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33 Sentences With "torn clothing"

How to use torn clothing in a sentence? Find typical usage patterns (collocations)/phrases/context for "torn clothing" and check conjugation/comparative form for "torn clothing". Mastering all the usages of "torn clothing" from sentence examples published by news publications.

Are they dressed in nice clothes or are they disheveled with torn clothing?
A broken knife, keys, and torn clothing were removed from the scene as evidence.
Latter-day Yeezy is oversized, torn clothing in neutral colors, and graphics in Pablo Gothic font.
He said she was found with torn clothing and bruises on her neck and too traumatized to speak.
Mary left the party with bruise marks and torn clothing and feared she'd been assaulted, though she couldn't quite remember.
Nissen's images captured bold styles of that era with images of punks wearing safety-pin piercings, torn clothing, and mohawks.
The entire point of derelict chic is that you're wearing torn clothing and stained sneakers because you want to, not because you have to.
Sources close to Michael and the woman tell us they're baffled the case was dropped since cops took photos of the alleged victim's bruises and torn clothing.
Because young victims are most often violated by adults they know and trust, even timely examinations seldom reveal signs of physical resistance, like torn clothing or bruises.
TORONTO (Reuters) - Shoes, torn clothing and bodies covered with tarpaulins were strewn across one of Toronto's busiest streets on Monday, turning a 15-block area into a ghost town after a van struck and killed 10 people and injured 15.
MORE FROM REUTERS Special Report: Monsanto meets its match in Hindu nationalists Trump to offer federal coal to industry awash in reserves Passengers using the passes are considered airline representatives, United Air Lines Inc spokesman Jonathan Guerin said, subject to a dress code that prohibits sleep or swimwear, torn clothing and revealing attire.
The work isn't precisely nostalgic, though it has touches of warm, crinkly feelings, like the piece, "Blood, Bones and Healing Devices" (2001), in which the story of a car accident is told bit by bit through torn clothing stained with blood (his own shirt, the gallery attendant tells me), a walking cane, parts of a medical brace, car keys, broken eyeglasses, and other pieces of shattered glass.
And the young boy doesn't make eye contact with the audience. According to Antonio Palomino, the old man in the painting was old and very ill. He had torn clothing that revealed some skin and on that skin, there were warts. Beside the old man is young boy.
But that evening, Turi is killed in the freezer of his meat shop. Inspector Carter finds a piece of torn clothing clutched in Turi's right hand which apparently belonged to his killer. Now under suspicion himself for Turi's murder, Professor Evans decides the dig will be abandoned, but Liza, acting more and more strangely, refuses to leave. The next morning, the enraged townspeople attack the haunted ruins, Professor Evans tries to get his team clear.
Lillia, now dirty and wearing torn clothing, is thrown into Perival's dungeon cell. They do not recognize each other, as they have never met, but soon realize that they are the king and his betrothed. They are eventually let out of the cell, and taken to the throne room, where Baram is standing before a large crowd. Baram accuses Lillia and Perival of being demons, and Perival insists that there is nothing behind the ivory door but a very ordinary passage.
Street punks at a music festival, 2003 In general, contemporary street punks wear leather, denim, metal spikes or studs, chains and military-style boots. They often wear elements of early punk fashion, such as kutten vests, bondage trousers (often plaid) and torn clothing. DIY-created and modified clothing, such as ripped or stitched- together trousers or shirts, or trousers that are tightly tapered, are common. Jackets and vests often have patches or are painted with logos that express musical tastes or political views.
Taylor's wife reported that when he arrived home on foot, he appeared dishevelled and muddy with torn clothing and ripped trousers. His wife called the police and a doctor, who treated him for grazes to his chin and thighs. Police accompanied Taylor to the site where he claimed he received his injuries. They found "ladder-shaped marks" in the ground where Taylor said he saw the large spherical object and other marks that Taylor said were made by the smaller, mine-like objects.
While both titles generally featured innocuous stories about youthful relationships, other romance comics of the period ventured into grim tales of alcoholic spouses, two-timing, and wife-beating. The genre was hugely successful with more than 150 series published during the early 1950s. Good girl comics of the period depicted the exploits of voluptuous women in bosom-hugging sweaters or jungle heroines clad in animal skin bikinis. "Headlight" covers featured young women bound with ropes or chains, their ample breasts swelling against torn clothing.
Carnivore released their self-titled debut album Carnivore in November 1985. For this album, the band spelled their names in what they thought were "exotic" ways, Petrus T. Steele and Louie Beateaux. The band often dressed as warriors in torn clothing and spikes attached to hockey gear during their live shows at this period. Keith Alexander left the band in 1986 because he was not interested in the new crossover direction of the band, and was replaced by Marc Piovanetti, who later joined Crumbsuckers.
The soldiers wrote about seeing toothless aunties, old souls with gray heads, woman carrying their babies in their arms wearing old torn clothing and all running to thank the soldiers and embrace the flags which were flown by the many regiments and companies. The newly freed slaves, which seemed like thousands to the Union soldiers, ran after the troops to join the Army of the Lord to freedom. At every crossroad and plantation more freed people joined the crowds signing with the bands playing their instruments. Early trustees of the Flat Rock United Methodist Church.
The story begins with Cassie having another in a series of recurring nightmares about Milk & Cheese. Afterwards, Cassie and Vlad decide to investigate the "Hitchfield Massacre" that has been headlining the newspapers. They investigate the scene where several college girls disappeared and find torn clothing, claw marks and encounter a reporter named Phil O'Grady who is also investigating the murders. While Phil shows Cassie a recording of one of the killings a local policewoman is violently killed by a treehugger – presumably the same creature responsible for the killings.
You rarely hit it, and again, that's the joy of playing live, because there you can be just at that point where you've lost balance. I'm always walking between polarities, trying to find the opposing sides." In her early career, Garside's stage presence was noted by critics for its disheveled appearance, marked by torn clothing and her body covered in dirt. Caroline Sullivan of The Guardian writing in 1992: "In clinical terms, Garside is probably no loopier than Belinda Carlisle, but her fizzing nervousness imparts a sense of great fragility, and her candour is almost embarrassing.
Scene 1: A beautifully lit ballroom in the Hôtel de Nesle The Protestants are celebrating the marriage of the Queen to Henry of Navarre. The tolling of a bell interrupts the dancing and festivities, as does the entrance of Raoul, in torn clothing covered in blood, who informs the assembly that the second stroke was the signal for the Catholic massacre of the Huguenots. Admiral Coligny has been assassinated, Raoul tells them, and Protestant men, women and children are being slaughtered in the street by the thousands. The women flee, panic-stricken, as the Protestant men prepare to defend themselves.
Also included was a fully illustrated origin story on the card's backside which was phased out during the 4th series. The figures boasted highly detailed sculpting, especially for the time. Colorful characters like General Traag, Rat King, Mutagen man, Scumbug, Pizza Face, Muckman, and many others featured intricate details such as small animals crawling over them, large scars, torn clothing, and pieces of garbage stuck to their bodies. With the release of the second series in 1989, fans saw ten entirely new figures: five allies and five enemies, six new vehicles/accessories, the first playset, the Turtle Battle Fun role-play sets, 9" and 13" plush dolls, and official Retromutagen Ooze.
Both studies, however, noted that women and men were portrayed with equal frequency in the media. A study of commercials on Mexico's national TV found a disparity in the ways women are depicted based on whether they are dependent on another person to have their role (mothers/wives) or independent (single women/employees). The study found that independent women are objectified and sexualized more than dependent women, by wearing significantly more torn clothing to expose the torso and explicit/implicit nudity. Though, both independent and dependent women are more sexualized than men, by wearing more tight-fitting clothes, low-cut/unbuttoned shirts to show cleavage, and nudity.
Dhamaal, or meditative dancing sessions, are held at the shrine during which participants enter a trance-like state to the tune of rapid drum beats. The shrine is considered to be the chief shrine for malangs and qalandars - adherents of a distinct Sufi order inspired by the teachings of Lal Shahbaz Qalandar. The matted hair and torn clothing of the malangs may be influenced by Hindu Shaivite yogis, as Sehwan Sharif was a stronghold of the Shaivite Hindu tradition prior to the Partition of British India. The shrine also holds dhamaal ceremonies, or dancing sessions accompanied by rhythmic drum-beating to induce a trance-like meditative state, that are believed to have been performed by Lal Shahbaz Qalandar.
James Nesbitt in the promotional music video for "The Day I Died"The music video, premiered on 28 July 2009. Though Just Jack's song tells a story, the video does not follow it literally, and presents an expanded expression of the be-here-now theme: appreciating the small details of life before it is too late. The video was directed by Ben and Joe Dempsey and stars Northern Irish actor James Nesbitt, as a man waking up to the "best day of his life" only to discover at the end that he has already been killed by a taxi and has been reliving that day. As the video (and the day) begin, the man wakes up fully dressed, although visibly injured and with torn clothing.
McLaughlin, Edward Tompkins; Studies in Medieval Life and Literature, p. 6, New York: G.P. Putnam's Sons, 1894 > For pleasure alone he climbed Mont Ventoux, which rises to more than six > thousand feet, beyond Vaucluse. It was no great feat, of course; but he was > the first recorded Alpinist of modern times, the first to climb a mountain > merely for the delight of looking from its top. (Or almost the first; for in > a high pasture he met an old shepherd, who said that fifty years before he > had attained the summit, and had got nothing from it save toil and > repentance and torn clothing.) Petrarch was dazed and stirred by the view of > the Alps, the mountains around Lyons, the Rhone, the Bay of Marseilles.
Hell had an energetic stage presence and wore torn clothing held together with safety pins and spiked his hair, which was to become punk fashion—in 1973, after a failed management deal with the New York Dolls, impresario Malcolm McLaren brought Hell's ideas back with him to England and eventually incorporated them into the Sex Pistols' image. Disputes with Verlaine led to Hell's departure from Television in 1975, and he co-founded the Heartbreakers with New York Dolls guitarist Johnny Thunders. Hell did not last long with this band, and began recruiting members for a new one. For guitarists, Hell found Robert Quine and Ivan Julian—Quine had worked in a bookstore with Hell, and Julian responded to an advertisement in The Village Voice.
The gem changes color when the player blocks an attack or has his or her own attack blocked by a Guard Impact. The color gradually changes from blue to green, then to red and eventually flashing red. The player's own Soul Gauge regenerates if he or she makes an attack and hits the opponent, guarding or otherwise. If the character manages to empty out the opponent's Soul Gauge, the enemy is destroying a piece of armor (characters now show permanent signs of visual damage such as broken and torn clothing) and producing a short stun during which the character can perform a powerful Critical Finish move, which is able to defeat the opponent instantly, by pressing all four face buttons at the same time.
Hell had an energetic stage presence and wore torn clothing held together with safety pins and his hair spiked, which was to be influential in punk fashion—in 1975, after a failed management deal with the New York Dolls, impresario Malcolm McLaren brought these ideas back with him to England and eventually incorporated them into the Sex Pistols' image. Disputes with Verlaine led to Hell's departure from Television in 1975, and he co-founded the Heartbreakers with New York Dolls guitarist Johnny Thunders. Hell did not last long with this band, and he began recruiting members for a new band. For guitarists, Hell found Robert Quine and Ivan Julian—Quine had worked in a bookstore with Hell, and Julian responded to an advertisement in The Village Voice.
Once the meter is completely filled, Rage mode can be activated and lasts for several seconds. Rage mode enables the player to break the opponent's guard on the second hit, prevents the attacker from experiencing hit stun, knockdown or pop-up, and increases the damage of an attacker's moves. During fights, characters show permanent signs of damage, such as bruises, scrapes, bleeding, and broken or torn clothing. All of the characters except Darkseid, Shao Kahn, and Dark Kahn have finishing moves; the Mortal Kombat characters and the DC villains can execute Fatalities, while the DC heroes can execute moves called "heroic brutalities," which function in the same manner but do not kill opponents, in order to stay in tone with the heroes who have an established reputation of never taking a life.
After examining photographs of Carnegie's body and the area around it, a naturalist concluded that the argument in favour of a bear culprit was weak: many black bears may have been hibernating, an active bear would have concentrated on an ample food supply from the nearby landfill 2 km from the kill site, and none of the camp employees saw bears or bear tracks, either the month before or after the attack occurred. A bruise on Carnegie's right lower leg (measured 4 × 2.5 cm), with what appeared to be bite mark impressions associated with the bruising was said to be consistent with injuries observed in 13 survivors of wolf attacks in Alaska and Canada. In many of these cases, the initial bites were fleeting and occurred in the hands or legs, and left only torn clothing, scratched skin, or minor puncture wounds. A photo, featuring the injured lower back of a six-year-old Alaskan boy attacked by a wolf near Icy Bay showed bite marks ½-3 cm in length; many of which were similar to those found near the nose, eyes, and right arm of Carnegie's body.

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