He tried to evoke not so much Cassavetes's film as the director's process.
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The stories were written in dialect and tried to evoke images of a nonexistent idyllic life on Southern plantations.
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Forrest Murray, Los Angeles I vividly recall many of the original stories that the all-comics issue tried to evoke.
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As for the spirit in the house of the late Elaine de Kooning, its traces are subtle, at best — but Byrne certainly has tried to evoke them.
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"It made this act a complete failure because they tried to evoke hatred and fear and what they produced was an outpouring of love and support and solidarity," Sendrow said.
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Saunders recently told Time: "I love the way that the variety of contemporary American voices mimics and underscores the feeling I tried to evoke in the book: a sort of American chorale."
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We tried to evoke the interior monologue of a person's life by seeing them at work, but then sitting down in their home after work in a quiet space, asking them to speak intimately and quietly, and then recording their more reflective thoughts.
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While Apple has tried to evoke this feel in recent years with the "Bedtime" mode it's offered in recent versions of iOS (leading one YouTuber to create a ten-minute version of its most interesting alarm, "Early Riser"), it's arguable that Pole's team has found a softer touch.
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He tried to evoke the story of a bookstore in the elements he portrayed, whether the dynamic shape of the "Weapon of Mass Instruction" mobile book tank made by artist Raul Lemesoff in Buenos Aires, or the small corner-set Three Lives & Company in New York's Greenwich Village.
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It was the first of a few attempts Mr. Pei made to acknowledge the growing interest of many architects in reusing historical form; in a similar vein, he would later design a high-rise hotel in Midtown Manhattan, the Regent (now the Four Seasons), which tried to evoke the romantic, stepped-back forms of prewar New York skyscrapers.
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The show's introduction tried to evoke the old town meetings, as the voice of the mythical town crier announced, “Town meeting tonight! Come to the old Town Hall and talk it over!” Denny and the League believed that a radio town meeting could enhance the public's interest in current events. Denny worried that an uninformed public was bad for democracy;Overstreet, p.
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Defining laicist education as a 'secular religion' that is also 'imposed and intolerant' is the clearest evidence of episcopal intransigence."Laura Randall, Changing structure of Mexico: political, social, and economic prospects, (M.E. Sharpe, 2006) Page 435 Others, however see the Mexican state's anticlericalism differently. Recent President Vicente Fox stated, "After 1917, Mexico was led by anti-Catholic Freemasons who tried to evoke the anticlerical spirit of popular indigenous President Benito Juárez of the 1880s.
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Willem Claeszoon Heda (17th century): Breakfast with a Crab Dutch painters, especially in the northern provinces, tried to evoke emotions in the spectator by letting the person be a bystander to a scene of profound intimacy. Portrait painting thrived in the Netherlands in the seventeenth century. many portraits were commissioned by wealthy individuals. Group portraits similarly were often ordered by prominent members of a city's civilian guard, by boards of trustees and regents, and the like.
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In the last four of these categories, Dutch painters established styles upon which art in Europe depended for the next two centuries. Paintings often had a moralistic subtext. The Golden Age never really recovered from the French invasion of 1672, although there was a twilight period lasting until about 1710. Dutch painters, especially in the northern provinces, tried to evoke emotions in the spectator by letting him/her be a bystander to a scene of profound intimacy.
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" From Mexican Masonry - Politics & Religion by Oscar J. Salinas E., Past Senior Grand Warden - York Grand Lodge of Mexico (as hosted on the web page of the Grand Chapter of Royal Arch Masons of Mexico). President Vicente Fox (2000-2006) would state: "After 1917, Mexico was led by anti-Catholic Freemasons who tried to evoke the anticlerical spirit of popular indigenous President Benito Juarez of the 1880s. But the military dictators of the 1920s were a more savage lot than Juarez.
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Night Dances was composed in 1981 and was the first piece to grant Turnage notoriety among composers and musicians. Even though he was strongly influenced by his teacher, Oliver Knussen, at the Royal College of Music, Turnage tried to "evoke feelings and emotions" after first coming in contact with Black music and, especially, Miles Davis's music. The piece was premiered on February 1, 1982 at St John's, Smith Square by the London Sinfonietta conducted by Simon Bainbridge. It was published in 1987 by Schott.
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Hon'ami Kōetsu (1558–1637) was inspired by the Heian period, which was a model of art from the distant past. These works were popular among the samurai, who tried to evoke the past without losing the beauty of the Heien period. Masters of different artistic media and schools inspired other artists, who created their own styles of art or schools. Honami inspired Tawaraya Sōtatsu, who is noted for his tarashikomi technique; Tawaraya inspired Ogata Kōrin, who consolidated the Rinpa school with his brother Kenzan.
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The 1980s saw a change in Korean television, as color TV became available. Modern dramas tried to evoke nostalgia from urban dwellers by depicting rural life. Kim Soo-hyun's first real commercial success, Love and Ambition (사랑과 야망, Saranggwa yamang), aired on MBC in 1987 and is regarded as a milestone of Korean television, having recorded a 78% viewership. "Streets became quiet at around the airing time of the drama as 'practically everyone in the country' was at home in front of the TV", according to The Korea Times.
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Religious behaviour was presented in the official propaganda as being linked to psychological disorders and even criminal behaviour. Textbooks for schoolchildren tried to evoke contempt for believers; pilgrims were depicted as morons, repulsive-looking alcoholics, syphilitics, plain cheaters and money-grubbing clergy.Dimitry V. Pospielovsky. A History of Soviet Atheism in Theory, and Practice, and the Believer, vol 2: Soviet Antireligious Campaigns and Persecutions, St Martin's Press, New York (1988) p. 69 Believers were treated as harmful parasites that spread ignorance, filth and disease, and which needed to be liquidated.
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American action painters pondered the nature of art as well as the reasons for the existence of art often when questioning what the value of action painting is. The preceding art of Kandinsky and Mondrian had freed itself from the portrayal of objects and instead tried to evoke, address and delineate, through the aesthetic sense, emotions and feelings within the viewer. Action painting took this a step further, using both Jung and Freud’s ideas of the subconscious as its underlying foundations. Many of the painters were interested in Carl Jung's studies of archetypal images and types, and used their own internal visions to create their paintings.
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Wouk never presumes to read the minds of historical characters; only fictional characters have thoughts the reader can share in this novel. Wouk wrote that the novel was a traditional and linear narrative of the war that began with the cataclysmic event of Pearl Harbor, "where we entered the ordeal that ended with our martial triumph, our temporary nuclear supremacy, and our global leadership that has since became our unwanted glory and our leaden burden. In The Winds of War, I have tried to evoke the whole historic-that is linear drift to that shattering moment".Wouk, Herman, "Wouk Discusses Historical Novel", Democrat and Chronicle, New York, New York, 25 November 1971, pg.
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The Pennsylvania Avenue NW building was designed by British Columbia's Arthur Erickson, recognized as one of Canada's most decorated architects. Erickson tried to evoke a sense of Canada in the architecture of the building, using long horizontals, wide open spaces and water features. The large airy courtyard includes the sculpture Spirit of Haida Gwaii by Bill Reid, featured on Canada's twenty-dollar bill from 2004 to 2012, which sits in a pool of water representative of Canada's ocean limits. The "Rotunda of the Provinces" on the courtyard's southeast corner has a domed roof that is supported by 12 pillars, each featuring one of the crests of the ten provinces and two territories in existence at the time of the embassy's construction.
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Ethel's death reminded Albarn of Bobby Womack, with whom Albarn had collaborated on Plastic Beach and Womack's The Bravest Man in the Universe, and who died in June 2014. The sentimentality Albarn felt for lost family and friends was instrumental in the creation of "Andromeda", with Albarn commenting on the song's message: "Take the worst possible outcome, be brave, and remember all the goodness that preceded that... all the beauty that preceded that." Albarn also stated that after a conversation with producer The Twilite Tone, he tried to evoke the sound of Michael Jackson's 1983 single "Billie Jean" from his iconic Thriller and Hall and Oates' single "I Can't Go for That (No Can Do)", from their album Private Eyes. Twilite Tone produced the song, while Albarn took care of lyrics, The song features rapper D.R.A.M., who also has uncredited backing vocals on the single "We Got the Power".
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Albarn and Russell had also produced Womack's comeback album The Bravest Man in the Universe, prior to Womack's death in June 2014. The sentimentality Albarn felt for lost family and friends was instrumental in the creation of "Andromeda", with Albarn commenting on the song's message: "Take the worst possible outcome, be brave, and remember all the goodness that preceded that... all the beauty that preceded that." Albarn also stated that after a conversation with producer The Twilite Tone, he tried to evoke the sound of Michael Jackson's 1983 single "Billie Jean" from his iconic Thriller album and Hall and Oates' single "I Can't Go for That (No Can Do)", from their album Private Eyes. Twilite Tone produced the song, while Albarn took care of lyrics, The song features D.R.A.M., who originally had a more prominent feature on the song, with a full chorus and verse, however, Albarn stripped the vocals back as the song felt more complete.
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Ehler, Sidney Z. Church and State Through the Centuries p. 579-580, (1967 Biblo & Tannen Publishers) Needler, Martin C. Mexican Politics: The Containment of Conflict p. 50, Greenwood Publishing Group, 1995 One political scientist stated that the gist of the 1917 constitution was to "effectively outlaw the Roman Catholic Church and other religious denominations";Toft, Monica Duffy, Daniel Philpott and Timothy Samuel Shah, God's Century: Resurgent Religion and Global Politics, p. 171, W.W. Norton & Co. 2011 it also emboldened Communist labor unions, paving the way for anti-religious governments.Ehler, Sidney Z. Church and State Through the Centuries p. 580, (1967 Biblo & Tannen Publishers) Recent President Vicente Fox stated: "After 1917, Mexico was led by anti-Catholic Freemasons who tried to evoke the anticlerical spirit of popular, indigenous President Benito Juarez of the 1880s. But the military dictators of the 1920s were a lot more savage than Juarez."Fox, Vicente and Rob Allyn Revolution of Hope p.
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