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7 Sentences With "theatrical prop"

How to use theatrical prop in a sentence? Find typical usage patterns (collocations)/phrases/context for "theatrical prop" and check conjugation/comparative form for "theatrical prop". Mastering all the usages of "theatrical prop" from sentence examples published by news publications.

Guildenstern, still trying to struggle against destiny, stabs The Player with the other man's dagger, only to find that the weapon is a theatrical prop. Scenes of the deaths of Ophelia, Laertes, Gertrude, Claudius and Hamlet are shown, and both Rosencrantz and Guildenstern, finally accepting their fate, are hanged. The film ends with the tragedians packing up their cart and continuing on their way.
The yo-yo is an example of a skill toy A skill toy is an object or theatrical prop used for dexterity play or an object manipulation performance. A skill toy can be any static or inanimate object with which a person dances, manipulates, spins, tosses, or simply plays. Most skill toys are played alone, although some can be played with multiple people (such as footbag, juggling, and jump rope).
In accordance with Tchaikowsky's wishes, his skull has been used as a theatrical prop by the Royal Shakespeare Company. Here, actor David Tennant uses Tchaikowsky's skull in a 2008 production of Hamlet. Tchaikowsky died of colon cancer at the age of 46 in Oxford. In his will he left his body to medical research, and donated his skull to the Royal Shakespeare Company, asking that it be used as a prop on stage.
After becoming a soloist the following year, she went to Paris to further her studies under Jules Perrot. She then appeared in Berlin, Stockholm and Christiania. Her career came to an end in 1849 when she came on stage wearing a diadem which the audience thought was a priceless gift from one of her well-to-do admirers although it was in fact just a cheap theatrical prop. Such was her shock at the jeering, she never dared set foot in the theatre again.
Harris would perform the song with the aid of a theatrical prop leg. June Whitfield reports, in her autobiography And June Whitfield, that she used to watch Harris' performance of the number on stage from the wings, as she waited to follow him, and could not tell during the performance which of his three legs was the prop. Harris wore a long coat that came down to the knees, and apparently had three identical legs. He would walk around the stage putting his middle foot forward, and then his two side feet, and at times would also stand on his middle leg and stick both outer legs out.
Hadji Ali ( 1887–92 – November 5, 1937) was a vaudeville performance artist, thought to be of Egyptian descent, who was famous for acts of controlled regurgitation. His best-known feats included water spouting, smoke swallowing, and nut and handkerchief swallowing followed by disgorgement in an order chosen by the audience. Ali's most famous stunt, and the highlight of his act, was drinking copious amounts of water followed by kerosene, and then acting by turns as a human flamethrower and fire extinguisher as he expelled the two liquids onto a theatrical prop. While these stunts were performed, a panel of audience members was invited to watch the show up close to verify that no trickery was employed.
The history of theatrical scenery is as old as the theatre itself, and just as obtuse and tradition bound. What we tend to think of as 'traditional scenery', i.e. two- dimensional canvas-covered 'flats' painted to resemble a three-dimensional surface or vista, is a relatively recent innovation and a significant departure from the more ancient forms of theatrical expression, which tended to rely less on the actual representation of space senerial and more on the conveyance of action and mood. By the Shakespearean era, the occasional painted backdrop or theatrical prop was in evidence, but the show itself was written so as not to rely on such items to convey itself to the audience.

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