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15 Sentences With "unscary"

How to use unscary in a sentence? Find typical usage patterns (collocations)/phrases/context for "unscary" and check conjugation/comparative form for "unscary". Mastering all the usages of "unscary" from sentence examples published by news publications.

I am here to report that Vogel's Yeti is not only unscary, he's actually a MacGuffin.
And the title evokes spacesuit-clad heroes racing around cheap sets, firing laser guns at unscary animatronic lizards.
In real life, the politenesses of casual racism — what Wilkinson describes as "racist behavior that tries to be aggressively unscary" — are consciously deployed efforts to reinforce prejudice.
Instead, it's interested in showing how racist behavior that tries to be aggressively unscary is just as horrifying, and in making us feel that horror, in a visceral, bodily way.
Instead, it's interested in showing how the parts of racism that try to be aggressively unscary are just as horrifying, and in making us feel that horror in a visceral, bodily way.
Instead, it's interested showing how the parts of racism that try to be aggressively unscary are just as horrifying, and it's interested in making us feel that horror in a visceral, bodily way.
Instead, it's interested in showing how the parts of racism that try to be aggressively unscary are just as horrifying, and it's interested in making us feel that horror in a visceral, bodily way.
Apart from one mostly unscary moment involving McAvoy's Bill trapped in a circus maze of mirrors, the new trailer doesn't do much more than display the cast's fear alongside glimpses of the ever-demented Pennywise.
Even the best episodes of "The Haunting of Hill House" have big problems, among them performances that are all over the map—and, occasionally, as with the unscary ghost of a flapper, straight out of summer stock.
Annie Riordan of Brutal as Hell called it "stunningly unscary and totally nonsensical".
The film received mixed reviews. On Rotten Tomatoes it has a 48% rating from 23 reviews counted with the consensus calling it "An amateurish, unfunny and unscary British horror comedy that could be accused of misogyny". Mark Adams from The Sunday Mirror described this film as "A nicely gory comedy-horror flick that is a diverting bit of lads' entertainment." Other reviewers disagreed.
On a class field trip to Monsters, Inc., Mike was inspired to become a scarer professionally, but other students made fun of him because he was perceived as undeniably "unscary". Even so, Mike was accepted into Monsters University's scare program, where he was introduced to James P. Sullivan in a SCARE 101 class. Mike initially disliked Sulley for his arrogance and bad work ethic.
248 The episode—reportedly Carter's least favorite—was very poorly received. Frank Lovece, in his books The X-Files Declassified, called it "perhaps the series' dullest, least suspenseful episode", citing the spectral antagonist's "highly unclear motivations".Lovece, p.68 Keith Phipps, writing for The A.V. Club, reviewed the episode negatively, rating it a D+. He felt that the episode's special effects were "pretty decidedly unscary", and that the episode's premise was confusing and "a little tasteless" in its treatment of the Challenger disaster.
Anna Johns, writing for TV Squad, called the season "phenomenal" and added that it contains "many terrific episodes". Several episodes were widely praised, including "Squeeze", which has been called "profoundly creepy"; the "taut and briskly paced" Arctic-set "Ice"; and the "remarkably chilling" Scully-centered episode "Beyond the Sea". However, not all episodes of the season were as well received. Despite the costly production of "Space", the episode was derided as "decidedly unscary" and "a little tasteless" in its treatment of the Challenger disaster.
Haunted received mixed to favorable reviews from critics upon its release. Haunted received a negative review from The New York Times columnist Tom Shone who noted that despite being referred to as a horror novel it is "...stubbornly unscary. It burps up its shock moments with so little ceremony that the Gothic virtue of stealthily sidewinding suspense -- the art of allowing a story to steal up on you before you even knew it was there -- is left whistling in the wind." Shone additionally noted the repetitive nature of many of the stories within the novel noting that every single story regardless of which character was narrating all utilized Palahniuk's distinctive style.

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