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19 Sentences With "telling the future"

How to use telling the future in a sentence? Find typical usage patterns (collocations)/phrases/context for "telling the future" and check conjugation/comparative form for "telling the future". Mastering all the usages of "telling the future" from sentence examples published by news publications.

It was a method of telling the future, he said.
That's a far more impressive trick than telling the future.
"This is no Minority Report," Gavrila says—no one's telling the future.
To some degree, Wall Street economists and strategists are tasked with telling the future.
Literally what is he for if not telling the future and then planning around that information.
Ariel Hart's deck of Lisa Frank tarot cards is making telling the future a bit more colorful.
Alpha Centauri looks like it's doing the same thing: telling the future history of Earth's first colonists.
Some think the inscriptions are telling the future and giving us a guideline for how to rebuild after an apocalypse.
She joked that it's for telling the future, but there's no way we could have foretold the success we've had.
"Bill Nuti deserves a lot of credit for telling the future in many ways and seeing that the company needed to pivot its business strategy," Kurnos said.
Senate Majority Leader Mitch McConnell once reportedly returned $2000,22016 to then-real-estate developer Donald Trump in 22017, telling the future president at the time that he needed the money more than he did.
"Black folks have been creating with their backs against the wall for years, telling the future, speaking what is coming to the masses that aren't eager to hear it until what's coming actually arrives," Abdurraqib writes.
In myths where demigods have two fathers the other is listed as Kleopompos. Parnassus is famous for creating a method of telling the future by using birds and founding the main city on Mt. Parnassus. Her father was the local river- god Cephissus of northern Boeotia. The meaning of her name and the names of her sisters connect her to the future and Apollo.
Tiresia is a 2003 French film directed by Bertrand Bonello and written by Bonello and Luca Fazzi. Based on the legend of Tiresias, it tells of a transsexual woman who is kidnapped by a man and left to die in the woods. She is then saved by a family and receives the gift of telling the future. The film stars Laurent Lucas, Clara Choveaux, Thiago Telès, and Célia Catalifo.
The title Necromancer is applicable to the contents of the book in two ways. The general, popular conception, a worker of magic, superficially describes the workings of the Chantry Guild. The more technical definition, the occupation of telling the future by communicating with the dead, is applied in the identity and history of Paul Formain, once again, revealed in the climax of the book. Evolutionary transition is only one of several themes of classic Science Fiction found in Necromancer.
Animals are frequently used for the purposes of divination. Birds are especially common in this role, as by their faculty of flight they offer themselves to the interpretation as messengers between the celestial and human spheres. Augury was a highly developed practice of telling the future from the flight of birds in Classical Antiquity. The dove appears as an oracular animal in the story of Noah, and also in Thisbe in Boeotia there was a dove-oracle of Zeus.
The Jivaro also believe in an act of what may be considered telling the future or telling time. Bennett makes another note of the Jivaro and their ayahuasca ceremonies, where a Jivaro will hire a shaman to tell of far away friends and family. > "The Jivaro shamans, Under the influence of ayahuasca, often believe that > they are seeing distant relatives or sweethearts. These distant persons > apparently have to be individuals with whom the shaman is already > acquainted, so that he can "know whom to look for.
Her collections of poetry include Telling the Future Off (2005), Picture Palace (2008), and Ursula or University (2013). She edited the anthology Bay Poetics (2006) and co-edited, along with poet Juliana Spahr, the book A Megaphone: Some Enactments, Some Numbers, and Some Essays about the Continued Usefulness of Crotchless-pants-and-a-machine-gun Feminism (2012), a collection of “enactments” investigating politics, feminism, and collaborative poetry practice that the pair performed between 2005 and 2007. Young's poetry and prose have been published in a variety of sites, including: The Poetry Foundation, The Chronicle of Higher Education, and The Los Angeles Review of Books. Young was a founding editor of the online anthology/“museum” of Oakland, Deep Oakland .
This causes hundreds of Stewies and Brians to appear, however, to prevent them from telling the future. This number includes one Brian and Stewie with their Peter who says he was just looking for the bathroom, another Brian and Stewie trapped in barber shop twirls, one Brian and Stewie dressed up in their banana outfits, and a Stewie who arrives with his Brian whose throat is slit. Having had enough of this, one Stewie tells all of his and Brian's numerous future selves to decide whether or not to prevent 9/11, which results in the majority saying no, not to foretell any future events, and to return to their time and stay there. All the Brians and Stewies do as they are told.

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