, laughed at The Unvarnished Truth until the flood of my tears drowned several usherettes ... Mr Ryton's imagination has quite slipped its moorings, and no idea is too mad to be successfully incorporated. The same goes for much of the acting, especially that of the author himself, who exhibits the haphazard intensity of a demented laser-beam ..."Quoted in Jonathan Lynn, Comedy Rules, Faber & Faber, London, 2011, pp. 88–94.
Actor Buster Keaton wearing one of his signature felt pork pie hats The pork pie began to appear in Britain as a man's hat not long after the turn of the century in the fashion style of the man-about-town. Silent film actor Buster Keaton desired to come up with a signature style of hat, and regarded the straw boater worn by top rival Harold Lloyd as too fragile for the kind of comedy he did. So he made his own, converting fedoras into straw boater-like felt pork pies by stiffening their brims with a dried sugar-water solution. He maintains that between those destroyed during filmmaking (especially in any water scenes, which dissolved the felt), accounting for perhaps half a dozen per film, those snatched off his head by adoring fans, and those loaned to usherettes at theatres showing his pictures (that were never returned), he created more than a thousand in his lifetime.

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