Their innocent quotes only accentuated the over-the-topness of male celebrity sexuality.
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The frantic over-the-topness Ratner was displaying had an edge of performance anxiety to it.
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Everyone loves the over-the-topness of the pretense, because everyone knows no one can get hurt.
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In true Cardi form, she accessorized accordingly, with a lots of feathers, bling, and general over-the-topness.
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There's something distinctly American about the event's over-the-topness—it could have only come from the land of MegaMillions and Taco Bell Chicken Chips.
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Such out-of-placeness was an accident of unfortunate branding, most likely (though for all Robinson's protestation, his soaring sonics do share mainstream EDM's penchant for unrepentant over-the-topness).
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Ms. van den Heever's acting is more rigidly histrionic, but with her flame-drawn singing, she brought a welcome over-the-topness to a work filled with conflicted-but-noble characters.
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The essential quality of "Angels" is not its plot but its too-muchness, its over-the-topness; to have just enough of it is to have not a lot at all.
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Everything about the movie, including and especially the violence, is gratuitously over-the-top; it often feels like a satire of violent over-the-topness, an addled and morally empty state of being toward which Natural Born Killers seemed to suggest the American psyche was increasingly inclined.
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Like all flavour quantum numbers, topness is preserved under strong and electromagnetic interactions, but not under weak interaction. However the top quark is extremely unstable, with a half-life under 10−23 s, which is the required time for the strong interaction to take place. For that reason the top quark does not hadronize, that is it never forms any meson or baryon, so the topness of a meson or a baryon is always zero. By the time it can interact strongly it has already decayed to another flavour of quark (usually to a bottom quark).
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In physics, the C parity or charge parity is a multiplicative quantum number of some particles that describes their behavior under the symmetry operation of charge conjugation. Charge conjugation changes the sign of all quantum charges (that is, additive quantum numbers), including the electrical charge, baryon number and lepton number, and the flavor charges strangeness, charm, bottomness, topness and Isospin (I3). In contrast, it doesn't affect the mass, linear momentum or spin of a particle.
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The Gell-Mann–Nishijima formula (sometimes known as the NNG formula) relates the baryon number B, the strangeness S, the isospin I3 of quarks and hadrons to the electric charge Q. It was originally given by Kazuhiko Nishijima and Tadao Nakano in 1953, and led to the proposal of strangeness as a concept, which Nishijima originally called "eta-charge" after the eta meson. Murray Gell-Mann proposed the formula independently in 1956. The modern version of the formula relates all flavour quantum numbers (isospin up and down, strangeness, charm, bottomness, and topness) with the baryon number and the electric charge.
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Hypercharge is one of two quantum numbers of the SU(3) model of hadrons, alongside isospin I3. The isospin alone is sufficient for two quark flavours—namely, and —whereas presently six flavours of quarks are known. SU(3) weight diagrams (see below) are 2-dimensional with the coordinates referring to two quantum numbers, I3 (also known as Iz), which is the z-component of isospin and Y, which is the hypercharge (the sum of strangeness S, charm C, bottomness B′, topness T, and baryon number B). Mathematically, hypercharge is :Y = S+C+B^\prime+T+B. Strong interactions conserve hypercharge, but weak interactions do not.
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Evaluation of strangeness production has become an important tool in search, discovery, observation and interpretation of quark–gluon plasma (QGP). The terms strange and strangeness predate the discovery of the quark, and were adopted after its discovery in order to preserve the continuity of the phrase; strangeness of anti-particles being referred to as +1, and particles as −1 as per the original definition. For all the quark flavour quantum numbers (strangeness, charm, topness and bottomness) the convention is that the flavour charge and the electric charge of a quark have the same sign. With this, any flavour carried by a charged meson has the same sign as its charge.
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The symbols encountered in these lists are: I (isospin), J (total angular momentum), P (parity), u (up quark), d (down quark), s (strange quark), c (charm quark), t (top quark), b (bottom quark), Q (electric charge), S (strangeness), C (charmness), B′ (bottomness), T (topness), as well as other subatomic particles (hover for name). Antiparticles are not listed in the table; however, they simply would have all quarks changed to antiquarks (and vice versa), and Q, B, S, C, B′, T, would be of opposite signs. I, J, and P values in red have not been firmly established by experiments, but are predicted by the quark model and are consistent with the measurements.C. Amsler et al.
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He wrote that such cycles, as well as Eisner's, emphasized a heterogeneous multiplicity of perspectives, as "o American ethnic literature can ever be defined monolithically". Art critic Peter Schjeldahl saw the "over-the-topness" endemic to American comics, and Eisner's work, as "ill suited to serious subjects, especially those that incorporate authentic social history". The work has been criticized for its use of stereotypical imagery; writer Jeremy Dauber countered that these images reflect Eisner's own memories of his youth and the strictures that Jewish people felt in the tenements. Others said caricaturized character designs conflicted with the otherwise realism of the stories; the appropriateness of the style was defended by others, such as Dennis O'Neil, who said that they better reflect the impressionistic way a child remembers the past.
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" Arielle Castillo of Miami New Times heavily praised Knowles' performance, writing that "B performed like her life depended on it; fresh to death choreography, flawless vocals, crazysexy wardrobe and her trademark lioness mane all in A+ form... Beyonce gave the crowd all that they expected, and multiplied that by 1000." She concluded her review by writing that the concert was reminiscent of a Las Vegas show due to the elaborate costumes, sets, and "over-the-topness of the whole thing" further praising Knowles for acting, dancing and singing on stage. Knowles performing "Listen", a song from the soundtrack album Dreamgirls: Music from the Motion Picture. The New York Times' Jon Pareles wrote, "She's the woman with everything: the voice, the moves, the songs, the ideas and the clothes.
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