CNN now denies airing the beast with two backs to people indulging in turkey.
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Then the two took a photo where they're, as Shakespeare so eloquently puts it, making the beast with two backs.
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I'm going to go ahead and use the "beast with two backs" metaphor here, because there's also a desire to mix together in the most stickily physical ways possible.
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The Beast with Two Backs is the seventh full-length studio album by British goth rock band Inkubus Sukkubus. It contains 12 original tracks and a cover of 'Can't Get You Out of My Head' by Kylie Minogue with altered lyrics that more appropriately reflect the band's aesthetics. The cover was designed by Tony McKormack, a core member of the band. The album's title refers to a metaphor for sexual intercourse: 'To make the beast with two backs'.
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Interstellar Tactics blog Wingrove also has plans for further novels, including a first person character novel called Dawn in Stone City set in the Chung Kuo setting. He is also working on three novels, The Beast with Two Backs, Heaven's Bright Sun, and Roads to Moscow.
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Making the beast with two backs is a euphemistic metaphor for two persons engaged in sexual intercourse. It refers to the situation in which a couple—in the missionary position, woman on top, on their sides, kneeling, or standing—cling to each other as if a single creature, with their backs to the outside. In English, the expression dates back to at least William Shakespeare's Othello (Act 1, Scene 1, ll. 126-127): The earliest known occurrence of the phrase is in Rabelais's Gargantua and Pantagruel (c.
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He received the E. du Perron prize for his 1996 debut De voeten van Abdullah (The feet of Abdullah). Later works include Momo and Solomon, in 2001 Een beer in bontjas ("A bear in a fur coat"); the play adaptions Apollien, De slachting in Parijs ("The massacre in Paris") and Othello; and Het monster met de twee ruggen : een kameropera ("The beast with two backs: a libretto"). Bouazza gave the 2002 Mosse Lecture, titled Homoseksualiteit en Islam (Homosexuality and Islam). His 2004 novel Paravion won the 2004 "De Gouden Uil" prize.
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Back With Two Beasts is the nineteenth album (and fourth collection of outtakes) by the Australian psychedelic rock band The Church, released in November 2005. The material was recorded during the Uninvited, Like the Clouds sessions but released first, as a teaser for that album, and was originally only available from the band's website or at their gigs. It was re-released by Unorthodox Records in 2009. The title is a play on the euphemism for sexual intercourse, "the beast with two backs", to which both of the track titles on the band's previous self-released album, Jammed, also referred.
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At the time of their breakup, The Crocketts had been recording material for a planned third album, but the departure of Harris was described as a "tragic and unforeseen blow" which signalled the end of the band. Shortly after the breakup of The Crocketts, MacManus and Hopkin returned with a new band, The Crimea, and recorded their first album quickly. In a letter sent to the press, the band proclaimed that "The beast with two backs is back ... If The Crocketts were four cavemen banging stones together, this is the sound of four Tchaikovskys banging Kylie Minogue". The group were signed to Warner Bros.
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"Brady, Tara (May 2000) "Social Intercourse" Hot Press Pat Gillett in Irish Star Sunday said that the film "is probably the most explicit Irish movie released with regard to the beast with two backs."Gillett,Pat (8 May 2000) Irish Star Sunday Esther McCarthy in Sunday World called it a "provocative and entertaining movie about the modern dating game".McCarthy, Esther (8 May 2000) "Long Way From The Crossroads" Sunday World In his review for The Irish Times, Michael Dwyer said "in her first leading role, Weldon sparkles with screen presence, belts out a fine version of Crowded House's "Fall at Your Feet", and comfortably holds her own with the subtly expressive Gillen, a Tony nominee on Broadway and one of Ireland's finest actors. Connolly propels the narrative with the keen sense of pacing and atmosphere he brought to Flick.
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