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80 Sentences With "unsimulated"

How to use unsimulated in a sentence? Find typical usage patterns (collocations)/phrases/context for "unsimulated" and check conjugation/comparative form for "unsimulated". Mastering all the usages of "unsimulated" from sentence examples published by news publications.

Nymphomaniac drew criticism from some quarters for its unsimulated sex and sadism.
You may encounter DAU's infamous unsimulated sex scenes, as daring in duration as content.
It was impressive, though, just a step more clinical than an arthouse film that shows unsimulated sex.
Her release hinges on a single demand: the Prime Minister must have unsimulated sex with a pig on live television.
The sex in the film version of "Baise-Moi" is unsimulated and, to most people's tastes, not very pretty (gun, anus).
On camelback in the wide-open grasslands, the eyes line easily with the horizon, which means their eyes take in distance, proximity, an unpixelated spectrum, and unsimulated movement.
Another wrote that the movie features a 103-minute long scene of some dude going down on a girl in a bathroom, a "protracted, graphic, and seemingly unsimulated" affair that basically amounted to, you know, just porn.
The Argentine director takes pride in the provocateur status he earned with films such as "Irreversible", in which Monica Bellucci undergoes a 9-minute rape scene, the drug-addled "Enter the Void" and "Love", which features 3-D unsimulated sex.
And they raise uncomfortable questions about consent — actors are filmed having unsimulated sex while drunk, and in one scene a woman is stripped and tortured — and Mr. Khrzhanovsky's attention to accuracy, which, according to some on set, bordered on the sadistic.
"Summary of the 3.5 hour film: 30 minutes of talking (maybe half of which are shots of female butts), 2 and a half hours of dancing (virtually all female butts), and a 20 minute scene of unsimulated cunnilingus that profoundly misunderstands female sexuality," the critic added.
Unsimulated intercourse is always a good controversy-starter on the Croisette, though after Chloë Sevigny and Vincent Gallo did the dirty in "The Brown Bunny" and Gaspar Noé put his actors through their pornographic paces for "Love 3-D," it may not pack the punch it used to.
Shot on location deep in the Amazon jungle, the film strings together scenes of torture, rape, murder (including the unsimulated slaughter of various animals) and the titular cannibalism in a gorefest so depraved — and, apparently, so convincing — that its director, Ruggero Deodato, was not just suspected but criminally ­accused of making an actual snuff film.
The film is notable for its unsimulated sex scenes. According to NPR, "roughly half of Gaspar Noe's Love consists of raw, unsimulated sex acts – presented in 3D, no less". In most cases, the sex scenes were also not choreographed.
Because pornographic film making involves unsimulated sex, usually without condoms (barebacking), pornographic actors are particularly vulnerable to sexually transmitted diseases including chlamydia, gonorrhea, syphilis, and HIV/AIDS.
Drawing the line depends on time and place; Occidental mainstream culture got increasingly "pornified" (i.e. tainted by pornographic themes and mainstream films got to include unsimulated sexual acts).
She is unable to resist her feelings which have already been locked in for seven years. The film features scenes of Volm and Schick engaging in unsimulated sex.
The actress played Paoli, a Bengali girl, and the film triggered controversy in India when an explicit unsimulated no-body-double sex scene with Dam and Anubrata Basu was leaked on the Internet.
Softcore pornography generally contains nudity or partial nudity in sexually suggestive situations, but without explicit sexual activity, sexual penetration or "extreme" fetishism, while hardcore pornography may contain graphic sexual activity and visible penetration, including unsimulated sex scenes.
Mona (1970) (also promoted as Mona; the Virgin Nymph) is a sexually explicit adult film that contains a number of unsimulated non-penetrative sex scenes. The film is regarded as the second sexually explicit film to receive a general theatrical release in the United States, after Blue Movie (1969). Unlike Blue Movie, however, Mona had a plot, though there was more emphasis on the action. Mona helped pave the way for other films containing unsimulated sex scenes that later appeared in theaters, during the Golden Age of Porn (1969–1984); and was one of the films of the time on which some later films were based.
View of the Lake. The film contained unsimulated sex, which was filmed using body doubles. Guiraudie and the actors came to the decision that they would be uncomfortable filming the scenes themselves. The film was shot at the Lake of Sainte-Croix in Provence, in September 2012.
Love (2015) contains many explicit unsimulated sex scenes. The Finnish black comedy film Dogs Don't Wear Pants (2019) presents the viewer with a dive into the dark-toned world of BDSM.Mark Kermode: Dogs Don’t Wear Pants review – darkly humorous BDSM tale. The Guardian, 22 March 2020.
Dog Days () is a 2001 Austrian feature film directed by Ulrich Seidl. It is characterized by a disturbing naturalistic style which is a trademark of Seidl's directing. The film stars a mix of professional and amateur actors and it became mildly controversial for its depiction of unsimulated sex.Dog Days. old.bfi.org.
Love is a 2015 erotic drama art film written and directed by Gaspar Noé. The film marked Noé's fourth directorial venture after a gap of five years. It had its premiere at the 2015 Cannes Film Festival and was released in 3D. The film is notable for its unsimulated sex scenes.
The key to the gap-tooth and patch scheme is the coupling of the small patches across unsimulated space. Surprisingly, the generic answer is to simply use classic Lagrange interpolation, whether in one dimension or multiple dimensions.A. J. Roberts, T. MacKenzie, and J. Bunder. A dynamical systems approach to simulating macroscale spatial dynamics in multiple dimensions.
Pedro Almodóvar of Spain is a prolific director who has included eroticism in many of his movies. Tinto Brass of Italy has dedicated his career to bringing explicit sexuality into mainstream cinema. His films are also notable for feminist-friendly eroticism. French filmmaker Catherine Breillat caused controversy with unsimulated sex in her films Romance (1999) and Anatomy of Hell (2004).
Ovidie has appeared in mainstream movies, such as Mortel Transfert (2001) by Jean-Jacques Beineix and Le Pornographe (The Pornographer, 2001) by Bertrand Bonello. In the latter film, she performs an unsimulated sex scene. She also appears in the 2005 Danish film All About Anna, produced by Lars von Trier's Zentropa, where she performed explicit and unsimulated oral sex on mainstream actress/singer Gry Bay; in a twist typical of Zentropa films, she is the only porn star in the film's cast, yet stands out as she does not appear nude in the film (only Gry Bay is undressed during their sex scene). She also starred in the 2007 Jean Rollin film La nuit des horloges, and in 2016 she appeared in Saint-Amour, directed by Benoît Delépine and Gustave Kervern, with Benoit Poelvoorde and Gérard Depardieu.
Another explicit adult film of that period was Mona the Virgin Nymph (1970) that contained a number of unsimulated non-penetrative sex scenes. Unlike Blue Movie, however, Mona had a plot. To forestall legal problems, the film was screened without credits. The producer of Mona, Bill Osco, went on to produce other adult films, such as Flesh Gordon (1974), Harlot (1971), and Alice in Wonderland (1976).
Until recently, 18 certificate films could not contain the depiction of actual sex acts, which more recently could only appear in films with an R18 certificate (when created in 1982 only simulated acts could be shown under an R18, but this was relaxed after legal challenges in 2000). Although the BBFC allowed the depiction of simulated sex scenes in 18 certificate films, actual sexual acts were still not allowed to be depicted in 18 certificate films until around 1999. This precedent appears to have been set when the BBFC granted 18 certificates for films containing short scenes of unsimulated sex, such as Catherine Breillat's Romance (1999) and Patrice Chéreau's Intimacy (2001). In October 2004, a new precedent appeared to be set when the BBFC granted an 18 certificate for Michael Winterbottom's film 9 Songs, which featured a number of lengthy explicit scenes of unsimulated sex.
Karen Lancaume (born Karine Bach 19 January 1973 – 28 January 2005) was a French pornographic film actress. She appeared in over 83 pornographic films between 1996 and 2000, all but one being on video. She starred as Nadine in the 2000 film, Baise-moi, a mainstream film in which she performed unsimulated penetration and fellatio. She was a nominee for the Best French Actress Hot d'Or in March 2000.
In 1996, to escape their crippling debts, at Franck's suggestion, the couple began working as a couple in pornographic films. In the film L'Indécente aux enfer (1997) she for the first time performed unsimulated sex scenes with other partners. The couple divorced shortly after. Following their divorce, Franck quit the pornographic film industry but Karen continued to appear in pornographic films both in Europe and the United States.
Catherine Breillat's "film Romance had received much praise—and criticism—the previous year for using a porn-film actor and a scene showing a nonsimulated sexual act, including a shot of an erection in the foreground." especially one showing Ducey's coitus with Siffredi. Romance is one of several arthouse films featuring explicit, unsimulated sex, along with The Brown Bunny (2003), 9 Songs (2004) and All About Anna (2005).
In the Realm of the Senses (, Japanese: , Ai no korīda, "Bullfight of Love") is a 1976 French-Japanese art film written and directed by Nagisa Ōshima. It is a fictionalised and sexually explicit treatment of an incident from 1930s Japan, that of Sada Abe. It generated great controversy during its release; while intended for mainstream wide release, it contains scenes of unsimulated sexual activity between the actors (Tatsuya Fuji and Eiko Matsuda, among others).
After shooting a television commercial for Adidas, Glusman flew to France with the intention to start a new beginning after ending a relationship. There, through a mutual acquaintance, he met Argentine-French film director Gaspar Noé, who cast Glusman in Love, a film depicting extensive unsimulated sex. It debuted at the 2015 Cannes Film Festival. The premier set a record for the festival, selling all 2,200 seats in the Palais des Festivals et des Congrès.
He cast Penthouse Pets as extras in unsimulated sex scenes filmed during post-production by himself and Giancarlo Lui. Gore Vidal originated the idea for a film about the controversial Roman emperor and produced a draft screenplay under the working title Gore Vidal's Caligula. The director Tinto Brass extensively altered Vidal's original screenplay, however, leading Vidal to disavow the film. The final screenplay focuses on the idea that "absolute power corrupts absolutely".
The spatial analogue of projective integration is the gap-tooth scheme. The idea of the gap-tooth scheme is to perform simulations of small patches of space, the teeth, separated by unsimulated space, the gaps. By appropriately coupling the small patches of simulations we create a large scale, coarse level, simulation of the spatially extended system. When the microscale simulator is computationally expensive the gap-tooth scheme empowers efficient large scale prediction.
In 2008, Schick played alongside Alexandra Neldel and Erhan Emre the role of the detective 'Marco Lorenz' in the television series Innocent. In 2008, he appeared in the French movie Largo Winch II, playing alongside Sharon Stone and Tomer Sisley, in the role as the villain Dragan Lazarevic. In 2011, Schick with Saralisa Volm performed in the mainly crowdfunded financed erotic film Hotel Desire. The film features scenes of Volm and Schick engaging in unsimulated sex.
In DartMUD, roleplaying (RP) is not enforced by the staff. Rather, a confluence of factors -- prominent among them permadeath, player interdependence, and the desire for wealth -- create an unsimulated political system. "An armed society is a polite society" (Robert A. Heinlein) is a good summation: characters behave themselves in public and do their scheming behind closed doors. Using out-of-character communications to influence game play is against the rules, and the creators reserve the right to delete and even ban problematic abusers.
Following the release of the film, Jodorowsky courted controversy when he claimed that the rape scene was unsimulated: > When I wanted to do the rape scene, I explained to [Mara Lorenzio] that I > was going to hit her and rape her. There was no emotional relationship > between us, because I had put a clause in all the women's contracts stating > that they would not make love with the director. We had never talked to each > other. I knew nothing about her.
9 Songs is a 2004 British art romantic drama film written and directed by Michael Winterbottom. The film stars Kieran O'Brien and Margo Stilley. The title refers to the nine songs played by eight different rock bands that complement the story of the film. It was controversial upon original release due to its sexual content, which included unsimulated footage of the two leads, Kieran O'Brien and Margo Stilley, having sexual intercourse and performing oral sex as well as a scene of ejaculation.
The members of the Dogme 95 Collective were von Trier, Vinterberg, Kristian Levring, and Søren Kragh-Jacobsen. Although the Dogme 95 movement originated in Denmark, filmmakers around the world soon experimented with the rigid guidelines and sought certification for their films as Dogme. Furthermore, Lars von Trier's own Dogme-film Idioterne (1998) started a separate wave of arthouse mainstream films with unsimulated sex. Lars von Trier also made history by having his company Zentropa be the world's first mainstream film company to produce hardcore pornographic films.
Lancaume came to feel distaste for her work, saying in an interview: "I was covered in spunk, wet, freezing to death and no one even offered me a towel. When the scene ends, you are worthless." In 1999, she exhibited at the Cannes Film Festival, and met Virginie Despentes, who was seeking actresses to perform explicit unsimulated sex in her first film Baise- moi (Fuck Me, Virginie Despentes and Coralie Trinh Thi, 2000). In addition to Lancaume, Raffaëla Anderson, another French porn actress, was also chosen.
In 1947, Claude Autant-Lara released his film Le diable au corps, based on Radiguet's novel, and starring Gérard Philipe. Coming just after World War II, the movie caused controversy in its turn. Among the other cinematic versions of Radiguet's story, the heavily adapted version by Marco Bellocchio, Il diavolo in corpo (1986), was notable as being among the first mainstream films to show unsimulated sex. In 1970, Le Bal du compte d'Orgel was adapted into a film, starring Jean-Claude Brialy as Le comte Anne d'Orgel.
The Angel and the Woman () is a 1977 Canadian fantasy romance film directed by Gilles Carle and starring Carole Laure, Lewis Furey, and Stephen Lack. The film follows a woman who, after being brutally shot, dies in the snow and is resurrected by an angel who falls in love with her and eventually teaches her how to incinerate objects with her mind. The film is shot entirely in black- and-white and gained some controversy due to its explicit unsimulated sex scenes between the two leads.Tom Newth.
Aldo Sambrell was even involved in a unsimulated sex scene with Marina Hedman, which he later recalled: "We had to shoot a love scene, Marina and I... Well, I was lying on the bed, waiting for her, and when she showed up we started making out; after a while I realized that she was doing it for real and I had to stop her..." Sambrell contacted Crisanti to state he could not work under these conditions. Sambrell was replaced by Gaita for the explicit shots.
Much of the sex in the film is unsimulated. Mitchell says: As indicated in the DVD special features, Lee and Shanti Carson each suggested they be filmed having real orgasms rather than fake them, specifically for the final scene involving Lee and the orgy sequence involving Carson. Mitchell also participated in the latter scene, performing oral sex on a woman for the first time "as a gesture of solidarity". The panoramic cityscape interspersed through the film was completely computer-generated and designed by John Bair.
The show featured four to five reports per one-hour episode. Filmed throughout the world, but primarily in the United States, the reports generally covered sexual fetishes, adult entertainment expos and gatherings, current erotic trends, sex toys, porn celebrities and tips for couples. Correspondents presented their stories in a humorous style; female correspondents often appeared in the nude. As befitting its subject matter, the series is sexually explicit, with unsimulated sexual activity shown from time to time, with increasing explicitness as the series went on.
Actresses are usually presented as always being available and willing to engage in any sex acts that their on-screen partner, as the proxy of the viewer, wishes. Depending on the genre of a film, the on-screen appearance and physical features of the main actors and their ability to create the sexual mood of the film is of critical importance. Most actors specialize in certain genres, such as lesbian sex, bondage, strap-on sex, anal sex, double penetration, semen swallowing, teenage women, interracial or MILFs. Sex acts may be simulated or unsimulated.
Because pornographic film making involves unsimulated sex, usually without condoms (barebacking), pornographic actors have been found to be particularly vulnerable to sexually transmitted diseases. The AIDS Healthcare Foundation tried several times to have California's Department of Industrial Relations, Division of Occupational Safety and Health's Appeals Board force companies in the pornography industry to treat actors and actresses as employees subject to occupational safety and health regulation. In a 2014 case brought against Treasure Island Media, an administrative judge found that the company did have to comply with regulations.
"Slow Life" is central to the 2004 Michael Winterbottom film 9 Songs, being one of the nine songs mentioned in the title. The movie charts the relationship of main characters Matt and Lisa from their initial meeting to the pair splitting up. Footage of the two attending a series of nine concerts at Brixton Academy, where they initially meet, is interspersed with scenes of the actors performing unsimulated sex. Matt and Lisa are already growing apart when Matt attends a Super Furry Animals concert at the Academy alone.
Numerous genres of film-making – such as comedy, drama, documentary, adventure/action, romance and horror/thriller – are represented in the channel's schedule. From the launch of Channel 4 until 1998, film presentations on C4 would often be broadcast under the "Film on Four" banner. In March 2005, Channel 4 screened the uncut Lars von Trier film The Idiots, which includes unsimulated sexual intercourse, making it the first UK terrestrial channel to do so. The channel had previously screened other films with similar material but censored and with warnings.
The film, co-directed by Coralie Trinh Thi who had previously worked as a pornographic actress,MARCHÉ DU FILM. Virginie Despentes adapte «Baise-moi», son best-seller de 1995. Résultat: un porno en giclée de haine à l'âpre goût de vengeance, Libération, 18 May 2000 included several unsimulated sex scenes. « Baise-moi » classé X par le Conseil d'Etat, Le Parisien, 1 July 2000What Culture#9: Baise-moi The two lead roles were also played by porn actresses, while several other porn actors, including Ian Scott as one of the rapists, appeared in supporting roles.
In the skit the character is shown to have been successful after three years of efforts. In the 2001 film Scary Movie 2, Professor Dwight Hartman (David Cross) performs autofellatio after rebuffing Theo's (Kathleen Robertson) offer to perform oral sex on him while she attempts to seduce him to steal keys. She ultimately knocks him unconscious with a telephone and steals the keys. The opening sequence of the 2006 film Shortbus shows James (Paul Dawson) fellating himself on videotape; like all of Shortbuss sexual content, the scene was unsimulated.
Throughout the 2000s, Sevigny appeared in supporting parts in numerous independent films, including American Psycho (2000), Demonlover (2002); Party Monster and Dogville (both 2003); and The Brown Bunny (2004). Her participation in the last caused considerable controversy due to its featuring of a graphic unsimulated sex scene. From 2006 to 2011, Sevigny portrayed Nicolette Grant on the HBO series Big Love, for which she won a Golden Globe Award for Best Supporting Actress in 2010. She also appeared in mainstream films such as David Fincher's Zodiac (2007), and the biopic Mr. Nice (2010).
However, both Brass and Vidal disagreed with Guccione's use of unsimulated sexual content, which Brass refused to film.What Culture#14: Caligula Because the producers did not allow Brass to edit the film, they changed its tone and style significantly and added hardcore sex scenes not filmed by Brass, thus turning Caligula into a pornographic drama that disregarded the director's intentions to present the film as a political satire. As a result, Brass also disavowed the film. Caligulas release was met with legal issues and controversies over its violent and sexual content.
Thus the shots of Reid indulging in masturbation had to go, since they were unsimulated, unlike the other sexual content shown in the film. These shots were included in the version of the film shown at the Film Society of Lincoln Center screening but did not appear in the theatrical or video on demand edit. These shots are restored in the 'Unrated Director's Cut' available on Blu-ray and DVD. A DVD has also been made availableThe Canyons (Theatrical Cut): Lindsay Lohan, James Deen, Nolan Funk, Amanda Brooks, Tenille Houston, Gus Van Sant, Paul Schrader, Braxton Pope, Bret Easton Ellis: Movies & TV. Amazon.com.
Called "video nasties" within the UK, they ignited calls for censorship and stricter laws on home video releases, which were largely unregulated. Consequently, the British Board of Film Classification banned many popular cult films due to issues of sex, violence, and incitement to crime. Released during the cannibal boom, Cannibal Holocaust (1980) was banned in dozens of countries and caused the director to be briefly jailed over fears that it was a real snuff film. Although opposed to censorship, director Ruggero Deodato would later agree with cuts made by the BBFC which removed unsimulated animal killings, which limited the film's distribution.
More controversy arose over the sexual content, which was unusually explicit for a narrative film. The Idiots contains a shower scene in which a member of the group (in character as an "idiot") has an erection and, later, a group sex scene that includes one couple (faces not seen, stand-ins from the porn industry) having unsimulated penetrative (vaginal) sexual intercourse. Both instances of explicit content are in view only for a few seconds.What Culture #11: The Idiots The film was cleared for theatrical release by the British Board of Film Classification, receiving an 18 certificate.
Italian actress Gloria Guida, one of the Commedia sexy's icons, in That Malicious Age (1975) European attitudes towards depictions of nudity tend to be relatively relaxed and there are few taboos around it. Showing of full frontal nudity in movies, even by major actors, is common and it is not considered damaging to the actors' careers. In recent years explicit unsimulated sexual intercourse occurs in movies which target the general movie-going audience, albeit those usually labeled 'arthouse' product; for example, Michael Winterbottom's 9 Songs and Lars von Trier's The Idiots. The Italian film 1900 (1976), a.k.a.
Critic has described New York City Inferno as an "unclassifiable work", comparing it to mondo cinema for its depictions of unsimulated sex, its pseudo-documentary filming style, and its unvarnished portrayal of New York City gay life prior to the 1980s HIV/AIDS epidemic. Lachaud offers specific praise for the film's "richness of tone and its almost experimental construction," calling it a "radical work of art at a time when homosexuality in France was still considered a crime." New York City Inferno has enjoyed contemporary success as a cult film. In 2014, it was chosen by director Jacques Audiard to be screened at .
The Ceremony (1971) is a satirical look at Japanese attitudes, famously expressed in a scene where a marriage ceremony has to go ahead even though the bride is not present. In 1976, Ōshima made In the Realm of the Senses, a film based on a true story of fatal sexual obsession in 1930s Japan. Ōshima, a critic of censorship and his contemporary Akira Kurosawa's humanism, was determined that the film should feature unsimulated sex and thus the undeveloped film had to be transported to France to be processed. An uncensored version of the movie is still unavailable in Japan.
In the film industry, unsimulated sex is the presentation in a film of sex scenes where the actors engage in an actual sex act and are not just miming or simulating the actions. At one time in the United States such scenes were restricted by law and self-imposed industry standards such as the Motion Picture Production Code. Films showing explicit sexual activity were confined to privately distributed underground films, such as stag films or "porn loops". Beginning in the late 1960s, most notably with Blue Movie by Andy Warhol, mainstream movies began pushing boundaries in terms of what was presented on screen.
"Ai No Corrida" is a song written by Chaz Jankel and Kenny Young, first recorded in 1980 and featured on Jankel's self-titled debut album for A&M; Records. The title of the song was taken from the French-Japanese film In the Realm of the Senses, originally titled Ai no Korīda (愛のコリーダ), which means "Bullfight of Love" in Japanese. The erotic art film, directed by Nagisa Oshima, was a fictionalized and sexually explicit treatment of an incident from 1930s Japan. It generated great controversy during its original release; it was intended for mainstream wide release, but it contained scenes of unsimulated sexual activity between the actors.
De Bell performed in an unsimulated lesbian sex scene with Juliet Graham. Cast and crew described Osco as being an intimidating figure, with Juliet Graham saying that Osco threatened not to pay her if she didn't spend an evening in his hotel room, and she did, but didn't have sex with him, telling Osco she was the girlfriend of porn actor Jamie Gillis. Osco convinced De Bell to allow him to film her performing oral sex on Osco, saying it was necessary for the film. The film's budget was entirely spent on filming, and the production company Kaleidoscope Films provided $250,000 to $300,000 for the film's post- production.
" In 2003, Gallo starred in and directed the film The Brown Bunny, which chronicles a motorcycle racer's cross-country road trip, and co- starred Chloë Sevigny. The film, which contained a scene of Sevigny performing unsimulated oral sex upon Gallo, received an overwhelmingly negative critical response to its Cannes premiere and became a media scandal, in part due to Gallo's use of a still image from a sex scene on a promotional billboard. In part, the critical response discussed whether Sevigny had been pressured into performing a sex act by Gallo. According to Andrea LeVasseur of Allmovie, The Brown Bunny "premiered to much derision at the 2003 Cannes Film Festival.
It was widely praised by critics despite lack of commercial success. His next film, Don't Look Now, is based on Daphne du Maurier's short story of the same name and starred Julie Christie and Donald Sutherland as a married couple in Venice mourning the death of their daughter who had drowned. It attracted scrutiny early on due to a sex scene between Sutherland and Christie, which was unusually explicit for the time. Roeg's decision to inter-cut the sexual intercourse with shots of the couple dressing afterwards was reportedly due to the need to assuage the fears of the censors and there were rumours at the time of its release that the sex was unsimulated.
In Britain, the British Board of Film Classification judged the uncut version to be "tasteful and integral to the plot", and a scene in which Donald Sutherland's character can be clearly seen performing oral sex on Christie's character was permitted; it was given an X rating—an adults only certificate. The sex scene remained controversial for some years after the film's release. The BBC cut it altogether when Don't Look Now premiered on UK television, causing a flood of complaints from viewers. The intimacy of the scene led to rumours that Christie and Sutherland had unsimulated sex which have persisted for years, and that outtakes from the scene were doing the rounds in screening rooms.
The fictional cinema of Kieślowski is then contrasted with a more general tendency in the European art film to 'show it all'. For instance, there is a growing list of mainstream films which contain scenes of unsimulated sex which, as a consequence, contain hardcore imagery more usually associated with pornographic films. However, Žižek also contrasts Kieślowski's position with the tendency of modern media to produce a discourse in which everything is openly and obscenely declared, such as confessions by public figures like the former U.S. President Bill Clinton. What this trend unintentionally produces, claims Žižek, is a situation in which discourse becomes impotent and words no longer have any power or effect.
Some have branded the film "pornographic". In response, Mitchell says that the dictionary defines porn as "material created and viewed for the primary purpose of sexual arousal," and argues that the sex in Shortbus is often purposefully "de-eroticized" to "remove the cloud of arousal to reveal emotions and ideas that might have been obscured by it": "Sex, like music, is a universal language. We want to use it to introduce character, evoke emotion, propel the plot." Due to her participation in several unsimulated sex scenes in the film, Sook-Yin Lee was nearly fired by the Canadian Broadcasting Corporation, for which she hosted the radio program Definitely Not the Opera at the time.
The video was directed by Jonas Åkerlund and released online on 16 September 2009. The video features the band playing the song wearing leather outfits, interspersed with six hardcore pornographic videos featuring each of the band members as a different stereotypical pornographic character: Till as the playboy, Christoph as the CEO, Paul as the cowboy, Oliver as Mr. Pain (a BDSM fetishist), Richard as the partyboy, and Flake as the shemale. Each scene features a band member engaging in foreplay with a different woman, and the scenes become more explicit as the video progresses until they engage into unsimulated sexual intercourse with graphic nudity. However, body doubles were used for some of the band members.
Siffredi is one of a few porn actors to enjoy crossover appeal and success with respect to other segments of the adult film industry, as well as some in mainstream media. In 1999, he appeared in the controversial Catherine Breillat film Romance. His performance in this role was followed by a part specifically written for him by the same director in her 2003 film Anatomie de L'enfer (Anatomy of Hell), in which he played a gay man who became sexually involved with a woman. Both films featured unsimulated sexual scenes involving Siffredi, although it is disputed whether he actually had intercourse with co-star Caroline Ducey in Romance (she said no, Siffredi said yes).
Margo Stilley asked Winterbottom to refer to her simply by her character's name in interviews about the film. The release sparked a debate over whether the scenes of unsimulated sex artistically contributed to the film's meaning or crossed the border into pornography. In the United Kingdom, the film received an 18 certificate from the British Board of Film Classification and became the most explicit mainstream film to be so rated in the country. In Australia, the Office of Film and Literature Classification gave the film an X rating, which would have prevented the film from being shown theatrically and restricted sale of the film to the Australian Capital Territory and Northern Territory.
Because pornographic film making involves unsimulated sex, usually without condoms (barebacking), pornographic performers are particularly vulnerable to unwanted pregnancies, sexually transmitted infections, and sexually transmitted diseases. In a paper written by the Los Angeles Board of Public Health, officials claimed that among 825 performers screened in 2000–2001, 7.7% of females and 5.5% of males had chlamydia, and 2% overall had gonorrhea. These rates are much higher than in patients visiting family planning clinics, where chlamydia and gonorrhea rates were 4.0% and 0.7%, respectively. Between January 2003 and March 2005, approximately 976 performers were reported with 1,153 positive STD test results. Of the 1,153 positive test results, 722 (62.6%) were chlamydia, 355 (30.8%) were gonorrhea, and 126 (10.9%) were coinfections with chlamydia and gonorrhea.
According to The Guardian, 9 Songs was the most sexually explicit mainstream film to date, largely because it includes several scenes of real sexual acts between the two lead actors. His role is highly unusual in that he had unsimulated and very graphic sex with his co-star Margo Stilley, including genital fondling, female masturbation, with and without a vibrator, penetrative vaginal sex, cunnilingus, footjob and fellatio. During a scene in which Stilley stimulates his penis with her hand after performing fellatio on him, he became the only mainstream British actor who has been shown ejaculating in a mainstream UK-produced feature. O'Brien strongly defended the film during the controversy that followed, saying that he saw no problem with having sex for a film.
In Italy, nudity and strong sexual themes go back to the silent era with films such as The Last Days of Pompeii (1926). Lars von Trier of Denmark has included explicit/unsimulated sex scenes in some of his films, such as Breaking the Waves (1996), The Idiots (1998), Manderlay (2005), Antichrist (2009), and Nymphomaniac (2013). He is also a co-founder of film company Puzzy Power, a subsidiary of his Zentropa, with the goal of producing hardcore pornographic films for women. Blue is the Warmest Colour (2013) sparked an international firestorm over its frank depiction of sexuality between two young women, yet managed to win the Palme d'Or, the highest prize awarded at the prestigious Cannes Film Festival in May 2013.
To date, the Panasonic Lumix DMC-CM1 is the smartphone with the largest sensor, surpassing the Nokia 808 Pureview (2012) with 1/1.2" sensor, and the slimmest camera with 1" sensor at the same time. It is also the only smartphone that takes any external lens (37mm or any other with a step ring) like any other dedicated camera. The combination of an f/2.8 lens and 1 inch sensor give it a hitherto unprecedented ability for (unsimulated) shallow depth of field. Forbes reserved judgement on the image quality given review samples were not available, writing "it remains to be seen whether a 1-inch sensor and Leica lens is enough to elevate the image quality of DMC-CM1 sufficiently high above the best smartphones".
According to The Guardian, 9 Songs is the most sexually explicit mainstream film to date, largely because it includes several scenes of real sex between the two lead actors. The film is unusual in that it features its lead actors, Margo Stilley and Kieran O'Brien, having unsimulated and very graphic sex, including genital fondling, masturbation with and without a vibrator (including a footjob in a bathtub scene), penetrative vaginal sex, cunnilingus and fellatio. During a scene in which Stilley gives O'Brien a handjob after performing fellatio on him, O'Brien became the only actor who has been shown ejaculating in a mainstream, UK-produced feature. To avoid a possible pregnancy, O'Brien wore a condom on his erect penis during the vaginal sex but not while receiving oral sex.
Film post Debbie does Dallas Woods was known for her first role as the eponymous character of "Debbie" in the 1978 feature adult film Debbie Does Dallas. She received top billing and a photo of her in a bogus uniform was prominently advertised on theater marquees where she was billed as a "former Dallas Cowgirl." Woods had previously tried out for the real Dallas Cowboys Cheerleaders but never made the squad; in the trailer for Debbie Does Dallas, Woods insists that none of her experiences were used for the completely fictional storyline, though she surmised that they could have happened. The partners with whom she had unsimulated sexual intercourse in the film included Robert Kerman and others drawn from the small group of veteran performers who appeared in most hard-core films made in the U.S. during that era.
In 2004 a group of video distributors appealed to the Video Appeals Committee (VAC) against the BBFC's decision to award R18 certificates to 9 films that the distributors wished to be reclassified as 18. A press release issued by the BBFC on 20 July 2005 announced that the VAC had dismissed that appeal.BBFC press release 20 July 2005 The BBFC has previously granted 18 certificates for movies containing short scenes of unsimulated sex, such as Catherine Breillat's Romance (in 1999), Virginie Despentes's Baise Moi (in 2000), Patrice Chéreau's Intimacy (in 2001), Michael Winterbottom's 9 Songs (in 2004), short-film compilation Destricted (in 2006), and in 2008 the hardcore version of Tinto Brass's Caligula was passed uncut for DVD with an 18. The Digital Economy Act 2017 includes powers to require age-verification for pornographic Internet sites and the government accepted an amendment to allow the regulator to require ISPs to block access to non-compliant sites.
In exceptional cases, a film may be refused classification when the content of the film has been deemed to undermine national interest or erode the moral fabric of society. This includes themes that promote issues that denigrate any race or religion, language that denigrates religion or is religiously profane (example: Jesus [expletive] Christ), depiction of real sexual activities/unsimulated sex (e.g. actual penetration, actual ejaculation, actual oral sex, actual masturbation), themes that glorify undesirable and unnatural sexual activities (e.g. bestiality, paedophilia, etc.), content deemed to be exploitative or obscene in nature such as actual pornographic footage containing real sex acts, fetishes or practices which are offensive or abhorrent, explicit promotion and normalisation of homosexual lifestyle, explicit homosexual scenes, materials glorifying and encouraging drug and substance abuse, detailed and instructive depiction of illegal drug use, detailed or gratuitous depictions of extreme violence or cruelty and detailed instructions on methods of crime or killings.
In this respect, although Japón focuses on the inner problems of a single individual, and the protagonist's relation both with the old woman and with the rustic surrounding where the story takes place, in its core it "reveals the potential that cinema has to be truly cosmopolitan, to the extent that it gives us structures for developing empathy towards the foreign and the unfamiliar, and for understanding more deeply the divide between self and other.". Japón contains a number of scenes of real animal cruelty and the British Board of Film Classification demanded cuts for its UK release in accordance with the Cinematograph Films (Animals) Act 1937. The excised scenes are described as an unsuccessful attempt to strangle a bird which then stumbles around injured on the ground and a dog being forced to 'sing along' to a song through the application of a painful stimulus.Japon - Alejandro Ferretis, Magdalena Flores, Yolanda Villa The film also includes an unsimulated scene of a bird being shot down and then killed by having its head torn off, and the (off camera) slaughter of a pig.

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