Yet, even as the collection weaves the threads of nostalgia, Agnon is at work unweaving them.
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Not only this constitutes a public health emergency but is also unweaving the very fabric of our society.
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Truman Lowe's parents were basket makers; he responds by unweaving a basket to create the elegant abstract sculpture "Waterfall" (1993).
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Eleven headed out to war, found her identity, and now she's headed home, where Mike-Penelope has been weaving and unweaving a proverbial tapestry.
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But Wright so smartly plots his film, fitting in emotional beats at just the right moments and unweaving a Wicker Man-esque plot of British horror intrigue with such fine detail.
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Reading She Said, you learn how exactly the premier journalists in the country put together a complicated investigation — from navigating dead ends and bad tips to unweaving the complex conflicts of interest behind an open secret.
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"A lot of people say that unpacking the science of love is like unweaving the rainbow," the well-read Dr. Sandberg goes on, making reference to the poet William Blake's criticism of Isaac Newton for trying to explain concepts like gravity.
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Tacoma instead puts you (sort of) inside the real-time recording of an event—this time, on a spaceship doomed by, you guessed it, corporate malfeasance—and asks you to actively participate in the unweaving of that tale, by watching, chasing certain characters from room to room, and unlocking new bits of story as you go.
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John Keats' portrayal of "cold philosophy" in the poem "Lamia" influenced Edgar Allan Poe's 1829 sonnet "To Science" and Richard Dawkins' 1998 book, Unweaving the Rainbow.
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Zarrow shuffle is a sleight of hand technique that gives the appearance of being a normal riffle shuffle, but in fact leaves the cards in exactly the same order. This is an example of a false shuffle. It was invented by magician Herb Zarrow c. 1940. The sleight begins as a normal riffle shuffle, but the performer uses the top card of the deck to conceal the shuffle being cancelled by way of unweaving the cards.
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He currently writes about mortality at the Patheos blog The Lucky Ones and about music at Unweaving the Score. Voices of Unbelief: Documents from Atheists and Agnostics, edited by McGowan and published in September 2012, is a collection of documents from atheists and agnostics throughout history. In March 2013, McGowan's book Atheism for Dummies was released by Wiley Publishing. August 2014 saw the release of In Faith and in Doubt, the first comprehensive resource for secular/religious mixed marriages.
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The bright colours that normally swirl around a faradhi become dark as the shadows of his or her own mind encroach, ready to consume the mind. Physically the person begins to shake wildly, their heart races, and pain shoots through bones and especially the head. A mind not entirely lost can be retrieved if its colours are known by others. The process of filtering out the shadows, unweaving the wrong colors, and sorting the lost faradhi 's colouring into their proper order is difficult work.
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At ten to five, with the light fading, Minihan took the photo that would go on to be called by some as the photograph of the twentieth century. John Calder credited Minihan with capturing, > 'the introspective, infinitely sad gaze of a man looking into the abyss of > the world's woes'. Among his numerous photographic publications are Photographs: Samuel Beckett (1995); Shadows from the Pale, Portrait of an Irish Town (1996); and An Unweaving of Rainbows, Images of Irish Writers (1996). He is currently a freelance photographer specialising in 'the arts'.
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Mulder invokes one of alt=A book cover, with the words "The Marriage of Heaven and Hell" written on the cover. Near the beginning of the episode, Mulder uses one of William Blake's "Proverbs of Hell" from his 18th century book The Marriage of Heaven and Hell in an argument with Scully: "The road to excess leads to the palace of wisdom." Sharon R. Yang, in her essay "Weaving and Unweaving the Story," writes that Mulder is using affluent literature to "justify his passionate dedication to questing for knowledge in arcane areas scorned by mainstream intellectual authority".Yang (2007), pp. xiixiii.
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Previous to his work on animal ethics Clough worked on the ethics of Karl Barth and Christian pacifism, church responses to poverty, the theological ethics of investment, and the theological and ethical implications of modern technological developments including the ethics of the Internet (for example in his book Unweaving the Web (2002)). His current work is on the approaches taken to the place of animals by Christian theology and ethics. From 2018-2020 he is Principal Investigator on an AHRC-funded three- year project on the Christian Ethics of Farmed Animal Welfare. This includes working with 13 partners including major UK churches.
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Break the Science Barrier is a 1996 television documentary written and presented by Richard Dawkins, which promotes the viewpoint that scientific endeavour is not only useful, but also intellectually stimulating and exciting. Featuring interviews with many well-known figures from the world of science and beyond, it was originally broadcast on Channel 4 in the United Kingdom — the first of a series of collaborations between Dawkins and the station — before being released on DVD more than a decade later. The documentary contains many of the themes later expounded in his book Unweaving the Rainbow, which was published two years after the initial broadcast.
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Some weaves, such as creating cuendillar, function only for a channeler with a corresponding Talent. A Talent can also be some other ability possessed only by some channelers, but distinct from creating weaves of the One Power. Talents of this type include creating ter'angreal (Elayne Trakand), perceiving the purpose or function of a ter'angreal (Aviendha), analyzing an expended weave, "unweaving" a weave (Aviendha), predicting the weather (Nynaeve al'Meara), recognizing ta'veren on sight (Siuan Sanche and Logain Ablar), and "Foretelling" prophecy (Elaida do Avriny a'Roihan). The latter three Talents have no obvious connection to the One Power, but are described as occurring only in channelers.
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"The Greatest Show on Earth", the longest Nightwish song to date, refers to "life and evolution by natural selection" similarly to Richard Dawkins' book with the same title, from where the song title comes. There are also two quotes spoken from the first chapter of Unweaving the Rainbow by Dawkins as well as the closing thoughts from On the Origin of Species by Darwin. Holopainen said that the band is unlikely to play the full song live, but may perform a "band section" in the middle. During live performances, photographs of people are shown in the screen behind the band; most are stock pictures, but some depict members' relatives.
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In his role as professor for public understanding of science, Dawkins has been a critic of pseudoscience and alternative medicine. His 1998 book Unweaving the Rainbow considers John Keats's accusation that by explaining the rainbow, Isaac Newton diminished its beauty; Dawkins argues for the opposite conclusion. He suggests that deep space, the billions of years of life's evolution, and the microscopic workings of biology and heredity contain more beauty and wonder than do "myths" and "pseudoscience". For John Diamond's posthumously published Snake Oil, a book devoted to debunking alternative medicine, Dawkins wrote a foreword in which he asserts that alternative medicine is harmful, if only because it distracts patients from more successful conventional treatments and gives people false hopes.
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Unweaving the Rainbow: Science, Delusion and the Appetite for Wonder is a 1998 book by the evolutionary biologist Richard Dawkins, in which the author discusses the relationship between science and the arts from the perspective of a scientist. Dawkins addresses the misperception that science and art are at odds. Driven by the responses to his books The Selfish Gene and The Blind Watchmaker wherein readers resented his naturalistic world view, seeing it as depriving life of meaning, Dawkins felt the need to explain that, as a scientist, he saw the world as full of wonders and a source of pleasure. This pleasure was not in spite of, but rather because he does not assume as cause the inexplicable actions of a deity but rather the understandable laws of nature.
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