How to use unpractised in a sentence? Find typical usage patterns (collocations)/phrases/context for "unpractised" and check conjugation/comparative form for "unpractised". Mastering all the usages of "unpractised" from sentence examples published by news publications.
Andrade's attempts to kick with Jedrzejczyk looked awkward and unpractised.
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Reynolds had been skeptical of the quality of Richard of Cirencester's information, but did not express any doubts about Bertram or the validity of the manuscript. Another tack of latter reviewers was to downplay the magnitude of the earlier acceptance and reliance on the Description. In 1866 and 1867, B.B. Woodward, the librarian of Windsor Castle, wrote a series of articles for the Gentleman's Magazine that challenged the validity of the text. However, his characterisation of The Description of Britain as "plainly a clumsy forgery by an unpractised hand" is unfair.
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G. Davidson, Opera Biographies (Werner Laurie, London 1955), 267. George Bernard Shaw, who first saw him on stage as Di Luna in Il trovatore, considered that Santley's dramatic powers were 'blunt, unpractised, and prone to fall back on a good- humoured nonchalance in his relations with the audience, which was highly popular, but which destroyed all dramatic illusion. He was always Santley, the good fellow with no nonsense about him, and a splendid singer.... The nonchalance was really diffidence....'G. B. Shaw, Music in London, 1890-94 (Constable, London 1932), II, 195.
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Biswas' music was notable for its exceptional depth of emotional expression combined with an exploration of the subtle dramatic element in Tagore's lyrics. His early gramophone recordings of Tagore songs brought out in the early 1940s demonstrate soulful full-throated expression of melody with a strict adherence to the rules and norms of tradition, written and unwritten, which he felt obliged to break in the early 1960s – considered by most to be his heyday up to the year 1969. His renderings in this period show amazing power of voice and modulation, compounded with an overt emotional expression of a kind hitherto unpractised by his contemporaries and even himself. His voice at this period ranged at ease within the three octaves and with varied tempos and rhythms and showed a greater variety of emotional expression from the thunderous and rumbling to the soft and mellow.
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