Smith runs across lawn, turns the corner and heads toward a fence.
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The suspect kicks his car in reverse, turns the corner and rumbles down Devon Avenue.
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He starts to skip as he turns the corner to fire dishes—lots of dishes.
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Learning and loving America Jesús hears the school bus rumbling even before it turns the corner onto his street.
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Whether anyone listens may decide if Syria turns the corner towards peace or descends into an even more dangerous cycle of destruction.
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Watch below as he turns the corner on Andre Drummond, then takes off a beat earlier than Detroit's center expects him to.
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Until IBM turns the corner, with the new businesses growing faster than older lines decline, the outcome of the company's renewal campaign remains in doubt.
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Joseph loves attacking the basket when he turns the corner around a screen, which is perfect because Patterson prefers to pop out for open jumpers.
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Just when you thought technology couldn't get any crazier, Dubai turns the corner in the jetpack game ... and their latest gizmo's got us thinking superheroes here.
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The two threads drew together what is perhaps a paradoxical reality facing Mr. de Blasio as he turns the corner into next year's re-election campaign.
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As Batman v Superman: Dawn of Justice turns the corner into its second weekend, it faces the question of how much more money it can make.
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"If Tesla successfully turns the corner to profitability, the combination of the two companies is nothing more than a fairy tale," the managing partner of Loup Ventures said.
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A woman shaking hands with Hernandez says she wants to introduce a "friend" of hers, then Kelly turns the corner and the Olympic champion can barely believe her eyes.
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A convergence of not just GDP growth, but unemployment, business and consumer sentiment, and inflation should occur especially if the U.S. cycle turns the corner and begins to reverse.
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I marvel that until the very moment that the harvester turns the corner, the corn plants still strive to survive as they ever had, indifferent to the machinations of men.
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This forces Rivers to fall a half step behind before bumping into Durant, and a full two steps behind as Curry catches the ball and turns the corner toward the basket.
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At the other end, Draxler turns the corner on the left and skims a cross through the goal mouth but no one is there to redirect it and it sails through to safety.
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They are restoring hope and showing us that not only is more medical innovation necessary, but collaborative programs, to ensure that innovation turns the corner to produce real results and change lives, are critical.
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And as the show turns the corner into its endgame, fans hoping for a righteous ending have been eagerly awaiting the unification of two of the show's most important characters: Jon Snow and Daenerys Targaryen.
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Late in the game against the Seahawks, though, he might have outdone even himself: Seahawks defensive end Cliff Avril turns the corner, hacks Fitzpatrick's arm and forces a fumble (as he'd done 25 times in his career coming into today).
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After she turns the corner, a gaggle of tiny, hairy, dodo-beaked aliens—one of 8,000 species that Besson and his crew designed for their production bible, and one of at least 200 you'll see in Valerian—comes out to confront her.
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And while Noah is deft at exposing and ridiculing the incongruities and absurdities of a racist state, he never quite turns the corner into a full-fledged critique of the idea of race itself—something his own biography would seem to beg for.
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But a coy Manning refused to reveal his hand leaving open the possibility that the 39-year-old could remain part of the NFL next season even as the Super Bowl turns the corner and steams toward its centennial and a new era that includes a team back in Los Angeles.
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"Stony Brook Rugby turns the corner", The Statesman, February 26, 2014. Stony Brook rugby has been led by head coach Jerry Mirro since 2013.
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All upper level bays open out onto individual balustered balconies, except for bays 2 and 3 and bays 5 and 6 of the west facade, which share wider, two-bay balconies. The chamfered bay contains a semi-elliptical balcony which smoothly turns the corner of the two facades.
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After boarding, the 8-passenger car launches quickly out of the station. A miner's evil laugh echoes down the first small drop as the car rushes toward the first curve. A wall full of cawing crows and a caged canary watch the car as it passes. As it turns the corner, passengers come face to face with a giant spinning rock crusher.
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There is a very gentle slope from Mabel Street toward the east. A concrete retaining wall about half a metre high follows the Mabel Street alignment, with short stair in the centre. It turns the corner along part of the Vernon Street alignment. There is a skillion-roofed garage in the south-eastern part of the yard facing Vernon Street.
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But an unexpected twist awaits her in the bathroom. As she turns the corner, her mother lies on the floor, a victim of a heroine overdose. Emma crumbles and falls to the floor, sobbing and trying to convince herself that her mother is just unconscious. After a moment of screaming for her mother to wake up, she leaves the motel room.
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However, the resemblances are there: while the façades are not so long as those of Versailles, they have similar, seemingly unstoppable repetitive rhythms beneath a long flat skyline. The monotony is even repeated as the façade turns the corner from the east to the south fronts. However, Hampton Court, unlike Versailles, is given an extra dimension by the contrast between the pink brick and the pale Portland stone quoins, frames and banding.Dynes, p. 95.
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Structure in 2015 The former Queensland National Bank, South Brisbane Branch is a two storey rendered brick building with a corrugated iron roof partly concealed by a decorative, moulded parapet with a dentilled cornice. The building turns the corner between Melbourne and Grey Streets in three stages. Every change in angle occurs between a pair of pilasters. The eastern facade, along Grey Street, is divided into five bays by paired giant order pilasters.
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A plot of the frequency response of a Butterworth Lowpass filter, with a cutoff frequency of 2kHz.The transition band, also called the skirt, is a range of frequencies that allows a transition between a passband and a stopband of a signal processing filter. The transition band is defined by a passband and a stopband cutoff frequency or corner frequency. This is the area between where a filter "turns the corner" and where it "hits the bottom".
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Griffith described the Family Circus as "the last remaining folk art strip." Griffith said, "It's supposed to be the epitome of squareness, but it turns the corner into a hip zone."Pat Seremet, "Zippy and The Family Circus-- Together again!!", The Hartford Courant, July 11, 2002 For the 1997 April Fool's Day Comic strip switcheroo, Dilbert creator Scott Adams swapped cartoons with Keane; and Stephan Pastis drew a series in which Family Circus "invaded" Pearls Before Swine in 2007.
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So, the source must be Roughten Gill which starts on Blencathra, under Halls Fell top and turns the corner at a delightful and well-hidden sheepfold. It is longer than the stream in Sinen Gill which in turn is longer than the Burnt Horse contributor. On its southerly course, Glenderaterra Beck is joined by Sinen Gill and Roughten Gill, draining Blease Fell on Blencathra, and, lower down, Whit Beck, emanating from Jenkin Hill on Skiddaw. This river is used by Geography students for A Level and GCSE field studies.
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In Stellar conquest, at the beginning of a game, each player starts in an opposite corner of the board, each with a number of markers that represent ships of various types. For the first four turns the corner square counts as a populated planet. In addition, all ships may move only two spaces, but it is possible to purchase movement upgrades that improve the rate of travel speed. Units must follow the quickest path to a named destination, and their destination can be changed only when the route causes the unit to stop on a star hex.
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Bandarpunch is a mountain massif of the Garhwal division of the Himalayas, in the Indian state of Uttarakhand. Widely known as Bandarpoonch, literally "tail of the monkey", its name is inspired by the mythological tale in which Hanuman, the monkey god, extinguishes his tale, after it catches fire during the battle between King Rama and Ravana in Lanka, by going to the summit of the mountain. Bandarpunch is located at the western edge of the high Himalayan range where it turns the corner to the northwest. It is part of the Sankari Range and lies within the Govind Pashu Vihar National Park and Sanctuary.
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Leaving the station empty, he walks down the street in search of Vetter, and notices that something seems strangely different about the neighborhood, most notably that the streetlights at the bottom of the street have all gone out. Farnham turns the corner at the bottom of the street and walks out of sight of the station - and is never seen again. Vetter returns from his walk just minutes later and can find no clue to his whereabouts. The official investigation into his vanishing can find no leads, and Vetter reaches retirement age soon after; he dies of a heart attack in his home six months later.
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A Single Bogie number 125 Hobart tram turns the corner from Macquarie Street to Elizabeth Street in front of the Hobart GPO. After nearly ten years of political wrangling, construction, and delays caused by the overhead electric lines interfering with telephone systems, the first line opened on 23 September 1893, making it the first complete electric tramway system to be established in the Southern Hemisphere. In a world first, the Hobart tram network operated entirely double-decker trams, although these soon proved to have difficulties navigating on Hobart's hillier routes. The Hobart network was also the first tramway to use sliding bow collectors to collect the power from the overhead wires, borrowing the technology from electrified 'heavy' rail networks in Europe.
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Friedkin then decided to change his working title Ballbreaker for Sorcerer, which he described as "an intentional but ill- advised reference to The Exorcist". According to Friedkin, the title fit the film's general theme: Friedkin elaborated on this theme in an interview with Thomas D. Clagett: In the director's opinion, the premise of The Wages of Fear (both the novel and the first film adaptation) seemed to him a metaphor for "the world [being] full of strangers who hated one another, but if they didn't cooperate, if they didn't work together in some way, they would blow up." Walon Green, the screenwriter, said that he and Friedkin "wanted a cynical movie where fate turns the corner for the people before they turn it themselves". Additionally, their intention was to "write a real movie about what we thought was the reality of Latin America and the presence of foreigners there today".
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