89 Sentences With "upper balcony" | Random Sentence Generator

An upper balcony of the mansion features outdoor seating and a hot tub.

I wondered if people in the upper balcony could understand what was happening.

From our garden, I looked up and realized that he was stranded on an upper balcony.

An earlier vote to rezone a swath of Manhattan's Inwood neighborhood drew vocal protests from opponents in the chamber's upper balcony.

The tickets were in the upper, upper, upper balcony of Radio City Music Hall, but I was thrilled at the chance to go.

A blend of Queen Anne and colonial revival styles, it has a wraparound porch and broad upper balcony, as well as several turrets.

Kathleen O'Mara, Marie Engle and Megan Esther Grey, performing from an upper balcony near the stage, sang the music of the mysterious chorus.

The cashier at the box office showed me the available tickets, from those in the thousands of rubles to the cheap seats on the upper balcony.

Connor Drew and his girlfriend had just stepped into the lobby after the house lights went up when he heard a disturbance in the upper balcony.

And looking out over those dancers from an upper balcony, Nisey Shanks fluttered her eyelashes so they glowed blue—the deep cobalt of a screen with the input off.

Meanwhile, the artist Katarra Peterson will use the upper balcony for a performance that reimagines Rapunzel, and fair visitors will have the chance to help her weave hair into a rope.

Skye Dakota Turner is a wonderfully vivid performer; there's humor in every facial move and bodily gesture, and she sings with precocious, echoing focus, like a bird perched on a cathedral's upper balcony.

They were in the nosebleed seats in the upper balcony then, two Aussie mates on short-term visas trying to figure out how to even start a music career in the United States.

Another upstairs bedroom has a fireplace with a surround of tile and bird's-eye maple and a door to the upper balcony; a third bedroom features an original birch door with original hardware.

On shore, William "Dub" Richardson had more than earned his title of caretaker, hanging Old Glory from an upper balcony to declare life went on, even as three feet of sand filled the lobby.

He hadn't allowed a hit until Martinez launched his 31st homer of the season — a 411-foot drive that landed on the upper balcony of the Western Metal Supply Co. building in left field — with two out in the fourth inning.

On view from the ballroom's upper balcony is the now drained swimming pool. The pool now hosts the Cafe Alcazar.

The auditoriums last major upgrade was in 1969-1970. The project included installation of updated theater lighting, and remodeling of the lobby. During 1970, the Reuter pipe organ was also installed on the upper balcony.

The Bavarian Art Institute of Munich, Germany. created the church's stained glass windows. They depict events from the life of Christ, Mary (mother of Jesus), and Old Testament figures. Windows in the upper balcony display scenes of angels.

She then has an affair with Sir Hallam. Exposed as a spy for the Nazis and left alone, she commits suicide—by throwing herself off the upper balcony onto the entrance hall floor—after accidentally shooting Beryl with Sir Hallam's service pistol.

One Floor Up More Highly. Katharina Grosse applied paint to four mounds of soil which seemed to spill from the upper balcony into the enormous space below. Stacks of styrofoam shards rose out of the mountains of color, mirroring the white of the gallery walls.

Weddell, Alexander Willbourne. Southern Churchman, January 9, 1932. A new multi-story brick theatre was erected around 1810 on what was at the time the north side of H Street (now Broad). There was an orchestra section, a first balcony, and an upper balcony, with narrow doorways.

The joinery is elaborate in the main rooms with breast panelling to the windows.National Trust, 1981 The main staircase and present entrance hall date from the twentieth century. An upper balcony has been formed above the present colonnade with 1880 balustrading. The house has 80 squares with ten bedrooms.

The house is a two-story wooden frame structure, sided with clapboard. The front portico features six two-story square columns, constructed in brick with a stucco finish. These columns are very similar to Bluff Hall. The upper balcony spans the entire width of the house and is attached to the columns.

The Church of Ascension is a large building with an octagonal main church, and a church hall. There is also a chapel, and a large organ on an upper balcony in the main building. Andrew Cohen Residential Care home constructed a small private Synagogue for the benefit of its residents, staff, and visitors.

Al Manara International Conference Center is a conference center located in New Cairo. The complex houses 13 different halls. The main part of the complex is the theater which can host up to 1670 guests seated across the main hall. This number includes VIP seats, handicap seats, the upper balcony and 4 VIP cabins.

The new Legislative Assembly of Odisha started functioning from the Examination Hall of Ravenshaw College and upper balcony and verandah acted as balcony for visitors. 1942 – At the forefront of the Quit India movement were the students of Ravenshaw College. On 15 August that year, 200 of them protested. They actually set the office room on fire.

The top of the minaret is crowned with a dome on top of a roof eaves protecting the upper balcony from tropical sun and rain. Historically, the minarets of Minangkabau mosques were introduced during the early times of the Padri War by a number of reformist Islamists who returned from the Middle East. In 1989, the mosque was restored.

Revill vacated the Milk St building and took the name 'Theatre Royal' with him. The new Theatre Royal still stands. The Salvation Army purchased the building in 1889 and began an extensive programme of refurbishments which removed the stage and fly tower, the upper balcony and also the boxes. This was furthered in 1904 when the building was altered even more.

The decor was luxurious for its time, and the installation of the Golden Divans seating on the lower balcony, was popular with courting couples, providing the cinema with a uniqueness that was exploited in newspaper advertisements of the day. An additional upper balcony was nicknamed The Gods. An orchestra and dancing girls added to the spectacle in the early days.

The Houston House is a two-story, wooden house built in the Federal style. Four square columns support a two-story portico and second floor balcony. The balcony extended across the entire front of the house by Ellen Houston, but was truncated after her death. Side-by-side front doors open into separate rooms, a layout repeated on the upper balcony.

To the rear, two storey outbuildings housed the kitchen, bathroom and maid's room. A slate roof with dormer windows were partly concealed by a balustraded parapet, inscribed with "Harris Terrace 1866" at its centre. A cast iron balustrade and full length venetian blinds featured on the upper balcony. Early tenants of Harris Terrace who were parliamentary politicians included Joshua Bell, William Yaldwyn and Kevin O'Doherty.

In the 17th century a partial attempt was made to give uniformity to the facade. Main portal Of interest are the portals, including the main one facing to the Plaza del Ayuntamiento. The flanking wings have composite brick and stone, but the center is smooth stone with a triangular tympanum. The small iron upper balcony is flanked with nymphs holding a cardinal's coat of arms.

The Main Room has a standing capacity of 650 people with capacity for additional 200 people on the upper balcony. The Green Room is located on The Academy's ground floor and has a capacity of 550 people. It has a low slung ceiling and is used for live performances from electronic acts and DJs. Dylan McKee DJ played here supporting the United Vibe tour in 2019.

The Gay Dawn Farm ground in 2006 After establishing the club, Billings created a football ground at his Gay Dawn Farm. The farm later became a wider sports complex, featuring golf and footgolf courses. When floodlights were installed Bobby Moore was the guest of honour. A wooden stand with benches is located behind one goal, whilst the two-storey clubhouse has seats on an upper balcony.

The building seats 1,012 in the orchestra, 48 in upper boxes, 78 in the loge, 312 in the upper balcony, 312 in the lower balcony, and 104 in removable orchestra pit seating. Therefore, the Tivoli can hold more than 1,750 people. The stage's depth is and long. The ornately decorated silver and gold proscenium's width is 47 feet and 8 inches (14.3 meters and 20.3 cm) and is high.

The ground floor ceiling of the printers' shop still displays original ceiling roses and cornices picked out in pink paint. The earlier 1877 shop blends with the later gabled shops but is of simpler design. The upper balcony also displays cast iron balustrades with decorative iron posts and a convex corrugated iron awning, The upper rooms are accessed by French doors to the balcony. This building has a plain horizontal parapet.

Encircling the external gallery at lantern floor level is the curved balustrade and handrail in gun metal that became a design characteristic of James Barnet's architectural style. The domed oil store and heavily bracketed upper balcony also reflect Barnet's style. The lighthouse is built bricks, cement rendered, and painted white. The tower has two stories, divided by a concrete floor, the fuel store being located on the ground level.

Dining room The building reflects the owner's interest in French architecture in the triple-arched entrance, enclosed upper balcony, and "sweeping front staircase". The house combines Barbadian coral stone craftsmanship, Demerara windows, and Brazilian wood panelling. It has a collection of antique mahogany furniture and West Indian maps dating back to the early 16th century. It is set in terraced English-style gardens, with bougainvillea, hibiscus, and frangipani plants and a large mammee apple tree.

The northern mezzanine contains access to both platforms, while the southern mezzanine only connects to the southbound platform. There are additional entrances to the uptown platform from the Oculus building's upper balcony, as well as from the South Concourse, which connects to the basement of 3 World Trade Center. There is an out-of-system connection to the Fulton Center via the WTC Hub. The southbound platform has two direct exits to the street.

In the end of the fight, they shoot Sivasankar when he jumps of a bridge into a river. Local Police constable Rajappan (Nedumudi Venu), a lecher lives with his wife Lekshmi (Zeenath) and his sister-in-law Thangam/ Snehalatha (Charmila). Bullet injured Sivasankar resurfaces in their upper balcony of home. When she runs for cover from a sexual advance of her sister's husband (Nedumudi Venu) Thangam (Charmila) sees Sivasankar and helps him to hide.

The Treaty of San Stefano was signed in this house of the Simenoğlu (Simeonoglou) family. Note the nazar, or eye-like charm, on the upper balcony. Yeşilköy (; Turkish for “Green Village”; prior to 1926, San Stefano or Santo Stefano (, ) is a neighbourhood () in the district of Bakırköy, Istanbul, Turkey, on the Marmara Sea about west of Istanbul's historic city centre. Before the rapid increase of Istanbul's population in the 1970s, Yeşilköy was merely a village and a sea resort.

The south-facing front facade features a projecting central pavilion with white quatrefoil- pireced vergeboards at the overhanging eave. Dormer windows on either side are similarly appointed, as is the curving balustrade on an upper balcony. To the west of the doubled-doored entrance is a porch supported by chamfered posts and curved braces; to the east is a bay window. The east side has a similar porch but with a latticework frieze and arrows pointing to the entrance.

The Count's House is particularly distinct for its two faces, a very unusual feature for a Greek Revival. The north facade, facing Waukegan Road, consists of a portico with full two-story columns of the Doric order. The south facade, facing Main Street, consists of two-story loggia with an upper balcony and several intricate mouldings. The six-over-six windows, balustrades, columns, door surrounds, and nearly all of the exterior moldings appear to be original.

The dates were to be the zenith of Oasis's popularity, and both the music press and the band realised it would not be possible for the band to equal the event. By this time, infighting had broken out in the band. On 23 August 1996, vocalist Liam Gallagher refused to sing for an MTV Unplugged performance at London's Royal Festival Hall, pleading a sore throat. He attended the concert and heckled Noel from the upper balcony.

The stadium is divided into four main blocks, A, B, C and D, each block covering one side of the stadium, and block G, consisting of the upper balcony added later. St. Jakob Park is a fairly modern stadium; construction started on 13 December 1998, replacing the former St. Jakob Stadium. The re-opening game took place 15 March 2001. The "Genossenschaft S.J.P" officially owns the stadium, while the stadium itself is managed by "Basel United".

During the conversion to a cinema, many of the original surfaces were masked, and a false ceiling was put in to close off the upper balcony. The first film to play at the converted theatre was Blood on the Sun on 3 November 1945. In 1990, the theatre was purchased by the not-for-profit Walker Theatre Performing Arts Group. The building's original architectural features were restored, and it reopened as a venue for live performances in March 1991.

Stamford Harbor Ledge Lighthouse is a lighthouse in Connecticut, United States, on Chatham Rock off of Stamford, Connecticut. It was added to the National Register of Historic Places in 1991. The interior of the structure has seven levels.Web page titled "Chatham Rock", to which a September 25, 2009 William Pitt real estate advertisement directed readers, retrieved June 23, 2009 The upper balcony boasts sweeping views of the Stamford and Manhattan skylines, as well as Long Island Sound and Stamford Harbor.

The water table is about 1 m below the surface, but can be higher during wet periods. The mast is a closed cylinder of 2 m diameter, with an elevator inside. It is guyed at four levels, and carries booms at 20 m intervals in three directions. The 9.4 m booms can be swung up hydraulically, so that instruments at their ends can be handled from an upper balcony; this swivelling mounting allows much longer booms than the customary sideways- sliding construction.

Between 1952 and 1956, basins were dredged on the north and south sides of the clubhouse, 600' (182m) long by 150' (46m) wide and eleven feet deep, eliminating further damage to the fleet. The day came when the club building was in dire need of repairs. The pilings it rested on had been shifted by the ice and were deteriorating. The floors were badly warped by previous flooding and the upper balcony had been closed for some time due to its poor condition.

The guests split up into teams to search the mansion for Muriel. However, Muriel turns up dead soon after by being stabbed in the back with the same knife used to kill James. Suspicion is placed on Priscilla, who also disappeared during the commotion. Jillian's husband, Derek Wilcox, goes to an upper balcony to find a cell phone signal and contact the police, but as he gains a signal, he is murdered by the unseen killer with James' Golden Globe Award.

The courthouse is asymmetrical because it includes a three-story clock tower, located on the west side of the building.George Lansing Taylor Jr., Turner County Courthouse Clock Tower, Ashburn, GA, University of North Florida Digital Commons (photograph taken September 4, 2011). The clock was made by the E. Howard Watch & Clock Company. The courthouse still has the original tin tiles, popular when the building was constructed, as well as an upper balcony where, before desegregation, blacks were required to sit.

However, despite extensive alterations, the stage was retained and the building continued to be used by amateur societies. The biggest alteration was the removal of "the gods" or upper balcony, replaced by a steeply raked Circle which existed until the building closed (in 2005). This work caused the loss of the 1960 Opera Festival. The theatre was acquired by the Wexford Festival Trust in the 1950s and gradual restoration began to take place with an appeal being launched and help provided by the Irish Tourist Board.

The treatment of the Elizabethan style central hall and staircase have been described as a "great dramatic coup". Other features include the two-storeyed hall, an atrium, an upper balcony which holds an organ, a ballroom, and a second lower balcony which enjoys great views from a high window. The dining room, designed in 1910, is by Murray Adams-Acton. The hall has a master bedroom suite with two dressing rooms and a bathroom, plus eleven further bedrooms, extensive cellars and a heated indoor pool.

In the upper balcony at the west front of the church is a rare pipe organ made by the Casavant Frères Company of Canada and installed in 1953. With approximately 1,700 pipes, it is the third organ that has been used in the church. For its dedication on December 8, 1953, the Sisters of Providence held a brief organ recital featuring Sister of Providence organist and composer Sister Cecilia Clare Bocard, who played her musical composition, "Te Deum Laudamus". The organ was renovated in 1999.

The second floor contains examples of cut glass, Victorian art glass and stained-glass work from Louis Comfort Tiffany's studio. The third floor, in the ballroom's upper balcony, exhibits paintings, sculptures, and furniture, including a grande escritoire created for Louis Bonaparte, Napoleon's brother and King of Holland between 1806 and 1810. The Ballroom Gallery has oil paintings by Paul Trouillebert (Cleopatra & the Dying Messenger), Léon Comerre (Maid of Honor), and Albert Bierstadt (In the Yosemite). It also has sculptures by Jean-Baptiste Carpeaux and Randolph Rogers.

It is possible to stand center stage and hold a room-level conversation with someone in the upper balcony, six stories away without raising one's voice. Even though generations of Staten Islanders refer to or remember the St. George as a movie palace, the original 2,876 seat structure was planned as part of the Radio-Keith-Orpheum (RKO) vaudeville circuit. Only when the theatre was nearly complete in 1929 was a projection booth and spotlight stand contrived by the architects and added to the theatre's interior.

In the early 20th century, the theatre became a popular venue for ballet. It was demolished in 1936 and replaced by the Odeon Cinema. The Empire Theatre of Varieties opened in 1881 on the former site of Savile House, but had a troubled start, closing for a time, until the end of the decade. The theatre had a notorious reputation for high-class prostitutes frequenting the theatre, and in 1894 the London County Council ordered the promenade on the upper balcony to be remodelled.

Atlanta Symphony Hall is the home venue of the Atlanta Symphony Orchestra. It is located within the Woodruff Arts Center at 1280 Peachtree Street in Atlanta, Georgia, USA. The venue has a total capacity of 1,762 seats on three levels: 1,074 in the orchestra section, 349 in the lower balcony and 339 in the upper balcony. There are also spaces for 12 wheelchairs and 12 companion seats, as well as room for 82 additional seats in the orchestra pit, depending on the stage set-up.

Later in his chambers, a scroll drops mysteriously from the upper balcony to Wu Luan, depicting his father being murdered by his uncle by blowing poison into his ear. Wu Luan enquires at an apothecary, who reveals that the poison used is made from Arsenic trioxide and black scorpions, and nothing on earth is more deadly except for "the human heart". Meanwhile, the Empress Wan is to have a new coronation ceremony. As a special treat, Wu Luan is required to perform a swordplay ceremony.

The O2 Institute (originally known as the Digbeth Institute) is a music venue located in Birmingham, England. The venue opened in 1908 as a mission of Carrs Lane Congregational Church. It has also served as an event centre, civic building and nightclub. It has three main rooms: the 1,500-capacity main auditorium called O2 Institute1 (formerly "The Institute") which has two seated upper balcony levels, the downstairs room which holds up to 600 people called O2 Institute2 (formerly "The Library") and the 250-capacity upstairs room O2 Institute3 (formerly "The Temple").

He is about to take her when he hears Baldwin scream his name, who seemingly has escaped the brides. Yorga takes Cynthia and flees to the upper balcony of the estate as Baldwin (who grabs an iron battle-axe from a wall) chases the two. Yorga and Baldwin fight with Baldwin surprisingly seeming stronger than before, however, Yorga gains the advantage. Just as he is about to kill Baldwin via choking, Cynthia's memories of the brides killing her family resurface, causing her to realize Yorga was responsible for their deaths.

Oswell used steel in his commercial design for the Walk Arcade to express movement. The upper balcony balustrades extended over the lower floor paths and steel was stretched in a zig zag pattern on the upper and lower balconies to imitate movement. He promoted colour choices featured by international designers. With the success of Torbreck, Brisbane’s first high rise apartment block, other projects were developed in Brisbane and the Gold Coast. Oswell’s firm designed the Glencrag Apartments in Spring Hill, the first large scale mixed use development incorporating apartment living with commercial levels underneath.

The Birch Island House is a 2-1/2 story wood frame structure, with a rubble foundation and a red standing seam metal roof. A two-story porch extends across the front, and the roof in the rear slopes down to the first floor, giving the building a saltbox profile. The porch is supported by square posts with a decoratively sawn balustrade. The house is five bays wide, with doorways in the center bay (the lower one providing the main entrance, the upper one access to the upper balcony) and windows in the flanking bays.

Grover-Friedlander, p. 33. Luchino Visconti used a performance of Il trovatore at La Fenice opera house for the opening sequence of his 1954 film Senso. As Manrico sings his battle cry in "Di quella pira", the performance is interrupted by the answering cries of Italian nationalists on the upper balcony who shower the stalls area below with patriotic leaflets. In Italian Film in the Light of Neorealism, Millicent Marcus proposes that Visconti used this operatic paradigm throughout Senso, with parallels between the opera's protagonists, Manrico and Leonora, and the film's protagonists, Ussoni and Livia.

The main tower and the inner courtyard The Nuraghe and its countryside in summer The oldest part of the Nuraghe consists of a central tower with three superposed chambers (18.6m high). It was built in blocks of basalt between the seventeenth and thirteenth centuries BCE. Later, during the Late Bronze Age, four towers joined by a curtain wall with an upper balcony (no longer extant) were built around the central tower, all communicating with an inner courtyard served by a well. During the Iron Age, the complex was surrounded by a curtain wall with seven lobes (heptalobate).

In addition to the hangings were also the borders that provided the outlines of buildings and skies, among other set pieces; these, too, caught fire sequentially. Pine planks (with shingles over them) fixed over rafters with no plastering and ceiling spread the flames, which fell from the ceiling and spread extremely rapidly. The impact of the fire was worsened because the stage curtain hid the initial flames from the audience. The theatre had multiple exits: a little known side-door was used by those in the orchestra and back stage while an upper balcony exit was a clear way out.

Dr. Virgil Cox House is a historic home located at Galax, Virginia. It was built about 1913, and is a large 2 1/2-story frame dwelling with Queen Anne and Colonial Revival style design elements. It has a complex exterior presentation, complex roof plan, and an equally complex floor plan. The house is sheathed in German siding and features irregular, front-gable projections on the facade and north side; a projection with a polygonal bay on the southwest corner, a gable-roof dormer on the facade; and a small, upper balcony on the facade with attenuated Tuscan columns and pilasters.

Three months later, the first play was presented, Marie-Joseph Chénier's Fénelon performed by the Ciarli company. Less than half the size of La Scala (Milan's main opera house), the Teatro Re had an overall seating capacity of 1000 arranged over an upper balcony, three tiers of boxes, and eight rows of seats on the floor of the auditorium. Its lavish interior was designed and decorated by Alessandro Sanquirico. The curtain, which depicted the Judgement of Paris, was painted by Pasquale Canna, who like Sanquirico, also worked as a set painter and designer for La Scala.

The auditorium has three boxes on either side of the auditorium level and three to each side on the balcony level, set in an arched niche. The small interior lobby is restrained in its detailing, with a grand stair from the main level to the balcony level. A smaller stair continues to the upper balcony. The current lobby, finished in 2019, spans nearly the full width of the theater and contains the box office, a concession stand, a seating area, two entrances to the main level of the theater house, and a grand stair that diverges at a landing.

Late 1921 saw a major internal refurbishment costing 20,000 pounds, removing the upper balcony and small hotel, rebuilding the dress circle and making it more suitable for use as a cinema. The auditorium was redecorated by Artist Norman Carter with painted Grecian Murals of Dancing Nymphs. Architects for the refurbishment were Robertson and Marks who later designed the late ornate Prince Edward Theatre and the Bondi Beach Pavilion and builders were James Porter and Sons later builders for the Sydney Capitol, Regent and Melbourne's grand Regent theatres. Mr Will Herbert became the General Manager for northern district.

That committee evolved into a Board of Directors, who selected Bill Lelbach as the company's initial Artistic and Managing Director. Now in their 11th season (2017), the theatre is still headed by Lelbach and still one of the relatively few Equity theatres in the country able to survive in a strictly rural environment. The landmark Sherwood Hotel, now closed, is haunted, due to the ever-present ghost of Viola, a wartime widow who hung herself with rope from the upper balcony. In 1910, then 20-year-old Viola, daughter of a local cattle rancher, had married the son of the wealthy Juliand family, Donovan.

Following a period of almost ten years during which the property remained vacant, in 1967, the venue was purchased for C$129,000 by local entrepreneur Ed Silverberg who then invested further C$250,000 in order to convert it into a cabaret named the Blue Orchid. Inspired by the New York City drag shows, it functioned as a dinner theatre featuring burlesque shows and plays with all-male casts. It was Silverberg who decided to turn the venue's upper balcony level into a tucked away, speakeasy-type bar with a dance floor. The Blue Orchid went away by 1976 and was replaced with Oriental Palace, a dinner and dance hospitality venue.

The Beacon's ornate neo-Grecian interior features Greek goddesses flanking the proscenium arch of its curtainless stage, which can rise from its basement level carrying a full classical orchestra. Under its marquee is an exterior lobby with tile flooring extending to the sidewalk along Broadway between 74th and 75th Streets, across from the Beaux-Arts Ansonia Hotel. Entry is gained through its bronze-doored vestibule into an opulent two-story circular lobby. White marble floors give way to mahogany bars on both the orchestra and mezzanine levels, and two more levels provide access to both the foot and top of its steeply inclined upper balcony.

Disillusioned with the perceived lies and deception of the panelists, the Moderator dismisses the panel and is left only with Apollodoros who asks the Moderator to connect to what initially attracted him to the novel of Aymes. When he admits his own frustration with art and academy, she ritualistically leads him through a recreation of the night Aymes lead a group of protestors to the Museum of Antiquities when an unidentified woman threw herself from the upper balcony. Having discovered "the truth" of Aymes' book, the play ends with the Moderator alone on stage in an empty space, reading the last page of the novel.

Jacob wanted to use four McCune JM3 loudspeakers but the rental cost was nixed by the producer, and Altec 9846 self-powered cabinets were used instead, powered in this case by distant amplifiers so that the sound crew could more easily correct a potential amplifier problem. Two 16-channel stereo mixers were specified by Jacob, custom made by Louis Stevenson of Houston. The orchestra was mixed on one of them, with the results patched into the second Stevenson as a stereo stem, for blending with the vocal and area mics. Main loudspeakers were positioned at two levels, mezzanine and orchestra, augmented by stereo pairs of under-balcony and upper balcony speakers.

In all iterations of the game, the Main Menu is presented as the interior of a team's home garage, with crew members working on cars, and fans observing from an upper balcony. Beginning with NTG: Inside Line, the race day menu was presented as the infield garage of each racetrack. The Loading Screen is presented as a bulletin board, featuring decals of NASCAR contingency sponsors, advertisements for Sprint wireless products, and photos of in-race action from the current game and prior games, and photos the player captures during gameplay. It features a V.I.P or press pass-style lanyard showing the track specifications and the player's stats at the track.

She is the author of nine books covering a wide range of subjects, including the influential To Kill a Mockingbird: Threatening Boundaries (1994) and Church and Stage: The Theatre As Target of Religious Condemnation in Nineteenth Century America (2007). As a theater historian, she brought to light the scandalous “third tier” in 19th century American stage productions, an upper balcony in many theaters reserved exclusively for prostitutes. She is a professor emeritus of English Literature at the University of Alabama, where she taught for two decades and served as chair of the English Department for twelve years until her retirement in 1996. She lives in Berkeley, California, where she continues to write, edit, and lecture.

There could be so many spectators jammed in the track centre for cycling events that they resembled passengers in the Paris métro in the rush hour.Chany, Pierre (1988) La Fabuleuse Histoire du Cyclisme, Nathan, France The richer and more knowledgeable spectators bought track-side seats and the rest crowded into the upper balcony from which the track looked a distant bowl. A rivalry grew between those in the top row and those below them, to the extent that those on high sometimes threw sausages, bread rolls and even bottles onto those below or, if they could throw that far, onto the track. The hall's managers had to install a net to catch the larger missiles.

Suede defeated fellow Storm Wrestling Academy graduate CJ Strongheart in the first round, and defeated "Dastardly" Danni Deeds in the semifinals. Deeds was the replacement for Ice, who suffered a concussion in his first round victory over Jamie Diaz and was ruled unable to continue by ECCW officials. In a feature match made at the start of the show by ECCW owner Dave Republic, Scotty Mac successfully defended the NWA Canadian Heavyweight championship in a falls count anywhere match versus both The Cremator and Synn. Mac was sent over the upper balcony by The Cremator, but landed on both Synn and his own Chilltown stablemates (Sid Sylum, Azeem the Dream, and The Natural) and pinned Synn to retain his title.

The inside of the concert hall itself is unique in that the ceiling is made of 800 hexagonal segments which can be raised or lowered to change the acoustics of the hall. The segments can actually be lowered enough to close the upper balcony, so the seating capacity therefore fluctuates from about 2,300 with the balcony covered to 2,911 with the balcony open. The building won the 1967 American Institute of Architects' Honor Award, which is bestowed on only one building annually. The acoustics were designed by the firm Bolt, Beranek and Newman, who also designed New York City's Avery Fisher Hall and San Francisco's Louise M. Davies Symphony Hall, both of which have also been subject to much criticism.

The terraces are typical examples of Victorian Terrace Houses built as an investment. The planning of the four terraces is similar with the basement containing the laundry and an external toilet; the ground floor containing the parlour, dining room and kitchen; the upper floor containing one large bedroom and two smaller bedrooms and a bathroom. Typical elevational details include some fine cast iron balustrade panels (largely intact), evidence of a cast iron frieze and brackets to the upper balcony beam and surviving examples of the cast iron fringe, brackets and frieze drop fixed below the balcony floor beam. Internally, the main rooms have or show evidence of moulded timber surrounds to fireplaces, four-panelled timber doors, decorative ceiling roses but no cornices.

The Hanna Theatre was envisioned by industrialist and publisher Daniel Rhodes Hanna as part of a larger complex in memorial to his father, late U.S. Senator Mark A. Hanna, and was designed by architect Charles A. Platt. Faustinno Sampietro was responsible for most of the interior decorations, which included green and gold carpets, dark green seats, frescoed walls, a fireplace, and Louis XVI gilt furniture; the ceiling was coffered and was made up of circular and octagonal medallions, each of which contained gilded classical figures (including Cupid, Psyche, and Pegasus). The orchestra level consisted of 827 seats arranged in 24 rows, and the upper deck held 570 seats. Four rows in the mezzanine, ten rows in the upper balcony, and the box seats brought the theatre's full capacity to 1,421.

As the Britannia Restaurant takes up the full width of the ship on two decks, a 'tween deck, called Deck 3L, was devised to allow passengers to walk from the Grand Lobby to the Queen's Room without traversing the dining room mid-meal. The deck consists of two corridors that run beneath the upper balcony of the restaurant on Deck 3, and above the main dining area on Deck 2. This is why the balcony of the Britannia has tiers that step up towards the hull. This arrangement is illustrated on the hull where there is a stack of three rows of windows in the area where the main restaurant sits, the two upper and lower most rows illuminate the dining room, while the centre row serves Deck 3L.

Esmeralda is later entangled in an attempted murder – committed by Frollo, who had stabbed Phoebus in a jealous rage after spying on Esmeralda and Phoebus having a night of passion – and is sentenced to hang. As she is being forced to pray at the steps of Notre Dame just before being marched off to the gallows, Quasimodo, who has been watching the occasion from an upper balcony in Notre Dame, slides down with a rope, and rescues her by taking her up to the top of the cathedral, where he poignantly shouts "Sanctuary!" to the onlookers below. Esmeralda is terrified of Quasimodo at first, but gradually recognizes his kind heart and becomes his friend. He watches over her and protects her, and at one point saves her from Frollo when the mad priest sexually assaults her in her room.

With its domed oil store, heavily bracketed upper balcony and curved balcony railings, the two- storey lighthouse demonstrates the architectural style used extensively by the Colonial Architect in the late 19th century. Retaining its original Messrs Chance Bros lantern and distinctive external staircase, the Sugarloaf Point Lighthouse is complemented by a compact group of simple mid-Victorian buildings (including Head Keepers and Assistant Keepers Cottages) that are visually unified by alignment, scale, proportion and the use of common materials. To avoid the harsh elements of the coastal environment of Sugarloaf Point, the suite of station buildings were separated from the tower and constructed on the southern side of the headland, nestled into a landscape cutting that shelter the buildings from the weather. The place has a strong or special association with a particular community or cultural group in New South Wales for social, cultural or spiritual reasons.

In his book on construction in Jerusalem during the British Mandate, architectural historian David Kroyanker wrote that at the end of 1948, the government chose the building (then only a skeleton) as the home of the Knesset because of its large ground-floor hall. The hall, which had an upper balcony, was originally meant to be a bank. In a Haaretz article in 2003, journalist Esther Zandberg speculated: "The first building's city- center site, and the location of the plenum hall at street level were, without a doubt, an urban expression of a point of view that saw democracy and the Knesset as part of everyday civil existence, in contrast with its isolation in the present-day fortified compound". Kroyanker categorizes the building, which stretches between Be'eri and Schatz Streets as having been planned in the "corridor" style (a continuum of construction along the length of the street), which is characteristic of the main streets in the city center and imparts a European character to them.

A road was also built to Bungwahl, leading to its development as a regional township, and a construction camp was established for the building phase (this camp was removed upon the completion of construction). The construction camp consisted of workers barrcks, contractors office, kitchen, store and school house. Well-proportioned, even if on a smaller scale, with the curved detailed balcony, domed oil store and heavily bracketed upper balcony (design elements that were to become characteristic of Barnet's style as Colonial Architect), the two-storey tower was complemented by a suite of Barnet-designed mid-Victorian buildings, including a Head Keepers cottage, two Assistant Keepers cottages, signal house and paint store. To avoid the harsh elements of the coastal environment of Sugarloaf Point, the buildings were constructed below the lighthouse and on the southern side of the headland, nestled into a landscape cutting that sheltered the buildings and residents from the weather.

As at 13 November 2003, constructed and lit in 1875, the Sugarloaf Point Lightstation Group is of state heritage significance as the first major lightstation in the "highway of lights", a system of navigational aids installed along the NSW coastline in the mid-to-late 19th century. Important to the safe passage of shipping in NSW, the system of lightstations has a collective significance that reflects the logistical management for installing coastal infrastructure and the technical evolution of the stations. The Sugarloaf Point Lightstation Group is of state heritage significance for its association with Colonial Architect, James Barnet, and President of the Marine Board of NSW, Captain Francis Hixson. The first major lightstation designed by Barnet as Colonial Architect (1865-1890), Sugarloaf Point Lightstation Group was the forerunner to his other major lighthouse constructions and it contains many of the stylistic design elements (including the domed oil store, heavily bracketed upper balcony and curved balcony railings) that were to become notable characteristics of his architectural style.