76 Sentences With "theatrical piece" | Random Sentence Generator

Boy is the first theatrical piece that I've worked with.

A highly theatrical piece, with an artful set and haunting music, it showcases Khan's range.

It's a departure from "Play," a rambunctious and theatrical piece about the interpersonal dynamics of musicians.

JACK &, a new theatrical piece from Kaneza Schaal, stars Cornell Alston, who served a 6313-year sentence at a correctional facility.

Several of his close friends completed his score for a theatrical piece, "Words on the Street," which had its debut in October.

This world premiere theatrical piece celebrates the diversity of New York City through the voices of seven of its citizens, ages 18 through 22.

This world-premiere theatrical piece celebrates the diversity of New York City through the voices of seven of its citizens, ages 18 through 22.

The idea of putting a show together was something I found really interesting and really exciting – to be able to put a visual, theatrical piece together.

LILIANA PORTER: OTHER SITUATIONS A nonlinear retrospective of this thoughtful Argentine-born artist's work will include a specially commissioned theatrical piece debuting at the Kitchen. Sept. 231-Jan.

I think Microcastle was the last time that we released an album where people listened to the album from the opening guitar chord to the closing feedback as a theatrical piece.

The struggles of reentering society after prison are taken up in JACK &, a new theatrical piece from Kaneza Schaal, a veteran of experimental theater ensembles the Wooster Group and Elevator Repair Service.

After watching it, The Creators Project had to speak to Jennings, who's new to animation and used to working to the tight deadlines of the news cycle, about what it was like to use his skills in response to a theatrical piece and why he got involved in this project.

A pièce d'occasion () is a composition, dance or theatrical piece composed, often commissioned, for a festive occasion.

Apology, a new theatrical piece based on the life and work of Allan Bridge, is being developed by Greg Pierotti, co-writer of The Laramie Project.

A hyperphysical, superbly theatrical piece for 11 dancers, it showed Mr. Shechter's affiliations with the work of Ohad Naharin, for whom he had danced before moving to Paris to study music.

In 2013, Rubin won an Obie Award for his projection design for Elevator Repair Service's Arguendo, a theatrical piece based on U.S. Supreme Court oral arguments that debuted at the Public Theater in New York.

Notes on the writer pg. 321. In Ah, Marija (Sofija)—Year 9, number 2. (1996) pg. 299–308. Translated by: Aleksandra Liven. 2\. Baroque – Theatrical piece—Sremski Karlovci: Krovovi: Culture Center “Karlovci’s art workshop” 1995.

A fin de fiesta is a short theatrical piece in the Spanish Golden Age (Siglo de Oro) tradition performed after the comedia in order to send the audience home in a festive mood. This was first performed in 1798.

A few days later, Jonathan told Petersen about his writing who had the idea of turning into a theatrical piece. The play was quickly created in response to daily xenophobic attacks against Nkala and put up in Peterson's garage in 2006.

Las Píldoras is a 1972 Argentine film. It is an Argentinian comedian movie written by V. Rosid and adapted to the big screen by Isaac Aisemberg. It is based in the theatrical piece where the actors and actresses of the movie also represented.

A group of refugees from the Congo are stuck in Rabat, Morocco. The Spanish borderline stops them from entering Europe. In a room on the outskirts of the city they rehearse a theatrical piece based on their own experiences. An imperfect, unfinished staging.

In 2009, in occasion of the 50th anniversary of the death of Billie Holiday she created a tribute project in her honour with Fabrizio Bernasconi, Roberto Piccolo and Massimo Pintori. That year she performed at the "Spoleto Estate" Festival with Marco Di Battista, Cristian Panetto and C.J. Everett in the theatrical piece "Non avevano cravatte".

Two for Tonight is a 1935 American musical comedy film directed by Frank Tuttle and starring Bing Crosby, Joan Bennett, and Mary Boland. Based on the play Two for Tonight by J. O. Lief and Max Lief, the film is about a songwriter who composes a full-length theatrical piece within a few days.

John Maxwell (born July 12, 1944) is a writer and performer from Jackson, Mississippi. He is best known for his portrayal of William Faulkner in Oh, Mr. Faulkner, Do You Write?, a one-man theatrical piece co-written with Tom Dupree. Maxwell has performed this play steadily since its world premiere at Jackson's New Stage Theatre in 1981.

At the time Brash was unaware that Hager had completed and was about to launch his book. However, on 23 November 2006, Brash announced his resignation from the leadership of the National Party. The following day he had the injunction lifted, allowing the book to be released. The Hollow Men was made into a theatrical piece by playwright Dean Parker.

Later that year, she toured the United States in a Royal Court Theatre production of Sarah Kane's theatrical piece 4.48 Psychosis. This production was directed by and performed in French. Huppert returned to the New York stage in 2009 to perform in Heiner Müller's Quartett. Huppert was the President of the Jury at the 62nd Cannes Film Festival, from 13 May to 24 May 2009.

Produced by The Big Bus Company, this unique theatrical piece was actually performed, with audience, on top of a sightseeing bus driving through the streets of the West End of London. This was followed by Topless in Philadelphia (2009) featuring a male tour guide giving an open-top bus tour in America's most historical city and then Topless in Sydney (2014) and Topless in Las Vegas (2018).

Guillermo Battaglia, Gloria Ferrandiz, and Tita Merello in the film. Filomena Marturano is a 1950 Spanish language Argentine musical film. It is based on the theatrical piece Filumena Marturano by the Neapolitan actor and author Eduardo De Filippo, which had been previously performed in Argentina with great success by the company of Tita Merello. It was adapted by Ariel Cortazzo and María Cruz Regás.

A baile (which means 'dance' in Spanish) or baile entremesado is a short theatrical piece in the Spanish Golden Age (Siglo de Oro) tradition. It consists of an elaborate production number with singing and dancing, and is used between the acts of a comedia. Bailes were humorous performances featuring elaborate choreography and acrobatics. Their themes were usually unrelated to the main performance during whose intermission they occurred.

Simultaneously she began working in advertising as a teen model. She also began to study musical theory and took up various instruments, such as guitar and violin. At 14 she took an interest in producing and writing plays for the school drama class, and three years later she worked in El Valle de las Sombras, a theatrical piece that would take her on a national tour.

In 1996 Clements was composer and lyricist for two original children's musicals produced by First Stage Milwaukee - "Thumbelina," and "The Little Drummer Boy." His scores for the Milwaukee Chamber Theatre included "The School for Scandal," and he also spent nine years as a composer for the musical project "Kidswrites," using the creative writing of young people as lyrics in a theatrical piece performed by adults.

He quickly researched old customs, traditions, and songs from the 1880s. The music accompanying the production was written by Bronisław Kaszowski. The premier of the theatrical piece took place on May 3, 1937 in Haczów before the departure to the Festival in Kraków. In the festival, the group received one of two awards for the restoration of a great temperament of a wedding ceremony and it was a crowd favorite.

In 2005 she was chosen by the British Council to represent the best of Welsh theatre at the Edinburgh Festival, together with No Fit State Circus and Volcano Theatre.Hannah Jones, "Flying the arts flag for Wales", Western Mail, 14 July 2005. Retrieved 2013-05-22. In 2009 Ladd created Ras Goffa Bobby Sands/The Bobby Sands Memorial Race, a 50-minute theatrical piece about the Irish hunger striker, Bobby Sands.

Félicie is a play by the French playwright Pierre de Marivaux. It was published for the first time in the Mercure de France in March 1757. It portrays the education and discipline of a young girl experiencing passionate love, who was stopped just in time by a fairy before her passion could get out of hand. However, Pierre de Marivaux did not submitted this as a theatrical piece.

Loa to Divine Narcissus (Spanish: El Divino Narciso) is an allegorical play written by the Mexican writer Sor Juana Inés de la Cruz, an important literary figure of the Spanish colonial period. The play was first published in 1689. The work is considered a loa, a short theatrical piece related to the longer auto sacramental. This loa is a commentary on historical events involving indigenous Aztec inhabitants and Spanish colonists.

He ended it with a cliffhanger, later saying, "that's not the ending. That's the ending that people were stuck with."Lynch and Rodley 2005. p. 182. While Twin Peaks was in production, the Brooklyn Academy of Music asked Lynch and Badalamenti, who wrote the music for Twin Peaks, to create a theatrical piece to be performed twice in 1989 as a part of the New Music America Festival.

Gaven later told TheaterWeek that she initially did not want to do the musical, since she "had no idea how this could be staged as a theatrical piece. I hoped my agents wouldn't call me and ask me to audition." However, they did, and she was cast as Mrs. Walker after an audition in which she sang the song "Heaven Help My Heart" that she performed in Chess, also a rock musical.

Fairness in this context means making sure that the problem story, which by its nature involves a situation of oppression that must be overcome, is not solved—that is, that the participants (the "") focus on solving the problem in as realistic and plausible a way as possible, even though it is being played out in a fictional theatrical piece. The result should be something like group "brainstorming" about social problems within the community.

A theatrical piece (currently in production) written and directed by Pottenger and commissioned by The Painted Bride Arts Center as one of three artist residencies in the project "Re-PLACE-ing Philadelphia". #PhiladelphiaSavesEarth is a community arts project that explores the impacts of climate change and the city's responses. It premieres on Earth Day 2016 April 22 to the 24th at The Painted Bride Arts Center in Philly. Funding in part from the Pew Center for Arts & Heritage.

Score for Music for Electric Metronomes Music for Electric Metronomes is an avant-garde aleatoric composition written in 1960 by Japanese composer Toshi Ichiyanagi for any number of performers between three and eight. The piece involves the manipulation of electric metronomes, followed by various unspecified sounds and actions. It is a very theatrical piece,Ichiyanagi, Toshi. Music for Electric Metronomes, Theatre Piece, Edition Peters and reflects Ichiyanagi's affiliation with Fluxus, an experimental art movement from the sixties.

She emphasizes the importance of movement and nonverbal communication throughout the choreopoem so that it is able to function as a theatrical piece rather than being limited to poetry or dance. The "XX Chromosome Genome Project" by S. Ann Johnson is a contemporary example of a choreopoem. It combines poetry, song and dance to illuminate the commonalities and differences between women of various cultures. In this choreopoem, Johnson writes about eight women in search of self-acceptance and liberation.

Fings Ain't Wot They Used T'be is a musical comedy about Cockney low-life characters in the 1950s, including spivs, prostitutes, teddy-boys and corrupt policemen. The work is more of a play with music than a conventional musical. The original play, by Frank Norman, who though born in Bristol lived his adult life in London, was intended to be a straight theatrical piece, but was supplemented with music and lyrics by Lionel Bart, who also grew up in London's East End.

In 1829, Andersen enjoyed considerable success with the short story "A Journey on Foot from Holmen's Canal to the East Point of Amager." Its protagonist meets characters ranging from Saint Peter to a talking cat. Andersen followed this success with a theatrical piece, Love on St. Nicholas Church Tower, and a short volume of poems. He made little progress in writing and publishing immediately following the issue of these poems but he did receive a small travel grant from the king in 1833.

The concept for She's Living for This began 20 years ago in Los Angeles. Keith Levy asked director Josh Rosenzweig to collaborate on a project. Keith was just developing Sherry Vine and he wanted to do a play- a theatrical piece as Sherry. So, he chose a one-woman show call ‘’Sorry Wrong Number’’ and when they finished, Josh said to him that he was a modern- day drag version of Carol Burnett and that he should have my own variety show.

Sërbo was critical in the last years with the fact that, according to him, there are more actors than premieres. Sërbo was the author of the mise-en-scène of Kostandine and Doruntine and co-scenarist of the theatrical piece with the Albanian well- known writer Ismail Kadare. Sërbo had suffered from chronic depression of which he was under cures. Nevertheless, therapies notwithstanding, he killed himself with his hunting rifle on September 12, 2010 and was found dead in the morning after at his house in Korçë.

Montreal Gazette, June 7, 1990. In 1991, Lemieux and Pilon created In Mid Air, a theatrical piece about the then-imminent transfer of Hong Kong from British to Chinese control which was created for Hong Kong's Festival 2000."Grand Hotel full of Pepper ghosts and poetry". Montreal Gazette, November 27, 1994. In 1992, Lemieux and Pilon created Têtes Chercheuses, a commissioned performance piece for the 25th anniversary of Montreal's Saidye Bronfman Centre,"Saidye Bronfman Centre marks 25 years with big bash". Montreal Gazette, October 3, 1992.

As a theatrical piece, its impact in the American entertainment industry is irrefutable. Bird’s play, with its critical and financial success, demonstrated the potential of ancient history as fodder for entertainment. It can be considered a precursor to the many works inspired or set during the Roman Empire that are found in contemporary literature and portrayed in the theatre, television shows, and feature films. For example, Broadway's Her First Roman and Pippin are based on Roman Empire characters though gladiators are not central to the stories.

In 1992, the play was adapted for the screen by Marty Kaplan. The film, directed by Peter Bogdanovich and starring Carol Burnett, Michael Caine, Christopher Reeve, John Ritter, Nicollette Sheridan, Denholm Elliott, Julie Hagerty, Mark Linn-Baker and Marilu Henner, received mixed reviews, with many critics noting it was too much of a theatrical piece to translate well to the screen. Frank Rich, who had called it "the funniest play written in my lifetime", wrote that the film is "one of the worst ever made".The Hot Seat, by Frank Rich.

He wrote in Spanish the drama Amar su propia muerte (To Love One's Own Death) (ca. 1645). Characters of this play include Sísara, a general of Canaan; Jabín, king of Canaan; Jael; Barac, a general of the armies of Israel. He wrote in Quechua a religious play, El hijo pródigo (also known as Auto sacramental del hijo pródigo; The Prodigal Son),Biografia de Juan de Espinosa Medrano as well as a mythological piece, El rapto de Proserpina (The Abduction of Proserpina). The theatrical piece Ollantay is also attributed to him.

French hip-hop dance company Franck II Louise performing at Breakin' Convention 2006. Hip-hop theater is a form of theater that presents contemporary stories through the use of one or more of the four elements of hip-hop culture—b-boying, graffiti writing, MCing (rapping), and DJing. Other cultural markers of hip-hop such as spoken word, beatboxing, and hip-hop dance can be included as well although they are not always present. What is most important is the language of the theatrical piece and the plot's relevance to the world.

This theatrical piece was written at the request of Edwin Forrest, an American actor seeking to further his career. He wanted to solidify his fame by acquiring the rights to perform in plays customized to highlight his talents and physical attributes so he devised a contest to encouraged dramaturgs to author new works in return for a cash price. Metamora; or, The Last of the Wampanoags, a play by John Augustus Stone won Forrest's inaugural play prize in 1829. A huge success, Metamora inspired Forrest to continue offering the prize.

From the Inside, Out is a theatrical piece originally created by Maggie Keenan-Bolger from a series of personal interviews. Dealing primarily with the issue of self-injury in the form of "cutting," the play imparts a larger message about the many ways in which people abuse their bodies and minds as coping mechanisms to deal with daily life. First performed in 2005 by students at Oberlin College, From the Inside, Out was then picked up by 4th Meal Productions and subsequently accepted into The New York International Fringe Festival in 2008.

Solo-voice theatre (also known as monodrama, or singular voice theatre) is a style of theatre performance rooted in storytelling and other oral traditions. It is a theatrical piece acted or designed to be acted by a single actor, usually playing a single part; however, not all solo-voice/monodrama pieces have just one character. Moonlodge is an excellent example of solo-voice which requires the transformation from one character to another, often interacting with each other. Kane's use of solo-voice mixes various techniques and styles of theatre including storytelling, ritual, dance, and mime.

Sandro Veronesi, born in Florence, Tuscany in 1959, is an Italian novelist, essayist, and journalist. After earning a degree in architecture at the University of Florence, he opted for a writing career in his mid to late twenties. Veronesi published his first book at the age of 25, a collection of poetry (Il resto del cielo, 1984) that has remained his only venture into verse writing. What has followed since includes five novels, three books of essays, one theatrical piece, numerous introductions to novels and collections of essays, interviews, screenplay, and television programs.

Dilâçar had numerous written works in linguistics, literature, studies and translations in Armenian. For example his literary work Salin Vra (Kragan Portser) (in Armenian Սալին Վրայ (գրական փորձեր), a collection of poems Khonchadz Yerazner (in Armenian «Խոնջած Երազներ»), a theatrical piece Tsaykatiter (in Armenian «Ցայգաթիթեռ») and studies like "Levon Shant, Ir Pilisopayoutyune yev Kegharvesde" (in Armenian Լեւոն Շանթ՝ Իր Փիլիսոփայութիւնը եւ Գեղարուեստը, meaning Levon Shant, his philosophy and artistry) and "Hay Tyutsaznavebe, Pakhtadadagan Himi Vera" (in Armenian Հայ Դիւցազնավէպը Բաղդատատական Հիմի Վրայ meaning The Armenian heroic epic novel on a comparative basis).

In 2014 Cullors produced the theatrical piece POWER: From the Mouths of the Occupied, which debuted at Highways Performance Space. She has contributed articles about the movement to the LA Progressive, including an article from December 2015 titled "The Future of Black Life" which pushed the idea that activists could no longer wait for the State to take action, and called her followers into action by encouraging them to begin building the world that they want to see. Her book, When They Call You a Terrorist: A Black Lives Matter Memoir was published in January 2018.

Nollywood Reinvented says the film is nowhere as good as the book, but points out that "Even though the movie does not recreate the emotions of the book it creates its own emotions". It also says "The movie builds on amazing sets, actors, supporting actors and music", but the characters lack depth. Peter Bradshaw of The Guardian gave a 2 out of 5 stars and also commented that "there is a heartfelt quality" but "unfortunately, the film is often stately and sluggish with some very daytime-soapy moments of emotional revelation. At other times, it looks more like a filmed theatrical piece".

Provocative folk-fusion singer Samoëla referenced Elie Rajaonarison in a song entitled "Soly" on his first album, Mampirevy (1997), advising those with troubled hearts to find solace in his poetry ("Omeko anao ny tononkalon'i Elie Rajaonarison..."). Rajaonarison has also translated several poems by Jacques Prevert from French into Malagasy. Rajaonarison was an active advocate for preserving and advancing Madagascar's wide range of performing arts. He developed a theatrical piece in partnership with the Centre Culturel Francais called Tana-Cergy, which was performed by a troupe of Malagasy and French actors and toured widely in France to positive reviews.

The number and variety of shows change from year to year depending on the interests and energy of the community, but traditionally Islewilde puts on two feature shows: The Waterbucket Circus, a comic, faux circus; and The Islewilde Pageant, a theatrical piece that features a large cast of community members and large-scale, beautiful images and works of art, often including giant puppets. The Pageant is in keeping with the year's theme and generally has a storyline of positive community transformation after the community has been challenged by corruptive influences. On Saturday evening there has traditionally been an open-mic style cabaret show for those who have worked on the festival.

In 1939 Sartre was drafted into the French army, where he served as a meteorologist. He was captured by German troops in 1940 in Padoux, and he spent nine months as a prisoner of war—in Nancy and finally in , Trier, where he wrote his first theatrical piece, Barionà, fils du tonnerre, a drama concerning Christmas. It was during this period of confinement that Sartre read Martin Heidegger's Sein und Zeit, later to become a major influence on his own essay on phenomenological ontology. Because of poor health (he claimed that his poor eyesight and exotropia affected his balance) Sartre was released in April 1941.

In 2012, Madeira provided the musical backdrop for Merrill Farnsworth's theatrical piece "Jezebel's Got The Blues... and Other Works of Imagination". In 2012, he produced a collection of Americana Musicians covering Paul McCartney songs on "Let Us In: Americana", a benefit for The Women and Cancer Fund. In early 2012, Madeira completed production on "Mercyland: Hymns For The Rest Of Us" which features Emmylou Harris, The Civil Wars, Mat Kearney, Dan Tyminski, Cindy Morgan, John Scofield, the Carolina Chocolate Drops, Buddy Miller, and Shawn Mullins, North Mississippi Allstars, Amy Stroup, and Phil Madeira. In mid 2013, Madeira released his first solo CD in 15 years- "PM".

In 2009 Matousek became creative director of V-Men, the male arm of playwright Eve Ensler's organization for ending violence against women and girls (V-Day), and curator of their online essay series (www.vday.com). His autobiographical essay "Rescue" (included in A Memory, a Monologue, a Rant, and a Prayer) has been performed internationally. He moderated the men's panel at the New Orleans Superdome for V to the Tenth in 2008. Matousek is currently working on a theatrical piece called Breaking Out the Man Box (with playwright James Lecesne), which will serve as V-Men's artistic vehicle (as Ensler's "The Vagina Monologues" launched V-Day).

The 5th novel was released in 2015 under the title of El Secreto de la Modelo Extraviada (The Secret of the Missing Model) with great success. The Spanish newspaper El País published two of his novels in instalments, Sin Noticias de Gurb (No Word from Gurb, 1990) and El Último Trayecto de Horacio Dos (The Last Journey of Horatio Dos, 2001), both of them science fiction comedy novels. In 1993 appeared his first play, Restauració (Restoration), written in Catalan and later translated into Spanish by Mendoza himself. This first theatrical piece was followed by two other titles that the three of them were published together in 2017.

Stravinsky began to struggle financially in the late 1910s as Russia (and its successor, the USSR) did not adhere to the Berne Convention, thus creating problems for Stravinsky to collect royalties for the performances of his pieces for the Ballets Russes. He blamed Diaghilev for his financial troubles, accusing the impresario of failing to adhere to their contract. While composing his theatrical piece L'Histoire du soldat (The Soldier's Tale), Stravinsky approached Swiss philanthropist Werner Reinhart for financial assistance, who agreed to sponsor him and largely underwrite its first performance which took place in Lausanne in September 1918. In gratitude, Stravinsky dedicated the work to Reinhart and gave him the original manuscript.

In July 1985, Joe Bob's one-man show, An Evening with Joe Bob Briggs, debuted in Cleveland, Ohio. Later re-titled Joe Bob Dead in Concert for home release, the show evolved into a theatrical piece involving storytelling, comedy and music. The show was performed in more than 50 venues over the next two years, including Carolines in New York and regular engagements at Wolfgang's and the Great American Music Hall in San Francisco, as well as convention centers, theaters, music clubs and other comedy clubs. In 2019, Joe Bob began performing a new one-man show, How Rednecks Saved Hollywood, at genre film festivals and revival movie houses across the United States.

His thesis film, Espacios won the National Award for Short Films from the Peruvian government in 1997. He also wrote a theatrical piece Mr. Clouds in 2000, which the National Theater of Peru considered among the best of the year and published it in the compilation Dramaturgia Nacional 2000. In the following years, Fuentes-León worked as the lead writer for reality TV shows at the Telemundo in the U.S., subtitled films from major Hollywood studios into Spanish, and worked as an editor of commercials and TV shows, including Rachael Ray's Tasty Travels for the Food Network, while focusing on his own writing and directing projects. His second short Géminis premiered at Outfest in 2004 and screened at various international film festivals.

Vogler was born at Pleichach in Würzburg. His father Jared Vogler was a violin maker and instrument-maker for the Prince-Bishop of Würzburg. The young Vogler studied law and theology in Würzburg and Bamberg, however he had possessed a prodigious talent and interest in music from childhood and continued to pursue that interest as a university student. In the late 1760s he was introduced to the Elector Palatine Karl Theodor, receiving appointment as the latter's almoner at the court in Mannheim in 1770. Vogler became active in composing and performance there, and in 1771 his first major theatrical piece Singspiel – Der Kaufmann von Smyrna was performed for the court. In 1773 he was sponsored by the court to study under the Padre Martini in Bologna.

A television writer for Radio- Canada and later a film writer for the National Film Board of Canada, she was most noted for her collaborations with director Anne Claire Poirier.Francine Prévost, "L’itinéraire cinématographique d’Anne-Claire Poirier". Séquences, Numéro 116, Avril, 1984, p. 12–26. Blackburn and Poirier were Genie Award nominees for Best Original Screenplay at the 1st Genie Awards in 1980 for A Scream from Silence (Mourir à tue-tête). She was the author of "Le retour de l’âge", a short theatrical piece which was part of the collaborative feminist theatre work La nef des sorcières alongside pieces by Luce Guilbeault, France Théoret, Odette Gagnon, Marie-Claire Blais, Pol Pelletier and Nicole Brossard.Louise H. Forsyth, "La nef des sorcières (1976) : l’écriture d’un théâtre expérimental au féminin".

Fewer than three weeks after meeting with former Czech President Václav Havel on 4 August 2007, at his country cottage in the Czech Republic on 22 August 2007, during the Free Theatre's première of Edward Bond's theatrical piece Eleven Vests, "special forces from the Belarusian police stormed the performance by the Belarus 'Free Theatre' in a private apartment in Minsk," and "Actors, directors, and audience members," including its director Khalezin, "were arrested"; though subsequently released, "the theatre's founder Nikolai Khalezin is still pretty shaken up," having stated: "'Police used to burst into our performances with machine guns but they disappeared just as fast. A mass arrest like this is a first.'"Ingo Petz, "Arrests After the Second Act", originally published in Süddeutsche Zeitung, 30 Aug. 2007. Signandsight.

Film critic Dennis Schwartz gave the film a mixed review, writing, "A Poverty Row crime melodrama that has its moments of traditional crime, but moves along not in the traditional way of tracing the rise and fall of its protagonist. Instead the film noir is more concerned with establishing a forlorn mood and being artistically stylish, as director Gordon Wiles (won an Oscar as art director for the 1931 Transatlantic) creates a theatrical piece that is unnecessarily stagelike and much too pretentious for the modest storyline. It is adapted by screenwriter Daniel Fuchs from his book Low Company, and much of its too arty nature is attributed by rumor to the uncredited role Dalton Trumbo played in the screenplay."Schwartz, Dennis.

Museum theatre often adapts the archetypal storyteller to a character embodied by a trained and scripted actor. It is important to note that part of the art of storytelling is the development of the storyteller's persona and their unique style of performing, which is similar to the creation of a character intrinsic to the acting discipline and the Theatre genre. Some purists believe that creating a theatrical piece embodying the stories and myths of a culture without the native storyteller present, is a perversion and denigration of cultural patrimony. However, professionals in museum theatre believe that the most important part of creating meaningful experiences using others' stories is that the stories and the culture they represent are handled with respect and every effort is made to portray them accurately.

Bette Bourne and Paul Shaw of the British gay theater company Bloolips, and Peggy Shaw and Lois Weaver of the American lesbian theater company Split Britches, collaborated and performed a gender- bent production of Belle Reprieve, a twisted adaption of Streetcar. This theatrical piece creates a "Brechtian 'epic drama'" that relies on the reflective rather than emotional involvement of the audience—a "commentary on the sexual roles and games in Williams's text". Blanche was played by Bette Bourne as "man in a dress", Stanley was played by Peggy Shaw as a "butch lesbian", Mitch was played by Paul Shaw as a "fairy disguised as a man", and Stella was played by Lois Weaver as a "woman disguised as a woman".Geis, Deborah. “Deconstructing (A Streetcar Named) Desire: Gender Recitation in Belle Reprieve”.

Pitchfork Medias Marc Hogan opined that the song "both lives up to the expectations and sidesteps them", writing: "With a sound like this, why stay on land?" Similarly, Collin Brennan, of Consequence of Sound, said it was "totally worth all the buzz", and Stereogum writer James Rettig dubbed the track: "more than good enough on its own, an enticing and theatrical piece of futuristic pop music". Fact published a review of "Landcruisin, to which five journalists contributed with commentary, and their score out of 10 points. Daniel Montesinos-Donaghy and Tayyab Amin awarded it a rating of 9 – the latter deemed it "wonderfully complete", whereas Montesinos-Donaghy stated: "[it] has a Technicolour ambition held within its blog-cycle frame, and Paul sounds as eager as possible to outgrow his frame as soon as possible.

Tal Itzhaki has been the director of the Academy of Performing Arts, Tel Aviv since its establishment in 2010. She taught at Tel Aviv University Theatre Department, at the WIZO Haifa Academy of Design and Education and served as Senior Lecturer at the Sapir Academic College. She founded the program of theatre design at the Department of Theatre at the University of Haifa which she headed for 9 years (1996-2004). Between 2003 and 2005 she was a visiting artist at Columbia University, New York, where she designed and produced, together with fellow director Amit Gazit, productions such as Hanoch Levin's Luggage Packers, and co-authored "Neighbors", an adapted "contamination" collage of Levin's plays and "Xandra compelled to speak", a theatrical piece based on Euripides' Trojan Women and texts by 16 other authors, classical and modern.

10, available here the 2004 birth centenary produced several publications and events,including streets and plazas named after him and a 2012 study (instead of the typical "forgotten poet")Sánchez Rodríguez 2014, p. 174 referred already to "a well-known Spanish poet".cover text in Jose Maria Hinojosa, Black Tulips: The Selected Poems of Jose Maria Hinojosa, translated by Mark Statman, New Orleans 2012, In 2014 he was dedicated a literary work.Alfonso Sánchez Rodríguez, El buzo y la aviadora, Málaga 2014, . This theatrical piece is set up in prison, during the period preceding Hinojosa’s execution; he travels back in time, meeting his surrealist friends and re- enacting their common feasts; finally he meets Lorca, also incarcerated and also before his execution, both already at the doorstep of immortality, Cristobal G. Montilla, El vuelo imposible del poeta buzo y la aviadora, [in:] El Mundo 30.05.

In 2008, after directing Ayecha for eight years, Yavilah assumed the New England directorship of The Curriculum Initiative, (TCI), a non-profit educational consultancy that serviced close to 600 prep schools across the nation. Within TCI, McCoy worked to expand awareness of Jewish identity and culture and empower students to contextualize their Jewish journeys within the framework of leadership, citizenship, and pursuit of excellence in education. Through her directorship of Dimensions Educational Consulting, Yavilah now works to expand awareness of the impact of identity and culture on partnership and community building within healthcare, education and social justice. In her spare time, Yavilah enjoys teaching and performing her family’s legacy of Jewish Gospel. In 2009, Yavilah McCoy co-wrote and performed “The Colors of Water,” an original theatrical piece that tells the story of the four generations of her African-American Jewish family, as part of Mayyim Hayyim’s Living Waters International Mikveh Conference in Newton, Massachusetts.