205 Sentences With "that's all right" | Random Sentence Generator

Because my kids all have Chromebooks, that's all ... Right.

That's -- oh, there's a couple, but that's all right.

"Nope, that's all right, it's good, " the man said.

" His reply: "That's all right, I don't eat colored people.

"That's all right, pardner," he said, according to Watson's recollection.

" Gregory replied: "That's all right, I don't eat colored people.

DF: Yeah, she's usually up first, so that's all right.

I know it's just a replica, but that's all right.

That's all right, so long as you keep walking forward.

That's all right; everyone's fine, and the bake goes on.

That's all right, because DoubleTree by Hilton did it for you.

I would rather not talk about this if that's all right.

That's just my view, but I do think that's all right.

I didn't think they put it in, but that's all right.

The historical photographs sometimes overwhelm the drama, and that's all right.

It's like being a fan of GE. But that's all right.

No matter how they feel, Taffler seems to think that's all right.

Finally, here are the HillBenders covering MGMT's "Kids," and that's all right.

This is my honest ... This is — That's all right, that's your answer.

There was a woman who was working ... Anyway, that's all right, go ahead.

But according to a new Esquire cover story, that's all right by Culkin.

I'm not really sure what's happening in Island 359, and that's all right.

That's all right, the haters will shut up on Monday when we win.

"People call me the underdog, but that's all right," Miller, 30, said Tuesday.

And that's all right, because these machines serve their purpose just fine as-is.

Well it's kind of a ridiculous sideshow at this point, but that's all right.

"No, no, no, that's all right," Biden said in the video after the aide interjected.

And that's all right, but I thought, 'I'm 35, how did I make this mistake?

I think I sometimes still tweet at the wrong Kurt Wagner but ... That's all right.

That's all right, I can fan for a little while while you think about it.

Elvis holds a stack of 45s of "That's All Right," his first commercial recording, in 1954.

He and I have been close to a couple of fistfights, but hey, that's all right.

Powerful emotions will flow today, but that's all right; you'll be learning a lot about yourself.

Some, of course, will ignore the spectacle of football violence entirely, and that's all right, too.

"That's all right," he said when I told him later and he finished laughing at me.

In fact, many of them replace uncomfortable truths with sappy and sentimental storylines — and that's all right.

You can't be honest with me in one sentence, and then be not honest ... That's all right.

All of us who joined the parade of the Grateful Dead, you know ... Sorry ... That's all right.

"That's all right," said Crane, who made his fortune in the freight business and understands the hazards.

As long as the exhibition about Stern's life and his fate can take place, that's all right.

"We have nine wins, that's all I know — and that's all right," cornerback Dominique Rodgers-Cromartie said.

I definitely felt like I was a ping-pong ball out there at times, but that's all right.

We didn't even get to gender issues or Uber or anything, but that's all right, that's another discussion.

I think that is actually the most realistic ... I shouldn't have even told that story ... No, that's all right.

It's about teaching them it can take a long time to get good at something, and that's all right.

That's all right; so does Martin Rauch (Jonas Nay), the reluctant East German spy roped into carrying it out.

What's great about The Kids Are All Right is that everyone is a mess, and that's all right too.

Well no, they're kind of, they're ... All gay people are quirky and fun and successful and ... That's all right. Exactly.

People always say, well you're going to alienate a certain audience if you're too pro-Hillary ... I'm like, that's all right.

That's all right, because only about four or five people in the world still remember Jackson's brief time with the club.

"That's all right, that's OK — they try to shut me up all the time," she said to cheers before continuing to speak.

You're in an emotional mood today, but that's all right—you're working through some complicated issues, especially concerning your home or family.

I'd like to go over to the convention and announce that you're my choice for vice president, if that's all right with you.

That's all right for things like cocoa powder, which does have nutrients, but it shouldn't make up the bulk of your dietary intake.

"The curl is gone, but I guess that makes me more aerodynamic, so that's all right," Chen joked last month at the United States championships.

"If that's all right for the women in the El Paso area, why isn't it right for the rest of the women in Texas?" she asked.

While that all may sound like a cry for help to some people watching, Kris simply says, "Well, that's all right," between unsettled sips of her drink.

It might not be the sort of evening you imagined for yourself while doing ollies down at the skatepark a million years ago, but that's all right.

If there's a meta subtext to the fact of needing a particular audience, that's all right; this show's fourth wall is permeable enough to withstand a little pressure.

"That's all right, more for me," says Gifford, moving the hosts' glasses of wine to the opposite end of the table from where the girls are sitting with their mom.

He became a leading figure in the fledgling rockabilly scene by covering songs originally performed by African-American artists like Big Mama Thornton ( "Hound Dog") and Arthur Crudup ("That's All Right").

"I just didn't like one decision he made but that's all right," Trump said as he was introducing Pai, potentially referencing Pai's decision on a merger between Sinclair and Tribune Media.

"Any cop who thinks that that's all right, that they can walk away from something like that, maybe should reconsider whether or not this is the profession for them," he said to applause.

And the heart of rock, which must be broke, and the paper heart, that flies with the winds, like a kite flies, but that's all right so long as the string is strong.

Moore, who played on Presley's first hit, "That's All Right" ("Mama"), as well as such singles as "Heartbreak Hotel" and "Hound Dog," died in Nashville after several months of poor health, the newspaper said.

"Any cop who thinks that's all right, that they can walk away from something like that, maybe should reconsider whether or not this is the profession for them," said Terence A. Monahan, the chief of department.

" Some lines became classics, like the one about a restaurant waitress in the segregated South who told him, "We don't serve colored people here," to which Mr. Gregory replied: "That's all right, I don't eat colored people.

Phillips recorded the future King of Rock 'n' Roll's first single, "That's All Right," in 13, but he was a blues fan prior and recorded other legends, including Howlin' Wolf and the Prisonaires, whose musical clips are played during the tour.

The next evening, at the Sun studio, the trio recorded an up-tempo version of "That's All Right," a blues song by Arthur Crudup, known as Big Boy, which Sun released with a rockabilly version of "Blue Moon of Kentucky" on the flip side.

"If the prime minister came to the House of Commons with a Canada-plus style Brexit, people like me would say, 'Yes, that's all right,' and people who are strongly pro-European would say, 'Yes, that's better than leaving on World Trade Organisation terms,'" Rees-Mogg said.

It'll be a while before they can send me back, but that's all right; it's going to take me a while to figure out how to send the shuttle back without me, and I'll need some clothes, and a crash course in gardening, and… I don't know… Clif bars?

I want to challenge you on, on one of the statements that you made in the tail end of the campaign, uh, in the midterms … President Trump: Here we go … Acosta: Well, if you don't mind … President Trump: That's all right, come on ... Acosta: Mr. President, that this caravan was an invasion.

You got my heart you got my soul You got the silver you got the gold You got the diamonds from the mine Well that's all right, it'll buy some time —Mick Jagger & Keith Richards, "You Got the Silver" Plate sin with gold, And the strong lance of justice hurtless brakes; Arm it in rags, a pigmy's straw doth pierce it.

"Using the 'Lancaster' name was also particularly moronic when dealing with someone who, as a hobby, extensively studies British medieval history, but hey, that's all right in line with the people who I believe put Wessel up to this," she said In an appearance on CNN on the eve of the Iowa caucuses, Jacobus criticized Trump as coming off like a "third-grader" in interviews and debates.

That's All Right (Mama) was written and recorded by Arthur "Big Boy" Crudup (1947, RCA Victor). Crudup's original title is "That's All Right (Mama)"; on the Sun label, and many later releases, '(Mama)' is omitted: "That's All Right". :Recorded: July 5, 1954 (session 1) Elvis's recording of "That's All Right (Mama)" is mentioned as one of the beginning of rock and roll, though the first rock and roll records predate it.

Well, she's not the snappiest of banterers, but that's all right.

"That's All Right"or "That's Alright"A different "That's All Right" "That's All Right Mama" was written by Arthur Crudup and covered by Elvis Presley. is a blues song adapted by Chicago blues singer and guitarist Jimmy Rogers. He recorded it in 1950 with Little Walter on harmonica. Although based on earlier blues songs, music writer John Collis calls Rogers' rendition "one of the most tuneful and instantly memorable of all variations on the basic blues format".

He played on Arthur Crudup's "That's All Right", recorded in 1946. He died in Chicago in 1967, aged 55.

951 (June 24, 2004): 84-85. "That's All Right" has been recorded by numerous artists in a variety of genres.

A single was pressed with "That's All Right" on the A-side and "Blue Moon of Kentucky" on the reverse.

The Gift was filmed on location in Tupelo, Mississippi. The credits include a recording of Presley's single "That's All Right".

' He said, 'Make it a bit faster. Let me try it.' And he did. We thought, 'Oh, that's all right, yes.

J. Fontana. Drummerworld online Moore and Fontana also performed together without Presley, including a 2001 recording of "That's All Right (Mama)" with Paul McCartney.

Jimmy Rogers has acknowledged that "That's All Right" draws on ideas from other bluesmen, including Robert Junior Lockwood and Willie Love. However, he feels he pulled it all together: "I put some verses with it and built it that way. I built the song'". Lockwood had performed it years earlier in Helena, Arkansas, which Muddy Waters confirmed: "'That's All Right', that Robert Jr.'s song", he added.

"That's all right," said McVitie and he and Exley left. Instead of repaying the money McVitie kept it. This incident led, in part, to McVitie's death.Read, Leonard.

Variety wrote: > Musical comedies rarely have much story. That's all right. No one expects > them to. Plot is compensated for in a hit tune show by good music.

In the first game, there is tension between him and Elena Fisher, a reporter filming a documentary on his findings.Nathan: Sorry you didn't get your story. Elena: Ah, that's all right. There'll be other stories.

Elena: Oh... Quite a day. Sully arrives and Elena and Drake leave the island with several chests of treasure, after displaying affection towards each other.Nathan: Sorry you didn't get your story. Elena: Ah, that's all right.

Both albums by the Butts Band were repackaged together and released in 1996 as One Way label's, "The Complete Recordings". Two studio bonus tracks, "That's All Right" and "Lovin' You For All The Right Reasons", were added to the album.

Black and Moore became Presley's backup group and were paid 25% of his earnings.Hopkins, p. 54. Moore and Black left the Starlite Wranglers after the success of "That's All Right," jealousy within the group forcing them to split.Hopkins, p. 55.

3 (11 March 1949 to 15 January 1952). Document Records DOCD-5203. He also recorded under the names Elmer James and Percy Lee Crudup. His songs "Mean Old 'Frisco Blues", "Who's Been Foolin' You" and "That's All Right" were popular in the South.

During the break, Presley began "acting the fool" with Arthur Crudup's "That's All Right (Mama)", a blues song.Guralnick, Peter (1992). The Complete 50's Masters (CD booklet notes). When the other two musicians joined in, Phillips got them to restart and began taping.

An acetate of Elvis Presley's "That's All Right" sold for $82,393.60 in 2013. The only known copy of Presley's first recording—a 78 rpm acetate from 1953 featuring "My Happiness" backed with "That's When Your Heartaches Begin"—sold for $300,000 at a Graceland auction.

"For Guitarist Allan Holdsworth, Perfection Is the Goal : Jazz: He's not well known outside musicians' circles, but that's all right with him. He just wants to make his music—and make sure it's the best it can be.". Los Angeles Times. Retrieved 30 March 2015.

On 18 July 1953, the eighteen-year-old Presley dropped into the studio to record an acetate for his mother's birthday; Keisker thought she heard some talent in the young truck driver's voice, and so she turned on the tape recorder. Later, she played it for Phillips, who gradually, with Keisker's encouragement, warmed to the idea of recording Elvis. Presley, who recorded his version of Arthur "Big Boy" Crudup's "That's All Right" at Phillips's studio, became highly successful, first in Memphis, then throughout the southern United States. He auditioned for Phillips in 1954, but it was not until he sang "That's All Right (Mama)" that Phillips was impressed.

On July 5, 1954, the trio headed to the Sun Studios for a recording test together. They recorded the songs "Harbor Lights" and "I Love You Because", and during a break they performed an impromptu version of Arthur Crudup's "That's All Right", which impressed Phillips, who asked for a refinement of the interpretation that later was recorded. Phillips played the recording for WHBQ's DJ Dewey Phillips, who played the song on his regular show next night, on July 8. On July 9, the trio recorded what became the flipside to "That's All Right", an uptempo rockabilly version of Bill Monroe's "Blue Moon of Kentucky".

She became a wealthy woman, and by 1860 owned seven slaves. Peixotto asked the city council to pave the area in front of her fourth ward residence, contending that she had dedicated it "to the citizens of Charleston." She rejected the term "disorderly" to describe her house, a common euphemism for brothels in the nineteenth and twentieth centuries: > I know that you policemen have to make your money on the side and that we > have to pay you for protection, and that's all right. I know that you have > to have a raid every once in a while and fine us, and that's all right.

During a break on July 5, 1954, Elvis "jumped up ... and started frailin' guitar and singin' "That's All Right, Mama" (a 1946 blues song by Arthur "Big Boy" Crudup). Scotty and Bill began playing along. Excited, Phillips told them to "back up and start from the beginning.

But he's a real slimy guy." When Fowler reminded Clinton that Purdum is married to his former press secretary, he responded: "That's all right - he's still a scumbag." He later added, "He's just a dishonest guy - can't help it." Clinton went on to observe, "It's all politics.

I remember him telling the waitresses he was pretty sure it was parked, 'Somewhere in the valley.'" According to Miller, one "well-seasoned" waitress coddled Elam through breakfast and assured him: "That's all right, Darlin'. We'll help you find it after breakfast. Now you'd better eat something, Jack.

Rolling Stone magazine argued in a 2004 article that Presley's recording of "That's All Right" was the first rock-and-roll record.Cave, Damien, Matt Diehl, Gavin Edwards, Jenny Eliscu, David Fricke, Lauren Gitlin, Matt Hendrickson, Kirk Miller, Austin Scaggs, and Rob Sheffield. "Truck Driver Invents Rock". Rolling Stone, no.

Despite being a daily presence on American television, Anderson lived in relative anonymity in Southern California. "But that's all right," he said. "If I'm out in public and I feel like being recognized, I just raise my voice and say... 'The Love Boat.'" Anderson had nine children in total.

Arthur William "Big Boy" Crudup (August 24, 1905 - March 28, 1974) was an American Delta blues singer, songwriter and guitarist. He is best known, outside blues circles, for his songs "That's All Right" (1946), "My Baby Left Me" and "So Glad You're Mine", later recorded by Elvis Presley and other artists.

No worries is an Australian English expression, meaning "do not worry about that", or "that's all right". It can also mean "sure thing" and "you're welcome". Other colloquial Australian terms which mean the same thing include "she'll be right". The expression has been compared to the American English equivalent "no problem".

After discovering that the statue is cursed and he must stop Atoq Navarro from using its power, and save Elena in the process. After doing so, she, Drake, and Sully drive off in a boat loaded with several chests of treasure.Nathan: Sorry you didn't get your story. Elena: Ah, that's all right.

They didn't think Buck was good enough to be in the > Hall of Fame. That's the way they thought about it and that's the way it is, > so we're going to live with that. Now, if I'm a Hall of Famer for you, > that's all right with me. Just keep loving old Buck.

Although it did not reach the singles charts, "That's All Right" became immediately popular with Chicago blues musicians. It also cemented Rogers' relationship with Leonard Chess, leading to his nine- year association with Chess Records. Jimmy Rogers performed the song throughout his career, recording additional studio and live versions of the song.

"Give Up the Goods (Just Step)" is the fourth and final single from Mobb Deep's second album The Infamous, featuring Big Noyd. Produced by Q-Tip, the song contains a sample of "That's All Right With Me" by Esther Phillips.The Making of Mobb Deep's "The Infamous" Complex. Accessed on February 28, 2017.

Rock and Roll: A Social History. Westview p. 45. In "That's All Right", the Presley trio's first record, Moore's guitar solo, "a combination of Merle Travis–style country finger-picking, double-stop slides from acoustic boogie and blues-based bent-note, single-string work, is a microcosm of this fusion."Friedlander (1996), p. 45.

The song "Now That's All Right with Me" was also recorded in 1996 by Mandy Barnett on her self-titled debut album. "Fathers and Sons" was first recorded in 1991 by Charlie Daniels on his album Renegade and then in 1993 on the album Balancing Act by John Jarvis, who co-wrote the song.

According to Moore, the first song they recorded was "I Love You Because", but after a few country music songs that weren't impressive they decided to take a break. During the break, Presley began "acting the fool" with Arthur Crudup's "That's All Right (Mama)," a blues song.Guralnick, Peter (1992). The Complete 50's Masters (CD booklet notes).

Carr and Farren, p.6 A week later, Sun had received some 6,000 advanced orders for "That's All Right" / "Blue Moon of Kentucky," which was released on July 19, 1954. From August 18 through December 8, "Blue Moon of Kentucky" was consistently higher on the charts, and then both sides began to chart across the South.EPE (July 21, 2004).

"" The album features Presley's old backing vocal group The Jordanaires and drummer Buddy Harman. Ironically, James Burton did not take part in the project. Haggard chose to record only hits, including Presley's first record "That's All Right" and his Christmas classic "Blue Christmas." The album was a success, but it has a polarizing reputation among Haggard fans and critics.

In 2004 Curtis toured the UK as part of a soul package tour with Jimmy James & The Vagabonds. At the end of a show he was invited back on stage by Jimmy James who said "I don't like him and he don't like me but that's all right. Here's Clem Curtis." They then did "Love Train" together.

In the adjacent cactus garden Bill has more than 1,800 species of > cacti, imported from many countries. Other business concerns in the vicinity > use the name, “Scorpion Gulch,” and that's all right with Lunsford. To the > many children who visit him daily he’d rather be known as “Grandpa.” He > believes a bottle of pop from “Grandpa” tastes better than one from Scorpion > Gulch.

The Twonky did poorly at the box office; critics saw the poor production values as a major problem. When interviewed in 1970, Hans Conried recalled that he told the producer that The Twonky would probably bomb at the box-office (which it did), whereupon the producer genially replied "That's all right. I need a tax write-off this year anyway."Erickson, Hal.

When director Ishirō Honda told him that since the Mysterian leader wore a mask, his face would not be seen, Tsuchiya said "That's all right. I just want to play the alien!"Galbraith, Stuart IV Monsters are Attacking Tokyo! The Incredible World of Japanese Fantasy Films, page 60 He has a personal interest in space and even claims to have seen several UFOs.

Little, Brown, 1994, p. 94-97 During the next few days, the trio recorded a bluegrass number, Bill Monroe's "Blue Moon of Kentucky", again in a distinctive style and employing a jury- rigged echo effect that Sam Phillips dubbed "slapback". A single was pressed with "That's All Right" on the A side and "Blue Moon of Kentucky" on the reverse.Guralnick (1994), p.

It was collected by Apollo 14 commander Alan Shepard near the rim of Cone Crater, during the second EVA at station C1. Transcript from the Apollo 14 Lunar Surface Journal: > 133:44:29 Mitchell: (Garbled) help with that one? 133:44:30 Shepard: That's > all right, I think I got it. There's a football-size rock, Houston, coming > out of this area, which will not be bagged.

"Elvis Presley Sun Recordings ". elvis.co.au. Retrieved on August 17, 2007. After several performances with other bands, Presley arranged for Moore and Black to be his regular back-up group, giving them each 25% of the takings. Moore and Black were originally members of their own band, The Starlight Wranglers, but after the success of "That's All Right", jealousy within the group forced them to split.

Bill Flagg who is a Connecticut resident, began referring to his mix of hillbilly and rock 'n' roll music as rockabilly around 1953. His song "Guitar Rock" is considered as classic rockabilly. In July 1954, Elvis Presley recorded the regional hit "That's All Right" at Sam Phillips' Sun Studio in Memphis. Three months earlier, on April 12, 1954, Bill Haley & His Comets recorded "Rock Around the Clock".

Amanda Carol Barnett (born September 28, 1975) is an American country music singer and stage actress. Barnett has been singing since she was a child, performing at churches, local venues, as well as Dollywood. In her musical career, she has released seven albums and charted three singles on the Billboard country charts. Her highest-charting country single is "Now That's All Right With Me", which reached No. 43 in 1996.

Bartle's response was, "That's all right, I'm wired for sound myself." When speaking to the Rotary Club in Phoenix, the Optimists in the next room complained he was drowning out their speaker through closed doors. Bartle replied, "Open the doors, and I'll talk to both clubs at once." By the time he ran for mayor, he was making 200 speeches a year at fees that ranged upwards from $1,000 each.

The album returned Presley to the Billboard summit for the first time in almost three decades. In 2003, a remix of "Rubberneckin'", a 1969 recording of Presley's, topped the U.S. sales chart, as did a 50th-anniversary re-release of "That's All Right" the following year. The latter was an outright hit in Britain, debuting at number three on the pop chart; it also made the top ten in Canada.

A master take for "Percy's Song" was also recorded, but it was ultimately set aside and was not officially released until Biograph in 1985. An alternate take on "Percy's Song", a "That's All Right" (Arthur Crudup)/"Sally Free and Easy" (Cyril Tawney) medley and "East Laredo Blues" were released in 2013 on the 1963 entry of The 50th Anniversary Collection. Another session was held the following day, October 24.

She asked on whose authority members of the Senate had stated that the governor had asked for reconsideration of the bill, saying, "I have just come from the governor's office, and I am informed that he has not asked this move." Then-Lieutenant Governor Edgar D. Bush ruled her out of order. She said, "That's all right. I've said everything I want to say anyhow," and left the floor to applause.

One week earlier, he goes to a diner and sees a beautiful girl. Though worried that she's too good for him, the little man still attempts to "give her one good try." Stammering, he makes a fool of himself, but the girl takes his offer, saying in the song's refrain: : If you want me to come with you : then that's all right with me : Because I've been goin' nowhere : And anywhere's a better place to be The little man takes her home and attempts to turn on the lights as he enters his room, but the girl tells him to leave the lights off because she "doesn't mind the dark". The little man cannot believe his good luck, and tries again to speak to the girl, who says only: : If you want to come here with me : then that's all right with me : because I've been oh so lonely : Loving someone is a better way to be.

When Dewey Phillips first aired "That's All Right" on Memphis' WHBQ, many listeners who contacted the station by phone and telegram to ask for it again assumed that its singer was black. From the beginning of his national fame, Presley expressed respect for African-American performers and their music, and disregard for the norms of segregation and racial prejudice then prevalent in the South. Interviewed in 1956, he recalled how in his childhood he would listen to blues musician Arthur Crudup—the originator of "That's All Right"—"bang his box the way I do now, and I said if I ever got to the place where I could feel all old Arthur felt, I'd be a music man like nobody ever saw." The Memphis World, an African-American newspaper, reported that Presley, "the rock 'n' roll phenomenon", "cracked Memphis' segregation laws" by attending the local amusement park on what was designated as its "colored night".

"That's All Right Mama" is a song written and originally performed by blues singer Arthur Crudup and recorded in 1946. It "stands as a convincing front- runner for rock ‘n’ roll’s ground zero", according to one source. It is best known as the debut single recorded and released by Elvis Presley. Presley's version was recorded on July 5, 1954, and released on July 19, 1954 with "Blue Moon of Kentucky" as the B-side.

He resisted Arab pressure to reverse commitments made by the British Government in the Balfour Declaration, and dealt firmly with both the Zionists and the Arab Nationalists.Heathcote, p. 243 On one occasion, an Arab delegation protested a proposal by Jewish battalions to install their regimental colours in the chief synagogues, saying they "wouldn't be responsible for the consequences". Plumer replied, 'That's all right, you're not asked to be responsible for the consequences.

In 1950, the Chess brothers renamed the company Chess Records. "My Foolish Heart" (Gene Ammons), "Rollin' Stone" (Muddy Waters), and "That's All Right" (Jimmy Rogers) were among the first releases on the new label. Leonard Chess played bass drum on one of Muddy Waters' sessions in 1951, specifically on the tracks "She Moves Me" and "Still A Fool". Chess contacted Sam Phillips (of Sun Records) to help find and record new artists from the South.

"My Baby Left Me" was covered by the British rock band Slade in 1977 and released as a non-album single as a tribute to Elvis Presley, who died in August of that year. The Slade version merged "My Baby Left Me" with "That's All Right", another Crudup-penned track. "My Baby Left Me But That's Alright Mama" reached No. 32 in the UK and remained in the charts for four weeks.

Two tracks from the Presley's Sun sessions were included in The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll: "Mystery Train," and "That's All Right." In 2002, given their importance in the development of American popular music, The Sun Sessions were chosen, by the National Recording Registry of the Library of Congress, to be kept as a bequeathal to posterity. For more detailed information on the recording sessions, see Elvis Presley's Sun recordings.

An Australian car displays "No worries" No worries is an expression seen in English meaning "do not worry about that", "that's all right", "she'll be alright", "over the shoulder", "forget about it" or "sure thing". It is similar to the standard English "no problem". The phrase is widely used in Australian speech and represents a feeling of friendliness, good humour, optimism and "mateship" in Australian culture. The phrase has been referred to as the national motto of Australia.

Bruce Eder, Biography, Allmusic.com. Retrieved February 5, 2019 In May 1954, Moore organized a session for the group at the Sun Studio in Memphis, where they recorded two songs, "Now She Cares No More" and the more upbeat "My Kind of Carrying On". A single was released (Sun 202) but was unsuccessful. Elvis Presley had seen the band perform, and, six weeks after Poindexter's session, Moore and Black played with Presley on his seminal recording of "That's All Right".

He was sufficiently affected by what he heard to invite two local musicians, guitarist Winfield "Scotty" Moore and upright bass player Bill Black, to work something up with Presley for a recording session.Jorgensen, 1998, pp. 10–11 The session, held the evening of July 5, proved entirely unfruitful until late in the night. As they were about to give up and go home, Presley took his guitar and launched into a 1949 blues number, Arthur Crudup's "That's All Right".

Eddie replies that they're fine but stands up to reveal a floral skirt. Richie says they appear to have a "skirty feel" about them to which Eddie replies "I think he may have been Scottish." Richie then replies "Oh well, that's all right, the Scots are allowed to be transvestites." To finish their fun, they decide to go on the Ferris wheel, but the burly ride operator shuts down the ride halfway through a turn leaving Richie and Eddie stranded at the top.

1954 Sun 45 release, Sun 209, by Elvis Presley, Scotty and Bill.Sam Phillips gave copies of the acetate to local disc jockeys Dewey Phillips (no relation) of WHBQ, Uncle Richard of WMPS, and Sleepy Eyed John Lepley of WHHM. On July 7, 1954, Dewey Phillips played "That's All Right" on his popular radio show "Red, Hot & Blue". On hearing the news that Dewey was going to play his song, Presley went to the local movie theater to calm his nerves.

The set includes "That's All Right (Mama)", one of candidates for being "the first rock and roll record". Elvis' entire period at Sun is one of the seminal events in the birth of rock and roll, specifically also the beginning of the subgenre known as rockabilly. In 2001, VH1 named its parent album the 21st greatest album of all time. In 2003, the album was ranked number 11 on Rolling Stone magazine's list of the 500 greatest albums of all time.

Moore's playing on his Gibson with his unique finger-picking style using a thumbpick, as on the Sun and early RCA Victor recordings, represented a move of the Chet Atkins style into a more rockabilly mode. Of Presley's first single "That's All Right", the critic Dave Marsh wrote that "Moore's guitar—especially the solo—toughens the song up and forces it to rock." Marsh, Dave (1989). The Heart of Rock & Soul: The 1001 Greatest Singles Ever Made. London: Penguin Books. p. 213.

By mid-1954, a special 30-minute portion of Louisiana Hayride was being broadcast every Saturday on the AFN Pacific channel of the United Kingdom Scottish Forces Radio Network. On October 16 of that year, Elvis Presley appeared on the radio program. Presley's performance of his debut release on the Sun Records label, "That's All Right", brought a tepid response, according to former Hayride emcee Frank Page (1925-2013). Nonetheless, Presley was signed to a one-year contract for future appearances.

Interviewing Presley on-air, Phillips asked him what high school he attended in order to clarify his color for the many callers who had assumed he was black. During the next few days the trio recorded a bluegrass number, Bill Monroe's "Blue Moon of Kentucky", again in a distinctive style and employing a jury-rigged echo effect that Sam Phillips dubbed "slapback". A single was pressed with "That's All Right" on the A side and "Blue Moon of Kentucky" on the reverse.

In March 2019, it was announced that Primary Wave acquired a stake in the music catalog of Arthur "Big Boy" Crudup. "That's All Right", "My Baby Left Me", and "So Glad You're Mine" are some of Crudup's biggest hits, all of which were recorded by Elvis Presley. In April 2019, Primary Wave partnered with the estate of Leon Russell to acquire his music publishing and master recording income streams. Included in the deal is one of Russell's most well-known tracks, "A Song for You".

On February 27, after returning to Los Angeles, Cooper learned that he was dying.Meyers 1998, p. 313. He later told his family, "We'll pray for a miracle; but if not, and that's God's will, that's all right too."Janis 1999, p. 165. On April 17, Cooper watched the Academy Awards ceremony on television and saw his good friend James Stewart, who had presented Cooper with his first Oscar years earlier, accept on Cooper's behalf an honorary award for lifetime achievement—his third Oscar.Meyers 1998, p. 314.

The group's first single was entitled "Love Is a Drug", but it did not chart and was not put on the album. "I Don't Love You Like That," its follow-up, reached a peak of 38 on the Billboard Hot Country Songs charts. Jypsi's self-titled debut album was released in May 2008 as a music download but not as a physical album. This album includes the song "Now That's All Right with Me," previously released by Mandy Barnett on her 1996 self-titled debut.

It's a great show. It's not ‘Python’ as we would have written it. But then, none of us would get together and write a ‘Python’ stage show. Eric eventually ran out of patience and said, ‘Well, I’ll do it myself then.’ He sent us bits and songs and all that and we said, ‘Yeah, that's all right, have a go.’ But its success is so enormous that it took us all by surprise, including Eric, and now we’re just proud to be associated with it, rather pathetically.

The Penguin Social History of Britain noted that "by the 1920s newspapers were filled with advertisements for 'lingerie' and 'undies' which would have been classed as indecent a generation earlier".John Stevenson (1984) British Society 1914–45 Thus, in Ben Travers' comic novel Rookery Nook (1923), a young woman evicted from home in her nightwear and requiring day clothes remarked, "Combies. That's all right. But in the summer you know, we don't ...",Rhoda Marley to Clive FitzWatters and Harold Twine in Travers, Rookery Nook, chapter XII.

Interest in the song was so intense that Dewey reportedly played the acetate 14 times and received over 40 telephone calls. Presley was persuaded to go to the station for an on-air interview that night. Unaware that the microphone was live at the time, Presley answered Dewey's questions, including one about which high school he attended: a roundabout way of informing the audience of Presley's race without actually asking the question. "That's All Right" was officially released on July 19, 1954, and sold around 20,000 copies.

They made their first appearance on October 16, 1954. Presley sang "That's All Right" followed by the flipside of the record, "Blue Moon of Kentucky". The performance was well received and they signed a one-year contract to be official members of the Hayride, while Presley also signed a new management contract with Bob Neal. On August 8, D.J. Fontana joined the band as the drummer on a regular basis after having played occasionally with them, the first time in Shreveport and subsequently on tour.

Pink Cadillac also features a stone country arrangement of the Floyd Tillman tearjerker "This Cold War With You". In the Great Days: The John Prine Anthology liner notes, Prine recalls that "Automobile" was inspired by Elvis Presley's first record: "I think I was playing "That's All Right, Mama" on my guitar and putting my own words to it." "Saigon" tells the story of a Vietnam vet who is probably suffering from PTSD and is unsuccessfully adjusting to civilian life. "Saigon" and "How Lucky" features Sam Philips producing.

A fan of the guitarist Chet Atkins, Moore led a group called the Starlite Wranglers before Sam Phillips at Sun Records put him together with then- teenage Elvis Presley. The trio was completed with the bass player Bill Black, who brought a "rhythmic propulsion" that much pleased Phillips.Guralnick (1994), p. 95 In 1954, Moore and Black accompanied Elvis on what would become the first Presley hit, the Sun Studios session cut of "That's All Right", a recording regarded as a seminal event in rock and roll history.

At the start of his music career Ellis sang in nightclubs, and in 1964 released a single, "Don’t Count Your Chickens", for a small Georgia label, Dradco."Ellis Lives!", Today I Found Out, December 19, 2016. Retrieved 19 December 2019 His vocals closely resembled Elvis Presley, and in 1969 Shelby Singleton, who had acquired the rights to Sun Records' back catalogue, other than Presley's recordings for the label, released a single of Ellis' recordings of Presley's early songs, "That's All Right (Mama)" and "Blue Moon of Kentucky".

The result was a record with blues roots and a blues feel but a steel guitar that sounded unmistakably country. This recording was issued on Sun Records immediately after Elvis Presley's "That's All Right Mama". Phillips did not give Yelvington promotional backing, and so he and the band self-marketed the record to local stations, to little avail. The record was picked up neither by blues nor by country radio stations, each of which seemed to think it sounded too much like the other.

At 18:10:44 the warning system in the cockpit began to sound. The captain responded to these warnings with "that's all right." The captain stated after the accident that he knew as the aircraft passed that he was not "in the slot," meaning the conditions had not been met for a safe landing, in this case because of an excessive airspeed. The captain further stated that he understood that if he was not "in the slot," procedures demanded a go-around maneuver to abort the landing.

Kramer describes in Making Sense of Wine how he began his career as a wine writer in 1976, then a food writer of a weekly paper, in a meeting with his publisher. As the advertising department had altered the food page contents to include a "wine of the week" column, to the advertisers' approval, Kramer was told that he would write this new column. Kramer resisted, saying, "But I don't know anything about wine", but the publisher replied, "That's all right. Neither does anyone else".

After his stint as Chris Keller on One Tree Hill, Hilton went on to appear in the Academy Award-winning film Walk the Line as a young Elvis Presley. For the part, Hilton was given the opportunity to cover two Elvis songs for the film: "Milk Cow Blues" and "That's All Right". Both songs are featured on the film's award-winning soundtrack. In 2007, Hilton played the love interest in country music artist Taylor Swift's music video for her song "Teardrops on My Guitar" and appeared in the 2008 film Charlie Bartlett.

After a night out celebrating the session for "William, It Was Really Nothing" and "Please Please Please Let Me Get What I Want", the trio had reconvened the following afternoon to record what became "How Soon Is Now?" Porter was impressed by the basic riff Marr showed him, but felt the song needed something else. Their discussion turned to the early recordings of Elvis Presley, which led to an impromptu jam session of the song "That's All Right". During the jam, Marr worked on his chord progression for "Swamp", which inspired the arrangement.

When police arrived after being notified by locals of the noise, the band members were unable to come out because of a padlock on the door. One of the cops said, "That's all right. We'll let this .38 special do the talking", and shot off the lock.38 Special's Don Barnes talks Hold on Loosely, Decades TV Network (YouTube channel, uploaded Nov 16, 2018) Now that they had their name, the group spent most of 1975 and 1976 playing a steady grind of one-nighters, mostly in the South and the Midwest.

Having exhausted the extensions of their American visas, Lennon and Ono returned from the US on 15 September 1970. Recording began at Abbey Road Studios between 26 SeptemberNoyer 2010, p. 21 and 27 October 1970 using Lennon, Klaus Voormann, and Ringo Starr as the core musicians, with Phil Spector and Billy Preston each playing piano on a track. The group jammed to a variety of songs in between recording new tracks: "When a Boy Meets a Girl", "That's All Right Mama", "Glad All Over", "Honey Don't", "Don't Be Cruel", "Hound Dog", and "Matchbox".

"I Love You Because" was first recorded on July 4th and 5th, 1954 at SUN Studio. The session started on the 4th and ended early on the morning of the 5th of July in Memphis, Tenn., the same day he recorded "That's All Right". Producer Sam Phillips did not think "I Love You Because" was the right song for Elvis's first single, but it was instead used as the B-side of "Tryin' to Get to You" both of which can be found on his debut album "Elvis Presley" released in 1956.

At the next recording session on November 1, the band included Art Davis on bass, while jazz guitarist George Barnes replaced Howie Collins. "Mixed-Up Confusion" and "That's All Right Mama" were re-recorded, and again the results were deemed unsatisfactory. A take of the third song, "Rocks and Gravel", was selected for the album, but the track was subsequently dropped. On November 14, Dylan resumed work with his backup band, this time with Gene Ramey on bass, devoting most of the session to recording "Mixed-Up Confusion".

On the evening of July 5, 1954, during an otherwise uneventful recording session at Sun Studio, Elvis Presley was on acoustic rhythm guitar, Scotty Moore was on lead guitar, and Bill Black was on string bass. During a break between recordings, Presley began improvising an up-tempo version of Arthur Crudup's song "That's All Right, Mama". Black, on bass, joined, and the pair was soon joined by Moore's guitar. Producer Sam Phillips, at the suddenly upbeat atmosphere, asked the three to start again so he could record it.

Official UK Charts - Shakin' Stevens In April 1982 the album was re-released under the new title of Hot Dog with "That's All Right" and "Ah, Poor Little Baby" being replaced by "You and I Were Meant to Be" and "Make it Right Tonight" respectively.Discogs - Hot Dog In 2009, Sony Music released a box set of Stevens' original albums called The Epic Masters. This was the first time the album was released on compact disc and contained bonus tracks of his first three non-album singles recorded for Epic in 1978 and 1979.

The single "That's All Right" did not chart in the US when released in 1954, and it was never issued as a single in Great Britain during Presley's lifetime. In 2004, the song became the focus of attention when it was the subject of a great deal of publicity because of the 50-year anniversary. There was a special ceremony on July 6, 2004 featuring Isaac Hayes, Justin Timberlake and Scotty Moore which was beamed live to 1200 radio stations. The song went top five in the UK and Canada and also charted in Australia.

They practised at Lennon's aunt's house (called Mendips) at 251 Menlove Avenue where Lennon lived, or at Griffiths' house in Halewood Drive. They learned how to play "Rock Island Line", "Jump Down Turn Around (Pick a Bale of Cotton)", "Alabamy Bound" and "Cumberland Gap", and later learned how to play "That's All Right" and "Mean Woman Blues"."The Beatles Anthology" DVD (2003) (Episode 1 – 0:12:39) Harrison talking about Lonnie Donegan and the influence of "Rock Island Line". Lennon and Griffiths decided to form a skiffle group in November 1956.

In 1956, shortly after Elvis began to rise in popularity, Smith began jumping on stage and imitating Presley. Smith's physical resemblance to Elvis and his mannerisms happened to catch the attention of DJ Norm Pringle of Victoria, British Columbia, Canada, who had been playing "That's All Right, Mama" and "Heartbreak Hotel" on the radio. Smith was featured several times on Pringle's regular TV show, though Smith only pretended to sing and play along with the music since he actually could neither sing nor play the guitar at that time.

Much of the crowd itself was extremely emotional, with victims' family members and colleagues holding up portraits of the dead. Two speakers were booed: actress Susan Sarandon (for plugging New York mayoralty candidate Mark Green), and actor Richard Gere (for speaking about non-violent tolerance). Gere did acknowledge the crowd's jeering at his pacifist stance, stating, "That's apparently unpopular right now, but that's all right." Repeat broadcasts and the DVD version of the concert were digitally edited to remove the booing and replace it with dubbed cheering for Hillary Clinton.

Jimmy Rogers (June 3, 1924 - December 19, 1997) was a Chicago blues singer, guitarist and harmonica player, best known for his work as a member of Muddy Waters's band in the early 1950s. He also had solo hits on the R&B; chart with "That's All Right" in 1950 and "Walking by Myself" in 1954. He withdrew from the music industry at the end of the 1950s but returned to recording and touring in the 1970s. He is not to be confused with the country music singer Jimmie Rodgers or the pop singer Jimmie Rodgers.

The band defined the sound of the nascent Chicago blues style (more specifically, South Side Chicago blues). Rogers recorded several sides of his own with small labels in Chicago, but none were released at the time. He began to achieve success as a solo artist in 1950, with the hit song "That's All Right", released by Chess Records, but he stayed in Waters's band until 1954. In the mid-1950s he had several successful records released by Chess, most of them featuring either Little Walter or Big Walter Horton on harmonica, notably "Walking by Myself".

Some of Presley's early recordings were covers of black rhythm and blues or blues songs, such as "That's All Right" (a countrified arrangement of a blues number), "Baby Let's Play House", "Lawdy Miss Clawdy" and "Hound Dog".C. Deffaa, Blue rhythms: six lives in rhythm and blues (Chicago: University of Illinois Press, 1996), pp. 183–4. The racial lines, however, are rather more clouded by the fact that some of these R&B; songs originally recorded by black artists had been written by white songwriters, such as the team of Jerry Leiber and Mike Stoller.

The Beatles recorded their version on July 16, 1963 at the BBC Paris Studio in London for the Pop Go The Beatles radio show. The recording went unreleased until 1994 when it was released on Live at the BBC. The Beatles version is different than Presley's version in that is more rock 'n' roll while Presley's version is in a more rockabilly country style. This is one of three Presley songs recorded by the Beatles for BBC radio, the others being "I Forgot to Remember to Forget" and "That's All Right".

" Two or three takes later, Phillips had a satisfactory recording, and released "That's All Right", on July 19, 1954, along with an "Elvis Presley Scotty and Bill" version of Bill Monroe's waltz, Blue Moon of Kentucky, a country standard. Presley's Sun recordings feature his vocals and rhythm guitar, Bill Black's percussive slapped bass, and Scotty Moore on an amplified guitar. Slap bass had been a staple of both Western Swing and Hillbilly Boogie since the 1940s. Commenting on his own guitar playing, Scotty Moore said, "All I can tell you is I just stole from every guitar player I heard over the years.

Hopkins, p. 58. In 1955, Black went to RCA along with Presley and Moore when Presley's contract was sold to that company. Except for the RCA reissue of "Mystery Train" and "I Forgot to Remember to Forget" (“with Scotty and Bill”), they were no longer credited on record labels. Black played on early Presley recordings including "Good Rockin' Tonight", "Heartbreak Hotel", "Baby Let's Play House", "Mystery Train", "That's All Right", and "Hound Dog", and eventually became one of the first bass players to use the Fender Precision Bass (bass guitar) in popular music, on "Jailhouse Rock", in the late 1950s.

Live and Kicking was a television show that was broadcast in Australia on the Seven Network in 1998 and 1999. An Australian rules football show focusing on the Australian Football League (AFL), the show featured Jason Dunstall, Doug Hawkins and Craig Hutchison among others. The show was aimed as a variety show, with footballers in the AFL invited onto the show to perform songs. Players included Daniel Harford (performing Five's "When the Lights Go Out"); Nicky Winmar (performing "That's All Right (Mama)" by Elvis Presley); Dale Lewis; Nick Daffy; and Adam Heuskes (performing "Holiday" by Madonna).

In the end, Duddy has no friend left. But back in the Montreal St. Urbain Street joint where his taxi-driving and pimping father spends most of his time, entertaining regulars with stories often involving the Boy Wonder, someone somehow recognizes Duddy as the guy who's recently acquired all of the land surrounding the dreamful lake in the Laurentians, and when Duddy, ordering servings for everyone while he has no cash left to pay for any, gestures to his father, he is answered by the patron, "That's all right, sir. We'll mark it." He has made it.

Contrary to popular belief, Elvis impersonators have existed since the mid-1950s, just after Presley himself began his career. The first known Elvis impersonator was a young man named Carl 'Cheesie' Nelson from Texarkana, Arkansas, who in 1954 built up a local following on WLAC radio with his renditions of "That's All Right, Mama" and "Blue Moon of Kentucky." Nelson even performed alongside Presley when they first met, also in 1954. The friendship between Nelson and Presley is documented in the book "Elvis in Texas". The second known impersonator was a 16-year-old boy named Jim Smith.

On October 3, 1954, a teenage Elvis Presley made the drive from Memphis to Nashville to make his one and only performance on the Grand Ole Opry. Debuting his high-energy brand of rockabilly with "Blue Moon of Kentucky" it was his first live performance on a radio broadcast. He had just recorded his first record at Sun studios, That's All Right just a few weeks prior. In 1955 the Jordanaires played a show in Memphis with Eddy Arnold to publicize their new syndicated TV series, Eddy Arnold Time (for the program the group used the name Gordonaires).

In comparison, Memphis, where the WHBQ cluster became one of RKO's mainstays, ranked 26th (see Population of the 100 Largest Urban Places: 1950—U.S. Bureau of the Census ). Dates have not been established for RKO's sale of the two other stations in mid-sized markets acquired via the Yankee Network, WAAB and WICC, nor for KDB in Santa Barbara, California, acquired via Don Lee. On the evening of July 8, 1954, WHBQ disc jockey Dewey Phillips introduced a song called "That's All Right (Mama)", the first ever recording to air on the radio by a local singer named Elvis Presley.

On August 15, 1950, Jimmy Rogers recorded "That's All Right" at the end of recording session for Muddy Waters . Little Water on harmonica and Ernest "Big" Crawford on bass also participated, but Muddy Waters does not appear. The trio performed the song as a moderate- to slow-tempo twelve-bar blues. It features Rogers' guitar and plaintive vocals, with Little Walter playing in the style of Sonny Boy Williamson I. Despite the title, the lyrics indicate "clearly ... it is not 'all right'": Chess Records issued the song as Rogers debut single for the label, backed with "Ludella".

Guralnick, Peter. The King of Rock 'n' Roll: The Complete 50s Masters, insert booklet, p. 32 and 34 They reinforced this effect by including material echoing his very first Sun record: a blues by Arthur Crudup, author of "That's All Right (Mama);" and a song recorded by bluegrass founder Bill Monroe, "When My Blue Moon Turns to Gold Again." The sessions were attended by a few outsiders, namely his current girlfriend at the time, actress Natalie Wood and actor Nick Adams, both of whom had starred in Rebel Without a Cause, Presley's favorite James Dean film.

Although not recorded at Sun it did feature various Sun Records recordings including some hits and other more obscure songs. In 2007, Canadian rockabilly band the Kingmakers recorded a selection of originals and classics such as Elvis Presley's "That's All Right" at Sun Studio, released as their first CD "Live at SUN Studio". In May 2009, Canadian blues artist JW-Jones recorded with blues legend Hubert Sumlin, Larry Taylor and Richard Innes for his 2010 release at the studio. In July 2009, John Mellencamp recorded nine songs for his album No Better Than This at the studio.

Elvis Presley in a promotion shot for Jailhouse Rock in 1957 Presley's first recording, a blues song titled "That's All Right Mama", was previously recorded in 1946 by Arthur Crudup. In this recording Presley married "black" and "white" genres to an extent that it was denied airplay on (white) country radio stations and (black) R&B; stations, dismissed for being defined as both "black" and "white" music. Record Producer Sam Phillips was told by country deejays that Presley's "That's Alright Mama" was "black music" and lamented they would be "run out of town" for playing it. Similarly, R&B; deejays categorized it as a (white) country song.

Opera News magazine featured Strassberger in its Next Wave feature in August 2012.: > Strauss and Hofmannsthal, Verdi and Solera — even going back to da Ponte and > Mozart — you feel as if everyone is in this constant state of gloom and > doom: the theaters are shutting down next year, the quality isn't what it > was, we don't have the voices we used to have. When Verdi presented the > score of Nabucco to Bartolomeo Merelli, they said, 'There's no budget.' > Verdi said, 'I've got Strepponi and the whole cast,' and they said, 'You'll > have to use sets from the warehouse,' and Verdi said, 'That's all right.

By all accounts the singer was not held in much regard by Phillips, but Feathers often made the audacious claim that he had arranged "That's All Right" and "Blue Moon of Kentucky" for Elvis Presley. He also claimed that his "We're Getting Closer (To Being Apart)" had been intended to be Elvis' sixth single for Sun. He did, however, get his name on one of Elvis' Sun records, "I Forgot To Remember To Forget" when the writer Stan Kesler asked him to record a demo of the song.[ Charlie Feathers biography] at AllMusic He then moved on to Meteor Records and then King Records where he recorded his best-known work.

Some of the songs, like "That's All Right", were in what one Memphis journalist described as the "R&B; idiom of negro field jazz"; others, like "Blue Moon of Kentucky", were "more in the country field", "but there was a curious blending of the two different musics in both". This blend of styles made it difficult for Presley's music to find radio airplay. According to Neal, many country-music disc jockeys would not play it because he sounded too much like a black artist and none of the rhythm-and-blues stations would touch him because "he sounded too much like a hillbilly." The blend came to be known as rockabilly.

Davis was born in Bentonia, Mississippi, United States, and then as a child moved to Memphis, Tennessee. Davis became inspired to play guitar at the age of 8, when he heard "That's All Right" by Arthur 'Big Boy' Crudup. In 1951, at the age of 13 he moved to Detroit, Michigan where lived in the predominantly black area of the city, referred to as "Black Bottom", and he began taking guitar lessons from Bosie Gatlin, who taught him how to play Muddy Waters' song "Baby, Please Don't Go". In 1951, Davis met John Lee Hooker through his mother, who was a friend of hers from Mississippi.

Because the honking tenor saxophone was the driving force at those shows and on many of the records Freed was playing, the authors began their list with a 1944 squealing and squawking live performance by Illinois Jacquet with Jazz at the Philharmonic in Los Angeles in mid-1944. That record, "Blues, Part 2," was released as Stinson 6024 and is still in print as a CD on the Verve label. Several notable jazz greats accompanied Jacquet on "Blues", including Les Paul and Nat King Cole, who used the pseudonyms Paul Leslie and Slim Nadine respectively. In 2004, Elvis Presley's "That's All Right Mama" and Bill Haley's "Rock Around the Clock" both celebrated their 50th anniversaries.

Rock and roll (Rock 'n' roll) arose in the United States in the late 1940sJim Dawson and Steve Propes, What Was The First Rock'n'Roll Record, 1992, Jazz at the Philharmonic: Blues, Part 2 (1944) 2 Joe Liggins: The Honeydripper (1945) 3 Helen Humes: Be-Baba-Leba (1945) 4 Freddie Slack: House Of Blue Lights (1946)Farley, Christopher John, Elvis Presley's July 5th, 1954 recording of "That's All Right", a cover of a song previously released by its composer, bluesman Arthur Big Boy Crudup, in 1946., July 06, 2004 after World War II, from a combination of the rhythms of African American blues, countryPeterson, Richard A. (1999). Creating Country Music: Fabricating Authenticity, p.9. . and gospel music.

Dylan resumed work on Freewheelin' at Columbia's Studio A on October 26, when a major innovation took place—Dylan made his first studio recordings with a backing band. Accompanied by Dick Wellstood on piano, Howie Collins and Bruce Langhorne on guitar, Leonard Gaskin on bass, and Herb Lovelle on drums, Dylan recorded three songs. Several takes of Dylan's "Mixed-Up Confusion" and Arthur Crudup's "That's All Right Mama" were deemed unusable, but a master take of "Corrina, Corrina" was selected for the final album. An 'alternate take' of "Corrina, Corrina" from the same session would also be selected for the b-side of "Mixed Up Confusion", Dylan's first electric single issued later in the year.

The singer chose to cover Neil Diamond's "Sweet Caroline" and included a medley of Elvis Presley hits originally composed by bluesman Arthur Crudup: "That's All Right" and "My Baby Left Me" (Presley would die just two months after Ol' Waylon was released). Other songs found on Ol' Waylon appear to betray Jennings own discomfort with the success he was having. Unlike Nelson, who seemed to embrace his growing fame with the laissez faire attitude of a free spirit, Jennings refused to attend award ceremonies and resented losing his privacy. He also began using cocaine, which replaced the amphetamines that had sustained him through years on the road in the 1960s and early 1970s.

He asks her what she wants to be when she grows up and she says an astronaut. When she asks him what he wants to be, he says that he no longer knows, and she says that that's all right, which comforts Peter. The next day, Peter's father shows up at the house, using Star-69 and MapQuest he managed to find where Peter was. After a brief visit with Jack and Rosie, where he is greatly put off to find that this is where his son has been all this time, he tells Peter that they're leaving, and Peter reluctantly goes with him despite his new-found bond with Jack and Rosie.

Joe Hill Louis waxed an electric blues single, "Boogie in the Park" (recorded in July 1950 and released the following month). It was the only record released on the Phillips label before Sam founded Sun Records. On 10 July 1954, he was the first DJ to broadcast the young Elvis Presley's debut record, "That's All Right" / "Blue Moon Of Kentucky" (Sun 209), and got Presley to reveal his race in an interview by asking which high school the 19-year-old singer attended (knowing that, because of segregation, his audience would readily know what race attended which schools). Dewey Phillips was bringing Black Music to segregated Memphis before Alan Freed did the same as Moon Dog in Cleveland.

Lift and 97 degree first drop of Gerstlauer Euro-Fighter Typhoon at Bobbejaanland. Air Race, Bobbejaanland, 1988. Bobbejaanland contains about 50 attractions, such as the Waterslide (1980), the Giant wheel (1976), Indiana River (indoor waterslide, 1991), the Revolution (a dark Rollercoaster, 1989), the Speedy Bob (roller coaster, 1998), the Air Race (suspended roller coaster, 1987, now named Dreamcatcher), the longest junior roller coaster in the world, 'Okidoki' (i.e. 'that's all right', 2003/04), and the world's second Gerstlauer Euro- Fighter roller coaster, "Typhoon" (2003/04), with a drop angle of over 97°(a roller coaster with a fourfold loop and a free fall) and a Splash Battle, "Banana Battle", (2007) made by Preston & Barbieri.

He brought the song to Dewey Phillips, a disc jockey at WHBQ 560, to play on his Red, Hot & Blue program. For the first six months, the flip side, "Blue Moon of Kentucky", Presley's upbeat version of a Bill Monroe bluegrass song, was slightly more popular than "That's All Right (Mama)." While still not known outside the South, Presley's singles and regional success became a drawing card for Sun Records, as singing hopefuls soon arrived from all over the region. Singers such as Sonny Burgess ("My Bucket's Got a Hole in It"), Charlie Rich, Junior Parker, and Billy Lee Riley recorded for Sun with some success, and others, such as Jerry Lee Lewis, BB King, Johnny Cash, Roy Orbison, and Carl Perkins, became stars.

Each of his previous six LPs charted no lower than number three, and RCA wished to continue to release albums by their hot commodity given his sales record. Much of Presley's material had been issued on single records, not on LP. For this album, RCA Victor collected nine tracks previously available in single form only, as well as "Poor Boy" from the Love Me Tender EP. Four of the tracks had been issued on Sun Records with limited release, and were very difficult to come by outside of the south. However all 5 Sun singles were reissued by RCA Victor in November 1955 and remained in print through the 1970s. "That's All Right (Mama)" was never issued as a single in the UK during Presley's lifetime.

"Hound Dog", with its unmodified 12-bar structure (in both harmony and lyrics) and a melody centered on flatted third of the tonic (and flatted seventh of the subdominant), is a blues song transformed into a rock and roll song. Jerry Lee Lewis's style of rock and roll was heavily influenced by the blues and its derivative boogie woogie. His style of music was not exactly rockabilly but it has been often called real rock and roll (this is a label he shares with several African American rock and roll performers). Many early rock and roll songs are based on blues: "That's All Right Mama", "Johnny B. Goode", "Blue Suede Shoes", "Whole Lotta Shakin' Goin On", "Shake, Rattle, and Roll", and "Long Tall Sally".

Michael Palin plays a customer at a butcher's attempting to buy a chicken and some stuffing, but is confused by the butcher (Eric Idle) who is alternately rude ("Don't give me that posh talk you nasty stuck-up twit") and polite ("That's all right sir, call again.") Palin's character attempts to ignore the rude comments at first, but later confronts the proprietor about his behavior. The sketch ends after Idle's characters' last rude comment by going back to Cleese's narrator character at the eponymous Grill-O-Mat, who has appeared between most of the sketches as a method of linking the sketches. The sketch is preceded by an animation of two identical United States Civil War generals, one of whom expresses his desire to "hunt piggy banks".

The Blue Moon Boys, including Moore, appear in the few surviving 1955 home movie clips of Presley before he achieved national recognition. Moore, Black and Fontana also appeared on the Dorsey Brothers, Milton Berle, Steve Allen, and Ed Sullivan live TV shows from January 1956 to January 1957. Moore and Fontana also reunited on the 1960 Timex TV special with Frank Sinatra welcoming Presley upon his return from service in the U.S. Army. Moore played on many of Presley's most famous recordings, including "That's All Right", "Good Rockin' Tonight", "Milkcow Blues Boogie", "Baby Let's Play House" (where Elvis introduced the vocal stutter to the music pundits), "Heartbreak Hotel", "Mystery Train", "Blue Suede Shoes", "Hound Dog", "Too Much", "Jailhouse Rock", and "Hard Headed Woman".

Reyne said choosing songs for this album meant listening to a vast catalogue of Presley tunes. He deliberately avoided the earlier/iconic songs like "Hound Dog"’, "That's All Right" and "Suspicious Minds" and avoided Elvis' gospel records. Reyne said that he wanted to do ‘Kentucky Rain’ and others from the movies "I really wanted Kentucky Rain because it's a brilliantly written song but also quite cheesy, lyrically, but there is something that appeals to me and I think that's it with a lot of the music the tongue is in the cheek." Reyne celebrated the release of TCB album by performing two special theatre shows in May where he exclusively performed songs from this album along with other 'Elvis' material.

"Hey Porter" is Johnny Cash and the Tennessee Two's first recording; John wrote the song with band mates Luther Perkins and Marshall Grant after Sam Phillips (Owner of Sun Records) turned down "I Was There When It Happened", the song John, Luther and Marshall auditioned with. The reasoning behind Phillip's decision was that "Sam didn't want a gospel song, he wanted a fast song," like Elvis Presley's "That's All right". Having been stationed in Landsberg, Germany, during his stint with the United States Air Force, Cash based the song on a man returning home from overseas who felt elated to be returning to his native South. "Hey Porter" was the first of many rail-themed songs that Cash would record during his career, and was soon followed by "Folsom Prison Blues", another rail-themed track.

Music scholar Michael Campbell called it "quintessential rockabilly" with Presley's voice "the magical element" drawing on country and rhythm and blues but confined to neither, while AllMusic critic Cub Koda said "what we ultimately have here is a young Elvis Presley, mixing elements of blues, gospel and hillbilly music together and getting ready to unleash its end result – rock & roll – on an unsuspecting world." The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll included two tracks from the album: "Mystery Train" and "That's All Right." In 2002, The Sun Sessions were chosen by the National Recording Registry of the Library of Congress to be included in its archives given their importance to the development of American popular music. This album is the very first Elvis album to feature "I Don't Care If The Sun Don't Shine", which was only previously issued as a single.

The song has been used globally in education about racism, but in the late 1990s its inclusion in antiracism education at a school in Greater Manchester, England, led pupils to taunt the school's only black pupil with the song's chorus, "If you're white, that's all right, if you're brown, stick around, but if you're black, oh brother get back, get back, get back". The national media reported that the problem became so bad that the nine-year-old boy was withdrawn from the school by his mother. The song had already been adopted by the National Front, a far-right British political party which peaked in popularity in the 1970s and opposed nonwhite immigration to Britain. A considerable part of Broonzy's early ARC/CBS recordings has been reissued in anthologies by CBS-Sony, and other earlier recordings have been collected on blues reissue labels, as have his European and Chicago recordings of the 1950s.

The album is a mixture of rock, country, blues, soul, and folk, and includes Stewart's breakthrough hit, "Maggie May", as well as "Reason to Believe", a song from Tim Hardin's debut album of 1966. "Reason to Believe", with Pete Sears on piano, was released as the first single from the album with "Maggie May" as the B-side, however, "Maggie May" became more popular and was a No. 1 hit in both the UK and US. The album includes a version of Arthur Crudup's "That's All Right (Mama)" (the first single for Elvis Presley) and a cover of the Bob Dylan song "Tomorrow Is a Long Time," an outtake from Dylan's 1963 album The Freewheelin' Bob Dylan (it would see release on 1971's, Bob Dylan's Greatest Hits Vol. II). All five members of the Faces (with whom Stewart at that time was lead vocalist) appeared on the album, with guitarist/bassist Ronnie Wood and keyboardist Ian McLagan on Hammond B3 organ being employed most. Due to contractual restrictions, the personnel listings were somewhat vague, and it was unclear that the full Faces line-up recorded the version of the Motown hit "(I Know) I'm Losing You".

There were also changes in the record industry, with the rise of independent labels like Atlantic, Sun and Chess servicing niche audiences and a similar rise of radio stations that played their music. It was the realization that relatively affluent white teenagers were listening to this music that led to the development of what was to be defined as rock and roll as a distinct genre. Because the development of rock and roll was an evolutionary process, no single record can be identified as unambiguously "the first" rock and roll record.Jim Dawson and Steve Propes, What Was The First Rock'n'Roll Record, 1992, Contenders for the title of "first rock and roll record" include Sister Rosetta Tharpe's "Strange Things Happening Every Day" (1944), "That's All Right" by Arthur Crudup (1946), "The Fat Man" by Fats Domino (1949), Goree Carter's "Rock Awhile" (1949),Robert Palmer, "Church of the Sonic Guitar", pp. 13–38 in Anthony DeCurtis, Present Tense, Duke University Press, 1992, p. 19. . Jimmy Preston's "Rock the Joint" (1949), which was later covered by Bill Haley & His Comets in 1952, "Rocket 88" by Jackie Brenston and his Delta Cats (Ike Turner and his band The Kings of Rhythm), recorded by Sam Phillips for Sun Records in March 1951.