Dinner parties chez Dickens amounted to a kind of theatrical performance.
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Of course, there was at least one theatrical performance that involved an ornate costume.
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What we will witness today is a televised theatrical performance staged by the Democrats.
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In his opening statement, ranking Republican Devin Nunes decried the investigation as a "theatrical" performance.
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Perhaps her exaggeratedly theatrical performance is meant to illustrate the depths of her illness and delusion.
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The game allowed players to put on a theatrical performance, from stage lighting and set design to playwriting.
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The convention gets underway, and it is a theatrical performance the likes of which I have never seen.
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Its title was "Two Class Acts," referring to subversive intellectual exploration, theatrical performance and honorable behavior under siege.
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The only thing that I have managed to achieve over the years is my practically theatrical performance of femininity.
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There, thousands of spectators watched a theatrical performance on April 21 — Rome's symbolic 2,769th birthday — that inaugurated Mr. Kentridge's artwork.
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For many of us, "Intergalactic" was our introduction to the unique humor and theatrical performance style of the Beastie Boys.
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In many cases, they were in the country for a theatrical performance, a conference or a sports tournament, then sought refuge.
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His experiences with dance and theatrical performance led him to approach painting as an exploration of movement as well as optics.
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The thing about a theatrical performance especially is that your job is to work with and speak to the people in the room.
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In a type of theatrical performance known as 'phantasmagoria,' projectionists used the gas-lit lanterns with adjustable lenses to animate images on slides.
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The merits of silence were first touchingly addressed by "l'Orchestre Symbolique" (Symbolic Orchestra) with a theatrical performance called "Symphonie des silences" (Silent Symphony).
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The contrast between theatrical performance and the lecture performance is easier to spot than the fake Trump supporters at the announcement of his candidacy.
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Taichman won a deserved Tony for directing Paula Vogel's "Indecent," in which she found a dreamy connective poetry for different layers of theatrical performance.
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Instead, he focusses on the sights themselves—geological features of the country, garbage-disposal methods in the cities, a court trial, a theatrical performance.
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As a "film," it feels messy and sometimes unfocused, but as a theatrical performance it's strong, mostly because Wilkerson's anger and brokenness is palpable.
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In the wake of Salvini's theatrical performance, the scrabble for power — or at least political relevance — has grown increasingly frenetic among his rivals and enemies.
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Notwithstanding more than 40 years of attending both opera and dance, this was the first theatrical performance I had heard of music by either composer.
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And you're doing a theatrical performance: Lights, choreography, you're playing with pre-recorded music, again doing ... You're making commentary about yourself while you're doing it.
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This new piece I'm working on, "Funeral Doom Spiritual" for One Archive and USC, is an installation, as well as a separate musical and theatrical performance.
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In another theatrical performance, Avenatti held up a picture of Cohen on live TV, accusing him of "dodging questions" by refusing to talk to the media.
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It sat as an empty unused space until 2016, when it became a surprise venue for a theatrical performance of The Young King at the Adelaide Festival.
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Weinberger was indicted, with the show's manager and its cast of 12, for giving an "indecent, immoral and impure theatrical performance," as The New York Times reported.
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The show included some truly over-the-top moments, such as a Game of Thrones theatrical performance by Scottish brand Johnnie Walker to promote its new whiskeys...
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We were attacked by preeminent music critic, Robert Hilburn, for integrating film with our live show, where characters and objects were in sync with our musical, theatrical performance.
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He had accepted an invitation to a theatrical performance at the People's Liberation Army headquarters, but rumors that the Chinese were planning to abduct him set off general panic.
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Encased in the chain-link cage, the orchestra embodied prisoners, themselves; their physical presence on the stage, surrounding the theatrical performance, added to the claustrophobic visual atmosphere of the scenic design.
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Mont moves in too and it's there that he will at last turn his ideas — the scribbles and delicate drawings that fill his red notebook — into a climatic, reflexive theatrical performance.
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When: Saturday, October 1, 7–11pm Where: 1087 Flushing Avenue (Bushwick) "A live theatrical performance of scifi radio show content to the accompaniment of a live orchestra" — need we say more?!
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At the Metropolitan Room on Saturday evening she serenaded a packed house with a grand theatrical performance of "Standards and More," a new show the likes of which are seldom seen nowadays.
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Rapper Kendrick Lamar staged a theatrical performance at the 58th Grammy Awards on February 15, evoking the chains of slavery and incarceration along with black pride and a fiery condemnation of American injustice.
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But "Basquiat Before Basquiat" illustrates what Mr. Lerner called "the weird and interesting stuff that no one knows about Basquiat," especially the artist's extensive exploration of theatrical performance that Ms. Adler's photos chronicle.
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One popped up in a recent music video by Norwegian electro-pop singer Aurora, and the team is working with CMU's art department to employee them as part of an upcoming live theatrical performance.
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Pro wrestling, a popular entertainment form in the U.S., mixes theatrical performance with athletics and is gaining traction in Egypt where thousands came to watch the strong men wearing face paint do battle in Ismailia.
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Even after retiring from the bullring in 1959, Mr. Franklin would often travel with 20 sequined, hand-embroidered outfits in trunks, Ms. Markowitz said, adding that her uncle was drawn to the theatrical performance style of bullfighting.
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In a break with tradition established by Karimov, who usually just laid flowers at a World War Two monument, Mirziyoyev attended a large musical and theatrical performance in Tashkent on the day of remembrance and honor in Uzbekistan.
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As more of Rose's career in espionage becomes visible, along with the clandestine stunts of the Moth and his pals, "Warlight" also explores the English talent for camouflage and deceit: "the most remarkable theatrical performance of any European nation".
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Likening the operation of the day care to a theatrical performance, Ms. Levine said she and her husband set the stage each night so that they can open the doors in the morning, ready to greet their small customers.
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In a theatrical performance—delivered in a prime-time viewing slot on Day Three—Mr Cruz first congratulated the tycoon on his victory, then delivered a virtuoso argument for freedom and the constitution, conservative orthodoxies in which Mr Trump has little interest.
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"Drag Race" has always been a show that knows how to balances scripted moments and genuine interactions — by turning the shadiness and catty drama underlining the plot of almost every major reality show into a good-natured theatrical performance, in which contestants earn points for the ability to mock one another.
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When: Sunday, August 21, 353:30–8pm Where: Craft & Folk Art Museum (5814 Wilshire Boulevard, Mid-Wilshire, Los Angeles) Throughout his almost 50-year career, Gronk's work has often revolved around theatrical performance, engaging in political activism as a founding member of Chicano art collective Asco and, more recently, creating stage designs for plays and operas.
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Following the presentations early November of the theatrical performance Hermeneutics of Hamlet Machine by WANG Mo-Lin & Blacklist Studio & AU Sow-Yee, and River LIN's choreography 21972 Minutes for the 210th Century, but Asian, the performance program continues on November 211 and 20 at TFAM with James T. HONG premiering a new multimedia piece commissioned by the Taipei Biennial and entitled Nietzsche Reincarnated as a Chinese Woman and their Shared Lives.
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" Using a theatrical performance to deconstruct responses to a months-old debate performance seems like another corridor in the hall of fun-house mirrors that is coming to define the Trump presidency, in which facts are countered with alternative facts, rogue social media accounts replace those that are muzzled and Mr. Trump as president-elect can take to Twitter to compare his cabinet selection process to reality TV or to carp about his impersonation on "Saturday Night Live.
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Quite separate from the content of the comments addressed to Mike PenceMichael (Mike) Richard PenceThe Hill's Morning Report - Trump on defense over economic jitters FEC chair calls on Trump to provide evidence of NH voter fraud Five years after Yazidi genocide, US warns ISIS is rebounding MORE, vice president-elect and head of the Trump transition team, sharing them at a sold-out theatrical performance, and inviting the audience to share on social media, is a rarity during this period.
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Time as Fabric also includes set design for a theatrical performance based on an unpublished play by art historian Aby Warburg, and tapestries inspired by the charmingly pervy Czech photographer Miroslav Tichý, the destruction of the Darul Aman Palace in Afghanistan, and one that takes up the claims to forest rights made by members of the Tea Party in the US. Though the works skip through history and touch down in wildly disparate geographies, when Macuga's montaged sources become joined in unitary, woven compositions, surprising facets of those events and places are revealed.
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Huaguxi is the most influence form of local theatrical performance.
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Restrained by conventional photography medium, Lee added plastic creativity and theatrical performance to it.
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300 B.C. by a Delian named Carystios in celebration of a victorious theatrical performance he sponsored.
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Nowadays the palace of Kyrylo Rozumovskyi is the excellent and remarkable place for different concerts, theatrical performance and weddings.
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Three weeks before this, he predicted his death, telling Navarro. Karla dedicated a theatrical performance to him after his death.
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She teaches dramaturgy at the School of Arts and Theatrical Performance Trades at the Biondo Theater Company of Palermo directed by Emma Dante.
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In several occasions such as kenduri (communal feast), Palembangnese often hired several people to perform traditional theatrical performance called Dulmuluk, named after its main character, Raja Abdulmuluk Jauhari. Dulmuluk was known at first as a syair which was then adapted into local theatrical performance by Palembangnese in 1910. Dulmuluk often performed during night until the dawn of the next day.
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Theo Adams (born 29 September 1989 in London, England), is a performance artist and director of the contemporary theatrical performance group Theo Adams Company.
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Erik LaRay Harvey was drawn into acting when he saw a theatrical performance of The Wiz. In his youth, he aspired to be a dentist.
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The term "play" can refer to both the written texts of playwrights and to their complete theatrical performance."Play": Dictionary.com website. Retrieved on January 3, 2008.
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The 1908 silent movie Dr. Jekyll and Mr. Hyde was a filmed theatrical performance of an abbreviated version of the 1897 play by Forepaugh and Fish.
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While rare they may be found on automated Intelligent lighting instruments as well. Their use is in mainly in theatrical performance venues than with touring musical concerts rigs.
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He graduated in 2008, with an Honours degree in theatrical performance. Kani is currently completing a MFA in Acting at New York University's Tisch School of the Arts.
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M. S. Sathyu, renowned as the director of the partition movie Garam Hava (1973), paid a theatrical tribute to her through his rare theatrical performance 'Ek Thee Amrita'.
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On April 3, 2014, Steve Schirripa gave a theatrical performance in a special production of Guys and Dolls alongside Nathan Lane, Patrick Wilson, and Megan Mullally at Carnegie Hall.
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A 1991 documentary film called Jag Mandir consists of footage of an elaborate theatrical performance for the Maharana Arvind Singh Mewar at the City Palace staged by André Heller.
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Dan Dunn (born 1957) is an American improvisational speed painter and the creator of Paintjam, a theatrical performance art show in which paintings are created in minutes on stage.
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Jácaras are Spanish songs which are accompanied with instruments and are performed during the entr'acte of a theatrical performance and also as an accompaniment to many types of dance.
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Yang Dong-geun (; born June 1, 1979) or YDG is a South Korean actor, rapper, singer-songwriter, record producer and breakdancer. Yang majored in Theatrical Performance at Yong-In University.
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Guy de Cointet (1934–1983) was a French-born artist based in California who created text and sculptural works, often combining them as props and stage sets in theatrical performance pieces.
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The workshop culminated in a theatrical performance in Sharjah on January 25, 2015.Middle East Theatre Academy. Accessed on 5 Feb 2015. Kevin Spacey trained the students and watched their performance in Sharjah.
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SceneAround is a theatrical performance system. It involves a rotating auditorium with the sets built around the auditorium. The auditorium is a so- called revolve on which the audience rotates from scene to scene.
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Epidemia is currently working on a DVD of the 2007 theatrical performance. In addition, the band is preparing an extended acoustic program and material for the new album, which will be released in 2010.
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In January 1910 the Lethbridge Herald announced that a new opera house with orchestra pit would be built And it opened in 1912 as a vaudeville and theatrical performance venue for Northwest Mounted Police.
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In 2011, together with Ofelia Medina he made the theatrical performance El placer de nuestra lengua, consisting of a histrionic montage with erotic poetry. The work had performances in Mexico, the United States and Spain.
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The 2015 edition was the first to include a wider multimedia program and a theatrical performance directed by Serbian experimental theatre director Bojan Đorđev titled Nije to crvena, to je krv (That's not red, that's blood).
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It premièred at the Brighton Festival Fringe in , and received the Best Theatrical Performance Award. It was later adapted for radio. In 2011, comparisons were drawn between the terror campaign, the play, and the attacks in Norway.
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An after-party is a party that is held after a musical or theatrical performance or after some other event, such as a wedding or a school dance. Guests are usually limited to friends of the host.
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Saratoga has redeveloped an old school building into the multi-use Platte Valley Community Center, which hosts concerts, lectures, theatrical performance, and community events. Saratoga has a public library, a branch of the Carbon County Library System.
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Barassi was the subject of a series 2 episode of Who Do You Think You Are?. In 2012 Australian playwright Tee O'Neill adapted Barassi's life into a theatrical performance. The play script was published by Currency Press.
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He is quiet, humane and deeply concerned and when he says, at the end, "I think we're fucked" you have to believe him.” Ten Billion was named as ‘Theatrical Performance of the Year’ in 2012 by The Guardian.
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This event, paid for through the village, town, and SUNY New Paltz, celebrated the differences among people through food, spoken word poetry, artistic endeavors and theatrical performance. The last known theme, in 2007, was derived from Dr. Seuss's story about Sneetches.
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She attended Clements High School, graduating in 2000. She graduated from Baylor University with a Bachelor of Fine Arts in theatrical performance. After college, she moved to Dallas, where she was one of the founding members of Second Thought Theatre.
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More than a decade after Fields's death in 1994, his story was cast into a one-man theatrical performance, Looking Over the President's Shoulder.Burlingham Ellis, Caroline. "Review of 'Looking Over the President's Shoulder'", Theatre Mania, 8 Dec 2003. Available online.
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Palmer returned to Greece in the spring of 1952. Two weeks after her arrival she suffered a fatal stroke while attending a theatrical performance in Delphi. She was 78 years old. Pursuant to her wishes she was buried at Delphi.
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In 1566, he let his students perform The Fall of Adam in church. This is thought to be the first public theatrical performance in Norway. Beyer wrote historic-topographic works including Om Norigs Rige and Bergens kapitelsbok. He died in 1575.
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The opera house was built by Charlie Thrasher. It began showing vaudeville and traveling theatrical performance and, later, movies. In the 1920s, the opera house installed the proper equipment to show sound films. The building underwent renovations in the 1990s.
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Dubai Opera's longest running show was the Phantom of the Opera in late 2019. In just under 4 years of operating, Dubai Opera has won a number of awards including 'Best Theatrical Performance' at the Timeout Dubai Nightlife Awards 2017 for Les Misérables, 'Favorite Show' at the 2017 What's On Awards Dubai for Les Misérables, and 'Best Theatrical Performance' at the Timeout Dubai Music and Nightlife Awards 2019 for Othello. Recognition was also given at the Timeout Dubai Music and Nightlife Awards 2019 to Dubai Opera's Chief Executive Jasper Hope, where he was presented with the highly prestigious 'Outstanding Contribution' award.
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The band toured Europe during this time, their travels concluding a 5500 km journey, and as a result the East West and Rest album was inspired and composed. In the same year, Simon composed, conducted and arranged for the orchestra of the Macedonian theatrical performance of Troilus and Cressida, which was the biggest theatrical performance recorded in Macedonia, with 120 performers and 4,000 guests. Furthermore, Simon recorded his composition 'Jamajla' (which was a composition from his then unreleased album 'Jamajla') for the Jazz from Macedonia 2009 album by Skopje Jazz Festival Records. Meanwhile, Simon recorded his sixth album Same No More,.
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A Trunk show may also refer to a very small theatrical performance. This may be a short skit or sketch with only a few (Or even one) actor, where the only props and costumes for the event are contained within a single trunk.
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China Poly Auction preview exhibition in Hong Kong Cultural business is an industry Poly Group has been specifically fostering over the past years. Poly Culture & Arts Co., Ltd. acts as its core enterprise. Its business covers theatrical performance, theatre management and antique collection.
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Il Corriere Musicale. Retrieved 30 March 2016 . She studied piano and she received her laurea in theatrical performance from L'Università Ca' Foscari in Venice. Her official debut was in July 2004 in a solo recital at the 53rd Festival Internacional de Santander.
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Urdu Point The aviation parade saw aircraft like the Su-30 fly overhead. The parade culminated in a theatrical performance of the famous song Den Pobedy. The 2020 parade was the only parade in the former Soviet Union besides Turkmenistan's to be held.
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Moreover, sailors engaged in fishing and winter haunting. On Svyatki the crew staged a theatrical performance, and for Maslenitsa they built an ice slide. The frost lasted until March 9, 1805; the lowest measured temperature was −17.5 ° C (9 pm on January 22).
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However no accounts of further theatrical performance exist until he resurfaced in Kingston Theatre, Jamaica in July 1828 where he delivered George Alexander Stevens's comic monologue The Lecture on Heads. In 1829 he joined the English Company and continued to perform in Kingston.
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Abhinavagupta maintains that this rasa (literally, taste or essence, the final outcome)of the various constituents of an artistic or theatrical performance, has been a central concept in Indian art and aesthetics from ancient times. is the summum bonum of all literature.
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Possession was a form of dramaturgy and religious theatre, Levack argues, as was demonology. According to Levack, then, Carlini and other recorded instances of Baroque possession were engaged as active participants within a social ritual and theatrical performance that reflected contemporary Baroque religious culture.
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"Hintermann è morto in Sicilia". La Repubblica. p. 24. notably, he got a personal success with the recital Milanin Milanon, alongside Milly Monti. He died due to an accident, run over by a car, in Acireale,a few hours after a theatrical performance in Catania.
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Disability can be the subject of theatrical performance. For example Unspoken presents a story about what it is like to have a brother with severe disabilities. The TV show Employable Me, broadcast in March and April 2018, followed neurodiverse adults in finding suitable employment.
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His first theatrical performance was in 1965 at Nea Ionia. Two years later Karolos Koun invited him to Theatro Technis. In early 1970s he got involved with satire plays and in the mid-1970s with prose. 70s was the decade he first appeared in cinema.
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Her first known acting appearance, when she was five, was as Cupid in a church theatrical performance in Lindsay, Ontario. Residents of the towns where the Koerbers lived recalled Dressler acting in many amateur productions, and Leila often irritated her parents with those performances.
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Working in a collaboration with Ronit Land, this time Bar-On prepared a theatrical performance, moving on the edge of modern dance, theatre expression and performance art. Daniel Davis's environmental design was introduced. The premiere took place at Tel Hai, 83, Contemporary Art Event.
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"The Passion of the Christ (2004): theatrical performance". The Numbers. Retrieved October 13, 2019. The film was also a relative success in certain countries with large Muslim populations, such as in Egypt, where it ranked 20th overall in its box office numbers for 2004.
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He also undertook a touring theatrical performance mixing narrative, science, and art to highlight the man who was Leonardo, exploring how da Vinci came to be regarded as history's best-known polymath despite personal difficulties, societal resistance, and the limits of his own humanity.
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From November 2007 to March 2008 Do starred in Assepoester, a Dutch version of Cinderella, as the title character. The production was held at the Efteling Theatre, a theatre in the Efteling amusement park in the Netherlands. It was Do's first live theatrical performance.
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In 1861 it housed the first theatrical performance. Because of his enormous debts, the Winter Theater was given away to the city by his brothers after Kobozev's death. In 1943, during retreat German troops put the theater on fireЭнциклопедия Бердянска. Том 1: А-Л.
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Duke (Humphrey) and King (Bates), two broken-down actors fleeing a crowd they had fooled with a mock theatrical performance, join them. At the next town the actors again fool the people with a pretend theatrical performance with Huck acting as the doorkeeper. Further downstream the actors then impersonate the brothers of a deceased man named Wilks in an attempt to obtain the inheritance, but Huck takes the money to keep it from the actors after he is smitten by the daughter, Mary Jane Wilks (Ralston). Huck and Jim leave to escape the wrath of their former companions just as the actual relatives of the dead man show up.
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Its productions, actors and crew have earned numerous titles including best actor, best actress, student director, technical excellence, and best set design. The organization regularly sends alumni to top national universities including NYU Tisch, Carnegie Mellon, Ithaca College, and Boston Conservatory for theatrical performance and technical production.
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National Cultural Centre auditorium Georgetown's theatre scene is dominantly concentrated on the stages of the National Cultural Centre. Plays are also staged at the theatre guild of Guyana. This is the oldest theatrical performance facility in Guyana. It was opened in 1957 and restored in 2007.
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In 1994, LaFarge founded the Plaintext Players,Plaintext Players website an internet performance group that began creating original pieces early in the Web era.Sant, Toni. "Theatrical Performance on the Internet: How Far Have We Come Since Hamnet?." International Journal of Performance Arts and Digital Media 9.2 (2013): 247-259.
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Cry Innocent is a theatrical performance based on an episode of the Salem witch trials. The show, which has been running continuously since 1992, emphasizes interactive theater. The stage is set in 1692. Bridget Bishop has been accused of witchcraft and the audience sits on the Puritan jury.
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During its earliest form, it was a musical Roopaka (theatrical performance). Vagbhatta describes Rasaka as a soft and vigorous musical Roopaka with a variety of Tala (beat or measure) and Laya (rhythm). Rasaka was played by female dancers. The number of pairs participating can increase up to 64.
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Retrieved 24 February 2009.Winged, photos of the theatrical performance, May 2007, Neil E. Hobbs, Flickr. Retrieved 24 February 2009. She starred in The First to Go by Nabil Shaban, about the "Disabled Holocaust" in Nazi Germany, playing the part of Brunhilde, at the Royal Lyceum Theatre, Edinburgh in 2008.
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Illusionistic tradition is a style of theatre that was created in Italy during the Renaissance. Its focus was primarily centered on grandiose spectacle in theatrical performance. Stages made use of Italianate scenery, including Proscenium arch, perspective, border flats, and a raked stage to create a visual image that had never before been used.
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He maturated in Budapest, then moved to Munich where he learnt architecture. His first theatrical performance was in 1905 at Thália Theatre. He was a member of the National Theatre between 1906 and 1935. He worked as a chief director in Kolozsvár (today Cluj-Napoca, Romania) in the theatre year 1908-1909.
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Gibson's theatrical credits include the character Estragon (opposite Geoffrey Rush) in Waiting for Godot, and the role of Biff Loman in a 1982 production of Death of a Salesman in Sydney. Gibson's most recent theatrical performance, opposite Sissy Spacek, was the 1993 production of Love Letters by A. R. Gurney, in Telluride, Colorado.
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The idea of The Primal Scream came when one of his patients told of a theatrical performance at Conway Hall, London, in which Raphael Montañez Ortiz dressed in diapers shouted "Mommy! Daddy! Mommy! Daddy!" throughout the act, then vomited, distributing plastic bags to the spectators and later asking them to vomit as well.
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In 2011 he played in theatrical performances El Knack, El viaje de Tina and Rojo. In 2012 played as special appearance in the teen telenovela Miss XV. In 2013 played in theatrical performance Agonía y Éxtasis de Steve Jobs. In 2014 played as special appearance again in the telenovela El color de la pasión.
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The Theatre Centre pursues a mandate of supporting artists who wish to develop works of an experimental or alternative nature, that challenge the definitions of theatrical performance by embracing music, dance, visual art and new media. The company provides space, mentorship, exposure and a sense of community through a series of carefully conceived programs.
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A multimedia and theatrical performance dramatizing 10 poems from Belonging: New Poetry by Iranians Around the World. Performances were at the ODC Theater, and the Mexican Heritage Plaza in the San Francisco Bay Area (2004). Talebi recited/performed the poems in collaboration with composers Hafez Modirzadeh and Mohamad Nejad, and dance artists from Afsaneh Ballet.
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When Flake was asked about what it is like to perform this, he said: "It is fine. It is only pain. Although one can not breathe in, because then one would inhale the flames and die". Due to all of the theatrical performance, the song usually extended to 6 or 7 minutes when played live.
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He has a genetic habit of breaking into theatrical performance when experiencing strong emotions known as the "Kitaōji Theater". Like all the other males in the Kitaoji family, Sakon is also a Kabuki actor. ; : :Seira and Noeru's mother, who runs Cafe Vivo. ; : :Seira and Noeru's father, as well as Takako's husband who runs Cafe Vivo.
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UFOetry is a band from Los Angeles, California, United States. It was formed in July 2004 by ufologist and MUFON member Joshua Poet. UFOetry performs rock operas focused on the UFO phenomena and its implications on society. Their multimedia shows combine live music and theatrical performance delivered to audiences at UFO festivals and conferences.
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One of them – the song of Vladimir Vysotsky. Kharkov cult group Raznye Lyudi took part in the recording of the album. In 2008, the leadership of the Sochi Winter Theater proposed to create a theatrical performance based on the movie The Diamond Arm. Krylov agreed.Сергей Крылов ставит «Бриллиантовую руку» с Пашей Волей — Новости рока NEWSmusic.
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His first theatrical performance was 1961's A Cook for Mr. General as Ridzinski. During that time he appeared in several guest roles on television in shows like Naked City and The Defenders. He then starred in the 1966 Off-Broadway play Eh? where his performance garnered him both a Theatre World Award and Drama Desk Award.
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According to historical archives, Kasym started to develop the first Kyrgyz alphabet while a student at Kazinpros. His first screenplay written in Kyrgyz, in his alphabet, was for a theatrical performance called Alymkul. It was performed several times during the summer of 1921 by students from Tashkent and Almaty. Unfortunately, the manuscript was lost after Kasym's arrest.
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Its main characteristics are its musicality and playfulness. Its rhythm is described as "incisive, exciting, provocative". The complex figures of this style became the basis for a theatrical performance style of Tango seen in the touring stage shows. For stage purposes, the embrace is often very open, and the complex footwork is augmented with gymnastic lifts, kicks, and drops.
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Monk and the Earthquake""Mr. Monk and the Earthquake", where Sharona and Benjy stay with her after their apartment is damaged by an earthquake, and "Mr. Monk Goes to the Theater", where she is framed for the death of her costar during a theatrical performance."Mr. Monk Goes to the Theater" The season 2 episode "Mr.
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It was expanded later that year to include an adaptation of Nikolai Gogol's story Nevsky Prospekt. The performances are for an adult audience and explore universal life themes. Theater Ten' recreates intricate shadow plays parodying performances at the Bolshoi Theater. It also hosts events where performers introduce children to theatrical performance, explaining the nuances of various genres.
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Jag Mandir, sometimes known by its subtitle, The Eccentric Private Theatre of the Maharaja of Udaipur (), is a 1991 documentary film directed for television by Werner Herzog. The bulk of the film consists of footage of an elaborate theatrical performance for the Maharaj Arvind Singh Mewar at the City Palace of Udaipur, Rajasthan staged by André Heller.
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Mullady has a variety of musical acts as a solo artist. She has a distinct style of beatboxing, which consists of polyrhythms, avant garde style compositions, incorporation of theatrical performance, the mouth trumpet technique and extensive beatrhyming. She is also noted for her one-woman band performances, which incorporate singing, beatboxing, guitar, rapping, and live looping.
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In social interaction, as in theatrical performance, there is a front region where the performers (individuals) are on stage in front of the audiences. This is where the positive aspect of the idea of self and desired impressions are highlighted. There is also a back region, where individuals can prepare for or set aside their role.Ritzer, George. 2008.
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Producer Robin de Levita invented a new theatrical performance solution for Soldier of Orange – The Musical: a rotating auditorium in the center of a venue with 1100 seats. He named it SceneAround. The auditorium is placed on a turntable. The audience rotates from scenery to scenery, accompanied by 180 degree projections on panel screens around the auditorium.
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We hope to breath a new life to that tradition. Winter farewell party. Winter farewell party was conducted by the ECU in cooperation with Esta MEPhI ballroom dance studio in March 1977 – 1979 not far from Zvenigorod. It was a theatrical performance which included dances, down heel sledging, blins (pancakes) eating and seizure of snow fortress.
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The summer she died, playwright Frank Wirmusky cast This Is Your Life, Hoosick Falls. The play transformed one hundred and fifty years of the town's history into an hour-long theatrical performance. Actors depicted twelve Hoosick Falls men and women from the past who made important contributions in various endeavors. One of those portrayed was Hoctor.
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Pandava and Krishna in a wayang wong performance Wayang wong, also known as wayang orang (literally "human wayang"), is a type of Javanese theatrical performance wherein human characters imitate the movements of a puppet show. The show also integrates dance by the human characters into the dramatic performance. It typically shows episodes of the Ramayana or the Mahabharata.
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The Red Jacket Jamboree has received support from the Keweenaw National Historical Park, the Michigan Council for Arts and Cultural Affairs, the Michigan Humanities Council as well as from individual and corporate donors. Two hour-long radio episodes are recorded during each theatrical performance. Each episode has its own distinct theme and stories, history and musical selections are chosen to help interpret themes.
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Mohamed was from a poor rural background without links to the Cairo art scene. She and her niece, Amina Rizq, moved to Cairo with their mothers; the pair were locked in the house after their first theatrical performance. Amina succeeded in gaining fame as a dancer and actress. Mohamed was director, producer, screenwriter, editor and star of Tita Wong (1937).
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Indonesian Javanese wayang kulit shadow puppet. Wayang refer to a theatrical performance with puppets or human dancers. When the term is used to refer to kinds of puppet theatre, sometimes the puppet itself is referred to as wayang. Performances of shadow puppet theatre is known as wayang kulit, are accompanied by a gamelan orchestra in Java, and by gender wayang in Bali.
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Beginning with an account of his own education in the theater, Life and Acting then describes Garfein's exposure to other arts forms – painting, literature, and sculpture – that have influenced his understanding of theatrical performance, followed by dozens of lessons for teaching both stage and film acting. In July 2012, Garfein was awarded the Masque d'Or and voted best acting teacher in France.
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Wayang wong, also known as wayang orang (literally "human wayang"), is a type of classical Javanese dance theatrical performance with themes taken from episodes of the Ramayana or Mahabharata. Performances are stylised, reflecting Javanese court culture: Despite being closely associated with Javanese tradition, variants of wayang wong dance drama can also be found in neighboring ethnic traditions, including in Balinese and Sundanese traditions.
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Catrin Stewart (born 29 January 1988) is a Welsh actress. She has played Emma in the Sky1 comedy drama series Stella and Jenny Flint in Doctor Who. She also portrayed Lily in Misfits. Her theatrical performance as Juliet in Headlong's Romeo and Juliet has been acclaimed by an Observer critic as "one of the most captivating and touching I have seen".
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The club had earlier banned him from appearing in a theatrical performance of the Full Monty. However, he was later given the green light by club officials, when they went back on their decision to block his participation, after he had explained to them that it was all for charity. He then signed for non-League club Stalybridge Celtic in July 2007.
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Many 'Ras' plays dramatise episodes related in the Rasa Panchadhyayi ("Five chapters of the Celestial Dance"; Canto 10, Chapters 29–33) of the Bhagavatam. The Bhagavatam also encourages theatrical performance as a means to propagate the faith (BP 11.11.23 and 36, 11.27.35 and 44, etc.), and this has led to the emergence of several theatrical forms centred on Krishna all across India.
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Dustin Hoffman at Cannes American actor Dustin Hoffman began his career by appearing in an episode of Naked City in 1961. His first theatrical performance was 1961's Shmem needs a shink as Ridzinski. Following several guest appearances on television, he starred in the 1966 play Eh?; his performance garnered him both a Theatre World Award and Drama Desk Award.
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Voglis was born in Athens and he studied at Pelos Katselis' drama academy. His first appearance in the theater was in the theatrical performance I anodos tou Artouro in 1961, directed by Karolos Koun. He made his first appearance in film in the movie I Iperifani. He became famous during the movie Koritsia ston ilio (Girls In The Sun) in 1968.
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Rasa lila and "Ragini" are folk theatrical performance Haryana. The Ragini form of theater was popularised by Lakhmi Chand.Manorma Sharma, 2007, Musical Heritage of India, Page 65. Singing is a great way of demolishing societal differences as folk singers are highly esteemed and they are sought after and invited for events, ceremonies and special occasions regardless of the caste or status.
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Most of the film's main cast reprised their roles in the game, with the exceptions of Julia Louis-Dreyfus, Kevin Spacey and Denis Leary, who were replaced by Jodi Benson, Andrew Stanton and Nick Jameson as Princess Atta, Hopper and Francis, respectively. Though the film was Roddy McDowall's final theatrical performance, the game was his final work overall before his death.
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During the late 18th century, a form of theater known as pastorelas was introduced to Honduras. In 1750, the first theatrical performance in Honduras was Luis Vélez de Guevara's Devil Cojuelo in Comayagua. Despite subsequent productions, a theatrical tradition was not yet established. In 1915 the Manuel Bonilla National Theater was completed, where theater, opera, zarzuela and dance were performed.
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The first modern Serb printing-house was founded in Kikinda in 1878, to be followed a year later by the opening of the first library. This city is also reputable for its painters, including Teodor Ilić Češljar, Nikola Aleksić, Đura Pecić, and Đura Jakšić, a painter and author. Kikinda was the scene of the region's first theatrical performance, given in German, in 1796.
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Drums are not the only instruments played in the ensemble; other Japanese instruments are also used. Other kinds of percussion instruments include the , a hand- sized gong played with a small mallet. In kabuki, the shamisen, a plucked string instrument, often accompanies taiko during the theatrical performance. Kumi-daiko performances can also feature woodwinds such as the shakuhachi and the shinobue.
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Bangsawan (Jawi: بڠساون) is a type of traditional Malay opera or theatre performed by a troupe, and accompanied by music and sometimes dances. The bangsawan theatrical performance encompasses music, dance and drama. It is widely spread in the Malay cultural realm in Malaysia, Indonesia, Singapore and Brunei. The artform is indigenous in Malay Peninsula, Riau Islands, Sumatra and coastal Borneo.
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Hall fell ill in 1908, and stepped back from practicing medicine. In September, some of his friends arranged a theatrical performance at the King's Theatre in Melbourne for his benefit. The performance was supposed to take place on October 13. On May 14, 1909 it was announced in the papers that Hall had died at the age of 50 years old.
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The film took in $110,418 in its U.S. opening weekend; as of February 2012, it had made $4,430,765 (or $4,430,650) domestically (with its widest release in 283 U.S. theaters), and $7,451,541 internationally. Ultimately, the theatrical performance reached a gross of $11,882,191 and the home market performance an additional gross of $8,127,751, thus the film reached a total gross of $20,009,942.
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In the building next to it one can find the factory itself. During the theatrical performance that accompanies excursion visitors are offered a number of unique sorts of pastila. There is also another museum where tourists can both listen to the story of pastila and buy a box of traditional Russian dessert. The museum is situated at 13A, Posadskaya St., Kolomna, Moscow region.
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Yeranuhi Karakashian was born in 1848 in Üsküdar, a district of Constantinople (Istanbul) that is situated on the Asiatic side of the Bosphorus. She was the older sister of actress and soprano Verkine Karakashian (1856 - 1933). She attended the local elementary school. Her first theatrical performance was in 1864 at the Oriental Theater (Şark Tiyatrosu) starring in the Drtad the Great play.
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Brighton Pierrots, the second version, in the Tate Britain, Brighton Pierrots is a 1915 painting by Walter Sickert that depicts an outdoor theatrical performance. It is an oil on canvas measuring 63.5 x 76.2 cm and is in the Tate Britain. In the painting, the Pierrots are seen from the side and slightly from behind. A few spectators' faces can be seen as well as empty deckchairs.
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The RSC was featured in the 2017 Edition of the Guinness Book of World Records for holding the Guinness record for the longest-running Shakespeare show in the West End with 3,744 performances between March 7, 1996 and April 3, 2005 at the Criterion Theatre; and for the highest theatrical performance, for their performance aboard an EasyJet flight from London to Verona on Shakespeare’s birthday in 2014.
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Christoph Friedrich Bretzner (10 December 1748 – 31 August 1807) was a Leipzig merchant famous for writing the libretto to a singspiel entitled Belmont und Constanze, oder Die Entführung aus dem Serail, produced in Berlin and adapted in 1782 by Wolfgang Amadeus Mozart and Gottlieb Stephanie as Die Entführung aus dem Serail.MozartProject.org K. 384 He died on 31 August 1807 after arriving for a theatrical performance in Leipzig.
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She has performed with Kool and the Gang, the Shirelles, Grover Washington Jr., Eliot Goldenthal, Pete Seeger and many leading hip-hop artists. She has worked in theater with luminaries such as Galt MacDermot, Liz Swados and Robert Lupone. She wrote a book published by Seabury Press, titled The Gathering, based on her work with imprisoned teenagers. The Gathering has been turned into a theatrical performance.
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The main facade has a projecting two-story center section, composed of three bays articulated by engaged round columns. Each of these bays has a paneled first floor and a rounded window on the second. Entrances are located flanking this projecting bay, accessed via stairs at differing elevations. The interior has undergone some alterations from its original appearance, due to its conversion to a theatrical performance space.
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Russian Ground Forces Guards during a dress rehearsal for a military parade in Alabino, Moscow Oblast. The dress rehearsal is a full-scale rehearsal where the actors and/or musicians perform every detail of the performance. For a theatrical performance, cast members wear their costumes. The actors may use props and backdrops and do not use scripts although the stage manager and director might do so.
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Beiguan () is a type of traditional music, melody and theatrical performance between the 17th and mid-20th centuries. It was widespread in Taiwan. By the early 21st century its popularity had declined precipitously. Beiguan usually uses the following instruments: two suona (oboes), bangzi (woodblock), daluo (large bossed gong), xiaoluo (small gong), bangu (high-pitched drum), tonggu (small drum), xiaobo (small cymbals), and dabo (large cymbals).
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The film was theatrically released in India on 13 March 2020. With its theatrical performance affected by the closing of cinemas due to the COVID-19 pandemic, plans for a re-release were cancelled and the film was made available digitally less than a month after its release on Disney+ Hotstar. It was Irrfan Khan's last film, prior to his death in April 2020.
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Many historians believe that the first theatrical performance in Brazil was held in São Paulo. The Portuguese Jesuit missionary José de Anchieta (1534–1597) wrote short plays that were performed and watched by the Tupi–Guarani natives. In the second half of the 19th century a cultural, musical and theatrical life emerged. European ethnic groups began holding performances in some of the state's rural cities.
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The Classic Maya strongly emphasized the theatrical performance and visibility of rulers. The large plaza at Aguateca, like other Classic Maya centers, was designed to accommodate a large number of individuals. These plazas held the majority of the community members on ceremonial occasions. Residents made a significant effort to secure spaces for mass spectacles by creating plazas outside of core areas and constructing large causeways.
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The group had exhibitions in Gliwice, Bytom, Jelenia Góra and Kraków. In 2001, together with Barbara Stępniak-Wilk and Maciej Dancewicz, he founded „Grupa Apokryficzna” (Apocryphal Group). He worked as an assistant director with Antoni Krauze (a documentary about „Piwnica pod Baranami) and Marta Meszaros (a theatrical performance „Tramwaj zwany pożądaniem” - „Streetcar Named Desire”). Kudas cooperated with newspapers and magazines „Dziennik Polski”, „Przekrój”, „Zwierciadło” and "Bluszcz".
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Calisthenics consists of performing a variety of 'items' which are usually presented at eisteddfod-like stage competitions. Currently the items performed in Calisthenics are: Figure March, Club Swinging, Free Exercises, Rod Exercises, Aesthetics, and a couple other 'Fancy Items'. Fancy items are those items which typically focus on the theatrical performance other aspects, and are included on a rotational basis (i.e. not all performed every year).
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The myth and epic stories of Ramakien provide the Siamese with a rich source of dramatic materials. The royal court of Ayutthaya developed classical dramatic forms of expression called khon () and lakhon (). Ramakien played a role in shaping these dramatic arts. During the Ayutthaya period, khon, or a dramatized version of Ramakien, was classified as lakhon nai or a theatrical performance reserved only for aristocratic audience.
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The legend of is deeply rooted in Mexican popular culture, her story told to children to encourage them not to wander after dark, and her spirit often evoked in artwork, such as that of Alejandro Colunga. is a yearly waterfront theatrical performance of the legend of set in the Xochimilco borough of Mexico City, established in 1993 to coincide with the Day of the Dead.
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Azerbaijan State University of Culture and Arts upon its establishment in 1923, operated under the name of Theatrical Institute. The first admitted students were educated in the fields of theatrical performance, acting and filmmaking. In 1954, the Theatrical Institute was named after the famous actor Mirzaagha Aliyev. Since 1959, the school has also trained specialists in Cultural Education and, since 1963, in Applied Decorative Arts.
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Gunnar Eyjólfsson (24 February 1926 - 21 November 2016) was an Icelandic actor. Gunnar began his career with the Reykjavík Theatre Company in 1945. In 1961 he joined the National Theatre of Iceland; in 1963 he won the Silver Lamp Award for the best theatrical performance of the year for the title role in Pétur Gautur. He was also the first foreign recipient of the RADA Shakespeare Award.
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Babes in Arms opened at the Shubert Theatre on Broadway, in New York City on April 14, 1937 and ran for 289 performances. In the original play, a character named Billie Smith (played by Mitzi Green) sings the song to Valentine "Val" LaMar (played by Ray Heatherton).Playbill from 1937 Babes in Arms theatrical performance. The character's name was changed to match the lyric of this song.
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Painted on the ceiling is a well-known quote from As You Like It: "All the world's a stage, and all the men and women merely players."Grant 2014, p. 151. The first theatrical performance in the Elizabethan Theatre was a 1949 production of Julius Caesar by the Amherst Masquers. The Folger Theatre Group formed in 1970 when the Elizabethan Theatre became compliant with Washington, D.C. fire safety laws.
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On 14 October 2019, a student who has worked under Chatterjee for a theatrical performance, alleged of sexual harassment. Subsequently, two other women raised similar allegations and FIRs were lodged. Chaterjee rejected the allegations, deeming them to be mis-construals of a particular form of theatrical training involving sexual overtones and has since claimed of being compelled to resign from his teaching position at Heritage Academy. He was arrested, shortly thereafter.
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While serving as the opening act for Usher's The Truth Tour, West performed "Jesus Walks" as his finale. West opened the 2004 MTV Video Music Awards with a theatrical performance of "Jesus Walks." He led a 32-member choir around an arena filled with audience members holding artificial candles and had stained glass windows descend from the ceiling as he joined John Legend, Chaka Khan, and Syleena Johnson onstage.
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In 1987, Lambis graduated from Drama School of G. Theodosiadis. His first theatrical performance as an actor was during the winter of 1988 in a play called Xenodohio O Paradisos (Paradise Hotel). Two years later, he got his first leading roles by playing in various theater and TV productions. He made his first musical attempt in 1992 singing live at a night club on the side of Giorgos Marinos.
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Karina was born on July 27, 1966 in Mexico City, Mexico. She is the daughter of actress and director Karina Duprez and granddaughter of also actress Magda Guzmán and theater director Julián Duprez. By the marriage of his mother with actor Carlos Ancira, he became his adopted daughter. She began her acting career while still a child, debuting in theater at sixteen years old in theatrical performance El soldadito de plomo.
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A statue of Terence Cuneo by Philip Jackson was installed on the concourse in 2004. In 2010, two of the disused platforms hosted a theatrical performance of The Railway Children by E. Nesbit. The audience was seated either side of the actual railway track. The show included the use of a steam locomotive coupled to one of the original carriages from the 1970s film (propelled by a diesel locomotive).
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Ch'ung-ho taught at Yale University, Harvard University and 20 other universities, teaching traditional Chinese culture. After the Cultural Revolution, Chang visited Suzhou in 1979. In 1986, Chang Ch'ung-ho and her sister Chang Yuen-ho attended a theatrical performance which was commemorated the 370 anniversary of the death of Tang Xianzu in Beijing. In the Autumn of 2004, Chang Ch'ung-ho held an exhibition of paintings in Beijing.
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Silko, L. Storyteller. New York, New York: Seaver Books Pub., 1981 Some tellers consider anything outside the narrative as extraneous while other storytellers choose to enhance their telling of the tale with the addition of visual and audio tools, specific actions and creative strategies and devices. Storytelling may be performed in many forms: in prose, in poetic form, as a song, accompanied with dance or some kind of theatrical performance, etc.
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He studied declamation at the Iași Conservatory from 1897 to 1899. In the summer of 1899, after graduation but before receiving his diploma, he attended a theatrical performance by State Dragomir, and began whistling to express his disapproval. An outraged Dragomir demanded punishment; the school's leadership met to discuss its options, and resumed its investigation in autumn. Finally, the Education Ministry decided to withhold his diploma for two years.
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For their acting job, Mickey and Kramer are assigned bacterial meningitis and gonorrhea, respectively. Elaine confirms that Puddy is religious. Kramer picks up on the showmanship idea and gives an impressive theatrical performance of gonorrhea for the med students. When Sophie uses the unwelcome "it's me" greeting on Jerry's answering machine, George suggests he does an "it's me" when she calls back to see if she recognizes Jerry's voice.
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Jati (short sequence set to a staccatto beat) from Rama Devi. Vanaja is the 15-year-old daughter of Somayya, a poor, low caste fisherman from rural Andhra Pradesh. Somayya struggles to support his family due to dwindling catches at sea and mounting debts. One day, Vanaja and her teenage friend Lacchi watch a theatrical performance by a former Kuchipudi (a native classical Indian dance form) great, Rama Devi.
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This imitation was achieved in the dance through geometric choreography and figures based on the harmony of numbers.Lee, 41–42. The dance elements in the court festivities represented a response to the increasing political disharmony of the country. The Ballet Comique de la Reine marked the final transformation of court dance as a purely personal and social activity into a unified theatrical performance with a philosophical and political agenda.
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The Leyden Fine Arts program is composed of music, art and theatrical performance. Various music groups, ranging from choral groups to instrumental orchestras, have excelled in multiple regional, state and national competitions. Choral participants have consistently been top performers in the Illinois Music Educators Association (IMEA) competitions, both in the Jazz and Classical divisions. The Leyden Chamber Singers annually perform in the Madrigal Dinner, singing pieces from the .
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A military parade, including the Macedonian army, police and special units, passed in front of the Parliament of Macedonia. It was followed by the placement of the declaration of independence of Macedonia in the Macedonian Struggle and the Internal Macedonian Revolutionary Organization (IMRO) Museum. A small theatrical performance followed, before the president placed the declaration. Prime Minister Nikola Gruevski opened the biggest monument in the Balkans Warrior on horseback.
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Antonio Petito (22 June 1822 in Naples – 24 March 1876) was an Italian stage actor and playwright. He was a notable Pulcinella performer, and an important figure of Neapolitan theater in the 19th century. Petito was the son of another Pulcinella, Petito Salvatore and Donna Peppa. It was his father who initiated him with wearing a mask during a theatrical performance at the Teatro San Carlino in Naples.
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Stable Village - Elevated view Stable on the Strand is an annual nativity play in Townsville, Queensland. It has been described as "part installation, part fun fair and part theatrical performance". The play is staged from 18–22 December on The Strand in Townsville. The festivities also include a mock Bethlehem with actors playing soldier, shepherds and the Holy Family The event attracts up to 40,000 visitors a year.
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When Vargas Llosa was fourteen, his father sent him to the Leoncio Prado Military Academy in Lima. At the age of 16, before his graduation, Vargas Llosa began working as an amateur journalist for local newspapers. He withdrew from the military academy and finished his studies in Piura, where he worked for the local newspaper, La Industria, and witnessed the theatrical performance of his first dramatic work, La huida del Inca.
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This high pitched singing might have come out of need to reach all audience in a yakshagana bayalata, which is an outdoor activity. Recently singers have adopted softer singing because of the microphone. Some Hindustani rāgas modified to suit yakshagana performance can also be seen (e.g. bhimpalas).Prof.Sridhar Uppura, Yakshagana and Nataka, Diganta publications, 1998 Yakshagana rāgas are rendered but are not elaborated, sung swiftly to suit theatrical performance.
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At the age of 16, she was discovered during a theatrical performance and in 1998 she took her first film role in the ARD series In aller Freundschaft . Since then, she has appeared in many film and television productions. She was known in 2006 by the lead role of Nelly Heldmann in the Sat.1 - telenovela Schmetterlinge im Bauch, the fairy tale adaptation Des Kaisers neue Kleider or the Sat.
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Mariani demonstrated several talents before and during his Harvard years. While still at Taft, he performed a striking piano recital of George Gershwin's Rhapsody in Blue.Mariani Rhapsodizes in Bingham Auditorium; The Taft Papyrus, March 28, 1972 Harvard Yard in the winter As an undergraduate, he was recognized for his theatrical performance in Nathanael West's Miss Lonelyhearts. He also directed the Loeb Mainstage production of George Bernard Shaw's Candida.
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ConClave is an annual, weekend-long science fiction convention in southeastern/central Michigan, which draws approximately 600 people. ConClave attendees share an interest in science, science fiction, fantasy, and related genres. The ConClave convention was held each year from 1976 to 2011, and again in 2013. While remaining true to its literary roots, ConClave celebrates fantasy and science fiction in all its myriad forms, including art, music, theatrical performance, and film.
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A Yuan-period opera stage near Niuwang Temple (牛王廟), Yaodu District, Linfen, Shanxi. Zaju represents a period in the development of the Chinese Opera. In terms of the history of theatrical performance, the zaju's contributions to Chinese theater include the received legacies from previous forms of theatrical performance, the transformations based on the influence of these, and the legacy which the zaju performances in passed on to future performers and performances. On a more purely literary level, much of the poetry of the Yuan period is in the form of the qu poetry verse, which basically became an independent form of art, removed from its original theatrical and orchestral context: written after the model of the cadences, or set tone patterns, known from the arias of the zaju theater, the Chinese Sanqu poetry eventually became a separate tradition, in the category of poetic literature, rather than in the category of the performing arts.
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He completed the large-scale score the following year while living with friends and working for the Forestry Department. In 1871, however, the finished opera was rejected for theatrical performance, apparently because of its lack of any 'prima donna' role. Mussorgsky set to work producing a revised and enlarged 'second version'. During the next year, which he spent sharing rooms with Rimsky- Korsakov, he made changes that went beyond those requested by the theatre.
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Amidst the film's negative critical reception, Raúl Juliá's performance as Bison was widely praised, and garnered him a posthumous nomination for the Saturn Award for Best Supporting Actor. The film was his last theatrical performance, and he personally chose it as his children were huge fans of the game series. Leonard Maltin gave the film his lowest rating, writing that "even Jean-Claude Van Damme fans couldn't rationalize this bomb."Maltin, Leonard (2009), p. 1333.
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Blockbuster's strategy leaked before May 9, leading to a 30% order increase from other retailers. In its first week of rental release, American Beauty made $6.8 million. This return was lower than would have been expected had DreamWorks and Blockbuster reached an agreement. In the same year, The Sixth Sense made $22 million, while Fight Club made $8.1 million, though the latter's North American theatrical performance was just 29% that of American Beauty.
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It opened in the West End at the Noël Coward Theatre on 25 February 2014. However, despite positive reviews, the show closed on 29 March, rather than the planned 14 June, after a run of just over a month. A Portuguese-language version was adapted for theatrical performance in Brazil by Brazilian journalist Artur Xexéo. This version of the play was directed by Tadeu Aguiar, and debuted in Brazil on 6 October 2015.
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A preview in The Guardian in said it had "surprising twists [...] as the plot thickens", and one reviewer said it was "one of the most honest and hard hitting plays I have seen". The play received that year's Best Theatrical Performance Award. A representative of the Gay Police Association hoped the play would raise awareness; the GPA helped to raise money for producing it, and recollections from the police influenced the story.
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Fortuitously, Casanova encounters his brother, whose girlfriend he entices away. Casanova then moves to the court of a hunchback, Du Bois, in between taking charge of a beautiful girl—"the love of [his] life"—Henriette. Du Bois puts on a homosexual theatrical performance for his guests that unsettles some of them; Casanova is brought to tears as Henriette plays some music. The lovers vow fidelity to each other, but the following morning Henriette has disappeared.
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In 1926 he supported the publishing of a part of Semetei epic story (a part of a greater Manas epos), Tynybek's version, which Tynystanov personally valued very much. Since then his work concentrated on analyzing, preservation and publishing of Sayakbai Karalaev's and Sagynbai Orozbakov's versions of the Manas epic. In the end of 1931, Manas found a reflection in a theatrical performance of in the National Theater. The screen play was written by Kasym Tynystanov.
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She is best known for her role as Beth in the television series, Greek. She starred in the horror film, Death Tunnel and The Pleasure Drivers as Casey Ethot. She also received strong reviews for her theatrical performance as Kia in the play The Last Schwartz.Theater: ‘The Last Schwartz’ gets the last laughPhoto: 'The Last Schwartz' at Zephyr Theatre She portrayed Kathy Baker in the 2010 Bollywood film, My Name Is Khan.
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In 1973, starred in the leading role of Huckleberry Finn in the picture by Georgiy Daneliya Hopelessly Lost. In his school years Roman Madyanov also starred in the films "Aniskin and Fantomas", "Spring Turners" and "Everything is Brother's Fault". Madyanov graduated from the Russian Academy of Theatre Arts (course O. Remez), playing in the theatrical performance of director Kama Ginkas. As a student he began to play at the Moscow Mayakovsky Theater.
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Tairov created a prototype of his Chamber Theatre as "synthetic theatre" with high goals in mind. As director he experimented with staging, acting, individual and group movements, stage and costume designs, and worked with every detail of theatrical performance in order to break away from the traditional theatre. He established ideal discipline at his chamber theatre. Tairov's experimental approach spread to all phases of creating a stage show including even the rehearsals and practice.
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" Chris Kirkpatrick added, "She is very good at entertaining. We learned a lot — that if people want to hear just the music, they can buy the CD. But it's the whole live aspect of changing the songs every night or the whole theatrical performance that she puts on. She's definitely one of our mentors when it comes to touring and the stage show. Her show told a story, and that's what people like to see.
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54 The commission eventually had to remove both the mayor of Allenstein, , and an officer of Sicherheitswehr, Major Oldenburg, after a Polish banner at the local consulate of Poland was defaced. The Poles expressed gratitude for Allied protection of Polish rights and underlined their desire for peaceful co-existence with the Germans.Minakowski p. 59 In April 1920, during a Polish theatrical performance in Deuthen (Dajtki), near Allenstein, Poles were attacked by pro-German activists.
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Differences between these patterns include changes in tempo, accent, dynamics, pitch, and function in the theatrical performance. Patterns are also often connected together in progressions. Taiko continue to be used in gagaku, a classical music tradition typically performed at the Tokyo Imperial Palace in addition to local temples and shrines. In gagaku, one component of the art form is traditional dance, which is guided in part by the rhythm set by the taiko.
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The resolution cited "repeated, serious occurrences of campus-based shootings". It also stated "the presence of firearms, even when nonoperational and in the instructional setting, lends itself to the potential for panic and fear". The policy allows weapons on campus only if carried by a sworn law enforcement officer or for use in a theatrical performance. It effectively ended the conduct of non- credit gun safety classes previously offered on LACCD campuses.
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Tio Tek Djien was born in Nganjuk, East Java, on 2 December 1895. The son of a rich ethnic Chinese family, he was well-educated for the time, graduating from a senior high school with a focus on economics. When attending a theatrical performance at Taman Hiburan Orion in Pekalongan, owned by his parents, Tio fell in love with the troupe's star, Miss Riboet. When the troupe left Pekalongan, Tio joined them.
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Professional wrestling could be considered a performance art which combines athletics with theatrical performance. Matches are contested on a pre-determined basis, where the fight on display is merely for entertainment purposes. Viewers are integral to a professional wrestling match, as the audience is who the action is for. Professional wrestling mixes many styles of amateur wrestling, striking and showmanship to display a fight, whilst the two performers work together to achieve a "worked" fight.
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Holy Cross offers a variety of Advanced Placement classes and many electives in Fine Arts, Computer Science, and Humanities. Since the 2011-2012 school year, the I.H.M. Scholarship Program has been in effect, where interested students can attend part of the school day at Marywood University to take advanced classes. Holy Cross High School has an annual theatrical performance and art show. Holy Cross High School offers twenty-two extra-curricular clubs and twenty-five sporting activities.
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Initially, the Elizabethan Theatre was not intended for theatrical performance. The original model was the Fortune Playhouse, and then the Globe Theatre; these models proved difficult to replicate exactly, and the Folgers ultimately decided to incorporate features from multiple theaters to give visitors a general picture of a theater during the Elizabethan era. Before Folger Theatre productions began, the Elizabethan Theatre was used for concert performances and academic lectures. The theater, which seats around 260, has no pit.
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Her last theatrical performance came in the 2008 production of A falecida, which was directed João Fonseca and written by playwright Nelson Rodrigues. Nacaratti's film credits included O grande mentecapto in 1989, Romance de empregada in 1988, Com licença, eu vou à luta in 1986 and Bete balanço in 1984. Her last film was 2008's Elvis & Madona. Her television roles included parts in the Brava gente, Site Picapau Yellow and the Chico Anysio Show television series.
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A dozen to twenty songs are performed in a fast tempo. # Female Eisa: distributed in the northern end of Okinawa. A dozen to twenty songs with varying tempo are performed solely by women. Kobayashi Yukio analyzes modern Eisa as a result of the effort by each community's newly organized youth associations, an influence from sophisticated theatrical performance of Naha, and a social movement of modernization that forced young people to turn from "sexually explicit" gatherings to the "healthy" dance.
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In his First Class year, Dick becomes First Captain and General Fitts is appointed Academy superintendent, with Biddle present as his aide. While most of his classmates are infatuated with Kit, Dick is cold to her. Consequently, he is not very happy when the rest of the men insist that she participate in the traditional "Hundredth Night" theatrical performance that he is to direct. Dick writes a comedy about a female general with a message directed at Kit.
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Dayse, the woman is presented to the public as consumer object, just as Hermes, her husband, her lover, Dondoco, or even the two neighboring, whose profiles are comically different. With surprise ending and original, the piece always captivated audiences in the country and gave great opportunities to actors in search of roles that allow for true theatrical performance and not the easy laughter and obvious humor of modern.COUTINHO, Afrânio; SOUSA, J. Galante de. Enciclopédia de literatura brasileira.
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A native of San Mateo, California, Trucco attended Junipero Serra High School. He is the son of a police officer, and was once interested in becoming one himself until college, when he was attracted to theatrical performance. He took a theatre course for non-majors while he was studying Criminal Justice, but he did so well that he was asked to consider changing majors. He changed majors and completed his bachelor's degree in Theatre Arts at Santa Clara University.
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Henry Crawford visits Thornton Lacey, Edmund Bertram's future living.At the first suggestion of a theatrical performance at Mansfield Park, Henry, for whom theatre was a new experience, declared he could undertake 'any character that ever was written, from Shylock or Richard III down to the singing hero of a farce in his scarlet coat and cocked hat. I feel as if I could be anything or everything.' During rehearsals, Fanny considers Henry the best actor of them all.
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She was invited by Karen Shefler to play the role of the Blood Wedding by Lorca. Dohan then announced she was working on the one-woman comedy show, Bath Party. It was created by Dohan along with Karen Shefler and Ayelet Dekel and it was performed Off-Broadway at the HERE Arts Center. The theatrical performance was Dohan's big break in US-theatre, receiving positive reviews from New York-based media, including the New York Times.
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Several artists have either recorded or mounted productions of the song cycle. It was recorded by Canadian singer Kerry-Anne Kutz and the Abysse String Quartet in February 2006. In September 2006, husband-and-wife duo Michelle and David Murray released a new version arranged for voice and piano by David Murray. In 2008, Jake Endres and the Theatrical Musical Company produced the first fully staged theatrical performance of The Juliet Letters, complete with two additional original songs.
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It was his first theatrical performance where his character was not largely based on Lily Savage, and earned him good reviews. He followed this with a pantomime performance as the Wicked Queen in Snow White at Manchester Opera House. O'Grady gave up smoking for two years after his first heart attack. In 2003, O'Grady appeared in Celebrity Driving School, a BBC Comic Relief show in which he learned to drive alongside friends Nadia Sawalha and Jade Goody.
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In 2013, Lee wrote and starred in a theatrical performance show How Can I Forget? at Toronto's Rhubarb and Summerworks theatre festivals. It went on to be performed in conjunction with her solo art show We Are Light Rays at the Ottawa Art Gallery. She and Litovitz also staged Morrice Fled: Two Paintings Talk to Each Other, a pop-up performance at the Art Gallery of Ontario based on the art of James Wilson Morrice, in January.
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Timko-Barton Hall houses musical and theatrical performance halls as well as classrooms devoted to the university's programs in the performing arts. The building's performance halls are often the scene of concerts and recitals by performing arts students. The Kenneth H. Cooper Aerobics Center houses basketball courts, an elevated running track, a free-weights and exercise room, a swimming pool and classrooms for students who are enrolled in health fitness courses (a requirement for all students).
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Great Soviet Encyclopædia Mirza Fatali Akhundov, the Azerbaijani enlightened reformist, novelist and dramatist, the pioneer of the theatrical performance in the East, lived and contributed to literature in Tiflis in the mid-nineteenth century, along with his Ganja-native teacher Mirza Shafi Vazeh.Mirza-Shafi Vazeh (1794-1852). Literature.aznet.org Both died and were buried in Tiflis. Tbilisi Azerbaijani Drama Theatre The first printed periodical in history to include articles in Azeri, Tatarskie vedomosti, was published in Tiflis in 1832.
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Van Parys composed An Index of Memories for five voices and ensemble in 2009 and 2010, for a theatrical performance of the Spectra Ensemble. Directed by Caroline Petrick, it was premiered in a production of Muziektheater Transparant at deSingel in Antwerp on 12 March 2010. The music was performed by Vocaallab Nederland, Spectra Ensemble and Triatu, conducted by Marit Strindlund. Van Parys wrote Een Oresteia for three women's voices and ensemble on a commission by Eduard van Beinumstichting.
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Amparo, an immersive theatrical performance directed by Victoria Collado and produced by Havana Club, is inspired by the true story of the Arechabala family of Cuba. The work showcases Jose Arechabala's original arrival on Cuban soil, the family's founding of Havana Club Rum, and the Cuban government's eventual seizing of the company followed by the Arechabalas' forced exile. The show debuted to limited audiences in Miami and New York, and is expected to expand to greater audiences in 2019.
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New York: Elsevier. had earlier presented his notions of dramatism in 1945, which in turn derives from Shakespeare. The fundamental difference between Burke's and Goffman's view, however, is that Burke believed that life was in fact theatre, whereas Goffman viewed theatre as a metaphor. If we imagine ourselves as directors observing what goes on in the theatre of everyday life, we are doing what Goffman called dramaturgical analysis, the study of social interaction in terms of theatrical performance.
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Earl Gregg Swem commissioned Ames to write Reading, Writing and Arithmetic in Viginia, 1607-1699 in 1957. Ames also published "The Bear and the Cub": The Site of the First English Theatrical Performance in America in 1965. Ames was also active in her community. She was the founder and president of the Eastern Shore of Virginia Historical Society, as well as an active member of patriotic societies, women's and garden clubs, and the Pungoteague Methodist Church.
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He started to work as a teacher of Slavic-Latin schools (Collegium slavono-latino carloviciense). During his tenure, schooling was largely improved and organized on the school system inventor during the era of Peter the Great. The first recorded theatrical performance, "The Death of Tsar Uroš", was presented in the school of Emanuel Kozačinski in Karlovci. Written by Kozačinski, it remained in manuscript and waited 62 years to reappear, then published and adapted by Jovan Rajić, the author's disciple.
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In Assamese literature, the era of Shankardeva or Shankari era, incorporates the literary works that were produced mostly as pertinent to the Neo-Vaishnavite movement which propagated the Ekasarana Nama-Dharma. Shankardeva’s contribution to Assamese literature is multidimensional and spread through different genres of literature. He is credited with building on past cultural relics and devising new forms of music (Borgeet), theatrical performance (Ankia Naat, Bhaona), dance (Sattriya), literary language (Brajavali). Sankardev produced a large body of work.
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Việt Tú on the TV gameshow Tác giả lừng danh, January 2018. Right from the debut, Việt Tú has been identified as one of the leading talents of the entertainment industry in Vietnam. Công an nhân dân News commented, "Việt Tú has the mindset of a person who is capable of controlling “large scale events”, has extensive knowledge of theatrical performance through study and hard work. He is not afraid to experiment with new elements, especially technical ones".
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The village is the birthplace of the world-renowned Uilleann piper Liam O'Flynn and Heidi Talbot, a solo artist and the voice of Irish-American group Cherish the Ladies. The local "Kill Singers" choral group has had many successes in recent years in competitions in Ireland and overseas. The group practice in the local primary school on Wednesday evenings, except during the summer. Additionally, the local "Kill Musical and Dramatic Society" specialises in musical and theatrical performance.
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He then played for the Kenmore Australian Football Club where he decided that football would be unsuitable for him moving forward following a knee injury. Pullar attended Brisbane Grammar School and in his final two years was required to choose an additional subject. His mother convinced him to study drama and he then realised he had a "natural ease" for acting. Due to his knee injury Pullar had the time to participate in a school theatrical performance.
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Lewis Morrison as "Mephistopheles" in Faust!: "The Brocken". Poster for a theatrical performance of Goethe's play showing Mephistopheles conjuring supernatural creatures on the German mountain, the Brocken (or Blocksberg), which according to the tale is the scenery for the Walpurgisnight, from 30 April to 1 May. On the Feast of Saint Walburga, "many thousand" people have made Christian pilgrimages to Saint Walburga's tomb in Eichstätt on the Feast of Saint Walburga, often obtaining vials of Saint Walburga's oil.
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In late 2009, Nickelodeon partnered with Key Brand Entertainment to produce "Storytime Live!", a theatrical performance featuring Nick Jr. characters. Moose and Zee was one of the several Nick Jr. programs showcased as part of the production, with a full-size Moose costume and Zee puppet created by Geppetto Studios. Nickelodeon created a different mascot-style costume of Moose A. Moose for "meet-and-greet" event appearances, taking place at locations such as the Nebraskan "Kidz Explore" festival.
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He suffered diabetes and hypertension. He was hospitalized when he fainted after a theatrical performance. He had three hemodialysis sessions, but his health continued to deteriorate and he died on Monday, April 14, 2008. "Fuentes médicas aseguraron que el comediante padeció diabetes y diversas complicaciones con la presión arterial " He was cremated, and, following his wishes, half of his ashes went to a church in Lindavista, the other half were scattered in the sea off Acapulco.
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The Children's Monologues was a theatrical performance, produced by Amber Sainsbury at Old Vic Theatre in London on 14 November 2010 and at Royal Court Theatre on 25 October 2015 for the benefit of Dramatic Need. It featured the adapted stories of children’s first-hand experiences in South Africa being retold and re-interpreted by and performed by actors such as Sir Ben Kingsley, Benedict Cumberbatch, Tom Hiddleston, Kit Harington, Gemma Arterton and Eddie Redmayne, directed by Danny Boyle.
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The "backwaters" region—an extensive network of interlocking rivers, lakes, and canals that centre on Alleppey, Kumarakom, and Punnamada also see heavy tourist traffic. Heritage sites, such as East Fort, Kuthira Malika, Hill Palace, Mattancherry Palace are also famous. Cities such as Trivandrum, Cochin, Trichur, Calicut and Quilon are popular centres for shopping and traditional theatrical performance. The Grand Kerala Shopping Festival (GKSF) claimed to be Asia's largest shopping festival was started in the year 2007.
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Amparo, an immersive theatrical performance written by Vanessa Garcia (artist) and produced by Havana Club, is inspired by the true story of Cuba's Arechabala family. The work showcases Jose Arechabala's original arrival on Cuban soil, the family's founding of Havana Club Rum, and the Cuban government's eventual seizing of the company followed by the Arechabalas' forced exile. The show debuted to limited audiences in Miami and New York, and is expected to expand to greater audiences in 2019.
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Lombardi's latest release Sollers Point, directed by Matt Porterfield, was released in North America from 11 May 2018, selected as The New York Times' "Critic's Pick", and ThePlaylist.net wrote that Lombardi "convey[ed] that complexity in a thrillingly physical and non- theatrical performance" and rated the film A-. In early 2017, Lombardi appeared in a major worldwide advertising campaign for Ermenegildo Zegna with Robert De Niro; and in 2016, Lombardi appeared in a campaign for eyewear brand Oliver Peoples.
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This was the seventh years she was appointed as the ambassador of the beauty house. Apart from singing, acting and being product ambassador, Ziana is also involved in theatrical performance. Together with fellow singer Misha Omar, she was cast in the second season of a musical theatre production entitled Teater Muzikal Gamat 2. The performance, which commenced on 12 March 2010, was held in the Auditorium of Malaysian Tourism Centre (MaTiC), Kuala Lumpur, for 11 consecutive days.
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Her mission was to present Arabic dance in an intelligent and sensitive way, staying true to the cultural aspects. Terezka aimed to present the dance form to the Arabic community in a way that hadn't been seen before, incorporating traditional group dances as well as cabaret and contemporary in full theatrical performance. Her shows included group dances presenting contemporary (Pharaonic) pieces, traditional Beledi, Saidi and Khaleegy and stunning soloists with an emphasis on Arabic interpretation, technique and spirit in movement and performance skills.
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In the time from 1945-1949 there were daily performances in the theatre, but afterwards the attendance dropped and Millowitsch had to rent out the theatre sometimes. Fortunately, the building doubled as a cinema, so he could still make money with it. The first live broadcast of a theatrical performance in front of a real audience on German television took place in this theatre. On October 27, 1953 Willy Millowitsch’s Kölsch dialect play Der Etappenhas was broadcast on the Western regional channel WDR.
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"'But Worth pretends': Discovering Jonsonian Masque in Lady Mary Wroth's Pamphilia to Amphilanthus". Early Modern Literary Studies 6.3 (January 2001): 4.1-17 The idea of theatricality influences the way this poem is interpreted. Because it is understood that Wroth is talking about her experience in a theatrical performance, the theme of the artificial aspect of the masque performance needs to be taken into account. To understand this sonnet, we must understand how Wroth felt about taking part in courtly masques.
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The New Olympia Theatre debuts with The Island of Doctor Moron"; "This is the wild and elaborate story of a maniacal scientist who tries to create the ultimate creature through mutating and blending the genes of humans and animals."; "Pushing the Boundaries – ‘We have put together a show that stretches all the modern boundaries of live theatrical performance and music.’";"Second bus load of Kempsey theatre lovers travelled to Sydney by coach on Sunday to musical production ‘The Island of Dr Moron’.
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Srimanta SankardevThe name is spelt variously as Sankardev, Sankardeva and Sankaradeva. Further discussion may be seen at relevant talk page. ([ˈʃrɪˌmʌntə ˈʃænkə(r)ˌdeɪv]; 1449–1568) was a 15th–16th century Assamese polymath: a saint-scholar, poet, playwright, social-religious reformer and a figure of importance in the cultural and religious history of Assam, India. He is widely credited with building on past cultural relics and devising new forms of music (Borgeet), theatrical performance (Ankia Naat, Bhaona), dance (Sattriya), literary language (Brajavali).
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"Real Space" is a component of immersive theater, and actual space is a part of the staged play. If the play is set in a castle, audiences would go to real castle and have people watch it there in order for them to get feeling of being immersed in the theatrical performance. Engaging the senses, such as blindfolding the audience, can heighten the sense of hearing sound. Movement can affect how audiences perceive plot—moving around the theater space immerses the kinesthetic sense.
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The greenhouses were replaced in 1911 and fire alarms were fitted throughout the asylum, the new piggery was also completed. The patients also performed in a concert, and theatrical performance was held in the winter of 1911. In 1912, the burgh of Falkirk petitioned for the SDLA to be included in their burgh, but again they were denied. The profits from the Asylum shop were used to purchase a large magic lantern and cinematograph; this allowed the patients to have frequent cinematograph displays.
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ICARUS/RISEICARUS/RISE (World premiere, Theatre Artaud, November 15–17, 2007) is a one-hour multimedia theatrical performance of 17 poems from Belonging: New Poetry by Iranians Around the World woven together to tell the 30-year story of the Iranian migration. Created and recited/performed by Niloufar Talebi, with dramaturgy by poet/translator Zack Rogow, music by Bobak Salehi, dance and video by Alex Ketley. The performances were edited into a professionally produced DVD available for On-Demand streaming on Vimeo.
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Intermède (also intermédie, intramède, entremets) is a French term for a musical or theatrical performance involving song and dance, also an 18th- century opera genre. The context in which the 'intermède' was performed has changed over time. During the 16th century they were court entertainments in which ballet was an important element. The intermède was sometimes given between the acts of spoken plays, especially in the 17th century when they were performed with the works of Pierre Corneille and Jean Racine.
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She has been interested in theatrical performance since elementary school, and after gaining experience in the theater club in the middle and high school era, she majored in the theater department. When receiving various theater companies, the voice actors set up a new office and participated in an invitation from a person who was the husband and teacher of Mari Shimizu, the participant of the launch performance. The president of the office and the elderly also invited her to be voice actors.
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As a result, architect Sir William Whitfield has pointed to Windsor Castle's architecture as having "a certain fictive quality", the Picturesque and Gothic design generating "a sense that a theatrical performance is being put on here", despite late 20th century efforts to expose more of the older structures to increase the sense of authenticity.Nicolson, p.78; Brindle and Kerr, p. 61. Although there has been some criticism, the castle's architecture and history lends it a "place amongst the greatest European palaces".
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Wuthering Heights is the sole opera written by Bernard Herrmann. He worked on it from 1943 to 1951. It is cast in a prologue, 4 acts, and an epilogue that repeats the music of the prologue. The opera was recorded in full by the composer in 1966, but it had to wait until April 2011, the centenary of the composer's birth, for a complete theatrical performance (there was an abridged stage production in 1982 and a concert version in 2010).
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A planned heating system was cancelled due to lack of funds. To help prevent fires, the employee's living quarters were moved to a new extension, built under the direction of architect Fernando Arbós y Tremanti. Most of the works added to the Prado during his tenure were later moved to the collection at the new Museo de Arte Moderno. He suffered a stroke while attending a theatrical performance, became an invalid, and died several months later in Madrid, aged 61.
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To mark WRD, the Representation organized a cultural evening which was opened by the First Lady of the Republic of Cyprus and addressed by the President of the Palestinian community in Cyprus who shared her refugee experience. Young refugees from the Democratic Republic of Congo and Palestinians ex Iraq shared their experience through photos and music. Cypriot students displayed a short theatrical performance which addressed asylum, migration and xenophobia. The event encouraged the interaction of refugees with the local community and vice versa.
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Boys and girls playing ball games (2nd century relief from the Louvre) In the plural, ludi almost always refers to the large-scale spectator games. The singular ludus, "play, game, sport, training," had a wide range of meanings such as "word play," "theatrical performance," "board game," "primary school," and even "gladiator training school" (as in Ludus Magnus, the largest such training camp at Rome).Oxford Latin Dictionary (Oxford: Clarendon Press, 1982, 1985 reprint), pp. 1048–1049Habinek (2005), pp. 5, 143.
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Henry Symes Lehr in drag for an amateur theatrical performance Henry Symes Lehr was born on March 28, 1869. He was the fourth child in a family of seven born to Mary Frances Moore Lehr (1834–1922), and Robert Oliver Lehr (1832–1890), a tobacco and snuff importer who became the German consul in Baltimore and a governor of the Maryland Club. His sister was Alice Lehr Morton (d. 1927) and his brother was Dr. Louis Lehr, who was a physician.
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The Garden Theater Block is a historic commercial block and theater at 353-367 Main Street in Greenfield, Massachusetts. The Colonial Revival block was completed in 1929, and is home to the city's largest theatrical performance venue. The theater is a unique example of an "atmospheric" garden theater, with artwork and mechanical systems designed to give its interior an outside appearance. The building was listed on the National Register of Historic Places in 1983, and included in the Main Street Historic District in 1988.
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Carmichael composed several hundred songs, including fifty that achieved hit-record status during his long career. In his early days as a songwriter in Indiana (1924–1929), Carmichael wrote and performed in the "hot" jazz improvisational style popular with jazz dance bands. While Carmichael was living in New York City (1929–1936), he wrote songs that were intended to stand alone, independent of any other production, such as a theatrical performance or a motion picture. His songs from this period continued to include jazz influences.
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It continued along the same storyline set in the first metal opera, and was Epidemia's first full- length featuring Ivan Izotov on bass. A theatrical performance of both parts of Elven Manuscript took place in the Luzhniki Sports Arena on December 3, 2007, and drew 5000 fans. After the 2007 release and show, Epidemia received many offers to play in different Russian cities and CIS countries (Ukraine, Latvia, Armenia). In April 2008, Epidemia held "The Unusual Concert", where all the musicians played on unusual acoustic instruments.
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Pollard Elementary School, May 2006 Plaistow is home to Timberlane Regional High School (grades 9-12) and Timberlane Regional Middle School (grades 6-8), which serve as middle and high school for the towns of Plaistow, Atkinson, Danville and Sandown. Plaistow is also home to Pollard Elementary School, which serves only Plaistow children from kindergarten to grade 5. Timberlane Regional High School has had noticeable success in music, theatrical performance, wrestling, and softball. The school offers access to vocational programs at Salem High School and Pinkerton Academy.
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Sidonie Nádherná became an important pen pal to Kraus and addressee of his books and poems."The Question of Karl Kraus" (from The Revolt of the Pendulum, 2009), Australian Literary Review, March 2007, via clivejames.com In 1911 Kraus was baptized as a Catholic, but in 1923, disillusioned by the Church's support for the war, he left the Catholic Church, claiming sarcastically that he was motivated "primarily by antisemitism", i.e. indignation at Max Reinhardt's use of the Kollegienkirche in Salzburg as the venue for a theatrical performance.
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Numbers of people holding shoulders creating an unbroken line while singing and chanting in unison, while the families whose houses being visited would give them copper coins or gifts. He also describes a class of artisans that draws various images on paper and give a theatrical performance. The narrator tells the story of legends, tales and romance drawn upon a screen of rolled paper. This kind of performance is identified as wayang bébér, an art of story- telling that has survived for many centuries in Java.
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Later that year, he photographed a visit by Thailand's King Chulalongkorn to Yogyakarta. As a token of gratitude, the king presented him with a case of three jeweled buttons. Groneman and Cephas worked together for the final time in 1899 to document the four-year commemoration of Hamengkunegara III's accession to the throne as Crown Prince of the Yogyakarta Sultanate. The event's preparation took one and a half years, and a theatrical performance lasting four days was attended by 23,000 to 36,000 spectators daily.
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The Black Crook was a hit musical in 1866. Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements.
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Well-liked and a capable businessman Levin's health had never been strong. He died suddenly at his home in Tinakori Road aged 48 on 15 September 1893 leaving his wife, Amy, daughter of James Edward Fitzgerald and four young children; two sons and two daughters. Learning of his death Parliament closed until the evening session after valedictory speeches. Flags were flown at half-mast by consulates (Levin represented the United States in New Zealand) and businesses and a special theatrical performance was indefinitely postponed.
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In a full-length version this transferred to Wyndham's Theatre, and premièred in New York with Julie Andrews in the starring role.History Of The Players' Theatre Club (Players Theatre, Victorian Music Hall) accessed 15 Oct 2007 The Players' Theatre closed in 2002. New End Theatre attempted to revive the venue as the New Players' Theatre, but in 2005 relinquished the lease to The Pure Group, owners of the neighbouring Heaven. They continue to operate the 275-seat refurbished theatre for theatrical performance and as a conference centre.
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The participants, Jews and Arabs, spend two months studying conflict resolution and then work together to produce an original theatrical performance that addresses the issues they have explored. Another program is Patriots of Acre, a community responsibility and youth tourism program that teaches children to become ambassadors for their city. In the summer, the centre runs an Arab-Jewish summer camp for 120 disadvantaged children aged 5–11. Some 1,000 children take part in the Acre Centre's youth club and youth programming every week.
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Theatrical performance of ENKI by Lorin Morgan-Richards based on the writings of Zecharia Sitchin.Since the release of his first book The 12th Planet in 1976, Sitchin has written seven other books as part of his Earth Chronicles series, as well as six other companion books. Sitchin's books have sold millions of copies worldwide and have been published in more than 25 languages. New York Times reporter Corey Kilgannon has noted that despite academic dismissal of his work, Sitchin has "a devoted following of readers".
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A series of Blue Man Group podcasts were also released through the iTunes Store to promote both the album and the show itself. A live version of "Rods and Cones" was released as a digital single two weeks before the release of the album, on July 11, 2006. A video of the live performance of "Rods and Cones" has also been released through the iTunes Store, which marked the first time that a Blue Man Group theatrical performance has been released to the public.
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Born in Paddington, Pearce trained as an actor at the Royal Academy of Dramatic Art, in London. As a young actor in the 1930s, he went on a performance tour in Germany. One theatrical performance was attended by senior members of the Nazi Party; at the end of the show, party officials came backstage to congratulate the cast, and Pearce shook hands with Adolf Hitler. Pearce later told his Only Fools and Horses co- star Nicholas Lyndhurst that he regretted not taking the opportunity to kill Hitler.
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The Linnean Society held a two-day celebration of Wallace's centenary in Bournemouth on 7 and 8 June 2013, together with the Society for the History of Natural History, Bournemouth University and Bournemouth Natural Sciences Society. The event included talks about Wallace, his thoughts on natural selection, his evolutionary insights, and his notebooks and letters. A theatrical performance, 'You Should Ask Wallace', was put on by Theatre na n'Og. On the second day the group visited Wallace's grave and went on a nature walk in Wallace's memory.
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In 2009, Wonderbra got a new manager, a radio producer named Rendy Yusuf Satria Sularto. Under Sularto's management, the band got a lot of gigs, including some international events such as Jakarta Blues Festival, Jakarta Rock Parade, and Java Rockinland. #fiksifriksi had a pre-launch in Coffee War Kemang in June 20th 2011, and was launched in Java Rockinland with their theatrical performance: Opera Setan (The Devil's Opera). According to most audiences, this was one of the most memorable performances in Java Rockinland 2011.
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In 1947, Ferrer won the Tony Award for his theatrical performance of Cyrano de Bergerac, and in 1952, he won the Distinguished Dramatic Actor Award for The Shrike, and also the Outstanding Director Award for directing the plays The Shrike, The Fourposter, and Stalag 17. Ferrer's contributions to American theatre were recognized in 1981, when he was inducted into the American Theater Hall of Fame. In 1985, he received the National Medal of Arts from Ronald Reagan, becoming the first actor to receive that honor.
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Professional wrestler Trey Miguel with the Alpha-1 Zero Gravity championship belt Professional wrestling is a form of entertainment which combines athletics and theatrical performance in a mimicry of combat sports. Many storylines center around the promotion's championships, which are represented by championship belts similar to those in boxing. The top title in a major promotion is usually designated a "world heavyweight championship". Other, lesser championships may carry regional names, be limited to a specific weight class, or be defended in other special circumstances, such as the traditional tag team match.
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The Actors' Equity Association (AEA), commonly referred to as Actors' Equity or simply Equity, is an American labor union representing the world of live theatrical performance, as opposed to film and television performance (which is represented by SAG-AFTRA). However, performers appearing on live stage productions without a book or through-storyline (vaudeville, cabarets, circuses) may be represented by the American Guild of Variety Artists (AGVA). As of 2010, Equity represented over 49,000 theatre artists and stage managers.Healy, Patrick: "Actors’ Equity Association Names Mary McColl New Executive Director".
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Specifically, the theatrical performance was a great success with audiences and had an undeniable renewal in 1920, first at the stage performance. Around the "Cartel" develops a creative effort to bring in staging the concerns and aspirations of the time. The change is also reflected in the choice of themes and atmosphere that emerges from the works presented. But parallel to this, the educated public is interested elites increasingly to authors and works that combine classical in the form and the opposition reality/dream at the theatrical atmosphere.
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In 1949, when the postwar theater euphoria died down, Millowitsch focused on his film and television career and in 1949 his first film (Search for Majora, directed by Hermann Pfeiffer) was released. Many more were to follow. He did not content himself just transferring from one medium to the other, but brought the theater with him. On 27 October 1953 the Kölsch dialect play Der Etappenhase was broadcast on the Western regional channel WDR, the first live broadcast of a theatrical performance with real audience in German television history.
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Sonoma Academy has 10 varsity athletic teams which compete in the NCS (North Coast Sectionals) League including soccer, baseball, basketball & tennis, as well as 4 junior varsity athletic teams. 57% of the student body participated in an organized sport during the 2015–16 school year. The Sonoma Academy baseball team made national news in the spring of 2016 when the team tossed a national record 6 consecutive no hitters. Students have the opportunity to participate in two main artistic performances each year: typically a musical in the fall and a theatrical performance in the spring.
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Vivarium Studio is a French theatrical performance company which was founded by Philippe Quesne in 2003 in Paris. Established with the purpose of innovation, the organization includes painters, actors, dancers, musicians and animals which have created and performed their own works in theaters and festivals in various parts of the world. Quesne writes and directs these plays, as part of the French avant-garde tradition. Sets, movements and dialogue tend to be simple and sparse, with subtle political and social messages, and a focus on the little things of life.
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During the Crimean War of 1853–1856, Dobroplodni briefly worked as a Greek-language teacher in the Austrian Empire, more specifically at the Sremski Karlovci high school. After he returned to the Bulgarian lands, he initiated the foundation of the cultural centre (chitalishte) in Shumen and the staging of the comedy play Mihal the Mouse-Eater in 1856. The staging of Mihal the Mouse-Eater was the first organized theatrical performance in Bulgaria. After the Liberation of Bulgaria in 1878, Dobroplodni was a state official and after 1881 a school inspector.
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Martin's Lie is a chamber opera in one act with music and an English language libretto by Gian Carlo Menotti. Commissioned by CBS, it was Menotti's third opera for television after Amahl and the Night Visitors and Labyrinth. Although not initially conceived as a work for the stage, the opera premiered in a live theatrical performance on 3 June 1964 at the Bristol Cathedral for the opening of the 17th annual Bath International Music Festival. The opera was subsequently filmed with the same cast for television under the direction of Kirk Browning.
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The layout of that building has been retained in the present Bourse de commerce. Le Camus developed a theory of architecture in which the character of a building should express its destination or the social status of its client. Unlike previous character theories in architecture, Le Camus's theory was based on an explicit analogy between architecture and theatre. His architectural mode of expression followed a temporal progression similar to the dramatic unfolding of a play, and gradations in ornamentation throughout the interior of a building resembled a succession of stage sets in a theatrical performance.
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The Temple of the Rose Cross, Teophilus Schweighardt Constantiens, 1618. In Highcliffe, Gardner came across a building describing itself as the "First Rosicrucian Theatre in England". Having an interest in Rosicrucianism, a prominent magico-religious tradition within Western esotericism, Gardner decided to attend one of the plays performed by the group; in August 1939, Gardner took his wife to a theatrical performance based on the life of Pythagoras. An amateur thespian, she hated the performance, thinking the quality of both actors and script terrible, and she refused to go again.
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In 1998, the company produced A Midsummer Night's Dream as the first live theatrical performance held at the newly dedicated Frank Sinatra Park in Hoboken, New Jersey. In 2005, company founder L. Robert Johnson was honored with the "Everyday Hero Award" by the newspaper The Jersey Journal. These awards and related feature article chronicle everyday citizens of Hudson County with outstanding contributions to their communities. In Mr. Johnson's case it was for his founding of Hudson Shakespeare Company and promotion of Shakespeare in Hudson County along with spearheading several educational programs mentoring novice acting students.
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Their spectacles pyriques, fireworks mounted on fixed and moving iron armatures, were set off between acts of the theatrical performance. Soon the displays became entertainments in their own right, carefully crafted presentations that referenced history and mythology. Royal Fire-workes and Illuminations in Whitehall and on the River Thames, for King George II of Great Britain, May 15, 1749 The Ruggieris were appointed artificiers du Roi to King Louis XV. The family thrived as fireworks pyrotechnicians under the patronage of royalty. Louis XV (1710–1774) patronized the elder Ruggieri brothers.
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Pitești is home to a County Theater; established in 1948, it was named in honor of playwright Alexandru Davila a decade later. Its branches include a puppet theater (created in 1949), the Estrada section for open-air performances (1958), and a folklore section (1970). Teatrul Alexandru Davila at the Argeș County Council ; retrieved July 17, 2007 The Theater's Studio 125 was established in May 1975 by director Liviu Ciulei. The first written record of a theatrical performance in the city dates to 1848, when Constantin Halepliu set up a troupe.
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Popular recurring events include public access to selected buildings similar to Doors Open Days; vintage transport, including visits to the historic Ballarat railway station by Steamrail Victoria locomotives (Y112), vintage bus rides, double decker buses, vintage car displays, horse and cart and use of Ballarat's preserved vintage tramway at the Ballarat Botanical Gardens; actors in period garb; architecture and history walking tours; and exhibits of private and public paraphernalia collections; theatrical performance; and trade displays for heritage organisations. The Ballarat Mining Exchange (1887−9) is regularly used as an exhibition space.
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To perform 'Naam-Prasanga'(communal prayer) and 'Bhaona'(theatrical performance) in Srimanta Sankardeva(Vaishnava guru) Tithi (observatory day) and Shree Shree Madavdeva (Vaishnava guru and disciple of Srimanta Sankardev)Tithi is a tradition in Bharali Naamghar. It is said that if a child is unable to walk in time people offer bamboo stick to the Naamghar ,if someone lost his cow people offer Diya(oil lamp),as a remedy of late marriage devotees visit with Diya and Sarai(raw fruits,Maah -Prasad as offering). Individuals can feel the existence of divine power in the Naamghar.
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However, despite this injury he carried on with the match and managed a two hands clean with 264 lbs. but failed to hold the jerk and had to withdraw from the competition. A rematch held at the Holborn Empire on the afternoon of 14 December 1910 was indecisive as the competition had to be abandoned to allow an evening theatrical performance to take place on the stage. Although Maxick stated that he had developed his very incredible physique and strength with the aid of muscle control, he was also an expert weightlifter.
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The idea of it being an expression of power can be traced to one of Louis XIII's regents, Cardinal Richelieu. Richelieu wanted to create an image of the king (and France) that displayed well roundedness in all thing, a society who dabbled not only in politics or court, but music and art and theatre. He envisioned a force to lead the way, culturally. Attending a theatrical performance was quickly becoming a sign of stature, and though few permanent theatre spaces were created at this time, theatre found itself performed anyway.
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The crucial moment of Marjanović's career was his performance on a 1958 concert in Niš. He appeared as an outsider, but thrilled the audience with his theatrical performance. This event brought him attention of the media and audience across Yugoslavia. He was gaining more fans across the country, but saw criticism by a part of the media, who criticized his lack of vocal skills and his "clownish behavior" with which he, as one of the papers wrote, "reminded of tasteless moves of some domestic singers in their pitiable imitation of the West".
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The first elides the difference between author and character, while the second ignores the historical specificity of the discourses and meanings attached to theatrical performance."[A]ll theatre is 'mimetic' to some degree--but what Shakespeare understood by the requirement (voiced through Hamlet) that the stage "Hold a mirror up to Nature" is very different from the aims of 19th-century naturalistic playwrights" (Innes 2000, 5). Joseph Roach offers a detailed critique of this ahistorical approach to acting theory in The Player's Passion (1985), especially, with reference to the early modern period, the first chapter.
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Hence they offered the leading kwagh-hir artist (Tor-Kwagh-hir) as the originator. Hagher concluded that no one person started the kwagh-hir in its present form. However, Gowon Ama Doki avers that contemporary kwagh-hir puppet theatre owes its birth to Adikpo Songu from Mbatyav clan in Gboko area of Benue State when he held an audience spellbound with his puppets and masquerades in 1960. Nevertheless, the nexus of kwagh-hir scholars, including Doki, is that like any other theatrical performance, kwagh-hir cannot be linked to a single individual as an originator.
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Before kwagh-hir, the Tiv had seen another theatrical performance known as Nyambuan which was prominent between 1934 and 1939. Nyambuan literally means the meat is gone bad. It was a slogan and movement targeted at demystifying the Mbatsav (evil people). The Nyambuan performance came with intense social, political implications and sought to re-establish order through cathartic performances aimed at abolishing the Tiv exchange marriages known as yamen-ishe (roughly translated as trading value) and restoring the cultural disruptions imposed on the Tiv people by the colonial structures.
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This list of pageants of The Church of Jesus Christ of Latter-day Saints delineates those annual outdoor theatrical performance produced by members of The Church of Jesus Christ of Latter-day Saints (LDS Church). It is reminiscent of early Christian Pageants which reenacted the world history in processional performance. Latter-day Saint pageants are held outdoors, they are free to the public, and typically last for a two-week period. In December 2018, the LDS Church announced that four pageants will phased out over the next several years.
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Dhanu Jatra or Dhanu Yatra is an annual drama-based open air theatrical performance celebrated in Bargarh, Odisha. Spread across a 8 km radius area around the Bargarh municipality, it is world's largest open air theater, one that finds a mention in the Guinness Book of World Records. It is based on mythological story of Krishna (locally known as Krushna), and his demon uncle Kansa. Originating in Bargarh, in the present day play, the enactments of the play are being performed in many other places in Western Odisha.
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The troupe always had ambitions to perform serious drama, and in 1839, the company performed Othello, breaking the law on theatrical performance, as they were not a patent theatre. Lane lost his licence and paid a substantial fine.The Making of the Britannia Theatre Alan D. Craxford and Reg Moore (extracts from Sam and Sallie at a family history website) accessed 21 December 2006 With the increase in London's population, and the increasing popularity of live entertainment, the law was finally changed with the Theatres Act 1843.The Theatres Act 1843 (6 & 7 Vict.
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78 Considered in terms of theatrical performance, it is seen as effective and dramatic in the scenes dealing with the rioting, it is warm and human when dealing with More's private life, and it is sympathetic and admiring as More sticks to his principles in the conclusion of the play. It is considered to be the best of the dramatic biographies that were written in Elizabethan times. Even with these qualities it would not have attracted as much interest if it were not for the association this play has with Shakespeare.
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In August 2010, the Frazier unveiled the Bloedner Monument, a limestone marker that is thought to be the nation's oldest surviving Civil War memorial. Acquired as a long-term loan from the National Cemetery Administration, the historic monument honors the soldiers of the U.S. 32nd Indiana Volunteer Regiment who died at the Battle of Rowlett's Station. In October 2010, the Frazier introduced a theatrical performance series based on the works of Gothic horror fiction writer Edgar Allan Poe. The series became An Evening With Poe, an annually recurring, week- long Halloween tradition.
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He also performed pantomime, frequently teaming with his wife, the actress Anna Karen. He also appeared in different roles with her on six occasions in the ITV sitcom On the Buses, as well as in the spin-off movie On the Buses (1971). He was also a stand-up comedian who was noted for his drunk sketches in which he portrayed an inebriated man, a concept earlier popularised by Freddie Frinton and Jimmy James. Besides practising theatrical performance from childhood, he learned acrobatics which led to film stuntman roles.
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The Monkey Bible novel is part of the overall Monkey Bible Project. Each book sold includes The Line, a musical album by singer/songwriter Eric Maring. After Laxer shared an early draft with Maring, Maring was inspired to write an accompanying acoustic rock musical. Laxer subsequently rewrote parts of the novel based on The Line'. The Monkey Bible Project includes a multimedia staged theatrical performance called The Monkey Bible Show, YouTube videos, and live virtual ecotours (vEcotourism) from around the world using a technology invented by the novel’s protagonist, the Teaching Evolution Project.
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In early life he was ambivalent about an acting career. Although he took part in amateur productions, and in the ninth grade applied to theatre school, he nevertheless chose to study law for a year at university, while continuing theatrical performance in his spare time. "In the play The Inspector, he rocked the entire city of Leningrad; he played Bobchinsky and it was after this role that he again seriously considered an acting career." That summer, the Moscow Art School toured in Leningrad and offered auditions at his school.
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Jessica Weaver from ESC Today also praised the singer's vocals and wrote: "The Humans have produced a rather theatrical performance [...], with plenty of interpretive dance included throughout the entire song. Perhaps a performance which wasn’t expected from Romania for this entry". Weaver further commented that The Humans' show "is set to make a statement" and predicted it would "catch the viewers' eyes due to its differing style". Lee Adams, writing for Wiwibloggs, applauded the performance's creative and artistic nature, and stated that it "cuts across borders and touches hearts".
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Ramakien played a great role in shaping these dramatic arts. During the Ayutthaya period, khon, or a dramatized version of Ramakien, was classified as lakhon nai or a theatrical performance reserved for aristocratic audiences. A French diplomat, Simon de La Loubère, witnessed and documented it in 1687, during a formal diplomatic mission sent by King Louis XIV. The Siamese drama and classical dance later spread throughout mainland Southeast Asia and influenced the development of art in most neighboring countries, including Burma's own version of Ramayana, Cambodia, and Laos.
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The opera programmes provided explanations, especially that the singers would wear costumes but would not be acting. Those who were members of Welsh nonconformist churches needed reassurance that this was not a theatrical performance, as acting and theatres were held in as much contempt as taverns. Parry was raised in the nonconformist Annibynwyr Chapel and adhered to the tenets of his faith for his entire life. The majority of participants in the first performance of Blodwen were music students of Parry; his two older sons were also part of the production, playing piano and harmonium.
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Vietnamese dragon on Emperor Khải Định's scroll in British Library collection. Vietnamese literature has centuries-deep history and the country has a rich tradition of folk literature based on the typical six–to- eight-verse poetic form called ca dao which usually focuses on village ancestors and heroes. Written literature has been found dating back to the 10th century Ngô dynasty, with notable ancient authors including: Nguyễn Trãi, Trần Hưng Đạo, Nguyễn Du and Nguyễn Đình Chiểu. Some literary genres play an important role in theatrical performance, such as hát nói in ca trù.
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The Fourth Dimension is Trinh T. Minh-ha's first digital video feature. It is an exploration of time through rituals of new technology, daily life and what is understood as conventional ritual, including festivals, religious rites, and theatrical performance. The film brings the viewers to a recognition that "in the end" "what is sensually brought on screen" is not "Japan, but the expansive reality of Japan as image and as time-light." Here, travel through Japan is through a camera, a travelogue of images, where a visual machine ritualizes the journey.
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Naka limited the game's flying mechanic to "invisible 2D tracks" because early beta testing revealed that the game was too difficult to play in full 3D. The standard Saturn gamepad was found to be insufficient to control Nights in flight, so the team developed the Saturn analog controller to be used with the game. It took about six months to develop, and the team went through many ideas for alternate controllers, including one shaped like a Nights doll. Iizuka said Nights was inspired by anime and Cirque du Soleil's Mystère theatrical performance.
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For the first section, inspired by the Rebel Heart album cover art and Joan of Arc, costume designer Arianne Phillips had created a series of costumes referencing liturgical fabrics and a contemporary exhibition of samurai armor at the Los Angeles County Museum of Art. As the theatrical performance of opening number "Iconic" concluded, Madonna was joined onstage by her female dancers wearing geisha-inspired costumes. They started performing the song while holding Japanese war fans. Minaj appeared on the backdrops rapping her verses, aided by "shuddering" bass sounds.
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The locations, being primarily photography tailored, were not fully sound proof and the film team had to work around external noise issues, ice cream vans in particular were a funny nuisance. To make such an intense production schedule possible, Humm reverted to projections and lights with few iconic, theatrical props, instead of extensive set-building. The team set up a massive projection screen at the rear of the film studio giving the movie a strong sense of a theatrical performance. Humm was inspired by the projections and light designs crafted by Robert Wilson.
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146 could have been intended as a theatrical performance. This hypothesis contradicts the concurrent opinion that the Roman de Fauvel is mainly an anthology. Modern performance projects, live and recorded, based on the BN 146 manuscript of the "Roman de Fauvel," involving text, music, and at times staging or semi-staging, have been created by the Studio der Fruehen Musik, the Clemencic Consort, and The Boston Camerata, among others. Camerata's version has toured extensively in the U.S. and Europe, and was last seen at the 2011 Boston Early Music Festival.
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In 1629, Velázquez received 100 ducats for the picture of Bacchus (The Triumph of Bacchus), also called Los Borrachos (The Drunks), a painting of a group of men in contemporary dress paying homage to a half-naked ivy-crowned young man seated on a wine barrel. Velázquez's first mythological painting,Carr et al. 2006, p. 32. it has been interpreted variously as a depiction of a theatrical performance, as a parody, or as a symbolic representation of peasants asking the god of wine to give them relief from their sorrows.
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Bromfeild was born in London in 1712, and, after some years' instruction under a surgeon, began at an early period to practise on his own account. In 1741 he began a course of lectures on anatomy and surgery which attracted a large attendance of pupils. Some years afterwards he formed with Martin Madan the plan of the London Lock Hospital for the treatment of venereal disease, to which he was appointed surgeon. For a theatrical performance in aid of its funds he altered an old comedy, the City Match, written in 1639 by Jaspar Maine, which in 1755 was acted at Drury Lane.
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A performance of Macbeth (2018) A play is a work of drama, usually consisting mostly of dialogue between characters and intended for theatrical performance rather than just reading. The writer of a play is a playwright. Plays are performed at a variety of levels, from London's West End and Broadway in New York City – which are the highest level of commercial theatre in the English- speaking world – to regional theatre, to community theatre, as well as university or school productions. There are rare dramatists, notably George Bernard Shaw, who have had little preference as to whether their plays were performed or read.
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Hansen and Rubin collaborated with the Elevator Repair Service and Rebecca Mead to create the theatrical performance Shuffle drawing from the texts of The Great Gatsby, The Sun Also Rises, and The Sound and the Fury, each used previously as a script for an ERS production. Shuffle debuted at the New York Public Library. As the Office for Creative Research, Thorp, Hansen and Rubin produced a second piece with the Elevator Repair Service through the Museum of Modern Art's Artist's Experiments Program. Using MoMA's collections database, A Sort of Joy (Thousands of Exhausted Things) was performed in the museum's second floor galleries.
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Originally known as The Hemel Hempstead Operatic and Dramatic Society, the Hemel Hempstead Theatre Company has operated since 1925. Over the years the company performed in a number of locations, including the Luxor Cinemas in the Marlowes and St. John’s Hall at 72 St. John's Road, which had been built in 1930 as extension of the nearby St. John’s Church. The first-ever theatrical performance at St. John’s Hall was given by the Theatre Company in April 1932. Hemel Hempstead Theatre Company purchased the St. John's Hall building in 1997 and renamed it the Boxmoor Playhouse.
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The history of Mak Yong, a dance and theatrical performance, which gained prominence in the royal court of Riau-Lingga, began in 1780, when two men from Mantang, Encik Awang Keladi and Encik Awang Durte went to Kelantan for their marriage. They returned south and settled in Pulau Tekong (now in Singapore) after their weddings, telling the locals about their experience witnessing the Mak Yong performance in Kelantan. Enthused by their tale, the people of Pulau Tekong went to Kelantan to learn about the theater performance. Ten years later, the first Mak Yong performance was staged in Riau-Lingga.
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The movie was an overwhelming failure at the box office and within a few years, the marriage also failed. Her career went into decline and despite a few appearances, Bettina (1964), Intimidades de una cualquiera (1974) and an appearance in the theatrical performance of "Hoy, ensayo, hoy" which she was invited to participate in by Rodolfo Graziano, her career did not revive. She even attempted a couple of soap operas, “Simplemente María” and “Estación Retiro”, but neither were memorable. Olmos began working at Channel 11 as an administrative employee in 1973 and continued for the next 15 years.
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It was after an impossible winter at Ste. Croix Island where many of the first French settlers in North America died of scurvy that the French fur trading colony relocated across the Baie Française (Bay of Fundy), settling the following year in a location they named Port- Royal. At the time it was believed that "land sickness" (now known as scurvy) was caused by idleness, so Champlain organized the Order to include not just food, but also entertainment. The first meeting, which took place on November 14, 1606, included a theatrical performance called "Le Theatre de Neptune en la Nouvelle-France".
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Educational programming at the ACCC focuses primarily on theatrical and musical education for children and youth ages 6–18. For its School Matinee program, the Arts Center collaborates with schools from Cannon County and surrounding counties with the goal of introducing students to "their first formal art experience". Accc provides teachers with educational materials that prepare students for a theatrical performance at the Arts Center, which is performed by a mix of student and volunteer actors. The Arts Center also hosts a Summer Youth Conservatory, with two Junior sessions (grades 1-6) and one Senior session (grades 7-12).
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The Meetings of Young Artists began in 2007. Its aim was to promote creative thinking, open interaction and involvement of young artists in innovative partnerships through a programme of workshops, lectures and artistic activities. The instructors are distinguished personalities in the field of theater and the performing arts from Greece and abroad. During the meetings, a number of young artists and artistic groups are given the opportunity to create and present in Delphi, an original work of short duration in the form of theatrical performance in progress, site specific, video art, music, dance theater, performance art, etc.
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Culshaw (1967), pp. 273–74 In these productions Culshaw put into practice his belief that a properly-made sound recording should create what he called "a theatre of the mind".Culshaw (1967), pp. 23–26 He disliked live recordings such as those attempted at Bayreuth; to him they were technically flawed and, crucially, were merely sound recordings of a theatrical performance. He sought to make recordings that compensated for the lack of the visual element by subtle production techniques, impossible in live recordings, that conjured up the action in the listener's head. Culshaw took unprecedented pains to meet Wagner's musical requirements.
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For big ticketed events such as Boogie in the Park (at which the band performed in 2005) or large venues like the Emirates, the band performs an original 2 hour theatrical production that consists of two, three, or four sets of Beatles classics, and involves two, three or four costume changes respectively. The band’s striking authenticity was noted following a theatrical performance in 2015: “Polished as their musical delivery was, it was far from sterile. Their on-stage chemistry was akin to that of the original foursome, with John and Paul bickering, John teasing George and everyone piling in on Ringo.” (emphasis added).
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Brooks was born in Manhattan and attended the High School of Music and Art, studying dance with Martha Graham. Following a knee injury, she turned to theatrical performance, studied singing with Margaret Harshaw and Daniel Ferro, and studied acting with Uta Hagen. In 1960, she was performing as a member of the chorus in the Broadway musical The Sound of Music and left to make her debut at the New York City Opera on October 12 as Marianne in Der Rosenkavalier. Brooks performed 29 roles with the New York City Opera in the 1960s and 1970s.
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Some street names in large cities can become metonyms, and stand for whole types of businesses or ways of life. "Fleet Street" in London still represents the British press, and "Wall Street" in New York City stands for American finance, though the former does not serve its respective industry any more. Also, if a theatrical performance makes it to "Broadway" it is supposed to be a very good show. "Broadway" represents the 41 professional theaters with 500 or more seats located in the Theater District and Lincoln Center along Broadway, in Midtown Manhattan, New York City.
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Nineteenth-century engraving of a performance from the Chester mystery play cycle. Medieval theatre encompasses theatrical performance in the period between the fall of the Western Roman Empire in the 5th century and the beginning of the Renaissance in approximately the 15th century. Medieval theatre covers all drama produced in Europe over that thousand-year period and refers to a variety of genres, including liturgical drama, mystery plays, morality plays, farces and masques. Beginning with Hrotsvitha of Gandersheim in the 10th century, Medieval drama was for the most part very religious and moral in its themes, staging and traditions.
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A street actor dressed in the typical clothes of Charlie Chaplin Liberace was well known for his extravagant stage clothes. Stage clothes is a term for any clothes used by performers on stage. The term is sometimes used only for those clothes which are specially made for the stage performance by a costume designer or picked out by a costume coordinator. Theatrical costumes can help actors portray characters' age, gender role, profession, social class, personality, and even information about the historical period/era, geographic location and time of day, as well as the season or weather of the theatrical performance.
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Shilparatna is a classical text on traditional South Indian representational- performing arts. It is particularly influential in painting and theatrical performance. It was authored by Srikumara in 16th century AD. In this the word Shilpa (sculptural) Ratna (Gems) is used as a broad term embodying artistic forms that either uses the body as a medium of expression (like Dance, Drama or Dance-Drama) or that which represents the body as an expression (like Sculptures and mural arts). It ranks only after the Natya Shastra and the Abhinaya Darpana as a text of fundamentals on the performing arts.
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A Gang Show is a theatrical performance by members of Scouts and Guides. The shows are produced with the dual aims of providing a learning opportunity for young people in the performing arts, as well as contributing to the artistic and cultural growth of their local community. Gang Shows will have members of all ages involved, however the on-stage performers are often limited to current Youth Members (those being aged under 25 in most cases). A large amount of other areas will have members of all ages, including backstage, technical, administration, management and other areas.
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In addition, he choreographed large crowd scenes that stunned audiences across Europe. He and his ensemble toured Europe extensively, and had a profound effect on theatre production across the continent. There is no doubt that Realism saw the development of the director as a separate entity, someone with an eye to oversee, someone responsible for the overall conception, interpretation, style and detail of the theatrical performance. The Meiningen Ensemble from its roots in the late 1830s under the directorships of Georg II and Ludwig Chronegk, proceeded to develop a theatre company bereft of theatre-managers and the star system.
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Mayako Kubo was born in Kobe, Japan, and studied piano at Osaka College of Music. In 1972 she continued her studies in composition with Roman Haubenstock-Ramati and Erich Urbanner in Vienna, where she composed her first pieces of tape music at the Institute of Electroacoustics and Experimental Music. In the 1980s she studied with Helmut Lachenmann in Hannover and Stuttgart and then musicology with Carl Dahlhaus in Berlin. In 1989 Kubo became interested in dramaturgy and theatrical performance, and in 1990 moved to Marina, Italy, but then returned to live and work in Berlin in 1994.
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Originally known as The Hemel Hempstead Operatic and Dramatic Society, the Hemel Hempstead Theatre Company has operated since 1925. Over the years the company performed in a number of locations, including the Luxor Cinemas in the Marlowes and St. John’s Hall at 72 St. John's Road, which had been built in 1930 as extension of the nearby St. John’s Church. The first-ever theatrical performance at St. John’s Hall was given by the Theatre Company in April 1932. Hemel Hempstead Theatre Company purchased the St. John's Hall building in 1997 and renamed it the Boxmoor Playhouse.
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Within a few years, the word "jubilee", originally used by the Fisk Jubilee Singers to set themselves apart from blackface minstrels and to emphasize the religious character of their music, became little more than a synonym for "plantation" material. Where the jubilee singers tried to "clean up" Southern black religion for white consumption, blackface performers exaggerated its more exotic aspects. African-American blackface productions also contained buffoonery and comedy, by way of self-parody. In the early days of African-American involvement in theatrical performance, black people could not perform without blackface makeup, regardless of how dark-skinned they were.
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Jean de Biencourt de Poutrincourt et de Saint-Just led a second expedition to Port- Royal in 1610. Port-Royal was the site of a number of North American firsts: the first resident surgeon; first continuing church services; first social club (named the "Order of Good Cheer"); creation of the first library; first French theatrical performance (titled Neptune); first apothecary; and first weekly Bible class.Harry Bruce, An Illustrated History of Nova Scotia, Nimbus Publishing. 1997.pp.38-34 The author of Neptune, Marc Lescarbot, wrote a popular history of his time in New France, entitled Histoire de la Nouvelle- France (1609).
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Solanas's role as a cult figure was solidified with the publication of the SCUM Manifesto and her shooting of Warhol. Harding explained that, by declaring herself independent from Warhol, after her arrest she "aligned herself with the historical avant-garde's rejection of the traditional structures of bourgeois theater," and that her anti-patriarchal "militant hostility ... pushed the avant-garde in radically new directions." Harding believed that Solanas' assassination attempt on Warhol was its own theatrical performance. At the shooting, she left on a table at the Factory a paper bag containing a gun, her address book, and a sanitary napkin.
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When he was a senior in high school, Lim joined the theater group called Kwangto, an acronym of Kwangdae Tokkaebi referring to traditional performers and hobgoblins in Korean, where he was first introduced to theatrical performance. Lim then played the role of the pastor in The Good Doctor by Neil Simon and won the prize of best performance in the Fourth Youth Theater Festival in 2000. He also directed the play, Pay Tuition Back, at the school festival. He continues to maintain a good friendship with fellow actor Shin Dong-wook, whom he met at the time.
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In Australia, Calisthenics (also known as Australian calisthenics) is a team- based competitive performing art taking elements of rhythmic gymnastics and ballet combined with a strong emphasis on theatricality (both musical and dramatic), costume, dance and musical interpretation. Since the 1950s Calisthenics has been an entirely female art form, however males have recently been re-introduced in the younger age groups. The art form was created entirely in Australia and can be easily differentiated from traditional calisthenics by its focus on competition and choreographed theatrical performance instead of simple synchronized exercise. The word itself comes from the Greek words for beauty and strength.
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He also became a member of the editorial board of the Harvard Advocate, the college literary magazine. In 1881 Kittredge was the prompter and pronunciation coach in a celebrated undergraduate theatrical performance of Sophocles's Oedipus Rex in the original Greek, attended by Ralph Waldo Emerson, Julia Ward Howe, William Dean Howells, Charles Eliot Norton, Henry Wadsworth Longfellow, and classicist B. L. Gildersleeve of Johns Hopkins UniversityFor more on Gildersleeve see Basil Lanneau Gildersleeve at A Princeton Companion Online among other luminaries.Hyder (1962), p. 23. In 1882, Kittredge was elected Ivy Orator (chosen to deliver a humorous speech) of his graduating class.
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A production team is the group of technical staff who produce a play, television show, recording, or film. Generally the term refers to all individuals responsible for the technical aspects of creating of a particular product, regardless of where in the process their expertise is required, or how long they are involved in the project. For example, in a theatrical performance, the production team includes not only the running crew, but also the theatrical producer, designers and theatre direction. A production company in filmmaking is composed of a film crew and a television crew in video production.
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Theatre criticism is a genre of arts criticism, and the act of writing or speaking about the performing arts such as a play or opera. Theatre criticism is distinct from drama criticism, as the latter is a division of literary criticism whereas the former is a critique of the theatrical performance. Dramas or plays as long as they stay in the print form remain a part of literature. They become a part of the performing arts as soon as the written words of the drama are transformed into performance on the stage or any arena suitable for viewers to see.
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Contemporary plays based on the Bhagavata were passed down generations orally until writers like Chevirala Bhagayya, Jilla Venkatadasu, Burugupally Venkatanarasayya Panthulu, Yadavadasu wrote some plays on new themes, made the script more sophisticated, adding some verses to meter thus making it a full-fledged theatrical performance. "Some of us are educated up to ‘Peddabalasiksha’ and can read the script and memorise it," Sammayya informs. Currently there are 800 Chindu Bhagavatam troupes , each troupe is made skilled performers , typically all male. Everyone is trained in the art of make up, singing and playing musical instruments like harmonium, cymbals and Dholak.
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Of the original performers only Ruggero Raimondi, Kenneth Riegel and Romuald Tesarowicz reprised their roles on screen, the rest of singers was replaced by non-singing actors. Zulawski chose to present the opera as a theatrical performance within the film. However, the director took this approach much further as the camera not only goes through the sets but also regularly exposes the film crew. Zulawski used only less than two hours of the three and a half recorded by Rostropovich, changed the sequence of some scenes and filled the picture with deliberate anachronistic references to the Soviet totalitarian regime.
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He is virtually destitute and making ends meet by carrying house-calls as a healer, with largely unsuccessful results. Finding his father's finances in chaos he decides to accompany him on his healing visits, and Harcombe's skill miraculously reappears. Timothy becomes briefly infatuated with Gloria, whom he encounters by chance, and whose callous, scheming attitude both repels and arouses him. He also discovers that his father had been pressurised into sending him to Wiltshire by the educational authorities, whose concerns about Timothy's unorthodox schooling were exacerbated when they discovered that his father had been using him as part of a theatrical performance.
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First- year Student's Day is celebrated annually on 1 September. The ECU have conducted a theatrical performance for the first-year students of all faculties since 1 September 1974. Although the content of the performance changed throughout its history starting from parting words of ‘Scholar Elders’ to the first-year students, Higher Education game and amusement arcades to a concert of all on-stage performance groups of National Research Nuclear University MEPhI the ECU have constantly taken part in that important event. The first-year Student Outdoor Convention is held annually on the 2–3 September weekend.
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During his studies he proved himself on the student stage and became the winner of the theater prize "Golden leaf 2009" in the nomination "Best male role" for the role of Chatsky in his theatrical performance Woe from Wit, directed by Viktor Ryzhakov. All the roles in the play were performed by the graduates of the acting course of Konstantin Raikin. In 2009, Nikita Yefremov, a graduate of the Moscow Art Theater School- Studio, was invited to several leading Moscow theaters. Of all the proposals, Nikita chose the Sovremennik Theatre, which was founded by his grandfather.
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Long cement retaining walls that cut through the hill/lawn were professionally hand-painted with the logos of every artist or group that had performed there. The walls were filled in and replaced by stairs and more lawn seating during the early 1980s, thus increasing the amphitheater's capacity to more than 15,000. The original sound system was novel in its day, a huge theatrical performance system designed for an outdoor theater with a custom console and large-array distributed speaker system. On November 29, 1990, Palace Sports and Entertainment purchased Pine Knob and spent $8 million on renovations.
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The seating arrangements of the theatre highlight the gender disparities in Roman society, as women were seated among the slaves. Sur notes that it wasn’t until Augustus that segregation in the theatre was enforced, to which women had to either sit at or near the back. Theatres were paid for by certain benefactors and were seen as targets for benefaction, mainly out of the need to maintain civil order and as a consequence of the citizens desire for theatrical performance. Theatres were constructed almost always through the interests of those who held the highest ranks and positions in the Roman Republic.
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By 1908 the school enrolment had risen to 450 pupils and the annual prize distribution night at the Collingwood Town Hall had become an annual event. Not only did this recognise those boys who had achieved high academic placings but it was also something of a spectacle encompassing gymnastics, singing, recitations and theatrical performance. A strong Australian Army Cadet unit operated sporadically for various years beginning around 1908 when it formed two Companies, A and B, of the 12th Victorian Battalion. A Cadet band operated during the 1960s and the Cadets themselves remained at the school well into the 1970s.
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Johanna Jachmann-Wagner, as Ortrud in the opera Lohengrin by Richard Wagner, c. 1860 Johanna Jachmann-Wagner or Johanna Wagner (13 October 1828 – 16 October 1894) was a mezzo-soprano singer, tragédienne in theatrical drama, and teacher of singing and theatrical performance who won great distinction in Europe during the third quarter of the 19th century. She was a niece of the composer Richard Wagner and was the original performer, and in some respects the inspiration, of the character of Elisabeth in Tannhäuser. She was also the original intended performer of Brünnhilde in Der Ring des Nibelungen, but in the event assumed other roles.
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Working at the campus radio of University of Alberta led Rennie to discover acting at age 25. He started his career on stage, performing at the A.B.O.P. Theatre in Edmonton in Amerika, a play adapted from Franz Kafka's novel and followed with the critically acclaimed American Buffalo during the Edmonton International Fringe Festival. After attending Bruhanski Theatre Studio in Vancouver, he had his first professional theatrical performance in 1989 in Sally Clark's Lost Souls and Missing Persons, a Touchstone Theatre production. This earned him an invitation to work at the Shaw Festival where he appeared in Man and Superman and in Pinero's Trelawny of the Wells (1990).
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Spinifex art began as what Philip Batty called "intercultural debris", reflecting their experience of the impact of the outside world. The genre of what the Pila Nguru call "government paintings" were visual documents created to furnish evidence of their land title, to be produced in court. A theatrical performance, Career Highlights of the Mamu, covering the tribal experience during the period of the atomic tests was performed by Roy Underwood and several other Spinifex people in Hamburg in 2002. In early 2005, the Spinifex people became famous for their solo and group artworks, due to the effect of a major art exhibition of their work in London.
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Raúl Juliá's performance as M. Bison, however, was met with widespread critical acclaim and garnered him a posthumous nomination for Best Supporting Actor at the Saturn Awards, while the film was nominated for the Saturn Award for Best Science Fiction Film. The film was also Julia's final theatrical performance, as he died of a stroke two months before the film's release; the film is dedicated to his memory. An intended reboot, Street Fighter: The Legend of Chun-Li, was released in 2009 to critical and commercial failure, while a much more positively-received British television series focusing on Ryu and Ken, Street Fighter: Assassin's Fist, was released in 2014.
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The song became a hit and launched Orbakaite as a pop star. In 1994, she released her debut album titled Vernost (Fidelity). Having met with success in film and music, Orbakaite tried her hand at theater, appearing in 1995 as Helen Keller in an adaptation of William Gibson's The Miracle Worker on the stage of the Moscow Art Theatre. She subsequently received an award from the Russian Ministry of Culture for best female theatrical performance. In 1996, Orbakaite joined her mother, Alla Pugacheva, her mother's husband, singer Philipp Kirkorov, and her partner, singer Vladimir Presnyakov on a family performance tour through the United States titled "Zvezdnoye Leto" (Starry Summer).
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Due to the large population of British soldiers, British tastes are introduced to Albany, and the first theatrical performance in the city occurred in the winter of 1757 by the British officers stationed there. General James Abercrombie's troops were stationed across the river from Albany in Greenbush, next to Fort Crailo. Dr. Shackburg of the British army composes "Yankee Doodle Dandy" as a mock of the various colonial militias that came to Albany. In 1758 General Lord George Augustus Howe was killed at the Battle of Ticonderoga and was subsequently buried in Albany, today under the front vestibule of Saint Peter's Church on State Street.
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His first known film part was in the movie version of Six Cylinder Love (1923) in which he played the same character he had on-stage. During one theatrical performance of Six-Cylinder Love in New York in 1921, Sipperly, who played a high-powered car salesman, accidentally drove an actual automobile off the stage and into the first row of seats. No one was injured, though screams erupted in the sold-out hall, and one woman "became hysterical" as people scrambled out of the way. The incident made The New York Times the following day, but apparently had no effect on Sipperly's career.
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The palace was picturised as a hotel in the 1983 James Bond film Octopussy, where Bond (played by Roger Moore) stayed as he began his quest to apprehend the antagonist Kamal Khan (Louis Jordan). A 1991 documentary film directed for television by Werner Herzog called Jag Mandir consists of footage of an elaborate theatrical performance for the Maharana Arvind Singh Mewar at the City Palace staged by André Heller. The palace was used for filming part of Goliyon Ki Raasleela Ram-Leela (English: A Play of Bullets: Ram-Leela) 2013 directed by Sanjay Leela Bhansali. On 15 August 2018, India Post issued a commemorative stamp depicting the Palace.
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Jury foreman James T. Hicks stated that they could not consider the charges of the Black Panthers in the apartment who stated that the police entered the apartment shooting; those who survived the raid were reported to have refused to testify during the inquest because they faced criminal charges of attempted murder and aggravated assault during the raid. Attorney's for the Clark and Hampton families did not introduce any witnesses during the proceedings, but described the inquest as "a well-rehearsed theatrical performance designed to vindicate the police officers". State's Attorney Edward Hanrahan said the verdict was recognition "of the truthfulness of our police officers' account of the events".
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However only fifteen men of birth are recognized as founding the Order. These would have been the only men present at the time of sufficient social standing with whom Champlain and the Baron de Poutrincourt would care to dine. The guests of the Order likely sat at other tables, probably getting equally good dinners as the rest, but without being recognized as official members of the Order. Likely everyone at the settlement took part in the staging of "Le Théâtre de Neptune en la Nouvelle-France," written by Lescarbot and performed at the first celebration Order, which was the first theatrical performance in North America.
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When the orators on the Rostra faced north towards the Curia to speak the Graecostatsis was aligned along a hemicircle believed to have been the outer footprint of the Comitium amphitheater removed when a moratorium against permanent theatre was placed on the city. It is believed this may have been from riots stirred up by political speeches on the Rostra or a political theatrical performance or show. While there have been excavations of the site, the exact location remains unclear. Several layers of rubble in the Comitium show constant changes within a small period of time, which raised the level of the space and, consequently the location of the platform.
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When Bernhardt was seven, her mother sent her to a boarding school for young ladies in the Paris suburb of Auteuil, paid with funds from her father's family. There, she acted in her first theatrical performance in the play Clothilde, where she held the role of the Queen of the Fairies, and performed her first of many dramatic death scenes. While she was in the boarding school, her mother rose to the top ranks of Parisian courtesans, consorting with politicians, bankers, generals, and writers. Her patrons and friends included Charles de Morny, Duke of Morny, the half-brother of Emperor Napoleon III and President of the French legislature.
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December 2008 saw Gould's debut in the 1960s girl group tribute theatrical performance of The Coverlettes Cover Christmas at the Aurora Theatre in Berkeley, CA. Several critics singled out Darby for her performances.Stark, Clinton - Theater review: A bee-hive rockin’ Christmas in BerkeleyWinn, Steven "Theatre Review - Coverlettes Cover Christmas" San Francisco Chronicle, December 18, 2009 October 2009 saw a reunion concert featuring all six members of World Entertainment War for the first time since 1992. In December 2010, Darby began contributing vocals to a continuing series of recordings under the group name, "Paul Kantner's Windowpane Collective". In 2013 she began appearing with Janis Joplin's Big Brother and the Holding Company.
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A production company, production house, production studio, or a production team is a business that provides the physical basis for works in the fields of performing arts, new media art, film, television, radio, comics, interactive arts, video games, websites, and video. Production teams consisting of technical staff to produce the media. Generally the term refers to all individuals responsible for the technical aspects of creating a particular product, regardless of where in the process their expertise is required, or how long they are involved in the project. For example, in a theatrical performance, the production team includes not only the running crew, but also the theatrical producer, designers and theatre direction.
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After her first recital season, she decided to emphasize the Native aspects of her public persona in her theatrical performance. Johnson created a two-part act that would confound the dichotomy of her European and Indigenous background. In act one, Johnson would come out as Tekahionwake, the Mohawk name of her great-grandfather, wearing a costume that served as a pastiche and assemblage of generic "Indian" objects that did not belong to one individual nation. However, the costume also had other objects she received from various sources including scalps she inherited from her grandfather hanging from her wampum belt, spiritual masks, and other paraphernalia from 1892 to 1895.
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In combination with other aspects, theatrical costumes can help actors portray characters' age, gender role, profession, social class, personality, and even information about the historical period/era, geographic location and time of day, as well as the season or weather of the theatrical performance. Often, stylized theatrical costumes can exaggerate some aspect of a character; for example Harlequin and Pantaloon in the traditional commedia dell'arte. Usually, in costume, historical accuracy is combined with a certain vision. The character that the costumer is dressing is also an important aspect, and a lot of the time the attitudes of the character is not exactly in line with the time period.
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The ballroom was added by Edis in 1884, to overcome the inconvenience of having only the saloon as the major room for entertaining. As this was also the main family living room, it had previously been necessary to remove the furniture when the saloon was required for dances and large entertainments. Alexandra recorded her delight at the result, "Our new ballroom is beautiful I think & a great success & avoids pulling the hall to pieces each time there is a ball or anything". At the time of Queen Victoria's visit in 1889, the room was used for a theatrical performance given by Sir Henry Irving and Ellen Terry.
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The Presentation of Self in Everyday Life was the first book to treat face-to-face interaction as a subject of sociological study. Goffman treats it as a kind of report in which he frames out the theatrical performance that applies to these interactions. He believes that when an individual comes in contact with other people, that individual will attempt to control or guide the impression that others might make of him by changing or fixing his or her setting, appearance, and manner. At the same time, the person the individual is interacting with is trying to form and obtain information about the individual.
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The National Theatre Mostar hosts an annual comedy festival called Mostarska Liska. The first festival was held in 1991 at the initiative of Ahmet Obradović, a former theatre director. The festival was then reestablished in 2004 at the initiative Šerif Aljić, former actor and theatre director. Mostarska Liska takes place between April and May each year. “Liska” is, in fact, a typical slapstick comedy character of the local tradition. At the end of the show, a jury awards two prizes: the “Great Liska” (locally called “Velika liska”) for the best theatrical performance, and the “Little Liska” (locally called “Mala Liska”) for the best actor.
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A signature feature in Parks' plays is her use of Joseph Roach's repetition with revision, or 'rep and rev'. This is a literary style in theatrical performance which forces historical moments to be remade in the present through repetition of dialogues and actions, while being slightly revised with each re-occurrence. In Venus, Parks replays historical events on stage as a response to the ways that black bodies have been historically subjected to abusive and unlawful power dynamics. Beyond the character's dialogues and actions, the entire Venus play is a performance of repetition and revision in the way it retells a story of Saartjie Baartman.
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Working as a nanny, in the late 1940s, Melo moved with the family of her employment to Mogi das Cruzes, where she managed a farmhouse/hotel until her employer died. Returning in 1954 or 1955 to Campinas, Melo opened a boarding house and left domestic work behind. She sold snacks at the Guarani and Ponte Preta football stadiums to supplement her income and redoubled her work in cultural and trade activism. Active in the Black Movement of Brazil, she participated in the Teatro Experimental do Negro (Black Experimental Theater) group, which aimed at providing confidence- boosting cultural activities through dance and theatrical performance to black youth.
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Setting designed by Bernardo Buontalenti for the third intermedio from the 1589 Medici wedding: Apollo defeats the monster terrorizing Delos. Another of the 1589 intermedi: number 4: the demons lament that with the coming of the Golden Age there will be no more souls to torment. The intermedio (also intromessa, introdutto, tramessa, tramezzo, intermezzo, intermedii), in the Italian Renaissance, was a theatrical performance or spectacle with music and often dance, which was performed between the acts of a play to celebrate special occasions in Italian courts. It was one of the important predecessors to opera, and an influence on other forms like the English court masque.
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During the early and mid-20th century, the original Film Censors Office heavily cut films and videos for rental release, or placed high age ratings on them. Figures released by the Film Censors Office state that 2,500 films received theatrical performance bans, and over 11,000 films were cut, between the 1920s and 1980s. Films previously banned in Ireland have included Scarface (1932), A Clockwork Orange (1971), and Monty Python's Life of Brian (1979). Since the release of Michael Collins in 1996, which was initially rated PG despite its depictions of strong violence, the censor's office has generally applied age ratings and has not requested cuts to films.
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Theatrical performance depicting the Mongol invasion of Java, performed by 150 students of Indonesian Institute of the Arts, Yogyakarta. The history of Majapahit continues to inspire contemporary artists. Celebrated as 'the golden era of the archipelago', the Majapahit empire has inspired many writers and artists (and continues to do so) to create their works based on this era or to describe and mention it. The impact of the Majapahit theme on popular culture can be seen in the following: # Sandyakalaning Majapahit (1933), or Twilight/Sunset in Majapahit is a historical romance that took place during the fall of Majapahit empire, written by Sanusi Pane.
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Boryla started ten games for the Eagles in 1976 before joining the Tampa Bay Buccaneers in 1977. After missing the year with a knee injury (which Buccaneers head coach John McKay called "the most devastating single blow we've had"), he played one more game in 1978 before ending his playing career. After retiring, he attended the Stetson University College of Law before becoming a lawyer and mortgage banker in Denver. In 2014, Boryla made his professional acting debut at Plays and Players Theatre in Philadelphia performing The Disappearing Quarterback, a one-man autobiographical theatrical performance that includes history, wit, and thinly veiled opinions regarding professional sports concussions.
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After 18 months of studying philosophy and politics at Leeds University during the 1980s, Mason- John studied post-graduate journalism, earned an MFA in creative writing and diploma in theatrical performance at Sussex University and The Desmond Jones School. By 2003, her interest in counseling and her ordination into the Western Buddhist Order led her into writing and performing, and on training herself and others in anger management and conflict resolution. In December 2007, Mason-John was named Honorary Doctor of Letters by The University of East London. Mason John continues to write, work as a self-awareness trainer; she performs and lectures internationally.
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Anna eagerly accepts courtship of the governor, and the wealthy landowner Artynov. At the end of the novella the young woman rides with a suitor in a carriage by her father's house, not realizing that furniture is being removed from the house. The second part of the anthology – "Death of a Government Clerk" – is an episode from the life of a county court bailiff Chervyakov (Ivan Moskvin), who, when sneezing during a theatrical performance sprays General Bryzgalov (Vladimir Ershov), who is sitting in front of him. He apologizes to the "victim" during the play and then in the intermission, Chervyakov is upset all night because of the embarrassment which has occurred.
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Invisible theatre is a form of theatrical performance that is enacted in a place where people would not normally expect to see one—for example in the street or in a shopping centre. The performers attempt to disguise the fact that it is a performance from those who observe and who may choose to participate in it, encouraging the spectators (or rather, unknowing spect-actors) to view it as a real event. The Brazilian theatre practitioner Augusto Boal & Panagiotis Assimakopoulos developed the form during Boal's time in Argentina in the 1970s as part of his Theatre of the Oppressed work, which focused on oppression and social issues.
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Tallinn Legend’s exhibitions contain both entertaining and educational value, as it takes visitors through 9 centuries of Estonian history in the form of theatrical performance. It recreates historical events and medieval legends associated with the city of Tallinn by making use of special lightning and sound effects, along with live performances by professional actors and mechanical dolls, video installations and storytelling. Show incorporates events such as the Black Plague, Execution of Johann von Uexkull and construction of St. Olaf’s Church. Visitors are escorted by the actors as they move from one room to another and are encouraged to participate in 40-minutes-long show.
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"Yamantaka // Sonic Titan: Somewhere between meditation and metal lies this artsy Canadian act.". Pitchfork, January 27, 2012. They present two distinct versions of their work, one conceptualized as a large scale theatrical performance art project and one recast as a touring rock band, and describe their style as "Noh-wave", a pun on Noh theatre and the No Wave style of experimental underground music. Their first theatrical work, a drag rock opera called 33, premiered at Toronto's Buddies in Bad Times theatre as part of the 2012 Rhubarb Festival, while their rock band show has appeared at several venues in 2012, including the All Tomorrow's Parties and NXNE festivals.
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Violent war performances were reenacted in Mesoamerica by elaborately plumed war dancers. The representation of maize was personified by human/plant hybrid models which were utilized for ritual purposes. Dramatic enactments of this nature are presumed to have been used for the purpose of sympathetic magic in order to win in battle in the former instance, as well as to resurrect the spirit of the vegetation each Spring in the latter. A theatrical performance was reconstructed in Guatemala in 1543 CE that incorporated music along with the Dance of Hunahpu and Xbalanque, the Maya Hero Twins, which portrayed their descent into and resurrection from Xibalba.
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Jack the Ripper appears inexplicably in a sterile futuristic metropolis, where anyone is free to do what they want however arcane or immoral. He is brought before Juliette, a girl who is named after the Marquis de Sade's Juliette. Upon killing Juliette (much to the delight of a City denizen who is her grandfather), Jack the Ripper is returned to the London of his own time, where he commits another of his infamous killings. He is surprised to discover that there are other mental presences or personalities coexisting within his own mind, commenting on the brutality of his acts as if they were spectators at a theatrical performance or aesthetes critiquing a work of art in a museum.
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Productions also become more technically advanced, with the use of film inserts on telecine and more ambitious shooting, cutting and mixing, as opposed to televising the equivalent of a standard theatrical performance with unmoving cameras.Cooke, p. 12.Jacobs, pp. 52-53 Outside broadcast cameras were used to show thirty Territorial Army troops with two howitzers in the Alexandra Palace grounds for added effect in The White Chateau (1938), and boats on the Palace lake in scenes depicting the Zeebrugge Raid in a World War I play. The Times credited the ambition of BBC television drama in its review of a July 1938 modern dress version of Julius Caesar, while also criticising some of the production's technical failings.
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This led to the audition in the third season of the "Objetivo Fama" in 2006 where she finished 5th. Her participation as one of the protagonists in the musical "Fame" in August 2006 at the Centro de Bellas Artes Luis A. Ferré in San Juan, the most prestigious stage of Puerto Rico under the leadership of Sonia Valentín and production of Alba Nydia Díaz, earned her critical acclamation both from the press and the public who attended for two consecutive weeks to witness this theatrical performance. Alba and Sonia was the impact of performance Jenilca in the music show that she has returned to offer the protagonist of another famous musical, "Grease".
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It continued also when the capital was moved to Belgrade in 1841. Vujić is the organizer of the first theatrical performance in Serbian, which took place in the Hungarian theatre "Rondella" in Budapest on 24 August 1813. From 1813, if not earlier, to 1839 he organised, with the help of secondary school pupils and adult amateurs, performances in the Serbian language in many towns of the Austrian Empire – Sent Andreja (1810–1813), Budapest (1813), Baja (1815), Szeged (1815), Novi Sad (1815, 1838), Pančevo (1824, 1833, 1835, 1837, 1839), Zemun (1824), Temesvar (1824), Arad (1832) and Karlovac (1833). He founded the Serbian Theatre in Kragujevac, the capital of the restored Serbian state, and became its first director (1834–1836).
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Dyson proposed a grouping small, inexpensive personal habitation pods set within a safe, secure, and self-sustaining living environment. Built of recycled and sustainable materials, the individual housing units were centered on a commons containing gardens for growing food, personal hygiene facilities, and an educational space for teaching crafts for self-reliance. One of the most dramatic yet economically constrained forms to come from Dyson through the DSJ Architects practice emerged in the Selma Arts Center (2012/2013) in Selma, California. An infill construction in place of a collapsed store within an existing commercial block, this commission for a theatrical performance space produced a dynamic, extroverted facade that attracted attention to the arts activities.
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Born in Poá, São Paulo, Giulio Lopes made his first exhibition as an actor in the 1982 theater O Apocalipse ou o Capeta de Caruaru, of Aldomar Conrado, with the group "Caentrenós", of amateur theater. Saiba mais sobre Giulio Lopes, Folha, July 7, 2006 From then forth, the young man, that was a tradesman and started the administration course, decided to change the route of the career and study theater. In 1986, he received a scholarship in the Institute of Science and Art, and, in the next year, he was approved in the School of Theatrical Performance of the University of São Paulo. Already in that epoch he participated in some publicist movies.
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In their textbooks for actors, both Stanislavski and Hagen adhere to a mode of theatrical performance that starts with the subjective experience of the actor, who takes action under the circumstances of the character, and trusts that a form will follow. They deem it more useful for the actor to focus exclusively on the fictional, subjective reality of the character (via the actor's "emotional memory" or "transferences" from his own life), without concerning himself with the external realities of the theatre. Both teachers were fully aware of the 'outside' to the dramatic fiction, but they believed that from the actor's perspective these considerations do not help the performance, and only lead to false, mechanical acting.Stanislavski, Constantin 1936.
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Footsteps of Fate was made into a play (drama in three acts) by Gerrit Jäger 'Kunstnieuws', in Algemeen Handelsblad, 1 October 1891 - retrieved 13 February 2013 and performed on stage at the Tivoli-Theater in Rotterdam in 1892. 'Het Toneel', in Het Nieuws van de Dag: kleine courant, 29 November 1892 - retrieved 17 February 2013 In 1893, it was performed at the Van Lier Theater in Rotterdam. The reviewer in "Het Nieuws van de Dag" was not amused by the play and wrote: it may be fashionable for moonstruck youngsters and abnormal young and old ladies; those who still have some common sense will be cured after they have seen this theatrical performance of "Footsteps of Fate".
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Invisible theatre is a form of theatrical performance that is enacted in a place where people would not normally expect to see one, for example in the street or in a shopping centre. Performers disguise the fact that it is a performance from those who observe and who may choose to participate in it, thus leading spectators to view it as a real, unstaged event. The Brazilian theater practitioner Augusto Boal and Panagiotis Assimakopoulos developed the form during their time in Argentina in the 1960s as part of Boal's Theatre of the Oppressed, which focused on oppression and social issues. Invisible theatre developed in the context of increasingly repressive dictatorship in Brazil and Argentina.
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Matters came to a head at Lady Heathcote's ball in early July 1813, when Byron publicly insulted Lady Caroline, who responded by breaking a wine glass and trying to slash her wrists. She did not seriously injure herself, due largely to the prompt intervention of her mother-in-law, and it is most unlikely that she had any suicidal intentions; but polite society was scandalised, and her mental stability was called into question. Byron himself referred to it as a theatrical performance: "Lady Caroline performed the dagger scene" (a reference to Macbeth). Lady Caroline's obsession with Byron would define much of her later life, as well as influencing both her and Byron's works.
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There are many different lion dances in Japan and the style of dancing and design of the lion may differ by region – it is believed that as many as 9,000 variations of the dance exist in the country. The lion dance is also used in religious Shinto festivals as part of a performing art form called '. ' may be found in different forms - for example the ' which is mainly acrobatic, the ', a type of theatrical performance done by yamabushi ascetics, and also in bangaku and others. Various forms of shishi dances are also found in noh, kabuki (where the lion dances form a group of plays termed shakkyōmono, examples include Renjishi), and bunraku theatres.
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His music hall pictures, like Degas' paintings of dancers and café-concert entertainers, connect the artificiality of art itself to the conventions of theatrical performance and painted backdrops. Sickert often professed his distaste for what he termed the "beastly" character of thickly textured paint. In an article he wrote for The Fortnightly Review in 1911, he described his reaction to the paintings of Van Gogh: "I execrate his treatment of the instrument I love, these strips of metallic paint that catch the light like so many dyed straws ... my teeth are set on edge". In response to Alfred Wolmark's work he declared that "thick oil-paint is the most undecorative matter in the world".
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The room was the venue for one of the College's most important functions, The Furnivall Supper, provided by College founder F.J. Furnivall. The supper, a Christmas meal for old people of the district round the College, lasted as an event until the 1980s. Up to the late–1980s, a September Teachers' Supper was held in The Common Room hosted by the Principal; there was a talk from a guest speaker followed by debate. The Maurice Hall, with its stage and theatrical lighting, was used for College and outside-user social functions: dances, recitals by the College orchestra, conferences, outside speakers, theatrical performance, lectures, general College meetings, and for a yearly Lowes Dickinson Award art Exhibition.
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Despite being written in 1918, Baal did not receive a theatrical performance until 1923, when it opened on 8 December at the Altes Theater in Leipzig (in a production directed by Alwin Kronacher in which Brecht participated for most rehearsals).Sacks (1994, xviii) Brecht wrote a revised version with Elisabeth Hauptmann in 1926 for a brief production at Max Reinhardt's Deutsches Theater in Berlin, where he had worked recently as a dramaturg. It opened on the 14 February for a single matinée performance. It was performed by the Junge Bühne and directed by Brecht and Oskar Homolka (who also played the title role), with set-design by Caspar Neher.Willett (1967, 22-23) and Sacks (1994, xviii).
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The Montgomery Playhouse is Maryland's second oldest continually-running community theatrical performance group.In one form or another, The Montgomery Playhouse, whether in the guise of The Montgomery Players or the Kensington/Garrett Players, have been performing regularly scheduled productions every year since 1929. Theater Hopkins, which is a semi- professional theater company associated with Johns Hopkins University, was established in 1921, but routed itself to becoming a semi-professional theater company in 1931. Formed in 1989 from a merger between through a joint effort of the Board of Directors of both The Kensington/Garret Players and The Montgomery Players, The Montgomery Playhouse, in some form, has been providing theater performances for 85 years.
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The String Quartet No. 1 (1985) was commissioned by the Arditti Quartet. Nyman had attended a performance of Ludwig van Beethoven's Grosse Fuge by the group, and found it the most theatrical performance on a string quartet he had ever witnessed, performed as though Beethoven had been trying to break through the limitations of the string quartet to create an orchestral sound. The quartet was originally intended to be a "compendium" of string quartet literature, but he decided that two pieces from different eras were enough of a contrast. It is built out of three distinct and diverse pre-existing music sources: John Bull's Walsingham Variations, Arnold Schoenberg's String Quartet No. 2, and Alex North's "Unchained Melody".
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The playing of the Bayreuth- scale orchestra was "sensitive to every nuance in Humperdinck's entrancing score, whose elaborate contrapuntal texture is presented with the utmost lucidity". John Pritchard's conducting was the only element of the album that was open to serious criticism. His reading was one of "meticulousness and lyricism", but his preference for a "relaxed, leisurely pace" meant that his album was not as exciting as Karajan's or, especially, Solti's. CBS's engineering was almost perfect, with voices and instruments ideally balanced and the illusion of a theatrical performance convincingly maintained - such technical challenges as a cuckoo, echo effects, spilling milk and the father's approach to his home were all negotiated satisfactorily.
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Amina Rizk came from a poor rural area. She and her aunt, Amina Mohamed, moved to Cairo with their mothers; the pair were locked in the house after their first theatrical performance. She was popular for her roles as the kind-hearted mother in plays and films, appearing in major pictures such as Doa al karawan in 1959 in which she appeared alongside actors such as Faten Hamama and Ahmed Mazhar, and Bidaya wa nihaya, in which she played the role of the Mother to Omar Sharif, Farid Shawqi and Sanaa Gamil. She also starred in many TV Series between the 1980s until her death before which she was filming a TV series for the holy month of Ramadan.
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At the event, the release of the song "Khukki Siangthai" as the group's second single was announced. The music video for the song was premiered at the concert BNK48 Mini Live and Handshake, held at J.J Mall in Bangkok on 18 November 2017. On 24 December 2017, the first team of the group, Team BIII, was announced at a fan convention called BNK48 We Wish You, held at Siam Square One in Bangkok. At the same event, it was also revealed that the group's first theatrical performance would be held in April 2018, the group's second generation audition would be commenced as from 25 December 2017, and the song "Shonichi" will be the group's third single.
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In 2003, she played in front of Pope John Paul II on the occasion of the XVIII World Youth Day. Some pieces played by Chailly were used in the soundtracks of the films Non ho sonno (2000) by Dario Argento and Mai più come prima by Giacomo Campiotti, and in several theatrical performance, as Felicità di una stella by Dario Moretti. On March 12, 2000 Chailly took part in the concert Faber, amico fragile, held in memory of Fabrizio De André at Teatro Carlo Felice in Genova, playing Inverno (from the album Tutti morimmo a stento), which also marked her debut as a singer. In October 2001 she produced the album AMA (Sony Columbia), for which she wrote music, lyrics and arrangements.
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The type of theatre that uses 'presentational acting' in the first sense (of the actor-audience relationship) is often associated with a performer using 'representational acting' in the second sense (of their methodology). Conversely, the type of theatre that uses 'representational acting' in the first sense is often associated with a performer using 'presentational acting' in the second sense. While usual, these chiastic correspondences do not match up in all cases of theatrical performance. Stanislavski's choice of the phrase 'art of representation' to describe an artistic approach that diverges from his own has led to some confusion, given that the theatre that is often associated with his own 'experiencing the role' approach (realistic, not acknowledging the audience) is 'representational' in the wider critical sense.
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Ajoka Theatre has not only performed in Pakistan, but has also in the South Asian region, in countries like India, Bangladesh, Nepal and Sri Lanka, as well as in Europe and United States of America.Prince Claus Fund, profile The group focuses on promotion of a just, humane, secular and equal society, alongside the subject of women's rights in a society that is greatly dominated by men. The group's first ever theatrical performance was Jaloos (Procession) written by veteran Indian playwright Badal Sarkar.Khan, Sher (14 May 2014) 30 years of Ajoka, The Express Tribune The style of Ajoka's performances can be characterised as an elaboration on the oral tradition of Bhand and Nautanki that found a flourishing base in the area that currently overlaps the province of Punjab.
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Audio description, also referred to as a video description, described video, or more precisely called a visual description, is a form of narration used to provide information surrounding key visual elements in a media work (such as a film or television program, or theatrical performance) for the benefit of blind and visually impaired consumers. These narrations are typically placed during natural pauses in the audio, and sometimes during dialogue if deemed necessary. In museums or visual art exhibitions, audio described tours (or universally designed tours that include description or the augmentation of existing recorded programs on audio- or videotape), are used to provide access to visitors who are blind or have low vision. Docents or tour guides can be trained to employ audio description in their presentations.
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The jury qualified their verdict on the death of Hampton as "based solely and exclusively on the evidence presented to this inquisition"; police and expert witnesses provided the only testimony during the inquest. Jury foreman James T. Hicks stated that they could not consider the charges made by surviving Black Panthers who had been in the apartment; they had told reporters that the police entered the apartment shooting. The survivors were reported to have refused to testify during the inquest because they faced criminal charges of attempted murder and aggravated assault during the raid. Attorneys for the Hampton and Clark families did not introduce any witnesses during the proceedings, but described the inquest as "a well-rehearsed theatrical performance designed to vindicate the police officers".
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This new reconstruction was designed to stand against forces using cannon - one of the first fortresses in Italy to do so. Inside the fortifications of the Cittadella Nuova, there is an extensive garden created at the beginning of the nineteenth century by architect Giovanni Caluri for the Livornese shipping- magnate, Domenico Scotto. The Scotto brother had acquired the fortress in 1798 when grand-duke Leopold I of Tuscany put it up for sale and quickly began work on the construction of a palace with a vast green space. Legend has it that the enormous plane tree which rises in the middle of the garden, was planted during a theatrical performance by Carlo Goldoni, but in reality he died before the Scotto family acquired the garden.
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Her first theatrical performance post-Takarazuka was the titular role of Red, in Red and Bear, an original musical which ran from January 24, 2020, to February 2, 2020 at the Sunshine Theatre in Ikebukuro, Tokyo, Japan. In addition to her voiceover, theatrical, and musical work, Nanami currently hosts a weekly radio show on Tokyo FM, and a television program on the Takarazuka Revue’s television channel, Takarazuka Skystage. Her radio show, 七つの海への大航海, (‘nanatsu no umi e no dai koukai’, A Voyage to the Seven Seas), is broadcast weekly in Japan. Her television program, ときめきタカラヅカSTYLE (‘Tokimeki Takarazuka Style’), originally slated for a limited eight-episode run, extended to twelve episodes and ended in September 2020.
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There are questions or uncertainties as to how the Chu Ci came to be collected into its present form; however, at least some outlines of this historical process have been presented in scholarly literature. Another important aspect of Chu Ci studies is the editorial history. One regard is the order in which the various titles appear. There are also reasons to believe that some of the sections (juan) were subject to editing for various reasons, including to suit the verses to theatrical performance and due to the nature of the textual process of ancient China, involving writing lines of text on individual bamboo strips which were bound together, but when the bindings broke were subject to editorial decisions as to what their original order was.
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Hamlet Q1 (1603), the first published text of Hamlet, is often described as a "bad quarto". A bad quarto, in Shakespearean scholarship, is a quarto-sized printed edition of one of Shakespeare's plays that is considered to be unauthorised, and is theorised to have been pirated from a theatrical performance without permission by someone in the audience writing it down as it was spoken or, alternatively, written down later from memory by an actor or group of actors in the cast – the latter process has been termed "memorial reconstruction". Since the quarto derives from a performance, hence lacks a direct link to the author's original manuscript, the text would be expected to be "bad", i.e. to contain corruptions, abridgements and paraphrasings.
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In these contexts, accuracy and faithfulness to the original are highly prized.see Dudley (2008) and Thomas (1992) While many American and British audiences demand to hear Harry Belafonte songs on pan, these are generally inauthentic to the Trinidadian tradition. For many years now there have been attempts to use the steelpan in various contexts other than those with which it is stereotypically associated. The first known use of steelband in a theatrical performance (outside of Trinidad and Tobago) was in Harold Arlen's 1954 Broadway musical House of Flowers, in which Enid Mosier's Trinidad Steel Band performed in several songs. British composer Daphne Oram was the first composer to electronically manipulate the sound of the steelpan after recording a band (probably Russell Henderson's Steelband) in 1960.
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A workshop production is a form of theatrical performance, in which a play or musical is staged in a modest form which does not include some aspects of a full production. For example, costumes, sets and musical accompaniment may be excluded, or may be included in a simpler form. One common purpose of a workshop production is to provide a preview staging of a new work in order to gauge audience and critical reaction, following which some parts of the work may be adjusted or rewritten before the work's official premiere. Because a workshop production generally pays less for the rights to perform the play, workshop productions also provide an opportunity for smaller theatres to generate increased publicity by staging a popular or highly anticipated work for which a full production might be too costly.
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The plot revolves around a family of theatre actors, directors, and playwrights spending their last summer together at their matriarch's (Viveca Lindfors as Helena Mora) home in the Hamptons. The summer house, named Proskurov (after Jaglom's father), is being sold as the family can no longer afford to keep it. Proskurov has been the site of an intimate outdoor theatrical performance for many summers, and the family (and Helena's interns) are preparing the final details of the show when successful Hollywood actress Oona Hart (Victoria Foyt) arrives. The film explores the dark underbelly of the family (with metaphorical help from Anton Chekhov, Aeschylus, and Tennessee Williams) as Oona attempts to attach herself to them and their theatrical endeavors as she seeks to leave Hollywood and embark on a stage career.
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Shusterman also advocates a definition of art as dramatization, which supplements the definition he has inherited from Dewey not only by illuminating art's nature from a slightly different angle, but also by serving a different, yet equally important purpose – the reconciliation of two prominent and, at the same time, conflicted aesthetic accounts of art: historicism and naturalism. Since the notion of dramatization involves, and harmonizes two important moments: of putting something into a formalized frame (e.g. "the frame of a theatrical performance"R.Shusterman, "Art as Dramatization," in Surface and Depth.) and of intense experiential content that is framed, it presents itself as a potential synthesizing formula for historicism and naturalism which, Shusterman argues, can be reduced to emphasizing the formal institutional frame of art (historicism) or experiential intensity that characterizes art as such (naturalism).
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The cast's ability to comment on climate change through comedy was praised highly by critics and director Lee Lewis, who particularly enjoys the comedic duo Rebecca Massey and Sheridan Harbridge portray on stage. Both Sheridan Harbridge and Emily Havea have made a reappearance on the Griffin Theatre stage since 2018, Harbridge starring in the Griffin Theatre's 2019 run of Suzie Miller's 'Prima Facie' and Havea appearing in Griffin Theatre's 2019 Batch Festival. David Finnigan also returned to Griffin Theatre for the 2019 Batch Festival, premiering his new show, 'You're Safe Till 2024' which also explores the necessity to combat climate change. The premiere was performed in the SBW Stables Theatre located in Kings Cross is an intimate theatrical performance space known for its unique kite-shaped stage, limited to a small 105-person seating space.
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Manto's Hatak (Insult) directed by Azeem Hamid at Alhamra Arts Council, Lahore, in 2012 The company was founded in 2012 by Azeem Hamid and Danyaal Syed and now operates all across theatres in Lahore: Alhamra Arts Council and Ali Auditorium (for classical Urdu & Broadway plays and musicals) and different educational institutes (for theatre workshops & short plays). Their first theatrical production Hatak (literal meaning: Insult), featured fashion model and actress Zara Peerzada in the lead role, was based on the short-story of famous Urdu writer Saadat Hassan Manto, staged in November 2012 at Alhamra Arts Council and received positive reviews from critics. This was followed by the group collaborating with Beaconhouse School Liberty for a theatrical performance Dareecha, based loosely on the writings of the play Qurtaba Ka Qazi written by Imtiaz Ali Taj.
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In every theatrical performance the manner in which each individual actor treats the audience establishes, sustains or varies a particular kind of actor-audience relationship between them. In some plays all of the actors may adopt the same attitude towards the audience (for example, the entire cast of a production of a Chekhovian drama will usually ignore the audience until the curtain call); in other plays the performers create a range of different relationships towards the audience (for example, most Shakespearean dramas have certain characters who frequently adopt a downstage 'platea' playing position that is in direct contact with the audience, while other characters behave as if unaware of the audience's presence).Weimann, Robert. 1978. Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and Function.
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Its symbols, references to contemporary issues, and personification of nature has inspired critics to compare "On the Pulse of Morning" with Frost's inaugural poem and with Clinton's inaugural address. It has been called Angelou's "autobiographical poem", and has received mixed reviews. The popular press praised Clinton's choice of Angelou as inaugural poet, and her "representiveness" of the American people and its president. Critic Mary Jane Lupton said that "Angelou's ultimate greatness will be attributed" to the poem, and that Angelou's "theatrical" performance of it, using skills she learned as an actor and speaker, marked a return to the African-American oral tradition of speakers such as Frederick Douglass, Martin Luther King, Jr. and Malcolm X. Poetry critics, despite praising Angelou's recitation and performance, gave mostly negative reviews of the poem.
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Although Potter only produced one play exclusively for theatrical performance (Sufficient Carbohydrate, 1983 – later filmed for television as Visitors in 1987), he adapted several of his television works for the stage. Vote, Vote, Vote for Nigel Barton, which featured material from its sister-play Stand Up, Nigel Barton, was premiered in 1966, while Only Make Believe (1973), which incorporated scenes from Angels Are So Few (1970), made the transition to the stage in 1974. Son of Man appeared in 1969 with Frank Finlay in the title role (Finlay would also play Casanova in Potter's 1971 serial) and was restaged by Northern Stage in 2006.Mark Fisher "Son of Man", Variety, 24 September 2006 Brimstone and Treacle was adapted for the stage in 1977 after the BBC refused to screen the original television version.
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Lambert is best known for his theatrical performance style and meticulous attention to detail in all aspects of his personal presentation. He draws upon extensive stage experience in the ease with which he can refine and define his image through fashion and other imagery, which are essential to how he chooses to inhabit his songs, rivet his audiences and showcase his individuality. While a contestant on American Idol, Lambert's precise yet varied stagings of himself kept audiences and judges glued as much to his presentation as to his vocal talent. His signature flamboyance and glam rock styling was a break-out moment in men's fashion, duly noted by fashion publications and taste-makers, who compared him to Lady Gaga in terms of crossing style boundaries and being unabashedly individual.
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This festival is dedicated to the Our Lady of Help (Virgen del Socorro), which is on the island a derivation of the invocation of the Virgin of Candelaria. This is because recounts the legend that when the mencey (Guanche king) tried to pick up the image of the Virgin of Candelaria after its discovery, the size experienced a great weight and had to ask for help or assistance to transport it to its cave-palace. The romeria is a huge procession in which he moved to the Virgin of Help from the Church of Saint Peter of Güímar to the coast in the place where the original image of the Virgin of Candelaria was found. On the coast a theatrical performance of the discovery of the image is performed.
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The 1994 movie Stargate, directed by Roland Emmerich, and the 2009 video game The Conduit drew some conceptual inspiration from Sitchin's ideas,Roland Emmerich and Dean Devlin, 2003, Stargate, Ultimate Edition, MGM DVD while screenwriter Roberto Orci says the villains of the film Cowboys & Aliens were inspired by Sitchin's conceptualization of the Anunnaki as gold-mining aliens. In 2000, Lorin Morgan-Richards' theatrical performance of ENKI, based on the writings of Zecharia Sitchin, premiered in Cleveland, Ohio under the choreography of Michael Medcalf. In 2016, Kazem Finjan, the Iraqi Minister of Transport, claimed at a press conference that Sumerians had built and used an airport in the Dhi Qar Governorate to launch spaceships 5000 years ago. He cited the work of Sitchin and others to support his assertion.
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Even though the play is now considered one of his finest works, Taha Hussein, a prominent Arab writer and one of the leading intellectuals of the then Egypt criticized some of its aspects, mainly that it was not suitable for a theatrical performance. Later, the two writers wrote together a novel called The Enchanted Castle (Al-Qasr al-Mashur, 1936) in which both authors revisited some of the themes from al- Hakim's play. When the National Theatre Troupe was formed in Egypt in 1935, the first production that it mounted was The People of the Cave. The performances were not a success; for one thing, audiences seemed unimpressed by a performance in which the action on stage was so limited in comparison with the more popular types of drama.
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Other cities along the Gulf Coast with early French colonial heritage, from Pensacola, Florida; Galveston, Texas; to Lake Charles and Lafayette, Louisiana; and north to Natchez, Mississippi and Alexandria, Louisiana, have active Mardi Gras celebrations. Galveston's first recorded Mardi Gras celebration, in 1867, included a masked ball at Turner Hall (Sealy at 21st St.) and a theatrical performance from Shakespeare's "King Henry IV" featuring Alvan Reed (a justice of the peace weighing in at 350 pounds!) as Falstaff. The first year that Mardi Gras was celebrated on a grand scale in Galveston was 1871 with the emergence of two rival Mardi Gras societies, or "Krewes" called the Knights of Momus (known only by the initials "K.O.M.") and the Knights of Myth, both of which devised night parades, masked balls, exquisite costumes and elaborate invitations.
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These are the basic terms that the client uses to make sense of the elements, and are always expressed as a contrast. Thus the meaning of "good" depends on whether you intend to say "good versus poor", as if you were construing a theatrical performance, or "good versus evil", as if you were construing the moral or ontological status of some more fundamental experience. # A set of ratings of elements on constructs. Each element is positioned between the two extremes of the construct using a 5- or 7-point rating scale system; this is done repeatedly for all the constructs that apply; and thus its meaning to the client is modeled, and statistical analysis varying from simple counting, to more complex multivariate analysis of meaning, is made possible.
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Ashford's first theatrical performance was as Sonya Rostova in the 2012 Ars Nova production of Dave Malloy's Natasha, Pierre & The Great Comet of 1812. Ashford continued to perform with the show in all future incarnations of it, including productions at Kazino, the American Repertory Theater, and at the Imperial Theatre, the latter of which marked her Broadway debut in 2016. Of her role, Ashford says, "I sympathize with Sonya, and I really love that she’s there as this best friend presence that could be nothing, but she also gets this really tender, intimate, important moment in the show to talk about that friendship, which I think is just so nice and kind of refreshing." Ashford received praise for her performance as Sonya, and was nominated for multiple awards over the course of the shows multiple runs.
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Spoken word albums have been made since the early days of recording; examples include the popular Ronald Colman 1941 version of Charles Dickens' A Christmas Carol on American Decca Records. However, a true milestone was reached when Columbia Masterworks, which had previously released an album of excerpts from Shakespeare's Richard II with Maurice Evans, made a complete recording of Margaret Webster's famed (and never filmed) 1943 Broadway production of Othello, starring Paul Robeson, José Ferrer, and Uta Hagen, on an 18-record 78-RPM set running a total of two hours and eight minutes. It was later transferred to LP. It was the longest spoken word album made up to that time. The album gave millions of listeners who otherwise were unable to attend a theatrical performance a chance to hear Robeson as Othello and Ferrer as Iago.
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In addition to the Terni Film Festival, the People and Religions Project oversees a series of ‘cineforum’ in schools, a prison and at the CityPlex Politeama cinema in Terni, and at the Cenacolo San Marco for immigrant community. On the occasion of celebration of Saint Valentine's Day, patron of Terni and lovers, special events are organized periodically: in 2008 - the premiere of the film Lezioni di cioccolato by Claudio Cupellin; in 2009 – a meeting with Alessandro D’Alatri and screening of Casomai; in 2011 – the theatrical performance Scene da un matrimonio by Ingmar Bergman starring Daniele Pecci and Federica Di Martino and directed by D’Alatri; also in 2016 – screening of Figli di Maam by Paolo Consorti and of the documentary San Valentino a Bussolengo produced by Istess, along with the showing of the short film Valentino con ghiaccio by Paolo Consorti in 2017.
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According to the historian Susan Crane, the monk describes the event as a wild charivari with the audience participating in the dance, whereas Froissart's description suggests a theatrical performance without audience participation.Crane (2002), 155–159 Miniature titled "Fire at a masked dance" from Froissart's Chronicles, by the Master of the Getty Froissart (c. 1483, Bruges) Froissart wrote about the event in Book IV of his Chronicles (covering the years 1389 to 1400), an account described by scholar Katerina Nara as full of "a sense of pessimism", as Froissart "did not approve of all he recorded".qtd. in Nara (2002), 230 Froissart blamed Orléans for the tragedy,Nara (2002), 237 and the monk blamed the instigator, de Guisay, whose reputation for treating low-born servants like animals earned him such universal hatred that "the Nobles rejoiced at his agonizing death".
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According to local legend, the KiMo Theatre is haunted by the ghost of Bobby Darnall, a six-year-old boy killed in 1951 when a water heater in the theater's lobby exploded. The tale alleges that a theatrical performance of A Christmas Carol in 1974 was disrupted by the ghost, who was supposedly angry that the staff was ordered to remove donuts they had hung on backstage pipes to appease him. While investigating the legend, writer Benjamin Radford determined that the performance of A Christmas Carol in question actually occurred in 1986, not 1974, and two people he spoke with who were involved in the production did not remember anything unusual. According to Radford, "All the evidence points to one inescapable conclusion: The ruined play—the very genesis of the KiMo ghost story—simply did not occur; it is but folklore and fiction".
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The old building of the National Theatre, 1846 The first dramatic play presented in the Romanian language (and one of the first theatrical performance in Romanian) was Mirtil and Hloe, adapted and staged by Gheorghe Asachi, and held in the capital of Moldavia, Jassy/Iași, on 27 December 1816. In 1834, a Romanian production took place in Iași on the stage of the Théâtre de varieté, built in 1832 for the French Fouraux troupe. The National Theatre was founded on 15 May 1840, as the Great Theatre of Moldavia, when the Romanian language troupe, led by Costache Caragiali, was united with the French troupe, under a single direction of Vasile Alecsandri and the management of Costache Caragiali. On 22 December 1846, a new audience hall was inaugurated in the former mansion of Prince Mihail Sturdza, on the Hill of Copou.
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First among these was the Iconoclastic Controversy which caused a schism between the Western and Eastern churches and ultimately the hostility of Rome to those parts of Christendom not under papal authority. The homilies also contain many historical spellings, based on the Vulgate and Septuagint, of Biblical names such as Noe for Noah and Esay for Isaiah. They also contain some interesting examples of archaic language, such as "mummish massing", meaning comical mime-show to characterise the Latin Mass, which the Homilies represent as if it were a sort of theatrical performance by the priest in which the people were simply spectators, rather than the people united with the priest in the worship of God. The Episcopal Church's version of the Articles endorses the _content_ of the Homilies, but says that it suspends the order for reading them until they can be updated.
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A William Hogarth painting based on The Beggar's Opera (c. 1728), a key antecedent of musical theatre Development of musical theatre refers to the historical development of theatrical performance combined with music that culminated in the integrated form of modern musical theatre that combines songs, spoken dialogue, acting and dance. Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre developed from several lines of antecedents that evolved over several centuries through the 18th century when the Ballad Opera and pantomime emerged in England and its colonies as the most popular forms of musical entertainment. In the 19th century, following the development of European operetta, many of the structural elements of modern musical theatre were established by the works of Gilbert and Sullivan in Britain and those of Harrigan and Hart in America.
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Danny Hoch, founder of the Hip-Hop Theater Festival, further defines it as such: "Hip-hop theatre must fit into the realm of theatrical performance, and it must be by, about and for the hip-hop generation, participants in hip-hop culture, or both." Hip-hop theater productions appear in a wide range of platforms including single performances, week-long festivals, and traveling repertory companies. Board Chair Of the historic Philadelphia Freedom Theater and producing Director Of The Devon Theater Of Mayfair Karl Dice Raw Jenkins is the leader in hiphop theater with multiple of Grammy nominations as a singer producer and Playwright, The Last Jimmy[The kümmel, Freedom Theater,Adrienne Arsht & La Grand performances have all presented Karl. Karl's other works include Box A Hiphop Musical telling the life of enslaved African American Henry Box Brown.
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As an artist that connects rock sounds with poetry and theatrical performance she could perform both on the stage of a rock festival in Jarocin, and prestigious festivals of stage song that took place in Wrocław and Köln. She has given concerts in France (Normandy, Britany, Paris) and in the USA (New York) but because of the lyrics being written in her native language, she prefers to perform in front of the Polish audiences, which can fully appreciate the words and also sing the songs with her. Although she has got many interests such as: art, cinema, 19th and 20th century literature, modern theater and drawing her own graphics, music is always the most important for her. She has cooperated with many artists but if it's for her art – she's always the only one who produces her ventures and decides about their character.
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In the fall of 2015, Waits's work was featured in several songs adapted for stage performance in Chicago Shakespeare theater's production of Shakespeare's The Tempest. In 2016, Waits embarked upon litigation against French artist Bartabas who had used several of Waits' songs as a backdrop to a theatrical performance that in many ways paid homage to Waits' work. Claims and counterclaims were made, with Bartabas claiming to have sought and been granted permission to use the material (and to have paid $400,000 for the privilege) but with Waits seemingly of the view that his identity had been stolen. The case in the French courts was lost and the circus performance was allowed to continue, although the threat of further litigation meant that it was not performed outside France and the resulting DVD release does not contain Waits' material.
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Several abortive dinner parties ensue; interruptions include the arrival of a group of army officers and enlisted men who join the dinner only to be called away for alarmingly close military maneuvers, the revelation that a colonel's dining room is a stage set in a theatrical performance for an audience that is angry with the actors for not knowing their lines, the ambassador's shooting of the colonel after he insults the nation of Miranda and slaps the ambassador, the arrest and release of the bourgeois friends, and their summary execution by a hit squad. Most if not all of these scenes turn out to be dream sequences in which ghosts make frequent appearances. A recurring scene throughout the film, of the six people walking silently and purposefully on a long, isolated country road, is also the final sequence.
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Goudouna's book Beckett's Breath: Antitheatricality and the Visual Arts was published by Edinburgh University Press in 2018 and released in the US by Oxford University Press. Samuel Beckett wrote Breath (play), a thirty-second playlet for the stage that does not include actors, text, characters or drama but only stage directions. Goudouna's monograph analyses the ways the piece became emblematic of the intermedia exchanges that occur in Beckett's later writings, as well as the cross-fertilisation of the theatre with the visual arts. The book examines Beckett's ultimate venture to define the borders between a theatrical performance and purely visual representation and juxtaposes Beckett's Breath with breath-related artworks by visual artists including Valie Export, Feminist Art Workers, Marcel Duchamp, Piero Manzoni, Gerhard Richter, Bridget Riley, Giuseppe Penone, John Latham, Vito Acconci, Chris Burden, Nancy Spero, Lygia Clark, Art & Language, Marina Abramović.
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San Francisco's Survival Research Laboratories is considered to be the pioneer of the "spectacle" form of underground robotic art. Two San Francisco-based performance ensembles, Frank Garvey's "Omnicircus" and Chico MacMurtrie's "Amorphic Robot Works", were among the first expressions of integrated robotic music-theatrical performance, with human actors, dancers and musicians joining the mechanical performers. The robotic ensemble of the "OmniCircus" is a robot red-light district, a life-sized troupe of mechanical beggars, hookers, junkies and street-preachers who appear in OmniCircus stage shows and movies and engage in cyborg guerilla theater on the city streets. The San Francisco Bay Area has been the home and/or origin of many other mechanical performance ensembles and artists, including Ken Rinaldo's large scale robotic art installations, Matt Heckert's Mechanical Sound Orchestra, Kal Spelletich ‘s Seemen, Carl Pisaturo, and Alan Rath, making the SF Bay Area a nexus of robotic art.
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Willy Fog: El Musical poster Willy Fog: El Musical was released in 2008 in celebration of the show's 25th anniversary in its home country of Spain. With the original cartoon soundtrack by the De Angelises, the theatrical performance featured live actors Jaume Ortonobas (Fog), Laura Toledo (Romy) and José Troncoso (Rigodon) in make-up and masks to replicate the anthropomorphic characters of the cartoon. Tico is represented as a puppet manipulated by Celia Vioque. Scripted by original series creator Claudio Biern Boyd and directed by Ricard Reguant, the musical ran twice a day in the Teatro Häagen-Dazs Calderón in Madrid from October 2008; although originally intended only to run until the end of the year, the show's success saw its run extended first until early February 2009, after which it proved so successful that it went on tour around the country until the end of the year.
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Retrieved 10 September 2020. Agyeman-Duah worked with Adzido Pan African Dance Ensemble (for an Arts Council of England funded) $2-million and a year-long international mobile theatrical performance (in West Yorkshire Playhouse in Leeds, Manchester Opera House, Alexander Theatre, Birmingham and Edinburgh Festival Theatre), Accra and Kumasi of, Yaa Asantewaa Warrior Queen. This 50-person production was directed by the late Creator and Artistic Director of Carnival Messiah, Geraldine Connor. Adzido Pan African Ensemble, Yaa Asantewaa Warrior Queen, 2001. Retrieved 10 September 2020. In 2014, he was executive producer of two Soyinka stage plays, Ake: The Years of Childhood and Childe Internationale. Agyeman-Duah was also co-curator in 2004 (with art historian Kwaku Fosu Ansa and Myrtis Beddla) in Washington, DC of the exhibition Ancient Traditions and Contemporary Forms. He previously served on the international board of the Pan-African Historical Theatre Project (Panafest).
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Over more than half a century Eben produced a good deal of music in diverse genres. His earliest large works included his 1954 First Organ Concerto (the Second came in 1984) and Concerto for Piano and Orchestra (1960–1961). He wrote numerous vocal, choral, symphonic, piano, and chamber works, but it was organ music which remained his greatest love and in which he was most prolific. Among Eben's biggest projects were the oratorio Apologia Socratus, the ballet Curse and Benediction (Kletby a dobrořečení), written for the Holland Festival 1983, the orchestral works Hours of the Night (Noční hodiny) and Prague Nocturne (Pražské nokturno), for the Vienna Philharmonic, the Organ Concerto No. 2 for the dedication of the new organ for Radio Vienna, the mass Missa cum populo for the Avignon Festival, the oratorio Holy Symbols (Posvátná znamení) for Salzburg Cathedral, and the opera Jeremiah (intended for church, not theatrical, performance).
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At its birth, Manson envisioned Big Art Group as a means to, 'aggressively attack the boundaries of performance and art through its experimentation with structure, medium and process." Big Art Group's unique integration of live acting and video, known as Real Time Film, was pioneered and titled by Manson himself, and has remained a characteristic element of the artist's work, revisited and developed in new productions. Much of Big Art Group's work blends elements of popular culture and current events with scenes inspired by literature or Classical mythology. Manson's work seeks to actively engage and challenge its audience and to confront expectations constructed by traditional theatre: "Unlike traditional theatrical performance, Big Art Group's extended mediated performances reposition viewers into active editors, challenging audience members to problem-solve complex issues of sexuality, race, narrative and truth as a theatrical mirror to the process of navigation through contemporary society.
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He considers her performances dynamic, and says that Angelou "moves exuberantly, vigorously to reinforce the rhythms of the lines, the tone of the words. Her singing and dancing and electrifying stage presence transcend the predictable words and phrases". alt=Black-and-white photo of an African-American man, wearing a coat and tie, making an open-handed gesture. Critic Mary Jane Lupton states that "Angelou's ultimate greatness will be attributed" to her most well-known poem, "On the Pulse of Morning", and that Angelou's "theatrical" performance of it, using skills she learned as an actor and speaker, marks a return to the African-American oral tradition of speakers such as Frederick Douglass, Martin Luther King, Jr. and Malcolm X. Angelou was the first poet to read an inaugural poem since Robert Frost at the 1961 inauguration of President John F. Kennedy, and the first Black and woman.
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Ion Creangă Memorial House Mihai Codreanu Memorial House Iași is home to many museums, memorial houses, art galleries. First memorial museum from Romania opened in Iași in 1918, as the Ion Creangă Memorial House, and today the Iași Romanian Literature Museum owns fourteen memorial houses. The Mihai Eminescu Museum, situated in Copou Park, is dedicated to the great poet's life and creation; other museums are dedicated to: Dosoftei, Mihail Kogălniceanu, Vasile Pogor, Nicolae Gane, Petru Poni, Mihai Codreanu, Mihail Sadoveanu, George Topîrceanu, Otilia Cazimir, Radu Cernătescu, Cezar Petrescu, Dimitrie Anghel. The Theatre Museum, opened in 1976, at the celebration of 160 years since the first theatrical performance in Romanian, illustrates the development of the theatrical phenomenon since the beginning, important moments of the history of Iași National Theatre, the foundation, in 1840, of the Philharmonic-dramatic Conservatoire, prestigious figures that have contributed to the development of the Romanian theatre.
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In early in 2001, after the broadcast of its sixth season, with the unanimous decision of the cast and producer, production of show was stopped and Calambur was soon ended. Yuri Stytskovsky continued making his own movies and TV projects (mostly sitcoms), while Sergey Gladkov, Tatyana Ivanova and Vadim Nabokov continued their theatrical activity as a Calambur (or Fool's Village) comic group, with actor Oleg Kolchin as Medved, and sometimes affiliating with Maski. Aleksey Agopyan has since participated in various Ukrainian and Russian movies and TV series (mostly in episodic roles), including Stytskovsky's projects, and several theatrical performance, sometimes with the mentioned comic groups and in the duet Odekolon with former Maski actor Vladimir Komarov. In 2003 Gladkov, Nabokov and Agopyan planned to make a Fool's Village spin-off about Muzhik and Moryachok being at the North Pole with a polar bear, but it didn't rise for unknown reasons.
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Overture to Death is a detective novel by Ngaio Marsh; it is the eighth novel to feature Roderick Alleyn, and was first published in 1939. The plot concerns a murder during an amateur theatrical performance in a Dorset village, which Alleyn and his colleague Fox are dispatched from Scotland Yard to investigate and duly solve. The novel is a classic (and fine) example of what crime writer Colin Watson termed "The Mayhem Parva School" of genteel English village murder mystery from the "Golden Age" between the world wars. Despite the ingeniously gruesome murder method, it is essentially a social comedy of manners, with the amusingly awful rivalry between two ageing spinster ladies to dominate their cosy little society of village, church and charitable affairs, each performing a favourite piano piece on every possible occasion, reminiscent of E F Benson's Mapp & Lucia novels of the same period.
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When finished, the award Tro de Festa is given to a distinguished person for having made an anonymous contribution to the festival. The pregoner ("town crier or bellman" in English), accompanied by a group of ministrels, makes an appeal from the balcony of the town hall and goes down to the Mercadal square in order to light off the first "tronada" of the festival. From the 25th to the 27th, a cannon goes outside in order to announce the festival. On 27th the Festa major Petita ("the small festival" in English) begins with small groups of children parading (they participate with traditional dances, depiction of biblical characters, allegorical representations, etc.). During the days from Saint John to Saint Peter, there are several festive events such as the Masclet (typical festival’s drink) parade, the Cossos (traditional games tournament), a traditional dinner made of beef and rice or the theatrical performance of the dance of the Ladies and the Old Men.
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Thomas earned her B.A in Religious Studies at McGill University, and an M.A from York University. Her MA thesis, a full-length documentary film of Kathakali choreographer Richard Tremblay entitled, Regular Events of Beauty was nominated by the Faculty of Fine Arts for a York University thesis prize in 2002. Currently completing a PhD in Dance Studies at York University, Thomas' doctoral research offers a posthuman prehistory of the monstrous, nonhuman other in European theatrical performance. She is the recipient of several research awards including a multi-year fellowship from the Social Sciences and Humanities Research Council, the W. Lawrence Heisey Award for scholarly achievement in the Fine Arts, the Evelyn Carnie Rowe Award for research in Canadian dance, the Iris Garland Award (2012) from the Canadian Society of Dance Studies, the Selma Jeanne Cohen Award (honorable mention) by the Society for Dance History Scholars (2013) and the Outstanding Graduate Research Award by the Congress of Research in Dance (2013).
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Ain't Them Bodies Saints had its US domestic on the weekend of 16–18 August 2013 in 3 theatres, where it made $26,419, ranking at number 58 in the Box office charts. At the end of week ending 22 August the film made $40,921, ending 59th on the box office charts. The second week of the film saw a drastic improvement in commercial reception, recording a 147% increase in weekend box office growth of $65,175, ending the week with a 144% overall increase from the opening week, recording a box office return for the week ending 29 August of $100,005, bringing its total theatrical run to $140,926 from 28 theatres and marking its highest domestic box office ranking of 43. The film continued its improving theatrical performance in its third week by opening in 12 extra theatres to make the total 40 theatres, recording $109,209 in box office revenue, an increase of 9.2% on the previous week, bringing he total to $250,135.
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On 20 September 2010, she passed the NMB48 Opening Member Audition (total number of entries: 7,256, final successful candidates: 26). On 9 October, at the Visit Zoo Campaign Support Project AKB 48 Tokyo Fall Festival supported by NTT Plala, the 26 people who became the NMB48 first-year Kenkyūsei were shown and started activities. On 1 January 2011, in the NMB48 1-Kisei: Dareka no tame ni performance started at Namba's NMB48 Theater in Osaka, she made her debut in a theatrical performance as one of the sixteen selected members. On 10 March 2011, she and the other NMB48 first-year Kenkyūsei were elected as members of Team N as one out of the 16 among 25 names. On 13 January 2012, she participated in the name "Rika Kishino" at the R-1 Grand Prix 2012 and passed to the second round of 12 February, but was later eliminated (another member of NMB48, Mayu Ogasawara (then) was withdrawn from third round).
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He then further revealed that he'd received an invitation for her and Jared's wedding, implying that he had returned her to her native time. The Doctor invited Peri to attend the wedding with him, but she declined. Stage Fright, one of the audio stories in the audio anthology The Sixth Doctor: The Last Adventure, takes place prior to Flip's departure in Scavenger and has the Doctor and Flip visiting Henry Gordon Jago and Professor George Litefoot in Victorian London, where they explore a theatrical performance that includes scenes of the Doctor's past regenerations on stage, which turns out to be a plan by the Valeyard to lure the Doctor and attempt to rejuvenate himself with the Doctor's darkest thoughts. Flip successfully saved the Doctor and in turn overcame her stage fright (due to having frozen on- stage during a school play after never having learned her lines) by performing nursery rhymes on-stage.
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Two sets of arrows that exhibit the 200px We are unable to do away with such optical illusions by convincing ourselves rationally that our eyes have played tricks on us: obstinately and unswervingly, the mechanism follows its own rule and thus wields an imperious mastery over the human mind. While optical illusions are the most obvious instances of unconscious inference, people's perceptions of each other are similarly influenced by such unintended, unconscious conclusions. Helmholtz's second example refers to theatrical performance, arguing that the strong emotional effect of a play results mainly from the viewers' inability to doubt the visual impressions generated by unconscious inference: The mere sight of another person is sufficient to produce an emotional attitude without any reasonable basis whatsoever, yet highly resilient against all rational criticism. Obviously, the impression is based on the spontaneous, spurious attribution of traits - a process we can hardly avoid, for the human eye, so to speak, is incapable of doubt and thus cannot ward off the impression.
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The following year, it produced several performances, which included Jhelum Mein Naupar (The Sailing Boat in Jhelum) featuring stage actress Amtul Baweja and an adaptation of Reginald Rose's famous film Twelve Angry Men as Twelve Angry Jurors at different venues in Lahore. In summers, the group went on their first international tour at the 2nd International SPIC MACAY Convention held in Chennai, Madras, India where they collaborated with Koodiyattam master Margi Madhu from the Chakyar clan for the classical Sanskrit theatre performance of Anguliyankam (The Golden Ring) in June 2014. Manto's Kamra #9 (Room No. 9) directed by Azeem Hamid at Alhamra Arts Council, Lahore, in 2014. Visible from left to right: Faizan Naveed as "Nasir", Namwar Ayaz as "Zamaan" and Zoya Uzair as "Shireen". In December, the company went on to produce their best known theatrical performance Kamra No. 9 (Room No. 9) a radio play written by Saadat Hasan Manto and directed by Azeem Hamid.
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She appeared as a lead actress in the inspirational film Jeena Isi Ka Naam Hai (2017) starring Arbaaz Khan, Himansh Kohli and Ashutosh Rana, set in exotic locations. In 2018, she came up with a murder mystery film Nirdosh opposite Ashmit Patel and an action comedy film Baa Baaa Black Sheep opposite Manish Paul. In 2019, she appeared in an Amit Sadh starred thriller web-film Barot House aired on ZEE5. In 2017, her short film Khamakha (2016) won the Filmfare for Best Short Film People's Choice Award. Her other short films are The Morning After (2013), The Cot (2017), Jackie Shroff starred The Playboy Mr Sawhney ( 2018 ) and Interdependence : Megha's divorce (2019). In 2019, she appeared in a web series Fuh se Fantasy:The Blindfold on Voot. She made her first theatrical performance Double Deal Reloaded (English), in Mumbai in 2017 and the following year in Kolkata, Bengaluru and Hyderabad. In 2018, she came up with a musical drama Devdas staged at Mumbai.
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Much of the Ziggy Stardust story was created by Bowie and told in the album The Rise and Fall of Ziggy Stardust and the Spiders from Mars, or appears in Bowie’s writings as plans for a never-realised theatrical performance of the narrative. The character of Ziggy Stardust is conceived to have been an androgynous, bisexual alien rock star from an unspecified planet, who was sent to earth to deliver the message that Earth had five years left, due to a lack of natural resources. Meanwhile, children around the world have become obsessed with rock ‘n’ roll music, and came to look to the rock star Ziggy Stardust as a prophet.Archived from Ziggy gathered a large following, as adults are too preoccupied with the minutiae of their own lives to pay attention to their children. The children become obsessed with Ziggy’s hedonistic way of life. As the end nears, Stardust prophesises of the “Starman” waiting in the sky, who will come to save the earth.
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" Maher adds "Jackson — who is still coping with the loss of her brother Michael — drew inspiration from her grief for her theatrical performance...transferring her sorrow beautifully into a moving and deeply heartfelt ballad." Idolator stated that the song "reminds us that, despite all the overproduction and sexed-up whispering on her last few singles, Janet can actually still deliver solid vocals—something that was hardly apparent on “We Are The World 25". Entertainment Weekly described the song as an "airy ballad, on which she cries out for more communication in a troubled relationship." Deborah Vankin of The Los Angeles Times called it "a touching, melodic ballad about truth, trust and relationships", adding that the song is "generating almost as much Oscar buzz as it feels riddled with grief [...] Even though Jackson says "Nothing" is not about her brother, whom she won't talk about much these days, the song's melancholy and emotional grit leads one to wonder.
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Both would end up defying this world's rules and expectations for women by making their interest in theater professional, and in no small way helped pave the way for many other "respectable ladies" that followed, both in the previously frowned upon world of the professional theater as well as independent careers and financial autonomy for women in general. Thus it was at an 1885 successful benefit theatrical performance that she had organized that Marbury was inspired to try her hand at theater management. In 1888 she persuaded Frances Hodgson Burnett, who had written a dramatic version of her best-selling Little Lord Fauntleroy, to hire her as business manager and agent. The association quickly proved highly profitable to both women. In 1891, Marbury traveled to France, and for 15 years she was the representative in the English-speaking market for playwright Victorien Sardou and the other members of the Société des Gens de Lettres, including Georges Feydeau, Edmond Rostand, Ludovic Halévy, and Jean Richepin.
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A 2016 photo of the Art Deco column displaying the 2012 to 2015 recipients of the Academy Award for Best Picture at the bottom, and blank spaces at the top for the then-yet-to-be-determined 2016 and 2017 winners The theater was designed by David Rockwell of the Rockwell Group, with Theatre Projects Consultants, specifically with the Oscar ceremonies in mind. Though the stage is one of the largest in the United States—roughly tied with the Edward C. Elliott Hall of Music at Purdue University—measuring wide and deep, its seating capacity is only about half the Hall of Music's, accommodating 3,332 people. The result of astute planning and technical design, the auditorium is particularly successful as a venue for televised theatrical performance (improving production values for American Idol and the Academy Awards). The architectural team consulted extensively with leading production personnel in Hollywood, achieving a highly functional cable infrastructure, with an underground cable bunker that crosses under the theater to truck locations on adjacent streets.
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Depiction of Richard Wagner's Opera Der fliegende Holländer Richard Wagner's opera The Flying Dutchman (1843) is adapted from an episode in Heinrich Heine's satirical novel The Memoirs of Mister von Schnabelewopski (Aus den Memoiren des Herrn von Schnabelewopski) (1833), in which a character attends a theatrical performance of The Flying Dutchman in Amsterdam. Heine had first briefly used the legend in his Reisebilder: Die Nordsee (Pictures of Travel: the North Sea) (1826), which simply repeats from Blackwood's Magazine the features of the vessel being seen in a storm and sending letters addressed to persons long since dead. In his 1833 elaboration, it was once thought that it may have been based on Fitzball's play, which was playing at the Adelphi Theatre in London, but the run had ended on 7 April 1827 and Heine did not arrive in London until the 14th. Heine was the first author to introduce the chance of salvation through a woman's devotion and the opportunity to set foot on land every seven years to seek a faithful wife.
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After studying theatrical performance and creative writing at the University of the Pacific and University of Southern California, Ferguson worked behind the scenes in daytime television production while occasionally finding time to perform in local theatre productions and improvisation groups. Towards the end of his production career, he actively began his pursuit of a career in voice-over. In 1999, while working on what would turn out to be his last full-time position in television production, a voice-over agent named Pat Brady, after discovering Ferguson the week prior in a voice-over workshop in Toluca Lake, California, and before even officially signing with him for representation, sent him out on what would be his first professional voice-over audition (a sound-alike for Keanu Reeves in a 60-second radio spot satirizing The Matrix for the former Hollywood Video movie-rental franchise). He ended up booking the role from this first VO audition, after which he officially signed with Pat Brady who, through two talent agencies, would continue to represent him to this day.
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He was awarded PhD by the University of Dhaka in 1997 for his thesis on "Indigenous Theatrical Performance in Bangladesh: Its History and Practice". Part of his PhD research was published as Achinpākhi Infinity: Indigenous Theatre of Bangladesh, which was praised as "a major contribution to the cultural richness and history of Bangladesh, and to any possible methodology for theatre anthropology". Most importantly, his "voyages" to the rural pockets served as a strong empirical foundation, on which he devised a re- visioning of a number of indigenous theatre productions. These were Kamala Ranir Sagar Dighi (based on the indigenous form of narrative performance Pala Gan) in 1997 in Dhaka; Ek Hazar Aur Ek Thi Rate (based on The Thousand and One Nights) in 1998 in Karachi; Behular Bhasan (an adaptation of the Padma Puran) 2004 in Dhaka; Pahiye (Hindi translation of Chaka) at the National School of Drama in New Delhi in 2006; and Shong Bhong Chong (based on the indigenous theatre form of Shong Jatra), in Dhaka in 2009.
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According to another story he bought tickets for particular seats at a theatrical performance he considered pretentious and distributed them to eight bald men whose heads, painted with a single letter, spelled out the word "B-O-L-L-O-C-K-S" (another source claims it was four men's heads making the word F-U-C-K), which was legible from the circle and boxes above. With his mane of hair and bristling moustache, in the 1920s Cole was sometimes mistaken for the Labour prime minister Ramsay MacDonald, causing dismay when Cole launched into a fierce public attack on Labour. His sister Annie married the future Prime Minister Neville Chamberlain, who was asked by Annie what he thought of Cole, and later commented "I was obliged to say what I did think, but fortunately it appeared that was her opinion too and she was not at all inclined to be proud of her brother's exploit... I think he must be a little mad." Cole has also been suspected of the Piltdown Man hoax.
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The rise of collective creation in theatrical performance between 1900 and the 70s at times paralleled, at times intersected with related developments in modern dance, French mime (beginning with the pioneering work of Suzanne Bing and the Copiaus), performance art and documentary theatre. Beginning from the mid-1980s, with the emergence of a new generation of ensembles and collectives, and increased dissemination of devising models and training methods through theatre festivals, training workshops, and college courses, a shift occurred, away from the more political drivers fueling much collective creation during the civil rights era, and toward more decidedly aesthetic and economic drivers; this is the period in which such practices come to be more expressly associated with the term "Devising." The many prominent companies currently devising in the US and England include: SITI Company, Mabou Mines, Wooster Group, Pig Iron, The TEAM, Elevator Repair Service, Ghost Road, Double Edge Theatre, The Rude Mechs, The Neo-Futurists, Nature Theatre of Oklahoma, Tectonic Theatre Project, Complicité, Told by an Idiot, Improbable, Frantic Assembly, Shunt, Kneehigh.
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For example, whereas the Fliegender Zirkus version has the German chorus "Ich bin Holzfäller und fühl' mich stark, ich schlaf' des Nachts und hack' am Tag..." ("I'm a lumberjack and I feel strong, I sleep at night and I chop in the daytime...", which is the version still remembered by Palin today), the chorus in the German dub in And now for something completely different goes "Ich bin Holzfäller und mir geht's gut, am Tag packt mich die Arbeitswut..." ("I'm a lumberjack and I'm okay, I'm gripped by work mania throughout the day..."); it ends with the "my dear papa"-variant of the song, rhyming with the word "BH" (beːˈhaː), the German abbreviation for "Büstenhalter". A version of the song present in this sketch was made in Portugal for a Millennium Bank campaign. The lyrics were slightly changed and translated into Portuguese, as the bank at the time was making an offer involving planting trees. A Spanish-language version of the song was created for a theatrical performance in 2004.
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Beginning with the first presentation of theatre in Rome in 240 B.C., plays were often presented during public festivals. Since these plays were less popular than the several other types of events (gladiatorial matches, circus events, etc.) held within the same space, theatrical events were performed using temporary wooden structures, which had to be displaced and dismantled for days at a time, whenever other spectacle events were scheduled to take place. The slow process of creating a permanent performance space was due to the staunch objection of high-ranking officials: it was the opinion of the members of the senate that citizens were spending too much time at theatrical events, and that condoning this behavior would lead to corruption of the Roman public. As a result, no permanent stone structure was constructed for the purpose of theatrical performance until 55 B.C.E.Sometimes theatre building projects could last generations before being completed, and would take a combination of private benefactors, public subscription, and proceeds from the summae honorariae or payments for office positions made by magistrates.
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After two centuries in which Monteverdi had been largely forgotten as a composer of opera, interest in his theatrical works revived in the late 19th century. A shortened version of Orfeo was performed in Berlin in 1881; a few years later the Venice score of L'incoronazione was rediscovered, leading to a surge of scholarly attention.Carter (2002), p. 5 In 1905, in Paris, the French composer Vincent d'Indy directed a concert performance of L'incoronazione, limited to "the most beautiful and interesting parts of the work." D'Indy's edition was published in 1908, and his version was staged at the Théâtre des Arts, Paris, on 5 February 1913, the first recorded theatrical performance of the work since 1651.Carter (2002), p. 6 The work was not received uncritically; the dramatist Romain Rolland, who had assisted d'Indy, wrote that Monteverdi had "sacrifice[d] freedom and musical beauty to beauty of line. Here we no longer have the impalpable texture of musical poetry that we admire in Orfeo."Carter (2002), p. 10 J. W. Waterhouse) In April 1926 the German-born composer Werner Josten directed the opera's first American performance, at Smith College, Massachusetts where he was professor of music.
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In this apparently idyllic utopian setting, Venn-Thomas begins to realise that he has been chosen by the Goddess to inject disruption into a society that is becoming static and in danger of losing its vitality. A symptom of trouble is that over the course of the week described in the novel, the five poet-magicians of the "Magic House" of the village of Horned Lamb all die or lose their status as members of the poet-magician estate. In the last section of the book, Venn-Thomas makes a trip to Dunrena, the town which is the capital of the local kingdom, to witness the twice-yearly ceremony of the changing of the king, carried out as a solemn religious-theatrical performance culminating in a ritual sacrifice similar to those described in The Golden Bough. At the end of the book, Venn- Thomas unleashes the whirlwind which will prepare the way for the transition to the next phase of history, and Sapphire (a young woman for whom he has had unsettled feelings) returns with him through time to be reborn as his daughter.
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Tymoshenko was a candidate in the Ukrainian presidential elections of 2010, but lost that election to Viktor Yanukovych (Tymoshenko received 45.47% of the votes in the second and final round of the election, 3% less than her rival).Ukrainian PM to face old rival in runoff election, Reuters (18 January 2010) In 2009, the relations between Tymoshenko and President Yushchenko,Tymoshenko accuses Yuschenko of obstructing executive authorities' teamwork , Interfax-Ukraine (6 February 2009)Yuschenko demands immediate amendments to 2009 budget to save Ukraine's economy – televised address to nation , Interfax-Ukraine (30 January 2009)Tymoshenko told based on what a conflict with Yushchenko, zaxid.net (29 March 2011)Agreement with Russia threatens Ukraine's security – President, UNIAN (10 February 2009) the Secretariat of the President of UkrainePresidential secretariat considers PM's report "theatrical performance" , Interfax-Ukraine (5 February 2009) and the oppositional Party of Regions remained hostile.Premier says Regions Party wanted to destabilize government work, Interfax-Ukraine (5 February 2009) One of the reasons for the conflict was that in 2006, Victor Yushchenko has restarted to supply gas to RosUkrEnergo company. This company then was owned by Dmitry Firtash - 45%, by Yushchenko family - 27%, and the Russian "Gazprom".
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Exhibiting alongside the Viennese Actionists, they came under increasing influence from these Austrian performance artists, adopting their emphasis on using shock tactics to combat conventional morality.. September 1973 saw them produce their first film, Wundatrek Tours, which documented a day out to Brighton, while throughout the year they sent postcards that they had designed to mail-art shows across the world.. In January 1974, COUM decided to refocus their attention on music, doing so in a collaboration with the Canadian artist Clive Robertson; their co-created piece was titled Marcel Duchamp's Next Work. It premiered on 24 January 1974 at the Fourth International Festival of Electronic Music and Mixed Media at the Zwaarte Zaal in Ghent, Belgium, and had its second performance at Brussels' Palais des Beaux-Arts. The piece entailed bringing together twelve replicas of the dada artist Marcel Duchamp's 1913 sculpture Bicycle Wheel, assembled in a circle, which were then played as musical instruments while either P-Orridge or Robertson conducted the piece. COUM's next major work was Couming of Age, performed in March 1974 at the Oval House in Kennington, South London; it represented the most conventional theatrical performance of their career.
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"[O]n 17 February 1952 ... an abridged version of the play was performed in the studio of the Club d'Essai de la Radio and was broadcast on [French] radio ... [A]lthough he sent a polite note that Roger Blin read out, Beckett himself did not turn up."Knowlson, James, Damned to Fame: The Life of Samuel Beckett (London: Bloomsbury, 1996), pp. 386, 394 Part of his introduction reads: The play was first published in September 1952 by Les Éditions de Minuit and released on 17 October 1952 in advance of the first full theatrical performance; only 2500 copies were printed of this first edition. On 4 January 1953, "[t]hirty reviewers came to the générale of En attendant Godot before the public opening ... Contrary to later legend, the reviewers were kind ... Some dozen reviews in daily newspapers range[d] from tolerant to enthusiastic ... Reviews in the weeklies [were] longer and more fervent; moreover, they appeared in time to lure spectators to that first thirty-day run"Cohn, Ruby, From Desire to Godot (London: Calder Publications; New York: Riverrun Press), 1998, pp. 153, 157 which began on 5 January 1953 at the Théâtre de Babylone, Paris.
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The contemporary theatrical performance art group comprises a collection of dancers, performers, actors, artists and musicians creating work described by CNN as part ballet, part theater, part pop. Adams has contributed to a number of magazines including W Magazine, i-D and Dazed & Confused, appeared on the cover of Time Out London and was featured topless in the June 2008 issue of French Playboy shot by Rankin. Adams has starred in music videos for artist such as Florence and the Machine and Róisín Murphy and was the focus of the BBC documentary Singing with the Enemy in 2007. In April 2009, The Theo Adams Company completed their Performance project, a series of performances in an abandoned Catholic school in northwest London. It was published as a 16-page photo feature in the May 2009 issue of W Magazine with photography by David Sims. The company invited and were joined in their performances by special guests Lorna Luft daughter of Judy Garland and Tony award-winner Frances Ruffelle. On 27 February 2010 the short film made as part of the project was screened at the P.S.1 Contemporary Art Center in New York.
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The Flying Fruit Fly Circus was one of the productions of the Murray River Performing Group, initially an ensemble of nine artists, set up mostly by graduates the Victorian College of the Arts Drama School, including Robert "Bomber" Perrier, who was the artistic director from the outset, Lloyd Suttor, Mark Shirrefs and Ian Mortimer (Mort). The group began full-time operations in 1979, the International Year of the Child. Within four months the group had conducted workshops and performed in over forty venues, written two shows, performed street theatre directed by Mort, organised 171 circus training sessions and produced the first Flying Fruit Fly Circus event involving 117 performers aged from seven to seventeen. Mark Shirrefs and Ian Mortimer went to local schools and introduced skills to local kids, some of whom are still active in circus, Michael Ling has spent 18 years with Circus Oz.Perrier, Robert, Finding an Audience: The Murray River Performing Group, Meanjin, Vol. 41, No. 1, Apr 1982: 29–38 In 1979 On the Outside, a show about unemployed youth, was designed as a full-scale theatrical performance for high school.
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The theatre opened for the usual five-week season on 5 March 1841 with a new company. The theatre had been altered on the inside and considerably improved. The Stamford Mercury reported, in 1842: "A Travelling fair known as The Mart arrives in Wisbech each March for 'Mart Week'. These showmen, travelling circuses, stall holders, both travelling performers and the local theatre sought to benefit from the large crowds attending the fair and race weeks." Other travelling exhibitions used the theatre as a venue, in November 1842 a GRAND MOVING PANORAMA was set up at the theatre, claiming to use 20,000 feet of canvas to display scenes such as the 'Fire of York Minster' and the whole city of New York. Prices were similar to those for a theatrical performance: Boxes 2s, Pit 1s and Gallery 6d. The Wisbech theatre had been "lately fitted up and decorated at great expense, for the purpose of public assemblies and concerts" when it was offered for sale by auction at the White Hart Inn on 2 May 1843. The Robertson company continued as a tenant The Licensing Act 1737 was modified by the Theatres Act 1843 so that spoken drama could be performed in any theatre.
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