Come molti egiziani divenuti ostili al governo troppo invadente di Morsi, Regeni apprezzò questo sviluppo.
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She made her movie debut playing a schoolgirl in "Domani È Troppo Tardi" ("Tomorrow Is Too Late"), a 1950 Italian drama that starred Vittorio De Sica.
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Ponti, allora membro di un gruppo di esperti che prestava consulenza al governo, ha dichiarato che i ministeri avevano fatto troppo poco per regolamentare la società.
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"Il problema non era la fusione in sé," ha dichiarato Antonio Di Pietro, l'allora Ministro delle Infrastrutture edei Trasporti, "ma le norme relative alla concessione che risultano essere troppo favorevoli all'operatore autostradale, tanto che hanno comportato la cattiva abitudine di aumenti automatici delle tariffe".
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Non troppo allegro. B-flat major. 57 bars. #Scherzando. Non troppo allegro.
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The work is structured in four movements: # Molto Allegro ed appasionato # Adagio ma non troppo # Allegretto un poco vivo # Finale: Allegro ma non troppo - Presto To date the quartet has not been recorded commercially.
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Studie nach Bach (aus "an die Jugend"). Allegro non troppo, pp. 57-58.
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Peter Poulsen, & Astrid Ellehammer Kristensen Astrid Ellehammer Kristensen. (2018). Allegro ma non troppo. Lindhardt og Ringhof.
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Gradually the music becomes more agitated before breaking away into the following section, Allegro non troppo.
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A major. 26 bars. #Andante non troppo. Semplice e cantando – Poco Agitato – Tempo I. F-sharp minor.
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Risoluto #G major. Andante -- Allegretto #C major. Allegro, ma non troppo #C major. Moderato cantabile #A minor.
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Allegretto # Schöne Fremde. Moderato # Im Herbste3. Allegro ma non troppo # Morgengruß1. Allegretto grazioso # Abendlich schon rauscht der Wald.
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In 2009, she appeared in the Canale 5 television film Due mamme di troppo, directed by Antonello Grimaldi.
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Despite the Vivo, ma non troppo marking, the mazurka is usually slowly performed, and the main theme is relatively mild.
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A similar alternation using a wider interval is called a tremolo. ; triplet (shown with a horizontal bracket and a '3') : Three notes in the place of two, used to subdivide a beat. ; triste : Sad, wistful ; tronco, tronca : Broken off, truncated ; troppo : Too much; usually seen as non troppo, meaning moderately or, when combined with other terms, not too much, such as allegro [ma] non troppo (fast but not too fast) ; turn : Multi-note ornament above and below the main note; it may also be inverted. Also called gruppetto.
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Troppo forte (also known as Great, He's Too Much and Too Much) is a 1986 Italian comedy film directed by Carlo Verdone.
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The sonata is in three movements: #Allegro ma non troppo #Adagio #Allegro appassionato. The second movement combines an adagio with a scherzo .
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The sonata is structured in three movements: # Andante grave # Moderato # Allegro, ma non troppo A typical performance lasts for about 25 minutes.
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The composition is in four movements: #Allegro moderato #Adagio #Scherzo: Allegro assai #Finale: Allegro non troppo A typical performance takes around 25 minutes.
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The work is written in four movements: # Prélude. En vue d'Alger. Molto allegro (C major) # Rhapsodie mauresque. Allegretto non troppo (D major) # Rêverie du soir.
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The solo performances metamorphosed into a band, including two other members of MAEZ. But Troppo, true to its name, grew to a nine-piece fusion art-punk band, influenced mainly by the New York Dolls and Funkadelic. After its first show at the Rote Fabrik in 1976, Troppo became a cult act in Switzerland in the mid to late 1970s.Grand, Lurker, et al. (2007).
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Journal of Contemporary History. Vol. 39, No. 4, Special Issue: Collective Memory, pp. 503–529Oliva, Gianni (2006) «Si ammazza troppo poco». I crimini di guerra italiani.
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The composition is in four movements: #Allegro moderato #Scherzo: Vivace #Adagio ma non troppo #Finale: Allegro molto e grazioso A typical performance takes around 22 – 23 minutes.
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The piece starts with a 55-measure introduction marked Largo non troppo. The introduction is in common time and concludes on a chord of the dominant seventh.
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The piece is in E minor and is marked Allegro non troppo. A strong presence of J. S. Bach's Well-Tempered Clavier suggests a miniature Bachianas Brasileiras .
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The composition is structured in three movements: # Larghetto sostenuto – Allegro con brio # Adagio non troppo # Rondo: Molto vivace A typical performance takes around 27 to 30 minutes.
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The tempo immediately returns to Maestoso; the coda using both subjects. Finally, the concerto ends in C major where the piano soloist has a triumphant scale while the timpani beats the previous rhythm. The first version of 1897 is a three-in-one structure of "Allegro non troppo"—"Largo"—"Tempo primo". The 1904 version comprises three movements of "Allegro ma non troppo", "Largo", and "Maestoso con moto moderato".
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Composed for a standard piano quartet, the work is in three movements: # Allegro energico # Lento ma non troppo # Allegro A typical performance takes around 18 to 19 minutes.
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Like all of Mendelssohn's string quartets, this work has four movements: # Allegro moderato # Adagio non troppo # Menuetto and Trio # Fuga A typical performance lasts just under 24 minutes.
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"Roy Trakin, "George Harrison: Gone Troppo", Musician, January 1983; available at Rock's Backpages (subscription required). Reviewing more recently for AllMusic, critic William Ruhlmann writes of Gone Troppo: "Clearly, Harrison could no longer treat his musical career as a part-time stepchild to his interests in car racing and movie producing if he wanted to maintain it. As it turned out, he didn't; this was his last album for five years." Writing in the 2004 edition of The Rolling Stone Album Guide, Mac Randall opined: "The dynamic, synth-driven 'Wake Up My Love' opens Gone Troppo and the spooky 'Circles' (yet another lost Beatles song) closes it, but there ain't much in between.
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Famous and internationally acclaimed producer Gregor Zemljič (Random Logic) produced four songs for the upcoming follow-up album to "Ma Non Troppo" before the end of the busy year.
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The work consists of three movements played without breaks: # Allegro non troppo # Adagio # Allegro con fuoco A full performance of the piece usually lasts from 18 to 20 minutes.
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In the opera field, he played the storyteller in Stravinsky's "Histoire du soldat", "Peter and the wolf"(2011)Pierino e il lupo and "Allegro un po' troppo" (2013).Rai for Allegro un po' troppo His appearance on a live episode of The Drew Carey Show in 1999 gave him a "pick of the day" title on the program Access Hollywood. He also played a role in the Warner sitcom Nikki.Nikki cast in tv.
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The concerto is in three movements: # Allegro maestoso (A minor) # Romanze: Andante non troppo con grazia (A-flat major) # Finale: Allegro non troppo – Allegro molto (A minor) The duration of the concerto is under 20 minutes. Virtuoso writing for the piano dominates the composition. A reviewer of a 2004 recording noted that it is a "truly remarkable piece for a 14 year old. It is a work with memorable themes and a sunny vision throughout".
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The composition consists of a single multi-tempo movement marked, Allegretto lusinghiero-Allegro-Tempo primo-Allegretto-Allegro non troppo-Più Allegro- Allegretto-Lento and lasts around ten minutes in performance.
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These include the song's slide guitar solos, which, typically of Harrison's playing on Gone Troppo,Leng, pp. 231, 232. reflect his absorption in Pacific musical cultures, particularly Hawaiian music.Clayson, p. 391.
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Like all of Mendelssohn's string quartets, this work has four movements: # Allegro vivace # Scherzo: Assai leggiero vivace # Adagio non troppo # Molto allegro con fuoco A typical performance lasts around 35 minutes.
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Rolling Stone online. Retrieved 31 January 2013. Having clashed with Warner Bros. over the content of that album, Harrison refused to participate in promotion for Gone Troppo (1982), resulting in lacklustre sales.
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Among contemporary reviews, Billboard said of Gone Troppo: "Harrison's sunny lyricism shines brightest when least encumbered by self-consciousness, and here that equation yields a breezy, deceptively eclectic charmer." People magazine's reviewer wrote: "Because of his forays into the mystical, Harrison's penchant for whimsy often gets overlooked. But here the zany side gets no short shrift." The reviewer admired "lovelies" such as "Wake Up My Love" and "Dream Away", and described Gone Troppo as a "vinyl postcard" offering "flashes of brilliance".
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Among reviews of the Dark Horse Years Harrison reissues that same year, Kit Aiken of Uncut described Gone Troppo as a "return to form of sorts" after Somewhere in England and viewed the song as "the sort of strumalong fatalistic shrug George had made his own".Kit Aiken, "All Those Years Ago: George Harrison The Dark Horse Years 1976–1992", Uncut, April 2004, p. 118. Conversely, Music Box editor John Metzger dismissed Gone Troppo as "undoubtedly the worst of George Harrison's solo albums", although he considered "That's the Way It Goes" to be one of the few tracks that might have succeeded with a less-polished musical arrangement.John Metzger, "George Harrison The Dark Horse Years (Part Four: Gone Troppo)", The Music Box, vol. 11 (5), May 2004 (retrieved 16 November 2016).
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The composition is in three movements, all three of which are in the key of E-flat major: # Allegro moderato # Scherzo: Allegro ma non troppo # Rondo: Allegretto A typical performance takes around 13 - 15 minutes.
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Ma Non Troppo is the debut album by Slovenian band Silence, released on March 10, 1997 - the year after the band's signing to Chrom Records. It was voted "Album of the month" in "New Life".
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The second mazurka is in E minor, is in 3/4, and has a tempo marking of Lento, ma non troppo. A typical performance of the E minor Eleventh lasts about two-and-a-half minutes.
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Nick DeRiso, "On Second Thought: George Harrison – Gone Troppo (1982)", Something Else!, 22 October 2013 (retrieved 16 November 2016). Simon Leng rates "That's the Way It Goes" as "the highlight of the LP".Leng, p. 230.
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Doggett, p. 280. Gone Troppo became Harrison's last album for five years,The Editors of Rolling Stone, p. 48. during which he continued to focus on film production,Tillery, pp. 128, 130–31.Simmons, p. 85.
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The concerto has three movements: # Adagio ma non troppo (D minor, ending in D major) # Recitativo: Allegro moderato (B major) (attacca) # Finale: Allegro molto (B major – D major) A typical performance runs 28 to 30 minutes.
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Gino Castaldo (ed.). Dizionario della canzone italiana. Curcio Editore, 1990. In 1964 Lo Vecchio made his professional debut as a songwriter with the song "Era troppo bello", which was performed by Wilma Goich and won the .
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The symphony is scored for flute, two oboes, two bassoons, two horns and strings. There are four movements: #Allegro, #Adagio, ma non troppo #Menuetto & Trio: Allegretto, #Finale: Allegro ma non troppo, The slow movement is a rondo with two episodes. The first two instances of the refrain are scored for strings only while the episodes and the final refrain are scored for the full orchestra. The first episode is in the minor and features the winds softly playing over the low strings while the second episode is much more agitated and features the full tutti.
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Nikolai Myaskovsky composed his Symphony No. 22 in B minor in 1941. Its official name is Symphonic Ballad (or Ballade), and it lasts about 35–40 minutes in performance. The symphony is in one movement in three sections: #Lento. Allegro non troppo in B minorKeys from score #Andante con duolo in B minor #Allegro energico, ma non troppo vivo in B minor The first section begins with a slow introduction which acts as a section-connecting and recurring motive, in B minor but with a tendency to slip to a G major chord.
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The work is structured in the traditional symphony form of four movements: #Allegro (G minor) #Allegro molto (E-flat major) #Andante, non troppo mosso (C minor) #Allegro (G minor) A typical performance lasts for about 30-35 minutes.
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Besides the iconic Allegro ma non troppo from Beethoven's 9th that plays in the text introductions to each segment, a particular segment with the "Fluffy Guys" uses background music from the Swedish Christmas song Nu är det jul igen.
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The final movement, entitled Passepied, is in F minor, marked allegretto ma non troppo. A passepied is a type of dance that originated in Brittany. This movement is fast and light, with the left hand playing staccato arpeggios throughout.
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The movement continues without pause into the third movement. It lasts about 7 minutes. #Allegro non troppo #:The third movement is in E-flat major and is in 2/4 time. It is rapid and hectic with florid melodies.
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The concerto has three movements, played without any breaks: #Largo non troppo – Allegro agitato – Largo non troppo #Molto lento – Poco meno lento – Andante tranquillo #Finale: Allegro non troppo The first movement represents two-thirds of the entire concerto, and is in a modified sonata- allegro form with a thirty-bar introduction and a cadenza linking the end of the recapitulation to the coda . The movement is modal, predominantly in E Phrygian with excursions to F and G, eventually returning to E Phrygian but with a final cadence on the subdominant, A . The second, slow movement has two main parts, which are preceded by an introduction and concluded with a canonic coda. Harmonically the movement is dominated by quartal harmonies, anchored over pedals of A (bridging from the first movement), D (beginning with and continuing through most of the second section), and G from b.
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Later on, the song was covered by former Beatle George Harrison on his 1982 studio album Gone Troppo. It was also released as the album's second single in the United States and the Netherlands, in February 1983, but failed to chart.
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The quartet consists of the traditional four movements: #Allegro non troppo #Molto Andante (quasi Adagio) #Vivace (Scherzo) #Molto Allegro For its voice leading and tonal balance, the Sixteenth Quartet is regarded as one of the composer's best, particularly the first movement .
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The last mazurka in the set is in 3/4 and is marked Lento, ma non troppo. This piece lasts about four or five minutes in a typical performance. It is one of the more popular mazurkas of all Chopins' mazurkas.
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The concerto has a duration of approximately 31 minutes and is cast in three movements played without break: #Allegro moderato #Adagio #Allegro non troppo Davies was influenced by Felix Mendelssohn's Violin Concerto in determining the form of his own concerto.
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Leng described Harrison's slide guitar solo on Lennon's "How Do You Sleep?" as a departure for "the sweet soloist of 'Something'", calling his playing "rightly famed ... one of Harrison's greatest guitar statements". Lennon commented: "That's the best he's ever fucking played in his life." A Hawaiian influence is notable in much of Harrison's music, ranging from his slide guitar work on Gone Troppo (1982) to his televised performance of the Cab Calloway standard "Between the Devil and the Deep Blue Sea" on ukulele in 1992.: Performing "Between the Devil and the Deep Blue Sea" with Holland; : Hawaiian influence on Gone Troppo.
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Although Gone Troppo was a commercial failure, "Dream Away" became a popular tune. People magazine's reviewer paired it with "Wake Up My Love" as the album's two "lovelies" and commented that "Because of his forays into the mystical, Harrison's penchant for whimsy often gets overlooked. But here the zany side gets no short shrift." Writing in Goldmine magazine shortly after Harrison's death in November 2001, Dave Thompson said that while Gone Troppo was a far from essential album by the artist, "Dream Away" was a track that "stand[s] alongside any number of Harrison's minor classics".
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Gone Troppo is the tenth studio album by English rock musician George Harrison, released in 1982 by Dark Horse Records. It includes "Wake Up My Love", issued as a single, and "Dream Away", which was the theme song for the 1981 HandMade Films production Time Bandits. Harrison produced the album with Ray Cooper and former Beatles engineer Phil McDonald. With Harrison disinterested in the contemporary music scene and unwilling to promote the release, Gone Troppo failed to chart in the United Kingdom and it was his only post-Beatles studio album not to chart inside the top 20 in the United States.
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"Wake Up My Love" and "That's the Way It Goes" were included on Harrison's Best of Dark Horse 1976–1989 album, and the title track also appeared on the compact disc version of that 1989 compilation. No tracks from Gone Troppo were included on the 2009 career-spanning collection Let It Roll. "That's the Way It Goes" was covered by Joe Brown and other musicians at the Concert for George in November 2002. In 2004, Gone Troppo was remastered and reissued, both separately from and as part of the deluxe box set The Dark Horse Years 1976–1992.
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"Nathan Brackett & Christian Hoard (eds), The New Rolling Stone Album Guide (4th edn), Simon & Schuster (New York, NY, 2004; ), p. 368. John Harris of Mojo likens Gone Troppo to Harrison's final album for EMI/Capitol, Extra Texture (1975), and dismisses it as "Another contract-finisher, this time with Warner Brothers, recorded super-quick, and issued with barely any promotion." Music Box editor John Metzger also holds it in low regard, writing: "Gone Troppo was undoubtedly the worst of George Harrison's solo albums … A few tunes, such as That's the Way It Goes and Unknown Delight, might have worked better if given different arrangements, but as a whole, Gone Troppo was a largely forgettable and sometimes embarrassing affair that appealed only to complete-ists and fanatics." More impressed, Dave Thompson wrote in Goldmine magazine of its standing as the release that preceded Harrison's temporary retirement from music: "to accuse the album itself of hastening that demise is grossly unfair.
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Nicola Binda. Alessandria-Livorno, uno Spinelli di troppo, from «La Gazzetta dello Sport», 1 August 2000 Alessandria was dropped to the amateur leagues and the club was declared bankrupt in 2003. Dichiarato fallito il glorioso club grigio, from «La Stampa», 14 August 2003.
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Alegre ma non troppo is a 1994 Spanish romance/comedy film directed by Fernando Colomo and starring Penélope Cruz and Jordi Mollà. It was set in Santander, Cantabria, Spain. It was nominated in 1995 for four awards and won two of them.
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Bourrée – Allegro (from No 1 in The Origin of Design) :3. Musette - Andantino (from No 5 in The Faithful Shepherd) :4. Gigue - Allegro non troppo (from No 3 in The Origin of Design) :5. Sarabande - Largo (from an addition to The Gods Go a'Begging) :6.
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In music, an instruction of "allegro ma non troppo" means to play "fast, but not overly so". Without the "ma", it means "Not So Fast!", an interjection meaning "slow down" or "think before you act". The common meaning of "allegro" in Italian is "joyful".
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This piece, in triple meter, is marked Allegretto ma non troppo (moderately fast, but not too fast). It is a description of a porcelain doll and features the Chinese pentatonic scale throughout. Debussy notes that the entire piece should be played with the soft pedal.
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The symphony has a duration of roughly 30 minutes and is composed in four movements: #Andante #Andante ma non troppo #Juba: Allegro #Scherzo: Finale Price started writing the symphony in the summer of 1938, but later revised the work prior to its 1940 premiere.
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The piece is sometimes performed in an abbreviated form, suggested by Thomas Wilkins, called Symphonic Reflections. In this format, the first movement is omitted and the remaining three re-ordered (Juba: Allegro, Andante ma non troppo, Scherzo: Finale) to form a fast-slow-fast pattern.
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Irving Berlin's ragtime take on Op. 62, No. 6 #Andante con moto (A major) #Allegro non troppo (E major) #Presto agitato (G minor) #Adagio (F major) #Allegro con fuoco: ("Folksong") (A minor) #Molto allegro vivace (A major) Book 4 was dedicated to Sophia Horsley.
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Harrison said that 1980 was the year when he stopped enjoying being a recording artist and "couldn't relate" to contemporary pop music. After completing his 1982 album Gone Troppo, he withdrew from music-making for over four years, partly as a result of the compromises he was forced to make with Somewhere in England, and partly because he had long found his role as a film producer with his company HandMade Films more rewarding. With "Wake Up My Love", the lead single from Gone Troppo, Harrison returned to the pop formula of "Teardrops". According to Clayson, this was a gesture designed to satisfy Warner Bros.
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Melodic material from the first movement – first its espressivo second subject and then the main theme – is transformed into a rondo. Cross-rhythms of 3/4 in a broad string melody give way to another smooth theme which forms a kind of "trio" interlude, although the perpetuum mobile of the main scherzo material continues behind it and carries the movement on to its conclusion. ;Adagio non troppo The third movement, Adagio non troppo, is in E-flat major. The gentle undulating piano figure with which it opens was, according to Fauré, "a vague reverie" inspired by a memory of the evening bells of the village of Cadirac near his childhood home.
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Domani è troppo tardi (internationally released as Tomorrow Is Too Late) is a 1950 Italian melodrama film directed by Léonide Moguy. For this film Pier Angeli won the Silver Ribbon for best actress. The film was also awarded Best Italian Film at the Venice Film Festival.
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Her beauty was apparently so much that he could not love her. Barrière also recorded the song in German and Italian, as "Du gingst fort ohne Abschied" and "Era troppo carina" respectively. The song was well received in Latin America, particularly in Chile.Billboard - 23 Jan 1965 Vol.
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There are three movements: # Molto moderato quasi lento – Allegro # Lento con molto sentimento # Allegro non troppo ma con fuoco The music has a cyclical character whereby a motto theme of two four-bar phrases, used 18 times in the first movement, recurs at strategic point later in the work.
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Venditti released the soundtrack for the 1985 movie Troppo Forte by his friend, the Roman director Carlo Verdone. Verdone also occasionally played drums in Venditti's concerts. Furthermore, he appears in the Academy Award winner for Best Foreign Language Film, The Great Beauty, whose soundtrack includes a song of his.
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ISMN M-006-20118-1 It is in four movements: # Allegro # Menuetto and Trio (the latter in E major) # Andante (theme with variations), D major # Allegro non troppo The whole piece is characterized by the use of several different contrapuntal devices.Reginald Barrett-Ayres, Joseph Haydn and the String Quartet.
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Tempo comodo 2. Andante molto sostenuto 3. Allegro non troppo, agitato ed ansioso The symphony is scored for solo piano, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 3 trumpets, 3 trombones, tuba, percussion (4 players), harp and strings. A typical performance lasts approximately 25 minutes.
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Like Brahms' earlier string quintet, Opus 88, it is a viola quintet, scored for two violins, two violas and cello. The work has four movements. The first movement is marked Allegro non troppo, ma con brio, and is in . Its opening is dominated by a cello solo in G major.
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The work is in standard four movement form and scored for two flutes, two oboes, two bassoons, two horns, two trumpets, timpani and strings.Antony Hodgson, The Music of Joseph Haydn: The Symphonies. London: The Tantivy Press (1976): 134–135. #Adagio — Vivace, #Adagio ma non troppo, in F major #Menuetto e Trio.
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The concerto is in two movements: #Lento ma non troppo – Andante – Tempo I #Allegro vivace – Piu marcato – Meno mosso – Tempo I The total duration of the concerto amounts to about 25 minutes. The piece is among the late works of the composer, and among its melodies appear Russian folk songs.
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The film was a commercial failure in Italy. However L'Olocausto was released uncensored in Britain, France and Germany, and was a commercial success. In 1918, La moglie di Claudio (Claudio's wife) was banned from cinemas by the Italian censorship board because Menichelli was "troppo...affascinante!" (too...fascinating!) in the film.
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"Moderato ma non troppo" by P. Minod. In Restons Simples (Creativ Media), No. 2, January 1986, p. 68 – 69 1989 "Hörspiel – Création radiophonique – Radio Art Je Me Suis Perdu – Abyrinthe Portrait from Luc Ferrari" by Michel Dumont. In Magazine Kanal, No. 42, April 1989, p. 60 – 61 1990 "Luc Ferrari".
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Warner Bros. Records issued Gone Troppo on Harrison's Dark Horse label on 5 November 1982.Madinger & Easter, p. 636. "That's the Way It Goes" was sequenced as the second track, between the album's lead single, "Wake Up My Love", and Harrison's cover of "I Really Love You", a 1961 hit for the Stereos.
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Allegro ma non troppo : E major. :The first movement serves as a bright, apt opener to the sonata, introducing both the nature and key of the piece in an imaginative and exciting way. It was composed from 18–21 February 1815.Arrebola 2012 :The theme of the first movement is not especially melodic.
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The vinyl release omitted "Gone Troppo" and reversed the order of "Crackerbox Palace" and "Cloud 9". "Got My Mind Set on You" closed side one and "Cloud 9" opened side two. The cassette release matched the fifteen-song CD track listing. In this format, "Crackerbox Palace" closed side one and "Cloud 9" opened side two.
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According to Leng, the line-up of mainly English musicians on Gone Troppo was further evidence of Harrison's limited interest in music during this period, with many of the new acquaintances having come through Cooper,Leng, p. 229. who also had an executive role at HandMade.The Editors of Rolling Stone, p. 204.Simmons, p. 84.
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In the capital, there are at least three different projects that incorporate the principles of green building. The Office development located in Murray Street, West Perth being designed by Eco Design Consultant in collaboration with Troppo Architects is one of them. The other two are mixed development along Wellington Street, in the city centre.
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Like most of Villa-Lobos's works in this medium, the quartet consists of the traditional four movements: #Allegro non troppo #Moderato #Scherzo (Vivace) #Allegro The final, Allegro movement opens with a fugato section, with the voices entering at the unusual intervals of a seventh, a third, and a fourth above the first statement in the cello .
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Shostakovich extracted a suite from the ballet, Op. 22a, in four movements: #Introduction (Allegro non troppo) #Adagio #Polka (Allegretto) #Danse The Polka was reused as the second of his Two Pieces for String Quartet in 1931. He also arranged the Polka for solo piano (Op. 22b) and piano four hands (Op. 22c), in 1935 and 1962 respectively.
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The piece has an Allegro ma non troppo tempo (♩=126) and is in C major. The structure of the piece is an A B C A B C Coda form. The first section starts with 23 bars of trills from the piano. The dynamics of this section change frequently from pianissimo (pp) to mezzo forte (mf).
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In France and Russia, the film is known as Séductrice malgré elle and Обольщение студента respectively and is dubbed; whereas in Spain it is called Seducción obsesiva and in Italy, Troppo sexy per Josh. Both the Italian and Spanish versions are not dubbed and instead have the respective language's subtitles, as well as the original audio track.
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The sixth movement, Laudato sia, mio Signore, per sora nostra matre terra, focuses on the Earth, called not only Sister but also our mother. It is a solo for the alto, marked "Adagio, ma non troppo". The voice rises from the low register at the beginning to graceful praise of flowers and fruits that earth produces.
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Like all of Mendelssohn's string quartets, this work has four movements: # Adagio non troppo – Allegro non tardante # Canzonetta: Allegretto, in G minor # Andante espressivo, in B-flat major # Molto allegro e vivace, in C minor until a return to E-flat major (and the first movement's material) in the coda A typical performance lasts just under 25 minutes.
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The composer André Abujamra used the songs "Copérnico", "Desgrazzia ma non troppo", "Epitáfio" and "Aquarela da Sbórnia" from the play "Tangos e Tragédias", in which the film was based. Two other songs are part of the soundtrack: "Trevo de Quatro Folhas", by Nilo Sérgio, Mort Dixon, Harry Woods and "Rosa", by Pixinguinha and Otávio de Souza.
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The concerto is structured in the traditional concerto form of three movements: # Allegro non troppo ma passionato # Lento cantabile # Allegro vivace The concerto is scored for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, glockenspiel, xylophone, celesta, snare drum, bass drum, cymbals (both crashed and suspended), harp and strings.
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Clean copy manuscript of Chopin's Etude Op. 10 No.3 with the tempo indication Vivace ma non-troppo (and legatissimo). Polish pianist and editor Jan Ekier (1913-2014) writes in the Performance Commentary to the Polish National Edition that this étude is "always performed slower or much slower than is indicated by [Chopin's] tempo [M.M. 100]".Ekier, Jan, ed.
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Gone Troppo was issued on Dark Horse Records in November 1982. Warner Bros. Records, which distributed Harrison's Dark Horse label, were at a loss as to how to market the album, and matched the artist's indifference by failing to promote the release. The album peaked at number 108 in the United States and failed to chart at all in the United Kingdom.
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Since 2010, Troppo has been run by five partners spread out across Australia: Greg MacNamara (Darwin), Geoff Clark (Launceston), Terry O'toole (Queensland: Brisbane & Townsville), Phil Harris (Adelaide), Adrian Welke (Perth) and Dan Connolly (Byron Bay). They work with a team of around twenty people and regularly collaborate with well-known architects such as Danny Wong, Glenn Murcutt, Phil Tait & Shane Thompson.
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Galas, Cornelio. "Trentini famosi, ma non troppo - 17". Televignole, 26/04/2016 In 1895, together with his parents and his uncles, Leone and Anacleto, he went to Brazil and settled in Porto Alegre. His family was quite successful (a street in Guaíba has been named after Anacleto) and he was able to take advantage of a growing interest in regional painting.
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Presto Brown I:D 5 - Symphony in D major, I. Adagio - Vivace, II. Andante cantabile, III. Intermezzo: Allegro scherzante, IV. Menuetto, V. Andante siciliano un poco lento, VI. Menuetto, VII. Finale: Allegro Brown I:D 6 - Symphony in D major, I. Allegro molto, II. Andante, III. Allegro non troppo Brown I:D 7 - Symphony in D major, I. Allegro assai, II. Andante, III.
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Non troppo presto Brown I:D 8 - Symphony in D major, I. Allegro, II. Andante, III. Tempo di menuet Brown I:D 9 - Symphony in D major, I. Allegro, II. Andante lento, III. Tempo di menuetto Brown I:D10 - Symphony in D major, I. Allegro molto, II. Andante, III. Finale: Presto Brown I:E1 - Symphony in E major, I. Andante arioso - Allegro, II. Andantino, III.
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The first movement is in simple triple time and marked allegro ma non troppo. This movement, in sonata form, is the longest movement of the symphony lasting over twelve minutes. The movement opens with aggressive woodwind chords in seconds that move at the interval of a seventh. Then, the strings enter playing the initial theme that is based on the opening chords.
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I. Allegro ma non troppo A minor. The exposition modulates to the submediant, F major, rather than to the usual mediant, C major. The recapitulation begins in the subdominant, D minor, and most of the recapitulation's second group is in A major before a short coda returns to the minor mode for the movement's ending. II. Allegretto quasi andantino E major.
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Nectoux (1991), p. 92 Nectoux singles out "the light footed episode in alternating fifths and sixths" and its extremely delicate passagework, and points to the influence of Fauré's former teacher Saint-Saëns in the allegro ma non troppo toccata section. Saint-Saëns himself declared the piece "absolutely entrancing."Jones, p. 61 ;Nocturne No 3 in A major, Op. 33/3 (c.
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Born Anna Maria Pierangeli in Cagliari, Sardinia, Italy. Her twin sister is the actress Marisa Pavan. Angeli made her film debut with Vittorio De Sica in Domani è troppo tardi (1950) after being spotted by director Léonide Moguy and De Sica. MGM launched her in Teresa (1951), her first American film, which also saw the debuts of Rod Steiger and John Ericson.
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Vivace moderato #A major. Allegramente #B major. Andante, ma non troppo The first Bagatelle, a minuet, begins with a melancholy theme in G minor, which recurs frequently throughout the piece. A second theme in E-flat major is introduced, then a haunting passage segues into a repeat of the first theme, which is followed by a variation on said theme.
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In 1988 she was dismissed from presenting the Zecchino d'Oro Festival as she had appeared as covermodel of the men's magazine Playmen."Troppo sexy per fare la fatina". Corriere della Sera, 25 November 1988. In more recent years, she starred on some television reality shows, including ice-skating-themed Notti sul ghiaccio and L'Isola dei Famosi, the Italian equivalent to Survivor.
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New York: Charles Scribner's Sons, 1900. Chopin originally gave his Op. 10 No. 3 Etude the tempo Vivace, later adding ma non- troppo. It is also relevant to observe that this etude is in time and not , although it is generally performed as a very slow piece. The visual impact of the score alone strongly suggests that a languid tempo is incorrect.
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Robert Cahill Henderson, also known by his alias name Bob Troppo, (from Coober Pedy, Australia) is an infamous scientist. He was one of the Cahills who came close in finding all 39 Clues. Days before his marriage, he managed to steal all Clues from the branch of his fiancėe, and was charged for stealing by the family. His laboratory was also destroyed during the eruption of Krakatoa.
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In 2009, the restaurant Troppo began construction on a new 2-story building that will have an open air patio on the roof facing the Capitol building. Developer Eyde Co. announced plans on April 6, 2010, to renovate the historical and prominent Knapp's building in downtown Lansing for first floor retail, office space and apartments/condos on the top floor (5th) in a $22–24 million project.
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Theatro Municipal, Rio de Janeiro, venue of the concerto's première The concerto has four movements: #Allegro #Allegro (poco scherzando) #Andante – Andantino (quasi andante) – Cadenza #Allegro non troppo Although Villa-Lobos adheres to the four-movement structure often found in piano concertos, he makes little effort to follow the traditional structures, based on melodic ideas, within the movements. Instead, he uses rhythmic elements to define sections of movements .
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Reconstruction of the world premiere choreography and design at the Salzburger Pfingstfestspiele 2013. Ballet of the Mariinsky Theatre, Saint Petersburg. Excerpts from The Firebird were used in Bruno Bozzetto's animated film Allegro Non Troppo and in Fantasia 2000. Saviour Pirotta and Catherine Hyde's picture book, Firebird, is based on the original stories that inspired the ballet, and was published in 2010 to celebrate the ballet's centenary.
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Lynne worked with Harrison very closely in the late 1980s. In 1986 he remixed a previously released song of Harrison's, "That's The Way It Goes". He also co-produced two new Harrison songs, "Zig Zag" and "The Hottest Gong In Town", which would respectively be released in 1988 and 1992. In 1987 he co-produced Cloud Nine, Harrison's first album since 1982's Gone Troppo.
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The song was a single for Italian pop singer Wilma Goich on the Italian record label Dischi Ricordi with side B being "Era troppo bello". Other famous versions include those by Joe Diverio, Nicola di Bari and Emilio Pericoli. It was translated into many other languages. In 2006, the song was part of the soundtrack of Le héros de la famille a film directed by Thierry Klifa.
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The videoclip was directed by Nicolò Cerioni and Leandro Manuel Emede and took place in a recording studio owned by Sugarkane Studios. Videos were recorded for both Italian and Spanish versions.Videoclip TROPPO TEMPO + BACKSTAGE - Laura Pausini Official Site It shows Pausini dressed in black, while covered with many accessories bought all over from Europe. During its promotion, it was even regarded as an "almost art installation".
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Allegro ma non troppo (A minor followed by F major) The symphony was said to be inspired by the crash of the Tupolev ANT-20 "Maksim Gorky". The premiere was on 24 October 1936, in Moscow with the Moscow Philharmonic conducted by E. Szenkar. The first movement begins with a triplet accompaniment and a chromatic main theme. The second movement is a dance-like intermezzo.
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After the first movement Allegro con fuoco ma non troppo in C major and the second movement Adagio (which begins in C-sharp minor and ends in E major), follow a scherzo presto in A-flat major and the technically transcendental finale, which starts in fugato returning to the key of C major and becomes more and more virtuosic as it moves toward its thunderous nonfugal conclusion.
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The text are verses 11 and 12 from Psalm 91 in the translation by Martin Luther. The English translation is from the King James Version of the Bible. The German "behüten" is related to "hüten", the job of a shepherd, to guard and protect, captured in the English Guardian angel. The music is in one movement in G major and common time, marked Allegretto non troppo.
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Johannes Brahms' String Sextet No. 2 in G major, Opus 36 was composed during the years of 1864–1865 (although it drew on material from earlier times) and published by the firm of Fritz Simrock. It was first performed in Boston, Massachusetts on October 11, 1866, with the European premiere following the next month in Zurich. The work is scored for two violins, two violas, and two celli, and has four movements: # Allegro non troppo (G major) # Scherzo – Allegro non troppo – Presto giocoso (G minor) # Adagio (E minor) # Poco allegro (G major) Brahms did most of the composition in the comfortable country surroundings of Lichtental, near Baden-Baden. According to Brahms' biographer Karl Geiringer, it conceals a reference to the first name of Agathe von Siebold (with whom he was infatuated at the time) in the first movement, bars 162–168, with the notes a-g-a-h-e.
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The Symphony is divided into three movements: #Allegro #Molto lento #Vivo non troppo mosso In contrast to the Third Symphony, there are no formal innovations here . The symphony is in the key of A—a sort of A minor tonality—though the overall character is brighter and more optimistic than the Third Symphony. Chávez treats his material cyclically, which means that thematic elements reappear throughout all three movements .
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Active in Venice. His main works are: Troppo tardi, exhibited in 1872; Mosca cieca, exhibited at the 1878 Universal Exhibition of Paris; Sbagliato, in 1879 at Monaco; La maschera veneziana exhibited at the Salon in 1879; Farfallina; Religione dello Famiglia; Le orfanelli; and Mamma mia. To Venice, in 1887, he displayed: Il Mattino; After the messa; Ai Vesperi; and In San Marco. The latter represent a realistic indoor vedute.
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Presto Brown I:B7 - Symphony in B flat major, I. Allegro molto con garbo, II. Andante, III. Menuet, IV. Presto Brown I:B8 - Symphony in B flat major, I. Allegro, II. Andante, III. Menuet, IV. Finale: Presto Brown I:Bm1 - Symphony in B minor, I. Allegro maestoso e con garbo, II. Andantino, III. Rondeau non troppo presto Brown I:C 1 - Symphony in C major, I. Adagio - Allegro molto, II. Andante, III.
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George Harrison wrote "That's the Way It Goes" and other songs for his Gone Troppo album during a period when his interest in contemporary popular music had diminishedHarrison, p. 344.Dave Thompson, "The Music of George Harrison: An album-by-album guide", Goldmine, 25 January 2002, p. 53. in favour of a part- time career as a film producer, with the success of his company HandMade Films.Clayson, p. 387.
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The work is in only one movement. However, some sources suggest that the work can be divided into two sections, marked Allegro ma non troppo and Allegro molto in the score. No recording has divided the work into such sections. Even though the title of the composition may misleadingly suggest a standard suite of dances or dance-related movements, it is generally conceived as a concerto grosso and variation form.
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The texture is thick and is more homophonic than contrapuntal. The two choruses alternate during the work, usually per line of verse. Within the work, there are moments of full chorus, where both choruses sing together, and moments with soloists within the two choirs. The piece contains changes in tempo: It begins as Adagio ma non troppo and slows to Largo at the beginning of the 9th verse.
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Original lyrics: "[...]del corpo d'una vergine/si fa lotteria[...]". The chosen man is Joseph, an old carpenter, who is saddened by the decision, deeming that Mary has been given in marriage to "a too-old heart that is already resting".Original lyrics: "[...]a un cuore troppo vecchio/che ormai si riposa.". Nevertheless, the carpenter takes his newly-wed bride to his home, and subsequently leaves to attend works outside of Judea.
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In March 2012, Pausini confirmed that the song "Inedito" would not be released as a single due to Gianna Nannini, with whom Pausini shares the vocals, being on vacation and not promoting the song while on tour. Then Pausini asked which song would be the fourth single, with the options being "Troppo tempo" and "Le cose che non mi aspetto". The song was released on March 23, 2012.
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He was prolific and eclectic, painting history, sacred, and genre subjects, as well as portraits. In 1880 at Turin, he exhibited: Christ at Gesthemane. In 1883 at Milan, he exhibited: The Garibaldini and the Bersaglieri of Manara defend the Breach of Rome in 1849, and a half-figure titled: Pensierosa. In 1886 at the National Exposition, he exhibited: Troppo tardi; Rifugio d'amore; Placido sonno, and Le sirene, a charcoal drawing.
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Unlike on The Best of George Harrison (1976), which Capitol Records had compiled after the expiration of his EMI contract, Harrison was involved in the selection of songs for Best of Dark Horse. The compilation includes his hit singles "Crackerbox Palace" (1977), "Blow Away" (1979), "All Those Years Ago" (1981), "Got My Mind Set on You" (1987) and "When We Was Fab" (1988), and two other songs that had placed on one of Billboard magazine's US singles charts: "Love Comes to Everyone" (1979) and "Wake Up My Love" (1982). The new album omitted charting singles such as "This Song" (1976) and "This Is Love" (1988), however. Over these, Harrison favoured a selection of album tracks: "Here Comes the Moon", from 1979's George Harrison album; "Life Itself", from Somewhere in England (1981); "That's the Way It Goes" and "Gone Troppo", from the 1982 album Gone Troppo; and the title track from Cloud Nine, which had charted on Billboards Album Rock Tracks listings.
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Cover of the printed score of Malcolm Arnold's Symphony No. 4 The Symphony No. 4, Op. 71 by Malcolm Arnold was finished on 13 July 1960. It is in four movements: I. Allegro II. Vivace ma non troppo III. Andantino IV. Con fuoco The work was commissioned by William Glock for the BBC. The composer conducted the first performance with the BBC Symphony Orchestra on 2 November 1960 at the Royal Festival Hall.
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I. Allegro ma non troppo (B major) Uses a four-key exposition (B major, G major, E major, F-sharp major). II. Andante (E major) III. Scherzo: Allegretto – Trio (G major, D major) IV. Allegro giusto (B major) The work takes approximately 24 minutes to perform. Daniel Coren has noted that the first movement of this sonata is the only such movement in Schubert's sonatas where the recapitulation is an exact transposition of the exposition.
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Theatro Municipal, Rio de Janeiro, venue of the concerto's première The concerto has four movements: #Allegro non troppo #Andante con moto #Scherzo (Vivace) – Cadenza #Allegro vivace (decisivo) The transparent, Aeolian main theme of the first movement recalls the openings of some of Sergei Prokofiev's concertos and the Third Piano Concerto of Béla Bartók. In general, the concerto is "athematic", avoiding characteristic melodies. The slow movement is an exception, with lyrical, clear themes .
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The third movement, Laudato sia, mio Signore, per frate vento, renders praises by Brother Wind. Marked Fuga (fugue) and "Energico, ma non troppo allegro", it is set mostly for a four-part choir with orchestra. The brass begins with strong chords, followed by stormy runs in the strings, to which the voices add more and more complex fugues. Only a middle section is devoted to tranquil weather, depicted first by the solo voices.
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The Concerto in C major, RV 559, is a concerto grosso by the Italian composer Antonio Vivaldi. Its appearance in the Bruno Bozzetto 1976 animated film Allegro Non Troppo has led to the piece becoming widely known to audiences outside the classical concert hall. The concerto's instrumentation is for two oboes, two clarinets, string section and harpsichord. It is one of two of Vivaldi's concerti grossi for this instrumentation, the other being RV 560.
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During the reconstruction following World War II, much of RAI's early programming was influenced by the "Reithian" style of the BBC. The emphasis was on educational content. Programs like Non è mai troppo tardi and Un viaggio al Po introduced people to what life was like in other parts of the country, at a time when most people could not afford to travel. Over the following years the RAI made various changes to its services.
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Theologian Dale Allison views the track as an example of how its composer's work "often revels in the natural world". According to Allison, the same "easy romanticism about nature" returns in "Blow Away" and songs from Gone Troppo (1982), while also contrasting with the "ecological anxiety" Harrison expresses in tracks such as "Tears of the World", "Cockamamie Business" and the Monty Python-influenced "Save the World".Allison, pp. 70–71, 153–54.
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The concerto follows the classical three-movement pattern of fast-slow-fast. As such, musicologist Kenneth Gloag points out, it fits in a pattern on Tippett's concerto output that mirrors a historical trajectory—from that of the concerto grosso in his Concerto for Double String Orchestra to that of hybrid concerto grosso and instrumental concerto as typified by his Triple Concerto, Beethoven's Triple Concerto and Johannes Brahms's Double Concerto.Gloag, 168 1\. Allegro non- troppo.
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In Perth, Western Australia, there are at least three different projects that incorporate the principles of green building. The Office development located in Murray Street, West Perth being designed by Eco Design Consultant in collaboration with Troppo Architects is one of them. The other two are mixed development along Wellington Street, in the city centre. Guidelines for building developments in each project are outlined in the bylaws and the Green Building Council of Australia.
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The opening bars of the solo part of the first movement, played over sustained chords in the strings. The opening bars of the second movement, played by the soloist alone The primary "Airs Slovaques" theme, which provides the rhythmic and melodic impetus for the entire third movement. The work is in the typical three-movement structure. A typical performance of the work lasts around thirty minutes. # Andante Moderato (46 = dotted quarter) -- Allegro non troppo (84 = dotted quarter).
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The quartet is in four movements: #Allegro con brio #Adagio ma non troppo #Scherzo: Allegro #La Malinconia: Adagio – Allegretto quasi Allegro The first movement is in sonata form. The first theme starts in B with a conversation between the first violin and the cello. After a while the second violin takes over the conversation from the cello. It then modulates to the dominant of F major and then F minor for the second theme at around m. 45.
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"Dream Away" (Japanese: , O Ra I Na E) is a song by English rock musician George Harrison from his 1982 album Gone Troppo. The song was featured over the end credits of Harrison's 1981 HandMade Films production Time Bandits, which was director Terry Gilliam's first successful film outside of his work with Monty Python.IMDb, 2010. Aside from the film's orchestral score, it was the only song featured in Time Bandits and was written specifically for the film.
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Nikolai Myaskovsky wrote his Symphony No. 3 in A minor, Op. 15 in 1914. It is in two movements: #Non troppo vivo, vigoroso #Deciso e sdegnoso It is dedicated to Boris Asafyev. The third symphony was the last that Myaskovsky wrote before the outbreak of the First World War. The past works of the composer that had been taken up by performers at this time, particularly the Cello Sonata in D major, Op. 12 were already well-liked.
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Pacchi, op.cit., p.236: “Ma qui il discorso si fa necessariamente metodologico: l’attribuzione di un discorso diverso al De Homine rispetto al De Corpore, pur in presenza di espressioni letteralmente molto simili, se non pressoché identiche, può sostenersi solo se si ritiene che in taluni casi sia lecito andare al di là del testo[…]. mediante quella lettura ‘tra le righe’ della quale Polin condanna giustamente l’uso ‘abusivo’ e ‘troppo facile’ che si fa ai nostri giorni […]”.
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She also released a single, "Vivo per lei" with Andrea Bocelli, who had also sung at the San Remo festival, winning the New Artists category, the same year as Giorgia had sung with her hit "E poi". Giorgia was involved in the composition and vocal arrangements of the tracks, entering a more mature phase of her career, thanks to the initial encouragement of Pino Daniele, which she would continue into her following album Mangio Troppo Cioccolata.
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Fantasia is parodied in A Corny Concerto, a Warner Bros. cartoon from 1943 of the Merrie Melodies series. The short features Elmer Fudd in the role of Taylor, wearing his styled glasses, who introduces two segments set to pieces by Johann Strauss (Tales from the Vienna Woods and the Blue Danube Waltz, the former featuring Porky and Bugs and the latter featuring Daffy). In 1976, Italian animator Bruno Bozzetto produced Allegro Non Troppo, a feature-length parody of Fantasia.
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Marengo was born in Rome and her film debut was in Casta Diva (1935), directed by Carmine Gallone. Characterized by a slightly hoarse voice, she was mainly active in humorous roles, and was often typecast as a spinster or a gossiping woman. She played Serafina in Domani è troppo tardi (1950), directed by Léonide Moguy, and starring Vittorio De Sica, Lois Maxwell, Gabrielle Dorziat, and Pier Angeli. The film won Best Italian Film at the Venice Film Festival.
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''''' (translates as "an opera for the imagination") is a 1993 French live- action animated musical anthology film, made for television. It has been compared to films like Fantasia and Allegro Non Troppo, and consists of 12 different segments, most of which are based on different popular operas. All of these segments are done in a greater variety of animation styles than Fantasia had done. It was nominated for best production at the CableACE Awards in 1994.
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The symphony is a condensed one-movement version of a classical four-movement symphony and is modeled after Sibelius' Symphony No. 7 (; ). The work is divided into four sections: #Allegro ma non troppo #Allegro molto #Andante tranquillo #Con moto In the program notes for the New York premiere Barber explained: Barber made some revisions to the work in 1942–43. The revised version was first performed 18 February 1944 by the Philadelphia Orchestra conducted by Bruno Walter.
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Chrom Records released Silence's debut album "Ma Non Troppo" in 1997, an album that was declared Album of the month by the influential German magazine "New Life". The first single from the debut album was "Samuel's Gabriel", described by the band as "a cynical protest against the hypocrisy of the Clergy and Christianity as a political institution." The video was shot in Munich and on the shores of Kenya in 1998. This was followed by a short German tour together with Distain!.
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Royal Festival Hall, London, venue of the concerto's premiere The concerto has four movements: #Allegro non troppo #Poco adagio #Allegretto scherzando – Cadenza #Allegretto The first movement is in sonata-allegro form. After an orchestral introduction featuring a mirror motif, the main theme enters at rehearsal number 3. It is in A minor and resembles a slow waltz, alternating and metres. A bridge, in which the opening mirror motif is played by the piano, leads to the second, chromatic, Gershwinesque theme at rehearsal no.
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He has also been involved in the performance and production of Guatemalan music from the colonial period. Alvarado is the son of Manuel Antonio Alvarado a Guatemalan educator, and brother of Manuel Alvarado, a British-Guatemalan academic in media studies. He writes a weekly column, Presto non troppo in Prensa Libre, a Guatemalan daily newspaper. In 2016 he performed and produced El Chelo Guatemalteco, a collection of Guatemalan music rendered for the Cello, with Costa Rican pianist Gerardo Meza Sandoval.
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The work is in an expanded four-movement form, and is distinctly symphonic in character: #Moderato e risoluto (G major) #Andante non troppo quasi Moderato (E minor) #Scherzo. Allegro giocoso (G major) #Finale. Allegro vivace (G major) Structurally, the four movements are connected by the 'Grand Motif' introduced in the first movement, though it is expressed in a variety of contexts. The first movement is written in common sonata-allegro form, and an array of techniques are used to mimic orchestral colors.
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The Symphony No. 1 in C minor, Op. 3, by Nikolai Myaskovsky was written in 1908 (and revised 1921). It is in three movements: # Lento, ma non troppo. Allegro. # Larghetto, quasi andante # Allegro assai e molto risoluto The first sketches for this symphony were written at the time of Myaskovsky's studies in Saint Petersburg in February 1908. The following summer he wrote the piano score, and on the first, ninth and twenty-seventh of July, the movements were finished in piano reduction.
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Finale Brown I:F 4 - Symphony in F major, I. Allegro molto in tempo di presto, II. Andantino, III. Finale Brown I:F 5 - Symphony in F major, I. Allegro moderato, II. Andante, III. Finale Brown I:F 6 - Symphony in F major, I. Allegro molto, II. Andante molto, III. Menuetto: Moderato, IV. Finale: Presto Brown I:F 7 - Symphony in F major, I. Allegro, II. Andante non troppo lento, III. Presto Brown I:F 8 - Symphony in F major, I. Andante, II. Fuga, III.
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In Italian. Retrieved 30 July 2010 The shows included the brooding songs "Un bacio è troppo poco" ("One Kiss is Not Enough") and "Un anno d'amore" ("A Year of Love"),Un anno d'amore Hit Parade Italia. In Italian. Retrieved 25 May 2010 a cover of Nino Ferrer's "C'est irreparable".Artist: Nino Ferrer. Secondhandsongs.com. Retrieved 25 May 2010 In the same series she performed "Brava" ("Good"), a rhythmic jazz number specially written by Bruno Canfora to demonstrate the Mina's vocal range and performing skills.
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The song is in time, marked Allegro ma non troppo. The melody, unlike nearly all the rest of the tunes used in the Epistles, cannot be traced beyond Bellman himself and may thus be of his own composition. It is "spaciously Mozartian", with da capos at the end of each verse creating yet more space, before a sudden switch to a minor key for the chorus. Bellman's song about Haga, "Porten med blommor ett Tempel bebådar" is set to the same tune.
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"Wake Up My Love" is a song by English rock musician George Harrison from his 1982 album Gone Troppo. Released as the A-side of the album's lead single, it peaked at number 53 in the United States but failed to chart in Britain. Harrison included the track on his 1989 compilation album Best of Dark Horse. As with his previous single, "Teardrops", the song was an attempt by Harrison to make his music sound contemporary, to appease the commercial concerns of Warner Bros. Records.
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The show's theme music was originally The Procession of the Sardar, by Mikhail Ippolitov-Ivanov, a student of Rimsky-Korsakov. Later, it was replaced by Allegro Non Troppo, the first movement from Malcolm Arnold's Second Set of English Dances Opus 33. The ten programmes titled The Papers used the Gershwin Piano Concerto in F as opening and closing music; when it reverted to the original title, it was replaced again by the Arnold work, which was also used for the revived programme on radio.
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The "minuet" section, which is in G minor, is followed by a "trio" section in G major, followed by another "minuet" section (written out) and finally the coda section in the key of the trio. The fourth movement, marked Vivace, ma non troppo presto, is in and has a key signature of one sharp (G major and E minor) throughout. It displays influences of Hungarian music. The opening theme in the first viola is in B minor, and is copied by the first violin nine bars later.
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Michael Haydn's Symphony No. 23 in D major, Perger 43, Sherman 22, Sherman- adjusted 23, MH 287, is believed to have been written in Salzburg around 1779. It was attributed to Wolfgang Amadeus Mozart in Ludwig von Köchel's original catalog as K. 291. Scored for 2 oboes, 2 bassoons, 2 horns and strings, in three movements: #Allegro assai #Andantino, in D minor, changing to D major at measure 65 #Fugato. Presto mà non troppo The slow movement begins in D minor, sans winds at first.
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After this, the music returns to minor for a new transitional episode, in which the descending theme reappears played by the strings con sordini with a mysterious piano arpeggio accompaniment. It is quite long (about 2 minutes) and ends with a piano trill announcing the final part. The work ends with a brilliant final in the parallel F major (Allegro non troppo). It is a compact sonata-form movement, complete with first (the descending theme) and second (the ascending theme) subjects, development, and recapitulation.
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Out of not only his piano sonatas but all of his published works up to this point, this is the first time that Beethoven decides to write ma non troppo. Some critics attribute the repeating bass line to a bagpipe, others to a dancing gigue. Beethoven employs various amusing, interesting and very adventurous episodes, all with different moods, rhythms, and harmonic texture. The coda, played a little faster than the allegro (Più allegro), can be termed as the only 'virtuoso' passage in the whole sonata.
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The work is scored for piano, violin, viola, cello and horn in F. It is structured in four movements: # Allegro con brio, ma non troppo vivace # Andante grave # Scherzo: Presto leggiero'' # Finale: Allegro con brio – Allegro vivace e leggiero'' It was performed 29 June 1889 in WiesbadenPerformance on 29 June 1889 announced in an ad for an annual Tonkunstlerverein in the Neue Zeitschrift für Musik, 15 May 1889 issue, p.236, and reviewed pp.355-356, 24 July 1889 issue. if not necessarily premiered then.
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Like all of his chamber music, Strauss' sonata follows standard classical form, though it is considered the last of his works to do so.All Music Guide, "Classical Archives: Richard Strauss - Violin Sonata in Eb, Op. 18". Classical Archives. January 25, 2010 The piece is in three movements, and takes approximately thirty minutes to perform: #Allegro, ma non troppo #Improvisation: Andante cantabile #Finale: Andante - Allegro The first movement opens with a brief piano solo, followed by lyrical violin interludes, through which the thematic material is presented.
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Troppo Tempo (literally Too Much Time in English) is a song recorded by Italian singer Laura Pausini, for her eleventh studio album, Inedito. It was supposed to be the sixth and last single promoting the album, but when Pausini discovered that she was pregnant, she changed her mind to "Celeste", included on the same album.Laura Pausini “Hace Tiempo” (Video Premiere) The song features a guitar solo and vocals in the chorus provided by also-Italian singer Ivano Fossati. The song was written by Ivano Fossati.
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The Captain Matchbox Whoopee Band, also known as Soapbox Circus or Matchbox, were an Australian jug band formed in 1969. It centred on Mic Conway ("Captain Matchbox") on lead vocals, washboard and ukulele; and his brother, Jim Conway, on harmonica, kazoo and vocals. They issued four studio albums, Smoke Dreams (June 1973), Wangaratta Wahine (late 1974), Australia (November 1975) and Slightly Troppo (1978), before they disbanded in September 1980. The Conway brothers reformed the group in 2010 as Captain Matchbox Reignited and disbanded again two years later.
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The future composer Christoph Graupner was also a student of Kuhnau at the time. Heinichen enrolled in 1702 to study law at the University of Leipzig and in 1705–1706 qualified as a lawyer (in the early 18th century the law was a favored route for composers; Kuhnau, Graupner and Georg Philipp Telemann were also lawyers). Heinichen practiced law in Weissenfels until 1709. However, Heinichen maintained his interest in music and was concurrently composing operas. In 1710, he published the first edition of his major treatise on the thoroughbass. He went to Italy and spent seven formative years there, mostly in Venice, with great success with two operas, Mario and Le passioni per troppo amore (1713).George J. Buelow – A History of Baroque Music 2004 – Page 463 0253343658 Johann David Heinichen (1683–1729) in 1713 also had great successes at Venice's Sant'Angelo theater with two operas: Mario and Le passioni per troppo amore. Mario was staged again in Hamburg in 1716 with the German title, Calpurnia, oder die romische Grossmut. In 1712, he taught music to Leopold, Prince of Anhalt-Köthen, who took him as composer.
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Omicidio per appuntamento was written and directed by Mino Guerrini. Guerrini had previously worked as a script supervisor on the film La ragazza che sapeva troppo, which has been described as the first giallo film. Guerrini's screenplay, written alongside Fernando Di Leo, was based on the novel Tempo di massacro by Franco Enna; the novel's provincial setting was moved to contemporary Rome and updated with references to then-current eurospy films, particularly Ardisson's films with Sergio Sollima. Guerrini and Di Leo would later collaborate on Gangsters '70, again co-writing the script.
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Among the many public works commissioned to Livio Masciarelli we must point out the Young Worker, a wrought iron gate that was located at the shop entrance of the Blessed Nunzio Sulprizio in Pescosansonesco. In the years between 1960 and 1964 two documentaries were dedicated to Livio Masciarelli created by a film maker and photo journalist Costas Papadopoulos. These two films were commissioned by RAI and have been broadcast several times by two different programs: Giramondo and Non è mai troppo tardi. The two documentaries are preserved in the archives of RAI.
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Ercoli was born in Rome, Italy, on October 19, 1929. His first film credit was as an assistant director for the 1955 film La risaia, directed by Raffaello Matarazzo. Ercoli then acted as a film producer on several titles throughout the 1960s, before making his directorial début in 1970, helming the giallo film Le foto proibite di una signora per bene, which he also produced and edited. Ercoli went on to direct several more films throughout the early to mid-1970s, including Il figlio della sepolta viva and Troppo rischio per un uomo solo.
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Like most of Villa-Lobos's works in the medium, the quartet consists of four movements: #Allegro non troppo #Scherzo (Vivace) #Adagio #Allegro vivace All four movements of this quartet are in ternary, ABA form . In the first movement, the return of the A section is restricted to its first half, the remainder being replaced with a ten-bar coda . The second movement is a scherzo, concluding with a coda made from material taken from the central, B section . The third, slow movement exhibits subtle features of modinha rhythms in 6/4 time .
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Giovanni Oliva (short Gianni, born in Turin) is an Italian historian and politician. Oliva specialises in Italian modern history, and in particular subjects related to the history of Italy during World War II. He has written books about the Italian resistance movement, Italian war crimes,Oliva, Gianni (2006) «Si ammazza troppo poco». I crimini di guerra italiani. 1940-43, Mondadori, German and fascist war crimes in Italy during the 1943-1945 period, the Italian Social Republic, the 1945 anti-fascist epuration, the foibe massacres and the Istrian exodus.
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Stanford set a paraphrase of the first verse of Psalm 119 in Latin, "Beati quorum via integra est, qui ambulant in lege Domini" (Happy are they that are upright in the way, who walk in the law of the LORD). He composed the text for a mixed unaccompanied six-part choir, SSATBB. The piece is in A-flat major and 3/4 time, marked Con moto tranqillo ma no troppo lento (In calm movement but not too slow). The three upper voices begin, imitated by the three lower voices.
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This composition consists of three short miniatures which take 1 to 1:30 minutes each to perform. The general mood and style of the work differs from the following works and shows no signs of Penderecki's later radicalism, in the sense that these miniatures are not focused on the sonority of the instruments to generate atmospheres, probably influenced by Béla Bartók. The miniatures were titled as follows: # Allegro # Andante cantabile # Allegro ma non troppo The two outer movements of this composition are active and fast, while the middle one is slower and more meditative.
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Current bands are also beginning to use the mandolin and its unique sound, such as South London's Indigo Moss who use it throughout their recordings and live gigs. The mandolin has also featured in the playing of Matthew Bellamy in the rock band Muse. It also forms the basis of Paul McCartney's 2007 hit "Dance Tonight". That was not the first time a Beatle played a mandolin, however; that distinction goes to George Harrison on "Gone Troppo", the title cut from the 1982 album of the same name.
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The composition is structured in two movements: # Cyprès (Poco adagio) # Lauriers (Allegro non troppo) Lasting not quite twenty minutes, the piece is program music divided into two parts. The first, "cyprès" ("cypress"), is a mournful dirge adagio for organ solo, recalling a mournful cypress. Once the orchestra makes its entrance, there is an uplifting and sprightly interplay between the organ and orchestra, reminiscent of a militaristic march (hence the "lauriers", or "laurels") that makes liberal use of brass and a large percussion band (unusually including a snare drum).
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In the late 1970s, Phil Harris and Adrian Welke were two young Adelaide-raised Bachelor of Architecture students. In 1978, their final year of undergraduate study, they collaborated on the publication of "Influences in Regional Architecture", Australia's first history of architecture outside the urban arena. Troppo Architects was founded in 1980 by Harris and Welke, whose early careers had taken them to Darwin. The practice commenced with the aid of an NT Government history grant to research (and eventually define and publicise) the History of Tropical Housing in Australia's Top End.
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The Sinfonía pirenaica (Pyrenean Symphony), inspired by the Pyrenees, was composed by Jesús Guridi in 1945 and premiered on 8 February 1946 in Bilbao by the Bilbao Municipal Orchestra conducted by Jesús Arámbarri.Premiere of a symphony by maestro Guridi. La Vanguardia, 09/02/45 Lasting c. 49 minutes, it consists of three movements: #Andante sostenuto — Allegro molto moderato #Presto ma non troppo #Allegro brioso All three movements are based in the Sonata form, while the harmonic language reflects Basque folk music through the use of altered thirds and sevenths in a major tonality.
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Allegro Non Troppo is a 1976 Italian animated film directed by Bruno Bozzetto. Featuring six pieces of classical music, the film is a parody of Walt Disney's 1940 feature film, Fantasia, two of its segments being derived from the earlier film. The classical pieces are set to color animation, ranging from comedy to deep tragedy. At the beginning, in between the animation, and at the end, there are black and white live-action sequences, displaying the fictional animator, orchestra, conductor and filmmaker, with many humorous scenes about the fictional production of the film.
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Live- action/animation is a technique combining hand-drawn characters into live action shots or live-action actors into animated shots. One of the earlier uses was in Koko the Clown when Koko was drawn over live-action footage. Walt Disney and Ub Iwerks created a series of Alice Comedies (1923–1927), in which a live-action girl enters an animated world. Other examples include Allegro Non Troppo (Italy, 1976), Who Framed Roger Rabbit (US, 1988), Volere volare (Italy 1991), Space Jam (US, 1996) and Osmosis Jones (US, 2001).
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The symphony is in four movements: #Allegro non troppo #Allegretto scherzando #Andante Moderato #Allegro The principal, first theme of the opening movement returns in all of the subsequent movements as a cyclic theme. It appears twice in the development section of the second movement (b. 93 and 168, both times in the low strings), at the beginning of the development in the third movement (b. 32) in the low woodwinds, and in the fourth movement in the development or episodic section, first in the bass clarinet, then with the addition of the bassoons and contrabassoon .
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Brought up in Brisbane in the 1960s, Lee began writing for The Telegraph newspaper at the age of 16. He has published two novels, a collection of short stories and a collection of travel stories, all with University of Queensland Press. Referring to Lee's first novel, True Love and How to Get It (1981), The Oxford Companion to Australian Literature stated: "...a witty writer with a deceptively naive narrative style, Lee frequently satirises contemporary Queensland lifestyles". His second novel, Troppo Man (1990) set in Ubud, Bali, was shortlisted for the Vogel's Young Writers Award.
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Rossi's Vacation (1978) (Le Vacanze del signor Rossi) In 1975, there was a short mini series called "Mr Rossi's Sporting Feats". It contained 11 episodes and each one was two minutes long approximately. Each episode focused on Mr Rossi attempting to partake in one sport, with very unusual results. These episodes featured the following: - #Rowing #Fencing #Skiing #Gymnastics #Cycling #Athletics #Basketball / Volleyball #Tennis #Swimming #Running #Football In Bruno Bozzetto's 1976 feature-length film Allegro Non Troppo, Mr Rossi briefly appears in an animation embedded in a live-action sequence.
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During the second night, the competition for the Newcomers' section was launched. In the final part of the show, four newcomers performed their entries and, after receiving votes by journalists and by the public, two of them were eliminated from the competition. The first musical guest of the night was actor Claudio Santamaria, promoting the fiction Non è mai troppo tardi, based on the story of Italian school teacher Alberto Manzi. The Kessler Twins later appeared on stage, singing and dancing the track "Quelli belli come noi" with co-presenter Luciana Littizzetto.
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The middle section begins in G major but involves a number of key modulations, which makes the passage that initially evokes a brighter mood even more affecting yet dreamlike later on. # Finale (Allegro non troppo) (in D minor and in rondo form) – Back in D minor, the movement opens dramatically. Later comes a recollection of themes from the third and first movements, which is followed by a turbulent ending that restates the primary theme of this movement. The trio is dedicated to the memory of the renowned Russian cellist, Karl Davydov.
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Born in Roma, Anna Valle lived in Ladispoli up to thirteen years; after the separation of her parents she moved to Sicily, in Lentini, the city of origin of the mother.Vittorio Zircone, "La fiction non deve educare e in Italia c'è troppo ipocrisia", Sette, 15 February 2013, pp. 60-62. After the high school, she enrolled at the Faculty of Law at the University of Catania, but she interrupted her studies in 1995, when she was elected Miss Italy. The following year she entered the competition at the Miss Universe 1996.
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In 1989 he also made his directorial debut with the film Vogliamoci troppo bene (Let's love too much) and took part in the Sanremo Music Festival with the song Esatto (Correct), which obtained critical and commercial success. He later took part to three more editions of the Festival between 1990 and 1996. In 1991, he took part to the musical L'Odissea, a satirical music show inspired from Homer's Odyssey, aired by Canale 5 and directed by Beppe Recchia. Salvi interpreted Telemachus and Polyphemus, while Andrea Roncato played Ulysses and pornographic actress Moana Pozzi played Penelope.
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The second movement, marked "adagio," states the theme in virtually the same way it is presented in the song, whereas the three fast movements begin with variants in diminution (that is, shortened note values): the first movement, "allegro con fuoco ma non troppo," a monothematic sonata form in which the second theme is another variant, the third, "presto," a scherzo in triple meter, and the finale, marked simply "allegro," starting as a quasi-fugue and making increasing demands on the player's technical and interpretive powers as it storms on to its conclusion.
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The movements are as follows: #Allegro ma non troppo #Allegro vivace #Andante #Allegro The playing time is approximately 40 minutes. The compositional style has been likened to that of Nikolai Myaskovsky, who was the teacher of Schnittke's composition teacher Evgeny Golubev, and to that of Shostakovich, Paul Hindemith and Carl Orff. Apart from the innovative use of the harpsichord in the orchestra, which was to become a signature of Schnittke's later music, the symphony has been criticised for its lack of originality, including "imitation" of Shostakovich and "borrowed gestures".
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The three pieces are marked: # Impromptu: Allegro fluento # Adagio # Allegro non troppo The beginning is reminiscent of Impressionism, but moves to "more abrupt and dissonant material", according to the musicologist Chris Morrison. Nielsen commented on the last pages: "Think of a tipsy fellow trying to keep his dignity and upright position by holding on to a lamp-post!" Morrison writes that the Adagio shows "sudden outbursts" in mostly "tender and haunting music". In the last movement, which he describes as "tough-minded, forceful", Nielsen at times approaches atonality.
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Brachetti has created and performed about 25 acts for television and 10 plays, produced by the National Theatre of Italy. The festival "Juste Pour Rire" (the yearly "Just for Laughs" comedy festival every July in Montreal) launched his career in North America. In the Opera field he created a personal version of L'Histoire du soldat by Stravinsky, "Peter and the Wolf" by Prokofiev and "Allegro, un po' troppo" with the Symphonic Orchestra of Rai Radio Televisione Italiana. In 2009 he was nominated for the Laurence Olivier Award in London for the show "Change" at the Garrick Theatre.
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Amy and Dan continue their search to find out that Bob Troppo was actually Ekaterina agent Robert Cahill Henderson, who came devastatingly close to finding all 39 clues in his Indonesian lab. His work was destroyed by the Krakatoa eruption and he fled to Australia. Amy and Dan find a note written by him, a strange poem seemingly pointing to the clue. The Cahills discover the clue – water – with the help of Alistair Oh. However, Isabel Kabra sets the house they are staying in on fire, and Irina Spasky chooses to save Amy, Dan, and Alistair at the price of her own life.
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In 2001, Milva released the German studio album Artisti, in which she performed songs in German, Italian, Spanish and Latin. The album was released and distributed by BMG Ariola. In the album, she covered Julio Iglesias' "Abrázame", a Spanish language pop standard rewritten with German lyrics, titled as Komm halt mich Fest, as well as an Italian- language cover of John Denver's Perhaps Love. She also performed Da troppo tempo, a song which she had previously recorded in Italian and competed with at the Sanremo Music Festival of 1973, finishing in 3rd place, this time in German.
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The first two movements of the work are coupled together and scored in C major in 2/4 and 3/4 time marked Allegro non troppo. They open with a glissando ranging over two octaves in the treble voice which culminates in the statement of the main theme centered on two percussive chord structures. This leads to a series of rhythmatic arpeggios in the key of D flat minor followed by a series of descending sixteenth note groupings echoing the main theme. The theme is subsequently restated in the key of D sharp and eventually progresses into the key of F flat.
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His big break came in 2009 when he played the role of Peppino Torrenuova, the male protagonist in Baarìa , directed by Giuseppe Tornatore, next to newcomer Margareth Madè. The film succeeded at the box office and was nominated by Italy as its entry in the Oscars 2010 and also nominated for a Golden Globe. In 2010 Scianna acted in the movie Vallanzasca - Gli angeli del male, playing the role of Francis Turatello, with Kim Rossi Stuart, directed by Michele Placido., Gazzetta di Parma Also that year, he acted in Le cose che restano and in 2011 in Ti amo troppo per dirtelo.
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B.500 MAI TROPPO (2020) An "Imperial Saffron" orange paint finish is applied to the exterior of the B.500 from Bvlgari, using gold dust reclaimed from the firm's manufacture of jewelry; inside, recycled silk scarves from the marque cover the dashboard and are used to trim the leather seats. The steering wheel features a removable brooch set with amethyst, topaz, and citrine stones. In addition, a special hatbox and jewelry case were made for the B.500, and the gold key to the automobile (set with an ancient coin) may be worn as jewelry as well.
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The song was inspired by Soviet Russian composer Dmitri Shostakovich and drum loops, both of which Stump was interested in at one point in the recording process. While listening to the fourth movement (Allegro non troppo) of Shostakovich's Symphony No. 7, Stump became entranced by a certain string moment and proceeded to build an entirely new song influenced by it. The same orchestral snippet was employed as a sample by German hip-hop artist Peter Fox in his 2008 single Alles Neu. The tempo of the song is 138 BPM, and it is written in the key of E minor.
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In May 2012, Pausini announced that the fifth single from the album would be "Le cose che non-mi aspetto", which was released on 25 May 2012. The last single from the album is going to be "Celeste" (in Italy) and "Las cosas que no me espero" (in Spain and Latin America, featuring Carlos Baute), both to be released on 5 November 2012.Laura Pausini: l’annuncio è stato “Celeste” Originally, "Troppo tempo" was going to be chosen as the last single (with its music video already been recorded), but when Pausini discovered she was pregnant she changed her mind and chose such song.
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Writing shortly after Harrison's death in November 2001, music journalist Rip Rense cited the track as evidence that "All his albums, even the rather hasty 'Extra Texture,' and the post-scripty 'Gone Troppo,' contain some of the most affecting moments in his career."Rip Rense, "There Went the Sun: Reflection on the Passing of George Harrison", Beatlefan, 29 January 2002 (retrieved 16 November 2016). Reviewing Harrison's solo releases in 2004, for Blender magazine, Paul Du Noyer considered the song to be the album's "standout track".Paul Du Noyer, "Back Catalogue: George Harrison", Blender, April 2004, pp. 152–53.
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"That's the Way It Goes" is a song by English musician George Harrison from his 1982 album Gone Troppo. Harrison wrote the song during a period when he had become uninterested in contemporary music and was enjoying success as a film producer with his company HandMade Films. Partly influenced by his extended holidays in Hawaii and Australia, the lyrics convey his dismay at the world's preoccupation with money and status, although, unlike several of Harrison's previous musical statements on the subject, he expresses resignation and acceptance. Harrison recorded the song at his Friar Park studio in 1982.
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Griffiths summed up the message: "The Under-Rated One, rather than the Quiet One, shall we say." Paul Du Noyer, writing in The Word, identified Thirty Three & 1/3 and Cloud Nine as the high points of the set. He said that Harrison, as a musician first and foremost, "maintained a quizzical distance from pop culture" and that "[his] innate caution kept his music inside a certain stylistic range, but also guaranteed a level of artistic consistency."Paul Du Noyer, "George Harrison: Thirty Three & ⅓; George Harrison; Somewhere In England; Gone Troppo; Cloud Nine; Live In Japan", The Word, April 2004.
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The concerto features simple ABA form in the first and second movements, but suggests a more complex rondo form with intervening episodes in the finale. The concerto is in three movements as follows: #Allegro ma non troppo – in D minor. Poulenc chooses to bypass the conventions of sonata allegro in the opening movement in favor of ternary form, with a slower middle section. If this first movement is meant to evoke Mozart, it is the blithe composer of the delightful Divertimenti and Serenades. The general effect is “gay and direct,” words Poulenc often used to describe his own music.
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Nearco, urging him to be calm and to turn his thoughts to God, causes Poliuto to pray: D'un'alma troppo fervida, tempra, buon Dio, gli affetti / "Temper the emotions, dear God, of a soul that is too ardent". Poliuto enters the shrine, as his wife Paolina, who has been following him, arrives outside. She suspects that he has become a Christian convert, and waits for him to reappear from the baptism, recognizing that she has come to the right place. She calls to Nearco when he leaves the cave, and he warns her not to become involved since death is the penalty for all.
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They performed in a musical theatre play, Smackin' the Dacks, at the Pram Factory Front Theatre, Carlton from 17 November to 24 December 1977. The musicians were the Conway brothers, Ludbrook, McLean and Muhleisen joined by Tony Burkys and Colin Stevens. By 1978 the band were renamed Matchbox with the Conway brothers, Ludbrook, McLean, Muhleisen, Burkys on guitar (ex-Original Battersea Heroes) and Stephen Cooney on guitar (ex-Phil Manning Band), who was soon replaced by Louis McManus (ex-Bushwackers). The musical theatre component, Soapbox Circus, were incorporated into Circus Oz. Matchbox issued a studio album, Slightly Troppo (1978), which delivered two singles.
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Studie nach Bach (aus "an die Jugend"). Allegro non troppo, pp. 30-31. :::[An endlessly repeating 24-bar loop extracted from the "Fuga figurata" of Book 2 of Busoni's An die Jugend, BV 254 (score). The piece combines themes from the prelude and the fugue of Bach's Prelude and Fugue No.5 in D major (BWV 850) from the Well-Tempered Clavier, Book 1 (score)] ::(b) Nach Schubert, pp. 32-33. :::[16-bar excerpt beginning just before bar 57 of Liszt's transcription of Schubert's song Erlkönig in 12 Lieder von Franz Schubert, S.558/4 (score)] (Sitsky, p 293) ::(c) Aus meinem "Concerto".
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Amastre asks Romilda to take a letter to the King, telling her that this will help her. Amastre bewails her plight, having been abandoned by Serse, who promised to be hers (Aria: Cagion son io). Arsamene blames Romilda for the fact that he has been sentenced to death, and the lovers again quarrel (Duet: Troppo oltraggi la mia fede). The temple of the sun Arsamene and Romilda have been summoned to the temple and they come in, still quarreling, but they are amazed and overjoyed when Ariodate tells them that Serse has agreed to their wedding and he marries them then and there.
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The serenade is scored for 2 flutes, piccolo, 2 oboes, 2 bassoons, 2 horns, 2 trumpets, post horn, timpani and strings. It has seven movements: # Adagio maestoso – Allegro con spirito # Minuetto # Concertante: Andante grazioso in G major # Rondeau: Allegro ma non troppo in G major # Andantino in D minor # Minuetto – Trio 1 and 2 # Finale: Presto The Concertante and Rondeau movements feature prominent concertante sections for flutes, oboes, and bassoons. These were performed on their own in a concert in the old Vienna Burgtheater on 23 March 1783, along with the Haffner symphony, an aria from Idomeneo, and several other works.
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It included the hit single "Blow Away", songs celebrating the tranquil surroundings he had discovered on Hawaii, and a tribute to Formula One racing drivers, "Faster". Somewhere in England was released in 1981 and featured "All Those Years Ago", a tribute to Lennon following his murder in December 1980. Gone Troppo (1982) included the single "Wake Up My Love" and "Circles", a song that, like "Not Guilty" from George Harrison, had originally been considered for the Beatles' White Album in 1968. After a four-year hiatus, Harrison returned with Cloud Nine (1987), co-produced by Jeff Lynne.
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The tour reached Latin America in January and February 2012. The European leg of her tour visited the principle arenas of France, Switzerland, Spain, Germany, Belgium and the Netherlands, and concluded at the Royal Albert Hall in London. Pausini on 22 December 2011, performing in Milan The album also spawned the singles "Non ho mai smesso" / "Jamás abandoné", "Bastava" / "Bastaba", "Mi tengo", "Le cose che non-mi aspetto" / "Las cosas que no me espero" and "Celeste". The song "Troppo tempo" was originally chosen as the sixth and last single of the album, but when Pausini discovered her pregnancy she changed her mind to "Celeste". The album has sold 1,000,000 copies worldwide.
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Lefebure collected the music in Italy, and it was forgotten until manuscripts were rediscovered. Vivaldi created some concertos for mandolinos and orchestra: one for 4-chord mandolino, string bass & continuous in C major, (RV 425), and one for two 5-chord mandolinos, bass strings & continuous in G major, (RV 532), and concerto for two mandolins, 2 violons "in Tromba"—2 flûtes à bec, 2 salmoe, 2 théorbes, violoncelle, cordes et basse continuein in C major (p. 16). Beethoven composed mandolin music and enjoyed playing the mandolin. His 4 small pieces date from 1796: Sonatine WoO 43a; Adagio ma non troppo WoO 43b; Sonatine WoO 44a and Andante con Variazioni WoO 44b.
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Brooker said that his greatest single earning in his career was from his appearance in the film. On 29 November 2002, he was among musicians and singers participating in the George Harrison tribute concert, Concert for George, at which he sang lead vocals on their version of "Old Brown Shoe". Brooker contributed to Harrison's albums All Things Must Pass, Gone Troppo and Somewhere in England. In April 2005, as the Gary Brooker Ensemble, he played a sell-out charity concert at Guildford Cathedral in aid of the tsunami appeal, playing a mixture of Procol Harum and solo songs and arrangements of classical and spiritual songs.
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The quartet, like all but the first of Villa-Lobos's works in the medium, consists of four movements: #Allegro non troppo #Molto Vivo #Molto Adagio #Allegro con fuoco The opening of the first movement establishes a motive that recurs throughout the quartet in various transformations. At first, it recalls Prokofiev or Shostakovich, but later is given a context more suggestive of Ravel. The generally pentatonic melodic contours and long ostinatos initially tend toward monotony and inexpressiveness, but the ostinatos give way to a more plastic and lively treatment later in the movement. The second movement, Molto vivo, was listed in the programme for the premiere performance as "Scherzo satirico".
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There is no overarching indication of tempo or mood in this movement, but rather a sequence of changing markings. After a short introduction, the movement presents five consecutive variations of a theme by Bach as the centerpiece of the finale. The variations are followed by a short fugue on the same theme and a concluding coda. The markings are as follows: Introduzione: Andante - Tema: Adagio - Variazione I: Piu mosso (Andante) - Variazione II: Piu mosso, animato, risoluto - Variazione III: Meno mosso (quasi il tempo del tema) - Variazione IV: Piu mosso, tempestuoso (Circa doppio movimento) - Variazione V: Adagio (mezzo movimento) - Fuga: Adagio ma non troppo - Coda: Andante maestoso - Alla marcia.
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The quartet consists of the traditional four movements: # Allegro non troppo # Lento # Scherzo (Allegro vivace) # Allegro vivace (con fuoco) The first movement is in ternary, ABA form, rather than the expected sonata-allegro form, and has a long concluding coda of thirty-seven measures . The second movement is also in ternary form and has the character of the improvised instrumental serenade called a choro . The third movement is a traditional scherzo with trio, followed by a concluding coda . The finale breaks with traditional forms, offering instead a succession of three unrelated sections, a transition, and a recapitulation of the first half of section one, and an extended coda .
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The music is primarily for strings alone and is very turbulent and troubled until the trumpet soloist enters near the end of the music, giving this mostly tragic work a hopeful ending. The first performance was given by the Collegium Musicum of Zurich under Sacher on 18 May 1942. The work is in three movements: # Molto moderato - Allegro # Adagio mesto # Vivace non troppo The work is for string orchestra, except for the addition of a trumpet in the concluding chorale: "like pulling out an organ stop", according to the composer. The trumpet part is marked ad libitum, and although occasionally performed by strings alone, most performances include the trumpet.
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The second set was premiered on 5 August 1952 at the Royal Albert Hall with the BBC Symphony Orchestra under Sir Malcolm Sargent. The first movement of the second set, Allegro non troppo, was used from 1969 to 2008 as the theme music for the long-running UK television programme What the Papers Say, and was used again for the revived version of the programme on BBC Radio Four. Shades and passages of the third movement of the first set, Mesto, are recognisable in the main title of Maurice Jarre's Oscar-winning music for David Lean's 1965 film Doctor Zhivago. The two pieces are of similar length.
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By the early 1980s, Harrison had been finding the current musical climate alienating. His 1981 album Somewhere in England had sold fairly well, aided by the John Lennon tribute hit, "All Those Years Ago", but in the United States it was Harrison's first album since the Beatles' break-up that failed to receive gold certification from the RIAA. With one album left on his current recording contract,Chip Madinger & Mark Easter, Eight Arms to Hold You: The Solo Beatles Compendium, 44.1 Productions (Chesterfield, MO, 2000; ), p. 463. Harrison recorded Gone Troppo in 1982, but refused to promote it or make videos for the two singles.
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Save Rock and Roll is a pop rock album that mixes elements of rock, pop, and R&B.; "The Phoenix" was inspired by Soviet Russian composer Dmitri Shostakovich and drum loops, both of which Stump was interested in at one point in the recording process. While listening to the fourth movement (Allegro non troppo) of Shostakovich's Symphony No. 7, Stump became entranced by a certain string moment and proceeded to build an entirely new song influenced by it. The same orchestral snippet was employed as a sample by German hip-hop artist Peter Fox in his 2008 single "Alles Neu" from the album Stadtaffe.
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The work is instrumented for clarinet (or violin) and piano. It is in three movements: # Adagio – Allegro # Adagio con moto # Adagio – Allegro non troppo – Prestissimo Bert Hagels comments in his liner notes that much of the structure (but not the themes) in the first movement makes use of musical procedures which Beethoven pioneered in his Piano Sonata, Op. 53 and Symphony, Op.67. Martin Harlow identifies this sonata as an important milestone in the development of the clarinet sonata because this work is one of the earliest known clarinet sonatas where there is balance between effective writing for the clarinet that exploits its full potential, and innovative thematic material.
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Although this concerto was already a popular concert piece, it was brought to a much larger audience through its inclusion, as one of six animated shorts based on classical music, in the 1976 Bruno Bozzetto animated film Allegro Non Troppo. In the film segment a female bee prepares to dine on a flower in elaborate style replete with utensils and a portable TV, but is continually interrupted by two lovers sitting down for a romantic interlude on the grass. After having her meal interrupted several times, each time being forced to gather up her things and scramble to safety, she finally decides enough is enough and stings the male.
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The work is in four movements: #Allegro #Adagio molto espressivo #Scherzo: Allegro molto #Rondo: Allegro ma non troppo The Scherzo and its trio are particularly brief; the entire sonata takes approximately 22 minutes to perform. The name "Spring Sonata" was given to it after Beethoven's death. The Allegro movement is featured in the stage show Fame and in the grade 8 syllabus of ABRSM's bowed strings exam from 2016–2019. While reviewing the cpo recording of composer Ferdinand Ries's violin sonatas Op. 8 No. 1, Op. 16 No. 2 and Op. 71, Jonathan Woolf commented that the Op. 8 No. 1 sonata was heavily inspired by this work.
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The track includes contributions from British musicians such as Henry Spinetti, Herbie Flowers and Ray Cooper, along with a deep-toned vocal part from American gospel singer Willie Greene. Indicating Harrison's enduring admiration for the song, it was one of the B-sides of the 12-inch single "When We Was Fab" in 1988, and he subsequently included it on his compilation album Best of Dark Horse 1976–1989. Among retrospective appraisals of Harrison's musical career, several commentators have identified "That's the Way It Goes" as a highlight of Gone Troppo. In November 2002, a year after Harrison's death, Joe Brown performed the song at the Concert for George in London.
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Lulu Santos in 2018. Lulu was born in Rio de Janeiro. Beginning in the progressive rock band Vímana, he left the band and embarked on a solo career that produced several hits, such as "Tesouros da Juventude" (a tribute to John Lennon, written with Nelson Motta), "De Repente Califórnia", "Tempos modernos", "Adivinha o quê", the smash hit "Como uma Onda (Zen-surfismo)", another Lulu Santos/Nelson Motta partnership and "Um certo alguém". The 1984 album Tudo Azul brought the hits "O último romântico" (whose instrumental arrangement was heavily based on George Harrison's song "Greece", from the 1982 album Gone Troppo), "Certas coisas" and the title track.
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Ritmico, non troppo allegro The term sonatina has no single strict definition, but is rather a title applied by the composer to a piece in basic sonata form which is shorter and lighter in character, or technically more elementary, than a typical sonata. The Rondo was used as a test piece in the 1928 Daily Express Piano Competition, which was won by Cyril Smith. It had been recorded by William Murdoch as a guide to competitors. Lewis Foreman has written, "that Ireland even then recognised the piano not only for its romantic and singing qualities, but also - almost Bartók like - as a percussion instrument".
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He attended navy studies before ending his primary training high school degree and followed a peculiar path of studies, achieving three academic degrees: in biology, pedagogy and philosophy. He worked as an educator in a teen-age prison in Rome before a full-time job as a primary school teacher. He was chosen to host the TV program Non è mai troppo tardi, that made him a celebrity, conceived as an auxiliary help in the social struggle against illiteracy; the show was broadcasting real life primary school classroom lessons, with revolutionary concepts in didactic methods for those times. Several schools in Italy are indeed named after him.
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Terence Hill also starred in the film as the young stranger who helps Fonda leave the dying West with style. Leone's other productions included A Genius, Two Partners and a Dupe (1975, another western comedy starring Terence Hill); The Cat (Il Gatto; 1977, starring Ugo Tognazzi), and A Dangerous Toy (Il Giocattolo; 1979, starring Nino Manfredi). Leone also produced three comedies by actor/director Carlo Verdone, which were Fun Is Beautiful (Un Sacco Bello, 1980), Bianco, rosso e Verdone (White, Red and Verdone – Verdone means "strong green" – a pun referring to the three colors of the Italian flag, the star and to director Verdone, 1981) and Troppo Forte (Great!, 1986).
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Born in Milan, Canfora studied piano at an early age, then studied oboe at the Giuseppe Verdi Conservatory in Milan. During the Second World War, he played several concerts with his group in Trieste. After the war, he moved to Turin and became conductor of the Castellino Danze Orchestra. Besides having composed scores for television programs and films, Canfora is known for his work in pop music, particularly for his collaboration with Mina, for whom he composed songs like Brava, Un bacio è troppo poco, Mi sei scoppiato dentro il cuore, Sono come tu mi vuoi and Vorrei che fosse amore (the latter two were also translated into other languages like Spanish, the latter also in French).
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La Grosse Bertha (Big Bertha) was a French weekly satirical magazine created in 1991 in opposition to the Gulf War. Its editor and publisher was Jean- Cyrille Godefroy and its first editor-in-chief was François Forcadell. The title of the magazine was an anti-militarist jibe; "Big Bertha" is the name of a massive piece of heavy artillery. The editorial team included humorists such as François Rollin, Philippe Val, Kafka, Jean-Jacques Peroni, Patrick Font, Kleude, Fredo Manon Troppo (Frédéric Pagès), Oncle Bernard (Bernard Maris), Gérard Biard, Docteur H (Hervé Le Tellier), Xavier Pasquini and also Charlie Hebdo alumni such as Arthur, Cabu, Willem (who drew the first cover), Georges Wolinski, Gébé and Siné.
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Without ever quoting actual folk tunes, the material possesses the authenticity of a sort of "super folklore". The violin is cast in the role of a gypsy fiddle, and the writing for the piano imitates the cimbalom and kobza . The sonata is divided into three movements: #Moderato malinconico #Andante sostenuto e misterioso #Allegro con brio, ma non troppo mosso The first movement is in a loose sonata-allegro form, beginning with a suave and nostalgic first thematic group presented in continuous and supple lines in the piano and more hesitantly in the violin. When this material returns in the recapitulation it will be transformed into a kind of "horă bătrînească" (old men's dance).
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Syria Mosque, Pittsburgh (venue of the concerto's premiere) The concerto has four movements: #Allegro non troppo #Andante con moto #Scherzo (Allegro Vivace) – Cadenza #Allegro moderato The first movement is not in any traditional form, but instead consists of eight successive sections built around two themes, both of which are exposed in the first section. The first theme is predominantly contrapuntal in texture and features quartal harmonies, while the second theme is homophonic and uses tertian harmonies . The second movement, like the first, is a chain form, in this case made up of six sections employing a main theme and two secondary themes. Recurring structures built on the main theme cause it often to resemble a chaconne .
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The "coda of the coda" (bars 289–301 of the 1862 version / bars 281–293 of the 1863 version) is the same in both versions. After an introduction in Adagio (bars 1-22), the work in Allegro non troppo is further in sonata form, with the use in its development of theme inversion. In contrast with the earlier Four Orchestral Pieces and the next Symphony in F minor, the Overture appears a much more mature work. Bruckner's characteristics are already present: the opening subject with his octave leap in unison, the full orchestral chords followed by semiquaver runs, and the second slower (Un poco meno mosso) subject with its large interval leaps.
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In 2010, Academy Award winner Gabriele Salvatores chose her for the movie Happy Family, for which she was awarded as best actress at the Festival International du film de Boulogne-Billancourt. Between 2011 and 2012 she played different roles: in Il giorno in più by Massimo Venier, in I soliti idioti by Enrico Lando, in Ti amo troppo per dirtelo by Marco Ponti and in Come non detto by Ivan Silvestrini. In 2013 she played in Pazze di me by Fausto Brizzi, in Miele by Valeria Golino and she was the only Italian actress in One Chance by David Frankel. In 2014 she will be on the screen in the movie Io, Arlecchino by Giorgio Pasotti.
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Sordi wrote two Verdone films together: Journey with Papa, directed by Sordi, and Troppo forte, directed by Verdone and co-written as well by Sergio Leone. Carlo Verdone, in a long directing career, has refined very well his style, using very much the typical standard of the commedia all'italiana and paying attention to social themes and to pondering stories. Since the 1990s, he accompanied the comic tones of his work with a less comic register, writing and directing stories more attentive to the issues of modernity, cynicism and the excesses of society. Verdone still maintains a privileged relationship with the canons of the Italian comedy, mixing those canons with a more committed type of movie making.
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Bands like Kleenex, Dieter Meier, The Nasal Boys, Troppo, Mother's Ruin, TNT, Dogbodys, Sick, all from Zurich, as Glueams (Bern), Sozz (Büren), Crazy (Lucerne), Bastards and Jack & the Rippers from Geneva represent the Swiss Punk & Wave scene of the late 1970s. Kleenex – beside the British bands The Slits and The Raincoats – was one of the first three female bands of the Punk era, published in November 1978 their first single/EP with four songs. With the mixture of art-school, glamour and punk noise they attempted the attention of John Peel and became the first Swiss Wave export hit. They reached the UK-Charts and got a contract with Rough Trade Records.
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This show, as you can at that time also detect the press, it will play an important artistic and financial well above the previous year. Her austere genius and artist Sue solid skills allow us commit ourselves to You very ...""Io confido ch'Ella non sia rimasta troppo scontenta della nostra Esposizione; e mi permetto quindi di rivolgerle il caldo e fiducioso appello di voler fin d'ora promettere la Sua collaborazione per la prossima Mostra. Questa Mostra, come Ella potrà a suo tempo rilevare anche dalla stampa, avrà un'importanza artistica e finanziaria ben superiore alla precedente. Il Suo ingegno austero e le Sue doti solide di artista ci consentono di riprometterci da Lei molto.
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The symphony consists of four movements: #Allegro non troppo #Adagio #Scherzo (Vivace) #Molto Allegro The form of the first movement resembles a five-part (ABACA) rondo, with a coda in which the main theme returns in augmentation . The second movement is in a ternary (ABA) design, and leads without break into the third movement Like the first movement, the scherzo is in a five-part rondo form, except that the returns of the main A section are in different keys, and the second occurrence is immediately after the first: A A' B C A . The finale is also in a modified five-part rondo form. As in the scherzo, the refrain returns in keys different from its initial appearance .
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The symphony consists of four movements: #Allegro non troppo #Lento #Allegretto quasi animato #Allegro The main theme of the symphony was devised by projecting the outline of mountains at Belo Horizonte, Brazil, onto graph paper and transcribing the result as a melody. Villa-Lobos called this technique milimetrazação (graphing), sometimes rendered in English as "millimetrization" or "milmeterization" . A harmonized version of this melody for piano, together with a similar treatment titled New York Skyline, was initially published in the October 1942 issue of New Music, devoted to works by Brazilian composers . The first movement is in a slightly unconventional sonata-allegro form which, according to the composer's usual methods, omits the second theme from the recapitulation.
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The first set of programming for Rai 1 was almost completely educational with no advertising, except for the popular Carosello. Early shows were meant to teach a common language to a country torn apart by World War II. Shows like Non è mai troppo tardi... were simply shot in a classroom set and meant to help with reconstruction. While televisions were not widely available nor affordable, those who could spend the money on them became community leaders and often invited the neighborhood to visit. Bars and cafés turned from places where men would meet to argue or play cards into miniature cinemas where arguments over what show to watch would break out.
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As in the all of Villa-Lobos's quartets except the first, there are four movements: #Allegro non troppo #Scherzo: Allegro #Andante #Allegro deciso – Presto – Prestissimo final One writer, however, regards the Prestissimo final as a separate, fifth movement . This early quartet in Villa-Lobos's catalogue is composed according to the cyclic principles developed by César Franck and Vincent d'Indy. Franck and Debussy were two of the most important influences on Villa-Lobos's early style, and he had studied d'Indy's 1912 textbook, Cours de Composition Musicale . The composer describes the scherzo as a novelty, played in harmonics, "whose harmonies involve a syncopated melody in a context that suggests small bamboo rustic flutes (a sort of Panpipe played using the nose by the Pareci Indians of Mato Grosso)" .
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He first achieved prominence by winning third place in Sydney's annual Tropfest short film festival in 1995 for a biographical short entitled Pizza Man based on his experiences as a pizza delivery driver. He won the Tropfest award for best film in 1998 for Intolerance, although he had submitted the film under the pseudonym Laura Feinstein to appeal to the sensitivities of the judges, particularly Tropfest founder John Polson, who hoped that a female director would win the award.Bookallil, Simon, Gone Troppo (documentary), 2004 Fenech was then able to secure a deal with Australian community broadcaster SBS to produce a sitcom based on his short film. Entitled Pizza, and premiering in 2000, it ran for five seasons, with the final season airing in 2007.
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Marco Ponti also worked in theatre since 1997, his last work are the translations / adaptations for the stage of Shakespeare's Romeo and Juliet (2005) and Ethan Coen's off-Broadway play Almost an Evening. In 2007-2008 he teamed with the most famous Italian rockstars Lorenzo Jovanotti and Vasco Rossi. With Jovanotti he shot the documentary film La Luna di Giorno - Un ritratto in Movimento (The Moon by Day - A Portrait in Movement, edited in DVD and number one in the charts in January—March 2008), and the documentary Nessuna Ombra Intorno - Safari Live 2008. With Vasco Rossi, the music video Il Mondo Che Vorrei. In 2010 he wrote and directed a TV movie: Ti amo troppo per dirtelo, starring Jasmine Trinca, Carolina Crescentini and Francesco Scianna.
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In 1965, Bozzetto produced his first feature-length animated film: West and Soda, a parody of American Western films. In 1968, Bozzetto released VIP my Brother Superman, a superhero spin-off. However, his best-known work is probably the 1976 feature film Allegro Non Troppo, a collection of short pieces set to classical music in the manner of Walt Disney's Fantasia, but more humorous in nature, economical in execution and with more sophisticated narrative themes. After a long break, Bozzetto produced a live-action film in 1987, Under the Chinese Restaurant, his last feature film work until assisting on the pilot for Mammuk (2002), an animated film set in prehistoric times (now being produced by Rai Cinema and The Animation Band).
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Violin Concerto No. 2 in D minor, Op. 22, by the Polish violin virtuoso, Henryk Wieniawski, may have been started in 1856, but the first performance did not take place until November 27, 1862, when he played it in St. Petersburg with Anton Rubinstein conducting. It was published in 1879, inscribed to his dear friend Pablo de Sarasate. The work is in three movements: # Allegro moderato in D minor/F major # Romance: Andante non troppo in B flat major # Allegro con fuoco – Allegro moderato (à la Zingara) in D minor/D major Written during the relatively stable period of Wieniawski’s residence in St Petersburg, the second Violin Concerto in D minor, op.22 is generally considered as his finest work.
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The sonata, written for violin with basso continuo (figured bass), is written in four movements: #Larghetto ma non troppo #Allegro moderato #Andante #Allegro assai — Andante — Allegro assai The first movement, in time, begins gently and reflectively, with languid double stops and a flowing violin melody line filled with tasteful embellishments. The melody, which moves from the tonic to the mediant key in the middle of the movement includes several deceptive cadences, before returning once again to a tonic theme similar to the beginning. A crisp, quick, highly decorated bravura follows, preceding a brief cantabile slow movement, said to signify Tartini's dream state. The last movement, technically difficult, begins fast, before dissolving into repeated, modular violin melody over an intensifying accompaniment.
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The composition is in four movements: # Allegro # Scherzo: Allegro vivace # Adagio # Rondo: Allegro ma non troppo Hagels, points out in his liner notes that, while using the instrumentation and key of Beethoven's Op. 11 Trio, the structure of Ries's Op. 28 Trio makes use of a four movement plan similar to the older composers Op.1 Piano Trios or the Op. 9 String Trios. Both Harlow and Robert Silvertrust state that, in this work, Ries managed to compose a work that was not a chamber concerto for piano but true chamber music, where all three instruments share in the thematic material. Harlow speculates that in the case of the cello, this may have been due to the influence of cellist, Bernhard Romberg, a former teacher and dedicatee of Ries's Opp.20 and 21 cello sonatas.
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Three additional one-off models styled by well-known designers were announced with the launch of the New 500; proceeds from the auctions of the 500 Giorgio Armani, B.500 "MAI TROPPO" ("never too much", by Bvlgari), and the 500 Kartell will benefit environmental organizations set up by Leonardo DiCaprio. The Kartell and Bvlgari models were created though a partnership between FCA and Altagamma. These were not the first Fiat-fashion limited editions; previously, Frida Giannini of Gucci had collaborated with Fiat Centro Stile to produce a special edition of the preceding Fiat 500 (2007 model), released in 2011. Lasers were used to engrave the steel body panels are used on the Armani, which is finished in a "silk effect" grey-green matte finish which includes anti-pollution and anti-bacterial technologies.
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Born in Naples, Siani formed at the Tunnel Cabaret's acting laboratory in his hometown. In 1995, shortly after having won the "Charlot Prize" as best comedian, he decided to adopt the stage name Siani in honour of the journalist and camorra victim Giancarlo Siani. After being part of the comedy trio "A Testa in giù" and after having appeared in a number of variety shows, he got his first success in 2004 as a stand-up comedian with the stage show Fiesta. Siani made his film debut in 2006 in the romantic comedy Ti lascio perché ti amo troppo, and following a few other roles he had his breakout in 2010 with the box office hit Benvenuti al Sud, which also got him a nomination for David di Donatello for Best Supporting Actor.
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Of all the Op. 6, it comes the closest to Vivaldi's concerto writing, with its stern opening unison ritornello; however, despite a clear difference in texture between the solo violin sections and the orchestral tuttis, Handel breaks from the model by sharing material between both groups. Although the charming and graceful fourth movement in G major is described as a polonaise, it has very few features in common with this popular eighteenth century dance form. The lower strings simulate a drone, creating a pastoral mood, but the dance-like writing for upper strings is more courtly than rustic. The final short allegro, ma non troppo in time brings the concerto back to E minor and a more serious mood, with chromaticism and unexpected key changes in the dialogue between concertino and ripieno.
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Hammer Films' success with The Curse of Frankenstein (1957) and its remake of Dracula (1958) had established the studio as an important supplier of horror movies to the American B market, a positioned it maintained throughout the 1960s. In 1961, American International released a movie clearly influenced by Hammer's characteristically bold visual style and moody pace—Black Sunday was a dubbed horror import from Italy, where it had premiered the previous year as La maschera del demonio. It became the highest grossing film in AIP history.Per commentary by Tim Lucas on Anchor Bay Entertainment DVD, cited in Kehr (2007). The movie's director was Mario Bava, who would launch the horror subgenre known as giallo with La ragazza che sapeva troppo (The Girl Who Knew Too Much; 1963) and Sei Donne per l’assassino (Blood and Black Lace; 1964).
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Paul Dukas The Symphony in C is a symphony by the French composer Paul Dukas, dedicated to fellow musician Paul Vidal. The symphony was written in 1896, when Dukas was 30, and was premiered on January 3, 1897, with Paul Vidal conducting.p. [blank] (1993) Inoue It is written for a standard orchestra comprising three flutes (the third doubling piccolo), two oboes (the first doubling cor anglais), two clarinets in B-flat and A, two bassoons, four French horns in F (third and fourth also in E), two trumpets in F, piccolo trumpet in D, three trombones, tuba, timpani, and strings. Like César Franck's only symphony, Dukas' is in three movements rather than the conventional four: #Allegro non troppo vivace, ma con fuoco, C major, 6/8 #Andante espressivo e sostenuto, 4/8, E minor, C major, B major, E minor #Finale.
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The music score for ' was composed by Vince Guaraldi (except where noted) and conducted and arranged by John Scott Trotter. The score was recorded by the Vince Guaraldi Trio on December 30, 1973, and January 3, 1974, at Wally Heider Studios, featuring Seward McCain (bass) and Vince Lateano (drums). The program's theme song, "Heartburn Waltz" (Track 15) is performed in ten different variations. #"Heartburn Waltz" (version 1, piano-driven) #"Heartburn Waltz" (version 2) #"Valentine Interlude" (version 1) #"Linus and Lucy" (pounding erasers version) #"Heartburn Waltz" (version 3, minor key) #"Piano Sonata No. 20, Op. 49 No. 2 in G Major: I. Allegro ma non troppo" (Ludwig van Beethoven) #"Heartburn Waltz" (version 4, Latin shuffle) #"Linus and Lucy" (heart-shaped box of candy) #"Paw Pet Overture" (Lucy and the Concession stand) #"Nocturne in E major, Op. 9, No. 2" (aka "Freddie's Mood)" (version 1, Paw Pet Theater music) (Frédéric Chopin, arr.
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He was asked to guest on albums by friends George Harrison (Gone Troppo from 1982) and Pink Floyd's David Gilmour (1984's About Face), Cozy Powell (Octopuss in 1983) and to play on an adaptation of Kenneth Grahame's classic, Wind in the Willows. He composed and produced the score for White Fire (1984), which consisted largely of two songs performed by Limelight. In 1985 he made a brief appearance as a member of The Singing Rebel's band (which also featured Eric Clapton, George Harrison and Ringo Starr) in the Dick Clement and Ian La Frenais-scripted film Water (1985) (Handmade Films). In the 1980s he was also a member of an all-star band called Olympic Rock & Blues Circus fronted by Pete York and featuring a rotating line-up of the likes of Miller Anderson, Tony Ashton, Brian Auger, Zoot Money, Colin Hodgkinson, Chris Farlowe and many others.
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Guccini's first experience as actor was in the 1976 movie Fantasia, ma non-troppo, per violino, directed by Gianfranco Mingozzi, in which he played Giulio Cesare Croce, a poet who narrates the history of Bologna. He then appeared in: I giorni cantati, a 1979 movie directed by Paolo Pietrangeli, which featured two of Guccini's songs in its soundtrack, "Eskimo" and "Canzone di notte n°2"; Musica per vecchi animali, a 1989 movie directed by Umberto Angelucci and Stefano Benni; Radiofreccia, the 1998 directorial debut of singer-songwriter Luciano Ligabue; Ormai è fatta, the 1999 movie directed by Enzo Monteleone. In the 2000s he acted in three movies directed by Leonardo Pieraccioni, Ti amo in tutte le lingue del mondo (2005), Una moglie bellissima (2007) and Io & Marilyn (2009). Guccini wrote the soundtrack of the 1977 movie Nenè, directed by Salvatore Samperi, and his song "Acque" featured in the soundtrack of Nero, the 1992 movie directed by Giancarlo Soldi.
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The Symphony No. 1 by Arnold Bax was completed in 1922 and dedicated to John Ireland. Its outer movements were based on a Piano Sonata in E♭ that Bax subsequently orchestrated, while the central movement was newly composed for the symphony. It is scored for 4 flutes (3rd doubling alto flute, 4th doubling piccolo), 2 oboes, 1 English horn, 1 heckelphone or bass oboe, 3 clarinets (3rd doubling E♭ clarinet), 1 bass clarinet, 2 bassoons, 1 sarrusophone or contrabassoon, 4 horns, 3 trumpets, 3 trombones, 1 tuba, timpani, bass drum, tenor drum, snare drum, tambourine, cymbals, gong, triangle, bells, xylophone, glockenspiel, celesta, 2 harps and strings. It is in three movements: #Allegro moderato e feroce - Moderato expressivo - Tempo I #Lento solenne #Allegro maestoso - Allegro vivace ma non troppo The work is in many ways autobiographical with some music critics suggesting they could find references within the work to the Great War.
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The sonata is structured in four movements: #Allegro #Andantino quasi Allegro #Menuetto: Allegretto'' #Rondo: Allegro ma non troppo A typical performance should take around 25 - 27 minutes. Bert Hagels in his notes speculates that when Ries composed this sonata he was influenced in some way by Beethoven's Op. 69 cello sonata which was in the same key and was being composed around the same time as Ries was working on this sonata, citing common stylistic elements in the opening movement as evidence. Cole Tutino in his thesis disagrees with this assessment, but does note that this may be one of the first Romantic compositions to make use of a major key to minor key tonal structure. He further comments, that while not composed as a virtuoso display piece, the sonata along with the C major sonata published alongside it nevertheless make use of techniques that Bernhard Romberg was well known for and were probably aimed at the skilled amateur player.
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In October 2011, during a promotional tour in Mexico, Pausini explained that the title Inedito refers to the creative process of the album, described as very different from the one that led to her previous studio sets, because for the first time she conceived and wrote the whole album without any pressure, in the privacy of her home, instead of working on it in airports and hotel rooms. Describing the musical style of the album, Pausini claimed that it will include songs with a wide range of influences: > "It's a complete album from the musical point of view, because there are a > lot of differences between each song. It is influenced by rock, but it also > features ballads and melodies with music by Italian and English orchestras." The album features guest appearances by Italian singer-songwriters Gianna Nannini, with whom Pausini duets in the title-track, and Ivano Fossati, who performs a guitar solo in "Troppo tempo" / "Hace tiempo".
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Sir Edward Elgar wrote his Violin Sonata in E minor, Op. 82, in 1918, at the same time as he wrote his String Quartet in E minor and his Piano Quintet in A minor. These three chamber music works were all written at "Brinkwells", the country house near Fittleworth in West Sussex that Lady Elgar had acquired for her husband to recuperate and compose in, and they mark his major contribution to the chamber music genre.Kyoko Takezawa & Edoardo Maria Strabbioli, January 21, 2006 His Cello Concerto in E minor of 1919 completed the quartet of introspective and melancholy works that comprised Elgar's last major creative spurt before his death in 1934. The Violin Sonata is scored for the usual combination of violin and piano, and has three movements: # Allegro # Romance: Andante # Allegro non troppo Elgar's wife noted that the slow movement seemed to be influenced by the 'wood magic' or genii loci of the Fittleworth woods.
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Cyclic form is rare among Joplin's rags.Waterman (1985b): 235 Joplin's usage of Italian tempo indications in "Magnetic Rag" has been interpreted as his intention to give the piece a serious aspect in a similar manner to Treemonisha and "Scott Joplin's New Rag". "Magnetic Rag" begins with the instruction "Allegretto ma non troppo" (moderately fast, but not too much) and continues in the D strain with "Tempo l'istesso" (tempo remains the same), a warning against slowing down for the minor-mode section. As well, Joplin employed in "Magnetic Rag" the classic "common time" 4/4 time signature instead of the more usual 2/4 time of rag tunes. Simultaneously, Joplin doubled all the note values, effectively making the unusual 4/4 time signature have no practical effect on the way the piece sounded or the way it was performed. His publishing it in 4/4 was simply a way to connect the rag with classical and popular piano works of prior fame.
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Each of the three movements of this sonata shares common motivic ideas or thematic materials from the principal motif of Brahms's two songs "Regenlied" and "Nachklang", Op. 59, and this is why this sonata is also called the "Rain Sonata" (Regen-Sonate). The first movement, Vivace ma non troppo is written in sonata form in G major; the second movement, Adagio – Più andante – Adagio, is an expanded ternary form in E major, and the third movement, Allegro molto moderato is a rondo in G minor with coda in G major. The dotted rhythm motif from the two songs is not only directly quoted as a leading theme in the third movement of this sonata but also constantly appearing as fragmented rhythmic motif throughout the all three movements of the sonata so that the entire sonata has a certain coherency. The rhythm of the rain motif appearing in the middle section of the second movement is adapted to a funeral march.
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503–529 Fillipo Focardi, a historian at Rome's German Historical Institute, has discovered archived documents showing how Italian civil servants were told to avoid extraditions. A typical instruction was issued by the Italian prime minister, Alcide De Gasperi, reading: "Try to gain time, avoid answering requests." The denial of Italian war crimes was backed up by the Italian state, academe, and media, re- inventing Italy as only a victim of the German Nazism and the post-war Foibe massacres. A number of suspects, known to be on the list of Italian war criminals that Yugoslavia, Greece and Ethiopia requested an extradition of, at the end of World War II never saw anything like the Nuremberg trial, because with the beginning of the Cold War, the British government saw in Pietro Badoglio, who was also on the list, a guarantee of an anti-communist post-war Italy.Oliva, Gianni (2006) «Si ammazza troppo poco».
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Igor Stravinsky's name is often associated with rhythmic innovation in the 20th century, and septuple meter is sometimes found in his music—for example, the closing "General Rejoicing" section (Allegro non troppo), from rehearsal 203 to rehearsal 209, in his ballet The Firebird (1910) is written uniformly in time. Much more characteristically, septuple bars in Stravinsky's scores are found in a context of constantly changing meters, as for example in his ballet The Rite of Spring (1911–13), where the object appears to be the combination of two- and three-note subdivisions in irregular groupings. For example, in Part II, third tableau, "Glorification of the Chosen Maiden", bars of and are interspersed with bars of , , , , , , , , , and time. This treatment of rhythm subsequently became so habitual for Stravinsky that, when he composed his Symphony in C in 1938–40, he found it worth observing that the first movement had no changes of meter at all (though the metrical irregularities in the third movement of the same work were amongst the most extreme in his entire output).
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Marcello Dell'Utri (born 11 September 1941) is a convicted mafia criminal and a former Italian politician and senior advisor to Prime Minister Silvio Berlusconi. Formerly Senator in the Italian Senate for The People of Freedom political party, he was also member of the Italian Parliamentary Delegation to the Council of Europe and of the Italian Parliamentary Delegation to the Western European Union (WEO).Italian Senate Official Web Site, Italian Senate, 2 June 2006 He was appointed artistic director of the now closed Teatro Lirico in Milan by the then mayor Letizia Moratti (PDL party) his appointment has been strongly criticized by art critic and then Head of Culture Department of the Municipality of Milan Vittorio Sgarbi . Sgarbi boccia Dell' Utri: troppo targato, Corriere della Sera, 30 January 2007 Dell'Utri has been found guilty of tax fraud, false accounting, and complicity in conspiracy with the Sicilian Mafia; the conviction for the last charge has been upheld on 9 May 2014 by the Italian Supreme Court of Cassation which sentenced Dell'Utri to seven years in prison.
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As O'Connor reports in his work on the first Italian settlements, when Italians began to compete with Britons for work on the Kalgoorlie goldfields, the Parliament was warned that they, along with Greeks and Hungarians, "had become a greater pest in the United States than the coloured races". In other words, during the 1890s, a political and social alliance was formed between the Australian Labour Party and the Anglo-Celtic Australian working class to react to Italian immigrants, with particular reference to northern and central Italian workers who lowered the level of wages. Even in the Italian literature of the 1890s and early 1900s on travel reports and descriptions of Australia, there are notes about these frictions. The Italian Geographical Society (Societa' Geografica Italiana) reported as follows about the few Italian settlements in Australia: > Nella maggior parte dei casi l'operaio (italiano) vive sotto la tenda, così > chiunque non sia dedito all'ubriachezza (cosa troppo comune in questi paesi, > ma non fra i nostri connazionali) può facilmente risparmiare la metà del suo > salario.
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In 1972, he formed another band, Brown's Home Brew, which played rock and roll, country and gospel music and featured his wife, Vicki Brown, and Pete Oakman from the Bruvvers. This eclectic collection of musical styles, together with his hits, became the basis of his live sets ever since. In the 1980s, Brown presented a daytime quiz show on Granada TV called Square One; its success led him to recording a pilot for the prime time game show The Price Is Right but ATV selected Leslie Crowther for the full-time presenting role when the series launched. He also hosted Show Me, an early evening game show produced by Anglia Television and aired on ITV for one series in 1987, and made a brief appearance as Dudley, a crooked club owner, in the 1986 film Mona Lisa, opposite Bob Hoskins. George Harrison was best man at Brown's second wedding in 2000; Brown had appeared on two songs on Harrison's album Gone Troppo, and also was featured on a track on Harrison's last album, Brainwashed. Following Harrison's death from lung cancer on 29 November 2001, Brown appeared with his group at the tribute concert Concert for George, held on the first anniversary of his passing.
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Photography from Bertolino's School of Fine Arts years featured in the exhibition and publicationThe golden decade : photography at the California School of Fine Arts, 1945-55 His ‘The Mandolin Player’, of this period, taken in Italy in 1950, featured in his first solo show Photographs of Italy by John BertolinoFortnight, Volumes 12-13 , Page 25, 1952 at the de Young museum in San Francisco, California,Weston, E. (1954). PERCEPTIONS. Aperture (Archive : 1952-2005), 2(4), 11-33, also published as Reed, D. (2006). Perceptions: Bay Area photography, 1945-1960. Los Angeles: Arts Council of Los Angeles Valley College. described by critic Alfred Frankenstein as “proletarian realism... all very true to life because it is also very true to the art of photography. Everything is beautifully placed and the resonances of tone are beautifully handled.”.Alfred Frankenstein, “A Collection of Feathers Takes On a Serious, Majestic Tone,” San Francisco Chronicle (This World), 5 October 1952, p. 30. The same image was selected in 1955 by curator Edward Steichen for The Family of Man, a world-touring Museum of Modern Art exhibition seen by 9 million visitors. The picture later appeared on the cover of Peter Poulsen’s & Astrid Ellehammer Kristensen’s Allegro ma non troppo.
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