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20 Sentences With "tightly stretched"

How to use tightly stretched in a sentence? Find typical usage patterns (collocations)/phrases/context for "tightly stretched" and check conjugation/comparative form for "tightly stretched". Mastering all the usages of "tightly stretched" from sentence examples published by news publications.

This seems apparent in the way that the fabrics have been tightly stretched, with fragments fraying at the ends.
In screen printing, an artist uses a tightly stretched screen, blocking out the areas that will not be printed.
The Spandex, reinforced by fiberglass, became a tightly stretched skin, resulting in a sharp-edged, open form twisting and stretching in space.
Dafoe, with his surprising, sometimes terrifying mouth, and his skull visible beneath skin as tightly stretched as canvas, has one of cinema's great faces, and Schnabel makes delicate use of both its ragged beauty and expressive range.
She's content to see her robots providing supplementary companionship, but she is aware that care providers with tightly stretched budgets may have little incentive to become overconcerned if a robot does seem to be substituting for human contact.
Furthermore, the trama tends to be soft tissue, and in weaving, the woof yarn is not tightly stretched; it therefore need not as a rule be as strong as the warp yarn.
This instrument is about 1 foot in length and is shaped like a sand clock. Udakkiya is made by carving either the suriya or ahala timber into two apertures. These apertures are then bound tightly with the leather of the monkey or the iguana and both the sides are connected with tightly stretched twine. Udakkiya is played with two sticks called '.
Acoustic instruments can be split into six groups: string instruments, wind instruments, percussion, other instruments, ensemble instruments, and unclassified instruments. String instruments have a tightly stretched string, that, when set in motion creates energy at (almost) harmonically related frequencies. Wind instruments are in the shape of a pipe and energy is supplied as an air stream into the pipe. Percussion instruments make sound when they are struck, as with a hand or a stick.
Erections can also occur in non-sexual situations; spontaneous non- sexual erections frequently occur during adolescence and during sleep. In its flaccid (unerect) state, the shaft of the penis has the feel of a dense sponge encased in very smooth eyelid-type skin. The glans of the penis, in uncircumcised males, is covered by the foreskin. In its fully erect (hard) state, the shaft of the penis is rigid, with the skin tightly stretched.
Confucian ideals also held that the state should stay out of the lives of the common people, who were to carry out public security functions on their own. The village head was responsible for tax collection, and the magistrate held him personally responsible for any shortfall. Under the Qing dynasty (1644–1911), the last dynasty of imperial rule, local government became even more tightly stretched as population and wealth grew but government administrative institutions – and tax revenue – did not.
The colour sieve consists of a tub (known as the swimming tub) half filled with starch paste, On the surface of which floats a frame covered at the bottom with a tightly stretched piece Of mackintosh or oiled calico. On this the colour sieve proper, a frame similar to, the last but covered with fine woolen cloth, is placed, and forms when in position a sort of elastic colour trough over the bottom of which the colour is spread evenly with a brush.
Julia Gina Plahte Vance (born 13 July 1968) is a Norwegian sculptor. Having started working in stone in 1992, she now shares her time between working in Oslo and Johansen Monumenthuggeri in Norway and the internationally famous marble-carving studio Studio Sem in the sculpture town of Pietrasanta in Tuscany, Italy. Julia Vance's carved stone sculptures seem to be bending stone into tightly stretched surfaces with precisely defined curves and edges. Sculptures based on words and letter shapes, as classical form with conceptual expression.
They decided to spend the entire principle of their funds on a three-year spree of fancy living to gain Louise an entrance into society, with a goal of finding a suitable husband to support them. Beth, fifteen, has two parents who can barely make ends meet, living under a tightly stretched budget. Aunt Jane refused a request for money from Beth's father just the previous year, and Beth cannot even trust him with her own money. Beth is a brooding small-town beauty, given to sullenness.
A pointe shoe's tightly stretched satin exterior exposes the shape of its underlying toe box. The box is a rigid enclosure within the front end of the shoe that encases and supports the dancer's toes. The front end of the box is flattened so as to form a platform upon which the dancer can balance, and fabric covers the exterior of the box for aesthetics. In conventional pointe shoes, the box is typically made from tightly packed layers of paper and fabric that have been glued together and then shaped into an enclosure.
Using her own photography and diagrams (pictured on the right), the article described her process and her invention in detail: > In 1885, while seeking means to indicate readily the intensities of vocal > sounds, I first met with these [voice] figures, and, owing to their variety > both in form and production, they have since absorbed much of my attention. > The apparatus I have employed I call the eidophone. This is very simple. It > consists merely of an elastic membrane, such as thoroughly flexible soft > sheet-rubber, tightly stretched over the mouth of a receiver of any form, > into which receiver the voice is introduced by a wide-mouthed tube of > convenient shape.
Ilam, Nepal The Chyabrung has two openings on either ends, each end being tightly stretched by cow and bull/buffalo skin: on the right and left ends respectively. The face covered by cow skin produces a sharp, treble tone whilst the face covered by bull/buffalo skin produces a flat, bass sound. The cow skin face is called huksagay and is played with the palm of the hand the bull/buffalo side is called singsagay and played with a stick called kay chhari. The Limbus whilst playing the Chyabrung perform the Chyabrung Dance during the festivals of Kelangma and Yalakma (Dhan Naach or rice harvest dance).
The dotara is a plucked stringed instrument, played in an open note combination, often played alongside folk percussive instruments such as Dhol, Khhol or Mandira. It is made out of neem or other hardwood, with an elongated, roundish belly for a soundbox, which tapers to a narrow neck culminating in a peg box which is often elaborately carved in the shape of a peacock-head, swan-head or other animal motifs. The fingerboard is fretless and made of brass or steel, as in a sarod. The soundbox of the instrument is covered with a tightly stretched kidskin or lizard-skin, as in a rabaab or a sarod.
In addition to the engraved block, a printing table and colour sieve are required. The table consists of a stout framework of wood or iron supporting a thick slab of stone varying in size according to the width of cloth to be printed. Over the stone table top a thick piece of woolen printers blanket is tightly stretched to supply the elasticity necessary to give the block every chance of making a good impression on the cloth. At one end, the table is provided with a couple of iron brackets to carry the roll of cloth to be printed and, at the other, a series of guide rollers, extending to the ceiling, are arranged for the purpose of suspending and drying the newly printed goods.
When the spine is straight, such as in standing or lying down, internal pressure is equalized on all parts of the discs. While sitting or bending to lift, internal pressure on a disc can move from 17 psi (lying down) to over 300 psi (lifting with a rounded back). Herniation of the contents of the disc into the spinal canal often occurs when the anterior side (stomach side) of the disc is compressed while sitting or bending forward, and the contents (nucleus pulposus) get pressed against the tightly stretched and thinned membrane (annulus fibrosus) on the posterior side (back side) of the disc. The combination of membrane- thinning from stretching and increased internal pressure (200 to 300 psi) can result in the rupture of the confining membrane.
This form is played at professional level in Italy where there are two varieties: the first kind taking place in a specialised sports venue called a sphaeristerium (sferisterio in Italian), with a lateral wall which permits the ball to rebound; the second kind being played in an open playing field without a lateral wall. A full-sized tamburello court, which need not be as true and even as that for pallone, is long and half as wide, divided laterally through the middle by a line (cordino) into two equal spaces, the battuta and the rimessa. Five players regularly form a side, each carrying in one hand an implement called a tamburello, resembling a tambourine (whence the name), which is a round frame of wood over which a cover of horsehide is tightly stretched. A rubber ball generally larger than a tennis ball is used.

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