"Yesterday felt impersonal, unempathetic and decidedly un-Etsy," the first employee said, according to a recording of the meeting.
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In the memoir, Khakpour struggles to validate her own experiences and pain in the face on an unempathetic medical community.
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Both unempathetic points of view unwittingly contribute to a culture of macho toxicity that discourages men from addressing mental illnesses.
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But her public reaction has been criticized as halting and unempathetic, especially her initial failure to meet with victims' families.
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The researchers found that disagreeable men who are argumentative, stubborn and unempathetic were more likely to drive high-status cars.
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But is the gym turning men into entitled, unempathetic jerks—or are they in the gym because they were born that way?
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In his first government Mr Piñera often seemed to Chileans more the businessman—arrogant, impatient, unempathetic—who understood investors than the politician who cared about ordinary people.
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Both objective reporting and panicked reactions from the West — from Chinese-Americans, Asian-Americans, and non-Asians alike — reinforced the stereotypes that Chinese culture was cold and unempathetic.
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What endures, sadly, is Roth's lack of imagination, the unempathetic and incurious caricaturing of others that he turned into a virtue — and which now defines much of American public life.
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In The Town of Light, the asylum itself is the horror—but not in an unempathetic Outlast, Sanitarium or BioShock Infinite sort of way, where we're forced to assume mental illness is scary.
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That's a horrifying, unempathetic idea that few people would agree with if it were stated like that, but it can go unchallenged when implied, as it is here, by the structure of a work.
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"The answers were unambiguous: self-centred men who are argumentative, stubborn, disagreeable and unempathetic are much more likely to own a high-status car such as an Audi, BMW or Mercedes," the press release states.
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The step was an extraordinary concession by a president who has been criticized as remote and unempathetic, and who has refused to bend to previous protests and plummeting poll numbers as he pushes through changes that he insists are necessary to make France's economy more competitive.
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If the presidential candidates keep at it like they are now, that is, unempathetic, thirsty for power with complete disregard for real people and real consequences; this system will fail not only Americans, but immigrants and refugees that look up to America as a beacon of hope and prosperity.
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In most cases, this person is born into wealth and privilege. Typical characteristics are disregard for social values, cynicism, and existential boredom; typical behaviors are gambling, drinking, smoking, sexual intrigues, and duels. He is often unempathetic and carelessly distresses others with his actions.
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Proposing a multidimensional Machiavellianism conceptualization. Social Behavior and Personality: An International Journal, 39(3), 391-404. Their Mach IV test, a 20-question, Likert-scale personality survey, became the standard self-assessment tool and scale of the Machiavellianism construct. Those who score high on the scale (High Machs) are more likely to have a high level of deceitfulness and a unempathetic temperament.
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Enraged, Vaseegaran chops Chitti into pieces, which are dumped by Siva and Ravi into a landfill site. Bohra visits the site to retrieve Chitti, which has now reassembled itself, albeit in a damaged state. Bohra embeds a red chip inside Chitti while reconstructing it, converting it into version 2.0, which is more aggressive and unempathetic. It then gatecrashes Vaseegaran and Sana's wedding, kidnaps Sana, creates replicas of itself using Bohra's robots, and then kills Bohra after he attempts to kill Sana.
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There are various voice actors who have recorded the voices for all the characters in the Total Drama series. Both Christian Potenza and Clé Bennett voice the two main characters in the series, who appear in almost every episode. Christian Potenza plays the role of egotistical and unempathetic host Chris McLean, saying that the best part of the job was that his character could not be voted off the show. Clé Bennett voices Chef Hatchet, who serves as McLean's assistant.
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In order to discover replicants, a psychological test is used with a number of questions intended to provoke emotion; making it the essential indicator of someone's "humanity". The replicants are juxtaposed with human characters who are unempathetic, and while the replicants show passion and concern for one another, the mass of humanity on the streets is cold and impersonal. The film goes so far as to put in doubt the nature of Rick Deckard and forces the audience to reevaluate what it means to be human.
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The series is a black comedy with surreal elements about an idealistic young doctor, Stephen Daker (Peter Davison), joining a university medical centre staffed by an ill-assorted group of doctors. These include the bisexual, ultra-feminist Rose Marie (Barbara Flynn) scheming to advance her career; brash, unempathetic Bob Buzzard (David Troughton) with his latest get-rich-quick scheme; and their leader the genial but decrepit Scot Jock McCannon (Graham Crowden) with his ever-present bottle of whisky. Additionally, the doctor who is being replaced by Stephen Daker had left in dubious circumstances. A leitmotif is the commercialisation of higher education in Britain following the government cuts of the early 1980s, with the Vice-Chancellor Ernest Hemmingway (John Bird) trying to woo Japanese investors in the face of resistance from the academic old guard.
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Out of the Storm (1920) received generally negative feedback from the audience. As the fourth movie out of eleven adapted from a novel, original text’s author Gertrude Atherton is certainly no stranger to adaptations onto the big screen. The plot was praised for its ability to “hold one’s interest by reason of its melodramatic moments, which are punctuated by other scenes that lack reality”, but the largest disappointment was certainly the performance that lead actress Castleton failed to deliver. Critics from the Exhibitors Herald described Castleton’s acting as “unnatural and stilting”, and was the “most unnatural and unempathetic of the entire cast.” They further stated that she “plays it with too much restraint”. This left audiences unsatisfied, considering castleton having “a very good account of herself” in other films. One redeeming factor from critics were that the shipwreck scene was “one of the best shipwreck scenes” to be produced at that time.
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