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20 Sentences With "useful clues"

How to use useful clues in a sentence? Find typical usage patterns (collocations)/phrases/context for "useful clues" and check conjugation/comparative form for "useful clues". Mastering all the usages of "useful clues" from sentence examples published by news publications.

Two new papers published in the American Economic Journal provide some useful clues.
We can find some useful clues in the annals of Markle's show Suits.
"He has also confessed and gave useful clues in our investigation," Dandaura said.
The remnants of shoes and a belt found with the bones may offer investigators useful clues.
In this case, the shoes and belt may offer more useful clues than the skeleton itself, she said.
For many, the programme provides useful clues to the party's latest thinking, and a chance to see leaders who rarely appear in public.
Nonetheless, the structure of futures prices can provide useful clues about how traders in aggregate expect the balance between supply and demand to shift.
But because it was found so long after the plane went down – the wing likely spent more than 500 days bobbing around on the ocean's surface – it didn't provide any useful clues about the rest of the plane's whereabouts.
The aggressive hacking of American targets by the Russian government, including the Democratic National Committee during last year's election campaign, is a high-priority concern for the United States, and forensic information from Mr. Pho's computer might provide useful clues.
Barrett (2003) p. 34 Cleon also seems to have had no real power to limit or control Aristophanes: the caricatures of him continued up to and even beyond his death. In the absence of clear biographical facts about Aristophanes, scholars make educated guesses based on interpretation of the language in the plays. Inscriptions and summaries or comments by Hellenistic and Byzantine scholars can also provide useful clues.
Ryan used a real-time technique of animation in which cardboard cutouts of the characters were laid on painted backgrounds and moved with levers. The characters' voices were provided by Peter Hawkins. The last series of Pugwash shorts by Ryan was produced in 1975. Although there are many anachronisms in the series, the book The Battle of Bunkum Bay gives some useful clues as to the era in which the stories are set.
Ten minutes after Mollie finds Mrs Boyle dead of strangulation, Sergeant Trotter takes charge of the household. All the remaining residents are gathered in one room as he attempts to sort out the events of the evening. A shaken Mollie Ralston cannot provide him with any useful clues; the only thing she is sure she observed was the radio blaring. Frustrated, Trotter points out that their lives continue to be in danger; a third murder could very well happen, given the notes left with Maureen Lyon.
LSS may also be caused by osteophytes, osteoporosis, a tumor, trauma, or various skeletal dysplasias, such as with pseudoachondroplasia and achondroplasia. Medical professionals may clinically diagnose lumbar spinal stenosis using a combination of a thorough medical history, physical examination, and imaging (CT or MRI). EMG may be helpful if the diagnosis is unclear. Useful clues that support a diagnosis of LSS are age; radiating leg pain that worsens with prolonged standing or walking (neurogenic claudication) and is relieved by sitting, lying down, or bending forward at the waist; and a wide stance when walking.
Police also reconstructed the last route of Viktor E. and his girlfriend from Steindamm, an inner city street, via Lohmühlenstraße station, to Jungfernstieg, and then to Kennedybrücke. The perpetrator may have followed his victims through that route. On 14 November, the mother of Viktor E. appealed to the public for assistance in the investigation; few useful clues had been provided to the police by then, although they posted handbills in several languages throughout the city. On 30 November, police stuck bills in about 170 residences used by refugees located all over the city.
The tons of volcanic gasses stripped from Io every second is spread widely by Jupiter's powerful magnetic field. IVO will fly through this material providing new insight into how this material is removed and where it goes. This is the first step in understanding how the chemistry of Io has been altered from its initial state and may provide useful clues to how atmospheres on other bodies have evolved over time. Overall, the IVO intends to use Io as a planet-sized natural laboratory to better understand processes that are important across the Solar System and even affect exoplanets.
Very little is known about the cult as it did not last long enough to appear in polemical Christian literature that provided so many useful clues on other mystery cults such as that of Mithras. The archaeological and epigraphic material is very sparse. A reference to a ' (priest) in / shows that there was an internal structure, though one that did not seem to have any great complexity. In a temple to Jupiter Optimus Maximus at Porolissum, a number of priests are mentioned (Sacerdotes Dei Iovi): Marcus Aurelius Vitalus, a duumvir; Antonius Mavius, a decurion; Acius Flavus; Caius Marcius Vegesius; and one Attonaris Bassus.
At the start of each episode, Frost introduces a panel of three celebrities, with the catchphrase "And what a panel they are ..." and some gently humorous or mocking descriptions. He then hands over to the location presenter who gives the panellists a guided tour of the property, noting particular items, though there is typically a large amount of misdirection involved as the items pointed out by the presenter are not necessarily the most pertinent clues to the person's identity. Items not specifically mentioned may provide much more useful clues. Once completed, Frost reveals the identity of the guest to the audience and the panel are given turns at guessing their identity.
When solving sums which have a limited number of solution sets then that can lead to useful clues. For instance, a 30-in-seven sum only has two solution sets: {1,2,3,4,5,6,9} and {1,2,3,4,5,7,8}. If one of the squares in that sum can only take on the values of {8,9} (if the crossing clue is a 17-in-two sum, for example) then that not only becomes an indicator of which solution set fits this sum, it eliminates the possibility of any other digit in the sum being either of those two values, even before determining which of the two values fits in that square. Another useful approach in more complex puzzles is to identify which square a digit goes in by eliminating other locations within the sum.
Standard projectile point terminology used in describing Native American projectile points: a - point or tip, b-edge, c- blade or face, d - step, e - tang, f - base, g - notch, h - barb, i - shoulder.Adapted from Ritchie, 1989 In archaeological terms, a projectile point is an object that was hafted to weapon that was capable of being thrown or projected, such as a spear, dart, or arrow, or perhaps used as a knife. They are thus different from weapons presumed to have been kept in the hand, such as axes and maces, and the stone mace or axe-heads often attached to them. Stone tools, including projectile points, can survive for long periods, were often lost or discarded, and are relatively plentiful, especially at archaeological sites, providing useful clues to the human past, including prehistoric trade.
The concepts of psychoanalysis can be deployed with reference to the narrative or poetic structure itself, without requiring access to the authorial psyche (an interpretation motivated by French psychoanalyst Jacques Lacan's remark that "the unconscious is structured like a language"). Or the founding texts of psychoanalysis may themselves be treated as literature, and re-read for the light cast by their formal qualities on their theoretical content (Freud's texts frequently resemble detective stories, or the archaeological narratives of which he was so fond). Like all forms of literary criticism, psychoanalytic criticism can yield useful clues to the sometime baffling symbols, actions, and settings in a literary work; however, like all forms of literary criticism, it has its limits. For one thing, some critics rely on psychocriticism as a "one size fits all" approach, when other literary scholars argue that no one approach can adequately illuminate or interpret a complex work of art.

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