I took joy in watching the man in a leather cape eat sloppy food with his fingers.
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The actor/wrestler/producer took joy in being given the honors and posted the image onto his social media.
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Some of the staff we work with say 'before I started working with you, I took joy in beating up prisoners.
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He bemoaned its structure and the way it had changed; he balked at its limits and took joy in causing offense and flouting rules.
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Ever since, Dash has been a lightning rod on Twitter, where users took joy in the fact that Dash will no longer have a prominent platform on cable news.
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I especially took joy in finding photos, memes, and other web detritus that I didn't own (oops) and printing out those — something I'm guessing Fujifilm might officially frown upon.
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In a December appearance in a District of Columbia courtroom to seek damages against Iran for holding Levinson, his children shared stories of a loving, dedicated and thoughtful man who took joy in his family.
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If you have any sympathy for the man you see before you – consider that Mr. Weinstein took joy in beating to a pulp a dying man, a man poorer than him, a man who was an extension of me.
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It was not always apparent that it worked. Callan's contact Lonely (Russell Hunter) developed into an unofficial sidekick, whose shadowing qualities outshone his sense of personal hygiene, something Meres in particular took joy in pointing out. Lonely remained ignorant of Callan's real work and believed him to be something of a gangland villain.
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The backs and sides of buildings rather than the front. A glimpse into a humble courtyard, or a view across rooftops. He took simple subjects and used them to tell of the human condition, and he took joy in the beauty of nature. He was, above all a master colourist, and he created form and emotion in colour.
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Page 48. These Virtues were seen as role models for the women of the Abbey, who took joy in overcoming their weaknesses and defeating the Devil in their own lives. Chorus of the Prophets and Patriarchs (sung by a male chorus) Chorus of Souls (sung by a women’s chorus) The Devil (a male voice --Maud Burnett McInerney. Eloquent Virgins from Thecla to Joan of Arc.
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Zitkála-Šá attended the school for three years until 1887. She later wrote about this period in her work, The School Days of an Indian Girl. She described both the deep misery of having her heritage stripped away when she was forced to pray as a Quaker and cut her traditionally long hair. By contrast, she took joy in learning to read and write, and to play the violin.
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He gave cuttings of this rare plant to all his neighbors and began selling the tea under the name Tieguanyin, Iron Bodhisattva of Compassion. Over time, Wei and all his neighbors prospered; the run-down temple of Guanyin was repaired and became a beacon for the region. From this time onwards Mr. Wei took joy in the daily trip to his tea fields, never failing to stop in appreciation of the beautiful temple.
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Come to that, I've killed men in battle. I > never took joy in it, that I can remember, but I never drew back from it > either. [...] I was with Robert of Normandy's company and a mongrel lot we > were, Britons, Normans, Flemings, Scots, Bretonsname them, they were there! > After the city was settled and Baldwin crowned, most of us went home over > three or four years, but I had taken to the sea by then, and I stayed.
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The printing group moved to Amersfoort in 1903, after Berman had resigned that same year from its management. In 1904 Berman lived on the Asterstraat 25 in Hilversum and became secretary of the society Ons Huis, part of the Christian-anarchist network. While a former mayor joining the Christian anarchist movement was a source of pride for the group, conservative press took joy in the gradual unraveling of his anarchist interests. The Bermans remained in Hilversum until 1909.
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Men who were turned away from women-only LLL events sometimes clashed with LLL collective members in local media. One LLL member observed that separatism was "seen by men as a terrific act of insubordination." Local press frequently covered LLL in the early 1980s because of the group's outspoken advocacy against discrimination and abuse of women. Julia Penelope took joy in her belief that the governor of Nebraska wanted the word "lesbian" to stop appearing on the front pages of Lincoln newspapers.
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"The Daisy" tells of happy little daisy who is taken up with a plot of earth to line the bottom of a bird cage where a lark is held captive. When he dies and is given an elaborate funeral by the children, she is cast into the road and forgotten. She alone loved the lark, took joy in his song, and felt his suffering as her own. "The Steadfast Tin Soldier" (Den standhaftige tinsoldat) is the story of a tin soldier who loves a paper ballerina.
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At the time of her involvement, King George III (who detested the Whigs) and his ministers had a direct influence over the House of Commons, principally through their power of patronage. The Prince of Wales, who always relished going against the grain with his father, joined the Whig party at the time his friend, the duchess, became involved. She was renowned for hosting dinners that became political meetings, and she took joy in cultivating the company of brilliant radicals. "THE DEVONSHIRE, or Most Approved Method of Securing Votes", by Thomas Rowlandson, 1784 During the general election of 1784, the duchess became a major subject of scrutiny.
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Many scholars trace the sexualization of Black women back to slavery, where certain stereotypes were invented as a way to dehumanize Black women. These stereotypes include the Jezebel who was seen as a light skin overly sexual Black woman with no control over her desires; the Mammy a dark-skinned fat Black woman who was asexual in nature and whose sole purpose was to cook for a white family; the Sapphire first shown on the Radio/Television show Amos n’ Andy, she was a loud, crude, jealous woman, who took joy in emasculating men. These stereotypes have carried over to the way black girls view themselves and how society views them. The Jezebel stereotype, in particular, has reemerged in the form of rap video vixens.
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I even chose a camera among the many brands whose ground lens most nearly approximated the look of those in larger cameras.” She eventually selected the Olympus 35mm, which became her constant companion throughout her later years. The hand-held camera was “designed for action. But I held to the way that I took joy in seeing... and it was not until I arrived in Venice – vulnerable, rotting, splendid Venice — that I finally succumbed to the seductions of color... color bold; color subtle, nuanced; a veritable paint pot of color.” Some of the most splendid of her color photographs are of the famous gondolas on the Grand Canal in Venice. In a personal note in her journal she kept while in Italy (1977), she wrote, “I specially fell for the gondolas, not as a craft, but as objects d'art ...pieces of sculpture”... and she captured them exquisitely.Monterey Museum of Art for “The Photographs of Dody Weston Thompson Exhibit,” Carmel, California, April 30, 1997, p. 16 Her travels to Hawaii, Italy, France, Mexico and Japan allowed her to produce some of her most famous color photographs.
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