I sat in my car, gathering courage to turn the key.
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After Alfred hands you a key, you insert it into the piano and turn the key.
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If you saw a fire, you would run down to the box and turn the key inside.
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When she had finished she should be sure to turn the key and then hang it around her neck.
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Muhr was at her front door about to turn the key when she heard a noise in the stairwell below.
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" He added: "Every time you turn the wheel, or you turn the key on a car, you are strapping on a deadly weapon.
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Pausing to turn the key, I felt physical pain in my limbs and on my face, my skin wind-whipped and hot from the free fall.
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But unlike a very old Porsche, the promise is that it will start every time you turn the key, and it will outrun many modern sports cars.
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Last year, Homewise helped some 240 families — many of them Hispanic — turn the key on their first homes after years as renters in apartments or trailer parks.
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Wheels Add another item to the list of once-common features — including ashtrays, spare tires and turn-the-key ignition switches — disappearing from new cars: fog lamps.
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It's important to note that the best plane in the world doesn't do a darn thing to the strategic balance if the engine won't start when you turn the key.
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Turn the key as 'One Arctic Nation' Even in times of competing global priorities and tightening budgets, past presidents have mustered the moral courage to achieve long-term national goals.
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The one that turned the key to the elder Lithgow's mood was the Wodehouse, and if it doesn't turn the key to yours, you are not susceptible to British literary humor.
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Former Tallahassee Mayor and Florida gubernatorial candidate Andrew Gillum on Wednesday launched a voter-registration campaign to try to turn the key battleground state in Democrats' favor in the 2628 presidential election.
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The former Tallahassee mayor and Florida gubernatorial candidate launched a voter registration campaign to recruit more potential Democratic voters to try to turn the key battleground state in Democrats' favor in 2020.
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" Mr. Brent said he addresses any problems that arise during the week, "so that when they come up, they only have to turn the key in the door and turn on the lights and enjoy themselves.
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Turn the key knowing your brand new ride will start every time, taking the stress out of transportation and giving you time to worry about something else, like which tree air freshener you'll hang from the rear view mirror.
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Then I turn the key and slip into the green-tiled lobby before gliding into the elevator that smells like fresh coffee in the morning, and dignified perfume in the evening, and up I go through the building to my sanctuary, my stroke of luck, my home. Dec.
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Mornings pass like boats in the fog, your sense of purpose evaporates onto the ceiling and leaves a strange dark stain, and you spend entire days watching TV, only standing upright the moment you hear your flatmate turn the key in the door so they don't think you've been sat on your arse all day.
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After Leo's Great Aunt Bethany dies, Leo receives a family heirloom - an elaborate music box. There are four rules to the box: 1\. Never wind the box while the music plays. 2\. Never turn the key more than three times. 3\.
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Julie Harris and Maximilian Schell in Alfred Bester's Turn the Key Deftly on NBC Sunday Showcase March 5, 1960. Murder and the Android was nominated for a 1960 Hugo Award for Best Dramatic Presentation and was given a repeat on September 5, 1960, the Labor Day weekend in which that Hugo Award was presented (to The Twilight Zone) at the World Science Fiction Convention in Pittsburgh. Bester returned to Sunday Showcase March 5, 1960 with an original teleplay, Turn the Key Deftly. Set in a traveling circus, this mystery starred Julie Harris, Maximilian Schell and Francis Lederer.
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Maura still doesn't agree "to turn the key": ::Maura: I refuse to give up on this relationship. It's like... launching missiles from a submarine. Both of us have to turn our keys. George: Well, then, I am gonna have to ask you to turn your key.
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Turn the key off then immediately start the engine. If your problem is from a confused TCM, this will solve the problem. This will not reset trouble codes in the computer. That must be done with the proper OBDII scan tool such as the VAG 5052, VAG COM tool at the VW dealer.
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In 1959, Sprogell said, "being a golf pro is not really a job. It seems apart from working people. After all these years I still get a thrill when I turn the key to unlock the door to my pro shop because I know that today I'll talk more golf, meet new people, and teach someone something about golf".
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The firefighter must hold the door open button until the door is completely opened. If for any reason the firefighter wishes to leave the elevator, they will use the hold position on the key switch to make sure the elevator remains at that floor. If the firefighter wishes to return to the recall floor, they simply turn the key off and close the doors.
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This time, they see the future babysitter talking on an early mobile telephone. The children are locked in a room playing with a candle. Emily manages to call out to the children and they hear her; it is her fear from losing her mother that connects her with them. Emily uses this ability to turn the key in the lock and the children escape.
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"Wait-to-Start" light (glowplug indicator light, ISO 7000-0457) in a diesel car. In older generation diesel-engine vehicles, unlike in a gasoline-engine vehicle, for a 'cold start' the operator did not simply turn the key to the "start" position and have the engine immediately start. Instead, the operator activated the glow plug(s) for a time first. Early diesels used the 'Thermostart' type glowplug in the inlet manifold.
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Redoubt Four was a supporting defensive position of Fort Putnam during the Revolutionary War defensive network at West Point. It was constructed under the command of Tadeusz Kosciuszko in 1778-1779. During the war, it was a key defensive overwatch position for Fort Putnam 300 feet below, which was in turn the key overwatch position for Fort Clinton. According to Benedict Arnold, the fort required approximately 100 soldiers to man it.
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St John greenlit a number of thrillers at Rank including Hunted (1952) with Dirk Bogarde, The Long Memory (1953) with John Mills, The Net (1953), Desperate Moment (1953) with Bogarde, Turn the Key Softly (1953), The Kidnappers (1953) and Forbidden Cargo (1954), Passage Home (1955), Lost (1956), and House of Secrets (1956), Dramas tended to be less popular such as The Young Lovers (1954), The Woman for Joe (1955), Jacqueline (1956).
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At night, they approach with their bicycles, unscrew the bars of the pantry window, and enter. Bunny brings an electric torch, outfitted by Raffles with shades to act as a dark lantern. Using a knife, Raffles cuts a hole through a panel in a door, in order to try to turn the key that is in the lock on the other side. When Raffles reaches through, however, his hand is suddenly grabbed by some boys.
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After long decades, the blood in his veins dried up completely, leaving only dust, and rendering him virtually invulnerable to gunshot wounds. He could also turn the key to "switch off" his body (literally), remaining in a dormant state and appearing dead, until he was reanimated. He used this deceptive technique to infiltrate the BPRD headquarters. After critically wounding BPRD Agent Clay, he faked his own death and lay beside Clay, and they were both taken into the headquarters.
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The Jardin Avatar garden is the first garden after the entrance. It has an art installation called "Clockwork Forest", which was created by Greyworld, a collective of London-based artists who create public-activated art, sculpture, and interactive installations. Visitors who turn the key, will hear a melody, as if they brought to life an additional layer of sound organically existing in the natural environment. There's also a large seashell, made of plastic membrane, by artist Alyona Kogan from Saint Petersburg, Russia.
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If the car had been running very recently, or if the ambient temperature was hot, the "wait to start" light might not come on. In this case, the operator may proceed to turn the key to the "start" position and start the engine without having to wait. With a Thermostart, it is entirely up to the operator to choose whether to activate the glow plug. In the case of ignition key controlled Thermostart, turning the key two notches to the right initiates unheated cranking.
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"Open Your Heart" has a continuous percussion filled structure and a chorus sounding like Belinda Carlisle, according to author Rikky Rooksby in his book The Complete Guide to the Music of Madonna. Lyrically, "Open Your Heart" is a simple love song. According to Professor Mavis Tsai, the phrase "Open Your Heart" is a metaphor for the act of being vulnerable that corresponds to the behavior involved in developing an intimate or close relationship. The following lines in the song, "Open Your Heart, I'll make you love me; It's not that hard, if you just turn the key" illustrate this metaphor vividly.
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The operator then proceeds to turn the key to the "start" position. The relay switches off the glowplugs after the engine is running (or, in older cars, at the same time the "wait to start" light goes out). In some cars, in order to maintain compliance with emissions regulations, the glow plugs may be operated immediately after engine start, or during periods of extended idle where engine temperature has decreased, as combustion efficiency is greatly reduced when the engine is below operating temperature. With a Thermostart plug in the inlet manifold, within a few seconds diesel vapours start to fill the inlet manifold.
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During a surprise drill of a nuclear attack, many United States Air Force Strategic Missile Wing controllers prove unwilling to turn the key required to launch a missile strike. Such refusals convince John McKittrick and other systems engineers at NORAD that missile launch control centers must be automated, without human intervention. Control is given to a NORAD supercomputer known as WOPR, programmed to continuously run war simulations and learn over time. David Lightman, a bright but unmotivated Seattle high school student and hacker, uses his IMSAI 8080 computer to access the school district's computer system and change his grades.
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The boys buy several more plastic Iroquois figures from the local shops and bring them all to life with the cupboard to serve as Little Bear's army. They also buy plastic miniatures of modern guns to give to the Iroquois, as well as a miniature Royal Marine figurine (who turns out to be a British corporal named Fickits) to instruct the Iroquois in their use. After Little Bear and his troops are sent back, a casual comment by Boone prompts Omri and Patrick to wonder if it is the key which is magical, rather than the cupboard. Omri climbs into a large empty chest while holding Little Bear's plastic tipi and has Patrick turn the key.
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Adam is destroyed by a magical composite of Buffy and her three friends, and The Initiative is shut down. During season five, a younger sister, Dawn, suddenly appears in Buffy's life; although she is new to the series, to the characters it is as if she has always been there. Buffy is confronted by Glory, an exiled Hell God who is searching for a "Key" that will allow her to return to her Hell dimension and in the process blur the lines between dimensions and unleash Hell on Earth. It is later discovered that the Key's protectors have used Buffy's blood to turn the Key into human form – Dawn – concurrently implanting everybody with lifelong memories of her.
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Brophy's later works included books on art such as The Human Face Reconsidered (1962), The Face in Western Art (1963); and The Face of the Nude (1965). His 1964 work on W. Somerset Maugham was written for the British Council, and his later novels included City of Departures (1946), A Woman from Nowhere (1946), Sarah (1948), Julian's Way (1949), Turn the Key Softly (1951), The Prime of Life (1954), and The Day They Robbed the Bank of England (1959), made into a 1960 film of the same name starring Peter O'Toole and Aldo Ray. He was a member of the Reform Club, the English PEN, the Society of Authors and the National Book League.
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One can think of molecular docking as a problem of “lock-and-key”, in which one wants to find the correct relative orientation of the “key” which will open up the “lock” (where on the surface of the lock is the key hole, which direction to turn the key after it is inserted, etc.). Here, the protein can be thought of as the “lock” and the ligand can be thought of as a “key”. Molecular docking may be defined as an optimization problem, which would describe the “best-fit” orientation of a ligand that binds to a particular protein of interest. However, since both the ligand and the protein are flexible, a “hand-in-glove” analogy is more appropriate than “lock-and-key”.
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This NBC Sunday Showcase production, produced by Robert Alan Aurthur with a cast of Kevin McCarthy, Rip Torn, Suzanne Pleshette and Telly Savalas, was reviewed by syndicated radio- television critic John Crosby: Murder and the Android was nominated for a 1960 Hugo Award for Best Dramatic Presentation and was given a repeat on September 5, 1960, the Labor Day weekend in which that Hugo Award was presented (to The Twilight Zone) at the World Science Fiction Convention in Pittsburgh. Bester returned to Sunday Showcase March 5, 1960, with an original teleplay, Turn the Key Deftly. Telecast in color, that mystery, set in a traveling circus, starred Julie Harris, Maximilian Schell and Francis Lederer. For Alcoa Premiere, hosted by Fred Astaire, he wrote Mr. Lucifer, which aired November 1, 1962, with Astaire in the title role opposite Elizabeth Montgomery.
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Her success in the part led to her initial stardom and the press nickname "Britain's Bad Girl". Her subsequent films whilst under contract to Rank included Decameron Nights (1953) with Joan Fontaine; England's first X certificate drama, Cosh Boy (1953), directed by Lewis Gilbert; Turn the Key Softly (1953), a drama about three women released from prison on the same day; and the boxing saga The Square Ring (1953). She was top-billed in the desert island comedy Our Girl Friday (1953), then directed again by Lewis Gilbert in The Good Die Young (1954) with Laurence Harvey and Gloria Grahame. Between films, she appeared in several plays in London including The Seventh Veil (1952), Jassy (1952), Claudia and David (1954), and The Skin of Our Teeth (1954), as well as a UK tour of The Praying Mantis (1953).
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She also approached the Antarctic Division of the Department of Scientific and Industrial Research (DSIR) but was rebuffed there as well. Mr G.W. Markham, the Superintendent, said, “Taking a woman down to Scott Base, where we haven’t facilities for them anyway, would be just like opening Pandora’s box. And I’m not going to be the first to turn the key.” Later she recalled how she had “battled officialdom, asking only that we women be granted the same privileges as our male counterparts were given and be permitted to go to the ice”. Finally, in February 1968, she found a way around “the petticoat ban on women journalists working in the Antarctic”, thanks to Lars-Eric Lindblad, who had organised two tourist cruises to the Ross Sea and offered her a berth on board the Magga Dan. By now, Dorothy and her family were living in Christchurch and she was working for the New Zealand Woman’s Weekly.
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In 1953 he again played a villain in Turn the Key Softly as a crook who gets his girlfriend a prison sentence for helping him in a burglary. More nasty roles quickly followed with Always a Bride (1953) where he played a Treasury Investigator who turns bad as well as Forbidden Cargo in 1954 as a smuggler and Tread Softly Stranger (1958) where he is an embezzler. Two films he made in 1955 saw him cast in more positive roles—in March Hare he played an impoverished aristocrat riding a horse for the Derby, and in the espionage melodrama They Can't Hang Me, (which used Sidney Torch's theme music from The Black Museum for its own Title and Incidental music), he starred as a dapper Special Branch officer charged with discovering the identity of an enemy agent. One of his nastiest roles was in 1959, The Shakedown, when he played a pornographer and blackmailer.
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