Lift wing tips up and over back; tuck under turkey.
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And she's still got a few tips up her sleeve to share.
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A pair of chopsticks that stay "tips up" even when you set them down.
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The agency said it received more than 38,000 phone calls and online tips, up from 22,000 it typically receives in a week.
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They may not be as publicized, but the Brits do have more than a few useful parenting tips up their collective sleeve.
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Donaldson's YouTube channel blew up in 2018, after he uploaded a video ordering water at different restaurants and leaving tips up to $10,000.
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In the week after the shootings, the FBI got more than 38,000 tips, up from the typical 22,000 tips per week this year.
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Sometimes, when I was out for a delivery at the end of a shift, they would add the in-app tips up without me present.
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Typing still feels new to me; I've had to adopt an odd position with my fingers, spreading them wide and sort of bending the tips up?
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An NBC News report in February said Instacart used a similar practice to subsidize worker pay with tips up to the guaranteed $10 per-job minimum.
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Joslyn Jane, who does solo videos for the site OnlyFans, says she's been bringing in $1,700 a week in sales and tips, up from her typical average of $1,050.
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"Peace, Mr. Shakespeare. Come not between the dragon and his wrath," says Learo. Will goes to sit somewhere else, and his chair tips up. On the soundtrack we hear a scene from Kozintsev's King Lear.
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The paraphyses are slightly club-shaped, unbranched, and have irregular orange-brown granules, with tips up to 5 µm wide, and are not forked or lobed. The hypothecium, the layer of cells below the hymenium, is made of densely packed, small irregular cells.
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The lateral sepals turn downwards, have hairy edges and narrow tips up to long which are upturned and spread apart from each other. The labellum is fleshy, dark brown, about long and insect-like with long, silky hairs on its edges. Flowering occurs from August to November.
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The dorsal sepal is narrow egg-shaped, long with a sharp tip. The lateral sepals are erect, have narrow tips up to long and spread slightly apart from each other. The labellum is red, long, wide and curved with a prominent mid-rib. Flowering occurs from October to November.
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Head: wide neck, raised and prominent. Save remarkably thick and long, covering the base of the sticks of color and always a redhead. Horned with extreme afuscados, thin small-scale, acabanados and tips up and turned inside out, getting this level slightly higher than the topknot. Ears lined with long and abundant red hair.
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D. canescens is a crustose lichen with lobed margins, a growth type known as "placodioid". It grows in rosettes up to across. The thallus, which can range in color from white to very pale gray, is typically darker in the center and very white-pruinose on the marginal lobes. These lobes are convex, becoming wider at the tips – up to wide.
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Samuelson discovered that leaning backwards in the water with ski tips up and poking out of the water at the tip was the optimal method. His brother Ben towed him and they reached a speed of . Samuelson spent 15 years performing shows and teaching water skiing to people in the United States. Samuelson went through several iterations of equipment in his quest to ski on water.
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The flowering stem is tall and there is usually only a single green flower with translucent white stripes. The dorsal sepal and petals are fused, forming a hood or "galea" over the column. The dorsal sepal is tall with the top nearly horizontal and tapering to a long narrow tip up to long. The lateral sepals taper to narrow tips up to long and are erect or turned backwards.
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HEAD - A bit long under the eyes, usually more right than on the convex bevel, wide forehead and slightly convex. CORNER - Medium size, elliptical section, white, flushed with the tips, going out almost horizontally to the sides, turning from a little behind, then turned forward and with the tips up and turned inside out at the last third of its length. BROW - Little salient. SCREWDRIVER PALBEBRAL - Slightly oblique.
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The dorsal sepal and petals form a hood or "galea" over the column with the dorsal sepal having a narrow tip long. The lateral sepals are narrow and turn downwards and suddenly narrow to thread-like tips up to long. The labellum is thinly-textured, green to pale brown and insect-like, about long with two hairs about long on the "head" end and eight to eleven shorter ones on each side of the "body".
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The dorsal sepal is tall and curves forward then downward, tapering to a thin tip long. There is a wide gap between the galea and the lateral sepals which spread apart from each other, with long, thread-like tips up to long which sometimes almost meet behind the ovary. The labellum is flat in cross-section gently curved and protrudes above the sinus between the lateral sepals. Flowering occurs from February to April.
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Sartan are also of the same height and build as humans, but unlike the Patryns, they have not been hardened by generations of violent life. Also unlike the Patryns they are born with white hair that turns brown from the tips up. All Sartan are capable of using rune magic. The Sartan use of runes is portrayed as more elegant than the Patryn, involving singing and dancing in prescribed tones and movements to affect the Wave.
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Patryns are represented as having the same height and build as humans, but the current generations of the series are all in excellent physical shape due to the hardships of the Labyrinth. They are born with brown hair that turns white from the tips up. They are all possessed of excellent magical ability to varying degrees, also a necessity for their survival. All Patryns are capable of using rune magic, which manipulates the Wave of possibilities, allowing Patryns to view a myriad of possible outcomes and select one to occur.
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The bubble canopy tips up for access and has a built-in vent. The landing gear consists of a retractable main monowheel gear, a fixed (or optionally steerable) tail wheel and faired polymer wing tip wheels. The electric motor is powered by two lithium polymer battery packs mounted near the aircraft's center of gravity, totalling a capacity of 4.3 kWh and weighing 15.5 kg (34.2 lbs). The nose-mounted propeller folds alongside the aircraft's nose when not powered to reduce drag and self-deploys when power is applied.
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The fourth of Dickinson's paintings that Driscoll identified as major and symbolical, The Cello Player, 1924–1926, took the longest to paint of works to that date. Again, the dominant figure is an old man, ostensibly playing a cello in a room littered with objects and seen from above, so that the space tips up to a horizon well above the picture top. The progressive tipping and enclosure of space can be observed in the sequence of works leading up to this one, a strategy that parallels modernist tendencies toward pictorial abstraction accompanied by spatial flattening. Nevertheless, the figure and objects in this picture give up none of their volume or tactile presence as objects.
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A tip-up is a device used while ice fishing to suspend live or frozen bait at a set depth through a hole drilled in the ice with an auger, and detect when a fish strikes, without having to be in contact with this piece of gear. When a fish does take the bait, a flag "tips up" or the flag can "tip down" to signal the angler that a fish has taken his bait. Because the angler does not need to stay with his line and can see that the flag at a distance, he or she is able to cover a larger area than with just an ice fishing rod.
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In order to safely ski these mountains he developed a new technique to "jump turn" on very steep inclines. Normal jump turns would have accelerated the skier and thrown him too far down the mountain so, using long ski poles, Saudan turned by planting a ski pole downhill and, keeping his weight on both skis and leaning back on his heels, he lifted the ski tips up and swivelled them in an arc into the turn. These turns, rhythmically swivelling the skis in arcs left and right, he christened the windscreen wiper turns. He is an accomplished guide for heliskiing, one of the first European guides, along with Hans Gmoser, to exploit the Bugaboos in British Columbia in the 1970s, with waist deep powder snow (often 150,000 vertical feet per week or more).
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The fourth of Dickinson's paintings that art historian John Driscoll identified as major and symbolical, The Cello Player (1924–26) took the longest to paint of works to that date. Again, the dominant figure is an old man, here posed for by a different model, ostensibly playing a cello in a room littered with objects and seen from above, so that the space tips up to a horizon well above the picture top. The progressive tipping and enclosure of space can be observed in the sequence of works leading up to this one, a strategy that tends to equalize the parts of the picture and enhance their pictorial interaction. But although this parallels modernist tendencies toward pictorial abstraction accompanied by spatial flattening, the figure and objects in this picture give up none of their volume or tactile presence as objects.
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