INSIDER accounts of the financial crisis are two a penny.
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Add in anti-ageing drugs, and centenarians will become two a penny.
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Although allegations of playing God are two a penny in debates about breakthrough technologies, with gene drives they do feel better-founded than usual.
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The American moral collapse personified by Trump is not "beautiful" or "phenomenal" or "incredible" or any of the president's other clunky two-a-penny superlatives.
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Such calls are two-a-penny at the annual talking shop for the global elite, but this was a strikingly international and inclusive vision for a Chinese leader.
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Animated GIF keyboards for iOS are two a penny, but the Walkie app is set apart by its pedigree: Its cute, dancing emoji characters are animated by former Pixar staff members.
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Racist profiles are two a penny on Grindr; mainstream gay media is still not representative of its black and minority ethnic (BME) readership; and health inequalities between BME men who sleep with men and their white counterparts are well known.
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Cliff Richard covered the song as the B-side to his 1968 single I'll Love You Forever Today, which featured in the movie Two a Penny.
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As time progressed, Richard balanced his faith and work, enabling him to remain one of the most popular singers in Britain as well as one of its best-known Christians. Richard acted in the 1967 film Two a Penny, released by Billy Graham's World Wide Pictures,Two a Penny (1967) IMDB.com in which he played Jamie Hopkins, a young man who gets involved in drug dealing while questioning his life after his girlfriend changes her attitude. He released the live album Cliff in Japan in 1967. In 1968, he sang the UK's entry in the Eurovision Song Contest, "Congratulations", written and composed by Bill Martin and Phil Coulter; it lost, however, by one point to Spain's "La La La".
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With one or two a penny hot cross buns", which appeared in Poor Robin's Almanac for 1733.Charles Hindley (2011). "A History of the Cries of London: Ancient and Modern". p. 218. Cambridge University Press, Food historian Ivan Day states, "The buns were made in London during the 18th century.
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His film career began in 1951 with A Touch of Larceny. He had subsequent roles in No Love for Johnnie (1961), Two a Penny (1967), Where Eagles Dare (1968), Patton (1970), Escape from the Dark (1976), International Velvet (1978) and Champions (1983). His last appearance was in the film Wilde in 1997. He then retired from acting.
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According to an October 14, 1966 issue of Christianity Today more than 120,000 professions of faith were recorded after more than two million people viewed the film. Other major feature films included Two a Penny (1965), which starred Cliff Richard. Both The Hiding Place (1975) (with Julie Harris) and Time to Run (1973) received Golden Globe nominations for Most Promising Newcomer. WWP stopped national releases of its films in the late 1980s.
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She then decided that fairies were "two a penny" so she erased the fairy and kept the little winged rabbit. She named him Pookie because "he had a little pookie face" and wrote his story. It began “This is the story of Pookie, a little white furry rabbit, with soft, floppity ears, big blue eyes and the most lovable rabbit smile in the world.” Ivy illustrated her stories with delicate, detailed watercolour paintings that perfectly captured her evocative tales.
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Two a Penny is a 1967 British film, released nationally in 1968, featuring singer Cliff Richard. The film was directed by James F. Collier and produced by Frank R. Jacobson for Billy Graham's film distribution and production company World Wide Pictures. The original story and screenplay was written by Stella Linden. The cast included Ann Holloway, Dora Bryan, Avril Angers, Geoffrey Bayldon, Peter Barkworth, Mona Washbourne, Earl Cameron, Charles Lloyd-Pack, and Billy Graham himself, filmed at his "London Crusade" in 1967.
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That said, when they do ease up, as on the boudoir-funk 'Constant Conversations', it resembles the two-a-penny synthpop that clogs the blogosphere." Rolling Stones Jon Dolan expressed that the album is "roomier and more varied" than its predecessor Manners. Chicago Tribune writer Greg Kot viewed Gossamer as "a soul record disguised as buoyant, uptempo dance-pop." Benjamin Aspray of PopMatters felt that the album is "as scrappy, outsize, and infectious as anyone could hope for, and as shrill and cloying as anyone could expect.
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It also noted that while he was in charge of a town-centre house at Oundle, which suffered from drunks in the street, Robb had been in the habit of "brandishing a cricket bat at rowdies... sometimes dressed only in his boxer shorts. He is 6ft 5in with a rugby player’s build. One assumes this did the trick."Andrew Billen, Douglas Robb, head of Gresham’s: ‘If your child is a lazy toerag then I’m going to tell them’ in The Times, 24 February 2018, accessed 27 March 2017 One former pupil responded: "Negative stereotypes of millennials are two a penny and you don’t have to look far to find them", while another claimed "As Gresham’s does cost £34,000-a-year, the headmaster of the boarding school may simply be in a privileged bubble".
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