As tinkly music plays, we see Offred on her bed, healing.
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"That's the thing about Covid-19," she says, to a background of tinkly piano music.
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It's nursery-rhyme-like melody offers a tinkly condemnation of what used to be called middle-class conformity.
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Behold now a sweeping spareness, adorned by sporadically deployed strings, flutes, swelling horns, tinkly organ; often she and her piano stand alone.
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Or this Clearblue commercial, in which a happy couple eagerly anticipates confirmation of a coming baby while tinkly crib music plays in the background.
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Remember those childhood summers, and the pure adrenaline that would rush through your sugar-addled system at the sound of a tinkly "Greensleeves" chime?
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And the series uses superficially similar techniques, all glimpses and epiphanies and montages and gazes and tinkly music and improvisational dialogue, with the occasional dark comic twist.
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When I hit play inside a Pret, rapper D Double E is "on the rhythm combined", but he's battling to be heard above the tinkly background muzak.
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Her tinkly, thrumming music enhances the feeling that "To the Moon" is more of an illustrated soundtrack or a high-tech cartoon than a piece of theater.
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The tinkly music and pristine pastoral landscape seen in the opening scene of "Hang the DJ" cues us that this episode will be a technology-infused fairy tale.
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LARAAJI'S SLEEP CONCERT Laraaji favors soothing, tinkly sounds — zithers, thumb piano, little bells — and melodies hinting at ancient folk tunes, all growing more consonant with loops and echoes.
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Out there in the regular world, they hand you towels and slippers and ask that you escape your life amid their warm oils and groping hands and tinkly music.
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"Between you and the abyss is what you want to know," Mr. Gunn sings amid the fuzztone and tinkly percussion of "Transcendental Hangover"; that's where the Lavender Flu situates itself.
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LET'S EAT GRANDMA Rosa Walton and Jenny Hollingworth, the two teenagers who make up Let's Eat Grandma, play songs that can be tinkly and delicate one moment and brutal the next.
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Even the title of this volume gives a taste of Wright's method of blending vocabularies: the word "oblivion" boasts a provenance in Western philosophy and literature, while the sound of the banjo brings back the "tinkly hymns" of Wright's Southern childhood.
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We had to add $30 for valet parking, but breakfast was free and with spa treatments half-price, we spent only $80 for a half-hour in a copper bathtub-for-two, which included champagne, robes, slippers and tinkly new-age music.
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The rest blends tinkly bell tones and almost subliminally soothing low notes with what must be Mr. Shields's swaths of hovering tremolo guitar: freneticism that begins on a far horizon, draws close and lingers, menacingly, before finding what sounds more like respite than resolution.
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That bumper shows a set of red stairs — meant to emulate the world's most famous red carpet, outside the Palais des Festivals — ascending through a deep sea and over the horizon to the stars, while tinkly music plays in the background, ending with the festival's logo.
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PARELES The tinkly bell tones that united the producer Mura Masa's past hits as they straddled pop, hip-hop and club tracks are nowhere to be found in two songs he released this week: "No Hope Generation" and "Deal Wiv It." He's gone punk and post-punk.
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It is Valentine's Day on Sunday, and some number of us will be out at the restaurant with the low lights and tinkly music, paying for oysters and things with truffles on them, drinking Champagne and doing the full-tilt romantic boogie just as the card makers and rose merchants tell us to do.
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First the gliding chorus, then the swooning verse, again the chorus, and suddenly it all explodes into the bridge, suddenly the horns are blasting and the sitar is moaning and a tinkly electric piano is playing these cascading arpeggios and Prince, his voice still smooth and feminine, is squealing howling sobbing in ecstasy, suddenly the music climaxes, spills over the edge, heavy breathing, pounding hearts.
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In 1988-89, the Café Procope was refurbished in an 18th-century style. It received Pompeian red walls, crystal chandeliers, 18th-century oval portraits of famous people who had been patrons, and a tinkly piano. The waiters were dressed in quasi-revolutionary uniforms.
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The film's score was recorded at the Philadelphia Academy of Music. Disney wanted to experiment in more sophisticated sound recording and reproduction techniques for Fantasia. "Music emerging from one speaker behind the screen sounds thin, tinkly and strainy. We wanted to reproduce such beautiful masterpieces ... so that audiences would feel as though they were standing at the podium with Stokowski".
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Dil, while Tommy tries to break them out, pulls the "tinkly thing" and darts shoot out and breaks Angelica's machine which controls robot Reptar. Robot Reptar then appears in Mount Fugelica and brings Susie with him. He chases Angelica and Tommy asks her to let them out so they can help her. They hide Angelica in her pile of cookies.
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In 2008, Switchfoot re-released the song as a Rhapsody-exclusive single, just in time for the Holiday season, under their independent record label, lowercase people records.Switchfoot to release "Another Christmas (Old Borego)" Single? - Published December 12, 2008 (Retrieved December 13, 2008) It was rearranged with slightly more instrumentation and a more tinkly feel with the guitar work, along with an overall updated mix.
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A year after recording The Sorcerer's Apprentice, Stokowski signed an 18-month contract with Disney to conduct the remaining pieces for Fantasia and the process began in earnest. Fascinated with the rich sound he heard from the playbacks at Culver Studios, Disney felt the conventional sound systems at the time sounded too tinny and inadequate for the experience he wanted Fantasia to be. "We know...that music emerging from one speaker behind the screen sounds thin, tinkly and strainy. We wanted to reproduce such beautiful masterpieces...so that audiences would feel as though they were standing at the podium with Stokowski", he said.
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Jay-Z contributed vocals to "Best Thing" An R&B; album, Josh Eells of Blender summed up much of the production of Here I Stand as "cocktail-lounge crunk, full of splashy cymbals, jazzy electric guitar and tinkly pianos". Many of its themes were inspired by Foster and Raymond V, resulting in a great number of ballads. Here I Stand opens with an "Intro" (titled "Forever Young" on some copies), while the lead single "Love in This Club" follows, on which Young Jeezy appears. The mid-tempo song features a shuddering synth beat and speaks of a lusting desire in a nightclub.
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In a retrospective review, Alexis Petridis of The Guardian called it an example of McVie's "bullet-proof" song-writing, a "confection of booming drums, precise, tinkly synth and wailing guitar solos that sounds as if it’s just waiting to appear in the background of a film starring Ally Sheedy." David Bowling of Blogcritics Magazine also grouped it as one of Christine McVie's strongest songs, noting that McVie delivers an atypical vocal in a song "about as hard as this incarnation of Fleetwood Mac gets". Upon reflection, Stevie Nicks considers the track, along with Buckingham's own songs on the album, as representative of his best contributions to any Fleetwood Mac album.
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Tale of Genji chapter symbols, including diagrams of the first 52 set partitions The number of different possible rhyme schemes for an n-line poem is given by the Bell numbers,. Reprinted with an addendum as "The Tinkly Temple Bells", Chapter 2 of Fractal Music, Hypercards, and more ... Mathematical Recreations from Scientific American, W. H. Freeman, 1992, pp. 24–38. which for n = 1, 2, 3, ... are :1, 2, 5, 15, 52, 203, 877, 4140, 21147, 115975, .. . Examples: We find one rhyme scheme for a one-line poem (A), two different rhyme schemes for a two-line poem (AA, AB), and five for a three-line poem: AAA, AAB, ABA, ABB, and ABC.
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In The Art of Discworld, Pratchett identifies The Little Grey Men and Down the Bright Stream, both by "BB", the nom-de-plume of Denys Watkins- Pitchford, as possible inspiration, featuring fairies that could talk to animals, but "there was nothing tinkly about them; they lived in a world of dangers". The Guardian notes that "The Nac Mac Feegle embody the stereotypical Scotsman to great comic effect". The Nac Mac Feegle are often confused with pixies, because they refer to themselves as Pictsies. According to their own history, the Nac Mac Feegle rebelled against the wicked rule of the (or possibly "a") Queen of the Fairies, and were therefore exiled from Fairyland.
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There's very little progression or change in their sound, but that doesn't necessarily have to be a bad thing." Ray Rahman of Entertainment Weekly commented the album "tempers its galloping pop gait with frontman Alex Trimble's Ben Gibbard-y confessionals. And at their best, tracks like 'Sleep Alone' and 'Wake Up' come off like a less grandstanding Killers—human and dancer." Katherine Rodgers of the NME stated the album "blitzes in on a flurry of discordant, M83-style synth-fuzz, and while it doesn't stray far from their trademark tinkly guitar lines and infectious choruses, it's laced with New Order-ish disco trimmings", while noting it is "undoubtedly a more sophisticated release than Tourist History—even if, in places, it feels thematically confused.
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Writing in Smash Hits, Peter Silverton observed that A Broken Frame, in contrast to the group's early post- Vince singles which he thought showed "a lack of purpose", "makes a virtue of their tinkly-bonk whimsy". In contrast, Melody Maker wrote that, although "ambitious and bold", "A Broken Frame – as its name suggests – marks the end of a beautiful dream", a comment on the departure of main songwriter and electronics genius Vince Clarke. Reviewer Steve Sutherland considered the songs "daft aspirations to art", the album's musical and thematic "larcenies" sounding like "puerile infatuations papering over anonymity". At the same time, Sutherland acknowledges that the group's increasing complexity "sounds less the result of exterior persuasion than an understandable, natural development", although he finally concludes that Depeche Mode remain (in contrast to Clarke's new group Yazoo) "essentially vacuous".
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