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"touch-me-not" Definitions
  1. either of two North American impatiens growing in moist areas: such as
  2. one (Impatiens capensis) typically having orange flowers spotted with reddish brown
  3. one (I. pallida) having typically yellow flowers sometimes spotted with reddish brown

67 Sentences With "touch me not"

How to use touch me not in a sentence? Find typical usage patterns (collocations)/phrases/context for "touch me not" and check conjugation/comparative form for "touch me not". Mastering all the usages of "touch me not" from sentence examples published by news publications.

Tilton contrasts Touch Me Not to the Höllenzwang books that compiled directive magic.
"The borderline between good and evil magic is as fine as spider's silk," Touch Me Not cautions.
"Touch Me Not" offers immersion in that strangeness and invites contemplation of some of the varieties of physical difference.
The researchers chose Mimosa pudica, more commonly known as the touch-me-not, which curls up its leaves in response to physical stimulation.
Touch Me Not from Fulgur Limited is the first color facsimile of a vividly bizarre 18th-century manuscript of the black magical arts.
He writes that 'the cute Mozart, the perfumed Mozart, the permanently ecstatic Mozart, the 'touch-me-not' Mozart, the sentimentally bloated Mozart must all be avoided.
BERLIN — "Touch Me Not" by the Romanian director Adina Pintilie won the Golden Bear for best feature film, the top prize at the 68th annual Berlin Film Festival.
"Touch Me Not," which won the Berlin Film Festival's top prize last year, examines the puzzles and paradoxes of sexual pleasure in a spirit of earnest analysis rather than hedonism.
In 1887, the novelist and surgeon José Rizal diagnosed the effects of the ruling, owning classes, Spanish and Filipino alike, in his revolutionary novel of anticolonial rage, "Noli Me Tangere" (Touch Me Not).
BERLIN (Reuters) - "Touch Me Not", a film about intimacy and sex that shocked some viewers with explicit scenes, won the Golden Bear prize for best film at the 68th Berlin International Film Festival on Saturday.
Like Fulgur's previous publications on the occult and art, such as the 2017 Touch Me Not facsimile of an 18th-century manuscript of the black magical arts, the monograph is beautifully designed, with a stave visible beneath the dust jacket, embossed in silver on the black cover.
You come away wanting to see films by Apichatpong Weerasethakul, a Thai film-maker he admired, to learn Tagalog on the side or to read a grand Filipino novel, "Noli Me Tangere" ("Touch me not"), by José Rizal, which Anderson tried to translate line by line in an effort to learn Spanish.
Now in its 13th year, the festival is devoting a section to films directed by women, including this year's Berlin Golden Bear winner "Touch Me Not," an exploration of intimacy by Adina Pintilie, as well as the thriller "Moon Hotel Kabul", which won Anca Damian the best director prize at the Warsaw International Film Festival.
This BAM series puts a spotlight on some newer or perhaps lesser-known directors, from Adina Pintilie, whose "Touch Me Not" (showing on Monday) surprised observers when it took the top prize at the Berlin Film Festival in February, to Radu Jude, whose "'I Do Not Care if We Go Down in History as Barbarians'" (on Nov.
Touch-Me-Not (봉선화 - Bongseonhwa) is a 1956 South Korean film directed by Kim Ki-young.
Impatiens ecornuta, the spurless touch-me-not or western touch-me-not, is an annual flowering plant native to the northwestern United States and British Columbia in Canada.Impatiens ecornuta. USDA PLANTS. The name of the species was changed in 2012 as Impatiens ecalcarata was found to be nomen illegitimum.
Touch-me-not seeds are found in the diet.Whitaker 273 Food is not consumed during hibernation and mice having insufficient fat reserves do not survive.
Adina Pintilie Touch Me Not () is a 2018 internationally co-produced drama film directed by Adina Pintilie and starring Laura Benson, Tómas Lemarquis, and Dirk Lange. The film was screened in the main competition section at the 68th Berlin International Film Festival where it won the Golden Bear. Touch Me Not is an experiment between fiction and documentary, and addresses the prejudices of people related to intimacy.
Entrance to the city. Não-Me-Toque (literally Touch-Me-Not in Portuguese) is a Brazilian municipality located in the state of Rio Grande do Sul.
Impatiens pallida (pale jewelweed, pale touch-me-not or yellow jewelweed) is a flowering plant native to Canada and the United States. It grows in moist to wet soils, generally alongside the closely related Impatiens capensis, producing flowers from midsummer through fall. Along with other species of jewelweed or "touch-me-not", it is a traditional remedy for skin rashes, although controlled studies have not shown efficacy for this purpose.
Impatiens balfourii is a species of the genus Impatiens known by the common names Balfour's touch-me-not, Kashmir balsam, and poor man's orchid. It belongs to the family Balsaminaceae.
Rizal was also a polyglot, conversant in twenty-two languages.Frank Laubach, Rizal: Man and Martyr (Manila: Community Publishers, 1936).Witmer, Christoper (June 2, 2001). "Noli Me Tangere (Touch Me Not)". LewRockwell.com.
She gained recognition for the shorts Touch Me Not and Thiru Thai Avale. Her next film was Darbar in which she portrays a transgender dancer in the song "Kannula Thimiru". She has also signed a film with Karthik Subbaraj.
Adina Pintilie (born 12 January 1980) is a Romanian film director and screenwriter. Her debut film Touch Me Not was awarded the Golden Bear at the 68th Berlin International Film Festival. She has studied at the Ion Luca Caragiale National University of Theatre and Film.
Impatiens sodenii is a species of flowering plant in the family Balsaminaceae known by the common names poor man's rhododendron,Nickel, E. Impatiens sodenii the ideal shrub for shady spots. San Francisco Chronicle April 15, 2011. Oliver's touch-me-not,Impatiens sodenii. USDA PLANTS.
Francisco Balagtas, the poet and playwright who wrote Florante at Laura, is recognized as a preeminent writer in the Tagalog (Filipino) language. José Rizal wrote the novels Noli Me Tángere (Touch Me Not) and El Filibusterismo (The Filibustering, also known as The Reign of Greed).
Rajlukshmee Debee Bhattacharya was born in 1927. She taught at Indian Institute of Technology, Kharagpur and Fergusson College, Pune. She was also Professor of Philosophy at Nowrosjee Wadia College. She is the author of The Owl and Other Poems and The Touch Me Not Girl.
Mimosa pudica was first formally described by Carl Linnaeus in Species Plantarum in 1753. The species epithet, pudica, is Latin for "bashful" or "shrinking", alluding to its shrinking reaction to contact. The species is known by numerous common names including sensitive plant, humble plant, shameplant, and touch-me-not.
Flower Impatiens parviflora (small balsam, or small-flowered touch-me-not) is a species of annual herbaceous plants in the family Balsaminaceae, native to some areas of Eurasia, naturalized elsewhere and found in damp shady places. Impatiens parviflora can grow in sandy, loamy, and clay soils and prefer moist soil.
Above the gold star appears the text "Alabama" in all capital letters. In an arch above this figure were the words "Independent Now and Forever". The reverse side of the flag had a cotton plant with a coiled rattlesnake. The text "Noli Me Tangere", ("Touch Me Not" in Latin), was placed below the cotton plant.
Noli Me Tangere (Touch Me Not) is an opera in 3 acts by Felipe Padilla de León with libretto by Guillermo Tolentino. The opera was closely based on a novel by José Rizal by the same name. The opera was sung entirely in Tagalog and is considered as the first full-length Filipino opera.
Cardinal flower, Indian paintbrush, touch-me-not, multiflora rose and trout lily serve only as examples. Aquatic flora is abundant and diverse. Wetland species such as narrow leaf cattails, horsetail, and giant reed are abundant. The Hunt Marsh is covered with duckweed for several months in the summer where patches of white water lily can also be found.
The orange jewelweed is quite similar to the touch-me-not balsam (I. noli-tangere), the only Impatiens species native to Central and Northern Europe, and it utilizes similar habitats, but no evidence exists of natural hybrids between them. Small balsam (I. parviflora), originally native to southern Central Asia, is even more extensively naturalized in Europe.
Melianthus comosus, the honey flower, is a species of flowering plant in the family Francoaceae. It is native to the mostly dry regions of southern Africa. The attractive multi-stemmed shrubs are popular garden subjects. The Afrikaans name kruidjie-roer-my-nie (herb-touch-me-not) alludes to the unpleasant smell that results from bruising of any part of the plant.
It is believed the small hanging pots were used to ferment alcohol using the seeds of touch-me-not balsam (Impatiens noli-tangere), and larger hanging pots were used to churn butter and make cheese. The Iazyges were cattle breeders; they required salt to preserve their meat but there were no salt mines within their territory. According to Cassius Dio, the Iazyges received grain from the Romans.
The 68th annual Berlin International Film Festival took place from 15 to 25 February 2018. German filmmaker Tom Tykwer served as Jury President. American film director Wes Anderson's animated film Isle of Dogs opened the festival, becoming first animated film to open the fest. The Romanian film Touch Me Not directed by Adina Pintilie won the Golden Bear, which also served as the closing night film.
This process allows for water and macromolecules to be transferred from the host to the plant. While this can be harmful for the host plant, the effects are generally not fatal. Common host plants for this species include, but are not limited to, the spotted touch-me-not, false nettle, wood nettle, square-stemmed monkeyflower, and ditch stonecrop. The plant flowers between July and October.
The east wall contains scenes of Hercules embracing Dejanira, Hercules throwing Lica into the sea, and The Fame of Hercules at the center. The west wall is Hercules at the Stake, placed within false arches. On the south wall is a panel above the doorway that depicts a Noli me Tangere (“Touch Me Not”) scene. To the right of the central chamber is the Hall of Venus.
Eleutherococcus senticosus leaves Eleutherococcus senticosus is a species of small, woody shrub in the family Araliaceae native to Northeastern Asia. It may be colloquially called devil's bush, Siberian ginseng, eleuthero, ciwujia, Devil's shrub, shigoka, touch-me-not, wild pepper, or kan jang. E. senticosus has a history of use in folklore and traditional Chinese medicine. Root extracts of E. senticosus are sold as a dietary supplement or cosmetic, usually under the name Siberian ginseng.
Impatiens Sunset Western Garden Book, 1995:606–607 is a genus of more than 1,000 species of flowering plants, widely distributed throughout the Northern Hemisphere and the tropics. Together with the genus Hydrocera (1 species), Impatiens make up the family Balsaminaceae. Common names in North America include impatiens, jewelweed, touch-me-not, snapweed and patience. As a rule- of-thumb, "jewelweed" is used exclusively for Nearctic species, and balsam is usually applied to tropical species.
The crown consists of five petals, of which the lateral pairs are fused. The five stamens are fused and form a cap over the ovary, which falls off after the male phase. After the stamens have fallen off, the female phase starts and the stigma becomes receptive, which reduces self-pollination. The scientific name Impatiens (Latin for "impatient") and the common name "touch-me-not" refer to the explosive dehiscence of the seed capsules.
In 1956 Kim started Kim Ki-young Productions, and began making melodramas, the most popular film genre in South Korea at the time. His first independent production was Touch-Me-Not (1956). In 1957, Kim was living near the red-light district of Yongsan, and the atmosphere of this neighborhood influenced his films, A Woman's War and Twilight Train (both 1957). With First Snow (1958), Kim moved from melodrama to a more socially conscious realism.
It also appears to require a narrow pH range that is slightly alkaline. The habitat is the edges of forests dominated by northern white cedar (Thuja occidentalis). Other plants in the area may include touch-me-not (Impatiens biflora), water forget-me-not (Myosotis scorpioides), watercress (Nasturtium officinale), wild mint (Mentha arvensis), and marsh marigold (Caltha palustris). There are seventeen known occurrences of this plant, but two of these have not been observed recently.
Mimosa verrucosa, jurema-branca ("white jurema") or jurema-de-oeiras is a species of legume in the common bean family, Fabaceae, and in the subfamily and genus of Mimosa pudica, the touch me not. It is a shrub or small tree native to Brazil (Bahia, Ceará, Paraíba, Pernambuco and Rio Grande do Norte). It has "near threatened" conservation status as a result of human induced deforestation in arid to semi-arid regions of Northeastern Brazil.
Also in 1958, Chughtai produced the Mahmood- Shyama starrer romance drama Lala Rukh. Chughtai continued writing short- stories during the time despite her commitment to film projects. Her fourth collection of short-stories Chui Mui (Touch-me-not) was released in 1952 to an enthusiastic response. The eponymous short-story has been noted for its "pertinent dissection of our society" and contesting the venerated tradition of motherhood, especially its equation of womanhood.
Despite the appeal of spiritual marriages, subintroductae and the practice itself were continuously condemned by various councils, writers, and theologians. John 20:17 was one New Testament verse that was used as evidence that spiritual marriage was not endorsed by Christ, as Jesus pushes away Mary Magdelene with the command "touch me not".Clark. "John Chrysostom and the "Subintroductae""172. Various other authorities and texts were used, with writers building upon earlier arguments in response to the flourishing practice.
He also painted a Noli me tangere (Touch Me Not) for the convent of the Maddalena. For the church of Sant'Agostino, Prato, he painted a picture of St Nicolas of Tolentino. He died in Florence on 9 October 1667 and was buried in Santa Maria Novella. His art is visibly influenced by the heterogeneous education of his youth, as well as by the multiple orientations of the contemporaries and the different environments in which the artist found himself.
Three prominent Ilustrados in Spain: Dr. José Rizal, Marcelo H. del Pilar and Mariano Ponce (from left to right). Photo was taken in Spain in 1890. The most prominent Ilustrados were Graciano López Jaena, Marcelo H. del Pilar, Mariano Ponce, Antonio Luna and José Rizal, a Philippine national hero. Rizal's novels Noli Me Tangere ("Touch Me Not") and El Filibusterismo ("The Subversive") "exposed to the world the injustices imposed on Filipinos under the Spanish colonial regime".
The round stems are glabrous (smooth) and succulent, and semi-translucent, with swollen or darkened nodes on some plants. The leaves are alternate and simple and have teeth on the margins. The seed pods have five valves which coil back rapidly to eject the seeds in a process called explosive dehiscence or ballistochory. This reaction is where the name 'touch-me-not' comes from; in mature seed pods, dehiscence can easily be triggered with a light touch.
In the Lok Sabha, Shiv Shankar asked if the independence of the Judiciary meant "touch-me-not". He seemed to confirm that he sent the circular without consulting the then Chief Justice of India, Y.V.Chandrachud. What happened thereafter is history. On 30 December 1981, the Supreme Court's seven Judge bench gave its decision in S.P.Gupta vs Union of India, in which the Court held that Shiv Shankar's circular was not unconstitutional, because it had no legal force in the first place.
Construction of bridges, roads and railways, and the expansion of the ports came to symbolize the rapid development. Being the traditional seat of education and liberal thinking in the Philippines, Manila was a rich field for anticlerical propaganda. The seeds of revolution germinated in 1886 with the publication of José Rizal's book Noli Me Tangere (Touch Me Not), a novel critical of the way the Spanish friars were governing the Philippines. The Spanish government condemned the book, and Rizal was exiled to Dapitan.
The building, designed by Carrère & Hastings, was completed in 1903, is described by New York Times architectural historian Christopher Gray as "one of the city's most sumptuous churches." The style reminiscent of the churches of Nicholas Hawksmoor, a combination of English Baroque and French Beaux-Arts detailing. The building featured stained-glass windows by John LaFarge. The window over the front door was named "Touch Me Not" and was based on John 20:17, depicting Jesus' encounter with Mary Magdalene outside the tomb.
Noli Me Tángere (Latin for Touch Me Not) is a fictional novel written by José Rizal, one of the national heroes of the Philippines, during the colonization of the country by Spain to expose the inequities of the Spanish Catholic priests and the ruling government. Originally written in Spanish, the book is more commonly published and read in the Philippines in either Filipino or English. Together with its sequel, El Filibusterismo, the reading of Noli is obligatory for high school students throughout the country.
Francisco Balagtas is one of the country's prominent Filipino poets, he is named as one of the greatest Filipino literary laureates for his contributions in Philippine literature. His greatest work, the Florante at Laura is considered as his greatest work and one of the masterpieces of Philippine literature. Balagtas wrote the epic during his imprisonment. José Rizal, the national hero of the country, wrote the novels Noli Me Tángere (Touch Me Not) and El Filibusterismo (The Filibustering, also known as The Reign of Greed).
Fruits Impatiens balsamina, commonly known as balsam, garden balsam, rose balsam, touch-me-not or spotted snapweed, is a species of plant native to India and Myanmar. It is an annual plant growing to 20–75 cm tall, with a thick, but soft stem. The leaves are spirally-arranged, 2.5–9 cm long and 1–2.5 cm broad, with a deeply toothed margin. The flowers are pink, red, mauve, lilac, or white, and 2.5–5 cm diameter; they are pollinated by bees and other insects, and also by nectar-feeding birds.
Wild Forest areas besides those mentioned above include the Long Pond-Willowemoc in Sullivan County; the Touch-Me-Not, Cherry Ridge- Campbell Mountain and Dry Brook Ridge in Delaware County; the Balsam Lake, Bluestone, Lundy, Peekamoose Valley and Phoenicia-Mt. Tremper, Shandaken and Sundown in Ulster and the Blackhead, Colgate Lake, Hunter Mountain, Kaaterskill, North Point and Windham High Peak Wild Forests. In addition to redesignating a good portion of those areas as wilderness, the proposed update would consolidate some into larger units (all the Delaware County properties, for instance).
Since the 1990s, Yun has written novels that reflect a broader view of history and reality. These novels deal with topics ranging from the concerns of farming communities to the life of Yun I-sang (a South Korean-born composer who defected to Germany) to the tragic realities of Korea and Ireland. Recently, she adapted her 1982 novel Emi ireumeun josenppiyeotda (에미 이름은 조센삐였다 Your Ma's Name Was Chosun Whore) into a play entitled Bongseonhwa (봉선화 Touch- me-not). These two works raise the issue of Korean “comfort women” forced into sexual slavery for Japanese soldiers during World War II.
His song "Touch-Me- Not" in the same hit parade took 17th place (2257 votes). With the solo concert program "The Vladimir Presnyakov Show" the musician successfully performed in the biggest concert halls of Moscow and Leningrad - Olympic Stadium and Yubileyny Sports Palace. Vladimir Presnyakov became the first Russian artist to receive the "Golden Key" prize in Monte Carlo (Monaco) as an artist whose recordings were sold in Russia in the largest circulation. In the early 1990s, the artist formed the "Captain" and with a new program "Farewell to Childhood" successfully performed in Moscow, as well as in the cities of near and far abroad.
The title of Stevan Javellana's only novel in English Without Seeing the Dawn was derived from one of José Rizal's character in the Spanish-language novel Noli Me Tangere or Touch Me Not. Javellana's 368-paged book has two parts, namely Day and Night. The first part, Day, narrates the story of a pre-war barrio and its people in the Panay Island particularly in Iloilo. The second part, Night, begins with the start of World War II in both the U.S. and the Philippines, and retells the story of the resistance movement against the occupying Japanese military forces of the barrio people first seen in Day.
The inclusion of two kasa written in hangul in the collection is one of scholarly contention, as her authorship is in doubt. Composition in hangul was considered unworthy of expressing higher thinking of Confucian ideals, and "literary" composition in Korea was almost entirely composed in hanmun. The distinction at the time was similar to the differences between Latin composition and vernacular prose in Renaissance Europe. Her authorship of these two pieces is supported mainly by the observation that the titles of the two kasa pieces, "Song of Woman's Complaint" and "Song of Coloring Nails with Touch-me-not Balsam" are very similar to two verified hanmun (cheolgu and koshi respectively).
God the Father is understood to be the literal Father of the spirits of all mankind., He is also understood to be the father of Jesus' spirit body and his physical body. On the morning that Jesus was resurrected, Jesus said to Mary Magdalene, "Touch me not; for I am not yet ascended to my Father: but go to my brethren and say unto them, I ascend unto my Father, and your Father; and to my God, and your God." LDS Church president Lorenzo Snow expressed the nature of the Father in his couplet, "As man now is, God once was: As God now is, man may be", which differs significantly from the traditional Christian idea of theosis.
The city's current territory was only explored and occupied when Portuguese descendants established their farms on the place, in the second decade of the 19th century. By the end of the 19th century, families of German immigrants also occupied the southern part of the territory, in 1824. In 1949, the first Dutch families arrived to the town, making the city one of the starting points of the Dutch immigration on southern Brazil. There is no exact information of the name's origins, but there are two theories: the abundance of the Dasyphyllum spinescens plant, which name is "touch-me-not" in Portuguese; or the establishment of the farm "Fazenda Não-Me-Toque", founded in July 20 of 1885.
The play also depicts, amusingly, the practices of orthodox Brahmins, such as Madi, with a particular character in the play even shrivelling away from everyone and everything like a touch-me-not, lest he might lose his sanctity. (He even has to perform some "religious cleansing" for the things someone touched before he can touch them.) The play also has numerous lighter moments, notably regarding the marriage of the stingy old man, Lubdhavadhanulu. Much of that comedy occurs as dialogue between Girisam and his various love interests, and also during the marriage of Lubdhavadhanulu to a boy disguised as a girl. Contemporary Indian society is depicted in a very real fashion, without glorifying it so that it has the effect of being 'in-your-face'.
Mimosa pudica (from "shy, bashful or shrinking"; also called sensitive plant, sleepy plant, action plant, touch-me-not, shameplant) is a creeping annual or perennial flowering plant of the pea/legume family Fabaceae and Magnoliopsida taxon, often grown for its curiosity value: the compound leaves fold inward and droop when touched or shaken, defending themselves from harm, and re-open a few minutes later. In the UK it has gained the Royal Horticultural Society's Award of Garden Merit. The species is native to South and Central America, but is now a pantropical weed, and can be found in Southern United States, South Asia, East Asia and South Africa as well. It is not shade tolerant, and is primarily found on soils with low nutrient concentrations Mimosa pudica is well known for its rapid plant movement.
The image of St. Mary Magdalene with the "mark" in her forehead The miraculous life-size image of Mary Magdalene in Kawit has a "mark" in the middle of her forehead, it resembles a mole and no living local in Kawit knows why the statue has such a mark. Speculations suggests that this is the symbolic mark of Jesus' fingertip during the resurrection when he had appeared to Magdalene and said Noli me tangere (Touch me not) as it was recorded in the Gospel of John 20:17. Some suggests that this mark is to clearly distinguish her identity from the Virgin Mary. The antique statue is a detailed wooden sculpture with carved hair, draped clothing and a pair of silver shoes, she holds a crucifix on her left hand and a jar of perfume on the right hand.
Most European reed beds mainly comprise Phragmites australis but also include many other tall monocotyledons adapted to growing in wet conditions - other grasses such as reed sweet-grass (Glyceria maxima), Canary reed-grass (Phalaris arundinacea) and small-reed (Calamagrostis species), large sedges (species of Carex, Scirpus, Schoenoplectus, Cladium and related genera), yellow flag iris (Iris pseudacorus), reed-mace ("bulrush" - Typha species), water-plantains (Alisma species), and flowering rush (Butomus umbellatus). Many dicotyledons also occur, such as water mint (Mentha aquatica), gipsywort (Lycopus europaeus), skull-cap (Scutellaria species), touch-me-not balsam (Impatiens noli-tangere), brooklime (Veronica beccabunga) and water forget-me-nots (Myosotis species). Many animals are adapted to living in and around reed-beds. These include mammals such as Eurasian otter, European beaver, water vole, Eurasian harvest mouse and water shrew, and birds such as great bittern, purple heron, European spoonbill, water rail (and other rails), purple gallinule, marsh harrier, various warblers (reed warbler, sedge warbler etc.), bearded reedling and reed bunting.
A shorter version of the film exists, and its Spectre subtitle was chosen for the name's ambiguous and various indistinct meanings, while the Noli me tangere ("touch me not") subtitle for the original version is clearly a reference to it being the full-length film as intended by Rivette. The film's experimentation with parallel subplots was influenced by André Cayatte's two-part Anatomy of a Marriage (1964), while the use of expansive screen time was first toyed with by Rivette in L'amour fou (1969). The parallel narrative structure has since been used in many other notable films, including Krzysztof Kieślowski's Dekalog and Lucas Belvaux's Trilogie, which includes Un couple épatant, Cavale and Après la vie, to name a few. Each part begins with a title in the form of "from person to person" (usually indicating the first and last characters seen in each episode), followed by a handful of black and white still photos recapitulating the scenes of the prior episode, then concluded by showing the final minute or so (in black and white) of the last episode before cutting into the new episode itself (which is entirely in color).

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