Strle, usually rendered in the uncapitalized and unpunctuated casualness of
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The unpunctuated five lines of the first stanza unspool suggestively creepily.
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At times, listening to Ms. Schreck can feel like reading page after page of unpunctuated, unparagraphed prose.
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" From the chair that she used to get around, Anastasia spoke in full sentences unpunctuated by "uhs" or "likes.
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We'll include unpunctuated text from the transcript, and you decide where you would put the period (or multiple exclamation points).
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On the page, the thoughts of Molly Bloom are not so much a stream of consciousness as a torrent, relentless and unpunctuated.
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On the page, the thoughts of Molly Bloom are not so much a stream of consciousness as a torrent, relentless and unpunctuated.
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Bell's language in Austerity is concise, stripped down, her poems largely unpunctuated, allowing the lines to blend into each other in multiple ways.
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Daylight saving time will be over, and what will follow are months of dark afternoons unpunctuated by young feet racing for a ball.
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The last 70 years of unrest, unpunctuated by an actual eruption, means that people could be desensitized to the real hazards of volcanic activity.
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McCarthy, famous for his short sentences and unpunctuated conversations, relies almost entire on periods, commas, and a handful of question marks in his book.
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Iambic upswing offered a consoling pulse Rich couldn't repress, but she spiked her iambs with the bitters of broken lines, of staggered, unpunctuated utterance.
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The American poet W. S. Merwin, who turns ninety this year, has for decades written his scanty, unpunctuated poems from a palm forest on the remote north shore of Maui.
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And then, surrounded by college students who called him a traitor for refusing to be drafted, he could unleash scorching, unpunctuated sermons about racial hypocrisy and the myths of patriotism.
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" On the third page, in giant font, the collective proclaimed with unpunctuated urgency, "YOU WILL NOT WIN EVEN IF YOU KILL US WE WILL HAUNT YOU OUR GHOSTS WILL KILL YOUR DOG.
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In her 2012 novel, "NW," Zadie Smith tells the story of four characters from a housing project in northwest London through shards of dialogue or unpunctuated meanderings in 185 non-sequentially numbered sections.
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Yang Wen, the head of What Are You Looking At Shenzhen Technology Company, said he did not think his business would run into trouble, despite having a sentence — albeit an unpunctuated one — in its name.
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Dear New York Today readers, In your weekly tangle of quickly worded emails, unpunctuated Slack messages and emoji text conversations, when was the last time you sat down and collected your thoughts on a sheet of paper?
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I went to throw it in the recycling bin by my door, felt a wisp of sadness because it's a good-looking can, and so posted a note to Twitter in the conversational, unpunctuated style of the medium.
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In "After Carrie Kinsey's Letter to Theodore Roosevelt," McCrae transforms into verse an important archival document—a letter to the President from an African-American woman whose brother had been taken into slavery by "a white man named MacRee" around 1903: he has No mother and no father Mr. President they are both dead / I am his only friend My brother have not done Nothing for them to have him in Chains and I saw no money The letter is available online, a solid block of mostly unpunctuated prose.
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Placed high on the walls is a second piece: a set of 38 wooden panels, dating from 2009 and inscribed with an unpunctuated text that reads: "We have killed people we have killed men we have killed women we have killed old people we have killed children we have eaten people we have eaten hearts we have eaten human brains we have beaten people we have beaten people blind we have beaten open people's faces" The series is by Gu Dexin, a self-taught artist widely considered to be a founder of China's early avant-garde, and who, after completing this piece, left what he saw as a self-serving, ethically corrupting art world behind.
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His unique first name is simply "Y C" and is unpunctuated; his last name is pronounced in three syllables (Mac-Nee-See).
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Litten's visual narratives at this time are questioning and considered to defy rather than define, with a likeness to the unpunctuated texts of Jack Kerouac.
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A pedagogic urge can also be seen in a text about the stars that runs in grammarless, unpunctuated urgency across the bottom of one drawing.
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In Dublin, Molly is an opera singer of some renown. The final chapter of Ulysses, often called "Molly Bloom's Soliloquy", is a long and unpunctuated stream of consciousness passage comprising her thoughts as she lies in bed next to Bloom.
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The book won a 2005 Bad Sex in Fiction Award from the Literary Review. In the words of The Guardian, “Coren beat off heavyweight competition for the prize with an unpunctuated 138-word description of coitus, followed by the two-word sentence, ‘like Zorro’.” ShortList magazine named it ‘one of the absolute worst ‘Bad Sex Awards’ entries ever.
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Knobler first wrote for Crawdaddy! under its original editor Paul Williams in 1968.History of Crawdaddy; Crawdaddy web site, 2008 (Crawdaddy! briefly suspended publication in 1969, then returned in 1970, with its title unpunctuated, as a monthly with national mass market distribution, first as a quarterfold newsprint tabloid, then as a standard-sized magazine.) He became editor-in-chief in 1972.
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However, closer reading of the originally unpunctuated medieval document allowed for a broader interpretation, leading to the accusation by his supporters that Casement was "hanged by a comma". The court decided that a comma should be read in the text, crucially widening the sense so that "in the realm or elsewhere" meant where acts were done and not just where the "King's enemies" might be.
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In unpunctuated texts, the grammatical structure of sentences in classical writing is inferred from context. Most punctuation marks in modern Chinese, Japanese, and Korean have similar functions to their English counterparts; however, they often look different and have different customary rules. In the Indian subcontinent, is sometimes used in place of colon or after a subheading. Its origin is unclear, but could be a remnant of the British Raj.
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William Stanley Merwin (September 30, 1927 – March 15, 2019) was an American poet who wrote more than fifty books of poetry and prose, and produced many works in translation. During the 1960s anti-war movement, Merwin's unique craft was thematically characterized by indirect, unpunctuated narration. In the 1980s and 1990s, his writing influence derived from an interest in Buddhist philosophy and deep ecology. Residing in a rural part of Maui, Hawaii, he wrote prolifically and was dedicated to the restoration of the island's rainforests.
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Beggars' BushThe play's title is proverbial and aphoristic; to "go by beggar's bush" was to decline in fortune. Several locations in the British Isles have been associated with the phrase, including Beggar's Bush Yard in Gravel Lane in London, a place and pub at New Oscott, and a neighborhood and military barracks in Dublin. A Beggar's Bush Fair was held biannually on Enfield Chase for many years; and there have been various other associations.The original 17th-century editions left the title unpunctuated: The Beggars Bush.
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The works of Lu Xun and other writers of fiction and nonfiction did much to advance this view. Vernacular Chinese soon came to be viewed as mainstream by most people. Along with the growing popularity of vernacular writing in books in this period was the acceptance of punctuation, modeled after that used in Western languages (traditional Chinese literature was almost entirely unpunctuated), and the use of Arabic numerals. Following the 1911 Revolution, successive governments continuously carried out a progressive and national education system to include primary and secondary education.
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Miss is an honorific for addressing a woman who is not married, and is known by her maiden name. It is a shortened form of mistress, and departed from misses/missus which became used to signify marital attachment in the 18th and 19th centuries. It does not imply age, though youth corresponds (as marriage implies adulthood). Those seeking to diminish the importance of marriage status to a woman's social identity began to appropriate the office expedience of Ms. (unpunctuated in the UK) in the early 1970s, when it rose 700%.
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He wrote a single unpunctuated sentence approximately 3000 words long titled "What I Am Trying to Do." And It Came to Pass – Not to Stay Macmillan Publishing, New York, 1976. Fuller used the word Universe without the definite or indefinite articles (the or a) and always capitalized the word. Fuller wrote that "by Universe I mean: the aggregate of all humanity's consciously apprehended and communicated (to self or others) Experiences"."How Little I Know" from And It Came to Pass – Not to Stay Macmillan, 1976 The words "down" and "up", according to Fuller, are awkward in that they refer to a planar concept of direction inconsistent with human experience.
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Baltasar and Blimunda (, 1982) is a novel by the Nobel Prize-winning Portuguese author José Saramago. It is an 18th-century love story intertwined with the construction of the Convent of Mafra, now one of Portugal's chief tourist attractions, as a background. Two young lovers interact naturally with historical characters including the composer and harpsichordist Domenico Scarlatti and the priest Bartolomeu de Gusmão, recognized today as an aviation pioneer, all in the shadow of the Inquisition. The lovers are always at center stage wrapped in Saramago's language, which ranges from short simple sentences to surrealistic, unpunctuated paragraphs that help to intensify both the action and the setting.
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The novel follows the surreal misadventures of an unnamed protagonist who makes a living as a commercial writer. He is compelled to return to the Dolphin Hotel, a seedy establishment where he once stayed with a woman he loved, despite the fact he never even knew her real name. She has since disappeared without a trace and the Dolphin Hotel has been purchased by a large corporation and converted into a slick, fashionable, Western-style hotel. The protagonist experiences dreams in which this woman and the Sheep Man—a strange individual dressed in an old sheep skin who speaks in unpunctuated tattoo—appear to him and lead him to uncover two mysteries.
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In the past, in Barthes's > view it was the author's duty to describe such a world which held language > unjustifiably captive. One of the reasons he writes with such enthusiasm > about Sollers is the way in which texts such as Paradis and Lois show what > happens when this duty is removed. Philip Barnard and Cheryl Lester also viewed H as a turning point in Sollers's work, while also acknowledging its clear antecedents in the work of authors like Joyce and Faulkner: > Without yet returning to plot and character, the novels H (1973) and Paradis > (1981) transform the discrete segments and pronounced architecture of the > earlier works into a continuous, unpunctuated flow of rhythmic prose. With > these two novels, Sollers achieved a tour de force of modernist poetics > whose clear precedents are Joyce and Faulkner.
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This style was reflected in short, unpunctuated lines that lead the reader into following multiple syntactic possibilities, and where it is "increasingly impossible to keep track of the profusion of meanings on offer." Raworth's "poetic line" can knit together anything from observations of the everyday to self-reflexive commentary on the acts of thinking and writing, to lifts from pulp fiction and film noir, to political satire: What followed was a series of long poems in this particular mode —after Ace came Writing (composed 1975–77; published 1982), Catacoustics (composed 1978–81; published 1991) and West Wind (composed 1982–83; published 1984). Subsequent projects have extended this mode into a kaleidoscopic sequence of 14-line poems (not exactly "sonnets") that extended through "Sentenced to Death" (in Visible Shivers, 1987), Eternal Sections (1993) and Survival (1994). Later collections include Clean & Well Lit (1996), Meadow (1999), Caller and Other Pieces (2007), and Let Baby Fall (2008).
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Crawdaddy briefly suspended publication in 1969, then returned, with its title unpunctuated, in 1970, as a monthly with national mass market distribution, first as a quarterfold newsprint tabloid, then as a standard-sized magazine. Crawdaddy continued through the decade, led by editor-in-chief Peter Knobler (who first wrote for the original Crawdaddy under Williams in October 1968), with senior editor Greg Mitchell, featuring contributions from Joseph Heller, John Lennon, Tim O'Brien, Michael Herr, Gilda Radner, Dan Aykroyd, P.J. O'Rourke and Cameron Crowe, plus a roster of columnists including at times William S. Burroughs, Paul Krassner, David G. Hartwell, the Firesign Theater, and sometimes Paul Williams himself. While on the run from the law, Abbie Hoffman was Crawdaddy 's travel editor. As the decade progressed, the Crawdaddy staff included Timothy White (later, an editor of Billboard), Mitch Glazer, Denis Boyles, Noe Goldwasser, John Swenson, Bruce Malamut and Jon Pareles, plus notable freelance photographers including David Gahr, Francesco Scavullo, and Ed Gallucci.
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The theme may be the struggle of form to emerge from formlessness using Leopardi's sense of the world as mud (E fango è il mondo) and therefore, a kind of purgatory, as well as Dante's image of souls gulping mud in the Stygian marsh of the Inferno (Canto VII, 109–126, in Palma's translation): :Set in the slime, they say: 'We were sullen, with :no pleasure in the sweet, sun-gladdened air, :carrying in our souls the fumes of sloth. :Now we are sullen in this black ooze' – where :they hymn this in their throats with a gurgling sound :because they cannot form the words down there.Dante Alighieri, Inferno, translated by Michael Palma, W. W. Norton & Company, 2002, p. 77 Dante's Belacqua and his foetal position also are referenced in How It Is and the following quotation is an example of the work's unpunctuated, dense, and poetic style: :the knees drawn up the back bent in a hoop the tiny head near the knees curled round the sack Belacqua fallen over on his side :tired of waiting forgotten of the hearts where grace abides asleepSamuel Beckett, How It Is, John Calder Publishers, 1964.
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